Podcast appearances and mentions of Roy Hargrove

In this extra episode of The Sound of Economics, Bruegel's Bertin Martens and Fiona M. Scott Morton explain the EU's first fines under the Digital Markets Act, in conversation with Rebecca Christie. Apple and Meta were hit with the penalties on 23 April 2025 in what will be a test case for the European Commission's new mandate to rein in digital gatekeepers. This podcast walks through why the fines were assessed, whether they will be big enough to change the companies' behaviour, and how the EU must manage its regulatory agenda in the middle of a trade war. This podcast was recorded on 25 April 2025. Relevant research: Scott Morton, F. (2024) ‘It's time for the European Union to rethink personal social networking', Policy Brief 34/2024, Bruegel Bertin Martens, ‘EU targeting of digital services in tariff retaliation would present challenges', Bruegel First Glance, 11 April 2025 Scott Morton, F. (2024) ‘Entry and competition in mobile app stores', Working Paper 03/2024, Bruegel ‘The state of play on global tax', The Sound of Economics, Bruegel podcast with Rebecca Christie, Benjamin Angel and Pascal Saint-Amans, 6 December 2023 * Music is excerpted from Lake Danse by Roy Hargrove, courtesy of Red Brick Songs and Universal Music

Басист Rodney Jordan, родившийся и выросший в городе Мемфис, известном как родина блюза, уверенно передает это наследие в альбоме Memphis Blue. К нему присоединился его коллега из Мемфиса, трубач Melvin Jones, а также группа первоклассных соавторов, которые представляют весь спектр Юга Штатов. Это пианист из Атланты Louis Heriveaux, саксофонист из Чарльстона Mark Sterbank и уроженец Чарльстона Quentin E. Baxter на барабанах.Альбом включает в себя оригинальные произведения Джордана и Джонса, а также стандарты Джиджи Грайс, Джонни Мерсера и Малгрю Миллера. Memphis Blue показывает колорит и дух блюза способами, которые невозможно отрицать. То есть, это не совсем обычный блюз, как мы привыкли его слышать. Здесь много джаза, фанковых грувов, свинга и бибопа. Современный стиль, но с явным дыханием блюзовых мелодий прошлого столетия.Нетипичная запись блюза, но если вы внимательно послушаете, то увидите, как эта нить проходит через каждое произведение, — говорит Джордан. В нашей игре есть оптимизм, который воплощает дух блюза. Конечно, если взять за кредо известную фразу Вилли Диксона о том, что «блюз — это правда», то мы найдем в оригинальных мелодиях глубокие и неприкрытые истины. Например: угрюмую надежду в композиции The Storm Will Pass Джонса, сладость и тоску Escapatoria Джордана и душевное празднование The Art of Blakey басиста. Он также написал пьесу Hargrove, как дань уважения знаменитому трубачу Roy Hargrove (1969-2018).Тем не менее, в их завораживающей трансформации Autumn Leaves, есть не меньшее проявление блюза, поистине уникальное исполнение, вызывающее силу Бесси Смит или Роберта Джонсона в своей резкой, деконструктивной аранжировке.СЛУШАТЬ АЛЬБОМ - https://album.link/i/1772955849Лучший трек альбома в плей-листе JAZZ по-русски 8 на AppleMusic и SpotifyПоставь лайк ❤️ и подпишись на канал JAZZ по-русски https://t.me/discor#bop #blues

durée : 00:59:19 - Can't Help It - par : Nathalie Piolé -

From Cuba, Dafnis Prieto's revolutionary drumming techniques and compositions have had a powerful impact on the music landscape, nationally and internationally. His various awards and honors include a MacArthur “Genius” Fellowship, a GRAMMY Award for Back to the Sunset (2018), two additional GRAMMY nominations, two Latin GRAMMY nominations (including Best New Artist in 2007), and the Jazz Journalists Association's Up & Coming Musician of the Year in 2006. As a composer, Prieto has created music for dance, film, chamber ensembles, and most notably for his own bands, ranging from duets to big bands. He has received commissions, grants, and fellowships from Chamber Music America, Princeton University, Jazz at Lincoln Center, MoMA, Whitney Museum of American Art, National Association of Latino Arts and Cultures, Jerome Foundation, East Carolina University, Painted Bride Art Center, Meet The Composer, WNYC, New Music USA, Hazard Productions, and Metropole Orkest, among others. Prieto has performed at many national and international music festivals as a bandleader. Since his 1999 arrival in New York, he has also worked in bands led by Michel Camilo, Chucho and Bebo Valdés, Henry Threadgill, Steve Coleman, Eddie Palmieri, Chico and Arturo O'Farrill, Dave Samuels and the Caribbean Jazz Project, Jane Bunnett, D.D. Jackson, Edward Simon, Roy Hargrove, Don Byron, and Andrew Hill, among others. Also a gifted educator, Prieto has conducted numerous master classes, clinics, and workshops around the world. He was on the jazz studies faculty at New York University from 2005 to 2014, and in 2015 joined the faculty of the University of Miami's Frost School of Music. In 2016, Prieto published the groundbreaking analytical and instructional drum book, A World of Rhythmic Possibilities. In 2020, he published Rhythmic Synchronicity, a book for non-drummers inspired by a course of the same name that Prieto developed at the Frost School of Music. In 2025 he released the book "WHAT ARE THE ODDS" the third book in his catalog, and it shows not only his passion for rhythm and drumming but furthermore his commitment to music education at large. This one takes you to a fascinating journey of rhythms and meters. The book features 519 examples, and each of them comes with an audio track and a video clip. He is the founder of the independent music company Dafnison Music, established in 2008. In this episode Dafnis talks about: Building a career on your own terms Teaching at Frost School of Music at Miami University His new book: “What are the Odds” Asking tough questions about tradition as it relates to Latin music Allowing patterns and phrasing to dictate the time feel Valuing the content you play over the ability to play with a click Here's our PatreonHere's our YoutubeHere's our Homepage

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark. Come watch the Los Angeles Brass Alliance (LAB-A) at 7PM on May 4th at Glendale First baptist Church for their second installation of Next Up! This free concert (generously sponsored by Bob Reeves Brass) spotlights LAB-A's annual collaboration between emerging LA-based composers and brass musicians.  Learn more at: www.labrassalliance.org. Join hosts Noah and John as they interview Michael Dease, commercial trombonist from Los Angeles. About Michael: Michael Dease is one of the world's eminent trombonists, lending his versatile sound and signature improvisations to over 200 recordings and groups as diverse as Grammy winning artists David Sanborn, Christian McBride, Michel Camilo, and Alicia Keys. Born in Augusta, GA, he played the saxophone and trumpet before choosing the trombone at age 17. In 2001, Dease moved to New York City to become part of the historic first class of jazz students at The Juilliard School, earning both Bachelors and Masters degrees, and quickly established a reputation as a brilliant soloist, sideperson, and bandleader.   Best Next Thing (Posi-Tone, 2022), Dease's newest release, his ninth on Posi-Tone, gathers together an assemblage of exceptional musicians to help him interactively explore the essence of the blues and reframe the abstract truths of jazz as the "Best Next Thing "for today's audience of listeners. Dease, the winner of the 69th Annual DownBeat Magazine Poll for Trombonist of the Year and multi-Grammy award winner, is also a sought-after lead, section and bass trombonist with today's leading jazz orchestras. His experiences include bands led by Christian McBride, Roy Hargrove, Nicholas Payton, Charles Tolliver, Rufus Reid, Jazz at Lincoln Center Orchestra and the Dizzy Gillespie All-Star Big Band. However, it is on the frontline of quintets and sextets led by master musicians like The Heath Brothers, Winard Harper, Renee Rosnes, Bill Charlap, Claudio Roditi, and Lewis Nash, where Dease has revitalized the trombone's image. Not content to simply improvise, Dease arranges and composes for many different bands, constantly adjusting his tone and timbre to add just the right flavor to the music. Dease's unique blend of curiosity, hard work and optimism has helped him earn worldwide recognition, including awards from ASCAP, The International Trombone Association, Yamaha, Eastern Trombone Workshop, New York Youth Symphony, Hot House Magazine, Michigan State University, among others. Dease was profiled in Cicily Janus' book, The New Face of Jazz: An Intimate Look at Today's Living Legends (Random House). His experience in the studio has led him to produce several recording sessions for emerging artists, often composing and writing liner notes for the releases. Dease's singular talent has made him an effective and prolific teacher, resulting in invitations, master classes and residencies at University of North Texas, Scranton University, University of Iowa, Florida State College, Broward College, and many institutions abroad. He serves as Professor of Jazz Trombone at the renowned Michigan State University jazz program and has also been on faculty at Queens College - CUNY, The New School and North-eastern University. Many of Dease's current and former students are enjoying successful careers in the music world. Always an informed, but forward-thinking musician, Dease learned the craft from trombone legends Wycliffe Gordon and Joseph Alessi. His associations have run the entire spectrum of musical experience: Alicia Keys, Paul Simon, Paul Schaffer and the CBS Orchestra, Elton John, Neal Diamond, Illinois Jacquet, Slide Hampton & The World of Trombones, Fred Wesley, Maceo Parker, WDR Big Band, George Gruntz, Billy Harper, and numerous others. Dease enjoys spending every possible minute with his extraordinary wife and Professor of Percussion at MSU, Gwendolyn Dease, and their daughters Brooklyn & Charley. Michael Dease is a Yamaha Performing Artist and uses Pickett Brass and Vandoren mouthpieces exclusively. View Michael's All Music Guide entry here for a partial listing of his sideperson credits and discography.

