Podcasts about swana

The Simpsons, South Park, Family Guy, American Dad, and more all-American animated adult tv comedies have graced our screens for decades, mercilessly interrogating the all-American life and if it's all it's cracked up to be. But rarely do we get one of these series from an Arab and Muslim perspective, until now with Ramy Youssef and Pam Brady's #1 Happy Family USA, featuring the Egyptian-American Hussein family, including young insecure Rumi (Ramy Youssef), his wildly insecure father Hussein (also Ramy Youssef), his caring and overburdened mother Sharia (Salma Hindy), overachieving and closeted older sister Mona (Alia Shawkat), conservative Grandpa (Azhar Usman), and niqabi and free-spirited Grandma (Randa Jarrar). Set in the early 2000s in New Jersey, right around an astronomically horrible national event, we watch the Hussein family deal with the outlandish racism, surveillance, and Islamophobia every single day, and their own outlandish efforts to deal with it. All characters and the animation style were designed by Iraqi-British data journalist Mona Chalabi. Joined by our friend Nadia Osman, we discuss the series and why it's a landmark for SWANA and Muslim representation, the great casting news about Lee Cronin's The Mummy, give our recommendations, and much more.   Spoilers for all of #1 Happy Family USA throughout   Donate to Anera  Donate to help Sudanese people feeling geopolitical violence Support the Palestinian American Medical Association (PAMA) and families in Gaza Islamic Relief USA: Support Families in Palestine   Our music is composed by Ashley Hefnawy. You can find more of her music here. We are a proud member of the Hard NOC podcast family. Swara's interview with Nadia and Ali Nasser on Lee Cronin's The Mummy Follow Nadia on BlueSky @msnadiaosman.bsky.social Follow us on Twitter: @TheMiddleGeeks Subscribe to The Middle Geeks on Hard NOC Media Please support us on Patreon!  

Skye Hawthorne is the host of Drug Cultures podcast, a remarkable foray into the history, traditions, and present day dynamics of drug use across cultures worldwide. We cover a ton of ground on the podcast today, from Syria's Captagon market in the SWANA region to Khat in Yemen and the water crisis threatening the region there, Coca cultivation in Peru, and the politicization of psychedelics in the United States among other topics.Please rate and review the Mycopreneur Podcast wherever you're listening ( : Hosted on Acast. See acast.com/privacy for more information.

Uncovering Roots returns with the first episode of its new season, beginning in Aleppo, at the doors of one of the most iconic hotels in the Middle East.The Baron Hotel once hosted kings, spies, archaeologists, and refugees. It was a grand hotel at the crossroads of empire, war, and survival. In this episode, we trace the layered history of the Baron through the voice of Mary Momdjian, whose family built and ran the hotel for generations.From stories of Armenian refugees during the genocide to cocktails with Agatha Christie, the Baron's past is woven into the fabric of Syria's modern history. Today, it stands abandoned. A fragile, fading symbol of memory and loss.This episode was co-produced by Maxim Saakyan and Zila Demirjian. Sound design by Maxim Saakyan. Thank you to the Armenian Film Foundation for letting us use Koko Mazloumian's  testimony. Thanks for listening! If you want to support us, please leave us a review – it really helps.If you have a story you'd like to tell, or for us to investigate, DM us on Instagram or email max@uncoveringrootspod.com!Make sure to follow us on Instagram @Uncovering.Roots and Twitter @UncoveringRoots

Huda Smitshuijzen AbiFarès moderates a conversation between the hosts of season 4 of @khatt_chronicles. The discussion addressed the three main themes that are planned for this season, focusing on the overarching theme of Graphic Women from the SWANA region. The Khatt Foundation's latest research project that culminated in the publication "Revealing Recording Reflecting, Graphic Women from Southwest Asia and North Africa" published by Khatt Books at the end of 2024 will be used to guide the themes and selection of guests. The book is divided around the themes of "By Women About Women," "Engaged Image-Making," "Women of Letters," and "Women Designers in the Diaspora." The hosts Huda Smitshuijzen AbiFarès, Yasmine Nachabe Taan, Yara Khoury Nammour, and Roshanak Keyghobadi, introduce the potential designers they will each be speaking to and themes they will be discussing this season, extending a little further into the next season and more specifically some of the 90 women designers and visual artists featured. FOLLOW & RATE KHATT CHRONICLES:» Apple Podcasts: https://podcasts.apple.com/us/podcast/khatt-chronicles-stories-on-design-from-the-arab-world/id1472975206» Spotify: https://open.spotify.com/show/3ATH0MwO1tIlBvQfahSLrB» Anghami: https://play.anghami.com/podcast/1014374489THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK Explore all episodes in this series: https://www.youtube.com/playlist?list=PLfYG40bwRKl5mMJ782dhW6yvfq0E0_HhAABOUT AFIKRAafikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.

A lecture on "german" Identity (white,colonial,nato,frontex) and european ideology (von der leyen) and the situation in swana.

Jamal Sul has been making Irish Arabic electronic music as Moving Still since 2016. His productions link his Arabic heritage, with his love of synthesizers, dance music and buzzy bangers. Moving Still's music is unique in how it brings together styles of music from the  SWANA region (Southwest Asia and North Africa) with European and American club genres like Italo, electro, acid, breakbeats, house and more. Jamal's project has been in the ascendancy with releases on Cooking with Palms Trax, Orange Tree Edits, Dar Disku and his latest Close To The Shams EP on the Bordello A Parigi label. His 2022 Boiler Room set from London is an all-timer for me, and his Ouddy Bangers series has seen him put a club edit spin on pop, disco and dance classics from Lebanon, Egypt, Morocco and Kuwait. I talk to Jamal about all of it: his big gigs, productions, edits, influences, heritage and how Ireland has been slow to catch up on Moving Still until recently. And he picks a selection of songs that has inspired his music (listed below). Up next on the DJ front for Moving Still is the latest edition of Klub Sukar at Yamamori Tengu on Saturday April 19th.  Tracks played: Moving Still - Al Disco Haram Cheick Madani - Laya Habibi Ragheb Alama - El hob al Kabir Marvellous Melodicos - sing oh (zagalo mix) Moving Still -La Titasil Feeya Haruomi Hosono - Laugh Gas Omar Souleyman  - Warni Warni Moving Still - Bang of Luban Ahmed Fakroun - Soleil Soleil Ihsan Al Munzer - Jamilah Ettab - Ghorba Wa Moghtaribin (Exile and Exiled) Chaba Yamina - Sidi Mansour (Moving Still Edit) * Support Nialler9 on Patreon, get event discounts, playlists, ad-free episodes and join our Discord community Listen on Apple | Android  | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed | Pod.Link

What happens to your trash and recycling after it leaves the curb? How can associations rebuild trust with members, sponsors, and stakeholders? And what does it take to launch a brand-new conference?In this episode of Associations Thrive, host Joanna Pineda interviews Amy Lestition Burke, CEO of the Solid Waste Association of North America (SWANA). Amy discusses:SWANA's mission to advance from waste management to resource management and how the organization represents municipalities, private haulers, engineers, and industry professionals across North America, the Caribbean, and Guam.The complex logistics of waste and recycling management, including collection, sorting, composting, anaerobic digestion, and waste-to-energy solutions.Her transition to the CEO role as the first woman and first leader not from the waste industry, and how she immersed herself in the field through 30+ site visits and chapter meetings.How SWANA updated its strategic goals to prioritize safety, improve industry-wide collaboration, and position itself as a leader in resource management.The critical role SWANA plays in educating the public and government officials on hazardous waste, lithium-ion battery disposal, and the impact of improperly discarded materials.SWANA's membership growth and efforts to better support and engage its 47 chapters.How Amy and her team have worked to rebuild trust with members, sponsors, and exhibitors through active listening, consistent communication, and results-driven changes.The decision to sunset SWANA's existing conferences, SOAR and WasteCon, and replace them with a brand-new, rebranded event: RCon.The process of renaming and redesigning RCon, including crowdsourcing the name and focusing on an experience-driven event model that reflects SWANA's mission.How she is helping staff, leadership, and members embrace change and view it as an opportunity for growth and innovation.References:SWANA WebsiteRCon™ 2025

In this episode of Select, we have the Dutch-Kurdish DJ/producer duo CHAMOS, who have built a cult following across Europe with their club edits, fusing traditional West Asian sounds with bass and house music. For our Select 316, CHAMOS is bringing a mix dedicated to their latest EP ‘From Erbil to Amsterdam', a project that turns traditional Kurdish instrumentals into hard-hitting club anthems. The mix features their own edits of SWANA classics along with tunes by famous producers who inspired them and have been played in their club sets.

The African National Congress' National Working Committee has made sweeping changes to its provincial structures in Gauteng and KwaZulu-Natal. The party has removed former provincial secretaries Bheki Mtolo and TK Nciza in its newly-reconfigured provincial structures. Former ANC KZN Deputy Chairperson Micheal Mabuyakhulu is set to make a political comeback in the province as co-ordinator while party veteran Jeff Radebe will be the convener. In Gauteng Panyaza Lesufi survives the chop as he will now be co-convener of the reconfigured structure with veteran politician Amos Masondo. Jon Gericke spoke to political analyst, Sandile Swana

Rawan Roshni is in conversation to discuss the recent ceasefire announcement affecting Palestine and offers a poignant and emotional reflection on the situation. She shares stories from her displaced Palestinian heritage, detailing her family's survival and the ongoing trauma faced by Palestinians. We explore the healing modalities of sound, music, and the human voice and listen to two of her newest live pieces of music and poetry, “Al-Tuyoor: Messages from the Birds” and “Prophecy of Remembrance”. Rawan Roshni is a Palestinian/Balkan, Global Citizen, Arab Woman, based in Jordan. She uses her voice as an Artivist through her singing/songwriting and facilitation of brave spaces focusing her work in the SWANA region. She has co-founded multiple interfaith and world music projects and most recently has been touring her solo tri-lingual live-looping Music & Poetry performance Al-Tuyoor: Messages from the Birds for 2 years across 7 countries and counting! Her facilitation work over the past decade has ranged from issues such as conflict transformation, collective liberation, catalyzing community, emotional processing tools, conscious relating, consent and more! She fuses Sound, Movement and Intuitive Rituals as tools in her work, bringing elements such as group singing, sound work through vocalization, whirling dance, and intentional nature-based practices. Topics: 00:00 Introduction and Welcome 00:29 Emotional Reactions to Ceasefire 01:38 Mixed Feelings and Skepticism 04:01 Personal Connection to Palestine 05:17 Family History and Displacement 09:21 Art and Music as Healing 11:43 The Power of the Human Voice 12:38 Artivism and Activism 19:20 “Prophecy of Rememberance” (song) 38:07 Birds as Messengers 57:50 Future Projects and Closing Remarks Resources: Website Instagram Nada Bramha Aboriginal Song Lines “Conference of the Birds” by Manṭiq-uṭ-Ṭayr Sacred Activism Course at Tamera Sacred Activism Course in Montenegro Support the mission of SAND and the production of this podcast by becoming a SAND Member

Today on Speaking Out of Place we talk with Professor Persis Karim, co-producer and co-director of a new documentary film, The Dawn is Too Far: Stories of Iranian-American Life. She is joined by Roya Ahmadi, a student at Stanford who interned at the Center for Iranian Diaspora Studies at San Francisco State University and was part of the production team for the film. The film captures the lives of young Iranian-Americans who come to the San Francisco Bay Area around the time of the Iranian Revolution, and find themselves involved with, and helping to shape, a vibrant, international culture of politics and art. We talk about both the similarities and differences between those days and today—especially with regard to diasporic identity formation in different historical times, and the persistent need to resist racism and bigotry and act in solidarity with others. Persis Karim is the director of the Center for Iranian Diaspora Studies at San Francisco State University, where she also teaches in the Department of Humanities and Comparative and World Literature. Since 1999, she has been actively working to expand the field of Iranian Diaspora Studies, beginning with the first anthology of Iranian writing she co-edited, A World Between: Poems, Short Stories and Essays by Iranian-Americans. She is the editor of two other anthologies of Iranian diaspora literature: Let Me Tell You Where I've Been: New Writing by Women of the Iranian Diaspora, and Tremors: New Fiction by Iranian-American Writers. Before coming to San Francisco State, she was a professor of English & Comparative Literature at San Jose State where she was the founder and director of the Persian Studies program, and coordinator of the Middle East Studies Minor. She has published numerous articles about Iranian diaspora literature and culture for academic publications including Iranian Studies, Comparative Studies of South Asian, African and Middle East Studies (CSSAMES), and MELUS: Multi-Ethnic Literatures of the United States. “The Dawn is Too Far: Stories of Iranian-American Life,” is her first film project (co-directed and co-produced with Soumyaa Behrens). She received her Master's in Middle East Studies and her Ph.D. in Comparative Literature from UT Austin. She is also a poet.Roya Ahmadi is a senior at Stanford University studying Human Biology with a self-designed concentration in Southwest Asian and North African (SWANA) Women's Health and a minor in Interdisciplinary Arts. She is interested in Muslim and SWANA women's sexual and reproductive health and culturally/religiously sensitive pregnancy care. Roya is a co-chair for the Stanford Institute for Diversity in the Arts Undergraduate Fellowship and a video and sound installation artist who has presented work in group shows across the US. Roya interned for the Center for Iranian Diaspora Studies at SFSU for two summers when she was in high school; the Center has had a deep impact on her artwork and her identity as an Iranian-American.Trailer:https://vimeo.com/1002914645

In this episode, we chat with Amy Burke, MA, FASAE, CAE, executive director and CEO of the Solid Waste Association of North America (SWANA), about effective non-dues revenue strategies. Amy shares insights on aligning revenue initiatives with an association's mission and vision, leveraging successful partnerships, and creating impactful sponsorship opportunities. She also highlights innovative approaches, such as incorporating unique event activities and staying ahead of industry trends. Additionally, Amy discusses SWANA's revamped and rebranded event and the new non-dues revenue opportunities it has unlocked.

Folge 17 ist da und Swana ist zu Gast. Swana ist 35 und hat wie die Jugend sagt, einen hohen Bodycount. Bodycount? Woher kommt dieser absurde Begriff überhaupt und wieso liegt auf ihm so viel Druck? Zu viele Menschen im Bett gehabt? Zu wenige Menschen im Bett gehabt? Mit Swana spricht Ella darüber, wie die Reaktionen sind, wenn das Thema aufkommt,; Wie es in unsere Gesellschaft ist als Frau sexuell sehr aktiv zu sein und wie dumm es ist, sich ein Bild von Menschen aufgrund ihres Bodycounts zu machen. Ab wann ist man Sexsüchtig? Wie kommt man überhaupt an so viel Sex? Verliert man etwas von seiner Seele, wenn man mit so vielen Menschen schläft? Wie ist es für den festen Partner/die feste Partnerin, wenn man vor ihnen mit vielen Menschen geschlafen hat? Eine Folge mit einem interessanten Neujahresvorsatz, der eigenen Entscheidung viel Sex zu haben, geteilten Seelen und dem Abkotzen über unsere Gesellschaft. Viel Spaß beim hören ! Mehr zum Thema Sexsucht und Hilfe : https://besserlieben.de/term/sex-sucht Kontakt und Anfragen: angesext.podcast@gmail.com Instagram und TikTok: angesext.podcast

Die politieke ontleder Sandile Swana sê die ANC is in die asblik van die geskiedenis solank mense soos onder andere president Cyril Ramaphosa en sekretaris-generaal Fikile Mbalula in beheer is. Ramaphosa lewer vandag die ANC se 8 Januarie-verklaring in Khayelitsha in Kaapstad, as deel van die party se 113de verjaardagvieringe. Swana het aan die SABC gesê die ANC se hernuwingsprogram is 'n mors van tyd.

Former President Jacob Zuma has threatened legal action over his expulsion from the African National Congress (ANC) citing procedural and substantive concerns regarding the ANC's processes. Zuma's lawyers have written to the (ANC) seeking his immediate reinstatement as a member of the ANC and further information on his expulsion. In November last year, the ANC's National Disciplinary Committee of Appeal upheld the committee's decision to expel Zuma. The uMkhonto we Sizwe Party leader was expelled for bringing the party into disrepute and establishing and leading a rival political party. MK Party lawyers have given the ANC until the end of January to respond. uMkhonto we Sizwe Party's Floyd Sgivambub recently said its members are allowed to have dual membership in exceptional strategic cases. Sakina Kamwendo spoke to Political Analyst, Sandile Swana

Happy New Year from Uncovering Roots! We're so excited to share that our first full season is launching soon. It's been a bit of a journey getting here, and we truly appreciate your patience. This season, we'll dive into more incredible stories from the SWANA (South West Asia and North Africa) region—stories we can't wait to explore with you. Thanks for all the sort, and we promise it'll be worth the wait.Music by: Olivia MelkonianMake sure to follow us on Instagram @Uncovering.Roots and Twitter @UncoveringRoots

There are so many cool Middle Eastern and North African (MENA) and Southwest Asian and North African (SWANA) performance artists out there! Since this performance art season only had ten episodes to talk to artists directly, this last episode wraps up the season and goes through a whole bunch of other contemporary artists that hosts Marina Johnson and Nabra Nelson are excited about.Kunafa and Shay is a podcast produced for HowlRound Theatre Commons by co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and analyzes contemporary and historical Middle Eastern and North African (MENA) and Southwest Asian and North African (SWANA) theatre from across the region. Kunafa and Shay highlights MENA/SWANA plays and theatremakers, spotlights community-engaged work in the region and diaspora, and analyzes the past, present, and future of MENA/SWANA theatre in the United States and beyond. Theatre artists and scholars Nabra Nelson and Marina Johnson bring their own perspectives, research, and special guests in order to start a dialogue and encourage further learning and discussion. The name, Kunafa and Shay, invites you into the discussion in the best way we know how: with complex and delicious sweets like kunafa, and perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to share experiences, discuss ideas, and sometimes engage with our differences. In each country in the region, you'll find kunafa made differently. In that way, we also lean into the diversity, complexity, and robust flavors of MENA/SWANA theatre. 

