Podcasts about oiseaux temp

Dans cette émission, on vous emmène dans l'univers sonore dense, rêveur et profondément immersif de GRIVE. Né de la rencontre entre Agnès Gayraud et Paul Régimbeau, le projet réunit deux figures singulières de la scène française. Connus respectivement pour La Féline et Mondkopf, mais aussi pour leurs collaborations avec Oiseaux-Tempête, ils croisent ici leurs univers pour façonner une musique à la croisée du shoegaze et du post-rock des années 90. Avec leur premier album Tales of Uncertainty, GRIVE déploie des compositions denses et minutieuses, où se mêlent tension électrique et envolées mélodiques. Une musique à la fois puissante et contemplative, qui prend toute son ampleur sur scène : en formation quatuor, le groupe propose une expérience immersive, presque physique, où les textures sonores se déploient et enveloppent littéralement le public. Nous sommes allés à leur rencontre le jeudi 2 avril 2026 au Club Onyx pour une interview, afin de plonger dans leur univers, leur processus de création et l'identité singulière de ce projet. Un nom inspiré d'un oiseau migrateur, libre et imprévisible… à l'image de leur musique. Hotel Room Wait & See Burger Shack How Many Years Darkest Woman On Earth Go Up The River The Loop Merci à eux et à Onyx pour leur accueil.

