Podcast appearances and mentions of Linda Blair

Look, we all knew it had to come to this eventually. A parody of 'The Exorcist' starring Linda Blair herself, opposite none other than Leslie Nielsen as the priest who exorcised her, with color commentary by pro wrestler and future Governor of Minnesota Jesse 'The Body' Ventura? How could anyone possibly resist? So yes, let's all see Linda Blair get 'Repossessed', as the Devil comes back for another round and tragedy becomes comedy becomes farce.

A Holiday Haunting: Part 1 Jack returns home and reconnects with his old ghost crush. Based on a post by zeon 67. Listen to the ► Podcast at Explicit Novels. Oh. Shit! She's back. Jack had to drop everything and run to the living room; he needed to see her again. His coffee mug shattering against the kitchen floor meant little to him. Jack followed her out of the room, stumbling into the den and crashed into a chair. Any pain that he felt was instantly ignored; he just had to see her face. But she phased through the bookcase, leaving him disappointed. Ten years. It had been ten years since Jack had last seen Erin. Just a brief peek of her ghostly form, and Jack was a teenager again. The first time he met Erin, he was thirteen. Jack's parents had dragged the family from Boston to live in a stock horror mansion outside Portland, Maine. He hated everything about it, feeling depressed, isolated from his old life. Then he saw her. She appeared late one night as Jack attempted to fall asleep. His eyes widened as this woman floated in front of his bed. She wore a bulky, dark shirt with a lighter collar, a long apron over a skirt that reached her ankles and sensible shoes. Pale skin and white hair held up in a professional bun. She stood translucent and hovered a foot off the ground. Jack was freaking out, shaking under the covers and trying to release a scream. But watching her body float, her head crooked to the side with a curious smile, Jack felt an eerie calm. He sat up in his bed and examined her further. She was beautiful, an oval face with dimples, full lips, and wide, expressive eyes. He tried to guess her age, but it was impossible due to her intangible form. "Hello;" Jack said. His voice was hoarse and unconvincing. She smiled again at him before disappearing. "Fuck." Jack immediately fainted. He awoke late in the morning, still shaken. Jack ran down to his family, yelling at them in the kitchen at what he had just seen. His parents responded with blank looks. His sisters both snickered, cracking jokes about Jack's nighttime activities, and how it must have affected his brain. But as he continued, the jokes stopped, and soon Jack had weekly sessions with Dr. Miller. It was like a month until he saw her again. Jack was alone in the house and found Erin standing in between his bed. He screamed this time, but Erin just replied with a smile. She looked amused by his actions. She disappeared, and Jack had to wait another month before catching her on the stairs. But he had a plan, knowing what he should do the next time he ever saw her again. "Jack!" His mother yelled from upstairs. "What Happened!" Jack rolled his eyes. "It's nothing. I dropped my mug." He shouted back up, praying that his parents won't come down. Tomorrow was Thanksgiving, and Jack had returned home early, hoping just to relax and forget about Laura. Retreating into the kitchen, he ignored the mess he'd left behind. He wasn't that heartbroken about the end of the relationship; he just needed to get out of Boston for a while. Jack filled up a glass of water and took a couple of gulps, trying to steady himself. The plan was to drink, eat loads and watch football. But now, Jack was instantly consumed by the need to see Erin again.   Erin's Further Revelations. Jack rolled onto his back and stared at the ceiling. He guessed that it was probably two in the morning. He should be asleep, but restless energy had overpowered him, just like when he was a teenager. The weeks after her second appearance, Jack woke early in the morning and saw Erin staring out of the window. She turned to him and then disappeared. Every couple of weeks, he would see Erin around the house, mostly in his room, but always when he was alone. Whenever Jack saw her, Erin would disappear, fade into nothing in front of him. After a dozen or so appearances, Erin and Jack got used to seeing each other over the year. He would see her, and they would exchange brief smiles before would Erin dissolve. Jack got used to finding her in random places, occasionally pretending that she was never there when Erin materialized during family dinners. Though she mostly appeared in his room. He was also sure that he was the only one who could see her, which developed a special bond as he aged. It was just a shame they couldn't talk to each other. Whatever break in the dimensions that brought her here didn't allow them to speak or hear one another. Over the years, Jack and Erin relied on non-verbal communication, making up their own sign language while also writing out words on paper. Jack's parents were weirded out one Christmas when he asked for a dry erase board. He would come home from school and rush to his room, wondering if that day was the day she would appear. If he found her there, Jack would tell her about his day, what had changed since they last spoke, and random thoughts in his head. She would eagerly listen to him and try to respond in her own way. She had become this nonjudgmental friend that he could bounce off from as he dealt with his new surroundings and the horror of puberty. It took two years for Jack to know Erin's name. They were together in his room; the house was empty apart from them. It felt that Erin had trained herself to emerge only when he was alone. Jack sat on his bed, talking to Erin. For the hundredth time, he had asked her name. She led him to the bathroom and pointed to the faucet. Running the hot water, he saw Erin smile as the bathroom mirror started to fog up. She clenched her jaw and pressed a finger up against the glass. Erin's face strained as her form became clearer as she wrote 'ERIN' in the mirror. The smile on Jack's face then quickly vanished as Erin faded into nothing. He wouldn't see her for another two months. Jack rolled onto his stomach, feeling his cock throb against his leg. Without any prompting, his mind cast back when he turned 18, and Erin gave him a special present. It was one of the few times that Erin appeared, when there were other people in the house. He was half-asleep, playing on his PlayStation when she materialized. Jack shuffled back and collapsed on the bed. There was something off about her that night, her body was trembling, and her face was stone-like. With great energy, her lips curled into a smile, and there was a flash. The clothing that Jack had always seen her in the last five years had disappeared into nothing, leaving her naked. A loud guttural groan escaped Jack's mouth; it was the first time he had seen a naked woman. Her body was slim, graceful, like a dancer, and perfect. He stared at her small but firm tits; Jack assumed they were B-cups and wished he could have his hands over them. Her skin then began to change, turning from a clear white to a fair skin tone. He noticed rusty-colored freckles dot around her angular nose framed by long reddish-brown hair. Then two bright green eyes stared back, overwhelming him. "Fuck," Jack whispered. His mouth dry, his stomach twisted into knots, and all the blood drained into his penis. He was in love or lust; it was all the same back then to him. Jack rolled off the bed and waddled to the bathroom, holding out the used tissue as far away from him as if it was toxic. He was only exposed to her for a few moments before she vanished. Still, Erin's naked form had been seared entirely in his brain, giving him special comfort during lonely nights. Dumping the balled-up tissue in the toilet, he started washing his hands. The general feeling of self-disgust hit him, but this time with more power. He was fantasizing about a long-dead woman. It's not right. He crawled back into his bed and reached for his laptop. Opening the browser, Jack thought to himself for a moment before going to incognito mode. He might need some privacy should anyone have a look at his search history. In the search bar, he typed 'Medium Psychic, And Portland, Maine.'   Ophelia's Services. The doorbell rang, and Jack quickly set down his coffee and rushed to the door. He briefly checked himself out in the hallway mirror; he looked normal. Jack wanted to make sure that he pulled that off, a navy oxford shirt, black jeans, and white sneakers, that all screamed normal to him. Jack then mentally thought about what he was going to say to the medium. It wasn't like he had a lot of experience in this. He could tell her about Erin, maybe use her name. Also, he could say where she usually appears and does. Probably shouldn't mention Erin getting naked as some kind of birthday present. He then wished that the medium agreed a later time just so he could rationalize having a drink. During Thanksgiving dinner, Jack told his family that he wanted to stay in Maine for a while, maybe until after Christmas. He had exaggerated the effects that the disintegration of his relationship with Laura had on him. It was a blatant lie; his parents knew it, his sisters didn't care, but no one really questioned it. He prayed that none of them would ever find out that he booked a medium. This Ophelia from Portland, Jack didn't know what he wanted from her. From movies, he had been told that ghosts that roam around usually have unfinished business. If somehow the medium was legit and could talk to Erin, he didn't know if it would be best if Erin moved on. Opening the door, a young woman stood, waiting impatiently. Their eyes met, and Jack was stunned to find his assumptions shattered. He was expecting a woman in her fifties, heavy makeup, and lots of necklaces, someone like that Long Island psychic. Instead, a woman stood in front of him who looked like she was in her twenties, with blonde wavy hair and a curvy figure. She gave an impression of an Instagram influencer with tight high-waisted jeans, a simple tee, and a suede jacket. "Jack Taylor?" she said, pinching her mouth shut and curving her lips upward. "Ophelia?" Jack arched an eyebrow without thinking. She nodded and walked past him, taking in the house. A Victorian-style mansion, built in the 1860s, with five bedrooms, a parlor, a giant fireplace that could fit a body, a near-constant fog-covered backyard, and a bloody-red painted door. She looked unimpressed. Ophelia raised her hands and fluttered her fingers, doing a sort of jazz hands while slowly spinning. Jack had no idea what he was supposed to be feeling, but she's young and hot. Was this a con? Did he want it to be one? "Do you want anything to drink?" Jack asked, trying to get a read of the situation. He then glanced at the clock. His parents should be home in a couple of hours; he had time. "I'm fine." She replied, flashing another smile. "Should we deal with the money first?" Taken back, he slowly reached for his wallet and pulled $150 in cash. He looked at the money and felt grateful that he would only pay an extra fifty if the reading exceeded the hour. Handing her the folded bills, Jack felt a breeze. Then the hairs on the back of his neck stood up. Erin. He had been sensing her a lot, recently. "Nice house. Really Stephen King-like." Ophelia gave another forced smile. "Can you give me a tour?" Jack nodded and he took her to the home office, explaining what he had seen the other day. Ophelia took a quick photo and hummed; she felt nothing. Jack then led her around the house, describing where he had seen Erin and what she would do. Ophelia stayed quiet for most of the tour, her phone in her hand, occasionally checking it. He then explained his relationship with Erin. Jack recounted every meeting he had with her, including how he found out her name. When Jack said that he was the only one in the house that had ever seen Erin, he noticed a quick change in Ophelia's face. She definitely assumed that he's psychotic. As they climbed the stairs to Jack's bedroom, Ophelia suddenly became talkative. She put away her phone and asked several questions at rapid-fire speed. "So, who previously owned the house before you moved in? Erin, do you know her last name? Where she's from? Was she born here? Has anyone called Erin lived in the house before?" Jack knew nothing. He had known Erin for ten years and yet knew nothing about her. The house must have been her home or where she worked. He now knew what he had to find out, but Jack had no idea how he would research such things. Speak to a local historian, maybe? He should go to the library tomorrow. They entered his bedroom, a familiar feeling of cold hit his body again. Jack eyed the psychic; there was no change in her body language. Maybe she's a fake. Ophelia wandered around the room, doing the jazz hands again and calling Erin's name. His eyes narrowed on her chest, then to her slim waist, and then to her tight ass; she looked cute. It had been some time since Jack had anything close to sex. It ended with Laura over two months ago, and since then, a brunette ghost was the only thing he had to female company. Ophelia reached in her jeans and pulled out a velvet pouch. Opening it up, a nub of chalk fell into her palm. She then bent down and drew a circle just in front of Jack's bed. The circle was about three feet wide. Ophelia then drew four smaller circles inside the ring, north, east, south, and west. Jack watched her place crystals in each circle, wondering if he would be able to clean the chalk off his floor. "What are you going to do?" Jack asked, trying not to stare at the medium's ass. "I am going to summon Erin. I am going to see if we can talk to her and find out her unfinished business." "What would her unfinished business be?" "It could be anything," Ophelia said, looking around the room. "Some want revenge, especially if they were like murdered. Others are looking for missing rings, lockets or whatever. With my help, Erin could be able to move on." Jack nodded. She was right. It was fun seeing her again, he missed talking to her, but there had to be some conclusion for Erin. After Christmas, he will be back in Boston. Maybe it was best that she moved on, got closure from this world. The psychic then took off her boots and stood inside the circle. Kneeling, Ophelia raised her arms, praying to the ceiling. "Erin; Erin; Erin;" she chanted, raising her head, "Speak to us. Speak; Erin, come to us; come to Jack and me." She sang Erin's name a couple of times with no change in her composure. "Yes, Erin, I hear you. How can we help you?" Ophelia said, lacking any emotion. "How can we help you move?" Ophelia then went silent and very still. Her back was arched, and her head pointed up. Leaning in, Jack realized that her chest wasn't moving anymore; was she even breathing? Beads of sweat flowed down her face as the rest of the body began to tremble. Something was wrong. Ophelia then shuddered and Jack could see the color disappear from her face. She then slowly stood up. Looking at Jack, she gave him a warm smile. "Jack!" Ophelia then said, emphasizing the wrong parts of the name. Jack walked around and stood in front of her. Her body language was weird, not so closed off as it was before. Her eyes then focused on her left hand, marveling how far it was extended. The tips of her fingers then ran down Jack's chest. The broad grin on Ophelia's face got even wider as she felt him up. "It is me, Jack; Erin." Ophelia grinned. "No." Jack shook his head and took a step back. This had to be some weird psychic con. Was Ophelia going to sleep with him? "Ophelia, I think you should get out." "I am Erin." She closed the distance and reached for his hand. "I can prove it. You told me everything and I listened. Once you were overly excited in your classroom by a teacher. You frequently enjoy lobster rolls. And once I removed my clothing for you on your birthday." Jack whimpered, trying to collect his thoughts. Before he called Ophelia, he had read up on cold reading, but she knew things that he had never shared with anyone. Jack hit his bed frame and toppled over, hitting the mattress. He tried to compute what was going on, justify Ophelia's insider knowledge of him. But then the blonde climbed up on the bed, her body floating as she straddled him. This was real. "Jack; I missed you." Ophelia or Erin then leaned in and kissed him forcibly. Quickly sneaking her tongue into his mouth while she rubbed her body against his. Moaning as his tongue dueled, Jack was lost in a world of teenage lust. He had dreams about this, spent countless hours awkwardly pleasuring himself to the fantasy of having sex with Erin. But as he opened his eyes and remembered the blonde hair that flowed above him, this wasn't Erin. Maybe in spirit, but not in body. He pulled his face away and sighed. "Erin; no." Jack said, trying to push the possessed medium off him. "Not like this." "What?" Ophelia screamed. She shot back up and glared at him. Her eyes became demonic and bloodshot. Her fingers dug into his shoulders, breaking his skin. She began to shake and wail. "No; No; No!" "Erin; Erin!" Jack tried to get her attention. He reached up and gently touched her face. "I just want to talk to you. Please leave Ophelia." Ophelia's face contorted into a smile. Jack could tell that something was pushing back against Erin. Maybe it was the medium's spirit wanting to regain her body. She thrashed around on top of him, going from sweating to shivering to back to sweating again. Jack snuck out of her convulsing frame and watched with concern. The medium then slammed into the mattress, bounced high up in the air, and then back down. Jack watched her breathe slowly and rolled onto her back. She looked confused and tired. "What the fuck happened?" Ophelia asked as she sat up, her frazzled hair covering her face.   