Podcast appearances and mentions of Robert Rich

Solénoïde (24.02.2025) - Grâce à des artistes chamanes utilisant leurs rêves comme matière première, cette émission flirtera aussi bien avec les anciennes croyances nordiques qu'avec les mythes sibériens ou d'autres traditions folkloriques. Bref, en une dizaine d'étapes auquel auront pris part ces pionniers des nouvelles musiques rituelles, Solénoïde fera résonner des instruments ancestraux capables de modifier votre état de conscience voire d'induire un état proche de la transe.

We're at the nadir of winter in the Northern Hemisphere...a time when the yearly journey around our native star seems arbitrary and endless. Battered by storms, challenged by cold, starved for light, we have no choice but to wait...for the return of the sun and the bright promise of spring. It's a trial we repeat in miniature each long winter night, as we turn away from the sun into the cosmic darkness. But while we can escape most of the night in sleep, winter...must be endured. It's a test of fortitude and patience, a confrontation with our own desires for ease and comfort. On this transmission of Hearts of Space, a nocturnal winter journey called "THE LONG NIGHT." Music is by JEFF GREINKE, ROBERT RICH, A PRODUCE, STEVE ROACH & KELLY DAVID, SEAN WASHBURN, and NUNC STANS & MYSTIFIED. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

In the brief interlude between Thanksgiving and the winter holiday celebrations, we undergo a rapid change in emotional tone. Gone are the fearful ghosts and goblins of Halloween, the somber melancholy of the autumn season, and the quiet gratitude of Thanksgiving. Approaching the shortest day and longest night of the year on the winter solstice, we celebrate the return of the light. Today, we chase away the gloom and transform our environment with millions of colorful lights and dazzling screens. From the brilliance of our seasonal displays to the hypnotic warmth of a single candle — we embrace the joy of light and color, and the fulfillment of sound and music. On this transmission of Hearts of Space, electronic ambient for the season of light, on a program called 'LIGHT TIME.' Music is by DAVID HELPLING and singer MIRIAM STOCKLEY, JOHAN AGEBJÖRN and singer LISA BARRA, ERIK WØLLO, TOM EATON, ROSS CHRISTOPHER, ROBERT RICH & LUCA FORMENTINI, JON HOPKINS & ÓLAFUR ARNALDS, and WILL BANGS. https://bit.ly/HoS-1386 [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

En la penumbra suave de la noche estrellada, la música susurra secretos al viento, cada nota es un sueño que danza en el aire, tejiendo melodías de amor y anhelo. Así que sueña profundo, deja que la música te envuelva, que cada melodía sea un faro en la oscuridad. Porque en los sueños y en las notas que vibran, se encuentra la esencia de nuestra realidad. Peter Davidson, André Barros, TSODE, David Baron, James Asher & Byron Metcalf, Aleksandr Shamaluev, Robert Rich, Deus Astra, Sjellos, The Secession, David Michael Tardy, Asha Elijah, Klaus Schulze. 🎧 El playlist detallado: lostfrontier.org/t29.html#1038.

Even in these days of extreme and unpredictable weather, our astronomical position in the Northern Hemisphere of a tilted planet all but guarantees that October is the month we finally descend into autumn. The Fall Equinox has come and gone, the days grow ever shorter, the light grows ever dimmer. In the natural world, it's a time of withering flora and busy fauna preparing for winter's chilled embrace. For ambient musicians, it's a time for dark drones, descending progressions, and minor key harmonies, a realm of muted colors, bittersweet melodies, and a bit of melancholy for the lost days of summer. On this transmission of Hearts of Space, we follow the dimming light to a realm of quiet acceptance, on a program called DESCENDING DARK 4. Music is by RUDY ADRIAN, DRIFTING IN SILENCE & TINEIDAE, ROBERT RICH & LUCA FORMENTINI, STEVE ROACH & LINDA KOHANOV, JEFF PEARCE, ANDREW LAHIFF, CHRIS RUSSELL, and SERENA GABRIEL. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Solénoïde (14.10.2024) - La Solénosphère 31 vous invite à découvrir six albums récents (2023-2024) qui illustrent la richesse et la diversité de l'ambient. Chaque morceau, soigneusement sélectionné, vous transportera dans des paysages sonores à la fois intimes et sophistiqués, parfaits pour une écoute méditative.

