Podcasts about Beach house

A live recording from The Big Romance about a 2008 Sub Pop-released classic album of the 2000s. Listen on Apple | Android | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed | Podlink Step into a world of misty melodies and cavernous echoes with Seattle band Fleet Foxes' landmark debut – a defining record of the late-2000s indie folk revival. Led by Robin Pecknold, the album blends the lush, pastoral harmonies of the 1960s with a haunting baroque-pop sensibility and lyrical themes rooted in nature, tradition, and introspection. Like the Bruegel painting on its cover, every track reveals a dense, beautiful world that evokes a timeless – almost mythic Americana sound. This podcast episode is a live recording from our listening party in The Big Romance in April, with guest journalist and Fleet Foxes fan Aoife Barry. Our next Listening Party is Smashing Pumpkins later this month and it's sold out. Listen Closely: Fleet Foxes – Fleet Foxes (2008) A Nialler9 listening party, hosted by Niall Byrne with guest Aoife Barry. Before the album Niall: Hello everyone, how are you? Welcome to the Listen Closely album listening party. I'm Niall, and this is Aoife Barry. Aoife: Hello. Niall: We're here tonight because Aoife picked this album, as she has before. You picked Jeff Buckley last year. Aoife: Yeah, and we ended up doing three of them. Niall: We did, we went to Cork. We did two here and then we went to Cork to talk about Jeff Buckley. And you were at the My Bloody Valentine listening party last year as well, back in October. Aoife: It must have been October, yeah. Niall: Well, obviously we're here for a very different album tonight: Fleet Foxes by Fleet Foxes, from 2008. As you heard there, we played a bit of the Sun Giant EP by the band, which came out a few months before this album, because we want to give the album its full due. They're a little different, and we'll talk about that. But yeah, you picked the record. Aoife: I did. I obviously must like it. And it's such an incredible record. Is there anybody here who hasn't heard it? That's really exciting, if so. I'm excited for you to hear it. You got a sneak peek there of what the vibe is going to be. I picked it because I love this record, but I also had a funny story about how I first heard them. Back in 2008, when this record came out, I'd read about this band called Fleet Foxes in a music magazine. I don't even think I'd heard a song yet, this is back in the day. And I was on holidays in Berlin, and in the tiny little hostel we were staying in, they had a sign up on the wall: "Who's playing tonight? Fleet Foxes, Café Zapata." I said to my boyfriend, "I think that's a band I read about in the magazine, will we go see them?" And he was like, "Grand." So we went, and they were unbelievable. It was so good. Beach House were supporting them. So it was 2008 smacking you in the face. Niall: Come on. Aoife: And I took photos, which I found. I have photos. Artifacts. One is terrible, the other one's not so terrible, taken on one of those little Canon digital cameras. And I still have the ticket, I kept the ticket, I'm one of those hoarders who keeps all their gig tickets. But it was so good: the venue they played in had a dragon that breathed fire out every fifteen minutes. Niall: So they'd be playing and this dragon… Aoife: I'm not even exaggerating. Fire would just shoot out of this mechanical dragon. It was so Berlin. And Fleet Foxes were so stunning, and Beach House were so stunning. I love Crosby, Stills, Nash & Young, I love all those harmony vibes, I wish I was born in the seventies, sadly I was not. So I fell in love with them immediately, and I've been a big fan ever since. Although I'll say I probably dipped a little bit around the Crack-Up era, their third album, but then I saw them when Shore came out, their most recent album, and fell right back in love with them. Niall: We're going to talk about all the albums that come afterwards, but we'll start with this one, because this is presumably your favourite, or one of them. Aoife: Shore is up there as well for me, but yeah. Niall: So what was it about Fleet Foxes at the time? For context: in 2008 there was quite a lot of this kind of music around. We previously did Bon Iver's For Emma, Forever Ago as a listening party, and the funny thing, which I only found out when we did this, is that they have the same origin story in a way. Both songwriters went to a cabin in the woods to pour their heart out and write the songs. Aoife: I think Justin Vernon just got there first in terms of the marketing. Niall: So they must have pulled back on talking about it too much, because it's basically the same thing. They never really talked about Robin Pecknold's writing process in those terms. Aoife: For Emma was such a massive moment, everybody was obsessed with this guy who broke up with a girl and went to a cabin and wrote a record about it. It was the ur indie-folk album. Niall: What was really appealing about Fleet Foxes is that they were so young, between about twenty-two and twenty-seven, and Robin Pecknold was twenty-one when he wrote the record. Which is frankly offensive, you shouldn't be allowed to be so talented at twenty-one. Aoife: I know. And they were clearly these people from Seattle, which we associate with grunge, and then it becomes this place where they're bringing out all the pastoral, outdoorsy, mountain-and-sea vibes of the Washington area. They're obviously really influenced by the seventies too, by Crosby, Stills, Nash & Young, by Laurel Canyon, but also by Appalachian folk. There's a real purity to what they're doing. The harmonies are unbelievable, there's even a bit of a gospel feeling. So these young guys made this album that was being called an iconic American record on release. The Guardian called it a landmark American album, something like that. And that's special, because you don't get that many records immediately being called landmark. Niall: It was a very exciting time for music around then. I actually brought some records. We mentioned Beach House and Teen Dream earlier, that's a bit later, 2010. I wanted to do a listening party for that at some point, that'd be good craic. Around that time you had Animal Collective and Panda Bear, Person Pitch was right there, that was the apex for that very experimental scene. A few years later we had Sufjan, our very first listening party. And Bon Iver, of course. There's also stuff like Neutral Milk Hotel very much of that vibe. Aoife: I've noticed people covering Neutral Milk Hotel more now. Niall: I think when we got to it, it was on its second go-round, and now it's getting a third, which is great. It's a great record. So, the band were from Seattle, they had a bit of the scruffy flannel-shirt look, but obviously didn't sound like that. The album was written in the woods, in the cabin, brought to the band, and recorded with Phil Ek. Aoife: Who did a lot of stuff with Built to Spill. Niall: Yeah, and he worked with The Shins, and Modest Mouse, a really long history. Aoife: Are The Shins from Seattle as well? Niall: I think they might be. Band of Horses is another one. So they recorded it themselves with Phil Ek, paid for it all themselves, and then the local major independent label Sub Pop came calling. Obviously known for a lot of grunge traditionally, but they'd clearly been releasing this kind of music around then too, The Shins had been on the label for a few years, Band of Horses. When it came to it, they signed to Sub Pop. Apparently there was a bidding war. Aoife: They'd become quite popular on MySpace. Anybody remember MySpace? Every time I do one of these I feel older and older, mentioning the top eight, the randomers you'd put in your top eight. Word could spread quite quickly once you got popular on MySpace. Niall: What I thought was really interesting, that I discovered when I was researching, is that recording the album was actually a total pain for them. They didn't have much money, so they ended up recording a lot of it in their houses, or in Robin Pecknold's family home. And he re-did all the vocals right before they mastered the record, because he'd been sick during the initial sessions and his voice wasn't in great shape. They recorded it all in one go, scrapped that, did another version, and kept moving the running order around. I'm always fascinated by albums where the creation was a total pain and they had no idea it would even work out. Robin Pecknold actually said, "I hope nobody cares about this album, because I just want to move on to the next one." And then it becomes this iconic record. Aoife: Isn't every artist sick of their album by the time it's done? You're like, "my paintings." Yeah. Niall: 2008 was an interesting time for it to land. The album draws on the Beach Boys and Brian Wilson, Crosby, Stills, Nash & Young, Nick Drake, Simon & Garfunkel, Fairport Convention, Judee Sill, very much old-timey or sixties folk and pastoral stuff. And in 2008 there's a financial crash. The album was worked on before that, but it was released into that environment, and a lot of this music seemed to catch. When things go bad, we retreat, we dream, we listen to music that's maybe the opposite of what we're feeling. There was a gentleness, an unhurriedness to it that resonated. Aoife: Grizzly Bear is another band from that time. When Jay-Z and Beyoncé went to see Grizzly Bear in Brooklyn, that was kind of where all the indie music peaked. Niall: And the other part of it, which I was involved in, was the MP3 blogs, that's where you'd hear this music. Especially the American and Canadian stuff, no one was promoting it over here yet, so you'd be months ahead. You'd hear Fleet Foxes in these MP3 formats. That was a mad period, it showed how the internet could collapse geography, a song could spread really quickly on the blogs. And in an American context, this came out post-Bush, with the Obama era coming in, a more hopeful tone. You had the Lehman Brothers crash, these global pressures, and then these hopeful times too. It's interesting to wonder whether these albums are a reaction to it, or whether they appeal to us because we want nice, happy things. I feel like Fleet Foxes have so much emotional depth: there's yearning, sadness, hope, nostalgia. Aoife: I loved Yellow House by Grizzly Bear, their first record, a complex, complicated, almost jazzy thing that sounded beautiful but had a lot going on. We weren't going for simplistic music, but we wanted