Nasser provides commentary and updates on the ongoing genocide of Palestinians in Gaza and the violent escalation affecting surrounding areas in the SWANA region. He discusses the BDS movement, the moral cost of supporting genocide, and the power of protest. Nasser discusses current news headlines, including the anti-Semitism envoy and the denial of visas to Israelis into Australia who have served in the IDF.Nasser also reads an apt post from Dr. Randa Abdel-Fattah's X account, addressing the genocide in Gaza, the dangerous consequences of Zionist ideology, and the right to protest against and oppose apartheid. To explore more of Dr. Randa Abdel-Fattah's work, head to linktr.ee/randaabdelfattah.Join the Free Palestine rally every Sunday at the State Library Victoria, from 12 PM.For info on upcoming events and actions, follow APAN and Free Palestine Melbourne.Catch daily broadcast updates via Let's Talk Palestine. Which Side Are You On? performed by Phil Monsour, Ethan Enoch, Sophie Nishizawa, and Matt Hsu. Videography by Alex Bainbridge Image credit: @freepalestinemelb 

In this episode of Association Chat, KiKi L'Italien sits down with Amy Lestition Burke, Executive Director and CEO of SWANA, to uncover the extraordinary leadership required to guide an association through two devastating hurricanes and a critical annual conference. As Amy shares her experiences, listeners will gain insight into how SWANA supports its members during crises, the lessons learned from disaster recovery, and the pivotal role the association plays in maintaining national infrastructure. From navigating immediate challenges to preparing for the long-term impacts of climate change, Amy provides a masterclass in leading with empathy, communication, and vision. Whether you're an association professional or a leader seeking inspiration, this conversation highlights what it truly means to lead in times of crisis. Join us for an episode packed with wisdom, resilience, and a closer look at an association's role as a critical lifeline for its members and the communities they serve. Subscribe to Association Chat Magazine: https://bit.ly/assnchatmagsublist

Sheyam Ghieth is an artist, organizer, Egyptian propagandist, and repeat podcast guest after 4 years!  Sheyam is a co-founder of Creators for Gaza, a SWANA-led mutual-aid network connecting artists and amplifiers with Palestinian families facing genocide. Check it out to donate or get involved as an artist! They also discuss their work drawing connections between disease and colonialism in genocidal states, building COVID-19 and Palestine solidarity, especially in the face of mask bans meant to attack pro-Palestine protesters. This work includes their Zine “mask up we need you” (in collaboration with @rimo_skyo). We also talk about how we're showing up…

Tamara “Solem” Al-Issa is a Syrian/Filipina Toronto-based sculptural artist with a focus on conveying preservation of time. Solem's work pulls from memories of the architecture and practices within SWANA and Southeast Asia through exploring familiar shapes, colours and textures from these regions.  The Deep Blue series presents hand-built traditional shapes in a custom mixed cobalt blue which is a colour that evokes a familiar sense of nostalgia and wistfulness. In the SWANA region, the colour blue (particularly turquoise) is known to have mystical and protective qualities. http://ThePottersCast.com/1077

The Aṣṭa mātṝkās (the 8 mothers) are so central to Tantrik theory and practice and oh so mysterious! We first meet these 8 fierce, blood drinking, intoxicated Goddesses in the third act of the Devī Māhātmyam! And so, in this lecture, we'll take up that hymn and we'll list them one by one and consider their dhyāna ślokas (meditation mantras) so that we'll be able to visualize them. Of course, we'll discuss how to worship and why you want to worship them! Most importantly though, I want to discuss some very subtle Tantrik linguistic mysticism concerning the nature of the Sanskrit language and how to it maps on to/ mystically explains Reality! Abhinava Gupta has a really interesting section in chapter 3 of his Tantrāloka on this which we discuss a little bit in this lecture. We open with a comparison of Shankara's Kevalādvaita (classical non-duality) system with the Tantrik version of non-duality (Advaita Śaiva or Śāktadvaita Vāda) to compare Māyā to Śakti to make the case that language is the power of Consciousness to reveal Herself to Herself!Devī Kavacam 9-18 1. Cāmundā on corpse2. Vārāhinī on buffal3. Indrānī on elephant4. Vaishnavī on Garuḍa (eagle)5. Narasimhinī mahāvīrya6. Śivaduti mahābalā7. Maheśvarī on a bull8. Kaumarī on a peacock9. Lakṣmī on a lotus, holding lotus flowers10. īsvarī on a bull, wearing white11. Brāhmī with ornaments on a swanAṣṭamodhyāyah (Chapter 8), verses 12-21 describes their origin and appearance and verses 33-63 describes what they do! In  Ekādaśodhyāyah (Chapter 11), verses 13-21, they are praised Kali Yantra (inner lotus petals) BrāhmīVaishnavīMaheśvarīCāmundāKaumarīIndrānīVārāhinīNarasimhinī Srī Cakra (in bhūpura) brāhmī,māhēśvarī,kaumāri,vaiṣṇavī,vārāhī,māhēndrī,chāmuṇḍē,mahālakṣmīSupport the show

Nasser speaks with Nour Salman, Palestinian activist, organiser, and subject-matter expert on SWANA geopolitics and history. They speak about Nour's Nakba story, changes in Free Palestine and resistive socio-political movements, the importance of engaging in active discourse with elected councillors, and the We Vote for Palestine campaign. For info on We Vote for Palestine, visit wevoteforpalestine.net.Free Palestine rally, State Library Victoria, every Sunday from 12pm.Info on upcoming events and actions via APAN and Free Palestine Melbourne.Daily broadcast updates via Let's Talk Palestine. Image credit: wevoteforpalestine.net 

Allison Parssi is a Chicago based artist + DJ, who is continually reclaiming their art practice through music curation, collage, image making, writing, and sending art via snail mail. Parssi got their start as a DJ hosting a variety of day time and specialty programs at their college radio station in Rochester, NY. After trading one Great Lake for another and moving to Chicago in 2017, Parssi expanded their radio involvement by joining CHIRP Radio. As a former Music Co-Director, recontextualizing music and bringing new voices to the airwaves drove their work. Parssi has collaborated with artists and educators throughout Chicago bringing art fairs, projects, classes, and workshops to fruition. In March 2023 they started Shokoufeh, a DJ night focusing on SWANA music from across genres and decades. Over the past year, they've brought this night to Sleeping Village, The California Clipper, Cafe Mustache, and other venues across the city. You can find Allison at a show many days of the week and at the lake any time of the year. The First Time is a live lit and music series recorded at Martyrs in Chicago's North Center neighborhood. Each reader tells a true first tale, followed by any cover of the storyteller's choosing, performed by our house band, The First Time Three. The First Time is hosted by Jenn Sodini. Production by Andy Vasoyan and Executive Producer Bobby Evers. Podcast produced by Andy Vasoyan. Recorded by Tony Baker.

Since 2019, Marwan Kaabour has been collecting Arabic slang words used by and about queer people, first for the online community Takweer, and now the newly published Queer Arab Glossary. "When researching for this book, I discovered so much of the sociopolitical, cultural, linguistic, and historical layers that make up the words," he says. He also discovered quite a lot about frying, white beans and worms (metaphorical ones). Find the episode's transcript, plus more information and links to Marwan's work, at theallusionist.org/queerarabglossary. NEWSLUSIONIST: The new Allusionist live show Souvenirs is going on tour in the UK in August and September! That's so soon! Rush to theallusionist.org/events for tickets and dates. And if you fancy concocting a quiz question for the imminent 200th episode, go to theallusionist.org/quiz to submit it; your deadline is 6 September 2024. To help fund this independent podcast, take yourself to theallusionist.org/donate and become a member of the Allusioverse. You get regular livestreams with me and my collection of reference books, inside scoops into the making of this show, watchalong parties, and the company of your fellow Allusionauts in our delightful Discord community.  This episode was produced by me, Helen Zaltzman, with music and editorial assistance from Martin Austwick of palebirdmusic.com. Our ad partner is Multitude. If you want me to talk about your product or thing on the show, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by: •  Babbel, the language-learning app designed by real people for real conversations. Get up to 60% off your Babbel subscription at Babbel.com/allusionist.• Home Chef, meal kits that fit your needs. For a limited time, Home Chef is offering Allusionist listeners eighteen free meals, plus free shipping on your first box, and free dessert for life, at HomeChef.com/allusionist.• Squarespace, your one-stop shop for building and running your online empire/new home for your cryptic puzzle that takes months to solve. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist. • Bombas, whose mission is to make the comfiest clothing essentials, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase.  Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

Leslye Headland's The Acolyte, streaming on Disney+, is unique in more ways than one. As one of the most diverse Star Wars series, in front of and behind the scenes, with writers like the SWANA and Turkish Kor Adana, it presents a bold story in the era of The High Republic, showcasing the mistakes made by those in power and the reverberations for our main characters. Namely, twins Osha and Mae (Amandla Stenberg), Jedi Master Sol (Lee Jung-jae), Qimir (Manny Jacinto), as well as many others. To dive into this series and what it's trying to say, we have back on Arezou and welcome Noor. As both are High Republic fans, they bring invaluable insight into the discussion, as the series sets the backdrop for The Acolyte. What stood out to us? Does the series do a good job of portraying the Jedi Order? What does it have to say about how we view this universe and good and evil? We dive into all of that, give our recommendations, and much more.   SPOILERS for The Acolyte throughout Follow Arezou on social media @ArezouAmin and follow Noor @nimblenoor Donate to help Sudanese people feeling geopolitical violence Decolonize Palestine Support the Palestinian American Medical Association (PAMA) and families in Gaza Six ways you can support Palestinians in Gaza Islamic Relief USA: Support Families in Palestine   Our music is composed by Ashley Hefnawy. You can find more of her music here. We are a proud member of the Hard NOC podcast family. Follow us on Social Media: @TheMiddleGeeks, @spiderswarz Subscribe to The Middle Geeks on Hard NOC Media Please support us on Patreon!

Bangers from around the globe. Dar Disku launched with a question: how to channel heritage into dance floor elation? Well, when your name translates to 'home of the disco,' the brief feels pretty self-explanatory. In the first few years, that meant crafting edits of Khaliji hi-NRG and Bollywood soundtracks to fit contemporary 'crates. They took off as DJs through a run of radio and parties in the UK—where they currently reside—flexing deep finds from across the SWANA region. Their vibrant debut album, out in September on Soundway, furthers the mission. True to form, their RA Podcast is stuffed with heaters from all over the map: Algeria, India, Chile, Jordan, Australia, Turkey, Libya and Morocco get a look-in, as well as a few staple acts that betray the kind of high-wattage European festivals the duo increasingly frequent. It's not hard to see why—this mix is 90 minutes of sunshine. @dardisku @soundway-records Read more at ra.co/podcast/946