Songforms of conventional and highly unconventional sorts tonight, taking in folk traditions from around the world, jazz, the outer limits of metal and more, plus strange twistings of clubforms, impressionist composition of the early 20th century, field recordings and more… LISTEN AGAIN, unconventionally. Stream on demand from fbi.radio, podcast right here. Wendy Eisenberg – Take A Number [Joyful Noise/Bandcamp] Wendy Eisenberg – Curious Bird [Joyful Noise/Bandcamp] We’ve heard from brilliant guitarist, sometime banjoist, songwriter, improviser & composer Wendy Eisenberg in many contexts in the last couple of years: there’s the amazing postpunk/art-rock trio Editrix, Bill Orcutt’s Guitar Quartet, their avant-garde songwriting collaboration with Caroline Davis, and most recently their appearance on their now-partner Mari More Eaze Rubio’s brilliant solo album sentence structure in the country. But the highlight for me remains Eisenberg’s breathtaking final track, “In The Pines”, from their 2024 album Viewfinder. So for all their jazz guitar chops and restless experimentation, I’m already primed to love Eisenberg’s most pure songwriting on this album. There’s definitely a statement in self-titling a mid-career album, and Wendy Eisenberg presents as a straightforward album of songwriterly storytelling, deeply grounded in their newfound love with Mari Rubio. There’s definitely more than a little country in these songs, as well as folk-revivalist styles from Britain, Appalachia etc, but whatever genre, Wendy’s particular melodic sensibility comes through. Supporting this, however, are the utterly essential, sumptuous string arrangements from Mari Rubio, who also co-produced the album with Eisenberg and added pedal steel and synths. With longtime bandmates Trevor Dunn on bass (known for Mr Bungle, Secret Chiefs 3, many John Zorn-related lineups etc) and Ryan Sawyer on drums (of too many collaborations including a time in At The Drive-In and long-ago UFog faves Stars Like Fleas), there’s a homely feel to these songs, songs which contemplate identity, life’s trajectory, past trauma and coming into a hard-won happiness. Margareth Kammerer – Gift [Ftarri/Bandcamp] Margareth Kammerer – Amor [Ftarri/Bandcamp] Weirdly, when I did my DJ set for Art After Hours/Liquid Architecture/Sydney Biennale in March (stream it here) I decided to play a track by Berlin-based Italian singer & composer Margareth Kammerer, and only a day or two later I discovered that she’d just released a new album, The Garden. I’ve been a fan of hers since, I would say, the mid 2000s, when she released the extraordinary album To Be an Animal of Real Flesh, full of odd, experimental songs. Following a few years later came two wonderful, mysterious albums with The Magic I.D., a quartet with Christof Kurzmann on electronics and vocals next to her own guitar & vocals, and the two clarinettists, Kai Fagaschinski & Michael Thieke, who also play bewitching, alien music as The International Nothing. So it’s reasonable to say she’s been deconstructing and re-examining songform for some decades by now. Released by Japanese label Ftarri (also a tiny experimental music venue & store in Tokyo), The Garden is of a piece with her earlier albums – the last of which came out a mere 12 years ago… Her oddly beautiful songs are supported by many important fellow travellers including our own Chris Abrahams of The Necks etc, double-bassist/electronicist Werner Dafeldecker, experimental musician Valerio Tricoli and experimental cellist Bo Wiget. I remain in awe. Espen Reinertsen – Til noens dype muskelvev [SusannaSonata/Bandcamp] Espen Reinertsen – Skal jeg følge deg til havet [SusannaSonata/Bandcamp] What astonishing beauty to stumble upon without warning! Espen Reinertsen is a name I’ve known for a while, as his saxophone and woodwinds – or his mixing skills – are credited on many a Norwegian release, including those from Trondheim Jazz Orchestra, Erik Honoré, Kim Myhr, Jenny Hval and Christian Wallumrød Ensemble. But these are his own songs, with sparse live drums and drum machines, sparse keyboards and gorgeous woodwind & trumpet arrangements which frequently shift into unexpected voicings and harmonies. You’ll hear a lot of Radiohead here – albeit more jazz-informed – but it’s also one of those rare cases when the post-rock-as-in-Talk-Talk tag is completely justified. Reinertsen’s melodies are simple until they spin off into some harmonically distant galaxy, and his layers of woodwinds are delicately emotive, merging invisibly with synthesizers just as Erik Nylander’s acoustic drums somehow have the precision of drum machines and also the sparkle of jazz drums. What a blessing. Marianna Sangita Angeletaki Røe & Trondheim Jazz Orchestra – Kori [Puritone/Bandcamp] So, Trondheim Jazz Orchestra are a collective with a varying lineup of Norwegian improvising musicians, who enlist different musicians to collaborate with them, with reliably extraordinary results. On this album, they work with Greek-Norwegian singer & composer Marianna Sangita Angeletaki Røe, who has titled the album ΣΠΙΤΙ (SPITI), which is Greek for “Home”. Marianna Sangita explores her own search for belonging, caught between two very different places, and she sings in four different languages: Norwegian, Greek, English, and Sámi, the latter being a people indigenous to the Sápmi region across northern parts of Norway, Sweden, Finland and part of Russia. The music, too, draws from many different traditions, with Greece’s proximity to the area Europeans call the “Middle East” evident in its traditional musical forms, and the combined vocals of Sangita, Ina Sagstuen and Sissel Vera Pettersen (and other musicians at times) evoking Eastern European musics as much as Nordic. The musicianship is uniformly brilliant, the songs sparkling, moving, joyful. Highly recommended. Mayssa Jallad – Taamir (Bahriyyeh) [Ruptured Records/Bandcamp] A few years back, Beirut label Ruptured put out an amazing album by Lebanese singer/songwriter and researcher Mayssa Jallad called Marjaa: The Battle of the Hotels. In touching experimental songs, Jallad chronicled the beginning of the Lebanese Civil War in 1975, in which Christian Nationalists and pro-Palestinian leftists fought a violent battle amongst the high-rise hotels in Beirut, leading to the Green Line dividing the city, a rift that lasted for 15 years. Since then the album has been remixed in spectral dub fashion by Civilistjävel!, and in 2024 Mayssa created a stunning piece about a Palestinian woman displaced from her village in the Nakba. That single was created out of an instrumental track by Tunefork Studios & Ruptured Records’ Fadi Tabbal, and her new song “Taamir (Bahriyyeh)” is a musical collaboration with Tabbal, featuring drums from Postcards & SANAM‘s Pascal Semerdjian. Jallad is an urban researcher as well as a musician, and urban history is the basis of all these works. This song is about the Taamir social housing project, built in the wake of a destructive earthquake in 1956. By the time the project started, the Ain el Helwe refugee camp had already existed for 8 years, and the juxtaposition of Palestinian refugees, unfortunates who lost their homes in the earthquake, and those more fortunate, is explored by Jallad in this moving, experimental piece, with rumbling, clattering drones and field recordings surrounding Jallad’s voice. Radwan Ghazi Moumneh & Frédéric D. Oberland – Squeal Of Swine خنخنة خنازير [Constellation/Bandcamp] Montreal’s storied Constellation label here brings together a Canadian and French artist for their first duo work. Radwan Ghazi Moumneh has been deeply involved in the Montreal postrock & experimental music in Quebec for over 2 decades, and he’s the co-owner of the mighty Hotel2Tango, originally a performance & artists’ space co-run by members of Godspeed You! Black Emperor and A Silver Mt. Zion, but his main musical outlet has been Jerusalem In My Heart, begun as an audiovisual project with Erin Weisgerber, with Moumneh’s stunning melismatic vocals fed through granular processing to create a contemporary Arabic music ahead of its time in the mid-2010s. Frédéric D. Oberland is a key figure in Paris’s psych & avant-rock scenes, although he also began making films on Super8 & video. Among many bands & collaborations, he leads the incredible Oiseaux-Tempête, a collective whose music draws on psych, krautrock, postpunk and electronic music, with many collaborators and a deep connection to SWANA artists. Moumneh & Oberland had worked together via Oiseaux-Tempête and other projects, but had long intended to collaborate as a duo. Some works were started at Hotel2Tango in 2023, but as Moumneh puts it, since the genocide began he’d experienced sever writer’s block, so he took himself off to Paris in 2024 to complete the work. Four of the seven tracks do feature Moumneh’s voice, but here it’s Oberland taking more of a driver’s seat. Nevertheless, as well as Moumneh’s pain-filled voice Moumneh plays both buzuk and rababa, and there’s daf in the mix along with lots of electronic drones, drum machines and Oberland’s sax and clarineau. This is immersive music of great emotion. Maryam Saleh – Nedaa نداء [Simsara Records/Bandcamp] I first heard Egyptian singer Maryam Saleh as part of the magnificent trio release Lekhfa back in 2017. There, Saleh’s voice combined with the voice and instruments of Palestinian-Egyptian musician Tamer Abu Ghazaleh and the production wizardry and music of Maurice Louca – a masterpiece of Arabic indie music. As far as I can see, her new album, coming some 9 years later, is her first since that collaboration. Produced by Maurice Louca, it also features multiple instruments and creative mentoring from Paris-based Palestinian musician Kamilya Jubran, who founded the organisation Zamkara in Paris to support artistic projects. After three years of development, the result is Syrr سِرّ, the Arabic word for secret, which also happens to be the name Saleh gave her daughter. The album is imprinted by heavy events in Saleh’s life, particularly post-natal depression and divorce. Released by Sarah El Miniawy‘s Simsara Records, this is a creative take on Arabic music, leaning into trip-hop at times, into acoustic instrumentation at other times, carried by Saleh’s beautifully expressive voice and the confident hands of Jubran and Louca, and the impeccable musicianship of the other instrumentalists who join them. But one of the highlights is “Nafas نفَس”, in which Saleh is accompanied solely by Jubran’s oud and exquisitely-harmonised vocal shadows from the two of them. All in all, not to be missed! Taroug – Sirocco [Denovali/Bandcamp] On his second album with Denovali Records, Chott, Düsseldorf-based Tunisian musician Taroug (aka Tarek Zarroug) presents a highly varied mixture of styles. When Zarroug wants to make beat-based bass music, he hits all the right production notes with a healthy dose of north African percussion, while elsewhere there’s dreamy postrock with vocals by the artist himself. Honestly it’s uncanny how the album flits between genres, displaying Zarroug’s ancestry here, slipping into UK bass there or indie guitar music elsewhere. A really impressive album. Wraz. – Twist [Deep Dark & Dangerous/Bandcamp] Rites, the second full album from Montreal dubstep master Wraz., is released through Deep Dark & Dangerous, the label run by New Zealand’s longstanding dubstep duo Truth. As usual, heavyweight dubstep gear, sci-fi aesthetics, surprising melodies… Battery Operated – Stutter [YUKU/Bandcamp] Battery Operated – Casting Shadows [YUKU/Bandcamp] It should be obvious by now that YUKU delivers the goods, but here they are again with something insanely great. The artist behind Battery Operated is also known as PS95, an outlet for mangled jungle breaks that draws our attention to the fact that the Playstation was launched in 1995, the heyday of jungle. On the other hand, Battery Operated has thus far been an alias for deliciously lo-fi tape loops – see their Instagram for videos of their beautifully-modded cassettes & players. But the debut Battery Operated album for YUKU, TYPE I, combines these two strands in stunning fashion. From what I can tell, PS95 & the recording artist Battery Operated are the same person, but the tape loop “art” projects are done with his brother. So this ain’t dance music, not primarily, but nor is it dreamy loop-jelly. Breaks surface from tape hiss, tape loop experiments are layered & sequenced into melodies and sonic narratives, often sounding like a half-analogue/half-digital current-day version of IDM. Wonderful. Thugwidow – IT DIDN’T NEED EXPLAINING [Thugwidow Bandcamp] Thugwidow – pristine heart [Thugwidow Bandcamp] Jungle may be having a renaissance right now, with no end in sight, but Welsh producer Alex Lowther-Harris was on the jungle train way before most. The first Thugwidow releases were around 2017, and for a few years he was fiercly prolific, released mostly on cassette and digital, with a couple of CDs and some vinyl further down the track. His lo-fi early work gave way to slicker production chops as time went on, and the creative firehose slowed by around 2021-22. So it was a joyful shock to see something new appear on his bandcamp, only… it’s a swan song? Yes, SWUN SUNGZ does do what its title suggests, but it also shows that this prolific artist had more up his sleeve – it’s just that the pleasure had drained from it, he was feeling stuck… So here’s *ahem* 121 tracks, going for almost 11½ hours, and there’s a lot of quality material here, including a bunch of collaborations, and productions ranging from hardcore jungle-techno to advanced rhythm science. It’s a helluva way to go out! Note also that not only is all the money likely going to the British bird & wildlife charity RSPB, but he says most of his earnings from the project were always given away to charity. CRZKNY – 009 [Virgin Babylon Records] Japanese experimental electronic producer CRZKNY (which I’ve just learned stands for “CRAZY KENNY”) has brushed shoulders with experimental genre-mashing legend (and seminal UFog artist) World’s End Girlfriend before, on WEG productions and on his label Virgin Babylon, but this is a bit of a special release – a bit like Thugwidow’s above, this is a massive collection of unreleased tunes, here all just numbered as they’re pieces that CRZKNY has played at the Nagoya club GOODWEATHER. CZRKNY put this collection together to help support the club’s founder Eri Ishii after she suffered both an aortic dissection and a cerebral thrombosis, leaving her in a coma for some weeks. She is now on a long road of rehabilitation, and CRZKNY wants to give back to a person who built this perfect live space for his music. Lots of great techno, including glitchy shit and tasty breakbeats, for a good cause. deafkids – CICATRIZES [Neurot Recordings/Bandcamp] Brazilian band deafkids may nominally be classed as “punk”, but hardcore punk mixes with industrial and noise in their sound, along with electronic music of all shapes. They released the incredible uncategorizable Metaprogramação on Neurosis‘ Neurot Recordings in 2019, and then when the pandemic hit, they put out a series of EPs that mixed Latin rhythmic complexity with guitar pedal and software experimentation, collected now on the album Ritos do Colapso. Except before that in 2020 came their collaboration DEAFBRICK with cross-continental noise-metal-industrial-electronic duo PETBRICK. So with various collabs and oddities in the interim, their forthcoming CICATRIZES DO FUTURO (Scars of the Future) is their first album proper since Metaprogramação. It looks to be more electronic, more intense, more angry than ever, a visceral reaction to the state of the world. Highly rhythmic and danceable, it shifts between hardcore punk, industrial, Latin American and club sounds with abandon. I can’t wait to hear the whole thing. Lint – Balsam of Peru [Lint Bandcamp] OK so, you know, like Scattered Order? A band who I have referred to in the past as “Sydney postpunk/post-industrial/experimental electronic legends”. Mitch Jones is a founding member of said legendary band, active since the early ’80s or possibly slightly earlier, post-etc as described above. Drusilla Johnson aka Dru Jones has been a member of said legendary band at times, and has contributed some brilliant artwork in various phases of their existence. She’s also Mitch’s wife, and they live now in Mt Victoria, in the Blue Mountains on Dharug and Gundungurra country, and at times they release music together as Lint. It’s instinctual, artistic, splashes of colour washed over detailed line drawings… It’s the sound of Air in the taps, but it’s also the sound of over four decades building and trashing and rebuilding a musical language, and you can hear it in every dialogue sample and every wonky beat and the occasional guitar noise solo. It’s so lovely to have a seemingly endless font of new music from these folks in many changing combinations. Roman Rofalski – Ondine (radio edit 1) [Puddle Label/Bandcamp] Last time we heard from German pianist Roman Rofalski – only a few weeks ago – he was deconstructing his piano… again, following his wonderful Fractal from 2024, which shredded piano and prepared piano into constellations of granular sound and rhythm. Ravel Reimagined does just what it tells you – but to be clear, Rofalski does it really well. Over four tracks, Rofalski excerpts four celebrated piano works by the beloved impressionist composer and deconstructs them – and it’s notable that these are live performances, with Rofalski playing grand piano and simultaneously sampling himself, then reworking phrases into loops & glitchy constructions, overlaying them with synths and even beats at times. Maurice Ravel was famously prickly, was not fond of the borrowed artistic term of “impressionism” being used for his music (nor was his elder, Debussy), and was underappreciated in his time. He’s also one of my favourite composers, who I believe advanced composition in directions hitherto unimagined. Rofalski’s extrapolations push Ravel far beyond his imaginings, and it’s quite likely he would be horrified to hear what’s been done to his pieces – but now we’re imagining a composer unmoored by over a century from his origins; these prickly pieces require decades of context to situate them here and now. The virtuosic pianism outlining harmonies full of augmented and diminished intervals, whole-tone scales, melodies woven through corruscating hemidemisemiquavers (hear the original here) are thrown immediately into digital reverberation and gradual distortion until they’re glitched and chopped, then crash into long-ringing tones, a fragmented sample bleating around Ravel’s melody as the piece comes to a close. Bravo. OD – Arrival [Driftworks/Bandcamp] Alex O’Donovan is a recording & mixing engineer, but as OD he makes his own music. On Svalr, O’Donovan documents time spent in Svalbard, an island archipelago in the Arctic which is also home to Norway’s Global Seed Vault (the subject of another beautiful sound work by Ecker & Meulyzer). This album is part of a new project called SITE, co-curated by Audiobulb and Driftworks. O’Donovan took extensive field recordings of the diversity of natural sounds (including glaciers!) as well as the built environment, and found commonalities in all these sounds that formed the basis of his compositions. Remote as it is, Svalbard is inevitably encroached upon by anthrogenic climate change, and as the EP goes on, the sounds of water & ice & animals are swept up in almost industrial impulses, and glitched beat constructions. OD’s Svalr makes compelling music around its highly engaging field recordings. Sandscape – half closed eyes [Octopoda Records/Bored of Works/Bandcamp] Sudanese-Scottish “ethereal grunger” Eliza Shaddad and screen composer Daniel Sonabend team up as Sandscape on the forthcoming album Phenomenology, and first single “half closed eyes” is like hearing a dusty 7″ record playing in a different room of your house – a beguiling piece of ambient-dub-jazz with both artists’ vocals, soft but saturated piano, and muffled drumming from Liam Hutton. Unexpected harmonisations flow over the looping music, but not long after it fades away like a dream – “half closed eyes” indeed. The album promises noise-laden trip-hop, muffled jazz and an exploration of the mixed Arab/British/Jewish heritage between the members… Keen to hear more. Stine Janvin / Morten Joh – Leaving home – O Verden, Hav Da Gode Nat! (feat. Lucy Railton) [Futura Resistenza/Bandcamp] Stine Janvin / Morten Joh – Before the burial site – Jeg Raader Eder Alle [Futura Resistenza/Bandcamp] Returning now to Norway, we finish with beautiful strangeness from Norwegians Stine Janvin and Morten Joh, adapting funeral procession music (“Liksongen” = corpse songs) from Ryfylke, Norway. Janvin’s voice forms the basis of these works, but the ceremonial music is rendered alien through extensive electronic processing and additional electronics, and occasional vibraphone from Joh. Two guests, both with innovative approaches to their instruments, contribute further: Berlin-based Australian guitarist Jules Reidy and British cellist Lucy Railton. But one of the most magical moments must be when Janvin’s voice is shadowed by its electronic twin in warbling harmony. On the second last track, the alien elements mostly give way to the acoustic sounds of voice and vibraphone, although the album concludes with stentorian synths playing J.S. Bach. Not for the faint of heart, but rewarding listening. Listen again — ~208MB