Researching the Franklins. Jack ended the call and rubbed his eyes. The pains of working remotely, struggling to stay productive while also being forced to over communicate just so he won't be called a slacker was too much. The only good thing about his job was that he could move back to Maine and still collect a paycheck. But yet, he hated taking calls from his bosses when it's technically his day off. He knew he shouldn't be cursing his luck. Last night, his parents gave him some excellent news. They needed to go to Springfield and help out Jack's aunt with something. Jack wasn't listening, just focusing on the part when his mom said that they will not be returning until Christmas Eve. Yes, it meant that Jack would have to prepare the house for the holidays, put up the tree, buy the food and sort out the presents. But it also meant that he would be alone in the house; he could plan and try to talk to Erin. Maybe even help her. Finishing his latte, Jack looked up the address for the library and the closing time. Since Ophelia's possession, Jack hadn't sensed Erin's presence. It was worrying. He tried to focus on absorbing as much information about the house. Jack learned that the house was built in 1860 for the Franklins. For more information, he had to drive into the city. As he walked into the library, his heart was thumping in his chest and sweat coated his forehead. Why was he so nervous? Yeah, he had created this pubescent fantasy, and Jack wasn't sure how he would react if that was cracked. What if Erin was an awful person; her death could have been just, and that she was using him. But he still had to find out. Jack sat down at the computer and entered his address and the Franklins in the search bar. Skimming through the records, he got a brief understanding of the family that built his home. Jedidiah Franklin was a local lender who had moved from Boston to Maine due to some unpleasantness. He was followed by his wife, Alice and their two children, Robert and Emma. Franklins lived a dull and typical life and died in the 1900s. "Nothing about Erin," He went through local newspapers and again found nothing odd. Going through the search results, Jack quickly realized that he had been wasting his time, and it was pointless. By the time he reached the fourteenth page, he was about to leave. But instead, he clicked on the link about a stagecoach accident involving the Franklins. Jedidiah, Alice, Robert, and their maid were returning late one night. Their stagecoach collided with a rock, and the maid was thrown out. She died instantly. The article gave the maid's name as Erin O'Ceallachain. Letting out a loud sigh and rubbing his face, Jack then searched for Erin O'Ceallachain. There was little about her. A short obituary that stated she was born somewhere in Ireland and died in 1898. She had been a maid for the Franklins for close to a year. There were no descriptions of her or any clues of her past. Jack leaned back and stared at the screen. It could be her. He had checked; there were no other women called Erin that lived in the house. This could be her. But, if she died on the road, then why was she haunting his home. The loud sound of his phone vibrating against the desk pulled him out of his thoughts. Jack saw that he got a text from Ophelia. She really wanted to speak to him. Ignoring her, Jack continued his deep-dive on the Franklins, trying to find anything. Even a morsel of information about the family would help. After another hour of research, he ended up on the website of an antique bookstore in Bangor. They had Alice Franklin's diary and it was for sale.   Tomes of Inquiry. Two days later, Jack sat in the home office and stared at the five-hundred-dollar book. It was too much; he should have tried to haggle them down. Jack wasn't even sure if the diary would be useful; it could be another Alice Franklin or just a list of mundane observations. Jack finished another beer and opened the diary. His hands were trembling with every turn of the page. Either he was nervous or just drunk, he couldn't tell. The pages were filled with fine late-twentieth-century cursive writing that was hard to read. Jack slowly read out each entry, making out every second word. The diary covered the time Erin had already started working for the Franklins to her death if it was the same Alice Franklin. He skimmed through the journal until stopping at an entry made on January 28th, 1898, where Alice mentioned hiring a new maid called Erin. March Twenty-first, Eighteen Ninety-eight ;  I saw Robert engaged young Erin in the library. How I wish we do not have the same story as in Boston. August Fourteenth, Eighteen Ninety-eight ;  That green-eyed temptress was with my son again. The Roman whore has plans for him. Jedidiah sees nothing. He pushes his son. Then reacts in fury when Robert is in strife. November Sixth, Eighteen Ninety-eight;  Constable Standish and his ghastly son shared supper with us. He has eyes for Emma. A boor. My darling daughter would never fall that low. Robert is forlorn. I see his glances at young Erin. When I call for her, the freckled-face jezebel smiles innocently. Jedidiah will end her services in the new year. Jack paused from reading, and tried to make sense. Green eyes. Freckles. It had to be Erin. Jack skipped ahead a couple of weeks, getting closer to the time when Erin died. December Twentieth, Eighteen Ninety-eight ;  The Irish whore created a scene. Late in the evening, we found her under the influence. She screamed for Robert. She said she is with child. He is the father. She wants to be wed. That boy has ruined us. December Twenty-first, Eighteen Ninety-eight ;  A clear-headed Erin spoke to us in the morning. She lies that she is not with child. The Catholic loves Robert, or it seems. Jedidiah and I agree to end her service. We will send her to Bangor tonight. It is clear to us. December Twenty-ninth, Eighteen Ninety-eight ;  My heart is gone. Losing Emma is a great blow. They are to be wed in the next Spring. My son now lives in Boston. I pray his temperament is strong. Erin is gone, a life stopped by a stagecoach. Now I have an empty house. A lost daughter and a dead maid. Jack closed the diary and ran upstairs to his bedroom to grab his notepad, then came back down again. He needs to do more cardio. The two flights of stairs had destroyed him. He knew he had seen the name Standish somewhere. There at the family tree. After Erin's death, Emma married Nathanial Standish, son of the town constable. It made sense now; the Franklins murdered Erin and used the constable to help make it look like an accident. In return, they married Emma to his son to keep his silence. He knew what happened to Erin, but Jack wondered how he could help her. But; like what Ophelia said before, does he want her to move on to the next stage. It probably would be best for everyone. But if he could talk to her and discover her unfinished business, how could he help her. What if it meant getting vengeance on those that murdered her? What if it was on Franklin's living ancestors? The sound of the doorbell ringing jolted Jack from the thoughts of homicidal spirits. He checked his phone; it was nearly ten. Finishing another beer, Jack left the den and shuffled to the front door. He prayed that it wasn't his parents, that their stay in Massachusetts ended early, and now they wanted to talk about his future. "Ophelia?" Jack asked, opening the door.   Ophelia's Admissions. She stood there in the light rain, looking like another person. Far removed from the bored, unimpressed medium he saw days ago. She looked nervous, worried, but still attractive to Jack's eyes. The skirt she had on gave him a good view of her slender legs and made Jack think. Again, it had been two months since he last had sex, and he was now feeling it. "Hi," she said, barely audible. "Can I come in?" Jack nodded and let her pass. He tried not to look at her like that anymore; he needed to stay focused on Erin. "Look, I'm going to be honest with you. I'm a fake-ish. I go to people's houses and pretend that I feel something. I do a bit of cold reading, call out the spirits and then lie that they're talking back to me." Ophelia admitted. She paced back and forth as she spoke, nervousness flowing out from her. "Oh," Jack said, looking away. He didn't know what else he was supposed to say. "So, what are you doing here?" "Also, my name isn't Ophelia, it's Lucy. I felt Ophelia looked better on the website. Make it look real." She nervously smiled. "Why are you telling me this?" "Because;" she stepped forward, "what happened that day was real. I felt it, I really did." "Yeah?" Jack noticed that she was holding on to his hand like she was pleading with him. "I used to hear voices. I thought I was going crazy, but then I found out that I was hearing the dead; and I could talk to them. But I don't know, a mix of vodka, and my own cynicism; the spirits don't want to talk to me anymore. I want to feel like that again. I want to help you." Jack paused. Again, not knowing what to say. He felt that she could still be conning him, that she was going to ask for money. He still wasn't a hundred percent sure that Ophelia or Lucy was genuinely possessed by Erin. Then again, they could have had sex, which would be a weird move to pull when conning someone. Jack needed alcohol. "Do you want anything to drink?" He asked. "Please." Lucy nodded. Jack returned from the kitchen with a bottle of red wine and two glasses. It was the only alcoholic thing left in the house. After completely filling up both glasses on Lucy's request, he grabbed the diary and his notes, and they settled in the living room. He observed the psychic read the journal, his thoughts becoming more and more concerned about her looks. She had removed her thick coat, revealing a slinky tank top that gave him a glimpse of her bra. "So, you think Erin had sex with Robert Franklin; may have gotten pregnant; and the Franklins decide to murder her, to prevent a scandal?" "Yeah," Jack said, leaning in. There were both sitting on the sofa, awkwardly close together. "I don't know much or really anything about hauntings. But I only see Erin here. She must have been murdered here, and they faked the accident." "Erin being an Irish maid, the family are rich, and you got a friendly cop who is willing to help, if he gets a favor, that's a straightforward cover-up." Lucy smiled, patting Jack on the knee. "There is something we can do. I know people in the psychic and magic world. There's one girl who told me about this ritual-like thing. It's like a s ance on steroids. We can make her appear and we can talk to her. Then we can help her." "What's the catch? There is always a catch." "Not really. The s ance is a bit complicated and there is a shopping list, also it will be for a couple of hours only." "Sounds like a plan," Jack replied, raising a glass. They quickly finished their wine and poured some more.  Lucy asked him about his family and if they ever believed him. He told her about Dr. Miller, and how his dad would make the occasional jokes. When asked about their absence, Jack explained, and without realizing, underscoring that he had the whole house to himself. Jack then turned the attention on her, quizzing Lucy what happened when she first talked to a ghost; and what was the weirdest shit she had seen. As Lucy went through her backstory. Jack started picking up subtle clues about her. She was touching him more and getting close as she talked about hearing spirits when she turned thirteen. He tried to guess if Lucy was flirting with him, or was this some alcohol-induced delusion. After she finished her story about being asked to communicate with a woman's dead cat, they realized they were out of wine. Jack asked and quickly got another bottle on Lucy's insistence. "So, about you and Erin." She said, playing with the stem of her wine glass. "You were the only one to see her?  What relationship did you guys have?" "Like a friendship. Growing up; Erin was like my confidante. I would talk to her about every insane thought that was going through my head that day. I didn't know if she could hear me or not. It was comforting. I miss it. Guess that's why I'm here." "That's sweet." Lucy ran her hand down his thigh. "Sometimes I have some weird creeps that want to speak to their old teenage crushes, like teachers or neighbors that they used to jerk off to. It's nice to have a guy who just wants to reconnect to an old friend." Jack groaned. Looking at Lucy, his mind was made up, and he was sure that she was flirting with him. He should tell her the truth and see how she takes it. "I should tell you this. I have seen her naked." "Really?" Her eyes widened. "Yeah. On my 18th birthday, Erin appeared in my room and then flash, she's nude. She stood there for like a couple of seconds and poof, gone." Jack smiled, "That was the last time I saw her." "That's some present. Making me jealous." Lucy whispered, holding her gaze. "Really?" Jack said, leaning in. Lucy looked up at him, her tongue running over her pink lips. She craned her head forward and pressed her lips against his, her hand on the back of Jack's head, pulling him into her. Both were still holding their wine glasses, and Jack awkwardly pushed his mouth down on hers. Lucy's tongue shot out of her mouth and instantly snaked into his. They both softly moaned as Jack guided her body down on the sofa, nearly spilling her wine. She then suddenly stopped her tongue movements and pulled back. "Hold on, Ghostbuster." Lucy smirked, as she pushed Jack back upright. Taking the wine from his hands, she placed both glasses on the coffee table. With a shit-eating grin, Lucy grabbed Jack and resumed her mouth attack. Jack ran his hands down from her sides to her ass, pulling her on top of his lap. Lucy reached down and pressed her palm on Jack's bulge. She moaned into his mouth, sounding like she appreciated his size. She pulled her lips away, her attention now just all on his cock. Lucy fondled the turgid shaft through his pants, prompting it to throb in her hands. Jack leaned his head and slowly kissed down her neck, feeling her tremble in his arms. "Yes," Lucy said, closing her eyes and grinning. With a single-minded focus, Lucy unbuckled his jeans and yanked out his erect cock. Jack grunted, stunned by the blonde's eagerness. No other girl he had ever been with, was like this. They kept eye-contact as Lucy softly grasped his warm rigid shaft. Their lips met again while she stroked his cock, smearing her fingers with his oozing precum. While their tongues dueled again, Lucy's hand became a blur over his cock. They broke their kiss again, and Lucy lowered her head down, kissing his deep reddened tip. He watched in unbearable anticipation as she opened her mouth, but then instead of engulfing him, Lucy looked up and smirked. "Yeah, I'm bit of a slut," she said. "Just a bit? Jack grinned. "Okay, I'm a deeply deprived slut." She chuckled. Her very pink tongue then slid out of her mouth, and she licked up of his oozing fluid. Lucy took a moment to taste his precum, loudly humming and smiling at him. She then parted her lips and engulfed the bulging head in her wet mouth, firmly constricting, once his glans ridge was encased. Her tongue rubbed his frenulum, just under the tip.  She bobbed her head up and down, her firm round tits jiggling freely on his thighs, as she mouth-fucked him. "Oh; Fuck!" Jack grunted, taken by surprise by Lucy swallowing on more and more of his petrified cock. Lucy looked up and grinned at him again, before opening her mouth and engulfing him again. Her bright pink glossy lips slid up and down his shaft as she fucked him with her mouth. Then she sank til her nose rubbed his curly pubes, her teasing tongue gently caressed him as her throat muscle massaged his shaft, pushing his cock deeper. She hummed while she swallowed him, the hum of sucking filling the room. Her hands tightened their grip around his thighs as Lucy furiously pumped her lips up and down his cock. Once in a while, she would slowly pull his cock out, ever-so-gently running her teeth on the underside of his shaft while leaving huge trails of spit behind, then swallowing him again. It drove Jack mad in sexual bliss. She then wrapped her fingers firm around his meat again, lashing her tongue against his swollen cockhead, slurping up all the saliva and precum. Jack's balls were now sending messages to his brain, telling him that within seconds, he was going to cum; soon in big, bold letters. He also felt cold suddenly, and the hairs on the back of his neck were standing. He ignored that and watched the medium jerk him off, kissing his head as she worked the shaft of his phallus. Lucy stuck her tongue out and swirled it around his cock tip. But then he saw a figure near the TV. "Erin?" He said. She was right there and looked like she was in tears. A mix of fear and guilt hit him, destroying his previous horniness. But he still came, shooting thick loads into Lucy's face, hitting her in the lips and cheeks. She released her grip, but more jets of cum landed on her face. She raised her head and looked at Jack, the muscles in her face tensed, and her jaw clenched. "What the fuck, man? Give me some warning!" "Erin?" Jack said again, staring at the spirit. "Erin?" Lucy repeated. Her expression turned into an instant glare. But she followed Jack's gaze and looked over her shoulder, finding that they weren't alone. "Oh Fuck!" "No!" Erin screamed, deafening their ears. Her face was scrunched up in murderous intent. She lurched forward, and a force of wind cleared the table, sweeping the diary and notebooks off the surface. Jack and Lucy were pushed back by Erin's invisible energy, hitting the back of the couch. Erin raised her hands, maybe to strike, but felt her power evaporating. She looked at Jack, tears rolling down her cheeks, and then disappeared. Holiday Trimmings. Jack opened his eyes minutes before the alarm. It was Saturday and around ten. He sat up in his bed, his head still woozy from last night's drinking. He couldn't sleep and figured whiskey would knock him out. Also, he wanted to block out Erin's screams from replaying in his head. That face. Her expression dripping with anger and hurt. How Erin tried to attack them. He needed to say sorry. Erin probably won't believe him, Jack knew. But he had to try. Then there was what Lucy said, finding comfort so Erin can crossover. He hated thinking about that but realized that he couldn't be selfish. It wasn't about him. Jack's phone buzzed; he had gotten a text from his dad. It just said, 'Tree!'