Podcasts about moviola

Mickey Rourke – legenda kina lat 80., zdobywca Złotego Globu, gwiazda „Zapaśnika”. Dziś? Skandale, homofobiczne komentarze, występ w Celebrity Big Brother… i cała kariera na krawędzi.W tym odcinku prześwietlamy niewiarygodną historię upadku Mickey'ego Rourke'a – od filmowego boga do problematycznego uczestnika reality show.• Co powiedział do JoJo Siwy?• Dlaczego AJ Odudu go uciszała?• Jaką rolę w jego życiu odgrywały operacje plastyczne?• I czy rzeczywiście... kocha Putina?Oglądaj do końca, zostaw suba, komentarz i daj znać – co sądzisz o Rourke'u?00:00 W tym odcinku...00:18 Upadek Rourke'a?01:15 Kariera bokserska i operacje plastyczne02:07 Destrukcyjny związek i odrzucone role03:25 Poparcie dla zbrodniarza04:00 Big Brother i zarzutyPostaw nam wirtualną kawę — https://buycoffee.to/wieszotymKontakt:

Analizamos la tercera derrota consecutiva del Sevilla con su entrenador Xavier García Pimienta en la cuerda floja. En Segunda, derbis andaluces con triunfos para Granada y Córdoba, mientras el Málaga se acerca a los puestos de peligro. Escuchar audio

Analizamos el triunfo del Real Betis al Sevilla en el Gran Derbi 7 años después. Una jornada nefasta en Segunda con el Almería como único equipo que suma los 3 puntos. En baloncesto, tercera derrota consecutiva de Unicaja. Escuchar audio

Pubblico in studio, qualcuno verrà arrestato?Moviola del Prodi-gate. E se ci fosse stato un politico di destra?Emanuel Cosmin Stoica, il King della 104 continua a combattere.Annarita Briganti moralizza a tutto spiano. Evviva.Filippo Champagne prenderà il posto di Davidone Lacerenza. Finché ci sarà lui, Davidone non scomparirà.Bombolino e le news sul Papa. È grazie a lui se si è affacciato.Luca Scazzi, i sofficini e gli sputapelo.

Analizamos la jornada en Segunda División con los triunfos de Granada y Málaga y las dolorosas derrotas de Almería y Cádiz. En baloncesto, el récord de triples de Unicaja no sirve para doblegar al Real Madrid Escuchar audio

Analizamos la remontada del Betis y la derrota del Sevilla antes del derbi. En baloncesto, derrotas de Unicaja y Granada, esta no exenta de polémica.Escuchar audio

La lesión de Iván Jaime, las previas del Valencia y Levante, De la Fuente y La Moviola. En el OFF The Record de este viernes hemos abierto con la previa del Valencia centrándonos en la lesión de Iván Jaime, la previa del Levante, la visita de De la Fuente y su lista. Y, como siempre, nuestra Moviola de los viernes.

In this conversation, I speak with Howard Berry about his film project 'Her Name Was Moviola', which explores the art of film editing through the lens of a a traditional editing setup. Howard shares the origins of the project, his connections with notable filmmakers like Walter Murch and Mike Leigh, who are both involved in the projet. And the challenges he faced in acquiring the necessary equipment for the film. The chat highlights the technical aspects of film editing and the collaborative nature of filmmaking. We look at the intricacies of documentary filmmaking, particularly focusing on the editing process and the relationship between directors and editors. Howard shares insights into his experience editing a film about editing, the challenges faced during production, and the importance of preserving cinematic stories. We also touch on the film's reception at various festivals and the future distribution plans.The project began as an oral history of Elstree Studios.Howard's connections in the film industry were crucial to the project's development.Walter Murch's involvement was pivotal in shaping the film's direction.The film aims to document the process of editing, not just the final product.Acquiring vintage equipment like the movieola was a significant challenge.Howard's persistence in networking led to valuable collaborations.Mike Leigh's willingness to share footage was a turning point for the project.The technical aspects of editing are often overlooked but are essential to the craft.The film serves as a tribute to the art of film editing.Howard's journey reflects the importance of community and support in filmmaking. Howard emphasizes the importance of preserving historical stories in film.The documentary was always intended to focus on the technical and psychological aspects of editing.Walter Murch's preference for a nuts-and-bolts approach shaped the film's direction.The relationship between a director and editor can be tense yet collaborative.Critiques from directors can enhance the editing process and lead to better outcomes.Editing a film about editing presents unique challenges and pressures.Trust between filmmakers is crucial for a successful project.The film has received positive feedback from audiences and critics alike.Festival screenings have provided valuable exposure and audience engagement.Future distribution plans aim to reach a wider audience through streaming services.Filmumentaries LinktreeHer Name Was MoviolaThe Elstree Project