1. Laura Cannell - Apples Have Fallen 2. Paulo Raposo - The Barberians Are Coming 3. Cheryl E. Leonard - Meltwater 4. Zimoun - ModularGuitarFields III/IV/V 5. Diplodocus - Grazing Antarctopelta 6. Eleni Karaindrou, Kim_Kashkashian  - Litany - Var.1 (Ulysses Gaze) 7. Raphael Roginski - Dobroczynne Niguny czesc 3, 2nd track (Kӣr edit) 8. Hala Strana - Doves Fielding Coal 9. Annelies Monseré - Simple Fractures (Original) 10. Oren Ambarchi - Quixotism Part 1&2 11. Došljaci - Teret (TV Beograd, 1974., Goran Paskaljević) 12. Oiseaux-Tempête - Une étrange forêt II 13. SANAM - Rings رينغز 14. Choeur du monastère Sainte Élisabeth de Minsk - Les Maintenant 15. VÍZ - Unreleased 16. Roberto Musci - The principle of things 17. TeTe Noise - Invisible Monsters 18. Alexandre Centeio - Lingua Franca 19. Gryphon Rue - Split-Level Mirage 20. Çaykh - Moùmbai 21. Optiki Mousiki - Untitled 1

Hell Bent For Metal host Tom has been back to Roadburn to host another panel about queerness in heavy music, and reports back on how the festival's efforts to make themselves a welcoming, inclusive place have clearly, visibly paid off.The show's been on hiatus due to a bereavement, with Roadburn being the one bright light in the dark. And while the panel (which featured Body Void, Pupil Slicer, Backxwash, and OvO) was a great moment for queerness in heavy music – and Tom personally – it wasn't the only reason that was the case, as the hosts discuss.There's also a rundown of the musical side of a unique festival, including unexpected joy found in Sangre de Muérdago and Oiseaux-Tempête (spelling FAO Matt), and the more expected highlights of the four days in Tilburg.Plus this episode's visit to the Hate Crew Gaybar sees Heimdal by Enslaved and Deathless by Hellish Form added to the jukebox.

Mathilde Girard est l'autrice de La séparation du monde et écrit In Extremis. Frédéric D. Oberland officie dans Oiseaux-Tempête, FOUDRE !, Le Réveil des Tropiques et NAHAL Recordings. Ils devaient se rencontrer, c'était un lundisoir.

Light Conductor "Splitting Light" - Sequence TwoSofa "Current" - Source CrossfireJerusalem In My Heart "Qalaq 5 (w/Oiseaux-Tempête)" - QalaqJason Sharp "Blossoming Rest" - The Turning Centre Of A Still WorldJonnine "I Chase You Like Light on a Sundial" - Blue HillsNite Jewel "Show Me What You're Made Of" - No SunNative Soul "Way To Cairo" - Teenage Dreamsaya "Emley lights us moor (feat Iceboy Violet)" - im holeJessy Lanza "Lick In Heaven (Proc Fiskal Whittaedae Remix)" - 24​/​7Proc Fiskal "Leith Tornn Carnal" - Siren Spine SysexSignificant Other "The Future Doesn't Exist" - Residuum

Big thank you to Isaac Helsen, 1/2 of the ambient label Past Inside the Present, for providing this week's guest mix. Check out his release Remnants Series I - VIII on the PITP label here: https://pitp.bandcamp.com/album/remnants-series-vol-i-viiihttps://pitp.bandcamp.com [0:00] Oiseaux-Tempête — Notes From The Mediterranean Sea[3:56] Idlefon — Pickers Of Empty Cocoons (with Nima Pourkarimi)[7:16] Cyberian — Sanctuary of Pain[14:14] Christina Giannone — Renunciation[21:20] KMRU — Why Are You Here[30:08] Forest Management — Blue Leaves[34:04] Siavash Amini — Moonless Garden[42:16] NUM — Isolated Room[48:12] Jayve Montgomery — Here Is Where We Now[52:30] Clarice Jensen — Day Tonight[59:22] Cat Tyson Hughes — A Lovely Walk[1:02:14] Saltbreaker — Extraction 1[1:04:04] NUM — Blue

La Crise de la Quarantaine, c'est une playlist post apocalyptique commentée par un hyperactif angoissé en période de confinement.  Le premier épisode s'intéresse à la fin des temps. On y parle de films de confinement (Only Lovers Left Alive, Last Days), de rage sourde, de musique lancinante, de l'influence du Velvet Underground, de post-rock et de la bande-son idéale pour accompagner la chute de la civilisation. Le prochain épisode parlera de confinement. Le troisième abordera la folie. Musique pour la fin des temps Mansfield.tya - La Fin des Temps - Corpo Inferno - 2015 SQÜRL - Funnel of Love - Only Lovers Left Alive - 2013 The Velvet Underground - Venus In Furs - The Velvet Underground & Nico - 1967 Danny Brown - Pneumonia - Atrocity Exhibition - 2016 Tom Waits - Misery is The River of the World - Blood Money - 2002 Oiseaux-Tempête - He is Afraid and So Am I - From Somewhere Invisible - 2019 Oxbow - The Geometry Of Business - The Narcotic Story - 2007 Death in Vegas - Dirge - The Contino Sessions - 1999 Julien Baker - Claws in Your Back  - Turn Out The Lights - 2017 La Crise de la Quarantaine est une émission spéciale de Radio Campus Paris créée par Thomas Guillot, qui reviendra chaque semaine tant qu'on ne le laissera pas sortir. Restez chez vous et écoutez le podcast qui squatte le profil de Mappemonde sur toutes les bonnes applis.