Hosts Marina Johnson and Nabra Nelson look at MENA and SWANA puppetry traditions with guest artivist Dr. Sarah Fahmy. They talk about her production of the first recorded full play in English of Ibn Daniyal, The Shadow Spirit; the Aragoz Puppet; and, coming more into current puppetry practice by MENA folks, Fahmy's own ecofeminist puppetry practice.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists.   A teach-in by Queer Crescent in collaboration with Palestinian Feminist Collective – Palestine is a Queer Issue: Resisting Pinkwashing Now and Until Liberation. Featuring guest speakers Rabab Abdulhadi from Palestinian Feminist Collective, Ghadir Shafie of ASWAT, Shivani Chanillo from Lavender Phoenix, poetry by Mx Yaffa from Muslim Alliance for Sexual and Gender Diversity (MASGD). Moderator by Shenaaz Janmohamed of Queer Crescent. Important Links and Resources: Sign on to Queer Crescent's Ceasefire Campaign for LGBTQI+ organizations and leaders Queer Crescent's Pinkwashing Resources  Queer Crescent Website Palestinian Feminist Collective Website ASWAT Instagram (@aswatfreedoms) Lavender Phoenix Website Muslim Alliance for Sexual and Gender Diversity (MASGD) Website Purchase Blood Orange by Mx. Yaffa Transcript Shenaaz Janmohamed: Thank you all so much for being here today. Welcome to the “Resisting Pinkwashing Now Until Liberation” teach-in. Queer Crescent is honored to host this teach in in partnership with the Palestinian Feminist Collective, Lavender Phoenix, The Muslim Alliance for Gender and Sexual Diversity or MASGD, Teaching Palestine, and Arab and Muslim Ethnicities and Diaspora Studies   Thank you all so much for joining us and for tuning in. My name is Shenaaz Janmohamed. I use she and they pronouns. I'm the executive director of Queer Crescent.  Queer Crescent is really thrilled to offer this Teach-in and to be in learning with you all for the next hour and a half on Pinkwashing in particular, as we hold grief and rage and mourn towards healing, towards resistance, towards a free Palestine. Joining the resounding people all across the world who have been calling for a permanent ceasefire. To not let the violence and the destruction of Gaza go without our clear and determined voice to say that this is not okay, that we, our tax dollars should not be paying for this, that we do not consent to genocide. And as queer people, as trans people, it is very much a queer issue to be in solidarity with Palestine. For the next hour and a half we will take time to learn from Palestinian organizers. in Palestine, in the U. S., around the ways in which this moment can be used to understand our relationship to pinkwashing in particular and to Palestinian solidarity in general. And so thank you again for being with us today. We're going to start our Teach in with poetry, because we deeply believe as a queer Muslim organization in the power of cultural work, cultural change, and imparting our shine as queer people into the culture. That is the way that our people have survived. That is the way that people share their histories their survivalship is through culture. And so, before I bring up Yaffa, who's a dear friend and comrade, and also the executive director of MASGD, the Muslim Alliance for Gender and Sexual Diversity, let me introduce Yaffa. Yaffa is a trans Muslim and displaced indigenous Palestinian. She is sharing poetry from her new book, Blood Orange, shout it out, please get a copy if you haven't already, which is an emotional, important, and timely poetry collection. Their writings probe the yearning for home, belonging, mental health, queerness, transness, and other dimensions of marginalization while nurturing dreams of utopia against the background of ongoing displacement and genocide of Indigenous people. Join me in giving some shine, energetic shine to Yaffa, and I'll pass to you. Mx Yaffa: Hi everyone. It's so nice to be here with you all. So excited to share space with all of you, with all the incredible panelists, with the entire Queer Crescent team, y'all are just incredible. Right before this, me and one of the other panelists realized we could potentially be related. So that's the beauty of having spaces like this, where you connect with people that you've kind of been missing your entire life, but you didn't even know that they were missing. I'm excited to recite some poetry for you all from my new collection. Just a little bit about the collection before I recite some poetry.  This collection was written for the most part, on the weekend of October 13th to the 15th. Some of y'all might remember that there was an eclipse during that weekend. And I really wanted to find something that would really center queer and trans Palestinian experience in particular, and also would just support me in navigating my own processing of everything that's going on.  I have family both in Gaza and the West Bank still. I'm originally from Jaffa and Jenin, but I've kind of lived in nine different countries. So when I say I'm displaced, it's displacement from various different wars, various genocides, various everything. And the result of that was Blood Orange.  I tried to get it out as quickly as possible and here we are. The first poem that I'll read is called “Healthy”. And I'll talk a little bit about each of these poems after I read them. It's called “Healthy”. We are not meant to be okay, when genocide is our neighbor that is funded by our labor. We are meant to be a mess, our sleep tearing into reality, anxiety brewing, wondering what is hope. We are meant to tear at the seams of reality, realizing a reality built on oppression is bullshit. We are meant to realize and demand all we are worth. Self actualization, wholeness. Things systems built off of genocide can never. Our response labeled by western capitalism as wrong is healthy. We move to wholeness always, they move to pain attempting to drag us with them. So this was actually the very first poem that I wrote for this collection and it was in that first week of the genocide immediately following October 7th when so many people were really struggling with what do we do with all of this, right? We're witnessing an entire genocide right before our eyes. And what do we do? There was a lot of hopelessness going around and a lot of narratives, at least in what's known as the United States and the global north that's always told us that all of that is wrong. That we're not supposed to be overwhelmed by things. But for me, with all the practices that I have, it's actually healthy to be overwhelmed right now. We're not supposed to know how to let genocide live in our bodies with ease. We still show up, we still do the things, and yet at the same time, we honor it. That it is a large experience. This is not normal. This is not something that should be happening all the time or ever. And so really wanted to honor that of the world that we live in is not what we deserve. For us to be overwhelmed right now is actually healthy, is where we should be. So the second poem I will read kind of goes into the conversation of today around pinkwashing.  This one's called “At Odds”.  My transness and a colonized perception of Palestine are at odds. They think it's because of lack of modernity. I say I have only received death threats targeting my transness from white people, Zionists, and other various political affiliations. I say only white people around me have ever disowned their own. Yet I do not talk to sisters who choose to buy into imperialist transphobia, claiming it as their own. My parents do not understand how some of their children could hate anything any of their children could be, why anyone would hate what they do not know. I won't talk much about pinkwashing because I know we'll get to that today. But in particular, most queer and trans Palestinians over these last eight weeks have been receiving such immense violence from the broader LGBTQ community telling us that our people are the ones who are going to kill us. I've been receiving death threats my entire life in particular as an organizer since I was 19, and I have literally never received a death threat from anyone from our region from any Muslim person. It has always been white people who have sent me death threats specifically for my queerness and my transness. Let alone everything else. And so that, that poem just kind of honors that experience.  I'll read one more, and I'll say just a few words before I read this last one. For me, the arts are so important. Not just as a tool for resistance, but also as a tool for world building. Often we think of the world is what creates art, rather than art is what creates the world. If you look at literature, even with Zionism, Zionism was in literature 100 years before it was ever named. I think about that of what is the world that we are building, what is the world of tomorrow that we get to write about and paint about and do all different kinds of art forms about today. And so this last poem kind of brings a little bit of that into it. The collection goes into the topic of utopia as we're exploring all of these other things. and as we're experiencing this genocide. So this last poem is called “Land Back”. I do not know names wiped from time in Gaza Like I do not remember the names Of great uncles and aunts Who have been reclaimed by our land To say they were murdered Is to claim loss that our land will never feel For we are made of her And regardless of how many layers of phosphor fill the air We return to her in our deaths They may exacerbate the process of our return, but return we shall. Standing thousands of miles away, I know even here she will take me back for distance is a creation that is buried with bodies that were never ours. We are not the ones who take land back, it is land that takes us. There will come a day when the sun sets on a world and rises in another, when indigenous sovereignty is honored. Where queerness no longer exists, where transness is no longer an identity, where humanity means something genuine. So I wanted to end with that, on a note of everything that we're doing right now, all of the resistance is world building. We're building the world that we have always deserved. So I'll leave you all with just one final thing about the book, like I mentioned, the reason I wrote this book in the first place and published it is to raise awareness about queer and trans Palestinians in particular and our experiences, and also to fundraise for queer and trans Palestinians both on the grounds in Gaza and in the diaspora. So 100 percent of all the proceeds from Blood Orange go directly towards that.   As we're getting deeper and deeper into this, the needs of the queer and trans Palestinian community is getting so immense, both on the ground in the region and in the diaspora. Over just the last few days, I've received over $20,000 worth of requests from individuals because people are being doxed, people are receiving death threats, people are losing their jobs. In one case, people are losing their children. There's a lot happening. And so just wanted to leave with that. I want to invite you all to pay attention to those needs and honor them, especially as we go into next year and into the elections. Thank you again for having me. It was such a pleasure to be here. And I'm so excited for the rest of this. Shenaaz Janmohamed: Thank you so much, Yaffa. It's so wonderful to have you here. And it feels so important to start our teaching with the ways in which poetry, culture, moves and inspires us. It opens our hearts in ways that feel both healing and necessary as part and parcel to our organizing and our deep learning. As my comrade and partner Saba says, to growing our empathy to be able to show up with more depth, more commitment, and more resolve towards these issues because we are deeply interconnected. So thank you again, Yaffa..  Before I turn to introduce our other panelists, I wanted to just ground us for a moment in why Queer Crescent, along with the many partners that I named at the beginning felt it was important to host this teach in. Back on November 3rd, Queer Crescent in collaboration with the Palestinian Feminist Collective drafted and released a letter calling upon LGBTQI organizations, leaders, and influencers to join Queer Crescent and Palestinians in calling for an immediate ceasefire. And in particularly to take up understanding and resisting pinkwashing as a queer issue. The frame ” Palestine is a queer issue” is very much an homage of Palestinian Feminist Collective who tirelessly make the links around gender justice, bodily autonomy, self determination, sovereignty to the project of Palestinian liberation. Seeing them as part and parcel of the same project of liberation, and we very much are inspired and in deep gratitude to PFC and all the tireless folks who make those links so clear and apparent to us. We are also in deep gratitude to organizations like Al-Qaws, based in Palestine, who have been telling us about pink- washing for a long, long time, and we are finally doing our part to answer the call as an organization as Queer Crescent. Since we shared this letter, over 350 individuals have signed on, over 65 organizations have joined us in a commitment to calling for permanent ceasefire. This teach in is part of our commitment to moving those who have signed, ourselves included, and the many others who have joined us today. To deepen our shared resolve to a free Palestine through learning about pink watching as a propaganda tool of Israel and settler colonial state violence, and to allow this moment to transform us so that the grief is not in vain, towards a more fierce committed and clear stance of solidarity with Palestinian liberation movement. As queer and trans people and within LGBTQI organizations, we have a distinct role to play to organize to undermine pinkwashing. Because pinkwashing works and functions on the backs of racist tropes of Palestinians, Arabs, SWANA, and Muslims more broadly. We cannot let our vulnerabilities as trans and queer people be exploited in the pursuit of colonial violence and the genocide against Palestinians and all indigenous people. It was not surprising that some of the first folks who signed on to our letter were trans led organizations like the Transgender Law Center, like El/La, and indigenous organizations. It's not surprising because I think for folks who are leading trans led organizations, Trans and indigenous organizations, the relationship of self determination of bodily autonomy and to state violence and colonization is clear, right? Because ultimately colonization uses gender injustice and creating these wedges within our communities as a way to dampen our resistance and to keep us apart. So, I don't want to say more because our amazing speakers will speak and illuminate so much more of these issues. But I wanted to just state why it was important for Queer Crescent to support advancing these conversations. So, our first speaker today is Ghadir Shafie ( she and her). She is a Palestinian queer activist and the co founder of ASWAT, Palestinian Feminist Queer Center for Sexual and Gender Freedoms. A passionate advocate for the intersectionality of the struggle of Palestinian queer women, fighting multiple forms of oppression as Palestinians in the context of Israel's system of apartheid, military occupation, and settler colonialism, as women in a militaristic and imperialistic male dominated society, and as queers in the context of pinkwashing and homophobia. Ghadir promotes active solidarity for Palestine through global feminism and with queers. Thank you, Ghadir. Pass it to you.  Ghadir Shafie: Thank you so much. Hello from Palestine. Thank you so much for organizing this teach-in on pinkwashing. I am grateful for your presence here with me, witnessing in this horrible, horrible time. I will speak today for about 15 minutes, and I want you to bear in mind that since October 7th, Israel has killed over 18, 000 Palestinians. That is one Palestinian every 15 minutes. Imagine how many queer people are being killed daily by Israel. The scenes from Gaza are beyond description. They defy comparison, even for Palestinians, jaded by decades of occupation and settler colonial violence. Devastated landscape filled with craters and the blackened ruins of what were once people's homes, dead bodies or pieces of them. Orphaned children screaming in terror and incomprehension. Desperate survivors crying for food and water. Doctors despairing at the ever growing influx of wounded people they know they cannot treat. As a queer Palestinian watching these images of horror, one stood out as particularly revolting in a rather different way. It shows an Israeli soldier in the middle of the rubble of one of the many residential neighborhoods in Gaza, flattened by the Israeli indiscriminate military strikes. In the distance, smoke from Israel's carpet bombings hang in the air. The soldier is surrounded by Israeli tanks and demolish everything in their way. It is a scene of death and destruction The soldier stands holding a bright new rainbow flag. and Described it as a message of hope.  What hope can there be for 2.3 million Palestinians trapped over 16 years in the occupied and besieged Gaza Strip. In the words of UN Secretary General Antonio Guterres, Gaza has become a graveyard for Palestinians. They have no water. No food and no electricity as Israel has cut off what little it allowed in through its already suffocating siege. They seek shelter from Israeli bombings in hospital, UN schools, mosques, and churches, only to find these sites targeted by Israeli strikes. Those who can flee their homes along Israeli designated safe corridors only to have their vehicles shelved by the Israeli IDF soldiers. It seems incomprehensible that an Israeli soldier would pose a photo with a rainbow flag while participating in his army's mass slaughter of Palestinians and destruction of half of Gaza's homes. The truth is more sinister yet. This stunt, which was shared online by the Israeli state official social media accounts, is a textbook. example of obscene colonial pinkwashing. More than that, it is a pinkwashing on steroids. For years, Palestinian queers have denounced Israel's pinkwashing, a cynical strategy designed to use self proclaimed support for LGBTQIA plus rights as a pink smokescreen to conceal its 75 years regime of apartheid, which oppresses all Palestinians, no matter of our gender. or sexual orientation. All the while singling out queer Palestinians for persecution and blackmail. It is an attempt to falsely depict Israel as modern and a liberal country while diverting attention from its alignment with far right homophobic regimes and groups around the world and its current fundamentalist, racist, and homophobic government. In addition, Israel's pinkwashing agenda is a colonial tool that has the racist aim to misrepresent Palestinians as backwards, homophobic, and thus not deserving of human rights. It also tries to convince us, as queer and trans people, that we are somehow foreign in our society, and tries to turn us against our Palestinians brothers and sisters. I think there couldn't be any better example of Israeli pink washing than the photo that the Israeli soldier with the rainbow flag in the rubble. Israeli pink washing has always been dishonest and dangerous. It has always been racist and colonial. It has allowed Israel to continue its ethnic cleansing, besiege, imprisonment, and murder of Palestinians, queer and non queer alike, for decades. Now it's being used to cover up for genocide. In these dark times, Palestinians in besieged Gaza are bearing the brunt of Israel's full blown genocidal war and ethnic cleansing. Palestinians in the occupied Palestinian territories of West Bank, meanwhile, are also facing escalating waves of killing, torture by both Israeli military and illegal sectors. Apartheid, for Palestinians like myself inside Israel, is reaching new peaks as Israeli forces are targeting and suppressing any expression of sympathy with the oppressed. As hard as it is, we still maintain hope. We have no other choice. That hope comes from the grassroots mobilization that are forcing complicit governments and institutions to finally call for the bare minimum that is nevertheless the absolute priority: a ceasefire that will put a stop to Israel's carpet bombing and genocide of Palestinians in Gaza. Queer groups have been extremely instrumental in our struggle for liberation. Queer groups have been an important part of the mobilizations. Nearly 40 LGBT, QA plus groups across Southwest Asia and North Africa called for the immediate ceasefire stating ” we stand with justice, equality, progress, and liberty.” Throughout my life as a queer activist, I have proudly held the rainbow flag high as a symbol of queer inclusion, queer struggle, queer liberation, queer equality, and queer joy. The Israeli soldier participating in Israel's genocidal war on my people in Gaza has desecrated the flag, has disgraced the flag, and made it a mockery for all it stands for. Queer and trans people and groups are increasingly seeing through the pink smokescreen and rejecting Israel's pinkwashing and its war crimes and crimes against humanity. We will not stand by as our flag and our identities are co opted and used to justify a genocide. I call upon queer allies around the globe to remember none of us is free until we are all free. What can we do right now in these terrible times? Since 2005, Palestinians have proposed to you, our friends around the world, an entirely nonviolent method of ending Israel's power over our lives. An academic and cultural boycott of Israel. This strategy is known as BDS, Boycott, Digestment and Sanctions. BDS means boycotting all Israeli state sponsored institutions. This is not aimed at individuals, but at institutions financed by the state and that serve as extensions of the government that occupies us and keeps us under siege. We ask academics, staff and students not to speak at Israeli state funding organizations, including universities. We ask artists and cultural workers not to perform in apartheid Israel. Make sure that your universities are divested from Israeli money. Do not take israeli money for your conferences or film festivals. Do not accept deceptively free propaganda trips to Israel. End complicity with the government of Israel by among other things, cancelling all joint projects activities that are complicit with Israeli universities. Right now, the main demand is to stop the genocide. Stop the genocide and ask for ceasefire now.  So how can queer groups and queer people support queer liberation in Palestine?. One effort that is happening right now around the world is Queer Cinema for Palestine. Queer cinema for Palestine is a vibrant event that happens globally, established in 2021 to support queer art and queer cinema around the world. Today, there are more than 270 filmmakers and artists who signed our pledge to boycott Israeli film festival, to boycott Israeli institutions, and support queer liberation in Palestine. Queer Cinema for Palestine is happening online in more than 15 locations around the world from the 2nd until the 10th of December. Under the title, There's No Pride in Genocide, we gather together as artists to support, Queer Cinema for Palestine and the Palestinian struggle for liberation. There's not much to say. I think you've seen the image from Gaza. You've seen what is happening right now. This is not a regular panel on pinkwashing. It's happening during a genocide, where pinkwashing is also used to promote genocide. So, may I ask you as a Palestinian and as a queer Palestinian, please keep talking about Palestine. Palestine is a queer issue. Gaza is a queer issue, and there's no queer justice until we are all free. Thank you so much for organizing this and thank you so much for your work and activism on Palestine. You are saving lives right now. Thank you. Shenaaz Janmohamed: Thank you so much, Ghadir. Thank you so much for your passion, your commitment, reminding us that hope is an active choice that you're engaging in every day, despite all the odds, because that is the story of survival. Thank you for reminding and being so clear in the link to BDS boycott, divestment and sanction movement as tangible ways that we could be in solidarity with Palestine and to chip at the far reaching power of the Israeli state and settler colonial project. Thank you for showing the ways in which queer folks and queer organizations. use culture and art to tell different stories of survival with the Queer Cinema for Palestine. And thank you for showing up and being here with us. Thank you for all the ways that you hold communities, your fullness, and time to share and to lead us today. Wishing so much protection and safety to you and yours. Next we have Rabab Abdulhadi. Rabab Abdulhadi (she/her) is an internationally known scholar and distinguished professor and researcher. Her scholarship, pedagogy, and public activism focus on Palestine, Arab, and Muslim communities and their diasporas, transnational feminisms, and gender and sexuality studies. She is the Director and Senior Scholar in the Arab and Muslim Ethnicities and Diaspora Studies, and a Associate Professor of Ethnic Studies, Race and Resistance Studies at the Historic College of Ethnic Studies, San Francisco State University. She is also a treasure, a beloved teacher, organizer here in the Bay. I feel really grateful that you're here with us today for all the work, all the times that you've taught me. It's really such an honor to be able to host you and invite you in, Rabab.  Rabab Abdulhadi: Thank you so much Shenaaz, and I begin by acknowledging that my own university, San Francisco State University, sits on stolen indigenous Ohlone people's land, and I'm now on the east coast of the United States, where I am also present on the Lenape people's land that has been stolen and people have been displaced, just like it is in Palestine. I also want to thank Queer Crescent for organizing this with the Palestinian Feminist Collective and actually joining with Palestinian Voices. I'm very happy that my colleague, my sister, my sibling, Ghadir, was able to join us and has actually taken a lot of the things that I was going to focus on, and thank you, Yaffa, for especially naming even the poetry, Blood Oranges, because we know what oranges mean and how they have been used. And many Palestinians can't even eat oranges because it reminds them of the orchards that they've lost back home. So I start, if you don't mind, just Putting the first slide on. Yeah. And this is a slide if people can see it. This is actually was done in 2013 and it was organized by a group of underground artists, called themselves cultural jammers, to remake all the campaign that was at the time by Pamela Geller and other Zionist groups doing all this smearing and buying sides on the buses and so on. And the reason I mentioned because there is a connection between the cultural jammers and also the whole naming of pink washing because pink washing, some people say, emerged in Palestine. Some people say it emerged in the U. S. Some people talk about the whole question of washing and then the question of pink and so on. And I think for me as a researcher, a scholar, it's very, very interesting because there are so many origins of every single way that we are having the struggles. And so the colonial boundaries and borders that the colonialists and settler colonists try to impose upon us don't really work because we cross these borders at least maybe imaginary, maybe in our networks and so on. But why is it that pinkwashing persists? Ghadir spoke a lot about it. I'm just going to just emphasize a couple of things. It is necessary, very important for Israel public relations. Public relations is a very important project for it. This is why Israel consistently demands of the Palestinians and the Arab countries and the world, not only to recognize Israel's right to exist, but to recognize Israel's right to exist as a Jewish state, which in itself a very racist notion. And this is very much connected with the genocide that we're seeing now in Gaza, that also we have seen for 75 years of Nakba and for over 100 years of colonization of Palestine, because , the slogan by the Zionist movement was “a land without people, for a people without the land.” We can talk about “for people without the land” a little bit later, but let's talk about “a land without people”. In order to accomplish that and legitimize it, you have to arrest the people. You have to erase them. You have to erase their presence. You have to also discredit their discourse, their work, their culture, their interaction, their social relations, in order for you to present yourself as Israel does. And as Ghadir mentioned, as a modern state that is making the desert blue, which we know is not true, and by contrast, is the best friend of women and queer people, as a gay haven, as opposed to quote unquote the backward, savage. excessively homophobic, excessively misogynist, Arab world, Arab and Muslim world, and in which Arab men and Arab and Muslim and Palestinian men are presented as irrational, bloodthirsty, misogynist, haters of women and Queer people, and as women as being docile, as being only oppressed constantly, and need to be rescued by the colonists who will come in and basically realize what Gayatri Spivak spoke about I don't know, 30 years ago, the colonist project of trying to save brown people from brown communities and queer people from their own queer communities. And so in order for this to work, it has to be presented in all of these things that it is necessary. And it's very important for Israel to focus on its public relations. And this is something that has been actually very part and parcel of since the foundation of the state of Israel in 1948, a task that was assigned to the military, to the security of interior affairs to the Mossad, which is the CIA, outside intelligence, Shambit, the internal intelligence to everybody. And now we see more and more the Ministry of Strategic Affairs and other is, and the whole question of quote unquote branding, which I put it in parentheses because branding also refers to the ways in which people engage in slavery actually used to quote brand people whose lives they owned. So I put it in parentheses. I question it. But Israel is very big on that to brand Israel as a gay haven. Israel as a best liberator of women and so on.  This is also what we see today in the sense of Israel actually making a very public relation campaign and a very, very intensive campaign to claim that Palestinians have chopped off the head of children, which was even reiterated by the president of the United States without even thinking about it because he was quoting Israeli Officials who we know are not really known for telling the truth and then they had to retract it the second day but yesterday he repeated the same thing again and said there is the rape of women and so on which we do not have any evidence until now. We know that a lot of Israeli groups and Zionist groups like this group Bonat Alternativa and others are alleging, but we haven't seen any evidence of that. If there is any evidence of that, we will not stand for it. We condemn any kind of violations of gender and sexual, justice because we believe that gender and sexual justice is part and parcel with indivisibility of justice. So this is not something we are trying to cover, but this is very much part and parcel of the Israeli propaganda and it's churning machine, the Hasbara machine is everywhere and they keep changing their stories. And if we have time we can actually go over how each story has developed and moved from one place to the other. I'm also talking about the ways in which colonial feminisms or colonial quote unquote feminism, because feminism is supposed to be about the liberation of women as part of liberation of everybody, have been very much engaged in. But within that, there is also notion of blaming the victim. It is a very important aspect of it. So in order for the Israeli and the Zionist narrative to work, you have to blame people. And one of the very well known cases, for example, was the case of Mohammed Abu Khdeir, the young Palestinian teenager who was kidnapped from in front of his house on July 2nd, 2014, right around the big, big 2014 war on Gaza we talked about, and kidnapped by Israeli settlers who took him to a forest in Jerusalem that was built on the ruins of the village of Deir Yassin, where the massacre on April 8th, 1948 happened in order to facilitate the creation of the Israeli state. And they made him drink kerosene and set him on fire and burned him alive, which was a clear case of lynching. Now, what Israeli police tried to do was to actually say that Mohammed Abu Khdeir was killed by his own family to quote unquote salvage family honor. And they killed him because he was queer. And now if it wasn't for his father who had videotapes of the security cameras outside of the house and showed it– the Israeli police tried to confiscate it and basically destroy it– showed that these people came and kidnapped him. The relative would still be among colonists, among racists, among white supremacists, Zionists, that Palestinians are killing Palestinians and they are doing this all the time. So it's not only blaming the victim, but it also instilling and reinforcing the narrative of people, not only Palestinians, this happens with all indigenous and all colonized communities and all communities of color from time immemorial. You look at the history of the United States, this is something, this is a trope that keeps getting repeated again and again and again. And it's not an easy trope because It is not something that's only being said. It's not only a discursive issue. It's not a discursive issue that we need to deconstruct in the classroom because we know the history, including that. But recently, many people started learning more about the case of Emmett Till, the young Boy who was killed and the woman who actually accused him came out and said that she lied, but he was killed and he was lynched. And then his mom insisted on having open casket so everybody could see the crime. And there's so many more examples that we don't have time to get into all of them now, but this is part of the colonial narrative, the colonial strategy in order to discredit the people who are colonized and discredit their struggle.  And this is definitely a part in Gaza and it is, but the other thing is that it depends on the narrative of saying that our communities in particular as exceptionally sensitive and exceptionally traditional. And this is something that we saw in Abu Ghraib for example.  When they were talking about, we're not going to show the images of iraqi men are particularly insensitive. But we were raising the question, which men are okay with it, which women, which anybody, which non gender binary person, who would be okay with being subjected to sexual and gender violence; to being displaced like this and so on. Nobody will be. But the imaginary that it is trying to instill that's built on Orientalist, Islamophobic, anti Arab, anti Palestinian, anti Muslim racism as part and parcel of all kinds of racism basically makes it possible to do a little dog whistle in order for you to enforce all of this. We saw this also at the US Social Forum when Zionist groups stand with us, which now everybody knows what it is, tried to do a workshop around queer communities in the Middle East, and many of us objected to it. And the reason that it got through because the organizers thought that this would be something that would be actually really wonderful, bringing everybody together. They did not really investigate who this group was and what it was doing and did not coordinate with the many organizations that were at the U. S. Social Forum in 2010 in Detroit from our own community to see what is happening, what's going on, are you part of this unparceled hat? Even though the Palestinian queer organizations have existed for a very long time, and I think it was by then, if I'm not mistaken, Ghadir you can correct me that we organize a national tour and for all calls throughout the U S in order for people to speak and you all came and spoke in my own classroom. This is part of the stuff that keeps going back. And this is also the same thing that we hear around this group that I've mentioned now, and this propaganda that's happening, and also in terms of the ways when we passed the resolution on BDS in the National Women's Studies Association 2015, many Zionist groups came out and basically came with the whole question is there a place for Zionism and feminism? Many of the feminist groups have been targeted, including the International Women's Strike and so on. This is a continuous, systemic, persistent thing. This is not something that is out of random or accidental. And so what do we do about this? In addition to what Ghadir said, I think it's really, really important for us to say, how do we fight back? We fight back with multiple ways. One of the ways we do for example, organizing this in the classroom. So one of the things that we do in the Arab and Muslim Ethnicity and Diaspora Studies program ever since we were founded in 2007 is every single year we were partnering with the Pride Month at San Francisco State to organize sessions on the whole question of queer justice, and this is one of them. Even after San Francisco State stopped funding pride month, we continue doing it again and again. We believe that it's really important to connect the knowledge within the classroom with the knowledge outside and with the activism and advocacy. We do not separate what happens in the classroom, what happens in the academy from outside. So the academy is not producing knowledge that is divorced from reality. The people who are organizing are part and parcel of that. And so we've been doing this again and again. The other thing that is really, really important to think about is how do we work here, and I'm talking here in the diaspora, with groups on the ground, Palestinian queer groups who are working? So one of the examples that I would like to cite from our own experiences is when Al-Qaws was attacked by Palestinian police in Nablus trying to hold an event. My hometown Nablus. We were going to rush and say something, but we waited and we coordinated with Al Qaws and we asked, what should we do? And we did not do anything until Al Qaws came out because we were objecting to the whole question of saving queer people from queer communities, saving brown people from brown communities, the whole question of the colonial notion. And we were also taking leadership from the people on the ground who are day in and day out struggling. Once Al-Qaws came out with it, what we did is we published in one of the newspapers in the Bay Area, along with Queers Undermining Israeli Terrorism, which is a group that has been doing a lot of work for a very long time, and whose founder actually was chosen to be the Grand Marshall at Gay Pride Parade at San Francisco. And she turned down this honor and said, because I am here in Palestine struggling with the International Solidarity Movement at the time to oppose the apartheid world to oppose the repression by Israel and so on. So we organized together. And that's when we said we endorse. We support. This is really important sometimes to think about how do we take a back road and when is it we go public with things. At this point, we really need to go public and we need to defy all this propaganda that is happening.  This is part of what the solidarity mean. But this is not free. When we do something like this, there is punishment. And these are some of the flyers I'm showing from the Queer Liberation March that took place in 2019. This was the 50th anniversary of the Stonewall, Uprising. The Queer Liberation March at that time actually decided to refuse any corporate funding, to refuse to allow the police to go march in their own uniforms and so on, rejected the policing, rejected the state apparatus that represses people, rejected the corporate money and so on. As a result, there was space for us to be there. So we were organizing, we organized a big contingent under the banner of QAIA, Queers Against Israeli Apartheid, and also Queers A gainst Islamophobia.  So we participated and I took this banner and I put it on my Facebook page. This led to the another Zionist attack, which is trying to silence Palestine and were trying to criminalize Palestine in the curriculum, and especially targeting us and our program in particular. And they took it and didn't say what was on the banner. They just said that I'm spreading hate, and thus I should be– they had 86 organizations, some of them fake organizations– sign it, send it to the university, to the chancellor of California State University to the president of San Francisco State, saying that I'm spreading hate. This for them is hate. Palestine is a queer issue. BDS Zionism is racism. Silence means death. For them, this was something that was very problematic, and it was something that is undermining the Zionist propaganda, and Zionist project of colonizing Palestine and eliminating the Palestinian people like the genocide that we are seeing here, and trying to continue pushing the pink washing without having it exposed.  As a result, our program has been attacked again and again. The Lawfare Project executive director got on the TV, on Fox and friends, and made a lying statement. They sued me. And they sued San Francisco State and they sued California State University. But we defeated them. It was thrown out of court. It was dismissed with prejudice. But she lied about that. And she said that I'm spreading hate; that I'm one of the leading anti Semitic– Horowitz every single year pushes out a formula about the top anti-Semitic scholars, and they always give me number one. And I think they do it in May because this is the fundraising season for them. As a result, I started receiving death threats. However, and including to my own university and the threat voicemails on my office mail that said Muslims will die, which is the same phrase that the guy who killed Wadiah Al-Fayyumi in Chicago, stabbing him 26 times. He said Muslims will die. The university does not believe that this is actually a viable threat. And so they protect the right wing speech, which is white supremacist and Zionist is a protected speech protected that they can do whatever they want, put up hateful posters, do whatever they want against us, but we are not allowed to say so. And the university is not investigating death threat letters that actually came to me through the University President's office to my own office. However we refuse to be silenced. We refuse to lie down. And so we continued organizing. And one of the main events that we organize, and we do it every year, is this panel Queer Open Classroom that everybody can attend and come in. Queer justice against pink washing, exposing it, bringing scholars and activists, Ghadir was one of the people who spoke at that, in order for us to support liberation for Palestine as part of liberation of all, and to support gender and sexual justice as part and parcel of the indivisibility of justice. Thank you. Shenaaz Janmohamed: Oh, Rabab. I hope that you can feel all the tremendous. gratitude and love that you're getting in the chat. I think that there is such a clear longing to be hearing stories from elders, folks who have been in this fight for so long. Thank you for bringing in the long arc of queer Palestinian organizing. Thank you for bringing the long arc and history of queers being in solidarity for Palestine. It's so important that we understand that while this moment is so important for us to study, learn and act. It rests upon such a long arc and such a long history of organizing in solidarity with Palestine. Thank you for also speaking to Mohammed Abu Khdeir, thank you for speaking him into the space. Thank you for both of you reminding us to follow the lead of queer Palestinians. What we're trying to do with you all today with this teach-in is to really pull us together, circle around and invite us all to be following the lead of queer Palestinians so that we can take on this work as inextricably linked to our own liberation; to advance the work of undermining pinkwashing and Zionism as part and parcel to our queer liberation. So thank you so much, Rabab. Our last speaker, Shivani Chanillo with Lavender Phoenix. Shivani (they/them) is a trans non- binary second generation Indian American organizer. Shout out to the baddy Indian organizers out here, myself included. Their experience of active solidarity with Palestinian folks came in 2017 through exchanges they facilitated between their high school students in Baltimore, and students at Ramallah Friends School in the West Bank. These powerful exchanges stoked Shivani's passion for developing young people as critical thinkers grounded in revolutionary values and politics. As a leadership development coordinator at Lavender Phoenix, an organization that Queer Crescent deeply loves and feels deeply supported by and in deep siblingship with. Shivani continues this work by facilitating opportunities for trans and queer Asians and Pacific Islanders to practice values based organizing and contribute to intersectional movements. In particular, I just want to really say that we were so excited to invite Shivani and Lavender Phoenix in to our teach in as the final speaker, because Lavender Phoenix is one organization that really models, going back to the initial motivation of this teach in with our letter calling for a permanent ceasefire, calling on LGBTQ organizations and leaders to sign on to understanding pink washing and to support Palestinian liberation. Lavender Phoenix is one such organization that has really demonstrated such values align solidarity with Palestinian liberation. And so I'm really excited to bring you in Shivani to close us out to talk about how queer people, queer organizations can really double down on our solidarity.  Shivani Chanillo: Thank you so much Shenaaz for that introduction and to Queer Crescent for organizing this event. I just want to take a moment and just, I feel so deeply moved by the sharing from Rabab and Ghadir in this workshop and just sitting with the lineage within all of us as we take up Palestine as a queer issue. We have generations of lessons and decades of work and such powerful leaders here in this space, but all across the world to follow, and I feel so grateful and so excited to be joining in on this work and sharing a little bit about what Lavender Phoenix is doing in this moment. If you haven't heard of Lavender Phoenix, we build trans non binary and queer Asian and Pacific Islander power here in the Bay Area. We are a base building organization training grassroots leaders to build intersectional movements. As we witness an escalation of the ongoing genocide in Palestine I can say that our base is firmly grounded in the understanding that Palestinian liberation is part of our struggle and our responsibility as trans and queer Asian and Pacific Islander people. And so I want to start by sharing a little bit about what we're doing in this moment, before sharing about how our members arrived to this point. Since October 7th we have shifted our work accordingly. We have dedicated time to mobilize our members and our broader communities to action. We have educated each other to stay politically grounded. We have and will continue to support each other to process the grief of this moment and to remember hope, optimism, and commitment. In so many facets of our work, we are stepping into deeper leadership and responsibility to support our Palestinian comrades to win. And more tangibly across our six member led committees, this looks like offering healing support, coordinating our members who are trained in protest and digital security to support our comrades, coordinating contingents at in person and online actions, moving financial resources and funder attention to our Palestinian partners, and uplifting pro Palestinian messaging and calls to actions using our social media reach. Responding to Palestine and challenging pinkwashing is not a shift in our priorities, but it's actually a sharpening of our focus as an organization. We've organized our base over the years to recognize our interconnected struggles, and across our membership, we so deeply understand that the Palestinian struggle is our struggle. And Palestinian futures are our futures. All of the actions we are taking right now to support Palestine, to challenge pinkwashing are the result of so many tests, experiments, and trials that have helped us deepen our political purpose and grow our power. Many of these experiments and trials that we've conducted over the years really informed our current theory of change. And this is really critical to how we're organizing in this moment. Our emergent responses to sharpen contradictions in our world like we are witnessing with Palestine, are only possible because we organize within a consistent theory of change. A key part of our theory of change and a key part of my role as Leadership Development coordinator, is that we are committed to developing leaders who are rooted in our values, in our history, in emotional intelligence, and compassion, because we know that is how our movement will be sustained and will be effective. So we're not just developing members and masses who care about single issues, we're developing holistic, critical thinkers who care about solidarity with all oppressed people so that in moments like this, solidarity with Palestine is a natural choice in our larger fight for liberation. One of the really important ways we do this, and this workshop is a critical example, is we educate our base, our trans and queer API base, on our history. We dig into how systems of white supremacy, imperialism, colonialism, racial capitalism, and cisheteropatriarchy impact all of us across our identities in the past and in the present. Right now, the tools and tactics being wielded by fascist leaders to criminalize and punish trans people here in the U. S. are rooted in the same white supremacist, colonial, and imperialist ideologies used to justify the dehumanization and murder of Palestinians, particularly trans and queer Palestinians. As part of our theory of change, we've also spent intentional time educating our base about revolutionary politics like abolition and healing justice, and developing our skills for safety, for healing and resource mobilization that are applicable in moments all across our movement. We spent so much time since we implemented this theory of change in 2021 to build our base and grow our power so we can show up for our partners who are organizing for Palestinian liberation in this moment. We have spent so much time cultivating our skills and knowledges so we can support our movements beyond just trans liberation.  I want to end just by sharing a little bit of a story. A few weeks ago, our members participated in a direct action that asked many of them to step into higher risk than they had before. Prior to the action, we met to get grounded together. Folks shared their fears, but they also countered those fears with a really rooted sense of purpose. So many of our members talked about how they wanted to look back on this moment and know that they and we as an organization did everything in our power to support Palestinian liberation. And they spoke about the sacred responsibility and duty we have in this moment to show up in solidarity. I feel so moved, even now, just thinking back to that moment and feel so much gratitude to our members for taking new risks, to the generations of leaders in our organization and our movement who have led us to this point, and I feel immense admiration and gratitude to the long lineage of Palestinian queer and trans resistance, and current day organizers who are guiding us right now. For Lavender Phoenix, this moment is really helping us clarify our power, and for many of our members, this moment is helping them clarify their political purpose. The things all of our Palestinian siblings are fighting for, self determination, safety, healing, community, decolonization, these are the things that we as trans and queer API people here in the Bay Area so desire for ourselves as well. We refuse to let our transness and our queerness be co opted for violence and displacement and genocide, and we know that our struggles and our futures are united, and we're committed to fighting alongside our Palestinian comrades until we are all free. Thank you so much for letting me share. I'll pass it back to Shenaaz. Shenaaz Janmohamed: Shivani, thank you so much for bringing all of it. Lavender Phoenix, I just can't swoon on y'all enough. You model that clarity of purpose and power and grace. There's also such deep humility and grace to be in constant learning. As an emerging organization, an emerging queer organization, I just have to say Queer Crescent feels so deeply held by y'all and really inspired with the path that you are leading and inviting us all towards.  This piece around letting this moment sharpen the focus. It's not a pivot. I think I've even said, we're pivoting, we're in rapid response. Part of our political principles as an organization is understanding anti Zionism as part and parcel of the white supremacist project. And so this is not a pivot, it's not a rapid response, but to your point, it's a sharpening and it's a double down of our commitments, principles and priorities. So thank you for naming that.  Cheryl Truong: And that's the end of our show. Tonight's show was a broadcast of the Resisting Pinkwashing teach-in co-led by Queer Crescent and the Palestinian Feminist Collective. It was moderated by Shenaaz Janmohamed, executive director of Queer Crescent and featured poetry by Mx. Yaffa of MASGD, and guest speakers, Rabab Abdulhadie from the Palestinian feminist collective, Ghadir Shafie of ASWAT, and and Shivani Chanillo from AACRE Group Lavender Phoenix. Learn more about the incredible work of these incredible organizations and sign on to Queer Crescent's cease fire campaign through the links in our show notes.  Apex express is produced by Miko Lee, Paige Chung, Jalena Keane-Lee, Preeti Mangala Shekar. Shekar, Anuj Vaidya, Kiki Rivera, Swati Rayasam, Nate Tan, Hien Nguyen, Nikki Chan, and Cheryl Truong   Tonight's show was produced by me, cheryl. Thanks to the team at KPFA for all of their support. And thank you for listening! The post APEX Express – 05.30.24 – Resisting Pinkwashing appeared first on KPFA.