. Jack groaned, but he slipped out of the covers and took a shower. After getting dressed, Jack forced himself to eat something. He couldn't feel her. Usually, in December, he would see Erin more often than the rest of the year. Knowing that it was coming up to the day when she died, he expected to feel her. Two hours later, and overspending on a fir tree, Jack pulled into the driveway, confused. Lucy sat in front of the door, waiting for him. With a scared look on her face, she raised her hand and gave him a forced smile. Was she looking for him or for Erin? Jack climbed out of the car and slowly approached the young blonde. He never thought how she would take it, seeing Erin like that. After Erin faded away, Jack sat in silence while Lucy grabbed her stuff and bolted out of the house. "Hey," Jack muttered. "So, I have been waiting here for an hour. I walked away twice. But I really need to know. What the fuck did I see last night?" "I don't know," Jack said, looking away from Lucy's glare. "I've never seen her like this. She has never been this scary before. "Until;" "Until what?" Lucy stood up and got close. "You need to tell me." Jack sighed. "When you first came to the house, you tried to talk to her, right? Do you remember what happened next?" Lucy shook her head. "She took over your body and err; kissed me. We nearly had sex. But I stopped her. Telling her that it was wrong," Jack said, " to use your body like that." He quickly added. "Erin started shaking and going all Linda Blair. Then you woke up." "She gets rejected. Then she sees us on the couch, doing you-know-what, and takes it like a cheated-on girlfriend. That explains all the throwing." "I never knew she could do that." Jack smiled. "Can I ask you something?" Lucy stared into Jack's eyes. Jack shrugged and nodded his head. "What are you two? Is she your ghost girlfriend? Are you in love with her? What? Does she know what you are to her?" "Like I said, yesterday. Erin is my friend. Maybe there's more. I don't know, because I don't put labels on relationships with ghosts. But if I can help her, I will help her. Are you still in?" "Fuck it, yeah." He looked around, seeing his neighbors staring at him and Lucy. "Let's go inside. Can you give me a hand?" He asked, pointing to the tree. Lucy groaned but nodded her head. After undoing the bungee cords and dragging the tree off the car roof, the two of them awkwardly hauled the ten-foot fir inside the house. With Lucy leading, they pulled the tree into the living room, where the blonde suddenly stopped.  Jack was about to open his mouth, but he saw Erin standing in the middle of the room, and he went quiet. Erin raised her hands to her face, covering her eyes. Her breathing short and quick. She was freaking out. Erin then dropped her hands, clenching her fists as she glared at them. Her form floated to them, but unlike last night, there was no rush of force. Erin's face dropped, shifting into a scared expression. Dropping the tree, Lucy ran to her. She raised her hands up with open palms facing the spirit. "I am sorry. I am here to help you." She said, out loud. Erin didn't react. "He wants to help you. He wants to talk to you." Lucy pleaded with the spirit. Again, Erin stayed motionless. Lucy paused and looked over her shoulder at Jack. She mouthed 'trust me' at him and turned back to the ghost. "You can take over my body and speak to him. He would love that." Erin frowned, then faded into nothing. Jack walked past Lucy, trying to sense Erin's presence. There was nothing. He glanced at the medium; she had gone stiff, just like before. Jack's eyes bulged, realizing what was happening. But it was different. There was no sweat, no change in color, or fear on her face. Lucy just let out a small pleasurable moan. "Erin?" "What?" The woman barked back at him. "I just want to tell you that I am sorry. It was a mistake." "Liar. I saw you," Erin said, with no emotion in a unique tone. "Ye enjoyed every moment with the bonnie lass. I do not wish to intrude in your relationship with that adventuress." Her voice slowly morphed from Lucy's Mid-Atlantic accent to a faint Irish brogue. Jack sighed; he knew he had to deal with this. A simple apology wasn't going to be enough. "I'm so sorry about that. It's just that for a long time, there was this small voice in the back of my mind, saying that you weren't real and I was having a psychotic episode. When you saw me and Lucy, it was just an extension of that. I doubt it will ever happen again. But I did all this research so I can help you." "Help me?" "Yeah. I want to help you deal with whatever unfinished business you have. Lucy as well. That's why she's here. So, please don't be angry with her." "Unfinished business?" the voice then went quiet. She leaned in and kissed Jack on the cheek. Lucy's body went limp and she nearly collapsed. Jack reached out and slid his arms under her. He yelled out 'Erin'; then 'Lucy'; but got no answer. He dragged the unconscious blonde to the sofa. Carefully setting her down, Jack then prodded her cheek, trying to wake her up. She groaned and opened her eyes. "So, what are we going to do?" Lucy said immediately. Business Gets Busy. Jack looked at his phone as he walked through the front door. It was another email from his bosses in Boston. He had way too many people questioning his work. Being a cloud support engineer, he should be focused on the job. But since talking to Lucy about the s ance, Jack had been doing the bare minimum, and people were noticing. He figured that after he got closure with Erin, he could move on. Dumping the sage and wormwood on the coffee table, he saw her. Erin had been appearing more and more. Jack could actually count the times that she wasn't haunting the house. But he didn't get why; it was never this frequent back before. And she wasn't just haunting if you could call it, Jack's room. He had found her in the living room, kitchen and even the bathroom. Right now, Erin was floating near the Christmas tree. It was completely bare, left alone as Jack focused on work and the s ance preparations. There was some judgment he felt he was getting from Erin, like she still hadn't forgiven. Jack needed to remediate that, though he didn't really know how to regain trust with a ghost. He hunted for the Christmas decorations, taking longer than he hoped. Jack was desperate not to call his parents and deal with an endless conversation about how things were going in Springfield. Losing an hour to find them, Jack started decorating the tree, hoping that this will help him get back on Erin's good side. She carefully observed him as he decorated the tree, coating it in tinsel, lights and baubles. It appeared okay to Jack, the colors matched, and the string lights were all working. But looking at Erin, he was sure he had done something wrong. She wasn't that impressed. Jack first thought that she was still pissed at him, but then something hit him. While he saw her a lot during December, it was never on Christmas. This could be her first experience of Christmas in over a hundred years. With that, Jack opened his laptop and googled '19th century Christmas trees'. Getting an idea of what Christmas looked like in Erin's time, Jack grabbed his keys and told her that he will be back soon. Two hours later, Jack returned, and Erin looked like she was happy to see him. That's a positive sign, Jack said to himself as he emptied out his shopping bags. He bounced around a couple of stores before finding them, candle-like tree lights. Using real candles was a fire waiting to happen. And Jack didn't want to explain to his parents that he burnt the house down to impress a ghost. He then pulled out a ready-made popcorn and cranberry garland he got from a pop-up Christmas store. Looking at Erin, she approved by smiling back at him. He then added tinsel and icicle-like ornaments with Erin guiding him, pointing which branch needed something or if it was too much. Taking a step back, Jack admired his work. It looked old fashioned but still good. Seeing that Erin was happy was enough for him. He grabbed a beer from the kitchen and toasted, "That's one good-looking tree," he said, smiling at Erin. She rolled her eyes at him but then disappeared. That was getting Jack scared, her fading away just as they were bonding. It didn't look voluntary, like Erin really wanted to go to her void. She had this horrified look whenever it happened. Jack would then find her somewhere else in the house, an hour or two later. This time it was in the kitchen. He opened and closed the refrigerator door and found her there. Taking a moment to recover, Jack went back to making himself dinner. Erin hovered around him, curious at what he was doing. Jack guessed that she must have been shocked, that not many men cooked back in her time. He was also making pork chow-mein, and Jack wasn't sure how widespread Chinese food was in the 19th century. His phone began to buzz, and it was Lucy. Jack could see Erin's face turn. "She's probably asking about you," Jack said, putting his phone on speaker, "Hey Lucy." "Hey," she replied, "I got some news. We have to move the date of the s ance to the 12th. There's a full moon and it will go well with Hecate." "Hecate?" "Don't worry about it. Have you seen Erin since the other day?" Lucy asked, "Well, she is right here," Jack grinned at Erin, "She's in the room with me." "Whoa," she said, "How's that going? Wait shit, can she hear me?" Erin nodded. "Yeah." "Fuck. I mean shit. I mean I'm sorry," Lucy said, sounding like she was getting out of breath, "Anyway, I also need you to get some bundles of ash to burn. And candles, preferably black." "What is actually going to happen during the s ance?" "Hopefully, we can summon Erin properly and you guys can talk. Then maybe work out why is she here and if we can help her, somehow." Jack looked at Erin again. Her eyes were elsewhere. Jack started to doubt himself; was this something that she wanted him to do. "I will talk to you later, Lucy," Jack said, ending the call. Looking up from his phone, he saw that Erin had disappeared again. If the s ance actually works, Jack needed to ask where she goes whenever she vanishes. It didn't feel like a good place for her. Opening another beer, Jack sat down to eat and tried not to think about Erin. It was really hard. She still looked so sexy, and Jack was back replaying his eighteenth birthday present. Jack admitted to himself that with Erin randomly appearing in the house, he was feeling pent up.   Redhead Videos. It was close to two in the morning when Jack knew what he had to do. He had been rolling around his bed, got up twice and tried to dull his brain by checking the news on his phone. He still couldn't sleep. The only prescription that always worked for him was either whiskey or porn. As he couldn't be bothered to go all the way downstairs, Jack powered on his laptop and went straight to Porn. Jack checked out the video thumbnails, hovering over them as he tried to decide what he was in the mood for. Sometimes, he'd be craving blondes with double D-cups, getting plowed by massive cocks. Other times, it would be two lesbians slowly seducing each other. Milfs would be a good choice, but Jack felt that the algorithm would always then suggest stepmom porn, which he wasn't in to. He searched for amateur porn with Eastern Europeans, preferring their slender body shapes and lack of bad boob jobs. Jack sat up in his bed and pulled down his shorts, slowly stroking his cock to full, rigid life. He skipped the initial setup and forwarded it to the redhead pulling the guy's dick out. She grinned at the camera then kissed the man's purple head. Her tongue swirled around the tip before she quickly swallowed the man's cock. Jack shifted his weight as the redhead stripped off her top, revealing her decent-size tits. As the action turned to straight fucking with the twenty-something waitress bent over a park bench, Jack pumped his cock. He imagined himself there, in Prague, having hot, passionate sex in public. But then he felt cold. Looking up, there she was. Erin just appeared by the wall. She was confused and pressed the back of her head. It looked as if someone had just woken up, but in a different room than they were in before. She rolled her head around before stopping, and stared at Jack, her mouth agaip. He was illuminated by his laptop, so he knew that she could see what he was doing to himself. "Oh, fuck," Jack groaned, but he didn't stop stroking his cock. He thought she would float away, or scream, or do something, but Erin just stood there and watched. She even moved closer, standing at the edge of the bed. Her eyes focusing on his throbbing cock. Jack's heart was thumping as he frantically stroked his cock. His eyes darted back and forth from Erin to his laptop; the redhead had been replaced by a different model. She said that her name is Petra and is a med student, but what really turned Jack on was how Petra resembled Erin. Reddish-brown hair, slim body with perky tits, though she had tattoos and pierced nipples. His eyes bounced from Petra being fucked in a stall, to Erin's eager look. It was getting too much for him. His imagination then brought him to Prague again, but with Erin this time. He fucked her from behind, his cock pumping her hot, wet pussy, cupping her tits and making Erin groan in deep pleasure. Jack's balls were aching, then suddenly stopped, and he intensely climaxed. His tip exploded, and shot after shot of cum raced from his cock. Jack struggled to catch all his flying cum with a tissue. After cleaning himself, Jack and Erin exchanged looks. She was embarrassed, he could tell, staring at the ground and doing her most not to make eye contact. He wanted to say something, but Erin left the room. She didn't fade through the wall or vanish into anything, just walked away slowly. Jack then instantly fell asleep, not knowing what else to do.   A S ance. Jack opened the door, letting Lucy in. It was half two in the morning, and he was getting scared. A small sliver of thought wondered if she would let him down, or at least ask for $500 to proceed. For the s ance, Lucy had gone all gothic, wearing a black velvet dress and knee-high boots, also in black. She was carrying a large tote bag. There was panic in her eyes. She apologized for her lateness, saying that it took a while to get a cab. Jack was instructed by her, to get bundles of sage and wormwood for burning, plus ash. Lucy herself handled the weirder and harder to find items. She pulled out a knife that she called an athame, a ceremonial dagger Jack guessed. She also had a black bowl that she said is a water scry. It was going to help them talk to Erin. Jack led her to the kitchen and they quickly got ready. While she cut the sage and wormwood with the athame, speaking in Latin, Jack got the idea that this wasn't a con. It was real for her. That gave him hope. "So, where should we do this?" Jack asked, taking a steel bucket that she had handed him. "Your room." Lucy said, pulling more stuff out of her bag. "I've been thinking. You said you're the only one who saw her. And you normally see her in your bedroom, right? I think that's where she was murdered. By you sleeping there, a psychic link was created between you and Erin." Jack nodded. It made sense. They went to his bedroom; and with Lucy's help, he pushed his bed and everything else to one side, giving them space for the ritual. As they're going to make a fire, he opened the windows. Jack looked at the smoke alarms; if they go off, will his parents get an alert? Lucy got down on her knees and drew another circle on the floor, this time, a simple one without any other symbols. Jack lit the candles, twenty-four of them and placed them around the circle. Following her instructions, he then sat the bucket in the middle of the ring and lit the fire. Lucy took command of his bedside table and placed the porcelain bowl on top of it. She filled it with water from a special-looking bottle and dropped a crystal in it. "Take this and put it in the fire. Also, say her name in your head." Lucy said, handing him the sage and wormwood. Jack nodded and shuffled to the fire, trying not to drop the herbs. 'Erin, Erin, Erin,' he chanted in his head. He threw the herbs into the fire and was immediately overwhelmed by the aroma. It tasted sickly sweet, unnatural like. He then retreated behind Lucy; she was kneeling on the floor and speaking into the bowl. It sounded like Latin; Jack could make out the occasional word. She was calling out for Erin. The fire grew larger and smoke billowed from the bucket, looking like a volcano erupting. The smoke turned black, then blue and finally into grey. Jack took a step forward, in a trance, his mouth wide open and his hands trembling. Looking over his shoulder, he saw Lucy with her eyes clenched shut and was now calling Erin's name. Her fingers dug into the table and she frantically said 'Erin' over and over. He saw the smoke begin to clear and a body appeared above the fire. Jack gasped. Erin! She looked stunned, her hand covering her face. He opened his mouth but couldn't say a word, shocked. Color poured into her clothing, turning the transparent household dress into black. Her skin returned to its ivory color, while her hair became reddish-brown just as he saw ten years ago. Lucy had stopped chanting; she also was staring at Erin. She looked shocked, maybe a little scared. Lucy stood up and slowly shuffled towards Jack, resting a hand on his shoulder; but she kept her distance from Erin, using Jack as a possible human shield. Erin was just as surprised as the two of them. She reached out her arm, amazed by it. This was real. Erin moved forward but awkwardly stumbled as if she missed a step going downstairs. She then took a couple of more steps and touched the floor, a new sensation for her. Taking a deep breath, Erin became dazed with the menthol-like odor of burning sage. Her eyes lit up and a smile beamed from her face; she could smell. She then turned her head, focusing on the two, who had resurrected her. Her clogs banged against the wooden floor as she walked to Lucy. The psychic was trembling in her presence. Lucy flinched as she touched her arm. "Thank ye," Erin whispered. She then leaned in, and kissed the surprised blonde. Lucy moaned, instantly enjoying the kiss. Jack watched on, shocked. He didn't know if he should be terrified or turned on. Lucy wrapped her hands around Erin's waist and pushed herself against the resurrected maid. Overwhelmed by a sudden desire, Lucy slid her tongue deep into Erin's mouth. She felt good, but so tired. Erin then released the medium and watched as Lucy collapsed onto the floor in a deep sleep. She turned to Jack and grinned. "Erin?" Jack asked. His hands were trembling and he felt that he was going to sink into the floor. This is it, right? This was what he wanted, but he had no idea how to respond. "Is it really you?" He eventually spat out. "Hi, Jack," Erin smiled. "Fuck;" Jack said. He reached out and touched her hand with his. Wasn't this just supposed to be a s ance? "I can't believe I can touch you." "Me too," Erin said. "How are you?" Jack asked in a deeply sincere tone. "Confused. It felt I was being called by an unknown force. Then it took me." "I'm sorry, but I really wanted to talk to you." "I understand. Oh, it feels good to be heard and to speak with my own voice." "I need to tell you something," Jack said, "The reason we're talking is because I wanted to help you. But I never asked if you actually needed my help." She went quiet, looking like she was thinking something over, in her head. "You said about unfinished business. Bu