James Yancys musik hade brutit mot ordningen med rytmer som fungerade som en form av omstörtande verksamhet. Lyssna på alla avsnitt i Sveriges Radio Play. Dilla fick tiden att bit för bit gå sönder med honom. Han förstod att något var fel januari 2002. Ett år innan vårt möte, och två år efter det revolutionerande Slum Villagealbumet ”Fantastic Volume 2”.Donuts är den amerikanska motsvarigheten till munkar. Men varför döpa ett vackert avsked till något av det ohälsosammaste som går att äta? Förmodligen handlade det om formen. Cirkeln som symbolen för oändlighet, evighet och odödlighet. I den avslutande delen djupdyker vi bland annat i albumet ”Donuts”, som var ljudet av Dillas dödskamp. Vibrerande, trasig, psykedelisk, spontan och besjälad. Men långt från Jay Dees varma neosoul. Det här var en rå och funky Dilla som vuxit fram under pseudonymen Dill Withers efter att han landat i Los Angeles. Mer geniala ideer och utkast än färdiga låtar. Skisser för en framtid som aldrig kom.I avsnittet möter Mats Nileskär även Que. D, T3, Illa J, Peanut Butter Wolf, Jazzy Jeff, Questlove, James Poyser, Musiq Soulchild, Bilal, Marsha Ambrosius (Floetry), Frank n Dank, Phife, Robert ”Kool” Bell (Kool & The Gang), Funky Rob, Roy Hargrove, Amp Fiddler, Pete Rock, Havoc (Mobb Deep), SA-RA Creative Partners, Marshall Allen (Sun Ra Arkestra), Flying Lotus, Iman Omari och Kanye West.

B. Cox returns with a look back at Common's landmark fourth album, Like Water For Chocolate as it turns 25.After his breakthrough sophomore album 1994's Resurrection and his acclaimed third album 1997's One Day It'll All Make Sense, the Chicago emcee picked up his roots and moved to New York City and linked up with Questlove, The Roots and other creatives who were working within the Electric Lady Studios. There he collaborated with the aforementioned, D'Angelo, super producer DJ Premier, musicians such as keyboardist James Poyser, famed bass player Pino Palladino and horn legend Roy Hargrove among others. The catalyst for this collaboration, however, came from producer Jay Dee (bka J Dilla) who produced the lion's share of the album's tracks.The album was widely acclaimed up on release. It is has been RIAA certified gold and is considered along with 2005's BE as is his best work.Visit The Vault Classic Music Reviews Onlinewww.vaultclassicpod.comBuy Exclusive The Vault Podcast Merchandise!www.vaultclassicpod.com/storeSupport The Vault Classic Music Reviews on Buy Me A Coffeehttps://www.buymeacoffee.com/vaultclassicpodBuild Your Own Amazing Podcast Website In Less Than 5 Minutes!https://www.podpage.com/?via=ivecre8Show NotesAlbumism: Common's "Like Water For Chocolate" Turns 25 | Album Anniversary https://albumism.com/features/common-like-water-for-chocolate-album-anniversary#google_vignetteStereogum: 'Like Water For Chocolate' Turns 20https://www.stereogum.com/2077724/common-like-water-for-chocolate-review/reviews/the-anniversary/Grammy | Q&A: Common Tells Stories Behind 'Like Water For Chocolate'https://www.grammy.com/news/qa-common-tells-stories-behind-water-chocolate-its-20th-anniversarySupport this podcast at — https://redcircle.com/the-vault-classic-music-reviews-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Cory Henry – Happy Days (Live At The Piano) – 6:33 Cynthia Thijs Coenraad – I Wanna Stay With Me – 3:46 Roy Hargrove; The RH Factor – I’ll Stay – Live at Jazz A Vienne, 2009 – 9:03 Christian de Mesones – In His Vision – 3:51 David Garfield; Alphonso Johnson; Land Richards – […]

In episode no. 70 of Practical Criticism, Ajay surprises Rebecca with Roy Hargrove and the RH Factor's "Out of Town," off the 2003 record Hard Groove. The discussion includes a dive deep into jazz-hip-hop experiments, varieties and suspicions of musical fusion, caesuras and polyharmonies, the dissonant and the antiphonal, "open-eared moonlighting," and hybridity without history. Practical Criticism is produced by Ryan Lentini. Learn more about upcoming courses on our website. Follow Brooklyn Institute for Social Research on Twitter / Facebook / Instagram / Bluesky

Space is the place_jazz e dintorni Seconda puntata di febbraio, dedicata alla musica afro-americana e della diaspora in occasione del Black History Month. Con José Arimatéa, Roy Hargrove, William Parker, Shabaka Hutchings, Meshel Ndegeocello, Steve Coleman. Per diffondere questa puntata: https://www.radiotandem.it/space-is-the-place-del-18-febbraio-2025 Tutti i podcast di Space is the place: https://www.radiotandem.it/space-is-the-place

Frizz and Bob continue to celebrate Black History Month with Erykah Badu's quintessential Baduizm. With a pour of Glen Moray Phoenix Rising and a 1792 Full Proof, we talk about one of the most introspective and transformative albums in recent decades. We get into some of the whackiest religions, the late, great Roy Hargrove, Mickey's malt liquor, reincarnation, and the spiritual movement that is Baduizm. 

Born in Kingston, Jamaica, Russell Hall migrated to the United States in 2007 where his double bass studies progressed quickly through the rigorous programs of The Dillard Center for the Arts and The Juilliard School. Russell deeply understands the jazz tradition, having studied with many of the double bass world's most renowned artists including Ron Carter and Ben Wolfe. Still, he is also an artist looking forward with his own distinct approach to the double bass.   As a first-call bassist in New York City, Russell has performed with some of the biggest names in music including Joey Alexander, Wayne Shorter, Wynton Marsalis, Branford Marsalis, Jon Batiste, Roy Hargrove, Kathleen Battle, Christian McBride, Emmet Cohen, Russell Malone, George Coleman and many more.  Well known for his work with the Emmet Cohen Trio alongside drummer Kyle Poole, Russell also leads his own bands, including Bessie and the Rainbowkids to much critical acclaim.  Russell Hall joined the Discover Double Bass faculty as a jazz bass specialist in 2022 where he presented his course, Bessie's Bass Busters.  Russell Hall is well known as a member of the Emmet Cohen Trio and bassist for the wildly popular ‘Live From Emmet's Place' series. In this video, he was joined by non-other than the great Christian McBride for a tasteful double bass duo.

Today's scene is so deep, and wide! Here's a playlist that offers you some samples to pique your appetite for more music from all corners of the globe. The playlist features Audrey Powne; Roy Hargrove; Emilio Reyna; Jan Lundgren, Yamandu Costa; Rebecca Trescher [pictured]; Peggy Lee, Cole Schmidt; Julien Wilson, Theo Carbo, and Dylan van der Schyff. Detailed playlist at https://spinitron.com/RFB/pl/20078452/Mondo-Jazz [up to "Lore"]. Photo credit: Dovile Sermokas.