music that gave us depth and beauty. Is art a solution to the world collapsing? Niall: We could be answering that in 2026. We live in a cursed timeline, as I keep saying. That's all I'm going to say. But what else happened in 2008 in the wider circle of music? Portishead returned with Third. TV on the Radio released Dear Science. MGMT released Oracular Spectacular, 'Kids' and all that. Cut Copy released In Ghost Colours, Indie Sleaze night on Saturday, folks, come on. Kanye put out 808s & Heartbreak, that was November that year. Rihanna was at the peak of her powers. Aoife: Katy Perry appeared that year. And 'American Boy'. Niall: 'American Boy', still one of the best pop songs, fire. Iron & Wine was the other one I forgot to mention. So it was a really vibrant, varied year. As you heard, there's the Sun Giant EP too. Aoife: The thing about that is it came out before the album, but was recorded after. The album was done, in the bag. Niall: They decided to go into the studio and record Sun Giant, a collection of songs intended to sell on tour. It ended up being quite popular, and for a lot of people it was their first time discovering Fleet Foxes. Aoife: It wasn't like The Coronas' 'San Diego Song', their summer-holiday anthem, or anything like that. But it came out before the album, and then the album arrives. Niall: So what was the reaction at the time? Was it immediate? Aoife: Things happened really quickly. In January that year they got all the MySpace attention, and by June the album was coming out. Really, really quick. There was so much chatter about them, which is partly why I'd seen the name, and a music blog like yours would have seen it too, and known they were one of the big bands. In a way that's harder now. Niall: These days you see bands like Geese getting a lot of attention because they use companies that help them go viral. You didn't really have that then. Now you'd dress yourself up in some gimmick, polka dots, whatever, and go viral all over the internet for it. I couldn't imagine these lads doing that. Aoife: No. But maybe in a way they were cosplaying living in the forest, on the Puget Sound. Niall: Anyway, when the album came out, people loved them, and it really hit it off. Because they sound so seventies, your parents would love the records and you'd love the records. There's almost a lullaby quality to the folk stuff too. The music is applicable to anybody of any generation, and there's something lovely about nostalgic music that reminds you of a better time. To finish on that point: I think there's something very mysterious about Fleet Foxes, they feel out of time. They're these young, scruffy lads with the beards, but there's a mystery to them. They didn't come across as the hipster end of things, they weren't leaning into anything. They were presented as the kind of band that wouldn't have had phones, would have lived off-grid, which is funny because they were a MySpace band. They're the most un-MySpace band you can imagine. Surprise people, do something a bit different, don't be exactly what people want you to be, and they'll love you for it. And then your songs are unbelievable too, soaring and stunning. Can we talk for a second about the cover? It's an original painting from 1559 by Pieter Bruegel the Elder, Netherlandish Proverbs. It depicts a densely populated Flemish village scene illustrating 126 folk proverbs. There's a lot there. Some on this side are cut off, but for example, this woman here, she's putting the blue cloak on her husband, meaning she deceives him. This guy is casting roses before swine, wasting effort on the unworthy. And right at the top there's a man running through a field with his arse on fire, chasing pigs, "he who eats fire craps sparks," do not be surprised at the outcome if you attempt a dangerous venture. There are 126 of those. Aoife: The interesting thing is that the band managed to get permission to use it. Really unusual to be allowed use it as commercial artwork. Niall: And apparently the museum that holds the artwork were delighted. A lot of stars aligned for them. It's an iconic cover because it's so different from what anybody else was doing, clearly of a particular period, and it has that Where's Wally quality. I have a quote about it. Robin said: "We were trying to figure out what we wanted to do, and my brother had been working some stuff out, when I saw this Bruegel painting in a book my girlfriend had. I liked that it had a really intriguing meaning, there's a story to each little scene, which felt fitting for the record. It was dense but unified, not a collage. It has a Where's Waldo quality, something you could look at for a long time on a vinyl sleeve and keep finding new little things. It was very easy to get the museum in Berlin that has it to say yes, they were super excited the band wanted to use it, and put it in their newsletter. When you open it up, on the inside there's a Paisley pattern traced from the back of a book that Skyler's mum got me. We wanted two very different feelings." So, what to look out for when we press play very shortly? Aoife: When I was going back to this, I had it in my head that every song was one of these big songs, because there are so many big moments. But actually there are two tracks that are pretty much acoustic, so it's interesting to notice how they go from the big sound to the small. And for me they're a real emotion-and-feeling band, so notice how you feel listening to it. I always feel this swell of emotion with Fleet Foxes, I was walking down the road listening to Shore and I was like, my God. So lean back and feel into the emotions they're bringing you. And listen to the lyrics if you can make them out, because they're so out of time, all about pack horses and this amazing imagery. Robin Pecknold said he didn't write about a lot of personal stuff because he didn't have enough life experience yet, so instead he wrote these beautifully poetic narratives about pastoral and rural life. So I'd say the lyrics and the feelings are the two things. Niall: Track two, 'White Winter Hymnal', is probably the biggest one, watch out for that. And a few other people thanked and cited as influences, for some extra context: Brian Wilson, Joanna Newsom, Bob Dylan, Noah Lennox and all the lads from Animal Collective, Levon Helm and Robbie Robertson of The Band, Blitzen Trapper, who they toured with at the time and who were bigger than them then. For some reason Joni Mitchell and Neil Young are listed together, which is fair enough. Marvin Gaye, Damien Jurado, Paul Simon and John Lennon listed together. Townes Van Zandt, a legend. Vashti Bunyan, and Van Morrison. There's a nice quote from Robin Pecknold I'll read afterwards. Let's just open it up and listen. I'll play it at full volume, it's about thirty-nine minutes, two sides. Close your eyes, whatever you want to do, vibe away in your own way. [The album plays: Fleet Foxes – Fleet Foxes, 39 minutes.] After the album Niall: It's quite an economical album, isn't it? It doesn't stick around long, thirty-nine minutes. Aoife: I like an economical album. It's also one of the first fairly short records we've done here. Niall: That's part of why I was thinking about Sun Giant in that context too. I'm going to read a bit from the liner notes, because for an album that's very much about feelings, with only a few direct songs, some of what's written here is interesting: "My first memory has always been of me and my mom on a cold grey day down at some beach in Washington, along the Puget Sound somewhere near Seattle. I would be around two or three years old, and we were with a friend of mine from the neighbourhood and his mom, walking among the driftwood looking for crabs. Even now I can remember the smell and temperature of the air, the feeling of the sand and the swaying tall grass. I can even remember looking over at my friend and how his face looked when he smiled back at me. Another memory I'll sometimes recall as my first is dressing up in the dead of summer as Jack London, with tennis rackets on my feet and wearing my dad's hiking pack, after seeing Disney's terrible version of White Fang. Or the memory of stealing my neighbour's Big Wheel and riding it halfway down the block before getting caught and having to turn around defeated. Or wearing a fireman's outfit while washing my parents' car, or eating an orange popsicle from the ice cream truck. These have always been some of my most distinct and persistent memories of childhood. So it came as a disappointment when, one day as a teenager, I opened up a photo album and found pictures of each and every one of these memories. I didn't have a single memory that didn't belong to, or somehow grow from, those pictures my parents had. I guess I've seen all these photographs at some point, forgotten they were just photographs, and over time made them into my most tangible memories. That's scary to me in a way. This leads me to something weird about the power music has: its transportability. Any time I hear a song or record that meant a lot to me at a certain moment, I'm instantly taken back to that place in full detail. Whenever I hear 'Feel Flows' by the Beach Boys, I'm taken straight to the back of my parents' car on the way to my grandparents' place, with Surf's Up in my Walkman and the Cascade Mountains going by in the window. Any song off Radiohead's Kid A brings back the airport near Seattle, from when we were on the way to Colorado for a wedding and Kid A was the only record I brought or wanted to bring. 