At a dance studio in Minneapolis recently, Leila Awadallah reflected on what Mizna means to her. “When I found Mizna, that's when I unlocked this portal into this beautiful world of Arab Americans and of stories from countries that I longed to know deeper,” Awadallah said. The choreographer and dancer is half white, half Palestinian and grew up in South Dakota. She's one of the many artists who say they've found a place of belonging and cultural connection through Mizna.Kathy Haddad and Saleh Abudayyeh founded Mizna in the late ‘90s as a platform for contemporary literature, film, art and cultural production — highlighting the work of Arab, Southwest Asian and North African, or SWANA artists.Its cornerstone event is the annual Arab Film Festival. As the organization marks its 25th anniversary in the Twin Cities, Haddad looks back on what motivated her to start it all. “I wanted to see stories about our experience, about my experience. I read, and was inspired by Asian American writers, African American writers and lots of writers. And I didn't see any Arab American writers,” Haddad said.Mizna Executive and Artistic director Lana Barkawi is Palestinian and joined the organization in 2011. She says the organization has played a critical role in connecting creatives to their cultural identity.“The things that motivated the establishment of the organization still hold true today that we exist in a cultural context that marginalizes us and really, you know, boxes us into stereotyped ideas of who we are,” Barkawi said. Since its founding, Mizna, the Arabic word for ‘a desert cloud that holds the promise of rain,' has featured more than a thousand Arab and SWANA writers in its literary journal both locally and internationally. One of those writers is Marlin M. Jenkins — a half Lebanese, half Black writer and high school English teacher who's been published by Mizna.“I think Mizna has really helped me find that I think there's a lot of what I have learned about myself and about the world of what it means to be from Southwest Asia that wasn't able to come from my immediate family. A lot of that comes through the arts, especially through writing and poetry,” Jenkins said. Awadallah says she was visiting family in the Palestinian town of Beit Jala in the occupied West Bank in October but had to leave and come back to the U.S. She says she feels her body is still in her ancestral land. A recent performance for Mizna helped connect her to the part of herself that's still in Palestine. “My body started coming back and my voice started coming back and I was held by the Mizna community and so many others, the room was so full of people who are just ready, you know, to sob and to let the feelings be real together,” Awadallah said.Barkawi says times have been exceptionally tough for the organization and its artists. “Well, you know, we're marking our anniversary, and it feels difficult to be in a very celebratory mood because we're witnessing a shattering and grotesque cruelty in Gaza,” she said.Her hope is that she no longer feels the need to emphasize a heightened importance of the organization's work. “We're more than our traumas, we're more than the portrayals of us,” Barkawi said.She says the goal is to reclaim narratives and tell stories without always responding to tragedy, and to create an unburdened place for artists to create work on their own terms. 