En este episodio hemos escuchado a Jeremy Pelt; Roy Hargrove & Mulgrew Miller; Bobby Hutcherson; Terri Lyne Carrington; Belén Bandera & Jaume Llombart; Tingvall Trio; Ali Watson Quartet. Seguir leyendo La Montaña Rusa. Episodio 03.2025. en La Montaña Rusa Radio Jazz.

Marc Jordan – Both Sides Now – 7:19 Jimmy Cobb, Javon Jackson, Roy Hargrove – Eleanor – 6:06 Miles Davis – Cobra – 5:16 Wallace Roney – Why Should There Be Stars – 5:28 Freddie Hubbard – God Bless the Child – 12:53 Alphonso Johnson – Earthtales Suite – 8:50 Poogie Bell Band – Change […]

As broadcast @ www.totallywiredradio.com Tuesday 07.01.25Hour One Best Of Jazz 202401. Work Money Death - We Are The People (ATA Recs 2024)02. Mario Rusca Quintet - 4th Dimension (Right Tempo 2024)03. Roy Hargrove's Crisol - Rumba Roy (Verve 2024)04. Copa Salvo - Bolivia '67 (Jazz Room Recs 2024)05. Andromeda Turee - Earth Waltz (Starbilt Recs 2024)06. Alina Bzhezhinska - Anima Breathe (BBE 2024)07. Nathan Haines - Belo Dia (EMK 2024)08. Culross Close - Attachments (K15/Self Release 2024)09. Erlend Øye & La Comitiva - For The time Being (Bubbles 2024)Hour Two Tribute To Alfredo Fiorito10. Manuel Göttsching - E2-E4 (Edit) (Inteam GmbH 1984)11. Mandy Smith - I Just Can't Wait (Cool & Breezy Jazz Edit) (PWL 1987)12. William Pitt - City Lights (Public France 1986)13. Cyndi Lauper - What's going On (Portrait 1986)14. The Thrashing Doves - Jesus On The Payroll (A&M 1987)15. Yello - La Habanera (Mercury 1987)16. The Cure - The Blood (Fiction 1985)17. Housemaster Boyz & The Rude Boy Of House - House Nation (Dance Mania 1986)18. Kenny Jammin Jason Ft. Fast Eddie - Can U Dance (DJ International 1987)19. Risque Rythum Team - Risque Rythum (Chicago Connections 1986)20. The Woodentops - Why? (Live) (Rough Trade 1987)21. Elkin & Nelson - Jibaro (CBS 1974)22. Henry Mancini & His Orchestra - Pink Panther Theme (RCA Victor 1964)

When it comes to immersing oneself in the understanding of mokuhanga, Jacek Machowski is dedicated to constantly deepening his knowledge and practice of the art form. His exploration of mokuhanga is both inspiring and dynamic, as he continually shares, creates, and evolves his expertise and approach to this wonderful art form.   I speak with mokuhanga printmaker, educator, and mokuhanga explorer Jacek Machowski. Jacek's work is a blend of experimentation, tradition, and excitement. We discuss his journey into mokuhanga, his deep dive into its history, techniques, and philosophies, and how he has dedicated himself to uncovering the intricacies of the art form. Jacek also shares insights into his process of making and testing his own tools, continually pushing their boundaries. Additionally, we explore his own mokuhanga prints, the choices behind his artistic methods, and the workshop he leads.   I would like to thank Jacek's translator , Małgorzata Ptasiński, for her invaluable help with translation. In this episode, you'll notice that Jacek's voice is intermittent, with Gosia speaking for most of the discussion. This approach was chosen to ensure smoother listening and a better flow.   Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at andrezadorozny@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Jacek Machowski - wesbite,  Etsy, Instagram YouTube  Sakeda - Senjafuda (2023) 1.97" x 5.90"  senjafuda - are votive slips attributed to Buddhism in Japan. This slips of paper were pasted on temples in Japan. The worshippers name was written on the senjafuda in order for people to see that they had visited said shrine. The paper senjafuda were popular in the Edo Period (1603-1868). Tokyo and Kyoto senjafuda had various differences.  ex-libris - a decorative label or stamp placed inside a book to indicate its ownership. Usually features the owner's name, initials, or a personalized design, often with artistic or symbolic elements that reflect the owner's personality, interests, or profession. MI Lab - is a mokuhanga artists residency located in Kawaguchi-ko, near Mount Fuji. More info can be found, here.  nori - is a type of paste made from starch. It is used when making mokuhanga. You can make nori from any type of material made from starch. For instance, paste can be made with tapioca,  rice, corn, even potato. You can purchase nori pretty much anywhere but making it is more environmentally friendly. Laura Boswell has a great recipe, here.  binder - refers to the substance which holds pigment particles together and adheres them to a surface, such as paper, wood, or canvas, for prints or paints. The binder transforms dry pigments into a usable medium and also makes them more durable. embossing - refers to a technique where the paper is pressed into the carved woodblocks, creating a raised or textured effect on the printed surface. This technique adds a three-dimensional quality to the print by making certain areas of the paper slightly elevated. linocut -A linocut is a relief or block print type, similar to woodblock printing. The artist carves an image into a linoleum block, printing what's left.  intaglio printing - is a printing method, also called etching, using metal plates such as zinc, and copper, creating “recessed” areas which are printed with ink on the surface of these "recesses.” More info, here. The MET has info, here.   mica - in mokuhanga, mica (kirazuri) is used to add a shimmering, reflective effect to prints. Mica powder is typically mixed with glue and applied to the surface of the print in areas where a subtle sparkle or luminous texture is desired, often to highlight details such as clothing, water, or the sky. This technique gives the print a luxurious quality and enhances the visual depth. Historically, mica was used in ukiyo-e prints to elevate the status of the work, and it continues to be used by contemporary printmakers for its unique aesthetic appeal. kirazuri -  is a technique in woodblock printing using mica to add a sheen to the print. Mokuhanga artist Marcia Guetschow has written about kirazuri on her website, here.  David Bull - is a Canadian woodblock printmaker, and educator who lives and works in Japan. His love of mokuhanga has almost singlehandedly promoted the art form around the world. His company, Mokuhankan, has a brick and mortar store in Asakusa, Tōkyō, and online, here.  Forest In Spring (2008)  Wojciech Tylbor-Kubrakiewicz - a part of the Faculty of Graphics of the Academy of Fine Arts in Warsaw. His work focuses on everyday life, travel and memory. His works are in intaglio, relief such as mokuhanga, and serigraphy.  Augenblick 70 x 100 cm (2023) linocut Tomasz Kawełczyk - is a mokuhanga artist and deputy dean at the Faculty of Fine Arts of the Academy of Fine Arts in Łódź, Poland. He is also a lecturer and organizer of workshops. Tomasz has also worked in mokuhanga as well as holding workshops accompanying the "Road to Edo," held at the National Museum in Warsaw from February 25 - May 7, 2017. His work in mokuhanga has been focused on creating prints by using local tools and materials found in Poland.  Dariusz Kaca - is a relief printmaker and professor at the Academy of Fine arts  in Łódź, Poland. He works in linocut and mokuhanga.  Nocturn I - 40cm x 40cm, linocut Marta Bożyk - lecturer and researcher at the Academy of Fine Arts in Krakow, Poland.   © Popular Wheat Productions opening and closing credit -Ruby My Dear as performed by Roy Hargrove, originally by Thelonius Monk. (1990) RCA  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)  Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***        

**It's The Jazz2Go Show Replay On traxfm.org. Jazz2Go Presented Some Classic & Contemporary/Neo Jazz/Samba/ Be Bop/ Jazz Crackers From Deborah Brown, Joe Chambers, Roy Hargrove, Etienne Charles, Alonso Gonzales & Jazz Latino, Finn Savery, Mike Hernandez, Edy Forey, Omar Hill, Gustavo Santaolalla, Abase, Kenichiro Nishihara, Antonio Ocasio, The Afro-Caribbean Jazz Collective & More #originalpirates #JazzMusic #jazzfunk #jazzclub #jazzdance #neojazz #sambajazz #bebop Catch Jazz2Go Every Monday From 7PM UK Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