  Ok gang, it's mirrorball time once again, on this one Stu and Mulder discuss the 1979 Linda Blair disco vehicle - Roller Boogie. One of the lesser known films of the disco era, and perhaps for good reason, it isn't great... or is it? Well there's only one way to know. Listen on and find out. Episode 3 of this series will be hot on it's heels, shortly after Christmas, and then just after new year will be a disco mega-sode you will not want to miss. for now though, sit back and find out all about Roller Boogie

Linda Blair joined Wake Up Tri-Counties to talk about the start of the 2026 Kewanee Area United Way (KAUW) fundraising campaign. KAUW's annual fundraising campaign is now underway across the Tri-Counties, following an October kickoff event hosted by the Kewanee Kiwanis and Rotary clubs. Executive Director Linda Blair highlights a challenging year, with donations down as much as 40%.  Many contributions may be tax-deductible, and ongoing workplace campaigns—where employees pledge a small amount from each paycheck—are a key source of funding. United Way tracks how funds are used, offering donors transparency and accountability. Current projects include the successful Shoes for Kids initiative, which partners with school systems to provide footwear to children in need. The organization also supports food assistance and utility aid through grants to groups like the Salvation Army. Community involvement remains crucial as the demand for assistance continues to rise. Even so, recent support from businesses like Peoples National Bank and Great Dane—recent donations include $8,300 and almost $4,000, respectively—has helped the organization continue funding for local agencies, including food pantries, youth programs, and the Shoes for Kids initiative. KAUW helped 15 agencies in 2025, providing over $80,000 in contributions. The amount of money and number of agencies they can help are dependent on donations from businesses and individuals. Community fundraisers such as Jail and Bail, trivia contests, and Rock and Roll Bingo are all planned to boost support in 2026. Donations can be made online, by mail at KAUW, PO Box 426, Kewanee, IL, 61443, or in person at 200 East Street South. Follow KAUW on Facebook and stay up-to-date with information.

Grab an extra plate, because Devon & The Duke are serving up a Thanksgiving feast! In the longest, most explosive episode in the show's history, WWE Hall of Famer Devon Dudley and Duke Loves Rasslin deliver a perfect mix of hilarious backstage stories and raw, emotional truths.From the timeline where "The Animal" managed Devon against "The Face of the WWE," to the fallout of the Jim Ross controversy, this episode runs the emotional gamut. Whether you are here for the golden era stories or the real-life heat, this is the episode you cannot miss.On the Menu for This Week's "Thanksgiving Special":The Animal's Secret Nightmare: Think you know Dave Batista? Think again. Devon drops a bombshell, never-before-told story about the time Batista admitted he was terrified of John Cena. Find out why the big man was sweating during the era where he was managing Devon against Cena, and why this story had the hosts rolling on the floor.Devon vs. The Exorcist: For decades, the movie The Exorcist cost Devon countless nights of sleep. The fellas discuss what happened when Devon finally met his childhood fear, Linda Blair, face-to-face at a recent Comic Con. (Spoiler: It didn't end with pea soup!)The Jim Ross Controversy Continues: Duke provides an update on Jim Ross (JR) and his continued silence regarding previous revelations about racist comments made toward Devon during their time in WWE.Disco Inferno Gets Cooked: The guys break down Disco Inferno's recent comments on the Keepin' It 100 podcast, where he seemingly excused JR's racism by claiming, "People get more conservative when they get older. That was over 20 years ago." Duke and Devon verbally slam this weak take, dissecting why "time passed" is no excuse for hate.Healing From Trauma: In a powerful moment, Devon opens up about the deep scars left by the Head of Talent Relations telling a Black talent he didn't like him simply because of his race. Devon explains how finally speaking his truth about JR has allowed the healing process to begin.Don't miss this gift to the wrestling community—hit play now!#DevonAndTheDuke #WWEHOF #Batista #JohnCena #WrestlingPodcast #JimRoss #DiscoInferno #ProWrestling #Linda Blair #WrestlingCommunity #RealTalk** Shop better hydration today. Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠LiquidIV.Com⁠⁠⁠⁠⁠⁠⁠⁠⁠ & use the promo code DukeLovesRasslin to save on your next order! ****All views expressed are that of those expressing them. Pull Up Your Skinny Jeans if you don't like it! **

Gwen Murphy has set a new milestone in the United Way's annual Jail and Bail fundraiser by bringing in $1,289, shattering previous records, which organizers say hovered around $300 to $400. The event, which took a new mobile format this year, raised a total of $4,900 for United Way, supporting 15 local non-profits and community impact projects such as Shoes for Kids, food assistance, and shelter programs. Both Gwen's enthusiasm and the community's generosity are being praised, with organizers hinting at more competition—and possibly even some extra rewards—for next year's participants. Linda Blair said, "She was really inspirational in this campaign. We really, really appreciate it. I don't think any of us thought it would be anywhere near this successful." Nat Smith said, "Tami and I were able to come up with a kind of a different format, and we were able to take the jail on the road so people didn't have to be away from their jobs very long. I think it allowed us to capture a few people that otherwise we would not have been able to get for volunteering." In 2025, the Kewanee Area United Way will fund 15 local agencies offering vital support for residents of Stark and Henry Counties. Services span mental health counseling, elder care, housing, food assistance, tutoring, and programs for veterans, youth, and families. Notable organizations include Abilities Plus for individuals with disabilities, ABCD's after-school initiative, Freedom House for domestic violence support, and the Kewanee Food Pantry. The Henry County Youth Services Bureau and Sunshine Community Services Center focus on empowering and mentoring children. These agencies rely on community support, ensuring essential resources are accessible for neighbors in need throughout Kewanee and the surrounding areas. Find the full list of agencies here. The Kewanee Area United Way continues its long-standing mission to enhance the quality of life in Henry and Stark Counties, supporting health, education, and financial stability for residents. “The mission of the Kewanee Area United Way is to increase the organized capacity of people to care for one another.” Their newest initiative, Shoes for Kids, began in 2024, providing much-needed footwear to students in the Kewanee Area School Systems, with plans to expand the program into 2025. Each year, the board selects nonprofit partners dedicated to essential community services. Residents are encouraged to show support through donations or volunteering on the Board of Directors. For more information or to get involved, visit the KAUW website, email Kewaneeareaunitedway@kewanee.com, or call 309-761-8447.