rabble editor Nick Seebruch sits down with Alex Stratas from Climate Justice uOttawa to talk about the work they do fighting for climate justice on and off campus.  Climate Justice uOttawa is a student run, grassroot organization aimed towards achieving climate justice within the uOttawa community and beyond. Their mission includes encouraging universities to fully divest from organizations which fund fossil fuel projects.  Alex Stratas (she/her) is a third-year political science and communications student at the University of Ottawa with experience in advocating and organizing grassroots campaigns on the climate crisis through her work as co-president of Climate Justice Climatique uOttawa (CJCUO). She is passionate about community advocacy, world literature, and international politics—mostly regarding the SWANA region and the intersection of identities. She is often found reading, listening to music, or complaining about the public transit system in Ottawa. If you like the show please consider subscribing on Apple Podcasts, Spotify, or wherever you find your podcasts. And please, rate, review, share rabble radio with your friends — it takes two seconds to support independent media like rabble. Follow us on social media across channels @rabbleca. 

Jiselle speaks with Nathalie Farah, advocate, writer, and creative from the SWANA region, and Disrupt Wars campaigner, about the Elbit Out campaign that launched on Mon 15 Apr as part of the A15 global economic blockade, and why its vital to dismantle all systems and partnerships connected to genocide and warfare. Nasser then provides commentary on issues related to geopolitical and diplomatic concerns, corruption in leadership, and contravention of international laws as the ongoing fight for self determination continues for Palestinians. Petition - End partnership with Elbit Systems. Sign petition.Free Palestine Melbourne rally, State Library Victoria, Sundays 12pm.Updated info on upcoming events and actions via Free Palestine Melbourne Instagram.Daily broadcast updates via Let's Talk Palestine. 

This week on Sparkleside Chats, Ayu talks with magical translator Sasha about the second half of Hime-chan's Ribbon (1992). You can find her on ⁠Twitter⁠ or BlueSky. News (1:00) New comics: Magilumiere #11, “You're Banished!” The Banished One Was Not Me But the Silent Magical Girl #1, Magical Girl Regina Lena #1, Magical Girl 201 #1, Magical Maiden Mimi available for preorder now! New games: The Witch Trials of the Magical Girls, Witchroid Vania, Rainbow Cotton New musicals: Winx Forever, Dancing Star PreCure (2?) AiPri gets a simulcast… in Spanish only! What I'm watching: (6:45) Magical Girl Aiko Wonderful PreCure Princess Gwenevere and the Jewel Riders Main Topic (10:30) Warning for kidnapping, mention of death, fatphobia, and racism against people of the SWANA region. Series mentioned: Lyrical Nanoha Precure Healer Girl Acro Trip Magilumiere Co Ltd Magical Girl Tsubame Minky Momo Sailor Moon Sally the Witch Himitsu no Akkochan Digimon Mama's a Fourth Grader Music featured:  The Energy of Your Smile (Opening) First Summer (Ending 2) Original podcast music by Hazel, @⁠⁠⁠⁠⁠⁠⁠⁠afewbruises⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Want to share your idea for a topic or guest? Submit your idea here!⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Extra special hugs to anyone who buys something off the magical wishlist!⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord!⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Commission Ayu for art, drop off a donation, or sign up for bonus episodes on Ko-fi!⁠⁠⁠⁠⁠⁠⁠⁠ Feel free to leave a message on Anchor about your favorite magical girl series and it might just appear on a later episode. Find the podcast online on Twitter or Instagram @⁠⁠⁠⁠⁠⁠⁠⁠magicalgirlayu⁠⁠⁠⁠⁠⁠⁠⁠ or on Anchor at sparkleside, and don't forget to comment online with the hashtag #SparklesideChats! Contact us by email or DMs. --- Send in a voice message: https://podcasters.spotify.com/pod/show/sparkleside/message

Joined by our friends Darya Bajestani, Roxana Hadadi, Ali Nasser, and Zaina Ujayli (while sadly missing Mae!), we're live at D.C.'s premier comic-con, Awesome Con! In this panel of SWANA writers, scholars, artists, and actors, we will discuss how we grew up feeling or not feeling represented, how Hollywood has constantly Orientalized our peoples, excluded us, and appropriated our cultures, where we see signs of improvement, our favorite examples of SWANA representation and SWANA creators in pop culture today, and what Hollywood needs to do to have our peoples represented more broadly and positively across pop culture.    Check out the panel on The Nerds of Color YouTube channel   Rocky's analysis of Dune 2 for Vulture   Decolonize Palestine Support UNRWA Support the Palestinian American Medical Association (PAMA) and families in Gaza Six ways you can support Palestinians in Gaza Islamic Relief USA: Support Families in Palestine   Follow Rocky on Twitter @roxana_hadadi Follow Ali on social media @TheAliNasser Follow Darya on social media @rorvkk Follow Zaina on social media @zainaujayli Follow us on social media: @TheMiddleGeeks Subscribe to The Middle Geeks on Hard NOC Media   Our music is composed by Ashley Hefnawy. You can find more of her music here. We are a proud member of the Hard NOC podcast family. Please support us on Patreon!

Roxana Hadadi joins us once again to review the Dune franchise, now with Dune: Part Two in theaters. In a franchise that appropriates so much from SWANA and Muslim cultures, does the second installment improve on that regard, or does it continue to appropriate and Orientalize? But even beyond that, does Denis Villeneuve effectively convey the meaning of Frank Herbert's original text, and its warning against hero worship? Or have audiences taken the wrong message with this latest installment? We discuss all of those aspects, talk about what you can do to help Palestine, give our recommendations, and much more.   Rocky's analysis of Dune 2 for Vulture. Come join us at our panel at Awesome Con in Washington, DC, 'The State of SWANA Representation in Pop Culture,' March 9, 2:30-3:15 at the Walter E. Convention Center!   Decolonize Palestine Support UNRWA Support the Palestinian American Medical Association (PAMA) and families in Gaza Six ways you can support Palestinians in Gaza Islamic Relief USA: Support Families in Palestine Follow Rocky on Twitter @roxana_hadadi Follow us on social media: @TheMiddleGeeks   Subscribe to The Middle Geeks on Hard NOC Media Our music is composed by Ashley Hefnawy. You can find more of her music here. We are a proud member of the Hard NOC podcast family.

Choosing to pursue a career as an actor and media personality is hard. Choosing to pursue such a career as someone of South Asian or SWANA descent is hard. Becoming a mother is…you guessed it, also hard. Doing all three? That's just awe-inspiring. In this episode, Marilyn and Rhea sit down with Dubai-based Pakistani actor and media personality Rabab Hashim. Rabab shares how she fell in love with the stage and screen at a young age, her experience navigating motherhood in the entertainment industry, and how her partner and community have supported her in this chapter of her life. Rabab also reflects on Pakistani/global south representation in the media, and what her next career moves are. Rabab Hashim is a Dubai-based Pakistani actor and media personality who has appeared on stage, television, web series, and many other media formats. Her major credits include Ishqaway (2015), Enaaya (2019), and Tinkay Ka Sahara (2022). Who Run the World is a production of Reyzin Media. Hosted by Rhea Chedid and Marilyn Zakhour. Produced by Ahmed Ashour. Follow Who Run the World on Instagram and Tik Tok at @whoruntheworldpod.

We welcome back our friends Jasmin and Isa to discuss Assassin's Creed Mirage, a sprawling action-adventure game from Ubisoft set in 9th Century Abbasid Baghdad, that tells the story of Basim Ibn Ishaq (Lee Majdoub) and his mentor Roshan (Shohreh Aghdashloo). We go into detail on why this game is the the best Iraqi, Arab, Persian, Muslim, and SWANA representation we've ever seen in gaming, and why the story and setting resonated with us so much. Beware of spoilers later the conversation. We also discuss the tragic news of the unfolding Israeli genocide in Gaza, and what we can keep doing to support Palestinians and work towards a Free Palestine.   Full Spoilers for the ending of Assassin's Creed Mirage from 1:01:00-1:17:31 Come join us at our panel at Awesome Con in Washington, DC, 'The State of SWANA Representation in Pop Culture,' March 9th, 2:30-3:15 at the Walter E. Convention Center!   Decolonize Palestine Support the Palestinian American Medical Association (PAMA) and families in Gaza Six ways you can support Palestinians in Gaza Islamic Relief USA: Support Families in Palestine Masha Gessen's piece in The New Yorker: 'In the Shadow of the Holocaust'   Swara's piece on Assassin's Creed Mirage for But Why Tho? Swara's interview with Shohreh Aghdashloo for But Why Tho? Swara's interview with Lee Majdoub and Narrative Director Sarah Beaulieu for But Why Tho?   Our music is composed by Ashley Hefnawy. You can find more of her music here. We are a proud member of the Hard NOC podcast family. Follow us on online @TheMiddleGeeks Follow Jasmin online @jasminjoestar Follow Isa online @evilcleverdog Subscribe to The Middle Geeks on Hard NOC Media Please support us on Patreon!

In this special episode of both the Majlis podcast of the Muslim Societies-Global Perspectives project at Queen's University in Kingston, ON and Guerrilla Radio, an activist companion podcast to Guerrilla History podcast, Adnan Husain and Matt Deitsch, part of the Guerrilla Radio activist network, discuss campus organizing, the repression of Palestinian solidarity at universities, and how faculty and students have responded. A diverse group of students and faculty from Syracuse University joined the program to discuss the range of issues about academic freedom, the denial of expertise, the persecution of racialized communities, and repression of pro-Palestinian solidarity. They issued a call and petition making concrete demands that has articulated the shape of the intersectional struggle for freedom and justice in the neoliberal university and for Palestine. Statement of Solidarity in Opposition to the Repressive Climate on US Campuses (Faculty for Justice in Palestine-Syracuse University) USACBI, BDS call for Faculty of Palestine chapters: https://usacbi.org/faculty-for-justice-in-palestine/ Bios: Co-Host: Matt Deitsch is a filmmaker, writer, educator and organizer w/NNOC (National Network on Cuba), Friends of Swazi Freedom, Progressive International and in Democratic Socialists of America's International Committee.  He has a political economy background through work at the IDEAs Institute, a development economics institute located in India. Guests: Sophie Clinton is from Syracuse, NY, and is currently studying to get their MPA at Syracuse University. Their research focuses on the study of global atrocities, historical memory, and genocidal patterns with a focus on contemporary Latin America. Their current project is on the ways in which family planning policies under the authoritarian regime of Augusto Pinochet played a role in queer erasure and heightened violence against the queer community. Their other research interests include historical atrocities in the Middle East and South Asia. MoAde M. J. is a recent alum of Syracuse University and the University of Illinois at Chicago with a Bachelor of Arts in Political Science. They are a poet, essayist, and creative nonfiction writer who pays special attention to the fields of regenerative agriculture and afrofuturism. They founded the @blackatcuse Instagram account to provide a platform for radical honesty about the experiences that Black and Indigenous students have at Syracuse University.  Biko Mandela Gray is a writer and ethicist concerned about life, liberation, and freedom. He is also an associate professor of religion at Syracuse university, where he teaches on politics, ethics, and race. He is the author/co-author/co-editor of three books, all of which interrogate the religious and/or philosophical dimensions of antiblackness in the west. Carol Fadda grew up in Beirut, Lebanon and is currently faculty member at Syracuse University. Her teaching and scholarship lie at the intersections of American Studies, transnational SWANA studies, and women's and gender studies. She focuses in her work on critical engagements with race, gender, war trauma, carcerality, cross-racial solidarities, and transnational belonging across the US and the SWANA region. Dana Olwan teaches in the Women's and Gender Studies Department at Syracuse University. She is a core member of Faculty for Palestine-Syracuse University chapter. Keep up to date with the lastest Guerrilla Radio episode releases by following ⁠⁠⁠⁠Guerrilla History⁠⁠⁠⁠ on twitter The intro/outro song is ⁠⁠⁠⁠Model Home by snny ft. Topaz Jones