'Crayon Angels' by Judee Sill is the whole winter of last year. And Brian Wilson's solo version of 'Surf's Up' takes me back to driving my parents' car around town alone at sixteen, windows down at night. I can't ascribe exact memories to songs by The Microphones, Joni Mitchell, Built to Spill, Dungen, Harry Nilsson and so many others, and it's a form of recall I can actually trust, there's no visual element to complicate things, no chance of a planted memory that wasn't actually supposed to be there. Maybe I should be concerned that I'm alone in almost all of these memories, but I guess I was just a private kid, and music was a private experience for me. Music activates a certain mental freedom in a way nothing else can, and that is so empowering. You can call it escapism if you like, but I see it as connecting to a deeper human feeling than the one found in the day-to-day world." Aoife: That's lovely. It's a nice addendum. And he was only twenty-one. Niall: For some reason it's signed "Warren Gamaliel Bancroft Winnipeg Harding," Warren G. Harding being the 29th president of the United States. I don't know why, he thought it was funny. Dated April 6th, 2008, Chicago, Illinois. So, any particular highlights, anything that stood out? Aoife: I was reminded how much I love 'Blue Ridge Mountains', the second-to-last song. I just love those four- and five-part harmonies so much. There's something that really gets me about beautiful harmonies stacked on each other that sound so natural. My dad was really into Neil Young and all of that era, my mum's really into Simon & Garfunkel, so I feel like I came out of the womb going, this is the music I love. Niall: There was another one I meant to mention. Aoife: I'm really bad at remembering song names, which isn't great for an arts journalist. They go in one ear and out the other. Niall: 'He Doesn't Know Why'. Aoife: That was it. I always forget the name of that one, and it's an absolute banger. It's quite a direct song, the last one on the first side. Niall: He mentions his brother Sean in 'Blue Ridge Mountains', which is interesting. And Oliver James is his younger brother, that's the last song. Aoife: His sister is Aja, after the Steely Dan album. The parents were really into them. Niall: It holds up so well. The harmonies and vocals sound incredible, there are those beautiful little flourishes, a flute on one of the tracks, the guitar is stunning, lovely little bass lines. I love the way Robin Pecknold and the band hear music. There's a really good Song Exploder episode with him talking about a song from Crack-Up, and the way he thinks about translating his thoughts and emotions into music is so illuminating. He has a beautiful melodic flow that's really similar to the flow of water and nature. There are so many nature references, it's almost parody there are so many. Aoife: You could do a Portlandia sketch about it. "Power of nature, man." "Come down from the mountain, you've been gone too long." Niall: In terms of the line-up: alongside Robin Pecknold on vocals there was Skyler Skjelset on lead guitar, his best friend from Nathan Hale High School, later joined by Casey Wescott, Christian Wargo on bass, and Nicholas Peterson on drums, who left after this album. Aoife: And who came in as the drummer? Niall: A man who's been a main character in one of these listening parties himself: Josh Tillman, Father John Misty, played drums with them. Aoife: For how long? Niall: Only a year or two, pretty short. As I said, main character, he was making his own record. Any Father John Misty fans? He writes really good songs and he's handsome, so we all love him, but he's also a bit of a pain, and he didn't get on very well with Robin Pecknold, which isn't surprising. When I was looking back at the Pitchfork interview they did in 2008, a few months after the album came out, it was a big joint interview with Robin and Josh Tillman, and Tillman is answering the questions at the start. That's confidence. Do you want to hear a quote from what Robin Pecknold said? I've written it in my little notebook, so old-school, that's the only way I remember these things. In a 2020 Reddit AMA, Pecknold said that on that tour, the Helplessness Blues tour, Tillman was supposed to bring out his own record, but his label said he could only release it after the tour. So he was on tour thinking, "I want to bring out my own record, I'm tired of Fleet Foxes." Pecknold said he "had to endure being around a lot of substance abuse, sabotaged shows, general ill treatment and shit-talking, all while paying him for songs he didn't have anything to do with. It sucked." And then Tillman left the band. Whereas in that Pitchfork interview he'd said, "I love playing in this band, these are all my friends, I'm having the best time, I'm sorry if that's a corny quote, but that's the best thing about this experience right now." Aoife: So he was lying through his teeth. I think he's the kind of person who really has to be a solo artist, too iconic a personality. You wouldn't want to wrangle him out of bed to get to the next show. Niall: Too big a price. You mentioned Pitchfork, the album was number one on their end-of-year list in 2008, and they listed Sun Giant alongside it, breaking the traditional conventions of end-of-year lists. What they said was: listing Fleet Foxes' debut album and EP together may be awkward, but it just feels right, they're two sides of a coin that equally express the band's mastery, "a catch-all Americana that takes a wide slice of our popular music spectrum and pulls it through a reverse prism to create a gorgeous and focused sound of the band's own. The threads of Brian Wilson's coastal pop, Appalachian folk, modern indie rock, Grateful Dead jams and other influences are masterfully synthesised in the band's harmonies." Robin Pecknold's sense of dynamics, they said, flows like a river, wild and free but logical, filling what needs to be filled and moving on. I swear I didn't rip that off Pitchfork, I came up with something similar on my own. Aoife: Very good. Niall: It was Uncut's album of the year too. But more than anything, and this is a strange accolade, the album was ranked number 36 on Rolling Stone's list of the greatest stoner albums. Aoife: I don't think Robin Pecknold was a stoner. It doesn't really fit. He's a reader. Niall: So what came after? Helplessness Blues, which is really difficult to say, in 2011, then Crack-Up in 2017, then Shore in 2020. Big long gaps, some personnel changes. And Robin Pecknold, as we've established, is a very literary guy, he went to Columbia to do an undergrad in English literature, because he'd left high school early and gone to a community college, and he really wanted that college experience. So that was part of the break. He's also had difficult times, he's spoken about mental health issues and suicidal ideation, many tough experiences that contributed to the gaps too. They haven't released anything since 2020, and he does a lot of cover events. There are two live records. He's actually playing a gig tonight, I think, where he covers Judee Sill. Any Judee Sill fans? Aoife: Oh my gosh, she's amazing. Nobody ever knows Judee Sill. If you listen to anything, listen to Heart Food, it's iconic. He loves her, mentions her on this record. She's the one who does 'The Kiss', people might have seen her perform it on the Old Grey Whistle Test, it's on YouTube. She had a really tragic life. Niall: One of those I've been meaning to listen to properly for years. She only has two records, so it's easy to get into. There's a documentary about her as well, which I haven't seen. Aoife: She's one of those ill-fated seventies musicians, really religious imagery, did a lot of drugs, really interesting. Niall: Did you get to see them again after your first foray in Berlin? Aoife: I saw them when they toured, though it's really bad when you can't remember what you were doing in the 2010s. Niall: Did anybody see them at that Dublin gig, the outdoor one in 2022? Wasn't it amazing. They've played here a fair bit: Vicar Street in 2008, Electric Picnic 2009, The Marquee in Cork 2011, the Iveagh Gardens in 2017. I don't know if I've missed any, maybe you can tell me. So if you were to pick, is there any further listening or reading you'd suggest to somebody, not necessarily Fleet Foxes? Aoife: Some of it is obvious. As I said, I'd definitely check out Judee Sill, because if you really like Fleet Foxes you'd really vibe with her. And he mentions Harry Nilsson, also unbelievable, more well known than Judee Sill, did the cover of 'Everybody's Talkin''. I'd also mention a guy people would have known at one point but isn't very well known now: Richard Swift. He sadly passed away a couple of years ago. He was friends with Robin Pecknold, a hugely talented musician who struggled with addiction. He has an amazing double album from around 2005 or 2006 that's brilliant, and a record called The Hex, which is referenced on 'Sunblind' on Shore, that's the song where Robin name-checks a lot of musicians he loves, like Elliott Smith, David Berman and Richard Swift. It's such a beautiful record for finding new people to listen to, and it's lovely to hear a musician pay tribute to musicians he loves. The imagery is him talking about this beautiful day where he'll go for a swim and listen to all these beautiful bands, an ecstatic kind of song. So check out all of those records, but Richard Swift deserves more fans, and The Hex is really, really good. Niall: Good shout. What we'll do now is play a tune, and then maybe give Sun Giant another go if you want to stick around. Our next listening party is on the 27th of May, and it's an indie-rock album very close to my heart: Broken Social Scene's You Forgot It in People. I've been wanting to do this one on record for a long time. They're playing here later in the year, but I want to give this record its flowers, it's incredible. My niece has just turned seventeen and I bought her a copy, because it's an anthemic record for a seventeen-year-old. I can't believe that band are still going, which is kind of mad, but it's hard to underline what Broken Social Scene meant to a certain segment of indie. Aoife: And there's four hundred of them on stage. They're from Canada, and we were all like, my God, these people are the best. Niall: For me it's the MP3 times again, we'll talk about this next month. I heard about them through the music blogs, and then I got to see them in the Button Factory, which was the Temple Bar Music Centre at the time. It was one of the first things I ever wrote about, back in 2005. A transcendental experience. Aoife: They're so good live. Niall: I once DJ'd in Galway after one of their gigs, and one of the members of the band, I'll leave him nameless, came over and turned off the decks while I was DJing. Aoife: On purpose? Niall: He was that drunk. I can't remember what I was playing, but I was like, great, DJing after Broken Social Scene and then a band member ruins it. I don't think he liked it. No, I think he was just really drunk and thought it was funny. Thumbs down to him. In a way it's surprising a man like that has managed to persist in a band with so many members. Anyway, I digress. We'll talk about it next month, May 27th. Aoife: I cannot wait. I've been listening to it a lot lately again, it's fantastic. Niall: Thank you for being here. Let's play a bit of this and see what happens. Thanks for being here, appreciate it.