In this first of a multi-part exploration of William Friedkin's ground-breaking and massively successful adaptation of William Peter Blatty's best-selling novel 'The Exorcist': Friedkin & DP Owen Roizman coming off 'The French Connection' and into 'The Exorcist' Casting travails involving Jack Nicholson, Paul Newman, Jane Fonda, Anne Bancroft, and Audrey Hepburn. Jason Miller and Ellen Burstyn willing themselves into their roles. Studio pushback on the film's prequel, set in Iraq, and Friedkin's demand that they film there despite political upheaval and a lack of an Iraqi film industry. The search for a girl to pay Regan; over 1,000 seen, hundreds screen-tested, before Linda Blair walked into the film production's offices. Special Effects approaches courtesy of Dick Smith and Rick Baker. Soundtrack troubles with Bernard Hermann and Lalo Schiffrin and the saving grace of Mike Oldfield's 'Tubular Bells'. This episode features Friedkin, Blatty, Roizman, and Ellen Bursytn in their own words. Other Friedkin Full Cast & Crew Episodes: The French Connection To Live And Die In LA    

DEFENDANT: Pazuzu EVIDENCE: Manos Special Edition "The Exorcist" Cabernet Sauvignon SCENE OF THE CRIME: Hell, or a staircase near you...  -- Hey friend — welcome to our spooky season send-off. We cracked a bottle of Manos Cabernet, sunk into the couch, and dove headfirst into The Exorcist: the movie, the poster, the Pazuzu lore and all the deliciously grim behind-the-scenes gossip. Expect laughter, wine-fueled tangents, and the kind of true-crime sidetracks that only two slightly lubricated hosts can provide. We unpack why that iconic image of Father Merrin under the lamplight still freaks us out (Magritte vibes included), how the film shaped the possession subgenre, and why Linda Blair and Ellen Burstyn left their mark on horror history. We talk casting choices that almost were (Marlon Brando, Audrey Hepburn?), the haunting performance choices, and how Pazuzu went from ancient Mesopotamia to Hollywood's demon of choice. Of course we get into the messy, human side: on-set injuries, practical effects (the real vomit/peanut-soup moment), Mercedes McCambridge's voicework, and William Friedkin's famously brutal directing methods. Plus the awkward modern problems — streaming paywalls, holiday theater lines, and whether you should ever feed Necco wafers to road-trip company. Sprinkled between film history are the personal stories: first-time screenings, dating decisions made at horror films, and the ridiculous pop-culture riffs that happen when you mix wine with movie analysis. If you love spooky, culty cinema, or just want a cozy chat about why The Exorcist still matters (and why Pazuzu might actually be misunderstood), this episode is for you. Give it a listen, tell us your favorite spooky bottle art, and rank our mini-series with us — we want to know which movie haunted you the most. Cheers (and maybe don't say Pazuzu in a mirror)!

It's our super scary Halloween special! We're joined by horror streamer hauntedbyhan to review a spookacular movie chosen by our patrons: Exorcist II: The Heretic. Directed by John Boorman and starring Richard Burton and Linda Blair, the latter returning to play the possessed child Regan, this sequel has been referred to as one of the worst movies of all time since its release in 1977. But is it actually that bad? Will the power of our binary rating system compel it to be an oldie or a goodie?Join our Patreon for our bonus episodes! https://www.patreon.com/oldiebutagoodiepodCheck out Han!Twitch: https://www.twitch.tv/hauntedbyhan/TikTok: https://www.tiktok.com/@hauntedbyhan/Twitter: https://twitter.com/hauntedbyhan/Instagram: https://www.instagram.com/hauntedbyhan/Letterboxd: https://letterboxd.com/hauntedbyhan/Follow the show!Instagram: https://www.instagram.com/oldiebutagoodiepod/Facebook: https://fb.me/oldiebutagoodiepodPodcast Platforms: https://linktr.ee/oldiebutagoodiepodGot feedback? Send us an email at oldiebutagoodiepod@gmail.comFollow the hosts!Sandro Falce - Instagram: https://www.instagram.com/sandrofalce/- Twitter: https://twitter.com/sandrofalce- Letterboxd: https://letterboxd.com/SandroFalce/- Twitch: https://www.twitch.tv/SandroFeltChairZach Adams - Instagram: https://www.instagram.com/zach4dams/- Twitter: https://twitter.com/ZackoCaveWizard- Letterboxd: https://letterboxd.com/zach4dams- Twitch: https://www.twitch.tv/zackocavewizardWatch our editor, Starkie, on Twitch! https://www.twitch.tv/sstarkieeOldie But A Goodie's theme tune is written and produced by Josh Cake. Check out his work here: https://www.joshcake.com/ Hosted on Acast. See acast.com/privacy for more information.

John Boorman's 1977 techno-exorcism sequel, EXORCIST II: THE HERETIC, is our feature presentation this week. We talk William Friedkin's disdain for the film, John Boorman's Zardoz hangover, Linda Blair refusing to don the makeup of the original, the infamous technology of "the synchronizer", and much more! We also pick our TOP 7 WORST HORROR SEQUELS in this week's Silver Screen 7! Join our Patreon ($2.99/month) here linktr.ee/brokenvcr to watch the episodes LIVE in video form day/weeks early. Find us on Instagram @thebrokenvcr and follow us on LetterBoxd! Become a regular here at THE BROKEN VCR!

Send us a textOn this episode we recap this year's Terror Con which took place in Marlborough, Massachusetts. Helping us discuss this gathering of horror fans and icons is Krisilly Fernstrom, social media director and brand ambassador for Altered Reality Entertainment which holds the convention yearly. From tornado watches to Linda Blair and Elvira, this was a great start to the horror con season! Follow us on Social Media: @pvdhorror Instagram, X, TikTok, FacebookWatch us on YouTube: www.youtube.com/@pvdhorrorSpecial thanks to John Brennan for the intro and outro music. Be sure to find his music on social media at @badtechno or the following:https://johnbrennan.bandcamp.com

Send us a textDavid returns and joins Eric and Neil to talk about this slasher movie from 1981. We talk about the majority of the movie is just walking around in the dark. We also talk about the career of Linda Blair.  Grab your really tiny radio and join us! 

You can watch the VIDEO version of this episode here: https://youtu.be/4qT0f_xIt3A?si=9KSwbDmWbVQP3oNa On Terror On The Tube, Joel, Peter, and Allyson pick, at random, a made-for-TV horror/suspense movie that aired sometime during the decades of the 1970s, 80s, or 90s. In this episode we talk about Summer of Fear aka Stranger In Our House from 1978. Originally released on NBC on Tuesday, October 31, 1978, Summer of Fear stars Linda Blair, Lee Purcell, Jeremy Slate, Jeff McCracken, and Carol Lawrence. ................................................................................................................................................ Synopsis: A teenage girl's life is turned upside down after her cousin moves into her house, and as time goes by she begins to suspect that she may be a practitioner of witchcraft. ................................................................................................................................................ ................................................................................................................................................ Special thanks to Ross Bugden for the use of his music for the theme of this podcast under the Creative Commons Attribution 4.0 International License. You can find the track titled Something Wicked here.

This week on Exploit It, we're stalking the neon-lit alleys of Savage Streets!

EPISODE 113: Texas Frightmare Weekend – Prom, Popcorn & Possessions!Buckle up, gore whores, because the SCREAM QUEENS are hittin' the road and heading deep into the heart of horror – that's right, we're back at our favorite spooky shindig, the one and only Texas Frightmare Weekend!

In this edition of Kermode on Film, Mark Kermode talks to legendary actor Brian Cox about his career, from Manhunter and the controversial L.I.E., all the way through to the final season of Succession.This is part two of the Mark Kermode Live in 3D show, recorded live at the BFI Southbank in April 2023.Films mentioned in this episode:SuccessionManhunterThe Silence of the LambsL.I.E.Woman of the YearBringing Up BabyPeople mentioned in this episode:Jesse ArmstrongKatherine HepburnSpencer TracyCary GrantHoward HawksAnthony Hopkins———————The opening title sequence of Kermode on Film uses quotes from:Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency productionThis episode was edited by Alex Archbold Jones© Copyright HLA Agency Hosted on Acast. See acast.com/privacy for more information.

In this episode of Kermode On Film Mark talks to actor Domhnall Gleeson and director Michael Pearce, whose gripping psychological drama Echo Valley stars Julianne Moore and Sydney Sweeney, and he talks to actor Posy Sterling, who takes on her first leading role as Molly in Lollipop, a bittersweet story about a mother faced with the injustices of the care system in Britain.This episode of Kermode On Film was recorded live at the BFI Southbank on 9 June 2025, and was the first half of that date's Mark Kermode Live in 3D show.Come back for Part 2, where Mark is joined by actor Simon Pegg, who talks about his role in Mission: Impossible - The Final Reckoning, and reflects on his career from Spaced and the Cornetto Trilogy all the way to Hollywood.Thanks for listening!Films mentioned in this episode:Echo ValleySicarioLollipopSeven SamuraiPunch Drunk LoveDead Man's ShoesPeople mentioned in this episode:Domhnall GleesonMichael PearcePosy SterlingSimon PeggJulianne MooreSydney Sweeney———————The opening title sequence of Kermode on Film uses quotes from:Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.This episode was edited by Alex Archbold Jones.© Copyright HLA Agency Hosted on Acast. See acast.com/privacy for more information.

Hello all you ed-heads, Timbos, and Mattiacs.This week we are covering one of the worst non-zombie zombie movies i've ever seen. The Chilling. What happens when a rag tag group of Grizzly Adams, and Linda Blair run afoul of a corrupt organ harvesting cryogenic lab ponzi scheme? Well, I'm not really sure. I've seen this movie twice in as many weeks now, and I'm still not really sure what happens.Go listen to Matt on The Might Peculiar, and check out his bluesky at https://bsky.app/profile/mattbegins.bsky.socialCheck us out on Bluesky. me ⁠ @eddietheaxe ⁠ Tim ⁠@ yobogold⁠Also, like, rate, and subscribe. And if you can join our Patreon. Get access to our video episodes, as well as the Bloodbank at ⁠https://www.patreon.com/bloodybits

En este episodio te contamos qué sucedió con algunos actores y actrices que se metieron tanto al papel que algunos no pudieron salir de este. Desde Heath Ledger, Jared Leto, Jim Carrey y…¿Qué sucedió con Linda Blair?¿Bill Skarsgård realmente tiene los ojos así?El difícil proceso para Paul Dano y su  Acertijo¡Todo esto y más lo podrás descubrir aquí!