Ever thought of business strategy as just an elaborate chess match? Think again. Join us as we dive into the heart of strategy and execution, revealing the true force driving your business success: the people crafting your products and services.Step into the enlightening world of Dr. Ken Baylor, who brings to the fore the often underappreciated power of organizational behavior in sculpting a winning business strategy. Unearth the insight that a company's true pulse isn't just in its numbers, but in its vibrant culture, core values, and nimbleness. Realize the potential of organizational behavior to give your business a distinct edge, moving beyond conventional product differentiation. Navigate through the intricate corridors of hiring practices, thriving workplace cultures, and their transformative power in shaping business trajectories. As we climax with an emphasis on human capital, discover how pooling the collective expertise, insights, and unique characteristics of your team can unlock unparalleled competitive advantages. Get ready for a dose of groundbreaking insights set to redefine your strategic compass.Dr. Kenneth M. Baylor [Guest] boasts an illustrious career marked by his ability to spearhead organizations through rapid growth and drive enhanced operational effectiveness. As an Executive Officer and Vice President of leading multi-billion dollar service entities, he has championed strategies that cemented competitive advantages. Recognized widely for his leadership, Dr. Baylor has been honored with awards such as the NWRA's “Distinguished Service Award” and SWANA's “Robert L. Lawrence Lecturer Award.” A sought-after keynote speaker, his insights have graced the pages of esteemed journals, with his work on authentic leadership and talent retention standing out. Notably, his contributions to academia are underscored by top-rated courses at Harvard University and other prestigious institutions, reflecting his expertise in leadership, management, and business strategy. Travis C. Mallett [Host],  is  a Masters of Liberal Arts (ALM) degree candidate at Harvard University Extension School, where he has also earned Professional Graduate Certificates in both Organizational Behavior and Strategic Management. Travis previously received undergraduate degrees in Electrical Engineering, General Mathematics, and Music from Washington State University. He also served as an Engineering Manager at Schweitzer Engineering Laboratories, where he led a team responsible for developing and maintaining SEL's highest-selling product line. An innovative force in engineering, Travis holds numerous patents and has authored papers and books across diverse subjects. His passion for continuous learning and organizational excellence propels him to explore and illuminate the intricacies of management theories. Through his podcast, "The Management Theory Toolbox", he offers valuable insights on effective leadership, business innovation, and strategic methodologies.Want to dive in even deeper? Visit the full show notes for this episode.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists.   A teach-in by Queer Crescent in collaboration with Palestinian Feminist Collective – Palestine is a Queer Issue: Resisting Pinkwashing Now and Until Liberation. Featuring guest speakers Rabab Abdulhadi from Palestinian Feminist Collective, Ghadir Shafie of ASWAT, Shivani Chanillo from Lavender Phoenix, poetry by Mx Yaffa from Muslim Alliance for Sexual and Gender Diversity (MASGD). Moderator by Shenaaz Janmohamed of Queer Crescent. Important Links and Resources: Sign on to Queer Crescent's Ceasefire Campaign for LGBTQI+ organizations and leaders Queer Crescent's Pinkwashing Resources  Queer Crescent Website Palestinian Feminist Collective Website ASWAT Instagram (@aswatfreedoms) Lavender Phoenix Website Muslim Alliance for Sexual and Gender Diversity (MASGD) Website Purchase Blood Orange by Mx. Yaffa Transcript Shenaaz Janmohamed: Thank you all so much for being here today. Welcome to the “Resisting Pinkwashing Now Until Liberation” teach-in. Queer Crescent is honored to host this teach in in partnership with the Palestinian Feminist Collective, Lavender Phoenix, The Muslim Alliance for Gender and Sexual Diversity or MASGD, Teaching Palestine, and Arab and Muslim Ethnicities and Diaspora Studies   Thank you all so much for joining us and for tuning in. My name is Shenaaz Janmohamed. I use she and they pronouns. I'm the executive director of Queer Crescent.  Queer Crescent is really thrilled to offer this Teach-in and to be in learning with you all for the next hour and a half on Pinkwashing in particular, as we hold grief and rage and mourn towards healing, towards resistance, towards a free Palestine. Joining the resounding people all across the world who have been calling for a permanent ceasefire. To not let the violence and the destruction of Gaza go without our clear and determined voice to say that this is not okay, that we, our tax dollars should not be paying for this, that we do not consent to genocide. And as queer people, as trans people, it is very much a queer issue to be in solidarity with Palestine. For the next hour and a half we will take time to learn from Palestinian organizers. in Palestine, in the U. S., around the ways in which this moment can be used to understand our relationship to pinkwashing in particular and to Palestinian solidarity in general. And so thank you again for being with us today. We're going to start our Teach in with poetry, because we deeply believe as a queer Muslim organization in the power of cultural work, cultural change, and imparting our shine as queer people into the culture. That is the way that our people have survived. That is the way that people share their histories their survivalship is through culture. And so, before I bring up Yaffa, who's a dear friend and comrade, and also the executive director of MASGD, the Muslim Alliance for Gender and Sexual Diversity, let me introduce Yaffa. Yaffa is a trans Muslim and displaced indigenous Palestinian. She is sharing poetry from her new book, Blood Orange, shout it out, please get a copy if you haven't already, which is an emotional, important, and timely poetry collection. Their writings probe the yearning for home, belonging, mental health, queerness, transness, and other dimensions of marginalization while nurturing dreams of utopia against the background of ongoing displacement and genocide of Indigenous people. Join me in giving some shine, energetic shine to Yaffa, and I'll pass to you. Mx Yaffa: Hi everyone. It's so nice to be here with you all. So excited to share space with all of you, with all the incredible panelists, with the entire Queer Crescent team, y'all are just incredible. Right before this, me and one of the other panelists realized we could potentially be related. So that's the beauty of having spaces like this, where you connect with people that you've kind of been missing your entire life, but you didn't even know that they were missing. I'm excited to recite some poetry for you all from my new collection. Just a little bit about the collection before I recite some poetry.  This collection was written for the most part, on the weekend of October 13th to the 15th. Some of y'all might remember that there was an eclipse during that weekend. And I really wanted to find something that would really center queer and trans Palestinian experience in particular, and also would just support me in navigating my own processing of everything that's going on.  I have family both in Gaza and the West Bank still. I'm originally from Jaffa and Jenin, but I've kind of lived in nine different countries. So when I say I'm displaced, it's displacement from various different wars, various genocides, various everything. And the result of that was Blood Orange.  I tried to get it out as quickly as possible and here we are. The first poem that I'll read is called “Healthy”. And I'll talk a little bit about each of these poems after I read them. It's called “Healthy”. We are not meant to be okay, when genocide is our neighbor that is funded by our labor. We are meant to be a mess, our sleep tearing into reality, anxiety brewing, wondering what is hope. We are meant to tear at the seams of reality, realizing a reality built on oppression is bullshit. We are meant to realize and demand all we are worth. Self actualization, wholeness. Things systems built off of genocide can never. Our response labeled by western capitalism as wrong is healthy. We move to wholeness always, they move to pain attempting to drag us with them. So this was actually the very first poem that I wrote for this collection and it was in that first week of the genocide immediately following October 7th when so many people were really struggling with what do we do with all of this, right? We're witnessing an entire genocide right before our eyes. And what do we do? There was a lot of hopelessness going around and a lot of narratives, at least in what's known as the United States and the global north that's always told us that all of that is wrong. That we're not supposed to be overwhelmed by things. But for me, with all the practices that I have, it's actually healthy to be overwhelmed right now. We're not supposed to know how to let genocide live in our bodies with ease. We still show up, we still do the things, and yet at the same time, we honor it. That it is a large experience. This is not normal. This is not something that should be happening all the time or ever. And so really wanted to honor that of the world that we live in is not what we deserve. For us to be overwhelmed right now is actually healthy, is where we should be. So the second poem I will read kind of goes into the conversation of today around pinkwashing.  This one's called “At Odds”.  My transness and a colonized perception of Palestine are at odds. They think it's because of lack of modernity. I say I have only received death threats targeting my transness from white people, Zionists, and other various political affiliations. I say only white people around me have ever disowned their own. Yet I do not talk to sisters who choose to buy into imperialist transphobia, claiming it as their own. My parents do not understand how some of their children could hate anything any of their children could be, why anyone would hate what they do not know. I won't talk much about pinkwashing because I know we'll get to that today. But in particular, most queer and trans Palestinians over these last eight weeks have been receiving such immense violence from the broader LGBTQ community telling us that our people are the ones who are going to kill us. I've been receiving death threats my entire life in particular as an organizer since I was 19, and I have literally never received a death threat from anyone from our region from any Muslim person. It has always been white people who have sent me death threats specifically for my queerness and my transness. Let alone everything else. And so that, that poem just kind of honors that experience.  I'll read one more, and I'll say just a few words before I read this last one. For me, the arts are so important. Not just as a tool for resistance, but also as a tool for world building. Often we think of the world is what creates art, rather than art is what creates the world. If you look at literature, even with Zionism, Zionism was in literature 100 years before it was ever named. I think about that of what is the world that we are building, what is the world of tomorrow that we get to write about and paint about and do all different kinds of art forms about today. And so this last poem kind of brings a little bit of that into it. The collection goes into the topic of utopia as we're exploring all of these other things. and as we're experiencing this genocide. So this last poem is called “Land Back”. I do not know names wiped from time in Gaza Like I do not remember the names Of great uncles and aunts Who have been reclaimed by our land To say they were murdered Is to claim loss that our land will never feel For we are made of her And regardless of how many layers of phosphor fill the air We return to her in our deaths They may exacerbate the process of our return, but return we shall. Standing thousands of miles away, I know even here she will take me back for distance is a creation that is buried with bodies that were never ours. We are not the ones who take land back, it is land that takes us. There will come a day when the sun sets on a world and rises in another, when indigenous sovereignty is honored. Where queerness no longer exists, where transness is no longer an identity, where humanity means something genuine. So I wanted to end with that, on a note of everything that we're doing right now, all of the resistance is world building. We're building the world that we have always deserved. So I'll leave you all with just one final thing about the book, like I mentioned, the reason I wrote this book in the first place and published it is to raise awareness about queer and trans Palestinians in particular and our experiences, and also to fundraise for queer and trans Palestinians both on the grounds in Gaza and in the diaspora. So 100 percent of all the proceeds from Blood Orange go directly towards that.   As we're getting deeper and deeper into this, the needs of the queer and trans Palestinian community is getting so immense, both on the ground in the region and in the diaspora. Over just the last few days, I've received over $20,000 worth of requests from individuals because people are being doxed, people are receiving death threats, people are losing their jobs. In one case, people are losing their children. There's a lot happening. And so just wanted to leave with that. I want to invite you all to pay attention to those needs and honor them, especially as we go into next year and into the elections. Thank you again for having me. It was such a pleasure to be here. And I'm so excited for the rest of this. Shenaaz Janmohamed: Thank you so much, Yaffa. It's so wonderful to have you here. And it feels so important to start our teaching with the ways in which poetry, culture, moves and inspires us. It opens our hearts in ways that feel both healing and necessary as part and parcel to our organizing and our deep learning. As my comrade and partner Saba says, to growing our empathy to be able to show up with more depth, more commitment, and more resolve towards these issues because we are deeply interconnected. So thank you again, Yaffa..  Before I turn to introduce our other panelists, I wanted to just ground us for a moment in why Queer Crescent, along with the many partners that I named at the beginning felt it was important to host this teach in. Back on November 3rd, Queer Crescent in collaboration with the Palestinian Feminist Collective drafted and released a letter calling upon LGBTQI organizations, leaders, and influencers to join Queer Crescent and Palestinians in calling for an immediate ceasefire. And in particularly to take up understanding and resisting pinkwashing as a queer issue. The frame ” Palestine is a queer issue” is very much an homage of Palestinian Feminist Collective who tirelessly make the links around gender justice, bodily autonomy, self determination, sovereignty to the project of Palestinian liberation. Seeing them as part and parcel of the same project of liberation, and we very much are inspired and in deep gratitude to PFC and all the tireless folks who make those links so clear and apparent to us. We are also in deep gratitude to organizations like Al-Qaws, based in Palestine, who have been telling us about pink- washing for a long, long time, and we are finally doing our part to answer the call as an organization as Queer Crescent. Since we shared this letter, over 350 individuals have signed on, over 65 organizations have joined us in a commitment to calling for permanent ceasefire. This teach in is part of our commitment to moving those who have signed, ourselves included, and the many others who have joined us today. To deepen our shared resolve to a free Palestine through learning about pink watching as a propaganda tool of Israel and settler colonial state violence, and to allow this moment to transform us so that the grief is not in vain, towards a more fierce committed and clear stance of solidarity with Palestinian liberation movement. As queer and trans people and within LGBTQI organizations, we have a distinct role to play to organize to undermine pinkwashing. Because pinkwashing works and functions on the backs of racist tropes of Palestinians, Arabs, SWANA, and Muslims more broadly. We cannot let our vulnerabilities as trans and queer people be exploited in the pursuit of colonial violence and the genocide against Palestinians and all indigenous people. It was not surprising that some of the first folks who signed on to our letter were trans led organizations like the Transgender Law Center, like El/La, and indigenous organizations. It's not surprising because I think for folks who are leading trans led organizations, Trans and indigenous organizations, the relationship of self determination of bodily autonomy and to state violence and colonization is clear, right? Because ultimately colonization uses gender injustice and creating these wedges within our communities as a way to dampen our resistance and to keep us apart. So, I don't want to say more because our amazing speakers will speak and illuminate so much more of these issues. But I wanted to just state why it was important for Queer Crescent to support advancing these conversations. So, our first speaker today is Ghadir Shafie ( she and her). She is a Palestinian queer activist and the co founder of ASWAT, Palestinian Feminist Queer Center for Sexual and Gender Freedoms. A passionate advocate for the intersectionality of the struggle of Palestinian queer women, fighting multiple forms of oppression as Palestinians in the context of Israel's system of apartheid, military occupation, and settler colonialism, as women in a militaristic and imperialistic male dominated society, and as queers in the context of pinkwashing and homophobia. Ghadir promotes active solidarity for Palestine through global feminism and with queers. Thank you, Ghadir. Pass it to you.  Ghadir Shafie: Thank you so much. Hello from Palestine. Thank you so much for organizing this teach-in on pinkwashing. I am grateful for your presence here with me, witnessing in this horrible, horrible time. I will speak today for about 15 minutes, and I want you to bear in mind that since October 7th, Israel has killed over 18, 000 Palestinians. That is one Palestinian every 15 minutes. Imagine how many queer people are being killed daily by Israel. The scenes from Gaza are beyond description. They defy comparison, even for Palestinians, jaded by decades of occupation and settler colonial violence. Devastated landscape filled with craters and the blackened ruins of what were once people's homes, dead bodies or pieces of them. Orphaned children screaming in terror and incomprehension. Desperate survivors crying for food and water. Doctors despairing at the ever growing influx of wounded people they know they cannot treat. As a queer Palestinian watching these images of horror, one stood out as particularly revolting in a rather different way. It shows an Israeli soldier in the middle of the rubble of one of the many residential neighborhoods in Gaza, flattened by the Israeli indiscriminate military strikes. In the distance, smoke from Israel's carpet bombings hang in the air. The soldier is surrounded by Israeli tanks and demolish everything in their way. It is a scene of death and destruction The soldier stands holding a bright new rainbow flag. and Described it as a message of hope.  What hope can there be for 2.3 million Palestinians trapped over 16 years in the occupied and besieged Gaza Strip. In the words of UN Secretary General Antonio Guterres, Gaza has become a graveyard for Palestinians. They have no water. No food and no electricity as Israel has cut off what little it allowed in through its already suffocating siege. They seek shelter from Israeli bombings in hospital, UN schools, mosques, and churches, only to find these sites targeted by Israeli strikes. Those who can flee their homes along Israeli designated safe corridors only to have their vehicles shelved by the Israeli IDF soldiers. It seems incomprehensible that an Israeli soldier would pose a photo with a rainbow flag while participating in his army's mass slaughter of Palestinians and destruction of half of Gaza's homes. The truth is more sinister yet. This stunt, which was shared online by the Israeli state official social media accounts, is a textbook. example of obscene colonial pinkwashing. More than that, it is a pinkwashing on steroids. For years, Palestinian queers have denounced Israel's pinkwashing, a cynical strategy designed to use self proclaimed support for LGBTQIA plus rights as a pink smokescreen to conceal its 75 years regime of apartheid, which oppresses all Palestinians, no matter of our gender. or sexual orientation. All the while singling out queer Palestinians for persecution and blackmail. It is an attempt to falsely depict Israel as modern and a liberal country while diverting attention from its alignment with far right homophobic regimes and groups around the world and its current fundamentalist, racist, and homophobic government. In addition, Israel's pinkwashing agenda is a colonial tool that has the racist aim to misrepresent Palestinians as backwards, homophobic, and thus not deserving of human rights. It also tries to convince us, as queer and trans people, that we are somehow foreign in our society, and tries to turn us against our Palestinians brothers and sisters. I think there couldn't be any better example of Israeli pink washing than the photo that the Israeli soldier with the rainbow flag in the rubble. Israeli pink washing has always been dishonest and dangerous. It has always been racist and colonial. It has allowed Israel to continue its ethnic cleansing, besiege, imprisonment, and murder of Palestinians, queer and non queer alike, for decades. Now it's being used to cover up for genocide. In these dark times, Palestinians in besieged Gaza are bearing the brunt of Israel's full blown genocidal war and ethnic cleansing. Palestinians in the occupied Palestinian territories of West Bank, meanwhile, are also facing escalating waves of killing, torture by both Israeli military and illegal sectors. Apartheid, for Palestinians like myself inside Israel, is reaching new peaks as Israeli forces are targeting and suppressing any expression of sympathy with the oppressed. As hard as it is, we still maintain hope. We have no other choice. That hope comes from the grassroots mobilization that are forcing complicit governments and institutions to finally call for the bare minimum that is nevertheless the absolute priority: a ceasefire that will put a stop to Israel's carpet bombing and genocide of Palestinians in Gaza. Queer groups have been extremely instrumental in our struggle for liberation. Queer groups have been an important part of the mobilizations. Nearly 40 LGBT, QA plus groups across Southwest Asia and North Africa called for the immediate ceasefire stating ” we stand with justice, equality, progress, and liberty.” Throughout my life as a queer activist, I have proudly held the rainbow flag high as a symbol of queer inclusion, queer struggle, queer liberation, queer equality, and queer joy. The Israeli soldier participating in Israel's genocidal war on my people in Gaza has desecrated the flag, has disgraced the flag, and made it a mockery for all it stands for. Queer and trans people and groups are increasingly seeing through the pink smokescreen and rejecting Israel's pinkwashing and its war crimes and crimes against humanity. We will not stand by as our flag and our identities are co opted and used to justify a genocide. I call upon queer allies around the globe to remember none of us is free until we are all free. What can we do right now in these terrible times? Since 2005, Palestinians have proposed to you, our friends around the world, an entirely nonviolent method of ending Israel's power over our lives. An academic and cultural boycott of Israel. This strategy is known as BDS, Boycott, Digestment and Sanctions. BDS means boycotting all Israeli state sponsored institutions. This is not aimed at individuals, but at institutions financed by the state and that serve as extensions of the government that occupies us and keeps us under siege. We ask academics, staff and students not to speak at Israeli state funding organizations, including universities. We ask artists and cultural workers not to perform in apartheid Israel. Make sure that your universities are divested from Israeli money. Do not take israeli money for your conferences or film festivals. Do not accept deceptively free propaganda trips to Israel. End complicity with the government of Israel by among other things, cancelling all joint projects activities that are complicit with Israeli universities. Right now, the main demand is to stop the genocide. Stop the genocide and ask for ceasefire now.  So how can queer groups and queer people support queer liberation in Palestine?. One effort that is happening right now around the world is Queer Cinema for Palestine. Queer cinema for Palestine is a vibrant event that happens globally, established in 2021 to support queer art and queer cinema around the world. Today, there are more than 270 filmmakers and artists who signed our pledge to boycott Israeli film festival, to boycott Israeli institutions, and support queer liberation in Palestine. Queer Cinema for Palestine is happening online in more than 15 locations around the world from the 2nd until the 10th of December. Under the title, There's No Pride in Genocide, we gather together as artists to support, Queer Cinema for Palestine and the Palestinian struggle for liberation. There's not much to say. I think you've seen the image from Gaza. You've seen what is happening right now. This is not a regular panel on pinkwashing. It's happening during a genocide, where pinkwashing is also used to promote genocide. So, may I ask you as a Palestinian and as a queer Palestinian, please keep talking about Palestine. Palestine is a queer issue. Gaza is a queer issue, and there's no queer justice until we are all free. Thank you so much for organizing this and thank you so much for your work and activism on Palestine. You are saving lives right now. Thank you. Shenaaz Janmohamed: Thank you so much, Ghadir. Thank you so much for your passion, your commitment, reminding us that hope is an active choice that you're engaging in every day, despite all the odds, because that is the story of survival. Thank you for reminding and being so clear in the link to BDS boycott, divestment and sanction movement as tangible ways that we could be in solidarity with Palestine and to chip at the far reaching power of the Israeli state and settler colonial project. Thank you for showing the ways in which queer folks and queer organizations. use culture and art to tell different stories of survival with the Queer Cinema for Palestine. And thank you for showing up and being here with us. Thank you for all the ways that you hold communities, your fullness, and time to share and to lead us today. Wishing so much protection and safety to you and yours. Next we have Rabab Abdulhadi. Rabab Abdulhadi (she/her) is an internationally known scholar and distinguished professor and researcher. Her scholarship, pedagogy, and public activism focus on Palestine, Arab, and Muslim communities and their diasporas, transnational feminisms, and gender and sexuality studies. She is the Director and Senior Scholar in the Arab and Muslim Ethnicities and Diaspora Studies, and a Associate Professor of Ethnic Studies, Race and Resistance Studies at the Historic College of Ethnic Studies, San Francisco State University. She is also a treasure, a beloved teacher, organizer here in the Bay. I feel really grateful that you're here with us today for all the work, all the times that you've taught me. It's really such an honor to be able to host you and invite you in, Rabab.  Rabab Abdulhadi: Thank you so much Shenaaz, and I begin by acknowledging that my own university, San Francisco State University, sits on stolen indigenous Ohlone people's land, and I'm now on the east coast of the United States, where I am also present on the Lenape people's land that has been stolen and people have been displaced, just like it is in Palestine. I also want to thank Queer Crescent for organizing this with the Palestinian Feminist Collective and actually joining with Palestinian Voices. I'm very happy that my colleague, my sister, my sibling, Ghadir, was able to join us and has actually taken a lot of the things that I was going to focus on, and thank you, Yaffa, for especially naming even the poetry, Blood Oranges, because we know what oranges mean and how they have been used. And many Palestinians can't even eat oranges because it reminds them of the orchards that they've lost back home. So I start, if you don't mind, just Putting the first slide on. Yeah. And this is a slide if people can see it. This is actually was done in 2013 and it was organized by a group of underground artists, called themselves cultural jammers, to remake all the campaign that was at the time by Pamela Geller and other Zionist groups doing all this smearing and buying sides on the buses and so on. And the reason I mentioned because there is a connection between the cultural jammers and also the whole naming of pink washing because pink washing, some people say, emerged in Palestine. Some people say it emerged in the U. S. Some people talk about the whole question of washing and then the question of pink and so on. And I think for me as a researcher, a scholar, it's very, very interesting because there are so many origins of every single way that we are having the struggles. And so the colonial boundaries and borders that the colonialists and settler colonists try to impose upon us don't really work because we cross these borders at least maybe imaginary, maybe in our networks and so on. But why is it that pinkwashing persists? Ghadir spoke a lot about it. I'm just going to just emphasize a couple of things. It is necessary, very important for Israel public relations. Public relations is a very important project for it. This is why Israel consistently demands of the Palestinians and the Arab countries and the world, not only to recognize Israel's right to exist, but to recognize Israel's right to exist as a Jewish state, which in itself a very racist notion. And this is very much connected with the genocide that we're seeing now in Gaza, that also we have seen for 75 years of Nakba and for over 100 years of colonization of Palestine, because , the slogan by the Zionist movement was “a land without people, for a people without the land.” We can talk about “for people without the land” a little bit later, but let's talk about “a land without people”. In order to accomplish that and legitimize it, you have to arrest the people. You have to erase them. You have to erase their presence. You have to also discredit their discourse, their work, their culture, their interaction, their social relations, in order for you to present yourself as Israel does. And as Ghadir mentioned, as a modern state that is making the desert blue, which we know is not true, and by contrast, is the best friend of women and queer people, as a gay haven, as opposed to quote unquote the backward, savage. excessively homophobic, excessively misogynist, Arab world, Arab and Muslim world, and in which Arab men and Arab and Muslim and Palestinian men are presented as irrational, bloodthirsty, misogynist, haters of women and Queer people, and as women as being docile, as being only oppressed constantly, and need to be rescued by the colonists who will come in and basically realize what Gayatri Spivak spoke about I don't know, 30 years ago, the colonist project of trying to save brown people from brown communities and queer people from their own queer communities. And so in order for this to work, it has to be presented in all of these things that it is necessary. And it's very important for Israel to focus on its public relations. And this is something that has been actually very part and parcel of since the foundation of the state of Israel in 1948, a task that was assigned to the military, to the security of interior affairs to the Mossad, which is the CIA, outside intelligence, Shambit, the internal intelligence to everybody. And now we see more and more the Ministry of Strategic Affairs and other is, and the whole question of quote unquote branding, which I put it in parentheses because branding also refers to the ways in which people engage in slavery actually used to quote brand people whose lives they owned. So I put it in parentheses. I question it. But Israel is very big on that to brand Israel as a gay haven. Israel as a best liberator of women and so on.  This is also what we see today in the sense of Israel actually making a very public relation campaign and a very, very intensive campaign to claim that Palestinians have chopped off the head of children, which was even reiterated by the president of the United States without even thinking about it because he was quoting Israeli Officials who we know are not really known for telling the truth and then they had to retract it the second day but yesterday he repeated the same thing again and said there is the rape of women and so on which we do not have any evidence until now. We know that a lot of Israeli groups and Zionist groups like this group Bonat Alternativa and others are alleging, but we haven't seen any evidence of that. If there is any evidence of that, we will not stand for it. We condemn any kind of violations of gender and sexual, justice because we believe that gender and sexual justice is part and parcel with indivisibility of justice. So this is not something we are trying to cover, but this is very much part and parcel of the Israeli propaganda and it's churning machine, the Hasbara machine is everywhere and they keep changing their stories. And if we have time we can actually go over how each story has developed and moved from one place to the other. I'm also talking about the ways in which colonial feminisms or colonial quote unquote feminism, because feminism is supposed to be about the liberation of women as part of liberation of everybody, have been very much engaged in. But within that, there is also notion of blaming the victim. It is a very important aspect of it. So in order for the Israeli and the Zionist narrative to work, you have to blame people. And one of the very well known cases, for example, was the case of Mohammed Abu Khdeir, the young Palestinian teenager who was kidnapped from in front of his house on July 2nd, 2014, right around the big, big 2014 war on Gaza we talked about, and kidnapped by Israeli settlers who took him to a forest in Jerusalem that was built on the ruins of the village of Deir Yassin, where the massacre on April 8th, 1948 happened in order to facilitate the creation of the Israeli state. And they made him drink kerosene and set him on fire and burned him alive, which was a clear case of lynching. Now, what Israeli police tried to do was to actually say that Mohammed Abu Khdeir was killed by his own family to quote unquote salvage family honor. And they killed him because he was queer. And now if it wasn't for his father who had videotapes of the security cameras outside of the house and showed it– the Israeli police tried to confiscate it and basically destroy it– showed that these people came and kidnapped him. The relative would still be among colonists, among racists, among white supremacists, Zionists, that Palestinians are killing Palestinians and they are doing this all the time. So it's not only blaming the victim, but it also instilling and reinforcing the narrative of people, not only Palestinians, this happens with all indigenous and all colonized communities and all communities of color from time immemorial. You look at the history of the United States, this is something, this is a trope that keeps getting repeated again and again and again. And it's not an easy trope because It is not something that's only being said. It's not only a discursive issue. It's not a discursive issue that we need to deconstruct in the classroom because we know the history, including that. But recently, many people started learning more about the case of Emmett Till, the young Boy who was killed and the woman who actually accused him came out and said that she lied, but he was killed and he was lynched. And then his mom insisted on having open casket so everybody could see the crime. And there's so many more examples that we don't have time to get into all of them now, but this is part of the colonial narrative, the colonial strategy in order to discredit the people who are colonized and discredit their struggle.  And this is definitely a part in Gaza and it is, but the other thing is that it depends on the narrative of saying that our communities in particular as exceptionally sensitive and exceptionally traditional. And this is something that we saw in Abu Ghraib for example.  When they were talking about, we're not going to show the images of iraqi men are particularly insensitive. But we were raising the question, which men are okay with it, which women, which anybody, which non gender binary person, who would be okay with being subjected to sexual and gender violence; to being displaced like this and so on. Nobody will be. But the imaginary that it is trying to instill that's built on Orientalist, Islamophobic, anti Arab, anti Palestinian, anti Muslim racism as part and parcel of all kinds of racism basically makes it possible to do a little dog whistle in order for you to enforce all of this. We saw this also at the US Social Forum when Zionist groups stand with us, which now everybody knows what it is, tried to do a workshop around queer communities in the Middle East, and many of us objected to it. And the reason that it got through because the organizers thought that this would be something that would be actually really wonderful, bringing everybody together. They did not really investigate who this group was and what it was doing and did not coordinate with the many organizations that were at the U. S. Social Forum in 2010 in Detroit from our own community to see what is happening, what's going on, are you part of this unparceled hat? Even though the Palestinian queer organizations have existed for a very long time, and I think it was by then, if I'm not mistaken, Ghadir you can correct me that we organize a national tour and for all calls throughout the U S in order for people to speak and you all came and spoke in my own classroom. This is part of the stuff that keeps going back. And this is also the same thing that we hear around this group that I've mentioned now, and this propaganda that's happening, and also in terms of the ways when we passed the resolution on BDS in the National Women's Studies Association 2015, many Zionist groups came out and basically came with the whole question is there a place for Zionism and feminism? Many of the feminist groups have been targeted, including the International Women's Strike and so on. This is a continuous, systemic, persistent thing. This is not something that is out of random or accidental. And so what do we do about this? In addition to what Ghadir said, I think it's really, really important for us to say, how do we fight back? We fight back with multiple ways. One of the ways we do for example, organizing this in the classroom. So one of the things that we do in the Arab and Muslim Ethnicity and Diaspora Studies program ever since we were founded in 2007 is every single year we were partnering with the Pride Month at San Francisco State to organize sessions on the whole question of queer justice, and this is one of them. Even after San Francisco State stopped funding pride month, we continue doing it again and again. We believe that it's really important to connect the knowledge within the classroom with the knowledge outside and with the activism and advocacy. We do not separate what happens in the classroom, what happens in the academy from outside. So the academy is not producing knowledge that is divorced from reality. The people who are organizing are part and parcel of that. And so we've been doing this again and again. The other thing that is really, really important to think about is how do we work here, and I'm talking here in the diaspora, with groups on the ground, Palestinian queer groups who are working? So one of the examples that I would like to cite from our own experiences is when Al-Qaws was attacked by Palestinian police in Nablus trying to hold an event. My hometown Nablus. We were going to rush and say something, but we waited and we coordinated with Al Qaws and we asked, what should we do? And we did not do anything until Al Qaws came out because we were objecting to the whole question of saving queer people from queer communities, saving brown people from brown communities, the whole question of the colonial notion. And we were also taking leadership from the people on the ground who are day in and day out struggling. Once Al-Qaws came out with it, what we did is we published in one of the newspapers in the Bay Area, along with Queers Undermining Israeli Terrorism, which is a group that has been doing a lot of work for a very long time, and whose founder actually was chosen to be the Grand Marshall at Gay Pride Parade at San Francisco. And she turned down this honor and said, because I am here in Palestine struggling with the International Solidarity Movement at the time to oppose the apartheid world to oppose the repression by Israel and so on. So we organized together. And that's when we said we endorse. We support. This is really important sometimes to think about how do we take a back road and when is it we go public with things. At this point, we really need to go public and we need to defy all this propaganda that is happening.  This is part of what the solidarity mean. But this is not free. When we do something like this, there is punishment. And these are some of the flyers I'm showing from the Queer Liberation March that took place in 2019. This was the 50th anniversary of the Stonewall, Uprising. The Queer Liberation March at that time actually decided to refuse any corporate funding, to refuse to allow the police to go march in their own uniforms and so on, rejected the policing, rejected the state apparatus that represses people, rejected the corporate money and so on. As a result, there was space for us to be there. So we were organizing, we organized a big contingent under the banner of QAIA, Queers Against Israeli Apartheid, and also Queers A gainst Islamophobia.  So we participated and I took this banner and I put it on my Facebook page. This led to the another Zionist attack, which is trying to silence Palestine and were trying to criminalize Palestine in the curriculum, and especially targeting us and our program in particular. And they took it and didn't say what was on the banner. They just said that I'm spreading hate, and thus I should be– they had 86 organizations, some of them fake organizations– sign it, send it to the university, to the chancellor of California State University to the president of San Francisco State, saying that I'm spreading hate. This for them is hate. Palestine is a queer issue. BDS Zionism is racism. Silence means death. For them, this was something that was very problematic, and it was something that is undermining the Zionist propaganda, and Zionist project of colonizing Palestine and eliminating the Palestinian people like the genocide that we are seeing here, and trying to continue pushing the pink washing without having it exposed.  As a result, our program has been attacked again and again. The Lawfare Project executive director got on the TV, on Fox and friends, and made a lying statement. They sued me. And they sued San Francisco State and they sued California State University. But we defeated them. It was thrown out of court. It was dismissed with prejudice. But she lied about that. And she said that I'm spreading hate; that I'm one of the leading anti Semitic– Horowitz every single year pushes out a formula about the top anti-Semitic scholars, and they always give me number one. And I think they do it in May because this is the fundraising season for them. As a result, I started receiving death threats. However, and including to my own university and the threat voicemails on my office mail that said Muslims will die, which is the same phrase that the guy who killed Wadiah Al-Fayyumi in Chicago, stabbing him 26 times. He said Muslims will die. The university does not believe that this is actually a viable threat. And so they protect the right wing speech, which is white supremacist and Zionist is a protected speech protected that they can do whatever they want, put up hateful posters, do whatever they want against us, but we are not allowed to say so. And the university is not investigating death threat letters that actually came to me through the University President's office to my own office. However we refuse to be silenced. We refuse to lie down. And so we continued organizing. And one of the main events that we organize, and we do it every year, is this panel Queer Open Classroom that everybody can attend and come in. Queer justice against pink washing, exposing it, bringing scholars and activists, Ghadir was one of the people who spoke at that, in order for us to support liberation for Palestine as part of liberation of all, and to support gender and sexual justice as part and parcel of the indivisibility of justice. Thank you. Shenaaz Janmohamed: Oh, Rabab. I hope that you can feel all the tremendous. gratitude and love that you're getting in the chat. I think that there is such a clear longing to be hearing stories from elders, folks who have been in this fight for so long. Thank you for bringing in the long arc of queer Palestinian organizing. Thank you for bringing the long arc and history of queers being in solidarity for Palestine. It's so important that we understand that while this moment is so important for us to study, learn and act. It rests upon such a long arc and such a long history of organizing in solidarity with Palestine. Thank you for also speaking to Mohammed Abu Khdeir, thank you for speaking him into the space. Thank you for both of you reminding us to follow the lead of queer Palestinians. What we're trying to do with you all today with this teach-in is to really pull us together, circle around and invite us all to be following the lead of queer Palestinians so that we can take on this work as inextricably linked to our own liberation; to advance the work of undermining pinkwashing and Zionism as part and parcel to our queer liberation. So thank you so much, Rabab. Our last speaker, Shivani Chanillo with Lavender Phoenix. Shivani (they/them) is a trans non- binary second generation Indian American organizer. Shout out to the baddy Indian organizers out here, myself included. Their experience of active solidarity with Palestinian folks came in 2017 through exchanges they facilitated between their high school students in Baltimore, and students at Ramallah Friends School in the West Bank. These powerful exchanges stoked Shivani's passion for developing young people as critical thinkers grounded in revolutionary values and politics. As a leadership development coordinator at Lavender Phoenix, an organization that Queer Crescent deeply loves and feels deeply supported by and in deep siblingship with. Shivani continues this work by facilitating opportunities for trans and queer Asians and Pacific Islanders to practice values based organizing and contribute to intersectional movements. In particular, I just want to really say that we were so excited to invite Shivani and Lavender Phoenix in to our teach in as the final speaker, because Lavender Phoenix is one organization that really models, going back to the initial motivation of this teach in with our letter calling for a permanent ceasefire, calling on LGBTQ organizations and leaders to sign on to understanding pink washing and to support Palestinian liberation. Lavender Phoenix is one such organization that has really demonstrated such values align solidarity with Palestinian liberation. And so I'm really excited to bring you in Shivani to close us out to talk about how queer people, queer organizations can really double down on our solidarity.  Shivani Chanillo: Thank you so much Shenaaz for that introduction and to Queer Crescent for organizing this event. I just want to take a moment and just, I feel so deeply moved by the sharing from Rabab and Ghadir in this workshop and just sitting with the lineage within all of us as we take up Palestine as a queer issue. We have generations of lessons and decades of work and such powerful leaders here in this space, but all across the world to follow, and I feel so grateful and so excited to be joining in on this work and sharing a little bit about what Lavender Phoenix is doing in this moment. If you haven't heard of Lavender Phoenix, we build trans non binary and queer Asian and Pacific Islander power here in the Bay Area. We are a base building organization training grassroots leaders to build intersectional movements. As we witness an escalation of the ongoing genocide in Palestine I can say that our base is firmly grounded in the understanding that Palestinian liberation is part of our struggle and our responsibility as trans and queer Asian and Pacific Islander people. And so I want to start by sharing a little bit about what we're doing in this moment, before sharing about how our members arrived to this point. Since October 7th we have shifted our work accordingly. We have dedicated time to mobilize our members and our broader communities to action. We have educated each other to stay politically grounded. We have and will continue to support each other to process the grief of this moment and to remember hope, optimism, and commitment. In so many facets of our work, we are stepping into deeper leadership and responsibility to support our Palestinian comrades to win. And more tangibly across our six member led committees, this looks like offering healing support, coordinating our members who are trained in protest and digital security to support our comrades, coordinating contingents at in person and online actions, moving financial resources and funder attention to our Palestinian partners, and uplifting pro Palestinian messaging and calls to actions using our social media reach. Responding to Palestine and challenging pinkwashing is not a shift in our priorities, but it's actually a sharpening of our focus as an organization. We've organized our base over the years to recognize our interconnected struggles, and across our membership, we so deeply understand that the Palestinian struggle is our struggle. And Palestinian futures are our futures. All of the actions we are taking right now to support Palestine, to challenge pinkwashing are the result of so many tests, experiments, and trials that have helped us deepen our political purpose and grow our power. Many of these experiments and trials that we've conducted over the years really informed our current theory of change. And this is really critical to how we're organizing in this moment. Our emergent responses to sharpen contradictions in our world like we are witnessing with Palestine, are only possible because we organize within a consistent theory of change. A key part of our theory of change and a key part of my role as Leadership Development coordinator, is that we are committed to developing leaders who are rooted in our values, in our history, in emotional intelligence, and compassion, because we know that is how our movement will be sustained and will be effective. So we're not just developing members and masses who care about single issues, we're developing holistic, critical thinkers who care about solidarity with all oppressed people so that in moments like this, solidarity with Palestine is a natural choice in our larger fight for liberation. One of the really important ways we do this, and this workshop is a critical example, is we educate our base, our trans and queer API base, on our history. We dig into how systems of white supremacy, imperialism, colonialism, racial capitalism, and cisheteropatriarchy impact all of us across our identities in the past and in the present. Right now, the tools and tactics being wielded by fascist leaders to criminalize and punish trans people here in the U. S. are rooted in the same white supremacist, colonial, and imperialist ideologies used to justify the dehumanization and murder of Palestinians, particularly trans and queer Palestinians. As part of our theory of change, we've also spent intentional time educating our base about revolutionary politics like abolition and healing justice, and developing our skills for safety, for healing and resource mobilization that are applicable in moments all across our movement. We spent so much time since we implemented this theory of change in 2021 to build our base and grow our power so we can show up for our partners who are organizing for Palestinian liberation in this moment. We have spent so much time cultivating our skills and knowledges so we can support our movements beyond just trans liberation.  I want to end just by sharing a little bit of a story. A few weeks ago, our members participated in a direct action that asked many of them to step into higher risk than they had before. Prior to the action, we met to get grounded together. Folks shared their fears, but they also countered those fears with a really rooted sense of purpose. So many of our members talked about how they wanted to look back on this moment and know that they and we as an organization did everything in our power to support Palestinian liberation. And they spoke about the sacred responsibility and duty we have in this moment to show up in solidarity. I feel so moved, even now, just thinking back to that moment and feel so much gratitude to our members for taking new risks, to the generations of leaders in our organization and our movement who have led us to this point, and I feel immense admiration and gratitude to the long lineage of Palestinian queer and trans resistance, and current day organizers who are guiding us right now. For Lavender Phoenix, this moment is really helping us clarify our power, and for many of our members, this moment is helping them clarify their political purpose. The things all of our Palestinian siblings are fighting for, self determination, safety, healing, community, decolonization, these are the things that we as trans and queer API people here in the Bay Area so desire for ourselves as well. We refuse to let our transness and our queerness be co opted for violence and displacement and genocide, and we know that our struggles and our futures are united, and we're committed to fighting alongside our Palestinian comrades until we are all free. Thank you so much for letting me share. I'll pass it back to Shenaaz. Shenaaz Janmohamed: Shivani, thank you so much for bringing all of it. Lavender Phoenix, I just can't swoon on y'all enough. You model that clarity of purpose and power and grace. There's also such deep humility and grace to be in constant learning. As an emerging organization, an emerging queer organization, I just have to say Queer Crescent feels so deeply held by y'all and really inspired with the path that you are leading and inviting us all towards.  This piece around letting this moment sharpen the focus. It's not a pivot. I think I've even said, we're pivoting, we're in rapid response. Part of our political principles as an organization is understanding anti Zionism as part and parcel of the white supremacist project. And so this is not a pivot, it's not a rapid response, but to your point, it's a sharpening and it's a double down of our commitments, principles and priorities. So thank you for naming that.  Cheryl Truong: And that's the end of our show. Tonight's show was a broadcast of the Resisting Pinkwashing teach-in co-led by Queer Crescent and the Palestinian Feminist Collective. It was moderated by Shenaaz Janmohamed, executive director of Queer Crescent and featured poetry by Mx. Yaffa of MASGD, and guest speakers, Rabab Abdulhadie from the Palestinian feminist collective, Ghadir Shafie of ASWAT, and and Shivani Chanillo from AACRE Group Lavender Phoenix. Learn more about the incredible work of these incredible organizations and sign on to Queer Crescent's cease fire campaign through the links in our show notes.  Apex express is produced by Miko Lee, Paige Chung, Jalena Keane-Lee, Preeti Mangala Shekar. Shekar, Anuj Vaidya, Kiki Rivera, Swati Rayasam, Nate Tan, Hien Nguyen, Nikki Chan, and Cheryl Truong   Tonight's show was produced by me, cheryl. Thanks to the team at KPFA for all of their support. And thank you for listening! The post APEX Express – 01.25.24 Resisting Pinkwashing Teach-In appeared first on KPFA.