Mix Beach House Winner Interview full 374 Fri, 31 Jul 2026 12:14:02 +0000 1K37Pf9bRe4sSANPbNrRaDWUvl10fSC5 latest,wbmx,society & culture Karson & Kennedy latest,wbmx,society & culture Mix Beach House Winner Interview Karson & Kennedy are honest and open about the most intimate details of their personal lives. The show is fast paced and will have you laughing until it hurts one minute and then wiping tears away from your eyes the next. Some of K&K’s most popular features are Can’t Beat Kennedy, What Did Barrett Say, and The Dirty on the 30! 2024 © 2021 Audacy, Inc. Society & Culture https://player.amperwavepodcasting.com?feed-link=https%3A%2F%2

K&K Full Show - The Mumford and Sons Beach House Recap! 07-31-26 full 3711 Fri, 31 Jul 2026 13:47:32 +0000 E7eLY4ha0nlWfy8ZDv2XmEW6SJe3BAP7 society & culture Karson & Kennedy society & culture K&K Full Show - The Mumford and Sons Beach House Recap! 07-31-26 Karson & Kennedy are honest and open about the most intimate details of their personal lives. The show is fast paced and will have you laughing until it hurts one minute and then wiping tears away from your eyes the next. Some of K&K’s most popular features are Can’t Beat Kennedy, What Did Barrett Say, and The Dirty on the 30! 2024 © 2021 Audacy, Inc. Society & Culture https://player.amperwavepodcas

In today's episode of Reddit Stories Podcast, a wild Karen completely loses it. You won't believe how this one ends! Sit back, relax, and enjoy this binge-worthy Reddit Stories Podcast, featuring Karen freakouts, entitled people stories, and pro revenge tales.

Episode 072: We are pulling back the curtain on the grand illusions of life this week, delivering a heavy dose of reality to all those polished, idealized dreams we hold onto. We begin with the shimmering, melancholic haze of Beach House, before facing the sobering resignation of Jim Lindberg. We then pivot to the gritty frustration of Middle Class Rut, transition into the poignant social commentary of Stevie Wonder, and drift into the deceptively serene, bittersweet piano balladry of Lou Reed. We close out our set by letting Crowded House remind us exactly why even our most beautiful dreams are eventually forced to reconcile with the stark, unvarnished truth. It's a six-track exploration of disillusionment, the sobering light of day, and the messy reality of what happens when the fantasy fades.   Apple Podcasts Instagram Spotify Playlist Official Site

Beach House 2026 Volume 2 turns up the heat with funky disco house, filtered house, soulful grooves, and fresh updates of classics from Loleatta Holloway, Jocelyn Brown, Colonel Abrams, Sister Sledge, and Angie Stone.

K&K Full Show - We Called Our Mix Beach House Winner! 07-17-26 full 3683 Fri, 17 Jul 2026 14:21:08 +0000 mnW6C4AkhIuQt9KQalWzgFN1nzPRgiwX society & culture Karson & Kennedy society & culture K&K Full Show - We Called Our Mix Beach House Winner! 07-17-26 Karson & Kennedy are honest and open about the most intimate details of their personal lives. The show is fast paced and will have you laughing until it hurts one minute and then wiping tears away from your eyes the next. Some of K&K’s most popular features are Can’t Beat Kennedy, What Did Barrett Say, and The Dirty on the 30! 2024 © 2021 Audacy, Inc. Society & Culture https://player.amperwavepodcasti

Mix Beach House Winner full 233 Fri, 17 Jul 2026 13:03:47 +0000 WqeBXNEsLdb6fc4ZThYIXiUra67Vz5ar latest,wbmx,society & culture Karson & Kennedy latest,wbmx,society & culture Mix Beach House Winner Karson & Kennedy are honest and open about the most intimate details of their personal lives. The show is fast paced and will have you laughing until it hurts one minute and then wiping tears away from your eyes the next. Some of K&K’s most popular features are Can’t Beat Kennedy, What Did Barrett Say, and The Dirty on the 30! 2024 © 2021 Audacy, Inc. Society & Culture https://player.amperwavepodcasting.com?feed-link=https%3A%2F%2Frss.amper

Cool off with Beach House 2026 Volume 1, the latest Party Favorz mix featuring feel-good Disco House, Funky House, and Filter House. Packed with uplifting grooves, soulful vocals, classic disco updates, and irresistible summer vibes, it's the perfect soundtrack for pool parties, beach days, sunset cocktails, and late-night celebrations.

From poolside to night out - this is Beachhouse RADIO, July 2026 #BHR68

For her sons birthday, Emily and her family rented out a beach house where they hung out for the weekend. Of course it isn't an Emily vacation without something going wrong... but at least they got an extra room as a surprise!See omnystudio.com/listener for privacy information.

For her sons birthday, Emily and her family rented out a beach house where they hung out for the weekend. Of course it isn't an Emily vacation without something going wrong... but at least they got an extra room as a surprise!See omnystudio.com/listener for privacy information.

Afro From The Beach House #03

Welcome to Superhosts Down Under! This week, Silvia and Ray are joined by Narelle Beavan, a mental health nurse who turned a childhood-memory beach house on Queensland's Capricorn Coast into a five-star Airbnb in under a year. Narelle shares how she found the property, why she leans into storytelling and social media, and how she is preparing for one of regional Australia's biggest events.The Weekly Topic: Style, Era & Guest ExpectationsSilvia opens with a common frustration: guests reviewing a property on its style, era, or theme rather than the quality of the stay. Ray shares how his minimalist Scandinavian studio in South Yarra attracts complaints about TV size and natural light, while Silvia explains how clear listings and face-to-face communication help set expectations in her shared home.A Beach House with HeartNarelle grew up in the tiny fishing village of Keppel Sands and always remembered a little house nestled into the hill at Yeppoon's main beach. Returning home from a cancer appointment with no disease progression, she and her husband took a leap and bought that very house—now extended over 45-plus years into "Vibe on Vaughan".From Nurse to HostAs an acute care mental health nurse covering central Queensland, Narelle explains how building rapport quickly and warmly translates directly into hosting. She shares her strategies for easing anxious guests, setting expectations early, and creating psychological safety long before check-in.Social Media & StorytellingNarelle shares how free tools, trial reels, lifestyle photos, and local community pages drive bookings at zero advertising cost. Her tip: match your music and visuals to the vibe you want guests to feel, and tap into local events and community groups.Pricing, Events & Beef WeekNarelle unpacks rookie pricing mistakes, the power of regional events, and Beef Week—a world-recognised event held every three years that books out accommodation within a 100km radius of Rockhampton. She explains how she plans to offer corporate stays with hampers and guest transport to stand out.Two Listings, One PropertyWith three pavilions sleeping up to 11 guests, Narelle also runs "Afterglow"—a smaller standalone couples' space—to capture midweek bookings and give her family a break on busy weekends.Lessons from Year OneFrom kids on the roof to a mystery smell she couldn't detect after losing her sense of smell to chemo, Narelle shares the surprises, the honesty, and the authenticity that earned her a perfect five-star rating.Connect with Narelle Beavan:​Vibe on Vaughan: https://airbnb.com/h/vibe-on-vaughan-pavilions​Afterglow: https://airbnb.com/h/afterglowpavilion​Instagram: @vibe_on_vaughan_pavilionsOther Resources:​Ray: ⁠raymondyee.com.au⁠ and ⁠lanestay.com.au⁠​⁠Silvia's Airbnb​