Resterampe und die Beschaffungskriminalität Unsere Sendung auf Radio Corax (Halle) in der Berliner Nacht und als Ersatzsendung auf Pi Radio (Berlin Ost). Die Reste von Rapidshare, Soundcloud, Bandcamp und Darknet. Nicht gern gesehen, kann man aber so machen. == Januar 2020 1. DJ Nigga Fox — Quebas (Cartas na manga — Oktober 2019 — Mute) 2. Psychedelanaut — Jörmungandr (Frost Of The Echotone — 2012 — Normal Guy Productions) 3. Peel Dream Magazine ‎— Disassociation Effect (Up and Up — November 2019 — Wewantsounds) 4. Deichkind ‎— Richtig Gutes Zeug (Wer Sagt Denn Das? — 27. September 2019 — Sultan Günther Music) 5. Station 17 — Bademeister (Best of Bureau B 2019 — Dezember 2019 — Bureau B) 6. King Fu — Bad (Ghost Police — November 2019 — Selfrelease) 7. Low Perfection — Love Like This (Love Like This — Oktober 2019 — Selfrelease) 8. AJJ — Normalization Blues (Good Luck, Everybody — 2010 — Specialist Subject Records) 9. Bonnie "Prince" Billy — Building A Fire (I Made A Place — November 2019 — Drag City/Palace Records/Domino) 10. Mukhtar — Bloodhound (Kreepsy Origins — 6. Januar 2020 — Black Phillip) 11. Parxon — Magma (Kreepsy Origins — 6. Januar 2020 — Black Phillip) 12. Ting — Armadillo riddim (Ting: Released — November 2019 — 747588 Records DK2) 13. Pop. 1280 — Boom Operator (Way Station — Dezember 2019 — Weyrd Son Records) 14. Prefuse 73 — Creating Cyclical Headaches: With Four Tet: Keiran Hebden (Security Screenings — 2006 — Warp Records) 15. Lil Darkie — Composition Iii In Red, White, And Black (This Does Not Exist — 2. Januar 2020 — Lil Darkie) 16. Oiseaux-Tempête — Weird Dancing in All-Night I (From Somewhere Invisible — Oktober 2019 — Sub Rosa) 17. Oiseaux-Tempête — Weird Dancing in All-Night II (From Somewhere Invisible — Oktober 2019 — Sub Rosa) 18. Notorische Reflexe — The Wisp (Best of Bureau B 2019 — Dezember 2019 — Bureau B) 19. Anabel Lee — La Mejor Canción Del Año (La Mejor Canción Del Año — 5. Januar 2020 — Selfrelease) 20. Bakaka Band — Geesiyada Halgamayow: Brave Fighters (Mogadisco: Dancing Mogadishu: Somalia 1972-1991 — November 2019 — Analog Africa) 21. Fadumo Qassim & Shareero Band — Waakaa Helaa: I like you (Mogadisco: Dancing Mogadishu: Somalia 1972-1991 — November 2019 — Analog Africa) 22. Los Siquicos Litoraleños — Para Ser Un Gran Hombre (El Relincho Del Tempo: Medianos Éxitos Subtropicales Vol. 2 — Oktober 2019 — Hive Mind Records) 23. Mira Calix — Sparrow (One On One — 2000 — Warp Records) 24. Paula Temple — Futures Betrayed (Edge of Everything — Mai 2019 — Noise Manifesto) 25. Seefeel — When Face Was Face (Succour – 1995 – Warp Records) 26. The World — You're Goin' Down (The World - Reddish — März 2019 — Microminiature) 27. Daniel Downing — Boy, I'm Just A Loser For Your Love: Good Morning Cover (Boy, I'm Just A Loser For Your Love – September 2019 – Selfrelease) 28. Cindy Lee — Speaking From Above (What's Tonight To Eternity — 14. Februar 2020 — W.25TH) 29. Smersh — The Girl In Gold Boots (Summer Dance Party – 1986 – Atlas King) 30. Sote — Atomic Hypocrisy (Parallel Persia — April 2019 — Diagonal) 31. Aphex Twin ‎— Soundlab20 (London 14.09.2019 — September 2019 — Warp Records) 32. Heterofobia — El Infierno (Queremos Ver El Mundo Arder — Mai 2019 — Drunken Sailor Records) 33. Helge Schneider & Pete York — As Time Goes By (Heart Attack No.1 — Ferbruar 2017 — Polydor) == Informationen * Februarsendung auf Pi Radio: 14. Februar 2020 um 1:00 Uhr * Februarsendung auf Radio Corax: 21. Februar 2020 um 2:00 Uhr * http://subtracks.funkwelle.org/ == Subtracks Neuste Errungenschafften und ungespielte Neuveröffentlichungen. Das was von einer Hitparade übrigbleibt, trocken wiederverwendet, um die Datenhalden abzubauen. * https://subtracks.funkwelle.org

Die Brainwashed - Radio Edition ist eine einstündige Show mit Musik von den Künstlern und Labels auf Brainwashed.com. 1. Nathan Amundson, "More Horses" (Western Songs) 2015 Silentes 2. Ars Phoenix, "Desiccation" (Shinju) 2015 Dead Tank/Popnihil 3. Asmus Tietchens, "Ornament 3" (Ornamente (zwischen Null und Eins)) 2015 Line 4. Oiseaux-Tempête, "Aslan Sütü (Santé, Vieux Monde!)" (Ütopiya?) 2015 Sub Rosa 5. Biosphere, "Space Is Fizzy" (Stator) 2015 Touch 6. HTRK, "Fascinator" (Marry Me Tonight) 2008 Ghostly International 7. Apparat, "Bugs and Fixes" (Multifunktionsebene, Tttrial and Eror, Duplex) 2015 Shitkatapult 8. Heather Leigh, "The Return" (I Abused Animal) 2015 Editions Mego 9. Loren Connors, "Blues No. 1" (Blues: The "Dark Paintings" of Mark Rothko) 2015 Family Vineyard 10. Rangda, "To Melt The Moon" (The Heretic's Bargain) 2016 Drag City == Brainwashed - Radio Edition Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening. * http://brainwashed.com

Most of us get stressed out this time of year, right? RIGHT?? Expansions’ own DJ Brit is here to help you chill the bleep out. A very nice hour of ambient and experimental music for you to get a hot stone massage to. 1. Black Lodge Singers - On the Move 2. Susumu Yokota - The Future of Ecstasy 3. Floating Spectrum - Eruption 4. Christopher Tignor - Your Slow Moving Shadow, My Inevitable Night 5. Pita - Two Top Five 6. Starkey - Simple Hive 7. Sleepertrain - Disappear 8. Land of Light - Between Two Grains of Water 9. Ocean Moon - Cloud Garden 10. Papivores - Heard by Stones 11. Young Spirit - Beautiful Dancing 12. Olan Mill - The Point, The Circle, and The Sphere 13. Steve Hauschildt - Subtractive Skies 14. Emptyset - Blade 15. Violet - Bed of Roses 16. Northern Cree - Jealous Fool 17. Oiseaux-Tempête - Out of Sight

Манифест. Adventures in Utopia City - не миксы, это музыкальные полотна. Музыкальные полотна, сотканные не из стилей, направлений или жанров, но из настроений и атмосферы. Созданы не для фона будней, они для погружения в воображение. Слушатель может создавать свой собственный образ мира Утопии и путешествовать внутри него. Adventures in Utopia City - почти произведение искусства. Оно не для всех. Но для каждого. Manifesto. Adventures in Utopia City - not mixes, these are musical canvases. Music canvases woven not from styles, trends or genres, but from moods and atmosphere. They are not created for the background of everyday life, they are for immersing oneself in the imagination. The listener can create his own image of the city of Utopia and travel inside it. Adventures in Utopia City - almost a piece of art. It is not for all. But for everyone. youneverknow - House Where It Never Happend Anything Good Tracklist / Треклист 01. Memotone - Across the Divide 02. Nicolas Jaar - Killing Time 03. The Kilimanjaro Darkjazz Ensemble - Sirocco 04. Oval and Andres Gualdron feat Dandara - Stealth 05. Kelsey Lu - Morning After Coffee 06. Alt-J - 3WW 07. Ot to, Not to - Addiction and Indulgence 08. Audiophysical - Sleight Of Hand 09. Chrysta Bell - Swing with Me 10. Jacaszek - Daffodils 11. Meeting by Chance - Inside Out 12. The Tiger Lillies - Cold Night in Soho 13. Sleepy Sun - Sleepy Son 14. Manet - Zygomatic Bones for Days 15. Fink - Cold Feet 16. Oiseaux-Tempête - Feu Aux Frontieres 17. Daniel Pemberton - The Vikings & The Barons 18. Solar Bears - Persona 19. Smagghe & Cross - Somebody To Love 20. Hauschka - Knowledge Is Passed On 21. Calibre - Strange Are The Days 22. Nicolas Jaar - The Three Sides Of Audrey And Why She's All Alone Now 23. Lumisokea - Prowl 24. Jefest - Amnesia 320 - https://yadi.sk/d/ioj0wwiH3aaHmQ

00. Cul de Sac - China Gate 01. Giraffes? Giraffes! - Heretical Doses 02. Saloli - Umbrellas 03. The Necks - Body (edit) 04. Jóhann Jóhannsson - Dive-Bomb Blues 05. Building Instrument - Vil Du Dit Nok 06. Carla dal Forno - Blue Morning 07. Giulio Aldinucci - Aphasic Semiotics 08. Black Moth Super Rainbow - Backwash 09. Randall Dunn - Mexico City 10. Heroin In Tahiti - Ad Duas Lauros 11. Puce Mary - Red Desert 12. Zohastre - Strange Starry Night 13. Splashgirl - Carrier 14. Oiseaux-Tempête & The Bunny Tylers - The Closing Party on The Eve of Disaster 15. Hawthonn - Eden 16. Efrim Manuel Menuck - LxOxVx / Shelter in Place 17. Bonnacons of Doom - Solus 18. Heather Leigh - Soft Seasons