A film editor's job is much like the work of a sculptor. You take a massive block of material—raw footage—and with a series of delicate, precise cuts, you shape it into something cohesive, something meaningful. In today's episode, we welcome Michael Trent, a master of cinematic storytelling who has spent his career assembling some of Hollywood's most unforgettable films. From the war-torn beaches of Saving Private Ryan to the eerie corridors of The Hatred, his work is the unseen hand that guides an audience's emotions, turning chaos into art.For Michael Trent, the journey into the editing room began long before he ever set foot in Hollywood. His father, a sound editor in England, introduced him to the craft at an early age. “I was using a Moviola by the time I was ten,” he recalls, describing the tactile magic of celluloid film. But talent alone wasn't enough to break into the industry—his leap from England to Hollywood in 1994 was an act of faith, a cold call to the right person at the right time, proving that the universe often conspires in favor of those who dare.Editing is not merely about cutting and pasting scenes together. It is about rhythm, about knowing when to hold a shot and when to move on. It is the balance between subtlety and impact, between quiet tension and explosive release. “I think a lot of editors cut too much,” Michael Trent shares. “You have to feel the emotion of a scene and let it breathe.” His work on The Hatred is a testament to this philosophy, particularly in its ability to sustain suspense, making audiences feel the presence of something sinister lurking just beyond the frame.One of the most fascinating aspects of his career was working alongside Steven Spielberg. Editing Saving Private Ryan meant moving between locations, from an Irish field to an aerospace museum in England, adapting to whatever environment was necessary. But beyond the logistics, Spielberg's ability to visualize an edit in his head was what amazed Michael Trent the most. “He called in from Japan with an edit suggestion, and when we made the change, it worked perfectly. It was as if he had a video camera inside his mind.”Horror editing, in particular, demands a unique approach. Timing becomes everything—not just in the obvious jump scares, but in the slow-building unease that keeps an audience gripping their seats.A shadow lingering a second too long, a door creaking open just slightly out of sync—these are the choices that make a horror film work. “There's a scene in The Hatred where Alice walks toward the cellar,” Michael Trent explains. “We held the shot longer than usual, just to build that sense of dread.”To be an editor is to be both an artist and a storyteller, sculpting not with clay or paint, but with time itself. The true test of an editor's skill lies not in what they add, but in what they take away. Sometimes, entire scenes—ones that took days to shoot—must be discarded for the sake of pacing and narrative flow. “You have to be ruthless,” Michael Trent says. “If it doesn't serve the story, it has to go.”Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Il malore di Bove e le date per il rinvio di Fiorentina-Inter, tutte le news del giorno.

Una finestra sui fatti del giorno per andare oltre le notizie. Il direttore Daniele Capezzone dà voce ai contenuti editoriali di Libero con un extra-editoriale in formato podcast.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/libero-in-tre-minuti--5680426/support.

Il Genoa strappa un punto d'oro al Franchi grazie al tredicesimo centro in campionato di Gudmunsson e sale a quota 39 punti in classifica. Venerdì si torna in campo contro la Lazio: da valutare Bani e Messias, usciti acciaccati dalla partita di Firenze. Buoncalcioatutti!