We're joined again by podcaster, writer and activist Joey Ayoub. Joey, who is a Lebanese Palestinian living in Europe, co-hosts a podcast called The Fire These Times which is soon to be a part of the From The Periphery podcast network. For the hour we speak about the Israeli war on Palestinians, US policies in the SWANA region and the possibilities of war expanding to neighboring states, conspiracy thinking in the early days of these massacres, European state approaches to massacres in the Occupied Territories and other subjects. Writings by Joey at joeyayoub.com Podcast via TheFireTheseTimes.com Support the project via patreon.com/thefirethesetimes Keep an eye out for their new podcasting network coming out as From The Periphery (soon at FromThePeriphery.Com). Our past interviews on our show with Joey Announcements Fundraiser for Daryle Lamont Jenkins Supporters of antifascist activist Daryle Lamont Jenkins are raising funds for DLJ after a recent visit to the hospital. You can learn more and kick in some funds at GoFund.Me/e40da8b8 or check the link in our show notes. New Episode of B(A)D News The latest episode of the monthly podcast from the A-Radio Network is available, featuring stories from: Kilavo Seme about Quilombos and struggles in Brazil; A-Radio Berlin on the trials concerning the 2017 G20 protests in Hamburg Flora Radio in so-called Valparaiso, Chile, on recent repression against Mapuche people claiming their lands Hunger Strike At Red Onion Expands The hunger strike that began on December 26th at the infamous Red Onion State Prison in Virginia has doubled in size as of a few days ago with participation of 7 more imprisoned resisters protesting abuse by isolation despite Virginia policy and international human rights law. There is a rundown of the hunger strike and conditions at Red Onion available at RashidMod.Com and supporters are requesting that people call or email VDOC officials to end this cruel and unlawful use of segregation. Newly joined the strike: Nguyen Tuan - #1098070 Demetrius Walllace - #1705834 Gregory Binns - #1157265 P. Williams - #2103207 DeQuan Saunders - #1458253 J. Hilliard - #1988319 Ray Galloway - #1407902 Gregory Azeez - #1421616 Who To Contact: VADOC~ Central Administration; USPS— P.O. Box 26963 Richmond, VA 23261 David Robinson Phone~ 804-887-8078, Email: david.robinson@vadoc.virginia.gov Virginia DOC ~ Director, Chadwick S Dotson, Phone~ (804) 674-3081 Email: Chadwick.Dotson@vadoc.virginia.gov VADOC ~Central Administration Rose L. Durbin, Phone~804-887-7921 Email: Rose.Durbin@vadoc.virgina.gov Beth Cabell, Division of Institutions beth.cabell@vadoc.virginia.gov (804)834-9967 Gov. Glenn Youngkin (804)786-2211 glenn.youngkin@governor.virginia.gov . ... . .. Featured Track: Splash Waterfalls (remix) (instrumental) by Ludacris feat. Raphael Saadiq