Erik Childress and Peter Sobczynski guide you through another week of physical media. This week you can include masterworks from Paul Schrader, Terry Gilliam and Jonathan Demme on your shelves. There are also underrated works from George Romero and Mel Brooks as well as career work from Nicolas Cage and Elisabeth Shue. They talk about the oddness that ranges from Linda Blair on skates to Dennis Quaid as an infamous singer plus the one Sam Peckinpah film you may want to watch alone first.2:52 - Criterion (Mishima: A Life In Four Chapters 4K, Brazil 4K)22:27 - Cinematographe (Swimming to Cambodia)29:49 - Sandpiper (Roller Boogie, Great Balls of Fire, Malice, Life Stinks, Leaving Las Vegas)1:15:47 - Shout Factory (Monkey Shines 4K, Bring Me the Head of Alfredo Garcia 4K)1:40:54 - New Theatrical Titles & TV on Blu-ray (The Ballad of Wallis Island, Opus, Freaky Tales, When Evil Lurks, Doctor Who - Jon Pertwee: The Complete Season One)1:43:21 - New Blu-ray AnnouncementsCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCAST This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

We're hitting the streets this week for a double-dose of mid-80s Linda Blair exploitation flicks! We're covering SAVAGE ISLAND, a cobbled-together amalgam of two sleazy women-in-prison movies with a tacked-on Blair wraparound, and as a bonus, we're covering the non-Empire film SAVAGE STREETS, a teen revenge flick that encapsulates the state of Blair's post-EXORCIST career. We're joined this week by the delightful Sean O'Connor of Macabre Daily!  Hosted by Jarrod Hornbeck and Steve Guntli  Theme song by Kyle Hornbeck  Logo by Doug McCambridge  Email: puppetmasterscastlefreaks@gmail.com Instagram/Threads: @puppetmasters_castlefreaks  YouTube: @PuppetMastersCastleFreaks  Next week's episode: Ravenwolf Towers 

In this episode of Kermode On Film Mark talks to director Babak Anvari, whose nail-biting thriller Hallow Road was released in UK cinemas on 16 May 2025, and he talks to writer-director Alberto Sciamma, whose stunningly beautiful film Cielo premieres at SXSW on 6 June 2025. This episode of Kermode On Film was recorded live at the BFI Southbank on 19 May 2025, and was the first half of that date's Mark Kermode Live in 3D show.In Part 2, Mark is joined by director Shannon Murphy, who talks about the television series Dying For Sex, based on a true story starring Michelle Williams. Mark also talks with John Maclean about Tornado, the Samurai western set in 18th Century Scotland, and with Eddie Hamilton, editor of the Mission: Impossible films, among many others.Thanks for listening!Film mentioned in this episode:Hallow RoadUnder the ShadowsUsI Came ByThe ExorcistStar WarsCieloTales of Ordinary MadnessLa Grande BouffePeople mentioned in this episode:Babak AnvariAlberto SciammaWilliam GilliesRosamund PikeMatthew RhysJohn CassavetesLorne BalfeDepeche ModePeter AdamsGeorge MackayBettina KadooriJohn Dunton-DownerAna-Maria VeraMarco FerreriBen Gazzara———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.- Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.- Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.- The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.This episode was edited by Alex Archbold Jones.© Copyright HLA Agency Hosted on Acast. See acast.com/privacy for more information.

This episode of Kermode on Film was recorded live at the BFI Southbank on 5 June 2023, and was the 81th edition of MK3D. This is Part 2 of that show, in which Mark Kermode is joined by director Edward Lovelace to talk about his documentary feature Name Me Lawand.Mark also talks to legendary, multi-Oscar-winning sound designer and film editor Walter Murch about his documentary feature Her Name Was Moviola.Thanks for listening!———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.- Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.- Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.- The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.Cover photo by Julie Edwards.© Copyright HLA Agency Hosted on Acast. See acast.com/privacy for more information.

This episode of Kermode on Film was recorded live at the BFI Southbank on 5 June 2023, and was the 81th edition of MK3D. This is Part 1 of that show, in which Mark Kermode is joined by director Thomas Hardiman to talk about his debut feature Medusa Deluxe. They also delve into the work of much-missed director Ken Russell, and in particular his film The Boyfriend.Mark also talks to director Dionne Edwards about her film Pretty Red Dress, and the film that influenced her, Do The Right Thing.Thanks for listening!People mentioned in this episode:Robbie RyanRobert AltmanSpike LeeLouise BrooksMarlene DietrichFelliniDerek JarmanToyah WilcoxHalle BerryGary OldmanBram StokerLeos CaraxKen RussellTed AshleyTwiggySteve McQueenClio BarnardTina TurnerMel GibsonPhil SpectreAlexandra BurkeNatey JonesHugo GogginMartin ScorseseFilms Mentioned in this episode:Medusa DeluxeNashvilleDeadly Cuts (2021)Don't Mess with the ZohanJoe's Bed-Stuy Barbershop: We Cut Heads (1983)Shampoo (1975)Swan Song (2021)Pandora's BoxBlonde VenusCasanovaThe TempestBatsStar Trek BeyondBladeDraculaMahlerThe DevilsTommyThe Music LoversThe DevilsChinatownThe ArborsWeekendPretty Red DressDo The Right ThingAli & EvaCabaretBugsy MaloneThe Sound of MusicDo the Right Thing———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.- Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.- Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.- The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.Cover photo by Julie Edwards. Hosted on Acast. See acast.com/privacy for more information.

Les, Kurt, and Jason finally start recording after Les is distracted by husbands who hate their actor wives. Then we learn that Kurt wants to give the White Lotus lady boy speech at his class reunion and Les bout a book about veganism autographed by Linda Blair in the 90's. Plus Jason questions why there is Blac Chyna news about why she doesn't need to share news about herself. Then, it's time to go down into the airtight bunker of Lifetime's Sins of My Husband. Is the Park Ranger Academy for the Dramatic Arts handing out a bunch of PhD's during this movie? Hell yes, and one of them is going to a Coolio-quoting gay Bela Legosi and his crank!   Bluesky: lifetimeofhallmark Facebook : lifetimeofhallmark Instagram : lifetimeofhallmarkpodcast Threads: lifetimeofhallmarkpodcast TikTok: lifetimeofhallmarkpod Theme song generously donated by purple-planet.com  

Everybody's feelin' groovy, because this week we're traveling way back to 1970 with bassist/vocalist Ron Flynt and guitarist/vocalist Steve Allen from legendary power poppers 20/20! Aside from remembering the staggering number of great records released during our year of focus, we celebrate the release of 20/20's new album Back to California, their first LP in over 25 years, out now on Spyderpop / Big Stir Records. Whether you're a newcomer to the band or an ardent fan of their classics like "Yellow Pills", "Cheri", "Remember The Lightning", and "Nuclear Boy", prepare to fall in love with the hooks n' harmonies of the new record, which hearkens back to their roots but maintains a fresh and modern sound. Plus, Steve and Ron talk about feeling the magic again, reminisce about the early days of the band, the recording of their signature track (1979's "Yellow Pills"), hanging out in Phil Spector's mansion, dancing with Linda Blair, rubbing shoulders with Hollywood stars at Sunset Strip haunts...and did O3L turn into the High Times podcast?!? Finally, we give the guys their belated induction into the Power Pop Hall of Fame...which we're in no way authorized to do, but they weren't aware they were already in it! Great stories, lots of laughs, and amazing music...turns out hindsight really is 20/20! Thanks to Rex Broome and Christina Bulbenko from Big Stir Records for the introduction. Proud members of the Pantheon Podcasts network. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode of Kermode on Film was recorded live at the BFI Southbank on 7 April 2025.In Part 2 of this MK3D show, Mark is joined by Icelandic singer-songwriter Emilíana Torrini, who talks about her performance in THE EXTRAORDINARY MISS FLOWER, directed by Iain Forsyth and Jane Pollard. Emilíana is accompanied on stage by her collaborator Simon Byrt for a special live performance from the film.Then, Charlie Brooker takes to the stage to talk about the return of BLACK MIRROR for its much-anticipated seventh season — expect dark humour, razor-sharp commentary, and a few surprises.Sit back and enjoy Part 2 of this MK3D show recorded live at the BFI Southbank.Thanks for listening!People mentioned in this episode:Val KilmerTom CruiseRichard LoncraineTom ContiNoddy HolderMargy KinmonthKate WinsletDziga VertovSasha NathwaniDeba HekmatShakyra DowlingPeter BradshawBill ForsythMatt DamonBen AffleckRobin WilliamsJack NicholsonChloe ZhaoEmiliana TorriniIain ForsythJane PollardCharlie BrookerFilms, plays and tv series mentioned in this episode:HeatTombstoneTop Gun MaverickFinal ReckoningSlade in FlameLeeMan With a Movie CameraLast SwimSound of MetalThe RiderStar WarsGood Will HuntingThe Extraordinary Miss FlowerBlack Mirror———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.- Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.- Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.- The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.Cover photo by Julie Edwards.This episode was edited by Alex Archbold Jones.© HLA Agency Hosted on Acast. See acast.com/privacy for more information.

This episode of Kermode on Film was recorded live at the BFI Southbank on 7 April 2025.Mark talks to Margy Kinmonth about WAR PAINT - WOMEN AT WAR, her documentary about women war artists.And he speaks with Sasha Nathwani, about his directorial feature debut LAST SWIM, a beautiful British coming-of-age film starring Deba Hekmat.Sit back and enjoy Part 1 of this MK3D show recorded live at the BFI Southbank.In Part 2, Mark is joined by Icelandic singer-songwriter Emiliana Torrini, who talks to about her performance in THE EXTRAORDINARY MISS FLOWER, directed by Iain Forsyth and Jane Pollard. And he talks with Charlie Brooker about Season 7 of BLACK MIRROR.Thanks for listening!People mentioned in this episode:Val KilmerTom CruiseRichard LoncraineTom ContiNoddy HolderMargy KinmonthKate WinsletDziga VertovSasha NathwaniDeba HekmatShakyra DowlingPeter BradshawBill ForsythMatt DamonBen AffleckRobin WilliamsJack NicholsonChloe ZhaoEmiliana TorriniIain ForsythJane PollardCharlie BrookerFilms, plays and tv series mentioned in this episode:HeatTombstoneTop Gun MaverickFinal ReckoningSlade in FlameLeeMan With a Movie CameraLast SwimSound of MetalThe RiderStar WarsGood Will HuntingThe Extraordinary Miss FlowerBlack Mirror———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.- Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.- Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.- The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.Cover photo by Julie Edwards.This episode was edited by Alex Archbold Jones.© HLA Agency Hosted on Acast. See acast.com/privacy for more information.

In episode 4, Audree, L, and Vic cover "The Usual Suspects" & "Crossroad Blues." Not only do we fangirl over Linda Blair's guest spot on Supernatural, we also get a fascinating crash course on the history of blues from Vic. Plus you'll hear all our usual favorite topics: the brothers' dynamic, Sam being hella competent, and Dean's grieving process. Don't forget to check out the visuals for this episode on Instagram, drop comments of your thoughts on our takes, and rate/like and subscribe on whatever platform you listen!  Episode Links:  “You Ruined Everything” from Crazy Ex-Girlfriend “Heavy Boobs” from Crazy Ex-Girlfriend Sam sniffing his coffee Don't quote Dean to Dean photoset Tommy Johnson The Social Network on Letterbox'd Bottoms on Letterbox'd Like/Rate/Review & Subscribe to the show on: Apple Spotify Youtube Patreon And anywhere else you listen to podcasts! Email us at: samgirlretrospectivepod@gmail.com Follow us on IG for visuals and updates. Follow us on Tiktok for clips and memes. Images from Fangasm and Sam Winchester Caps on Tumblr. 

This episode of Kermode on Film is the third and last part of the 100th edition of the MK3D show, recorded live at the BFI Southbank on 10 March 2025.In this episode, Mark talks to two great friends of the show, Sanjeev Baskhar and Meera Syal, and he says hello to Jason Isaacs.People mentioned in this episode:Sanjeev BaskharMeera SyalJason IsaacsBen WheatleyJeanie Finlay Alan ParkerElvis PresleyToby JonesRichard BurtonSamantha MortonJames BondKiefer SutherlandLaurence OlivierLaurence Llewelyn-BowenHarold PinterLee EvansMaxine PeakeMike WhiteJimmy FallonKelly ClarksonDarius RuckerNorman WisdomThe BeatlesFilms, plays and tv series mentioned in this episode:A Tupperware of AshesFlaming StarUnforgottenTinsel TownMacbethWhite LotusAngels in AmericaThe BillThe Dumb WaiterCapital CityHarry PotterWhite LotusHoney BunchThe Salt Path———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.- Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.- Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.- The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.Cover photo by Julie Edwards.This episode was edited by Alex Archbold Jones.© HLA Agency Hosted on Acast. See acast.com/privacy for more information.

This episode of Kermode on Film is Part 2 of the 100th edition of the MK3D show, recorded live at the BFI Southbank on 10 March 2025.In this episode, Mark talks to Karan Kandhari, whose feature debut Sister Midnight released on 14 March, and to Toby Jones, who shares his thoughts on playing Mr Burton in the film of the same name. Plus we are joined by the world's best silent movie accompanist, Neil BrandThank you for listening?People mentioned in this episode:Karan KandhariToby JonesNeil BrandFrancois OzonJulia DucournauMartin ScorseseWes AndersonBuster KeatonCharlie ChaplinRichard BurtonMonica DolanSamantha MortonSean PennJack NicholsonJoseph LoseyDirk BogardeSarah MilesHarold PinterIndiana JonesRobert De NiroDaniel Day LewisGina RowlandsGene HackmanKen DoddEric MorcambeThe CrankiesFrank BrunoHarry LawteyFilms mentioned in this episode:RawGood MorningA Girl Walks Home Alone At NightThe GeneralKaleidoscopeMr Bates vs the Post OfficeBerberian Sound StudioThe ServantThe Go-Between———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.- Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.- Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.- The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.Cover photo by Julie Edwards.This episode was edited by Alex Archbold Jones.© HLA Agency Hosted on Acast. See acast.com/privacy for more information.