È stato un weekend di sport di grandissime emozioni, la vittoria dell'Italrugby nel delirio dell'Olimpico, l'ennesima vittoria di Verstappen e Bagnaia, la sicurezza di Sinner ancora vincente e il calcio con la corsa Champions che prosegue al rilento mentre sul podio ora c'è il Milan dietro l'imperdibile Inter. Ne parliamo con Guido Vaciago, direttore di Tuttosport. Questo weekend ci lascia anche storie di pressione su sportivi che a volte si reggono e a volte no: l'Italrugby sempre bistrattata si riscatta contro la Scozia dopo una serie lunga di insuccessi, l'incredibile performance del 18enne Bearman in sella alla Ferrari che ha colpito tutti in pista, ed infine la brutta vicenda di Roberto D'Aversa, l'allenatore del Lecce che, dopo la sconfitta con il Verona, ha dato una testata all'attaccante scaligero Henry. Convocato Stefano Tirelli, mental coach e preparatore atletico. Rigiochiamo Fiorentina - Roma con due tifosi che sono di casa a Radio 24: il viola Dario Baldi e il giallorosso Daniele Brunetti.Poi allarghiamo la discussione al direttore del Corriere Fiorentino, Roberto De Ponti, con il quale parliamo anche di basket dopo l'emozionante sfida di ieri tra Virtus Bologna e Olimpia Milano.

Today on Art of the Cut, we're talking with multi-Oscar winner, Walter Murch, ACE. I interviewed Walter in person just before his appearance at the 2024 ACE Eddie Awards to receive his Career Achievement Award - an award which was presented by his long-time friend and collaborator, George Lucas. Murch's career is filled with cinematic cultural touchstones. He was nominated for an Oscar for sound and won BAFTAS for both sound and editing on The Conversation. He was nominated for a BAFTA and an Oscar for editing Julia. For Apocalypse Now, he was nominated for an Oscar for Editing, BAFTAs for editing AND sound, an ACE Eddie … and won the Oscar for sound. In 1991 he was nominated for Oscars for both The Godfather Part II AND Ghost, and was nominated for an ACE Eddie for Ghost. For The English Patient he was nominated for a BAFTA for sound, and won a BAFTA for editing, not to mention winning an ACE Eddie and TWO Oscars for sound AND editing. He was nominated for an ACE Eddie for The Talented Mr. Ripley. He was nominated for two BAFTAs - for sound and editing - and for an ACE Eddie and an Oscar for “Cold Mountain.” He was nominated for an Emmy for “Hemingway and Gelhorn,” for which he ALSO won an ACE Eddie.   On top of all of this, he has been writing a book on filmmaking - actually two volumes! - with the first volume releasing later this year, focusing on editing and sound, and the second volume coming next year. Most of the following interview focuses on the thoughts and concepts outlined in that book, which is called “Suddenly Something Clicked.” This very special episode happens to be the 10th anniversary episode of Art of the Cut! 10 years... nearly 500 interviews. There is a TON of great visual content in the accompanying blog. Please listen to the podcast and follow along with the transcript at borisfx.com/blog/aotc. Many photos of Murch at the Moviola, clips from the films we discuss and more.

Il designatore arbitrale Rocchi ha provato a spegnere le polemiche che infiammano intorno al Var.

Il designatore arbitrale Rocchi ha provato a spegnere le polemiche che infiammano intorno al Var.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

Il designatore arbitrale Rocchi ha provato a spegnere le polemiche che infiammano intorno al Var.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

Il designatore arbitrale Rocchi ha provato a spegnere le polemiche che infiammano intorno al Var.See omnystudio.com/listener for privacy information.

Il designatore arbitrale Rocchi ha provato a spegnere le polemiche che infiammano intorno al Var.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

Il campione del mondo di salto in alto è anche uno straordinario comunicatore: perché il calcio non prende spunto? La disputa attorno a Magnanelli, collaboratore di Allegri. È scomparso il cantante de “L'Italiano”, che in fondo parlava anche di pallone

INTER NEWS - Le proteste di Schmidt nel post partita non trovano conferma nella moviola: l'Inter ha meritato sul campo la vittoria!Questo show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/4627107/advertisement

ll Var in Germania storicamente non gode di grande popolarità tra i tifosi, ma non per questo episodi "da moviola" sono rimasti epici nel corso degli anni. Li ripercorriamo in questa puntata.Con Roberto Brambilla.