+++music only+++music only+++music only+++ 28/26 Afro House & Beach House by FBN live @ Club Business Radio Show One hour of carefully selected electronic music. Willkommen zur Club Business Radio Show, präsentiert von Maik Pahlsmeyer. Mit Ausgabe 28/26 begrüßen wir den Gast-DJ FBN, der mit seinem unverwechselbaren Sound echtes Sommer- und Urlaubsfeeling in die Club Business Radio Show bringt. Musikalisch bewegt sich FBN zwischen Afro House, Beach House und House. Sein Stil ist geprägt von warmen Grooves, melodischen Elementen und entspannten Rhythmen, die sofort an Sonne, Strand und Meer erinnern. Das perfekte Set zum Abschalten, Genießen oder als musikalische Begleitung für einen Sommertag. FBN ist regelmäßig in der Region Möhnesee unterwegs und begeistert sein Publikum unter anderem mit Auftritten im Uferlos am Möhnesee. Seine sorgfältig ausgewählten Tracks und fließenden Übergänge machen jedes seiner Sets zu einer musikalischen Reise. Im Mix zu hören sind unter anderem Tracks von HUGEL, Crazibiza, Bob Sinclar, Alex Twin sowie vielen weiteren internationalen Artists. Freut euch auf eine Stunde voller positiver Energie, sommerlicher Vibes und erstklassig gemixter House-Musik – perfekt für den Beach, den Sonnenuntergang oder einfach zum Träumen. Die Sendung wurde am Freitag ab 21 Uhr auf Radio Bielefeld und Radio Gütersloh ausgestrahlt und ist jetzt auf SoundCloud zum Nachhören verfügbar.

Lee got busy with work this month so here's another easy playlist for your listening pleasure. This month's playlist features selections from the soundtracks of five films Lee has recently watched. Little talking, a bunch of cool music. What's not to love? Lee also talk a bit about the upcoming 100th episode of the show! --Ninna Nanna In Blu & 1970 from "The Cat O'Nine Tails" (1971) --Ennio Morricone & Edda Dell'Orso --Main/End Titles from "Eaten Alive" (1976) --Tobe Hooper & Wayne Bell --Cowboy from "Eaten Alive" (1976) --Al Bolt --Houston from "Eaten Alive" (1976) --Eddy Bailes --Down the Shore; I Just Wanna Have Some Fun, Baseball Rock; & Speed it Up from "Beach House" (1982) --Adam Roth and His Band of Men --Teenbeat from "The Loveless" (1981) --Sandy Nelson --Goodbye Baby & Wasting My Time from "The Loveless" (1981) --Robert Gordon --Perdita from "Wild at Heart" (1990) --Rubber City --Up in Flames from "Wild at Heart" (1990) --Koko Taylor Opening and closing music: Notre côté B from "Gina" by Michel Pagliaro, and Bubble Gum Girl from "Gas-s-s-s" by Johnny & The Tornados.

FORGIVE & FORGET: My Mom Is Suddenly Insisting We Pay To Use The Family Beach House... full 801 Fri, 26 Jun 2026 13:30:38 +0000 FxnfDoSgwwj5gzFuzkG97RUV4FVPnsfj advice,family,drama,family dynamics,family issues,forgive and forget,forgive & forget,family drama,beach house,music,society & culture,news Kramer & Jess On Demand Podcast advice,family,drama,family dynamics,family issues,forgive and forget,forgive & forget,family drama,beach house,music,society & culture,news FORGIVE & FORGET: My Mom Is Suddenly Insisting We Pay To Use The Family Beach House... Highlights from the Kramer & Jess Show. 2024 © 2021 Audacy, Inc. Music Society & Culture News https://

Afro From The Beach House #02

Your sensitive boys are back! Listen as we pack into a grimy little Beach House and spend 76 sweaty minutes obsessing over one of the most forgotten sex comedies of the early 80s. From Jersey boardwalk hangouts and chaotic house parties to doo‑wop punks, softball grudges, and one especially questionable horndog named Marty, this hangout movie somehow dodges the usual sleaze and lands as a genuinely sweet, punk‑rock time capsule. Along the way, the crew digs into the tangled history behind the film: New Line's involvement, surreal mob‑adjacent production stories, how Adam Roth's songs and band end up stealing the movie, and the wild six‑degrees connections from this tiny beach flick to Dennis Leary, Madonna soundtracks, Evil Dead, and beyond. They also talk about why the movie's been so overlooked, what certain critics miss about it, and why Beach House deserves a spot in the summer‑party‑movie rotation. PLUS: a truly cursed “would you rather” about spider‑rotted pinkies versus flying table‑saw thumbs, and a brand‑new Battle of the Bands segment featuring cult Aussie weirdo‑rapper Siggy Retz, comedy‑rap hurricane Auntie Hammy, and a Plastic Bertrand vs Elton Motello showdown over the greatest stolen backing track in punk history. Subscibe to our Youtube Join our Patreon if you can! Hey, why not call us on our hotline? (724) 246-4669!

K&K Full Show - We Announced The Mix Beach House Artist! 06-01-26 full 3152 Mon, 01 Jun 2026 14:29:32 +0000 LUJtJOcAXmucMYnUaLFJ0lqvBg3M3lGw society & culture Karson & Kennedy society & culture K&K Full Show - We Announced The Mix Beach House Artist! 06-01-26 Karson & Kennedy are honest and open about the most intimate details of their personal lives. The show is fast paced and will have you laughing until it hurts one minute and then wiping tears away from your eyes the next. Some of K&K’s most popular features are Can’t Beat Kennedy, What Did Barrett Say, and The Dirty on the 30! 2024 © 2021 Audacy, Inc. Society & Culture https://player.amperwavepodca

Guess Who's Coming To The Beach House? full 292 Mon, 01 Jun 2026 12:26:43 +0000 6TOPhTPVfi13WeWTYdZrpyeAPiStGZeo latest,wbmx,society & culture Karson & Kennedy latest,wbmx,society & culture Guess Who's Coming To The Beach House? Karson & Kennedy are honest and open about the most intimate details of their personal lives. The show is fast paced and will have you laughing until it hurts one minute and then wiping tears away from your eyes the next. Some of K&K’s most popular features are Can’t Beat Kennedy, What Did Barrett Say, and The Dirty on the 30! 2024 © 2021 Audacy, Inc. Society & Culture https://player.amperwavepodcasting.com?feed-link=https%3

From poolside to night out - this is Beachhouse RADIO, May 2026 #BHR67

You probably know "Fade Into You." But did you know that Mazzy Star's thirty year career includes collaborations with The Jesus & Mary Chain and My Bloody Valentine? Have you considered their influence on Lana Del Rey and Beach House? This week we're answering those questions and more with a deep dive on a band that should have been more than a one hit wonder. This week's picks "Halah" by Mazzy Star "In The Kingdom" by Mazzy Star "I'm Less Here" by Mazzy Star The Playlist No Repeat Playlist on Spotify No Repeat Playlist on Apple Music B-Sides Unofficial B-Sides Playlist Support the Show No Repeat on Patreon Join our Discord Email us: norepeatpod[at]gmail[dot]com Follow Us Follow Tyler on Instagram Follow Shaun on Instagram Follow Taylor on Instagram