طرب TARAB, le nouvel album du collectif free rock Oiseaux-Tempête a été enregistré en live lors de la tournée de leur dernier album studio Al-'An! Frédéric D. Oberland et Stephane Pigneul, les membres fondateurs du groupe m’ont reçu au studio Mer Noir en compagnie de Romain Poirier & Jean-Charles Bastion qui ont mixé l’album. Ils racontent l’histoire de TUESDAY, AND THE WEATHER IS CLEAR, titre inédit sur lequel apparaissent notamment Mondkopf et l’ancien chanteur de The EX, G.W. Soks. Écouter la playlist associée à l'épisode : https://open.spotify.com/user/6zmdq0q27huidgu5w785030jy/playlist/7DiuLUhlh8Vg8xNTw5XqBa?si=0qIS7FfwT4Wvnp1fo3jIaA

Un troisième album, Beyrouth, des musiciens, des images, la Méditerranée toujours. OISEAUX-TEMPÊTE sort cette semaine AL-'AN ! (maintenant! en arabe) chez Sub Rosa, un disque collectif composé entre la France et le Liban. On reçoit ce soir Frédéric D. Oberland et Stéphane Pigneul pour se plonger dans les racines de l'objet et dans ce qui en éclot. On écoutera leur sélection et leurs mots. Tracklist : Johnny Kafta Anti-Vegetarian Orchestra - Feed The Hostage (Johnny Kafta Anti-Vegetarian Orchestra, 2015) OISEAUX-TEMPÊTE - Carnaval (AL-'AN ! الآن (and Your Night Is Your Shadow-A Fairy-tale Piece of Land to Make Our Dreams), 2017) Jerusalem in My Heart - A Granular Buzuk (If He Dies, If If If If If If, 2015) Maurice Louca - Sharraq Rah Tegharrab (Salute the Parrot, 2014) OISEAUX-TEMPÊTE - Baalshamin (AL-'AN ! الآن (and Your Night Is Your Shadow-A Fairy-tale Piece of Land to Make Our Dreams), 2017) Alif - Al-Juththa (The Corpse) (Aynama​-​Rtama, 2015) The Bunny Tylers - Hello You Grace (Electro Show) (Chance Meetings, 2018) OISEAUX-TEMPÊTE - Bab Sharqi (AL-'AN ! الآن (and Your Night Is Your Shadow-A Fairy-tale Piece of Land to Make Our Dreams), 2017) Photo : OISEAUX-TEMPÊTE, par As Human Pattern

Un troisième album, Beyrouth, des musiciens, des images, la Méditerranée toujours. OISEAUX-TEMPÊTE sort cette semaine AL-'AN ! (maintenant! en arabe) chez Sub Rosa, un disque collectif composé entre la France et le Liban. On reçoit ce soir Frédéric D. Oberland et Stéphane Pigneul pour se plonger dans les racines de l'objet et dans ce qui en éclot. On écoutera leur sélection et leurs mots. Tracklist : Johnny Kafta Anti-Vegetarian Orchestra - Feed The Hostage (Johnny Kafta Anti-Vegetarian Orchestra, 2015) OISEAUX-TEMPÊTE - Carnaval (AL-'AN ! الآن (and Your Night Is Your Shadow-A Fairy-tale Piece of Land to Make Our Dreams), 2017) Jerusalem in My Heart - A Granular Buzuk (If He Dies, If If If If If If, 2015) Maurice Louca - Sharraq Rah Tegharrab (Salute the Parrot, 2014) OISEAUX-TEMPÊTE - Baalshamin (AL-'AN ! الآن (and Your Night Is Your Shadow-A Fairy-tale Piece of Land to Make Our Dreams), 2017) Alif - Al-Juththa (The Corpse) (Aynama​-​Rtama, 2015) The Bunny Tylers - Hello You Grace (Electro Show) (Chance Meetings, 2018) OISEAUX-TEMPÊTE - Bab Sharqi (AL-'AN ! الآن (and Your Night Is Your Shadow-A Fairy-tale Piece of Land to Make Our Dreams), 2017) Photo : OISEAUX-TEMPÊTE, par As Human Pattern

Un troisième album, Beyrouth, des musiciens, des images, la Méditerranée toujours.Oiseaux-Tempête sort cette semaine AL-'AN! (maintenant! en arabe) chez Sub Rosa, un disque-collectif composé entre la France et le Liban.On reçoit ce soir Frédéric D. Oberland et Stéphane Pigneul pour se plonger dans les racines de l’objet et dans ce qui en éclôt. On écoutera leur sélection et leurs mots.photo : As Human PatternTracklist :Johnny Kafta Anti-Vegetarian Orchestra - Feed The Hostage Oiseaux-Tempête - CarnavalJerusalem In My Heart - A Granular BuzukMaurice Louca - Sharraq Rah TegharrabOiseaux-Tempête - BaalshaminAlif - Al-Juththa (The Corpse)The Bunny Tylers - Hello You Grace (Electro Show)Oiseaux-Tempête - Bab Sharqi

Un troisième album, Beyrouth, des musiciens, des images, la Méditerranée toujours. OISEAUX-TEMPÊTE sort cette semaine AL-'AN ! (maintenant! en arabe) chez Sub Rosa, un disque collectif composé entre la France et le Liban. On reçoit ce soir Frédéric D. Oberland et Stéphane Pigneul pour se plonger dans les racines de l’objet et dans ce qui en éclot. On écoutera leur sélection et leurs mots. Tracklist : Johnny Kafta Anti-Vegetarian Orchestra - Feed The Hostage (Johnny Kafta Anti-Vegetarian Orchestra, 2015) OISEAUX-TEMPÊTE - Carnaval (AL-'AN ! الآن (and Your Night Is Your Shadow-A Fairy-tale Piece of Land to Make Our Dreams), 2017) Jerusalem in My Heart - A Granular Buzuk (If He Dies, If If If If If If, 2015) Maurice Louca - Sharraq Rah Tegharrab (Salute the Parrot, 2014) OISEAUX-TEMPÊTE - Baalshamin (AL-'AN ! الآن (and Your Night Is Your Shadow-A Fairy-tale Piece of Land to Make Our Dreams), 2017) Alif - Al-Juththa (The Corpse) (Aynama​-​Rtama, 2015) The Bunny Tylers - Hello You Grace (Electro Show) (Chance Meetings, 2018) OISEAUX-TEMPÊTE - Bab Sharqi (AL-'AN ! الآن (and Your Night Is Your Shadow-A Fairy-tale Piece of Land to Make Our Dreams), 2017) Photo : OISEAUX-TEMPÊTE, par As Human Pattern

Un troisième album, Beyrouth, des musiciens, des images, la Méditerranée toujours. OISEAUX-TEMPÊTE sort cette semaine AL-'AN ! (maintenant! en arabe) chez Sub Rosa, un disque collectif composé entre la France et le Liban. On reçoit ce soir Frédéric D. Oberland et Stéphane Pigneul pour se plonger dans les racines de l'objet et dans ce qui en éclot. On écoutera leur sélection et leurs mots. Tracklist : Johnny Kafta Anti-Vegetarian Orchestra - Feed The Hostage (Johnny Kafta Anti-Vegetarian Orchestra, 2015) OISEAUX-TEMPÊTE - Carnaval (AL-'AN ! الآن (and Your Night Is Your Shadow-A Fairy-tale Piece of Land to Make Our Dreams), 2017) Jerusalem in My Heart - A Granular Buzuk (If He Dies, If If If If If If, 2015) Maurice Louca - Sharraq Rah Tegharrab (Salute the Parrot, 2014) OISEAUX-TEMPÊTE - Baalshamin (AL-'AN ! الآن (and Your Night Is Your Shadow-A Fairy-tale Piece of Land to Make Our Dreams), 2017) Alif - Al-Juththa (The Corpse) (Aynama​-​Rtama, 2015) The Bunny Tylers - Hello You Grace (Electro Show) (Chance Meetings, 2018) OISEAUX-TEMPÊTE - Bab Sharqi (AL-'AN ! الآن (and Your Night Is Your Shadow-A Fairy-tale Piece of Land to Make Our Dreams), 2017) Photo : OISEAUX-TEMPÊTE, par As Human Pattern

Un troisième album, Beyrouth, des musiciens, des images, la Méditerranée toujours. OISEAUX-TEMPÊTE sort cette semaine AL-'AN ! (maintenant! en arabe) chez Sub Rosa, un disque collectif composé entre la France et le Liban. On reçoit ce soir Frédéric D. Oberland et Stéphane Pigneul pour se plonger dans les racines de l'objet et dans ce qui en éclot. On écoutera leur sélection et leurs mots. Tracklist : Johnny Kafta Anti-Vegetarian Orchestra - Feed The Hostage (Johnny Kafta Anti-Vegetarian Orchestra, 2015) OISEAUX-TEMPÊTE - Carnaval (AL-'AN ! الآن (and Your Night Is Your Shadow-A Fairy-tale Piece of Land to Make Our Dreams), 2017) Jerusalem in My Heart - A Granular Buzuk (If He Dies, If If If If If If, 2015) Maurice Louca - Sharraq Rah Tegharrab (Salute the Parrot, 2014) OISEAUX-TEMPÊTE - Baalshamin (AL-'AN ! الآن (and Your Night Is Your Shadow-A Fairy-tale Piece of Land to Make Our Dreams), 2017) Alif - Al-Juththa (The Corpse) (Aynama​-​Rtama, 2015) The Bunny Tylers - Hello You Grace (Electro Show) (Chance Meetings, 2018) OISEAUX-TEMPÊTE - Bab Sharqi (AL-'AN ! الآن (and Your Night Is Your Shadow-A Fairy-tale Piece of Land to Make Our Dreams), 2017) Photo : OISEAUX-TEMPÊTE, par As Human Pattern

OISEAUX TEMPÊTE. ÜTOPIYA / ON LIVING (feat. G.W. SOK) – 5:35Ütopiya ?, Sub Rosa, 2015 THE EX + TOM CORA. STATE OF SHOCK – 6:05Scrabbling At The Lock, Ex records, 1991 YANN TIERSEN & SHANNON WRIGHT. DRAGON FLY – 3:10Yann Tiersen & Shannon Wright, Vicious Circle, 2004 CHRIS BAILEY & H-BURNS. POSTCARDS – 3:40Stranger, Vicious Circle, […] Cet article Errance #85 : De Oiseaux-Tempête à Deus est apparu en premier sur Eldorado.