On the eve of Yalda, the Iranian Winter-Solstice, we review writer-director Maryam Keshavarz's The Persian Version with our friends Arezou and Samira. How well does Keshavarz do at portraying a unique yet universal experience through Leila (Layla Mohammadi) and her mother Shireen (Niousha Noor)? How does intergenerational trauma shape our familial relationships, and what can we do for healing? We also discuss Yalda as a holiday and why we celebrate it, discuss the ongoing genocide in Gaza, give our recommendations, and much more.   Decolonize Palestine   Support the Palestinian American Medical Association (PAMA) and families in Gaza   Six ways you can support Palestinians in Gaza   Islamic Relief USA: Support Families in Palestine   Our music is composed by Ashley Hefnawy. You can find more of her music here.   We are a proud member of the Hard NOC podcast family.   Follow Arezou on Twitter @ArezouAmin   Follow Samira on Twitter @samira_says   Follow Swara on Twitter @spiderswarz   Follow us on Twitter: @TheMiddleGeeks   Follow us on Instagram @TheMiddleGeeks   Subscribe to The Middle Geeks on Hard NOC Media   Please support us on Patreon!

This week we're bringing you another feature from our partnership with the podcast ‘177 Nations of Tasmania'. This week's story belongs to Ali from Lebanon. Ali spent his childhood in Beirut, a city that was once a pearl of the SWANA region torn apart by violence. However, it wasn't the war but a series of unexpected events that led Ali all the way to the other side of the world to raise a family in Tasmania… Ali paints a vivid picture of Beirut in the 1980s and the changing fortunes of Lebanon in the 20th century. Content Warning: This story involves descriptions of war. All The Best Credits Production Manager, Mix & Compile by: Phoebe Adler-Ryan Editorial Manager: Mell Chun Host: Madhuraa PrakashSee omnystudio.com/listener for privacy information.

Finlay Sarafa McHale is a queer Iraqi/Chaldean-American clinical social worker currently facilitating a free peer support group for queer SWANA people. They joined us for a wonderful conversation about how mental healthcare can be a tool for political liberation rather than means of detaching from it.  Finlay discusses censorship and Zionism in the mental health field, the challenges of developing culturally responsive practices in a profession with white-centric roots, and the myth of therapy as apolitical. They explain how traditionally strict expectations of “non-disclosure” regarding therapists' personal or political perspectives can widen the power gap between therapist and client and…

In the midst of Israel's ongoing bombardment and genocide of Palestinians in Gaza, with currently over 9,000 dead and over 30,000 more more injured, under the pretense of taking out Hamas leadership since their attack on Israel on October 7th, we have on Palestinian-American kidlit author and activist Hannah Moushabeck to discuss the ongoing crisis and her career. Hannah is the author of Homeland: My Father Dreams of Palestine, a groundbreaking children's book that showcases Palestinian culture in Jerusalem through her father's regaling to her and her sisters. In the midst of so much tragedy, it is even more crucial to discuss Palestinian and other marginalized culture to keep it alive and strong. We also discuss how she and other Palestinians have been protesting for a ceasefire and an end to the occupation and Apartheid Israel imposes on Palestine, other Palestinian and Palestinian-adjacent art we enjoy, and much more.   Follow Hannah on Instagram @hannahmoushabeck Decolonize Palestine Support the Palestinian-American Medical Association (PAMA) and families in Gaza 6 ways you can support Palestinians in Gaza Islamic Relief USA: Support Families in Palestine Our music is composed by Ashley Hefnawy. You can find more of her music here. We are a proud member of the Hard NOC podcast family. Follow us on Twitter: @TheMiddleGeeks Follow us on Instagram @TheMiddleGeeks Subscribe to The Middle Geeks on Hard NOC Media Please support us on Patreon!

What does it take to be an association CEO these days? When was the last time your organization performed an assessment of your board and board members?In this episode of Associations Thrive, host Joanna Pineda interviews Richard Yep, Interim Executive Director/CEO, The Solid Waste Association of North America (SWANA). Rich discusses:When and how a chief executive should decide that it's time to leave an association.The skills and experiences that association chief executives need, that are relevant to the job, regardless of industry or profession.How to get to know an association and its members fast, especially when you're an interim CEO.The importance of doing an annual assessment of the Board and each Board member.The increased attention being paid to DEI when looking for association staff and board members.How everyone at an organization – staff and volunteers – should get unconscious bias training.How CEOs need to check their egos at the door when working with appointed and elected boards.The value of getting the CAE (Certified Association Executive) designation.What's next for Rich - consulting, travel, and so much more!References:SWANA websiteACA websiteCAE certification

As the Assassin's Creed franchise returns to its roots in West Asia for Assassin's Creed: Mirage, allowing players to explore the splendor of Baghdad during the Abbasid Caliphate in the 9th Century, Ubisoft has recruited a Persian legend to help bring this story to life. An icon in Iranian and many other SWANA communities and beyond, Shohreh Aghdashloo has paved the way for SWANA actors to have roles that transcend beyond the stereotypes we're too often limited to, even though these nuanced roles for our communities remain highly limited. Aghdashloo has played many roles throughout her storied career, but it was clear, for many reasons as we spoke, that to take the role of the Persian Master Assassin Roshan, mentor of the main character Basim Ibn Ishaq (Lee Majdoub), had unique significance in Assassin's Creed: Mirage.

Assassin's Creed Mirage is bringing this iconic video game franchise back to its roots in more ways than one. Perhaps most significantly, by setting this installment in West Asia (the Middle East) once again, like the original Assassin's Creed, Ubisoft has moved the franchise forward by taking it back to its roots. By giving us another Arab Assassin protagonist (after Altaïr Ibn-La'Ahad) in Basim Ibn Ishaq (Lee Majdoub) in Assassin's Creed Mirage.  When we interviewed the game's star, Lee Majdoub, and the game's narrative director, Sarah Beaulieu, our conversation explored the creative development of Mirage and the significance of this role for Majdoub. It was clear through our conversation that Majdoub was in a collaborative, supportive, and culturally respectful environment, one that unfortunately remains rare for actors of Southwest Asian or North African (SWANA) backgrounds. The dedication that Beaulieu, her narrative team, and the Ubisoft developers took to make 9th Century Baghdad as culturally meaningful and intriguing for players, for Arab and other SWANA players to feel represented in, and for players outside these cultures to learn about.

YALLAAA NOOOORIYAH!This week's guest is the wonderful DJ/Producer/Radio host @nooriyah._We chatted a good couple of weeks ago in London about SWANA music a.k.a music from SOUTH WEST ASIA & NORTH AFRICA. So much musical knowledge! And of course, we had to talk about her incredible set @boilerroomtv repping the Habibis!

Philippe Manasseh and Nadim Maghzal were two guys in a band called Wake Island. Music helped them process a lot about their lives: Where they came from, who they were, and where they were going. They realized music does that for a lot of people, especially if you're from a diaspora. So they, along with partner Saphe Shamoun, created Laylit: the coolest music parties that celebrate the history, music, and culture of the SWANA diaspora.   Listen to Philippe and Nadim talk to our producer, Regina de Heer, about what these parties mean to them, and how you can celebrate where you are without losing where you're from.    Plus, Regina and Wake Island launch the 2023 NfA summer playlist. We want to hear what music reflects your personal diaspora story. Find out how you can help us build this killer playlist.     Tell us what you think. Instagram and Twitter: @noteswithkai. Email us at notes@wnyc.org. Send us a voice message by recording yourself on your phone and emailing us, or going to Instagram and clicking on the link in our bio. “Notes from America” airs live on Sunday evenings at 6pm ET. The podcast episodes are lightly edited from our live broadcasts. Tune into the show on Sunday nights via the stream on notesfromamerica.org or on WNYC's YouTube channel.