Season 6, Episode 743: It's launch day! Beach House Views is live and it's on sale for only $0.99! Get it here: https://books.ruanwillowauthor.com/beachhouseviewsbook Ebook $0.99 https://mybook.to/beachhouseviews Book Blurb: A gripping story of desire loaded with lust, betrayal, and survival where nothing is truly as it seems. Love can turn dark when obsession takes over. Juniper and Bridge miraculously find their dream house. It's on the beach! The house is eerily perfect, and the couple can't help but be drawn to its charm and the allure of its famous previous owner, a best-selling author, world-renowned. It seems to be the ideal place for them to start a new chapter in their lives and maybe make a top-notch nursery for that baby they've so desperately been trying for. During their tour of the beachfront home, Juniper finds a mysterious object in the kitchen, a hidden key in an odd place, hinting that there may be more to this picture-perfect place than meets the eye. Blinded by the gorgeous scenery and happiness with her husband, she doesn't have a clue about the shocking secret the key holds. Mysteries pop up that make it undeniable that something odd could be lurking in the house. Their world crumbles when they find the beach views they didn't want. The terrifying fixation spirals into a dark twisted fantasy, shattering their illusion of safety. The nightmare violates their freedom as his chilling plan is revealed. Tropes: Dark romance, spicy intimate open door, suspense thriller, voyeurism, adventurous intimacy, swinging friends with benefits FF, FM, MMF, cats https://linktr.ee/RuanWillow

In this episode, we sit down with Sam Sessa for a conversation about WTMD, Baltimore music history, and the projects and events he's helped organize throughout the years.We talk about Baltimore Unsigned, First Thursday, Dead for Kids, Phish for Kids, New/Next Film Fest, and artists including Beach House, Dan Deacon, Wye Oak, Snail Mail, Outcalls Frozen spectacular, and Enslow's Taylor Swift for kids.We also discuss Sam's early days working for The Baltimore Sun.Sponsored by Christopher Schafer Clothier.

On this week’s episode, we welcome back Tom Crook, Paul Whitty, and Ben Smith as hosts, and the trio shares their favourite stories and tracks they’ve been enjoying over the past few weeks. Artist – Track [Album] [edit] radio podcast 815 – Right Click and Save As to Download The post Podcast 815 | Featuring Beach House, Anthony Szmierek & Les Cowboys Fringants appeared first on [edit] radio.

It's a new year but the anime doesn't stop as Emmeline is joined by Olivia and Ina to discuss the manga that started it all (not really), the other other OTHER Umamusume spin-off that had everyone talking as its anime adaptation hit last year. We read the original, and have a lot of thoughts about sports drama booking and fumbling a bunch of women who are down bad for the blandest girl alive.

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz answer your questions!---

“When I started going to rock & roll camp once a summer, I definitely always felt like there was a lot to be proven of being like a girl, a small girl,” says Snail Mail's Lindsey Jordan. “My whole brain was just this ‘Be better than the boys, I have to in order to be able to even just exist' thing, and that took some of the enjoyment out of it. But now I do have a bloodlust for getting better, and I don't know if I would have that if it weren't for having so much of an inferiority complex for so long.” In episode 136, Jordan delves further into how the perfectionism she developed early on, as a preciously talented kid guitarist at rock camp, has been both a blessing and a curse — on the one hand it has inspired her to constantly strive to improve,  on the other it has contributed to intense anxiety that she still battles. We discuss the theme of anxiety and obsession in her life, and the role those things played in the excellent new Snail Mail album, Ricochet. Don't worry, we also get into a lot of lighter fare, talking about the artists she obsessed over as a kid during one of indie music's heydays, when she poured over Tumblr to discover bands like Beach House and Warpaint and Purity Ring and St. Vincent and Lana Del Rey.  Lindsay also shares some details about the first big  Snail Mail tour for Ricochet, and some new things she and the band are trying for these shows. Get tickets and details here.

Picture this… your partner comes home excited, big smile, keys in hand, they’ve bought property for the both of you. But here’s the twist… it’s not a house in the suburbs, not close to work, not near everyday life… It’s a beach house. Sure, ocean views, sunsets, that soft life aesthetic… it sounds like a dream. But this isn’t just for holidays, this is the home. So now the question is, is that romantic… or completely impractical? Do you lean into the lifestyle and make it work? Or are you thinking: “How are we supposed to live like this every day? Would you be okay with it… or is that a red flag? Hang out with Anele and The Club on 947 every weekday morning. Popular radio hosts Anele Mdoda, Frankie du Toit, Thembekile Mrototo, and Cindy Poluta take fun to the next level with the biggest guests, hottest conversations, feel-good vibes, and the best music to get you going! Kick-start your day with the most enjoyable way to wake up in Joburg. Connect with Anele and The Club on 947 via WhatsApp at 084 000 0947 or call the studio on 011 88 38 947Thank you for listening to the Anele and the Club podcast..Listen live on Primedia+ weekdays from 06:00 to 09:00 to Anele and the Club broadcast on 947 https://buff.ly/y34dh8Y For more from the show go to https://buff.ly/gyWKIkl or find all the catch-up podcasts here https://buff.ly/K59GRzu Subscribe to the 947s Weekly Newsletter https://buff.ly/hf9IuR9 Follow us on social media:947 on Facebook: https://www.facebook.com/947Joburg/ 947 on TikTok: https://www.tiktok.com/@947joburg947 on Instagram: https://www.instagram.com/947joburg947 on X: www.x.com/947 947 on YouTube: https://www.youtube.com/@947JoburgSee omnystudio.com/listener for privacy information.

HER MILLIONAIRE HUSBAND TOOK HIS MAID OF HONOR TO THE BEACH HOUSE - BUT HIS WIFE WAS WAITING INSIDEBecome a supporter of this podcast: https://www.spreaker.com/podcast/true-cheating-wives-and-girlfriends-stories-2026-true-cheating-stories-podcast--5689182/support.

From poolside to night out - this is Beachhouse RADIO, March 2026 #BHR66

She Said I Could Not Satisfy Her So I Satisfied Her Best Friend In Our New Beach House InsteadBecome a supporter of this podcast: https://www.spreaker.com/podcast/true-cheating-wives-and-girlfriends-stories-2026-true-cheating-stories-podcast--5689182/support.

The Beach House***Written by: Desiree Horton and Narrated by: Heather Thomas***Content warning: Suicide***My Own Shallow Depths Drown Me***Written by: Steve Tornes and Narrated by: Cole Burkhardt***It was 1977 When It Started***Written by: Amirah R***Support the show at patreon.com/creepypod***Sound design by: Pacific Obadiah***Title music by: Alex Aldea Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In addition to the monthly movie talk regarding directors (for Director's Club), I'm happy to present the latest episode of the music version of that same format! Only this time, it's all about bands/musicians that we think are worth discussing. Along with co-host and partner Sharon Gissy, we both can't wait for you to listen to us nerd out about music each month (sorry we skipped January). For Feb, it's all about the remarkably talented dream pop duo Beach House! The format is simple: each of us picks an A-side to discuss (a more popular well-known song) and then we choose a B-side (a song that's more obscure) that we think you should listen to ASAP. Add our choices to playlists, listen to us talk about another art form we both adore just as much as film! Thank you so much to Sharon for joining me on this nerdy podcasting journey and can't wait for March's episode (next year we will also have guests on too). More to come!

In this life update, Chalene and Bret share what turned into a full blown catastrophe after a major flood destroyed their California beach house. They walk through the reality of dealing with insurance delays, massive financial decisions, and why coastal properties come with a level of risk most homeowners never see coming. Along the way, the conversation shifts into a surprisingly grounding discussion about money mindset, stress, and how quickly plans and priorities can change. It is honest, sometimes darkly funny, and full of hard earned perspective on loss, gratitude, and not letting stuff define your future. Chalene and Bret also the road trip chaos that took place on their way to visit Chalene's parents.   

The Beachhouse Annual returns, serving up a laidback, sophisticated soulful house dj mix, perfect for lounging by the pool, chilling at the beach, and everything in between.