Grounded #102 ~ 250216 {Ütopiya} Minor Victories - A Hundred Ropes Lanterna – Brightness Ovum – Zero Oiseaux-Tempête - Ütopiya/On Living (with GW Sok) Village Of Savoonga - Nunca Serenada Watter - Bloody Monday Monopot - Sundried William Basinski – dlp 1.3download.

Qu'ont en commun Led Zeppelin et Jim Jarmusch ? Patti Smith et Tool ? Earth et Smashing Pumpkins ? Pas grand-chose à première vue, sinon une certaine maîtrise de la corde electrisée, et une prétention, récurrente ou furtive dans leur discographie, à vouloir emmener l'auditeur vers une certaine idée de la spiritualité, de l'au-delà, de la mort, du psychédélique, enfin toutes ces conneries nébuleuses souvent agrémentées de fumées lourdes, voire de rouflaquettes fournies, dans l'imaginaire collectif et opiacé. Mais ô voyageur spirituel d'un soir, oublie ton patchouli et tes posters de Jimmy Hendrix, car ce trip n'est pas de tout repos, et ton esprit viendra se perdre entre les voix mystiques d'OM et les complaintes sombres et vaudoues des Hey Colossus, entre les cordes païennes de Led Zep et les incantations tribales des Swans, et viendra s'écraser sur le pavé de Tanger pour une lente tribulation nocturne ou une dernière expiration hallucinée, à moins qu'il ne s'enlise en cours de route dans un bayou, une forêt nordique, ou sur une plage tahitienne... bon (dernier) voyage. Après son passage par nos ondes en Sélection extérieure (à retrouver ici), Ehoarn de Tartine de contrebasse nous livre, en guise de 15ème mix, une sélection tartinienne de haute volée. Tracklist : OM - Addis (Advaitic Songs - 2012) Blaak Heat Shujaa - Shadows (The Beast Pt. II) (The Edge of an Era - 2013) Earth - Descent to the Zenith (Angels of Darkness, Demons of Light 1 - 2011) Swans - Lunacy (The Seer - 2012) Jozef Van Wissem / SQ‹RL - Sola Gratia (Part 2) (Only Lovers Left Alive OST - 2014) Led Zeppelin - Black Mountain Side (Led Zeppelin - 1969) Oiseaux-TempÍte - Soudain le ciel (Ütopiya? - 2015) Mars Red Sky - Saddle Point (Mars Red Sky - 2011) Tetema - Emptiness of Ecstasy (Geocidal - 2014) Tetema - Death in Tangiers (Geocidal - 2014) Smashing Pumpkins - Spaced (Pisces Iscariot - 1994) Hey Colossus - Lagos Atom (In Black and Gold - 2015) Oranssi Pazuzu - Reik‰ Maisemassa (Valonielu - 2013) Tool - Intension (10 000 Days - 2006) Heroin in Tahiti - Zatlath Aithas (Sun and Violence - 2015) Patti Smith - Fireflies (Gone Again - 1996)

Qu'ont en commun Led Zeppelin et Jim Jarmusch ? Patti Smith et Tool ? Earth et Smashing Pumpkins ? Pas grand-chose à première vue, sinon une certaine maîtrise de la corde electrisée, et une prétention, récurrente ou furtive dans leur discographie, à vouloir emmener l'auditeur vers une certaine idée de la spiritualité, de l'au-delà, de la mort, du psychédélique, enfin toutes ces conneries nébuleuses souvent agrémentées de fumées lourdes, voire de rouflaquettes fournies, dans l'imaginaire collectif et opiacé. Mais ô voyageur spirituel d'un soir, oublie ton patchouli et tes posters de Jimmy Hendrix, car ce trip n'est pas de tout repos, et ton esprit viendra se perdre entre les voix mystiques d'OM et les complaintes sombres et vaudoues des Hey Colossus, entre les cordes païennes de Led Zep et les incantations tribales des Swans, et viendra s'écraser sur le pavé de Tanger pour une lente tribulation nocturne ou une dernière expiration hallucinée, à moins qu'il ne s'enlise en cours de route dans un bayou, une forêt nordique, ou sur une plage tahitienne... bon (dernier) voyage. Après son passage par nos ondes en Sélection extérieure (à retrouver ici), Ehoarn de Tartine de contrebasse nous livre, en guise de 15ème mix, une sélection tartinienne de haute volée. Tracklist : OM - Addis (Advaitic Songs - 2012) Blaak Heat Shujaa - Shadows (The Beast Pt. II) (The Edge of an Era - 2013) Earth - Descent to the Zenith (Angels of Darkness, Demons of Light 1 - 2011) Swans - Lunacy (The Seer - 2012) Jozef Van Wissem / SQ‹RL - Sola Gratia (Part 2) (Only Lovers Left Alive OST - 2014) Led Zeppelin - Black Mountain Side (Led Zeppelin - 1969) Oiseaux-TempÍte - Soudain le ciel (Ütopiya? - 2015) Mars Red Sky - Saddle Point (Mars Red Sky - 2011) Tetema - Emptiness of Ecstasy (Geocidal - 2014) Tetema - Death in Tangiers (Geocidal - 2014) Smashing Pumpkins - Spaced (Pisces Iscariot - 1994) Hey Colossus - Lagos Atom (In Black and Gold - 2015) Oranssi Pazuzu - Reik‰ Maisemassa (Valonielu - 2013) Tool - Intension (10 000 Days - 2006) Heroin in Tahiti - Zatlath Aithas (Sun and Violence - 2015) Patti Smith - Fireflies (Gone Again - 1996)

Qu'ont en commun Led Zeppelin et Jim Jarmusch ? Patti Smith et Tool ? Earth et Smashing Pumpkins ? Pas grand-chose à première vue, sinon une certaine maîtrise de la corde électrisée, et une prétention, récurrente ou furtive dans leur discographie, à vouloir emmener l'auditeur vers une certaine idée de la spiritualité, de l'au-delà, de la mort, du psychédélique, enfin toutes ces conneries nébuleuses souvent agrémentées de fumées lourdes, voire de rouflaquettes fournies, dans l'imaginaire collectif et opiacé. Mais ô voyageur spirituel d'un soir, oublie ton patchouli et tes posters de Jimmy Hendrix, car ce trip n'est pas de tout repos, et ton esprit viendra se perdre entre les voix mystiques d'OM et les complaintes sombres et vaudoues des Hey Colossus, entre les cordes païennes de Led Zep et les incantations tribales des Swans, et viendra s'écraser sur le pavé de Tanger pour une lente tribulation nocturne ou une dernière expiration hallucinée, à moins qu'il ne s'enlise en cours de route dans un bayou, une forêt nordique, ou sur une plage tahitienne... Bon (dernier) voyage. Après son passage par nos ondes en Sélection extérieure (à retrouver ici), Ehoarn de Tartine de Contrebasse nous livre, en guise de quinzième mix, une sélection tartinienne de haute volée. Tracklist : OM - Addis (Advaitic Songs, 2012) Blaak Heat Shujaa - Shadows (The Beast Pt.II) (The Edge of an Era, 2013) Earth - Descent to the Zenith (Angels of Darkness, Demons of Light I, 2011) Swans - Lunacy (The Seer, 2012) Jozef van Wissem / SQÜRL - Sola Gratia (Part 2) (Only Lovers Left Alive, 2014) Led Zeppelin - Black Mountain Side (Led Zeppelin, 1969) Oiseaux-Tempête - Soudain le Ciel (Ütopiya?, 2015) Mars Red Sky - Saddle Point (Mars Red Sky, 2011) Tētēma - Emptiness of Ecstasy (Geocidal, 2014) Tētēma - Death in Tangiers (Geocidal, 2014) Smashing Pumpkins - Spaced (Pisces Iscariot, 1994) Hey Colossus - Lagos Atom (In Black and Gold, 2015) Oranssi Pazuzu - Reikä Maisemassa (Valonielu, 2013) Tool - Intension (10,000 Days, 2006) Heroin in Tahiti - Zatlath Aithas (Sun and Violence, 2015) Patti Smith - Fireflies (Gone Again, 1996) Photo : Bayou de Manchac, Louisiane, Ed Voisin