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En abril de 1998, el trompetista Roy Hargrove grabó con su Crisol en un estudio de la isla antillana de Guadalupe. Ahora, 26 años después, se edita el inédito 'Grande-Terre' con piezas como 'Rumba Roy', 'Song for Audrey', 'Lake danse', 'Kamala´s dance', 'B and B', 'Another time', 'Lullaby from Atlantis', 'Afreaka' o 'Ethiopia'.Escuchar audio

Paquito D’Rivera tocará en Madrid y en Músicas posibles celebramos su magia escuchando su Zamba Negra con los Hermanos Saboy. Además, suenan Tomatito y Michel Camilo, Nduduzo Makhathini y su uNomkhubulwane, el Grande-Terre de Roy Hargrove y Harry Allen. Cantora Paquito D'Rivera, Hermanos Saboya Zamba NegraZamba Negra Paquito D'Rivera, Hermanos Saboya Zamba NegraContradanza Paquito D'Rivera, Hermanos Saboya Zamba NegraInner Attainment:Ithemba Nduduzo Makhathini uNomkhubulwaneLibations: Omnyama Nduduzo Makhathini uNomkhubulwaneLibations: Uxolo Nduduzo Makhathini uNomkhubulwaneKamala's Dance Roy Hargrove Grande-TerrePriorities Roy Hargrove Grande-TerreSt. James Infirmary Harry Allen, Dave Blenkhorn, Mike Karn, Quentin Baxter My Reverie by Special RequestSilhouette Harry Allen SilhouetteAlfonsina y el Mar   Michel Camilo y Tomatito Spain Forever againEscuchar audio

9e émission de la 60e session...Cette semaine, une pensée pour Quincy Jones, grands ensembles, jazz moderne et m-base! En musique: Quincy Jones sur l'album This Is How I Feel About Jazz  (ABC-Paramount, 1957); Quincy Jones sur l'album Smackwater Jack  (A&M, 1971); Roy Hargrove's Crisol sur l'album Grande-Terre  (Verve, 2024, enr. 1998); Nubya Garcia sur l'album Odyssey  (Concord Jazz, 2024); Aaron Parks sur l'album Little Big III  (Blue Note, 2024); Kurt Rosenwinkel sur l'album The Next Step Band (Live At Smalls 1996)  (Heatcore, 2024, enr. 1996); Steve Coleman and Five Elements sur l'album PolyTropos/ Of Many Turns  (Pi Recordings, 2024)...

Today's show begins with a reminder to vote on or before Election Day, Nov 5, 2024. Let's start with a tribute to Dizzy Gillespie's run for President in 1964. That's followed by Ella's Vote for Mr. Rhythm. A new posthumous release from trumpeter Roy Hargrove has a track, Kamala's Dance (written for Roy's daughter). After that is just some music I have been listening to this past week. Playlist  Artist ~ Name ~ Album Dizzy Gillespie ~ Salt Peanuts ~ Groovin' High Ella Fitzgerald ~ Vote For Mister Rhythm ~ The Complete Decca Singles Vol. 1: 1935-1939 Roy Hargrove ~ Kamala's Dance ~ Grande-Terre Roy Hargrove ~ Ethiopia ~ Grande-Terre Jackie McLean ~ Star Eyes ~ Nature Boy The Dave Brubeck Quartet ~ The City Is Crying ~ Jazz Impressions of Japan David Borgo ~ Relational View ~ Persistence Steve Davis ~ Milestones ~ We See Wayne Shorter ~ Orbits ~ Celebration, Volume 1

As broadcast @ www.totallywiredradio.com Tuesday 29.10.24Hour One and Two with Alan Kenny Arscott (DJ A.K.A.)01. Dorothy Ashby - Little Sunflower (Take 3) (Verve 1968/2024)02. Nathan Davis - Carmel's Black Forest Walk (SABA 1966)03. Mario Rusco Quintet - 4th Dimension (Right Tempo 2024)04. Work Money Death - We Are The People (ATA Records 2024)05. Copa Salvo - Bolivia 67 (Jazz Room Recs 2024)06. Roy Hargrove's Crisol - Rumba Roy (Verve 2024)07. Quasimode - Hi-Tech Jazz (Jet Set Japan 2011)08. Caixa Cubo -Jureta (Far Out 2024)09. Visioneers - Eyes Don't Lie (Omniverse 2024)10. Vibration Black Finger - Change (Enid Recs 2024)11. Mike Bandoni - Kool Trippin (TVI/Village 2024)12. Kokoroko Ft. Azekel - Three Piece Suit (Brownswood 2024)13. Galliano - Cabin Fever (Brownswood 2024)14. Labi Siffre - Crying, Laughing, Loving, Lying (Pye Int 1972)15. Kelly Finnigan - Love (Your Pain Goes Deep) (Colemine Recs 2024)16. Carl Carlton - Willing and Able (ABC 1978)17. Chaka Khan - I Know You I Live You (Al Kent Edit) (Million Dollar Disco 2024)18. Piers Kirwan - Garden Of Life (Boggie Cafe Records 2024)19. Da Africa Deep - Where We Belong (Herbal 3 Recs Inc. 2024)20. Ralf Gum Ft. Kenny Bobien - The Only Way (GoGo Music 2024)

Our Guest Gordon Chambers website: www.GordonChambers.com ---Gordon Anthony Chambers is an American singer-songwriter and record producer who has written songs for more than 75 recording artists including Angie Stone, Yolanda Adams, The Isley Brothers, Brandy, Trey Songz, Chaka Khan, Patti LaBelle, Usher, Marc Anthony, Jamie Foxx, Aretha Franklin, Beyoncé Knowles, and Nao Yoshioka. His number-1 hits as lyricist include Anita Baker's Grammy-winning hit "I Apologize", Brownstone's Grammy-nominated hit "If You Love Me", Angie Stone's "No More Rain (In This Cloud)", the Grammy-nominated theme of 1996's Set It Off "Missing You" (performed by Brandy, Tamia, Gladys Knight and Chaka Khan) and Yolanda Adams "Someone Watching Over You". --He is the winner of eight awards from the American Society of Composers, Authors and Publishers (ASCAP), has four Dove Award nominations, and his songs have been nominated for three Grammy Awards. Anita Baker won a Grammy for "I Apologize", which Chambers wrote. His songs have been performed at the Essence Awards, American Music Awards, the Goodwill Games and the White House. His prestigious appearances, in addition to acclaimed European and Japanese tours, have included the Essence Music Festival, the Congressional Black Caucus, the Apollo Theater, Constitution Hall, B. B King's and the Kennedy Center. ---His solo albums have been nominated for Independent Soul Album of the Year by Soultracks.com and have been among CDBaby's top R&B sellers. === His first solo album, Introducing Gordon Chambers, was released in 2005 and featured special guests Carl Thomas, Glenn Lewis, Sara Devine, Roy Hargrove and Mike Phillips. His second album, Love Stories, was released in 2007 and features soul artist Ledisi. Gordon Chambers' album Sincere was released in August 2011, featuring duets with Sara Devine and Candace Coles, and production by Darien Dorsey, The BeatBanggahz and Jermaine Mobley. The album also includes covers of Donny Hathaway's "A Song For You" and his version of "Missing You", which he dedicates to late mentors Phyllis Hyman and Gerald Levert .---Live Chat with Us Every week... -----Music: Audio Podcast : by Daniel Howse : https://www.youtube.com/professorsoramusic ** OneMicNite Theme Song , "Chance" & Background Songs "Kanye" , "Straight Vibing" Host: --Contact/ Follow Marcos on IG/Fb/IMdb/Twitter/TikTok: @MarcosLuis —Show: OneMicNite Podcast with Marcos Luis *Contact/Follow: IG/Fb/Twitter/Tumbler/LinkedIn/Youtube/TikTok @OneMicNite www.OneMicnite.com - - ** Listen to Audio Podcast: Available wherever you download , all digital platforms.. ** Support Us Now: Give "Stars" on Facebook ---Follow/Contact -- The Show: All Social Media Fb/Ig/Twitter/Tumbler/TikTok/ *** watch the episodes on Youtube @OneMicNite & www.OneMicNite.com****Please Support this Podcast: PayPal/ Zell Pay: MarcosStarActor@gmail.com Venmo @ Marcoso-Luis-1 CashApp : $MarcosLuis1 Please Visit: The AzulesEn Online store to find Products that Compliment your Lifestyle: Link : https://azulesen.myshopify.com/products/onemicnite-signature-logo-unisex-talk-live-pod-tee --- Support this podcast: https://podcasters.spotify.com/pod/show/onemicnite/support

Featuring the new single from BK visionary string wizard Brandon Seabrook; the fresh beats of drummer/vocalist Jason Ewald; an unreleased gem from the late Roy Hargrove and the Verve vault; New England-inspired new music courtesy of Brian Drye and Eric Hastings aka Ocean State; a 10-year celebration of Anna Webber and her trio; the latest release from Norwegian pianistTord Gustavsen on ECM; and finally, the crown jewel of the triphop era, Bristol's Massive Attack.