This week's MK3D was the 100th edition and this special milestone show featured a fabulous and diverse array of conversations about film culture: some great friends of the show who have graced the stage before, and some new filmmaking talent. At the top of the show the CEO of the BFI Ben Roberts leaped onto the stage to congratulate everyone involved on being the longest running and most successful strand at the BFI, ever.First up Mark welcomes Samantha Morton on stage to talk about her work as an actress, director, writer and musician. Sam talks about her directorial feature The Unloved, as well as her role in She Said, and the changes needed in the film industry. Next, Alan Jones joins Mark to talk about his new book Discomania, a glorious celebration of Disco, Punk, and Alan's unique, trail-blazing career in the Horror, Science Fiction and Fantasy film arenas. Alan talks about his connections with Chrissie Hynde and David Bowie, the Sex Pistols and Vivienne Westwood, and some of the disco movies in the book including Music Machine, starring Patty Boulaye.The next two episodes will feature Karan Kandhari, Toby Jones, Meera Syal, Sanjeev Baskhar and Jason Isaacs. Keep watching the skies!———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.- Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.- Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.- The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.Cover photo by Julie Edwards.This episode was edited by Alex Archbold Jones.© HLA Agency Hosted on Acast. See acast.com/privacy for more information.

This episode features gorgeous George Mackay, who talks about his award-winning role in FEMME, and Jason Isaacs, who discusses playing Cary Grant in ARCHIE.This episode of the Kermode on Film podcast is Part 2 of the 86th edition of the MK3D show, recorded live at the BFI Southbank on Monday 18 December 2023.Last week's podcast features Part 1 of that show, in which Mark talks to Sir Ian McKellen about playing HAMLET, and to star Mia McKenna-Bruce and director Molly Manning Walker about their feature HOW TO HAVE SEX.Thanks for listening, and remember to keep watching the skies!———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.- Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.- Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.- The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.Cover photo by Julie Edwards.This episode was edited by Alex Archbold Jones.© HLA Agency———————Films mentioned in this edition:For Those In PerilThe Way We Live NowSunshine on LeithTitanicThe BeastThe Act of KillingThe EndRaging BullPeter PanHow To Have SexPretty WomanMassThe Salt PathThe GodfatherThe Big ChillDragonheartFriends with MoneyTV Series mentioned in this show:Thirty SomethingPlays mentioned in this show:Arturo UiHamletAngels In AmericaUncle VanyaThree SistersPeople mentioned:Bertrand BonelloJoshua OppenheimerGaspard UllielLea SeydouxTilda SwintonMichael FassbenderRobert DeNiroJoe PesciCary GrantArchibald LeachColonel KurtzPJ HoganDyan CannonMia McKenna-BruceMolly Manning WalkerAl PacinoGillian AndersonRobert DuvallJames BrandoJames Caan Jude LawJanet McTeerPatrick MalahideIan McKellenSean MathiasKevin KlineJeff GoldblumKevin CostnerSimon McBurney Hosted on Acast. See acast.com/privacy for more information.

In this episode of Kermode on Film, Mark is joined by the legendary Sir Ian McKellen to talk about the film version of HAMLET directed by Sean Mathias.Following that he talks with star Mia McKenna-Bruce and director Molly Manning Walker about their award-winning feature HOW TO HAVE SEX.This episode of the Kermode on Film podcast is Part 1 of the MK3D show, recorded live at the BFI Southbank on Monday 18 December 2023.Next week's podcast features Part 2 of that show, in which Mark talks to George MacKay about his role in British Thriller FEMME, written and directed by Sam H. Freeman and Ng Choon Ping, and to Jason Isaacs about starring in ARCHIE, the British drama television serial about the life of Cary Grant. Thank you for listening!———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.- Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.- Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.- The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.Cover photo by Julie Edwards.This episode was edited by Alex Archbold Jones.© HLA Agency———————Films Mentioned in this edition:HamletThrone of BloodForbidden PlanetChimes at MidnightTitanicSpice GirlsLion KingPrisonersKrakatoa, East of JavaScrapperPlays mentioned in this show:HamletRichard IIRichard IIIOthelloMacbethHenry IV part 1 and 2King LearMuch Ado About NothingPeople mentioned:Ian McKellenSean MathiasVanessa RedgraveMichael RedgraveEdwin BoothFrancesca AnnisSteven BerkoffBill KenwrightRichard LoncraineJudi DenchAkira KurosawaOrson WellesWilliam ShakespeareKenneth BranaghDavid TennantRalph FiennesPeter SchaufussLaurence OlivierTrevor NunnMolly Manning WalkerMia McKenna-BruceKate WinsletJames Cameron Hosted on Acast. See acast.com/privacy for more information.

In this episode of Kermode on Film, Mark is joined by Fiona Shaw to talk about her new film Hot Milk, which premiers at the Berlin Film Festival this year, and to Warren Ellis, composer, musician and superstar, to talk about his score for Walter Salles autobiographical film I'm Still Here.Sit back and enjoy Part 2 of this MK3D show recorded live at the BFI Southbank on Monday 10 February 2025.In Part 1, Mark was joined by Mario Van Peebles and Mandela Van Peebles, to talk about their film Outlaw Posse, shown as part of the BFI season Black Rodeo: A History of the African American Western. And he talked to Bernard MacMahon and Allison McGourty, the director and producer of the high grossing new documentary Becoming Led Zeppelin.Thanks for listening, and remember, keep watching the skies.———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.- Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.- Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.- The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.Cover photo by Julie Edwards.This episode was edited by Alex Archbold Jones.© HLA AgencyHosted on Acast. See acast.com/privacy for more information.#MarkKermode #MK3D #KermodeOnFilm #BFI #BFISouthbank #FionaShaw #HarryPotter #HotMilk #Ammonite #WarrenEllis #NickCave #I'mStillHere #WalterSalles # #CaliforniaSuite #Mustang #TheAssassinationOfJesseJamesByTheCowardRobertFord #AndrewDominikFilms mentioned in this podcast:Outlaw PosseBecoming Led ZeppelinHot MilkSex EducationAmmoniteSafety LastCalifornia SuiteI'm Still HereRomaMustangThe PropositionThe Assassination of Jesse James by the Coward Robert FordZoolanderSong for BobPeople and bands mentioned in this episode:The WhoDeborah LevyRebecca LenkiewiczEmma MackieKate WinsletClaire RushbrookCharlie ChaplinMaggie SmithSimone RochaWalter SallesFernanda TorresNick CaveJohn HillcoatThe Bad SeedsJackson EllisDeniz Gamze ErgüvenGaspar NoéAndrew DominikBrad PittCasey AffleckSam ShepardGerard McCannAngelo BadalamentiNina SimoneHosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

In this episode of Kermode on Film, Mark is joined by Mario Van Peebles and Mandela Van Peebles, to talk about their film Outlaw Posse, shown as part of the BFI season Black Rodeo: A History of the African American Western. And he talks to Bernard MacMahon and Allison McGourty, the director and producer of the high grossing new documentary Becoming Led Zeppelin.Sit back and enjoy Part 1 of this MK3D show recorded live at the BFI Southbank on Monday 10 February 2025.In Part 2, Mark is joined by a star of stage and screen Fiona Shaw, and composer, musician and superstar Warren Ellis.Thanks for listening, and remember, keep watching the skies.———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.- Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.- Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.- The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.Cover photo by Julie Edwards.This episode was edited by Alex Archbold Jones.© HLA AgencyHosted on Acast. See acast.com/privacy for more information.#MarkKermode #MK3D #KermodeOnFilm #BFI #BFISouthbank #MarioVanPeebles #MandelaVanPeebles #OutlawPosse #GhandiFilm #AliFilm #MalcolmX #MohammedAli #LedZeppelin #BecomingLedZeppelin #AllisonMcGourty #BernardMacMahon #SafetyLast #HaroldLloyd Films and TV series mentioned in this episode:Hosted on Acast. See acast.com/privacy for more information.Films mentioned in this podcast:VertigoJeanne Dielman 23 Quai du Commerce 1080 BruxellesOutlaw PossePosseBaadasssss! (2003)Sweet Sweetback's Baadasssss Song (1971)Gandhi (1982)Ali (2001)Becoming Led ZeppelinAmerican EpicSafety LastNapoleon (1927)Napoleon (2024)People and bands mentioned in this episode:Chantal AckermanMario Van PeeblesMandela Van PeeblesMelvyn Van PeeblesJohnny CashWhoopi GoldbergBernard MacMahonAllison McGourtyRobert RedfordRobert PlantJimmy PageJohn Paul JonesJohn BonhamCarter FamilyPink FloydThe WhoCarl DavisGaylord CarterAbel Gance Hosted on Acast. See acast.com/privacy for more information.

In this week's episode of the MK3D show Mark Kermode talks to Taghi Amirani whose film COUP 53 – edited by Walter Murch and featuring Ralph Fiennes – explores the involvement of the CIA and MI6 in the coup in Iran in 1953. Mark and Taghi also connect About their shared love of LOCAL HERO.The Mark is joined by RYE LANE director Raine Allen-Miller and star Vivian Oparah to talk about their film, which follows two youngsters reeling from bad break-ups who connect over a particularly eventful day in South London. They also talk about their respective influences: Vivian discusses the fight scene in US, and Raine revealsher Guilty Pleasure BOWFINGER.This episode of Kermode On Film is the first half of the MK3D show recorded live at the BFI Southbank on 13 March 2023.Thank you for listening!———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.- Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.- Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.- The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.Cover photo by Hedda Archbold.This episode was edited by Alex Archbold Jones.© HLA AgencyHosted on Acast. See acast.com/privacy for more information.#MarkKermode #MK3D #KermodeOnFilm #BFI #BFISouthbank #TaghiAmirani #WalterMurch #Coup53 #RyeLane #VivianOparah #RaineAllenMiller #LocalHero #Us #Bowfinger Films and TV series mentioned in this episode:Hosted on Acast. See acast.com/privacy for more information.Films mentioned in this podcast:Coup 53Local HeroRye LaneOliver TwistUsAnnihilationBowfingerPeople mentioned in this episode:Taghi AmiraniWalter MurchRalph FiennesDavid PuttnamVivian OparahRaine Allen-MillerLupita Nyong'oNatalie Portman Hosted on Acast. See acast.com/privacy for more information.

This episode of the Kermode on Film podcast, is Part 2 of the MK3D show, recorded live at the BFI Southbank on Monday 20 January 2025.In next week's episode, Mark is joined by NOSFERATU director Robert Eggers, and actor Nabhaan Rizwan, nominated for this year's EE Rising Star Award for his roles in BFI release In Camera, and the TV series Informer. Thank you for listening!———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.- Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.- Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.- The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.Cover photo by Julie Edwards.This episode was edited by Alex Archbold Jones.© HLA Agency———————Films Mentioned in this edition:In CameraDr StrangeloveNosferatuDraculaThe LighthouseThe VVitchThe Wizard of OzTelevision Series:KaosInformersPeople mentioned:Jharrell JeromeDavid JonssonMarisa AbelaMikey MadisonNabhaan RizwanRobert Eggers Hosted on Acast. See acast.com/privacy for more information.

Thank you for listening to Kermode on Film.At the top of the show, Mark Kermode pays tribute to the late great David Lynch who passed away this week.He is joined by Cynthia Erivo to talk about her role as Elphaba in Wicked, and about one of the performances that inspired her, by Zhang Ziyi in Memoirs of a Geisha.Next, Connor Swindells talks to Mark about playing the evil Albrecht Gessler in William Tell, and about his memories of watching Naked Gun with his dad.This episode of the Kermode on Film podcast is Part 1 of the MK3D show, recorded live at the BFI Southbank on Monday 20 January 2025.In next week's episode, Mark is joined by Nosferatu director Robert Eggers, and actor Nabhaan Rizwan, nominated for this year's EE Rising Star Award for his roles in BFI release In Camera, and the television series Informer. Thank you for listening!———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.- Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.- Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.- The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.Cover photo by Julie Edwards.This episode was edited by Alex Archbold Jones.© HLA Agency———————Hosted on Acast. See acast.com/privacy for more information.#MarkKermode #MK3D #KermodeOnFilm #BFI #BFISouthbank #CynthiaErivo #Wicked #MemoirsOfAGeisha #ConnorSwindells #WilliamTell #NakedGun #LeslieNielsen Films and TV series mentioned in this episode:Inland EmpireEmilia Pérez Wicked The Substance Hard Truths All We Imagine as LightAnoraLa Chimera Blink TwiceBad Times at the El RoyaleHarrietWidowsBlade RunnerMemoirs of a GeishaWilliam TellBarbieScoopParis, TexasAirplaneNaked GunForbidden PlanetTelevision Series:Sex EducationEvents:Girls On Film AwardsPeople mentioned:David LynchCynthia ErivoAriana GrandeJon M. ChuAlice Brooks ASCConnor SwindellsRutger HauerZhang ZiyiClaes BangWim WendersLeslie NielsenBuster KeatonCharlie Chaplin Hosted on Acast. See acast.com/privacy for more information.

Tab Hunter, Linda Blair, Donna Wilkes and a dozen teeth gnashing punks star in this highly strange slasher-cum-WFT? Buckle in! Plus, recently seen, Erik's joke of the week and so much more!