‘Christmas Eve at Beach House' was first published in Routledge's Christmas Annual, 1870. C/W murder, intimate partner violence To support us during our year-end campaign, go to https://escapeartists.net/support-ea The Oldhammer Fiction Podcast Eliza Lynn Linton Dr. Frizzle on Bluesky It seemed as if the Mackenzies were under a spell, and that none of… Source

The Jim Rome Show HR 2 - 11/21/25 After talking Houston Texans, Jim mentions what the loss last night means for the Buffalo Bills. Then, Silkbrah checks in from the Beach House on the central coast. Then, former NFLer and NFL Network host Isaac Rochell joins the show. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On today's episode we are joined by Annika from Barstool Beach House and more. We get into her life before Barstool and the path she took to join the company. We later get into her experience on the popular Barstool Beach House, her collaborating with her ex Nicky Smokes and more.You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/thedogwalk

Charlie Kirk was assassinated yesterday (2:30). Nicky Smokes tried to expense cigarettes on the Beach House (17:30). Dave gives a Fox update and how he feels Wake Up Barstool is doing (18:30). T-Bob and Kayce got hammered in front of Dave during a live stream (21:45). Dave wants to be the spokesman for Imodium (24:00) Mut joins the show to pitch a job at Barstool (27:30). Mut brings up the negatives (36:00). Chris Klemmer's reaction to Mut's pitch (41:00).You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/unnamedshow

Timecodes: 00:00 Start 00:30 Sentimental about Beach House 03:02 Tommy & Ella 08:11 Dante's dating life 10:18 Will Dante be back? 13:10 Annika & Nicky 19:04 Who was the biggest surprise? 22:54 What's next for Oona? 26:49 Beach House vs. Blackout Tour 31:04 Biggest surprises (cont.) 36:49 Post Beach House cleanse 42:12 Dante is a character 46:24 Reflections 51:48 Main episode starts 52:03 Beach House Finale wrap up 01:22:05 Tommy & Ella 01:26:03 Janny update 01:30:25 Beach House was a wild experience 01:32:33 Unc vs. Gen Z 01:41:27 Beach House recap (cont.) 01:45:03 Dante gets filled in on Love Island 01:48:00 Beach House changed the game 01:50:36 Dante show coming? 01:53:49 Would they do it again? 01:55:42 Props to Oona 02:00:05 Dating in 2025 02:06:44 Reception from locals 02:11:25 Unknown number 02:26:09 Venice Film Festival standing ovations LINK https://x.com/DiscussingFilm/status/1962605676452049166 02:28:54 U.S. Open stolen hat & Nico Harrison LINKS https://x.com/CollinRugg/status/1961476692511498279 https://x.com/TheDunkCentral/status/1962204609532899537 02:35:50 Trump rumors 02:39:32 Bruce Willis' family backlash 02:50:04 Anne Hathaway theory 02:59:41 Brianna Special Forces 03:00:50 Midnight Bean rules +++++++++++++++++++++++++++++++ DraftKings: Gambling Problem? Call 1-800-GAMBLER. Help is available for problem gambling. Call (888) 789-7777 or visit ccpg.org (CT). 18+ (19+ AL/NE, 21+ AZ/MA/VA). Valid only where Pick6 operates, see dkng.co/pick6states. Void in NY, ONT, and where prohibited. Eligibility restrictions apply. Must click link to claim Bag Builder Token. Token must be selected BEFORE placing free entry in Bag Builder contest. Entry must have 6/6 correct Picks to earn equal share of cash prize pool. Tokens are single use and expire 9/8 @ 8:15 PM ET. Max. 6 Tokens per customer. Earn addt'l Tokens via linkshare w/ new Bag Builder entrants and linking Discord account w/ DraftKings. Ends 9/8/25 at 8:15 PM ET. Terms: pick6.draftkings.com/promos. Sponsored by DK. PHX: Get PHX and fuel your hustle the complete way. Shop on https://drinkphx.com. Shop on drinkphx.com and follow Phoenix on Instagram @Drink_PHX. JackPocket: GAMBLING PROBLEM? CALL 1-800-GAMBLER, Call 877-8-HOPENY/text HOPENY (467369) (NY). 18+ (19+ in NE, 21+ in AZ). Physically present where Jackpocket operates. Jackpocket is a lottery courier and not affiliated with any State Lottery. Eligibility restrictions apply. Void where prohibited. 1 per new customer. Opt-in for $5 in non-withdrawable Lottery Credits that expire in 7 days (168 hours). Ends 9/30/25 at 11:59PM ET. Terms: jkpt.co/draw5. Based on the total dollar amount of lottery prizes won by Jackpocket customers. Based on 2025 iOS download data collected by Sensor Tower. Sponsored by Jackpocket.You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/kfcr

Timecodes: 00:00 Start 00:25 Rone accuses Tommy of too many bits 14:11 Taylor Swift & Travis Kelce engagement 26:04 Should KFC rebrand OMM to Boy Gossip? 38:03 Different generarations of Barstool 42:52 Howard Stern resurfaced clip 45:49 Mascots episode 2 thoughts 58:00 Mascots behind the scenes 01:05:35 KB's big performance 01:07:37 Tommy's interruption 01:08:41 More Mascots behind the scenes 01:13:51 Feits' new life hacks 01:16:16 Can Ben Shapiro bench 200 lbs? 01:19:45 Beach House final weekend +++++++++++++++++++++++++++++++ DraftKings: GAMBLING PROBLEM? CALL 1-800-GAMBLER, (800) 327-5050 or visit gamblinghelplinema.org (MA). Call 877-8-HOPENY/text HOPENY (467369) (NY). Please Gamble Responsibly. 888-789-7777/visit ccpg.org (CT), or visit www.mdgamblinghelp.org (MD). 21+ and present in most states. (18+ DC/KY/NH/WY). Void in ONT/OR/NH. Eligibility restrictions apply. On behalf of Boot Hill Casino & Resort (KS). 1 per new customer. $5+ first-time bet req. Max. $300 issued as non-withdrawable Bonus Bets that expire in 7 days (168 hours). Stake removed from payout. Terms: sportsbook.draftkings.com/promos. Ends 9/7/25 at 11:59 PM ET. Sponsored by DK. JackPocket: GAMBLING PROBLEM? CALL 1-800-GAMBLER, Call 877-8-HOPENY/text HOPENY (467369) (NY). Jackpocket is a lottery courier and not affiliated with any State Lottery. NO PURCHASE NECESSARY. Void where prohibited. Eligibility restrictions apply. 18+ (21+ in AZ, 19+ in NE). AZ, AR, CO, D.C., ID, ME, MN, MT, NE, NH, NJ, NY, OH, OR, or WV only. Limit 3 entries per person per drawing. 11 drawings total. Entries must be made during the Drawing Specific Entry Period (as defined in the Official Rules) for a particular drawing or rolled over from a prior drawing in order to be eligible. Ends 8/29 @ 10:00 AM ET. See Official Rules, Drawing Specific Entry Periods, and free method of entry at jkpt.co/Winnerverse. Sponsored by Jackpocket LLC. Max. $100 issued in non-withdrawable Lottery Credits that expire in 365 days (8,760 hours). Sponsored by Jackpocket. BlueChew: Get your first month of BlueChew FREE Just use promo code KFC at checkout and pay five bucks for shipping. https://BlueChew.comYou can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/kfcr