Dr. John, The Night Tripper - I Walk On Gilded Splinters - Gris Gris (Atlantic)Nostalgia 77 - Cheney Lane - The Garden (Tru Thoughts)Egidio Rondinone - Children Of Lions - OOPARTS (A.MA)Zoe's Shanghai - Some Words - Undergrowth (Naïve)On-Ly - Fresco - Wonderlust (La Sape)Rodney Jones - Articulation - Articulation (Timeless)Littlefingers - Everything Starts Here - Primasuara (La Munai)Mongo Santamaria - Windjammer - Mongo '70 (Rhino Atlantic)Richard Spaven - Find Peace Within - Sole Subject (self)Bobby Womack - Across 110th Street - Across 110th Street (OST) (MGM)Kelly Finnigan - Get A Hold Of Yourself - A Lover Was Born (Colemine)Vito Lalinga (Vi Mode Inc. Project) - Wonderfull World - Soft & Strong (Sound-Exhibitions)Derek Frank - Off The Top (Live) - In Case You Missed It, Vol. 1 (Live)Dorothy Ashby - Soul Vibrations (Alt. Take) - Afro-Harping (Deluxe Ed.) (Cadet/Verve)Alice Coltrane - Huntington Ashram Monastery - Huntington Ashram Monastery (Impulse!)Brandee Younger - Olivia Benson - Somewhere Different (Impulse!)Roy Hargrove's Crisol - Priorities - Grande-Terre (Verve)Ezra Collective - Expensive - Dance, No One's Watching (Partisan)Julian Bahula's Jazz Afrika - Morwa Bahula - Son Of The Soil (Strut)Nubya Garcia - The Seer - Odyssey (Concord Jazz)Chris Bangs - Mozambique - Dream World (Acid Jazz UK)Les Hommes - Sonorissima Bay - Si, cosi (Sudden Hunger)Lady Blackbird - Whatever His Name - Slang Spirituals (Foundation)Mausiki Scales - Ozim! - Long Memory (Tippin' Da Scales) This program has been edited from the original broadcast.

1. Roy Hargrove – To Wisdom the Prize (5:44) 2. Hammonds – Larry Young-Plaza de Toros (9:37) 3. Kevin Hays – Sco More Blues (4:45) 4. the horace silver quintet – senor blues (vocal version) (6:12) 5. New Cool Collective – Do Anything (3:46) 6. Stanley Clarke – I Wanna Play For You Too (4:16) […]

Peter and Adam finally get a chance to check the legendary Roy Hargrove's seminal album "Earfood". This album has impacted so many people merely for the track Strasburg/St. Denis but every tune can be credited to the development of the culture. Come hang with us and dissect what really makes this album great. Earfood Unlock your FREE Open Studio trial to become a better player today.Have a question for us? Leave us a SpeakPipeCheckout courses from Adam, Peter and more at Open Studio

NYC flutist, composer, Sunnyside Records artist, producer, and clinician, Jamie Baum, has toured the US and over 35 countries performing at major festivals, clubs, and concert halls including the Monterey, Madrid, Oeiras, Bermuda, Edinburgh, North Sea, Winter Jazzfest and London Jazz Festivals, Tampere Jazz Happening, Guimaraes Jazz Festival, Jazztopad, Bimhuis, Unterfahrt, Jazz Gallery, Jazz Standard, 55 Bar, Dizzy's, Blue Note, etc.. She's performed with artists as renowned and diverse as Randy Brecker, Roy Hargrove, Donald Brown, Tom Harrell, Paul Motion, Mick Goodrick and Kenny Barron to Dave Douglas, Fred Hersch, Leni Stern, Louis Cole, Jane Bunnett, David Binney, Ralph Alessi, Ben Monder, Anthony Braxton, Karaikudi Mani, V. M. Bhatt, Navin Chettri and Wadada Leo Smith. Though focusing primarily on jazz, she's been involved in several projects performing classical, new music, Brazilian and Latin music. Receiving critical praise for seven CD's as a leader, with most making several “Best CDs of the Year” lists and four stars from DownBeat, her recently-released What Times Are These received five stars in DownBeat. Inch By Inch (GM Recordings), by the cooperative band Yard Byard: The Jaki Byard Project (w/Jerome Harris, George Schuller), also received four stars from DownBeat. Jamie has appeared on over 40 recordings as a sidewoman including those by Dave Binney, George Colligan, Ursel Schlicht, Frank Carlberg, Patrizia Scascitelli, Taylor Haskins, Monika Herzig, Louise Rogers, Sarah McKenzie, Steve Lampert, Brian Landrus, Laura Andel, Judi Silvano, Shigeko Suzuki, James Hall, etc. Ms. Baum's many awards and grants for composing and touring include the 2022 Cafe Royale Recording Grant, 2021 South Arts Jazz Road Touring Grant, 2020 International Society of Jazz Arrangers & Composers (ISJAC) Covid Relief Commission, Foundation for Contemporary Arts 2020, 2020 Chamber Music America Jazz Presenter Consortium, 2018 USArtists International Touring Grant, 2017 New Music USA Project Grant, and a 2014 Guggenheim Foundation Fellowship. Baum was selected as a 2014-15 Norman Stevens Fellow/MacDowell resident and has since been awarded residencies again at MacDowell (2021), at UCross (2015), and at VCCA (2020). She won the '99 International Jazz Composers Alliance Award, 2010 CAP Award (American Music Center), the 2003 New Works: Creation and Presentation Award and the 2007 Encore Award, both components of the Doris Duke/CMA Jazz Ensembles Project. Ms. Baum has been in the DownBeat Critics Polls annually since 1998, making #1 “Rising Star Flutist” in '12, #2 “Flutist” in '19, and #3 “Flutist” in '20. She was named a "Major New International Talent” in 2015 lists by both “Musica Jazz” and “Jazzit” (Italy), was #2 “Flutist of the Year” in the 2018 Eleventh Annual International Critics Poll and tied for 4th place with Hubert Laws in the 2018 JazzTimes Critics Poll. Jamie was included in Huffington Post's "Twenty-five Great Jazz Flute Performances”, nominated by the Jazz Journalists Association for “Flutist of the Year“ fourteen times, and The Jamie Baum Septet+ was nominated in 2014 "Best Midsize Ensemble" - in the same list with only two other bands -The Wayne Shorter Quartet and Steve Coleman's Five Elements! Media attention for her recent CD, Bridges, and previously released, In This Life, brought features on WBGO's RADAR and NPR's All Things Considered, reviews in The New York Times, DownBeat, JazzTimes, All About Jazz, etc.. and two hour-long feature/retrospectives on major German and Czech public radio shows. Bridges was voted #4 in the 2018 JazzTimes Readers Poll for “Best New Release,” and In This Life was in the "Best CDs of 2013” lists including Boston Globe, iTunes, and Francis Davis' NPR Music Jazz Critics Poll. Recently, Baum was included in the JazzTimes 10: Essential Jazz Flute Albums (2019), 3 Questions for Today's Jazz Musicians by Lilian Dericq, Cricket Publishers (Paris), the “Woodshed” in DownBeat, January 2019, and was the flutist on “The Essence of the Blues -- Flute: 10 Great Etudes for Playing and Improvising, Book & CD”, (Jim Snidero “play-along” series, 2019). Through a highly competitive auditioning process, Jamie was chosen to tour for the DOS/Kennedy Center Jazz Ambassador program from '99 -'03 in South America and South Asia. The US State Department also sponsored later shorter tours, in addition to several isolated US Embassy-sponsored programs while Baum was on her tours in Europe and South Asia. Baum's two main active projects featuring her compositions include The Jamie Baum Septet+, together since 1999, and her Short Stories band marking five years by performing at the 2020 Winter Jazzfest. In addition, she co-leads Yard Byard: The Jaki Byard Project and is involved in several other projects either as co-leader or side-woman, including The Richie Beirach/Jamie Baum Duo and NYC Jazz Flutes. Baum has been on the faculty of the Manhattan School of Music Jazz Arts department at since 2006, on the adjunct faculty roster at the New School University since 2004, and taught at Berklee College of Music (2011-2013). Summer jazz programs Baum has taught composition, improv, and flute technique, and coached ensembles at including the Stanford Jazz Workshop Institute, Litchfield Jazz Camp, Maryland Jazz Camp, etc. A clinician for Altus Flutes/KHS America since 1993, they have sponsored her innovative, pioneering workshop "A Fear Free Approach to Improvisation for the Classically-Trained Musician” TM, "A Fear Free Approach to Composition for the Improvising Musician” TM and “Flute Technique for Doublers” at colleges, conservatories, festivals, flute clubs and “music and art” schools worldwide.  