Las películas de Sidney Lumet dejaron huella y siguen siendo memorables. Ahora en ‘Moviola' nos ocupamos de ‘El Veredicto', uno de los mejores momentos de Paul Newman en pantalla, con una intervención magistral de la enigmática Charlotte Rampling. Un drama duro, pegador y fascinante que es una de las mejores cintas de su tiempo. Hosted on Acast. See acast.com/privacy for more information.

Es octubre, mes del terror y ‘Moviola' presenta un gran clásico: ‘Cat People' queen 1942 revolucionó el género, producida por el legendario Val Lewton. Estapelícula se convirtió en leyenda del blanco y negro y además en 1982 dio pie a unfamoso remake dirigido por Paul Schrader y protagonizado por Nastassja Kinski.Escúchanos para celebrar los 80 años de esta monumental cinta.Película: Cat People (1942) Hosted on Acast. See acast.com/privacy for more information.

Realizada en 1987, ‘El Festín de Babette', basada en una novela corta de lafamosa escritora Isak Dinesen, es una trama llena de ternura, de corazón, deenseñanza, y sobre todo, de comida. Un auténtico banquete visual y emociobal,dirigido por Gabriel Axel con una fabulosa Stephàne Audran, esta cinta espresentada muy amorosamente en este nuevo ‘Moviola'.Película: El Festín de Babette (1987) Hosted on Acast. See acast.com/privacy for more information.

Julia DuCorneau es una cineasta belga que ha tomado por sorpresa al mundo delcine. En este ‘Moviola' hablaremos de ‘Voraz', su cinta debut que no esúnicamente una película de terror: es también un extraordinario retrato del fin de laadolescencia y el paso a la madurez de una jovencita cuya naturaleza se revela demanera extraordinaria en una película francamente memorable.Película: RAW (2017) Hosted on Acast. See acast.com/privacy for more information.

Considerada la obra maestra de la edad de oro de los estudios de animaciónDisney, ‘La Bella Durmiente' se hizo toda a mano y tomó cuatro años para sercompletada. Desde su estreno en 1959, se le considera una de las cintas másbellas en el territorio de lo animado, y también una gran influencia para lo que vinodespués: y hoy en ‘Moviola' la recordamos con cariño.Película: La Bella Durmiente (1959) Hosted on Acast. See acast.com/privacy for more information.

El nombre de David Cronenberg es sinónimo de un cine retador y escalofriante,con mezclas impactantes de historia y efectos visuales. En ‘Moviola' queremosmucho a este hombre y consideramos ‘The Brood' su obra maestra de los 70. Enella, el director canadiense mezcla la sátira social con la tragedia shakespearanapara mostrar hasta dónde es capaz de llegar la ciencia para explorar los límites delo desconocido y cómo las emociones pueden ser… voraces.Película: The Brood (1979) Hosted on Acast. See acast.com/privacy for more information.

En su quinta emisión, ‘Moviola' rinde un homenaje a dos de las más grandes figuras del cine mundial: Federico Fellini y la formidable Giulietta Massina. Juntos crearon una gran mancuerna cinematográfica y hoy hablaremos de ‘Julieta de los espíritus', la primera película en colores de Fellini, que dejó huella en el revolucionario panorama cultural de los 60, tocando temas que aún hoy siguen vigentes y controversiales como entonces.Película: Julieta de los espíritus (1965) Hosted on Acast. See acast.com/privacy for more information.

Plumas, lentejuelas y rock and roll. Todd Haynes quería hacer una biopic de David Bowie, pero a éste le dio miedo y el resultado fue ‘Velvet Goldmine', una de las películas más extraordinarias (e infravaloradas) de los 90. En este ‘Moviola' muy especial, Miguel Cane nos habla de cómo se creó, filmó y casteó esta cinta que aprovechó a futuras estrellas como Toni Collette, Ewan McGregor y Christian Bale.Velvet Goldmine (1998) Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

La televisión es el medio más poderoso que existe para unificar, comunicar e incluso dominar a las masas: en ‘Network', Paddy Chayefsky y Sidney Lumet se juntaron para mostrar aspectos fantásticos en los 70, pero que resultaron proféticos y son relevantes hasta ahora. Además, en este ‘Moviola', Miguel Cane nos habla del contexto histórico de la película y su influencia vigente hasta hoy.Network (1976) Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