Buy tickets to LeMaire's comedy shows here: https://lemairelee.fun/?fbclid=PAZXh0bgNhZW0CMTEAAadrRw1pTuBUD-VDTxudvDbgCi803ErtX4E-NJrHtFPB0RkpMP4PykyezyAu3A_aem_yQGGitrLgkzbfgU1Pq4Bgw Jackie summons video: https://x.com/stoolbeachhouse/status/1959110764779704526 +++++++++++++++++++++++++++++++ Timecodes: 00:00 Start 00:49 How LeMaire likes Austin 02:54 KFC's boy gossip 07:40 LeMaire's pitch to Barstool 11:27 KFC's invention startup 14:19 Turning back to a boobs guy 23:05 Feits' food disaster 26:22 Cosmetic surgeries 28:23 Jackie's Beach House marriage 31:04 Fish Tank 32:43 Winter Beach House? 34:46 Jackie's all time clip 41:01 Cracker Barrel changed their logo 44:30 Tiger King was crazy 50:12 Will the cast be sad for Beach House to end? 54:42 Marc Maron's comments 01:01:45 Les Mascots Ep 2 01:05:03 LeMaire's sitcom show script +++++++++++++++++++++++++++++++ BlueChew: Get your first month of BlueChew FREE Just use promo code KFC at checkout and pay five bucks for shipping. https://BlueChew.com DraftKings: Gambling Problem? Call 1-800-GAMBLER. Help is available for problem gambling. Call (888) 789-7777 or visit ccpg.org (CT). 18+ (19+ AL/NE, 21+ AZ/MA/VA). Valid only where Pick6 operates, see dkng.co/pick6states. Void in NY, ONT, and where prohibited. Eligibility restrictions apply. Must click link to claim Bag Builder Token. Token must be selected BEFORE placing free entry in Bag Builder contest. Entry must have 6/6 correct Picks to earn equal share of cash prize pool. Tokens are single use and expire 9/8 @ 8:15 PM ET. Max. 6 Tokens per customer. Earn addt'l Tokens via linkshare w/ new Bag Builder entrants and linking Discord account w/ DraftKings. Ends 9/8/25 at 8:15 PM ET. Terms: pick6.draftkings.com/promos. Sponsored by DK. Factor: Eat smart at https://FactorMeals.com/KFC50OFF and use code KFC50OFF to get 50% off your first box, plus Free Breakfast for 1 Year. JackPocket: GAMBLING PROBLEM? CALL 1-800-GAMBLER, Call 877-8-HOPENY/text HOPENY (467369) (NY). Jackpocket is a lottery courier and not affiliated with any State Lottery. NO PURCHASE NECESSARY. Void where prohibited. Eligibility restrictions apply. 18+ (21+ in AZ, 19+ in NE). AZ, AR, CO, D.C., ID, ME, MN, MT, NE, NH, NJ, NY, OH, OR, or WV only. Limit 3 entries per person per drawing. 11 drawings total. Entries must be made during the Drawing Specific Entry Period (as defined in the Official Rules) for a particular drawing or rolled over from a prior drawing in order to be eligible. Ends 8/29 @ 10:00 AM ET. See Official Rules, Drawing Specific Entry Periods, and free method of entry at jkpt.co/Winnerverse. Sponsored by Jackpocket LLC. Max. $100 issued in non-withdrawable Lottery Credits that expire in 365 days (8,760 hours). Sponsored by Jackpocket.You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/kfcr

Watch Episode 1 of Les Mascots here: https://youtu.be/3nsdt4GhqiU?si=B_zwd96JtblVUAq- +++++++++++++++++++++++++++++++ Timecodes: 00:00 Start 00:31 Les Mascots ep 1 is out 33:29 Building the Les Mascots characters 42:57 Paul Walter Hauser's honest Letterboxd review 50:45 Pre Beach House week 3 chat 58:16 Who is everyone's biggest rival? 01:05:33 Comfy clothes rituals 01:08:25 Feits' sh*tting the bed story 01:12:33 KFC's rivals 01:15:46 Tommy thinks he popularized a phrase 01:27:31 Future Beach House plans 01:33:13 KFC's awesome Midnight Bean portrait from @loraween on IG +++++++++++++++++++++++++++++++ Kraken: Go to https://kraken.com/barstool to learn more PHX: Get PHX and fuel your hustle the complete way. Shop on https://drinkphx.com. Shop on drinkphx.com and follow Phoenix on Instagram @Drink_PHX. BlueChew: Get your first month of BlueChew FREE Just use promo code KFC at checkout and pay five bucks for shipping. https://BlueChew.comYou can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/kfcr

Timecodes: 00:00 Start 02:32 Jackie's Beach House weekend 12:33 Meek Phil's Beach House weekend 16:15 Dante's stock is rising 29:39 Last week's Les Mascots premiere event and tonight's release of ep 1 40:42 Pavs' Dad is a legend 49:36 Les Mascots ep 1 comes out tonight 53:38 Les Mascots reviews 55:46 Sas' premiere outfit 01:00:34 Tommy's Rob dilemma +++++++++++++++++++++++++++++++ Gametime: Download the Gametime app today and use code KFC for $20 off your first purchase BetterHelp: Get 10% off their first month at https://BetterHelp.com/KFC. DraftKings: Gambling problem? Call 1-800-GAMBLER (MI/NJ/PA/WV). Help is available for problem gambling. Call (888) 789-7777 or visit ccpg.org (CT). 21+. Physically present in CT/MI/NJ/PA/WV only. Void in ONT. Eligibility restrictions apply. 1 per new customer. Opt-in req. Min. $5 in wagers req. Max. 500 Casino Spins for featured game. Spins issued as 50 Spins/day for 10 days. Spins are non-withdrawable and expire each day after 24 hours. $0.20 per Spin. Game availability may vary. Terms: casino.draftkings.com/promos. Ends 8/24/25 at 11:59 PM ET. Sponsored by DK. JackPocket: GAMBLING PROBLEM? CALL 1-800-GAMBLER, Call 877-8-HOPENY/text HOPENY (467369) (NY). Jackpocket is a lottery courier and not affiliated with any State Lottery. NO PURCHASE NECESSARY. Void where prohibited. Eligibility restrictions apply. 18+ (21+ in AZ, 19+ in NE). AZ, AR, CO, D.C., ID, ME, MN, MT, NE, NH, NJ, NY, OH, OR, or WV only. Limit 3 entries per person per drawing. 11 drawings total. Entries must be made during the Drawing Specific Entry Period (as defined in the Official Rules) for a particular drawing or rolled over from a prior drawing in order to be eligible. Ends 8/29 @ 10:00 AM ET. See Official Rules, Drawing Specific Entry Periods, and free method of entry at jkpt.co/Winnerverse. Sponsored by Jackpocket LLC. Max. $100 issued in non-withdrawable Lottery Credits that expire in 365 days (8,760 hours). Sponsored by Jackpocket. Bleecker Street: See SPINAL TAP II: THE END CONTINUES in theaters and IMAX starting September 12You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/kfcr

Timecodes: 00:00 Start 00:58 KFC keeps seeing Jackie on the street 03:00 Debriefing Tuesday's ep 05:54 The Les Mascots premiere event is here 36:05 Tommy's heater 42:21 Taylor Swift's New Heights appearance 54:37 Les Mascots expectations 01:00:12 Weapons & Sinners 01:03:53 An ultimatum for Tommy 01:08:39 Beach House week 2 expectations 01:21:17 Howard Stern drama 01:25:15 Beach House week 2 plans +++++++++++++++++++++++++++++++ BlueChew: Get your first month of BlueChew FREE Just use promo code KFC at checkout and pay five bucks for shipping. https://BlueChew.com PHX: Get PHX and fuel your hustle the complete way. Shop on https://drinkphx.com. Shop on drinkphx.com and follow Phoenix on Instagram @Drink_PHX. AuraFrames: Exclusive $35-off Carver Mat at https://AuraFrames.com. Promo Code KFC Kraken: Go to https://kraken.com/barstool to learn moreYou can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/kfcr

Timecodes: 00:00 Start 00:16 Tommy bit by spider 09:36 Barstool Beach House week 1 recap 01:18:45 The Les Mascots tour & premiere event 01:24:11 Les Mascots goals 01:33:00 Origin of Les Mascots 01:42:28 Tommy's ideal next year 01:45:03 Tommy's life log +++++++++++++++++++++++++++++++ BlueChew: Get your first month of BlueChew FREE Just use promo code KFC at checkout and pay five bucks for shipping. https://BlueChew.com REEF: Go to https://REEF.com/KFCRADIO and use promo code KFCRADIO15 to get 15% off your first order over $49 JackPocket: GAMBLING PROBLEM? CALL 1-800-GAMBLER, Call 877-8-HOPENY/text HOPENY (467369) (NY). 18+ (19+ in NE, 21+ in AZ). Physically present where Jackpocket operates. Jackpocket is a lottery courier and not affiliated with any State Lottery. Eligibility restrictions apply. Void where prohibited. 1 per new customer. Opt-in for $5 in non-withdrawable Lottery Credits that expire in 7 days (168 hours). Ends 9/30/25 at 11:59PM ET. Terms: jkpt.co/draw5. Scratchers subject to availability. Based on 2025 iOS download data collected by Sensor Tower. Sponsored by Jackpocket. Bleecker Street: See SPINAL TAP II: THE END CONTINUES in theaters and IMAX starting September 12 AuraFrames: Exclusive $35-off Carver Mat at https://AuraFrames.com. Promo Code KFCYou can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/kfcr