Tom Braxton – Canyon Dreams – radio single – 4:03 Cynthia Thijs Coenraad; Snarky Puppy Hornsection – I Want You To Know Me – 5:12 Roy Hargrove – Strasbourg / St. Denis – 4:38 Maceo And The Macks – Soul Power 74 – Pt. 2 – 4:08 Isaac Hayes – Walk On By – 4:33 […]

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Giorgi Mikadze Interview Giorgi Mikadze, a Georgian pianist and composer, blends his cultural heritage with diverse musical experiences. Born during the Soviet Union's collapse, he began playing piano at four and trained classically at Tbilisi State Conservatoire. His discovery of jazz, through a composition teacher, led him to Berklee College of Music and later the Manhattan School of Music, where he refined his jazz skills. Mikadze has collaborated with artists like Wang Leehom and Roy Hargrove, and was the first Georgian to perform at the Newport Jazz Festival. His projects often integrate Georgian folk music with jazz, showcased in albums like "VOISA" and "Georgian Microjamz." His latest album, "Face to Face (Vol.1)," recorded in Paris, received critical acclaim. Now an associate professor at Berklee, Mikadze is committed to promoting Georgian music worldwide, celebrating the freedom that jazz offers.

durée : 01:00:03 - Banzzaï du jeudi 09 mai 2024 - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé.

The live magnetism of Roy Hargrove and Julie Sassoon enrich a playlist which is bookended by the lush new project by British pianist Bill Laurence with the The Untold Orchestra and the latest, ambitious album by Australian bassist Sam Anning. Detailed playlist at https://spinitron.com/RFB/pl/18875252/Mondo-Jazz (from "NYC Man" to "The Lost One"). Happy listening! Photo credit: David Beecroft

"The words love and like both have 4 letters, but they're two different things all together" - Whodini (from One Love - 1986) "Funk used to be a bad word" - Funkadelic (from Let's Take It To The Stage - 1975) "Jazz is a 4 letter word" - Max Roach, Nicholas Payton and anyone else who can read, write and count. The word jazz is a controversial term. It might be the new "N" word. It's meaning has gone through various changes, in the early 1900's jazz meant fornication. In an interview with The Harvard Crimson (2001) Max Roach, the legendary drummer, composer and activist, pointed out his distaste for the word most commonly used to describe the music to which he dedicated his life. In the article he used the example of the infamous Scottsboro Boys Trial, which took place in 1931 in Alabama. In the case, which eventually made its way to the Supreme Court, several black boys were accused of raping two white girls. During the trial a letter one of the alleged victims wrote to a friend was used to proved that no rape had occurred, in the letter the word jazz came up - she wrote "those boys didn't jazz me". Jazz it seems used to be a very bad word. So, in that context, one can see how using the word jazz to describe ones art would be an insult. Nonetheless, Jazz is word that we are left with. Jazz is 4 letter word, a word that inadequately describes such an important, exquisitley advanced and beautifully articulated African American musical artform. Love it or hate it (2 more 4 letter words...) the Jazz label has now been so widely marketed and associated with this music that... it is what it is. I usually preface my descripition of this artform by calling it the "music we so lovingly call, Jazz". It's my attempt to lessen to the sting of our frought linguistic history. I'm not embarrassed or even against the jazz label, but I know it has a history of distain by many of the creators of the music. Miles Davis didn't like it, he suggested calling it social music, Roy Hargrove is on record saying the term means nothing to him, and Nicholas Payton hates it and has suggested it be relabeled BAM - Black American Music, right on brother!  My stance is thus, call it what ya like, all that really matters is what happens on the band stand and in between your ears. A groove, is a groove, is a groove and "jazz" is the groove that moves me, hopefully it moves you too - enough to shout out loud a couple other 4 letter words - "Yeah baby" Enjoy, Brian "katzpheno" Phoenix featuring: Jose James - What A Little Moonlight Can Do (2015) Robert Glasper Trio - 59 South (2009) Mark Egan - Summer Fun (2015) Ben Williams - Moontrane (2011) Luciana Souza - Backfile (2000) Terence Blanchard - Him Or Me (2009) Captain Black Big Band - Water Babies (2021) Roy Hargrove Big Band - Roy Allan (2009) Gil Scott-Heron - I Think I'll Call It Morning (1971) Nicholas Payton - Jazz Is A 4 Letter Word (2019) Christian McBride Trio - I Guess I'll have To Forget (2013)

Abrimos nuevo episodio semanal de La Montaña Rusa con este concierto inédito recientemente publicado, que recoge la actuación de Roy Hargrove en 1993 junto a otras luminarias del Jazz Contemporáneo, The Love Suite: In Mahogany, imperdible! Seguiremos con la música del pianista y compositor Dave Meder y su sorprendente Unamuno Songs and Stories, publicado en 2021. Nuestro Clásico de la Semana fue el histórico Jazz at Massey Hall Concert de 1953, con Charlie Parker, Dizzie Gillespie, Bud Powell, Charles Mingus y Max Roach, del que se acaba de publicar una edición con el concierto completo y remasterizado. Seguir leyendo La Montaña Rusa 10.2024. Roy Hargrove. Dave Meder. Charlie Parker, Dizzie Gillespie, Bud Powell, Charles Mingus & Max Roach. Will Bernard. Claudio Scolari Project. India Gailey. en La Montaña Rusa Radio Jazz.

James Yancys musik hade brutit mot ordningen med rytmer som fungerade som en form av omstörtande verksamhet. Dilla fick tiden att bit för bit gå sönder med honom. Han förstod att något var fel januari 2002. Ett år innan vårt möte, och två år efter det revolutionerande Slum Villagealbumet Fantastic Volume 2. Lyssna på alla avsnitt i Sveriges Radio Play. Donuts är den amerikanska motsvarigheten till munkar. Men varför döpa ett vackert avsked till något av det ohälsosammaste som går att äta? Förmodligen handlade det om formen. Cirkeln som symbolen för oändlighet, evighet och odödlighet. I den avslutande delen djupdyker vi bland annat i albumet ”Donuts”, som var ljudet av Dillas dödskamp. Vibrerande, trasig, psykedelisk, spontan och besjälad. Men långt från Jay Dees varma neosoul. Det här var en rå och funky Dilla som vuxit fram under pseudonymen Dill Withers efter att han landat i Los Angeles. Mer geniala ideer och utkast än färdiga låtar. Skisser för en framtid som aldrig kom.I avsnittet möter Mats Nileskär även Que. D, T3, Illa J, Peanut Butter Wolf, Jazzy Jeff, Questlove, James Poyser, Musiq Soulchild, Bilal, Marsha Ambrosius (Floetry), Frank n Dank, Phife, Robert ”Kool” Bell (Kool & The Gang), Funky Rob, Roy Hargrove, Amp Fiddler, Pete Rock, Havoc (Mobb Deep), SA-RA Creative Partners, Marshall Allen (Sun Ra Arkestra), Flying Lotus, Iman Omari och Kanye West.