Qu'ont en commun Led Zeppelin et Jim Jarmusch ? Patti Smith et Tool ? Earth et Smashing Pumpkins ? Pas grand-chose à première vue, sinon une certaine maîtrise de la corde électrisée, et une prétention, récurrente ou furtive dans leur discographie, à vouloir emmener l'auditeur vers une certaine idée de la spiritualité, de l'au-delà, de la mort, du psychédélique, enfin toutes ces conneries nébuleuses souvent agrémentées de fumées lourdes, voire de rouflaquettes fournies, dans l'imaginaire collectif et opiacé. Mais ô voyageur spirituel d'un soir, oublie ton patchouli et tes posters de Jimmy Hendrix, car ce trip n'est pas de tout repos, et ton esprit viendra se perdre entre les voix mystiques d'OM et les complaintes sombres et vaudoues des Hey Colossus, entre les cordes païennes de Led Zep et les incantations tribales des Swans, et viendra s'écraser sur le pavé de Tanger pour une lente tribulation nocturne ou une dernière expiration hallucinée, à moins qu'il ne s'enlise en cours de route dans un bayou, une forêt nordique, ou sur une plage tahitienne... Bon (dernier) voyage. Après son passage par nos ondes en Sélection extérieure (à retrouver ici), Ehoarn de Tartine de Contrebasse nous livre, en guise de quinzième mix, une sélection tartinienne de haute volée. Tracklist : OM - Addis (Advaitic Songs, 2012) Blaak Heat Shujaa - Shadows (The Beast Pt.II) (The Edge of an Era, 2013) Earth - Descent to the Zenith (Angels of Darkness, Demons of Light I, 2011) Swans - Lunacy (The Seer, 2012) Jozef van Wissem / SQÜRL - Sola Gratia (Part 2) (Only Lovers Left Alive, 2014) Led Zeppelin - Black Mountain Side (Led Zeppelin, 1969) Oiseaux-Tempête - Soudain le Ciel (Ütopiya?, 2015) Mars Red Sky - Saddle Point (Mars Red Sky, 2011) Tētēma - Emptiness of Ecstasy (Geocidal, 2014) Tētēma - Death in Tangiers (Geocidal, 2014) Smashing Pumpkins - Spaced (Pisces Iscariot, 1994) Hey Colossus - Lagos Atom (In Black and Gold, 2015) Oranssi Pazuzu - Reikä Maisemassa (Valonielu, 2013) Tool - Intension (10,000 Days, 2006) Heroin in Tahiti - Zatlath Aithas (Sun and Violence, 2015) Patti Smith - Fireflies (Gone Again, 1996) Photo : Bayou de Manchac, Louisiane, Ed Voisin

Qu'ont en commun Led Zeppelin et Jim Jarmusch ? Patti Smith et Tool ? Earth et Smashing Pumpkins ? Pas grand-chose à première vue, sinon une certaine maîtrise de la corde électrisée, et une prétention, récurrente ou furtive dans leur discographie, à vouloir emmener l'auditeur vers une certaine idée de la spiritualité, de l'au-delà, de la mort, du psychédélique, enfin toutes ces conneries nébuleuses souvent agrémentées de fumées lourdes, voire de rouflaquettes fournies, dans l'imaginaire collectif et opiacé. Mais ô voyageur spirituel d'un soir, oublie ton patchouli et tes posters de Jimmy Hendrix, car ce trip n'est pas de tout repos, et ton esprit viendra se perdre entre les voix mystiques d'OM et les complaintes sombres et vaudoues des Hey Colossus, entre les cordes païennes de Led Zep et les incantations tribales des Swans, et viendra s'écraser sur le pavé de Tanger pour une lente tribulation nocturne ou une dernière expiration hallucinée, à moins qu'il ne s'enlise en cours de route dans un bayou, une forêt nordique, ou sur une plage tahitienne... Bon (dernier) voyage. Après son passage par nos ondes en Sélection extérieure (à retrouver ici), Ehoarn de Tartine de Contrebasse nous livre, en guise de quinzième mix, une sélection tartinienne de haute volée. Tracklist : OM - Addis (Advaitic Songs, 2012) Blaak Heat Shujaa - Shadows (The Beast Pt.II) (The Edge of an Era, 2013) Earth - Descent to the Zenith (Angels of Darkness, Demons of Light I, 2011) Swans - Lunacy (The Seer, 2012) Jozef van Wissem / SQÜRL - Sola Gratia (Part 2) (Only Lovers Left Alive, 2014) Led Zeppelin - Black Mountain Side (Led Zeppelin, 1969) Oiseaux-Tempête - Soudain le Ciel (Ütopiya?, 2015) Mars Red Sky - Saddle Point (Mars Red Sky, 2011) Tētēma - Emptiness of Ecstasy (Geocidal, 2014) Tētēma - Death in Tangiers (Geocidal, 2014) Smashing Pumpkins - Spaced (Pisces Iscariot, 1994) Hey Colossus - Lagos Atom (In Black and Gold, 2015) Oranssi Pazuzu - Reikä Maisemassa (Valonielu, 2013) Tool - Intension (10,000 Days, 2006) Heroin in Tahiti - Zatlath Aithas (Sun and Violence, 2015) Patti Smith - Fireflies (Gone Again, 1996) Photo : Bayou de Manchac, Louisiane, Ed Voisin

Qu'ont en commun Led Zeppelin et Jim Jarmusch ? Patti Smith et Tool ? Earth et Smashing Pumpkins ? Pas grand-chose à première vue, sinon une certaine maîtrise de la corde électrisée, et une prétention, récurrente ou furtive dans leur discographie, à vouloir emmener l'auditeur vers une certaine idée de la spiritualité, de l'au-delà, de la mort, du psychédélique, enfin toutes ces conneries nébuleuses souvent agrémentées de fumées lourdes, voire de rouflaquettes fournies, dans l'imaginaire collectif et opiacé. Mais ô voyageur spirituel d'un soir, oublie ton patchouli et tes posters de Jimmy Hendrix, car ce trip n'est pas de tout repos, et ton esprit viendra se perdre entre les voix mystiques d'OM et les complaintes sombres et vaudoues des Hey Colossus, entre les cordes païennes de Led Zep et les incantations tribales des Swans, et viendra s'écraser sur le pavé de Tanger pour une lente tribulation nocturne ou une dernière expiration hallucinée, à moins qu'il ne s'enlise en cours de route dans un bayou, une forêt nordique, ou sur une plage tahitienne... Bon (dernier) voyage. Après son passage par nos ondes en Sélection extérieure (à retrouver ici), Ehoarn de Tartine de Contrebasse nous livre, en guise de quinzième mix, une sélection tartinienne de haute volée. Tracklist : OM - Addis (Advaitic Songs, 2012) Blaak Heat Shujaa - Shadows (The Beast Pt.II) (The Edge of an Era, 2013) Earth - Descent to the Zenith (Angels of Darkness, Demons of Light I, 2011) Swans - Lunacy (The Seer, 2012) Jozef van Wissem / SQÜRL - Sola Gratia (Part 2) (Only Lovers Left Alive, 2014) Led Zeppelin - Black Mountain Side (Led Zeppelin, 1969) Oiseaux-Tempête - Soudain le Ciel (Ütopiya?, 2015) Mars Red Sky - Saddle Point (Mars Red Sky, 2011) Tētēma - Emptiness of Ecstasy (Geocidal, 2014) Tētēma - Death in Tangiers (Geocidal, 2014) Smashing Pumpkins - Spaced (Pisces Iscariot, 1994) Hey Colossus - Lagos Atom (In Black and Gold, 2015) Oranssi Pazuzu - Reikä Maisemassa (Valonielu, 2013) Tool - Intension (10,000 Days, 2006) Heroin in Tahiti - Zatlath Aithas (Sun and Violence, 2015) Patti Smith - Fireflies (Gone Again, 1996) Photo : Bayou de Manchac, Louisiane, Ed Voisin