En los años 60, la Ciudad de México era otro mundo. Así lo revive Miguel Cane en este episodio dedicado a ‘Los Caifanes', película mexicana de culto dirigida por Juan Ibáñez y escrita por Carlos Fuentes: la noche inolvidable de una parejita burguesa guiada por una pandilla de inadaptados que los llevarán “fuera del mundo” es un filme fascinante y en este ‘Moviola' conocerás más de su historia.Los Caifanes (1967) Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Con este episodio dedicado a ‘El ángel exterminador' de Luis Buñuel, regresa el experto en cine Miguel Cane al podcast; así conoceremos desde su particular punto de vista anécdotas sobre la historia de la producción de este clásico mexicano, cómo Silvia Pinal se salió con la suya y el efecto que aún hoy tiene en espectadores de todo el mundo. Bienvenidos a ‘Moviola'.El Ángel Exterminador - Luis Buñuel (1962) Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Shane Stanley is the guest on the podcast today. Shane is the living example of a person that loves what they do and never has to 'work' a day in life. We discuss Shane's upbringing, how he got into film, his relationship with Bret Michaels, and so much more. Here is Shane's biography:SHANE STANLEYFull BioShane Stanley is a multi-Emmy® Award-winning filmmaker and author who grew up in/around “the biz” in Hollywood. As a childhood actor he had appeared on-screen in over 100 projects, including with Hollywood legends June Lockhart, Lloyd Haynes, and David Arkin. By age ten, he was comfortably running an Arri 16mm camera, a flatbed-editor, and Moviola.Along with his father, Lee Stanley, Shane produced The Desperate Passage Series. The docu-drama series ran on KTLA with world-wide syndication from 1988 to 1994, was nominated for 33 individual Emmy® Awards and won 13 statues. Two episodes of the series went on to become successful feature films, Gridiron Gang was acquired by Sony Pictures and became the #1 box office hit starring Dwayne ‘The Rock' Johnson.Shane served as Vice President of Sheen/Michaels Entertainment where he produced several motion pictures starring Marlon Brando, Mira Sorvino, Thomas Hayden Church, Donald Sutherland, Marisa Tomei, Sean Penn, John Travolta and of course, Charlie and Martin Sheen. During that time, he also began writing and penned several episodes of Zalman King's Red Shoe Diaries, edited motion pictures, and created an original television series for Jeff Sagansky, former Head of CBS, before producing Dream Chasers for Discovery Channel - a television adventure program filmed in several different countries in the aftermath of 9/11.In 2004, Shane made his directorial debut with his own screenplay, A Sight For Sore Eyes. The film was honored with the Special Jury Award at WorldFest Houston, won two Telly Awards for Outstanding Achievement in Film & Television, as well as winning top honors at the International Family Film Festival along with Walden Media's The Chronicles of Narnia. It went on to win dozens of prestigious awards and was invited to screen at Cannes in 2005.Shane has also directed countless music videos, many which have aired on VH1's Top 20 Video Countdown, including two that went #1 and another that made the network's list of Best 100 Music Videos including “Go That Far” with Bret Michaels. The Michaels' video was used for the television series Rock of Love, where Shane also served as a consulting producer.Stanley has also produced and directed national television commercials including campaigns for Morongo Resorts, San Manuel, Westgate Las Vegas, Kimberly Clark, Snapple, Virgin Airways, Sony PlayStation, and mega-hit gaming franchise “Call of Duty.”Other directing credits to his name include The Untold Story, Mistrust, starring two-time Golden Globe® and Emmy® Award winner Jane Seymour, Break Even with Tasya Teles, Steve Guttenberg, James Callis and Golden Globe® nominee, Joanna Pacula which he also produced with Adam Kane (Prodigal Son, 24: Live Another Day, UnREAL). Recently, Shane completed Double Threat, an action-comedy he produced and directed starring Danielle C. Ryan, Matthew Lawrence, and Dawn Olivieri. The film was conceptualized and successfully executed during the height of the pandemic; positioning Stanley as the go-to resource on COVID safety and protocol on film sets. Recently The NewContent JefeA podcast that helps online business owners make better content and more money.Listen on: Apple Podcasts Spotify