Trumpeter/composer Keyon Harrold was born and raised in Ferguson, MO to a musical family. He is the son of pastors and one of 16 children. As a boy, a trumpet was placed in his hands, and the rest is history.  He moved to New York to study at The New School in the 1990s and became part of a legendary generation of musicians associated with the neo soul movement, including Common, Bilal, Roy Hargrove, The Roots, and Robert Glasper.  Harrold is a reliable and sought after player among big acts, and he's worked with Jay-Z, Beyonce, Rihanna, Eminem, Maxwell, Mac Miller and Snoop Dogg.  At the same time he's a seriously gifted jazz improviser and composer, who was mentored by trumpeter Charles Tolliver, and who was once referred to as “the future of the trumpet” by Wynton Marsalis.  He supplied all of the trumpet playing in Don Cheadle's Miles Davis biopic Miles Ahead, playing to match Cheadle's on-screen performance as Miles. The soundtrack to the film won a Grammy.  But while Keyon has enjoyed what might appear to be a charmed career, he has also had a series of unexpected setbacks and heavy lived experiences that contribute to his musical journey.  His new album Foreverland is a celebration of his multidimensional career and his sensitivity as an artist, proving that Harrold is a master of channeling his lived experience through his horn. The album features 10 original songs that explore themes of empowerment, positivity, love, loss, and vulnerability.  And it's  a family affair — nearly every musician is a longtime friend, including Common, Robert Glasper, Laura Mvula, Chris Dave, Marcus Gilmore, Nir Felder, Randy Runyon, BIGYUKI, Burniss Travis and many others.  Here he talks about Foreverland, how a series of losses in his life ultimately led him to make “something beautiful, something positive, something inspiring,” and his reflections on the early days of his career as part of a community of like minded musicians who were “always open.” www.third-story.com www.patreon.com/thirdstorypodcast

This week on the podcast is part two of our conversation with Mario Grigorov. He's a Bulgarian-born, London-based film composer and pianist. Early in his career he  signed with Warner Brothers Records and toured extensively with icons such as Wynton Marsalis, Roy Hargrove, Joshua Redman, and more.  He has composed music for dozens of films and TV shows, and his most recognizable film work comes from his long-standing collaboration with Academy Award-winning director Lee Daniels. You won't want to miss our interview with this highly creative and versatile artist!  https://www.mariogrigorov.com/In an intimate conversation with the illustrious film composer and pianist Mario Grigorov, we peel back the curtain on the sometimes spontaneous, sometimes painstaking art of musical invention. Mario shares with us the beauty of yielding to the subconscious mind in composition, and reminisces about the thrilling unpredictability of jazz tours, which taught him that the most genuine artistic expression often comes from the chaos of live performance.Navigating the film industry's tides can be akin to hitchhiking through a desert of creativity, not knowing where the next ride might take you. Mario Grigorov lays bare the professional trials and triumphs he's encountered in shaping his cinematic sound. With a blend of humor and hard-earned wisdom, he discusses the pitfalls of revisiting past compositions and emphasizes the importance of crafting music that adheres to the unique vision of each film. His stories reveal the sometimes heart-wrenching, sometimes liberating discovery that a piece rejected from a movie might just be the seed for a new musical endeavor.We round off our chat with an exploration of the personal hurdles artists face, the doubts that can derail us, and the missed opportunities that come from playing it safe. Mario opens up about instances when his own hesitations led to lost chances, offering a candid reminder of the importance of faith in one's work. He encourages emerging creators to absorb the lessons etched by the successes of others and underscores the profound impact that sharing our art can have not just on our audiences, but on our own spiritual paths. Join us for this heartfelt exchange that is as much an ode to the art of music as it is a call to action for artists to embrace their craft boldly and share it with the world.

This week on the podcast is part one of our conversation with Mario Grigorov. He's a Bulgarian-born, London-based film composer and pianist. Early in his career he  signed with Warner Brothers Records and toured extensively with icons such as Wynton Marsalis, Roy Hargrove, Joshua Redman, and more.  He has composed music for dozens of films and TV shows, and his most recognizable film work comes from his long-standing collaboration with Academy Award-winning director Lee Daniels. You won't want to miss our interview with this highly creative and versatile artist!  https://www.mariogrigorov.com/ Join us as we explore the delicate dance of professional networking and the personal evolution in the competitive realm of music. Mario Grigorov imparts invaluable insights into the alchemy of social acumen, humility, and the courage to share one's work with the world. He poignantly illustrates how pivotal moments and influential relationships have sculpted his path, weaving an inspiring narrative that harmonizes the dedication of the artist with the spirituality that fuels their creative fire.We delve into the collaborative heart of music production, where the magic happens not in isolation, but through the collective work of composers, orchestrators, and sound engineers. Mario illuminates the unsung brilliance of technicians like Peter Cobbin and Olga Fitzroy, whose meticulous craft elevates music to its zenith. His anecdotes celebrate the symbiotic relationship between musical vision and technical mastery, a partnership that culminates in the rich tapestry of sound that is Mario Grigorov's life's work.

In dit eerste uur van "All That Jazzz" een paar fraaie doorgecomponeerde stukken van o.a. Roy Hargrove, Joan Reinders en Chuck Mangione.

As you may know by now... I use the title of one of the tunes from the episodes playlist, as the title of the episode. It's my attempt to tie the songs to the show and keep it all about the music, the thing I love. It is also, in most cases, a nod to a great composer or performer, in this instance it is both. The title of the episode is "Jitterbug Waltz" penned by a truly remarkable and prolific composer, stride piano player, showman, broadway hitmaker and King of Harlem - Thomas "Fats" Waller. The title is also a nod to the performer Jason Moran, a fellow remarkable pianist and composer like "Fats" Waller. Jason Moran, who is currently the Kennedy Center Artistic Director for Jazz, deconstructs the well known composition "Jitterbug Waltz" as a closing track on this episode.  Plus, I get the added bonus of a cool title that is instantly recognizable and likely to get the audiences attention. I am fighting for those "likes" y'all!! So, like the show, subscribe to it and dance like ya' got jitterbugs in yo' pants! Peace, Brian "katzpheno" Phoenix featuring: Herlin Riley - Twelve's It (2019) Gregory Porter - Lonesome Lover (2013) The Roy Hargrove Quintet - Strasbourg/St. Denis (2008) Ben Williams - Black Villian Music (2015) Stefano Bollani - Impro IV (2006) Warren Wolf - The Struggle (2020) Woody Shaw - Why? (1978) Tawanda - Smile/I'm All Smiles (2022) Chick Corea & Gary Burton - No Mystery (2008) Kenny Garrett - Wiggins (2012) Christian Scott - Liberation Over Gangsterism (2015) Jason Moran - Jitterbug Waltz (2014)    

Doug Stone talks to jazz musicians about life, music, recent and upcoming performances, equipment and current events on this Tenor Talk Podcast recording. A different jazz musician is featured in each episode.  This episode features Pat Malinger and was recorded February 26, 2020.Pat Mallinger was born and raised in St. Paul, Minnesota and began playing the saxophone at 11 years of age. He received his Jazz Studies degree from North Texas State University on a “One O'clock Lab Band” Scholarship.He lived and performed in Los Angeles, Dallas, Boston, and Japan, before establishing Chicago as his home in 1990. He is a co-leader of Sabertooth, which has been the mainstay band at the Green Mill Lounge each Saturday night from 1992 to 2018. Pat is often heard around Chicago performing with the Bobby Lewis Quintet, Model Citizens Big Band, and his own quartet to name a few. Pat performs concerts and festivals nationally and internationally both as a bandleader and sideman. Pat has performed with Nancy Wilson, Stevie Wonder, Herbie Hancock, Cab Calloway, Thad Jones/Mel Lewis Reunion Band, Cedar Walton, Marcus Roberts, Joey DeFrancesco, Joe Lovano, Frank Foster, Branford Marsalis, Joshua Redman, Billy Harper, Jimmy Heath, Johnny Griffin, James Moody, Lee Konitz, Phil Woods, Paquito D'Rivera, Donald Harrison, Alvin Batiste, Slide Hampton, Curtis Fuller, Steve Turre, Wycliffe Gordon, Bill Watrous, Clark Terry, Randy Brecker, Tom Harrell, Doc Severinsen, Roy Hargrove, and Nicholas Payton.Learn more about Pat here: https://patmallinger.com/ https://youtube.com/playlist?list=PL7kMuikSH6hb4DCdI4KDTasHJftaAPcrU Let's connect: Website: https://www.dougstonejazz.com/ Instagram: https://www.instagram.com/dougstonejazzsaxophone/ Facebook: https://www.facebook.com/profile.php?id=100089874145057 If you want to learn more about jazz improvisation and be part of the Doug Stone Jazz community get on our email list! https://www.dougstonejazz.com/about Head over to the Doug Stone Jazz Shop for some fun jazz merch: https://www.dougstonejazz.com/product-page/just-play-the-changes-long-sleeved-shirt #dougstonejazz #jazz #podcast #musicianlife #musicians #tenorsaxophone #jazzmusicians #jazzinterview #musicianlife