Somewhere between science and superstition, there is another world. The world of darkness. BANG-UARY continues! All bangers, all month! This week your hosts cover the 1973 classsic THE EXORCIST! An evil force has inhabited the boy of young Regan MacNiel. Assisted by seasoned excorcist Farther Merrin, Catholic counselor Father Karras must face his own crisis of faith before he can help the young girl.  Are the boys be pea soup? Find out here! Also this week:  Buffets, '90s Commercials, and the Pazuzu Pizza Hut Pizza All this--and a whole lot more--on this week's episode of NEON BRAINIACS! Check out our Patreon for tons of bonus content, exclusive goodies, and access to our Discord! "What an excellent day for an exorcism."  ----- Directed by William Friedkin Starring Ellen Burstyn, Jason Miller, Linda Blair, and Max Von Sydow

In this week's episode of the MK3D show Mark Kermode talks about the Oscar wins of 2024, before welcoming his guests, in this Ska Special First on stage was cinematographer Joe Dunton, who talks about shooting the film DANCE CRAZE, which has recently been remastered in 4K by the BFI. DANCE CRAZE showcases the very best of the British Ska phenomenon, with exclusive live performances from THE SPECIALS, MADNESS, THE SELECTER, THE BEAT, BAD MANNERS and THE BODYSNATCHERS – brought to the screen particularly vividly through Dunton's revolutionary camera work.Joining Mark and Joe on stage are musicians Jerry Dammers (The Specials) and Pauline Black (The Selecter), who talk about the ska movement of the 1980s, and how controversial it still was at that time for people of different colours to take to the stage together.This episode of Kermode On Film is the first half of the MK3D show recorded live at the BFI Southbank on 13 March 2023.Thank you for listening!———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.- Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.- Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.- The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.Cover photo by Julie Edwards.This episode was edited by Alex Archbold Jones.© HLA AgencyHosted on Acast. See acast.com/privacy for more information.#MarkKermode #MK3D #KermodeOnFilm #BFI #BFISouthbank #PaulineBlack #TheSelecter #JerryDammers #Ska #JoeDunton #Cinematographer #Madness #TheSpecials Films and TV series mentioned in this episode: Hosted on Acast. See acast.com/privacy for more information.

We've got Linda Blair! Pioneer Scream Queen, 70s and 80s Hollywood Trailblazer, Golden Globe Winner, cult classic icon, animal rights activist and humanitarian, Linda joins us for an exclusive conversation about her path to self discovery in a terrifying lane she navigated solo, carving her way towards light and purpose. Linda and Fritz share a history in philanthropy. They catch up on The Linda Blair Worldheart Foundation, dedicated to rehabilitating and rehoming abused, neglected and abandoned animals. We then trace Linda's groundbreaking history from her work as a child model to landing the controversial role of a child possessed by the devil in the film adaption of THE book of the decade, The Exorcist. Linda then faced the bumpy task of discovering self while convincing friends, fans and reporters that she was not actually demonic. She went on to define the message-driven TV movie genre in Sarah T. Portrait of a Teenage Alcoholic and  Born Innocent. But how could she say no to Exorcist II, co-starring Richard Burton?Raised in the Protestant faith, charity, benevolence and helping the voiceless were ingrained in Linda from childhood. For the past several decades she has been dedicated to animal welfare and she shares the most pressing concerns on that front: 1) Corporate owned veterinary clinics pricing pet owners out of spaying and neutering, 2) Mass euthanasia in dog shelters and 3) The outlawing and extermination of breeds deemed to be “dangerous.”We delve into Linda's experience on the set of The Exorcist where much of what was asked of her by director, William Friedkin was not healthy or appropriate for a child actor. She did share a close bond with writer, William Peter Blatty and she describes how Max Von Sydow would often hear the lines given to Linda, stop the scene, pull Billy Friedkin aside and say, “What are you doing!?” But Friedkin got what he wanted, a terrifyingly controversial film that stunned and horrified the world. A household name since the age of 14, Linda matured into a young actress with head turning, Rick themed romantic relationships, such as Rick Springfield and Rick James! Linda shares how her Pumpkin headed turn on The Masked Singer helped her solve a medical mystery. She describes her heroic rescue of 51 dogs after Hurricane Katrina and she takes on a challenging round of IMDB Roulette. Plus, Fritz and Weezy are recommending Bad Sisters on Apple TV + and the Telepathy Tapes podcast.Path Points of Interest:Linda BlairLinda Blair on WikipediaLinda Blair on InstagramLinda Blair on FacebookGoing Vegan by Linda BlairLinda Blair World Heart FoundationLinda Blair World Heart Foundation on FacebookLinda Blair World Heart Foundation on IGLinda Blair World Heart Foundation on YouTubeThe Telepathy TapesBad Sisters Trailer

In this week's episode of the MK3D show Mark Kermode talks to a director who is a legend in his own lifetime: Guillermo Del Toro, together with his co-director for the stop-motion animation musical about Pinocchio, Mark Gustafson. GUILLERMO DEL TORO'S PINOCCHIO released at the end of 2022 is based on Carlo Collodi's novel, The Adventures of Pinocchio, about the wooden puppet who comes to life as the son of his carver, Geppetto. Set in Fascist Italy, the characters are voiced by Gregory Mann as Pinocchio and David Bradley as Geppetto, alongside Ewan McGregor, Ron Perlman, John Turturro, Cate Blanchett, Tim Blake Nelson, Christopher Waltz and Tilda Swinton. Pinocchio was the final film credited to Gustafson before he passed away in 2024.This episode of Kermode On Film is the second half of the MK3D show recorded live at the BFI Southbank on 23 January 2023.Thank you for listening!———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.- Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.- Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.- The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.Cover photo by Julie Edwards.This episode was edited by Alex Archbold Jones.© HLA AgencyHosted on Acast. See acast.com/privacy for more information.#MarkKermode #MK3D #KermodeOnFilm #BFI #BFISouthbank #GuillermoDelToro #Mark Gustafson #AndreaRiseborough #ToLeslie #MaryNighy #AliceDarling #Lesley #Pinocchio Films and TV series mentioned in this episode: Hosted on Acast. See acast.com/privacy for more information.

Jim O'Heir| EP 334 In this engaging podcast episode, the host interviews Jim O'Heir, known for his role as Jerry on Parks and Recreation. Jim shares amusing behind-the-scenes stories from his acting career, including experiences from his first movie 'Ed,' working with Dick Van Dyke on 'Diagnosis Murder,' and his time on the highly acclaimed show 'Better Call Saul.' He also discusses the impact of Parks and Recreation on his career, his admiration for stand-up comedians, and some quirky fan interactions from Cameo. Whether you're a fan of his TV roles or interested in the journey of a seasoned actor, this episode is filled with humor, insights, and heartfelt moments. Jim's Socials IG; https://www.instagram.com/therealjimoheir/ X: https://twitter.com/JimOHeir FB: https://www.facebook.com/therealJimOHeir/   Chapters 00:00 Technical Difficulties and Podcast Preferences 00:49 Auditions: In-Person vs. Virtual 02:10 Stand-Up Comedy and Acting 03:30 Norm Macdonald Stories 07:45 Cancer and Personal Privacy 10:18 Crazy Audition Stories 18:34 Fast Food and Too Many Options 19:55 Cameo Requests and Dirty Jokes 24:26 First Movie Experience: Ed 31:52 Nostalgic Movie Critiques 32:27 Linda Blair's Dog Rescue 34:22 Diagnosis Murder Experience 36:14 Working with Dick Van Dyke 41:13 Challenges of Asperger's in Comedy 44:20 Better Call Saul and Cinnabon Scene 50:15 Breakthrough with Parks and Recreation 59:24 Appreciation for Adam Scott 01:01:47 Upcoming Projects and Farewell Socials & Links Support the show on https://patreon.com/rezarifts61  Follow Keith on all social media platforms! https://www.facebook.com/realkeithreza  https://www.instagram.com/keithreza  https://www.twitter.com/keithreza  https://www.tiktok.com/keithreza Book Keith on cameo at www.cameo.com/keithreza Check out my website for dates at https://www.keithreza.com/ Subscribe - Rate & Review on Apple Podcasts - Tell a friend :) Be a Rifter!   #jimoheir #parks&rec #bettercallsaul 

Send us a textA fever dream long form podcast that features Carlitos, a good friend with a brother rating of 10. When his family is affected by Indonesian Black Magic, he is trained by a mysterious shaman to repress his memories of previous Patreon Takeovers so he may once again team up with Trick or Treat Radio to save his family. On Episode 641 of Trick or Treat Radio we are joined by Carlitos for his Patreon Takeover! This time around Carlitos has chosen the films Boy Kills World and Mystics in Bali for us to discuss! We also talk about potato balls, bad sequels, action comedy films, and Asian cult cinema. So grab your disembodied head before all your internal organs fall out, figure out a fitting voice for your inner dialogue, and strap on for the world's most dangerous podcast!Stuff we talk about: The Devil's Bath, folk horror, theatrical releases, Moe's Toyroom, NECA, Jason, Michael Myers, Carlitos, Sinister Creature Con, Patreon Takeover, Nosferatu, Robert Eggers, Greg the Bunny, Count Blah, Longlegs, A Quiet Place: Day One, Demonwarp, Devil's Doorway, Gala or gayla?, Dress Barn, Potato Balls, Exorcist II: The Heretic, bad sequels, Batman and Robin, Linda Blair, The Exorcist: Believer, Mike Flanagan, nicotine patches on a platter, Matt McCoy, Christopher Lee, Peter Bonerz, Harlan Williams, Ron Perlman, Gregg Berger, Bright Lights, Big City, peterbonerz69, Sam Raimi, Boy Kills World, Bill Skarsgard, Sharlto Copley, Jessica Rothe, Cameron Crovetti, Yayan Ruhian, Peter Jackson, Oldboy, They Live, big action set pieces, The Matrix, Enter the Dragon, Jet Li, The Protector, Ong Bak, Tony Jaa, Karate Kill, Goodnight Mommy, Casper Van Dien, Cheez Wizard, the difficult balance between action and comedy, the importance of set pieces in action films, H. Jon Benjamin, Spine of Night, Patton Oswalt, Monkey Man, District 9, Free Fire, Payday 2, Brett Gelman, Isaiah Mustafa, Mystics in Bali, Indonesian Horror, Gilbert Gottfried, Timo Tjahjanto, Suburban Commando, Nobody, The Big Four, The Crow, Nosferatu, Lady Terminator, The Boxers Omen, Mondo Macabro, Cannibal Holocaust, Uwe Boll, a pig with breasts, Indonesian Casablanca, Creepshow, Drug Traffic, film oddity, The Substance, Demi Moore, Mubi, Coralie Fargeat, Revenge, Ivan from Kostroma, A-Lister, The Sugarcubes, Bjork, Borscht Buddies, Peter Stalin, Ivan Hanks, Rage Against the Vagine, Borscht Buddies, and a spoonful of sugar makes the black magic go down.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

“What an excellent day for an exorcism.” We watched the mother of all horror movies “The Exorcist” with our dear friend Espie Quintero and the power of Christ is compelling us to sleep with the lights on! This movie has a reputation for being one of the scariest horror films ever made and for good reason. We go into just how dang REAL it all comes across. Something about that ‘70s style of filmmaking - this thing feels like a documentary in parts. The realism also extends to the subject matter and everyone's personal thoughts on ghosts, demons, the afterlife and religion in general. I mean leave it to the Catholics to still have a protocol for exorcising demons in the 20th century (and beyond most likely). Linda Blair was only 13 when she was nominated for an Oscar for her work here, but it's really Ellen Burstyn that owns this movie. Chris MacNeill (Burstyn) is a mother at her wits end when no one will help her clearly possessed daughter.  Let's be real - a demon thrashing around a kid is scary but I defy you to stand in the way of a mother trying to protect her kid when no one else will.  On top of all that we also get Ellen in some fierce ‘70s fashions - oversized aviator sunglasses anyone? Thanks for listening and don't forget to subscribe, rate and review us on Apple Podcasts! www.patreon.com/moviesthatmadeusgay Facebook/Instagram: @moviesthatmadeusgay Twitter: @MTMUGPod Scott Youngbauer: Twitter @oscarscott / Instagram @scottyoungballer Peter Lozano: Twitter/Instagram @peterlasagna

Enjoy this bonus episode of additional content from our interview with Jeff and Steven McDonald of Redd Kross. They discuss orchestrating a future collaboration with Linda Blair, their Beatles desert island jukebox picks and their least favorite Beatles songs.---Become a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundopsJoin our Facebook Group: https://bit.ly/3sivr9TSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hello Horror Heads! It's our last week of school here at The Horror Show. It's an accelerated program. This week we do the Frat/Sorority prank movie Hell Night starring Linda Blair. Is it the first live action Scooby-Doo movie? Yes. We discuss Linda Blair's acting chops, Frank Darabont, and Kevin Costner? Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this ninth installment of fictional horror written and narrated by Dan Cummins, we pick up where episode eight left off for our first sequel. In this episode, Tom travels to Vermont in an attempt to locate and save his daughter Katie from the demon he helped bring into the world...This episode is scored by Logan Keith. We recommend listening with headphones to experience the full effect of all the creepy background noises!  If you like this episode, please let us know wherever you rate and review podcasts. For Merch and everything else Bad Magic related, head to: https://www.badmagicproductions.com