Pour ce dixième mix, Grégoire s'attelle aux musiques plus obscures, celles qui prennent corps dans les bourrasques sonores et dans les tourments d'une nature décharnée, flirtant le plus souvent avec une certaine idée de l'abstraction, plutôt qu'avec de réelles propositions mélodiques. Tissée autour du dark ambient, des field recordings et d'une musique qui n'en est pas toujours, tout en cherchant certaines respirations vers d'autres champs musicaux, cette sélection ne cherche pas à proposer une vision exhaustive d'un genre, mais plutôt à explorer les multiples perceptions éprouvées lors de l'écoute d'une musique qui, derrière une forme âpre et rugueuse, déploie progressivement toute l'intensité sensorielle de sa chair. Tracklist : Richard Maxfield - Amazing Grace (Electronic Music, 1969) Thomas Köner - Teimo (Teimo, 1992) Hazard - Old Lead Mine (Land, 2002) Philip Jeck - I Just Wanted to Know (Surf, 1999) Robert Rich & B. Lustmord - A Point of No Return (Stalker, 1995) Galerie Schallschutz - Teleforce (Alternate Coils - A Tribute to Nikola Tesla, 2013) Hazard - Substation (Land, 2002) Dictaphone - Dictaphone (M.=addiction, 2002) Jan Bang - Heidegger's Silence (…And Poppies from Kandahar, 2010) Terre Thaemlitz - Canto II - Traffic With the Devil (Soundtrack Version) (Soulnessness, 2012) Deathprod - Treetop Drive Part 1 (Treetop Drive, 1994) Jana Winderen - Aquaculture (Energy Field, 2010) Oiseaux-Tempête - Sophia's Shadow (Oiseaux-Tempête, 2013) Sleep Research Facility - 86°S 115°W (Deep_Frieze, 2007) Raison d'être - The Wasteland (The Empty Hollow Unfolds, 2000) Dead Letters Spell Out Dead Words - Lost & Losing (Lost in Reflections, 2008) Jean-Luc Godard - Dans le Noir du temps (Ten Minutes Older: The Cello, 2001) Photo : Das Buch der Klänge, par Otte Hans et Herbert Henck (1999)

Pour ce dixième mix, Grégoire s'attelle aux musiques plus obscures, celles qui prennent corps dans les bourrasques sonores et dans les tourments d'une nature décharnée, flirtant le plus souvent avec une certaine idée de l'abstraction, plutôt qu'avec de réelles propositions mélodiques. Tissée autour du dark ambient, des field recordings et d'une musique qui n'en est pas toujours, tout en cherchant certaines respirations vers d'autres champs musicaux, cette sélection ne cherche pas à proposer une vision exhaustive d'un genre, mais plutôt à explorer les multiples perceptions éprouvées lors de l'écoute d'une musique qui, derrière une forme âpre et rugueuse, déploie progressivement toute l'intensité sensorielle de sa chair. Tracklist : Richard Maxfield - Amazing Grace (Electronic Music, 1969) Thomas Köner - Teimo (Teimo, 1992) Hazard - Old Lead Mine (Land, 2002) Philip Jeck - I Just Wanted to Know (Surf, 1999) Robert Rich & B. Lustmord - A Point of No Return (Stalker, 1995) Galerie Schallschutz - Teleforce (Alternate Coils - A Tribute to Nikola Tesla, 2013) Hazard - Substation (Land, 2002) Dictaphone - Dictaphone (M.=addiction, 2002) Jan Bang - Heidegger's Silence (…And Poppies from Kandahar, 2010) Terre Thaemlitz - Canto II - Traffic With the Devil (Soundtrack Version) (Soulnessness, 2012) Deathprod - Treetop Drive Part 1 (Treetop Drive, 1994) Jana Winderen - Aquaculture (Energy Field, 2010) Oiseaux-Tempête - Sophia's Shadow (Oiseaux-Tempête, 2013) Sleep Research Facility - 86°S 115°W (Deep_Frieze, 2007) Raison d'être - The Wasteland (The Empty Hollow Unfolds, 2000) Dead Letters Spell Out Dead Words - Lost & Losing (Lost in Reflections, 2008) Jean-Luc Godard - Dans le Noir du temps (Ten Minutes Older: The Cello, 2001) Photo : Das Buch der Klänge, par Otte Hans et Herbert Henck (1999)

Pour ce dixième mix, Grégoire s'attelle aux musiques plus obscures, celles qui prennent corps dans les bourrasques sonores et dans les tourments d'une nature décharnée, flirtant le plus souvent avec une certaine idée de l'abstraction, plutôt qu'avec de réelles propositions mélodiques. Tissée autour du dark ambient, des field recordings et d'une musique qui n'en est pas toujours, tout en cherchant certaines respirations vers d'autres champs musicaux, cette sélection ne cherche pas à proposer une vision exhaustive d'un genre, mais plutôt à explorer les multiples perceptions éprouvées lors de l'écoute d'une musique qui, derrière une forme âpre et rugueuse, déploie progressivement toute l'intensité sensorielle de sa chair. Tracklist : Richard Maxfield - Amazing Grace (Electronic Music, 1969) Thomas Köner - Teimo (Teimo, 1992) Hazard - Old Lead Mine (Land, 2002) Philip Jeck - I Just Wanted to Know (Surf, 1999) Robert Rich & B. Lustmord - A Point of No Return (Stalker, 1995) Galerie Schallschutz - Teleforce (Alternate Coils - A Tribute to Nikola Tesla, 2013) Hazard - Substation (Land, 2002) Dictaphone - Dictaphone (M.=addiction, 2002) Jan Bang - Heidegger's Silence (…And Poppies from Kandahar, 2010) Terre Thaemlitz - Canto II - Traffic With the Devil (Soundtrack Version) (Soulnessness, 2012) Deathprod - Treetop Drive Part 1 (Treetop Drive, 1994) Jana Winderen - Aquaculture (Energy Field, 2010) Oiseaux-Tempête - Sophia's Shadow (Oiseaux-Tempête, 2013) Sleep Research Facility - 86°S 115°W (Deep_Frieze, 2007) Raison d'être - The Wasteland (The Empty Hollow Unfolds, 2000) Dead Letters Spell Out Dead Words - Lost & Losing (Lost in Reflections, 2008) Jean-Luc Godard - Dans le Noir du temps (Ten Minutes Older: The Cello, 2001) Photo : Das Buch der Klänge, par Otte Hans et Herbert Henck (1999)

Pour ce dixième mix, Grégoire s'attelle aux musiques plus obscures, celles qui prennent corps dans les bourrasques sonores et dans les tourments d'une nature décharnée, flirtant le plus souvent avec une certaine idée de l'abstraction, plutôt qu'avec de réelles propositions mélodiques. Tissée autour du dark ambient, des field recordings et d'une musique qui n'en est pas toujours, tout en cherchant certaines respirations vers d'autres champs musicaux, cette sélection ne cherche pas à proposer une vision exhaustive d'un genre, mais plutôt à explorer les multiples perceptions éprouvées lors de l'écoute d'une musique qui, derrière une forme âpre et rugueuse, déploie progressivement toute l'intensité sensorielle de sa chair. Tracklist : Richard Maxfield - Amazing Grace (Electronic Music, 1969) Thomas Köner - Teimo (Teimo, 1992) Hazard - Old Lead Mine (Land, 2002) Philip Jeck - I Just Wanted to Know (Surf, 1999) Robert Rich & B. Lustmord - A Point of No Return (Stalker, 1995) Galerie Schallschutz - Teleforce (Alternate Coils - A Tribute to Nikola Tesla, 2013) Hazard - Substation (Land, 2002) Dictaphone - Dictaphone (M.=addiction, 2002) Jan Bang - Heidegger's Silence (…And Poppies from Kandahar, 2010) Terre Thaemlitz - Canto II - Traffic With the Devil (Soundtrack Version) (Soulnessness, 2012) Deathprod - Treetop Drive Part 1 (Treetop Drive, 1994) Jana Winderen - Aquaculture (Energy Field, 2010) Oiseaux-Tempête - Sophia's Shadow (Oiseaux-Tempête, 2013) Sleep Research Facility - 86°S 115°W (Deep_Frieze, 2007) Raison d'être - The Wasteland (The Empty Hollow Unfolds, 2000) Dead Letters Spell Out Dead Words - Lost & Losing (Lost in Reflections, 2008) Jean-Luc Godard - Dans le Noir du temps (Ten Minutes Older: The Cello, 2001) Photo : Das Buch der Klänge, par Otte Hans et Herbert Henck (1999)

L'équipe des résidents d'Amplitudes vous a proposé, comme à son habitude, une sélection des nouveautés qui ont retenu leur attention. Au programme, de l'instrumental plus ou moins éthéré ou énergique. Oiseaux-Tempête - Nuage noir (May Roosevelt remix) Hecq - Steeltongued (Raoul Sinier remix) Walls/Oram - Some Shriller and Some Deeper Ocoeur - Ballade 4 part 1 Rabbitoo - The Monkey Prophet John Roberts - Faces Francis Bebey - Sahel (entre 1975 et 1982) Geins't Naït + Laurent Petitgand - Je vous dis Christina Vantzou - Sister Al'Tarba - Dusty Signal Teebs - Wavxxes (feat. Lars Horntveth) Kyle Hall - Girl U So Strong Delano Smith - Panacea Watter - This World

L'équipe des résidents d'Amplitudes vous a proposé, comme à son habitude, une sélection des nouveautés qui ont retenu leur attention. Au programme, de l'instrumental plus ou moins éthéré ou énergique. Oiseaux-Tempête - Nuage noir (May Roosevelt remix) Hecq - Steeltongued (Raoul Sinier remix) Walls/Oram - Some Shriller and Some Deeper Ocoeur - Ballade 4 part 1 Rabbitoo - The Monkey Prophet John Roberts - Faces Francis Bebey - Sahel (entre 1975 et 1982) Geins't Naït + Laurent Petitgand - Je vous dis Christina Vantzou - Sister Al'Tarba - Dusty Signal Teebs - Wavxxes (feat. Lars Horntveth) Kyle Hall - Girl U So Strong Delano Smith - Panacea Watter - This World