Gregory "Hutch" Hutchinson is one of the most highly regarded and highly recorded jazz drummers on the planet. Part of what makes him so special is that he sits at the crossroads of the old school and the new school. He was mentored by old jazz masters like Red Rodney, Ray Brown and Betty Carter. He worked extensively with Joshua Redman and Roy Hargrove, among many other innovative jazz musicians of his generation. He has also collaborated with the likes of Common, Karriem Riggins and James Poyser, all practitioners of a new school rhythm approach, influenced by pioneering producer J Dilla.  Hutch is able to summon the spirit authentically from both sides because both are part of his personal truth. But until now he has not been a recording artist. Now, at 53 years of age, after having played with everybody, he is releasing his debut solo record Da Bang, and it is not necessarily what one might have expected. Rooted in the jazz tradition, the album demonstrates Hutchinson's versatility, dynamism, and imagination. It may be unexpected, but as Hutch will tell you, it's coming straight from the heart, and the songs are as much a reflection of the way he feels as they are of the way he plays. Here he talks about growing up in Brooklyn, playing drums as a boy, his mentors, the importance of personal style and of friendship among musicians, his next phase (“this is Hutch 3.0”) and his favorite drummers. He casually invokes so many names that talking to Hutch is like a master class in the music, and you can feel how important it is to him to recognize the contributions of those who came before him, and to place his own contribution within that context. VOTE FOR THE THIRD STORY for the 2023 Signal Awards: https://vote.signalaward.com/PublicVoting#/2023/shows/general/music www.third-story.com www.patreon.com/thirdstorypodcast www.wbgo.org/podcast/the-third-story  

For this episode, I sat down with the Jazzcat himself, LeRoy Downs, to talk about all things jazz. Born and raised in LA, listening to KDAY, it wasn't until he saw artists like Roy Hargrove and Terence Blanchard that he was pulled into the music that changed his trajectory. Traveling back in time, he took a deep dive into the history of the music and its founders. We talk about the dues he paid on his journey to becoming a radio host, and how seeing DJ Red Alert at Hot 97 showed him how seriously he needed to take his craft. He shares how he creates his playlist, meeting listener expectations while giving airtime to lesser known, but no less important, musicians. Lastly, we discuss his connection and collaboration with trumpeter Chief  aTunde Adjuah and his contribution to the culture.https://www.kcrw.com/music/shows/leroy-downs

In this episode: Tracy Knoop, Diane Schuur, Meridian Odyssey, Roy Hargrove, Julien Priester.

In this episode: Tracy Knoop, Diane Schuur, Meridian Odyssey, Roy Hargrove, Julien Priester.

Saxophonist, Multi-Reedist, Composer, Recording Artist, Bandleader, and Educator Sharel Cassity (pron. "Sha-Relle") is a musician well-established on the New York and Chicago jazz scenes. Listed as "Rising Star Alto Saxophone" in Downbeat Magazine for the past decade, Sharel has appeared on the Today Show, won the 2007 ASCAP Young Jazz Composers Award & has been inducted into the Oklahoma Jazz Hall of Fame. Her four albums released as a leader have received top-rated reviews in publications like JazzTimes, Jazziz, Downbeat & American Indian News & earned her a cover story in Saxophone Journal. Cassity's latest album, "Evolve," was recorded and distributed on her record label, Relsha Music. Selected to attend The Juilliard School Jazz program under full scholarship for a Masters in Music, Sharel earned her BFA from The New School for Jazz & Contemporary Music in 2005. A skilled and versatile sideman, Sharel is a regular member of the Dizzy Gillespie Latin Experience, Nicholas Payton TSO, Cyrus Chestnut Brubeck Quartet, and the Jimmy Heath Big Band. She has also performed regularly alongside renowned Grammy-winning artists Roy Hargrove, Lewis Nash, Joe Chambers & Darcy James Argue. Sharel has toured 24 countries and performed at leading venues like the Newport Jazz Festival, Monterey Jazz Festival & the North Sea Jazz Festival. Additionally, she has shared the stage with Herbie Hancock, Wynton Marsalis, Dee Dee Bridgewater, Christian McBride, Jeremy Pelt and Natalie Cole. Sharel was lead alto in the Diva Jazz Orchestra from 2007-2014 and performed in Wynton Marsalis' Broadway musical After Midnight. In mainstream genres, Sharel joined Top 40 hit singer-songwriter Natalie Merchant on her recording "Paradise is Here." She has also performed with Aretha Franklin, Vanessa Williams, K.D. Lang, Fantasia, Trisha Yearwood, Seth MacFarland (Family Guy), Ruben Blades, and DJ Logic. Sharel appears in publications "I Walked with Giants" by Jimmy Heath, "AM Jazz: Three Generations Under the Lens" by Adrianna Mateo and "Freedom of Expression: Interviews with Women in Jazz" by Chris Becker. An alumnus of IAJE Sisters in Jazz, Betty Carter's Jazz Ahead, and the Ravinia Summer Residency, Sharel has received Downbeat Student Music Awards for Best Jazz Soloist, Composition, and Ensemble. As a classical pianist, Sharel placed third in the Disney International Piano Concerto Competition at the age of 10, among many other collegiate and state piano competitions. An accomplished classical saxophonist, Sharel was offered a full scholarship to North Texas State University for classical saxophone. Currently, Cassity has accepted a temporary full-time position at the University of Wisconsin-Madison as Professor of Saxophone for the Fall 2019 semester. Additionally, she has three adjunct positions in the Chicago area at Elgin Community College, Columbia College, and DePaul University. Between 2016-17 Sharel taught internationally as the Woodwind Professor at Qatar Music Academy in Doha, Qatar.  If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

This week, Jim DeRogatis and Greg Kot dissect D'Angelo's masterpiece album Voodoo. They chat with author Faith Pennick about the record's context, impact and more. Then, the hosts will talk with the bassist who played on that album, among many others, Pino Palladino. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops Featured Songs:D'Angelo, "One Mo'gin," Voodoo, Virgin, 2000D'Angelo, "Playa Playa," Voodoo, Virgin, 2000D'Angelo, "Chicken Grease," Voodoo, Virgin, 2000D'Angelo, "Brown Sugar," Brown Sugar, EMI, 1995D'Angelo, "Devil's Pie," Voodoo, Virgin, 2000D'Angelo, "Untitled (How Does It Feel)," Voodoo, Virgin, 2000D'Angelo, "Africa," Voodoo, Virgin, 2000D'Angelo, "The Root," Voodoo, Virgin, 2000Pino Palladino & Blake Mills, "Just Wrong," Notes With Attachments, Verve, 2021Pino Palladino & Blake Mills, "Off The Cuff," Notes With Attachments, Verve, 2021Paul Young, "Come Back and Stay (Extended Version)," No Parlez, Columbia, 1983D'Angelo, "Send It On," Voodoo, Virgin, 2000D'Angelo, "Feel Like Makin' Love," Voodoo, Virgin, 2000The Who, "Baba O'Riley (Live at the Hollywood Bowl 2002)," Who's Next, Decca, 1971The Who, "My Generation," My Generation, Brunswick, 1965Pino Palladino & Blake Mills, "Soundwalk," Notes With Attachments, Verve, 2021Pino Palladino & Blake Mills, "Ekuté," Notes With Attachments, Verve, 2021D'Angelo, Femi Kuti, Macy Gray, and the Soultronics, "Water No Get Enemy (feat. Nile Rodgers and Roy Hargrove)," Red Hot + Riot: The Music and Spirit of Fela Kuti, MCA, 2003John Mayer Trio, "Who Did You Think I Was (Live at the House of Blues, Chicago, Illinois, September 22, 2005)," Try! Live in Concert, Columbia, 2005Low, "Long Way Around the Sea," Christmas, Kranky, 1999