In onda Gigi Longo. Musiche: James Holden, Sunny Ade & His African Beats, Nadah el Shazly, Yelka, Luca Crispino, Espial, Airto Moreira, Robert Rich.

Our second edition for July has a diverse range of exciting new album releases. On AD Music, we have Divine Matrix's inventive ambient music peppered with great sequencing and rhythmic motion, with Udo Hanten's “Live In Belgium” features his guest, the legendary guitarist and keyboard player Klaus Hoffmann-Hoock, on ninety minutes of the most amazing cosmic electronic music. For the first time on Sequences, Jesse James Allen's “In Company Of Machines” is a dynamic, progressive new-age tapestry woven with traditional and synthesized instruments. Dino Pacifica recently acquired a Moog Matriarch synth and is a total newbie. His new release, “Musings of a Matriarch,” is a live improvised recording alone with that synth. International award-winning Australian electronic musician and composer Jim Ottaway is celebrating a significant milestone- the 20th anniversary of the release of his debut album “First Light.” Additionally, Ottaway is releasing a brand new album, “A Promise Of Eternity,” a melodic electronic work with uptempo slower tracks and intriguing sequencing. Finally, his cover of Jerry Lordan's “Wonderful Land” was made famous by the UK band The Shadows in 1962. Download bios: https://we.tl/t-QOTBONvNu9 Playlist no255 02.47 Divine Matrix ‘Mort du Soleil' (album Dark Machine) www.admusicshop.com 20.08 Eagle (Synth. Music) ‘The Fine Art Of Being Imperfect Part 4' (EP The Fine Art Of Being Perfect) https://eagle5.bandcamp.com 28.09 Johan Tronstam ‘Somewhere Far Away' (album Somewhere Far Away) https://tronestamjohan.bandcamp.com/album/somewhere-far-away 36.34 Dino Pacifici ‘Project Matriarch 1' (album Musings Of A Matriarch) https://dinopacifici.bandcamp.com/album/musings-of-a-matriarc 39.59 Dino Pacifici ‘Project Matriarch 3' 43.30 Dino Pacifici ‘Project Matriarch 14' 47.19 Carlos Dengler ‘Enzyme Greens and Blues' (album Parallel Streams) https://carlosdengler.bandcamp.com/album/parallel-streams 55.03 Marta Salogni ‘Tremate, Tremate' (album Strega Musica) https://makenoisemusic.bandcamp.com/album/strega-musica 01.03.30 Alessandro Cortini & Tony Rolando ‘Stregata' https://makenoisemusic.bandcamp.com/album/strega-musica 01.08.44 RL Huber ‘Afterburn/The Challenge of Time' (album Return Of The Cosmonaut) ***https://rlhuber.bandcamp.com 01.13.38 Mark Dwane ‘UFOlogy 2 Reprise' (album Ufolog 2) https://markdwane.bandcamp.com 01.20.22 Jim Ottaway ‘Peace' (album First Light: 20th Anniversary Edition) https://jimottaway.bandcamp.com 01.29.33 Jim Ottaway ‘Once Forever' 01.34.52 Jim Ottaway 'Shadow Dreams' (album A Promise Of Eternity) 01.40.20 Jim Ottaway ‘Wonderful Land' (single) 01.43.55 BySenses ‘วัด TEMPLES' (album Multiple Directions) *** https://bysenses.bandcamp.com 01.49.59 BySenses ‘MonoCHROOM Live @Hannekesnest' 01.55.09 Puscha 'Sonder' (album Etterath) https://puscha.bandcamp.com/album/etterath 02.04.29 Jesse James Allen ‘Through the Valley of Ice and Fire' (album In The Company Of Machines) https://jessejamesallen.bandcamp.com/album/in-the-company-of-machines 02.10.02 Jesse James Allen ‘Orion' 02.13.55 Billy Yfantis ‘Magnetosphere' (album Planetary Fields)  https://billyyfantis.bandcamp.com/album/planetary-fields  02.17.57 Billy Yfantis ‘Magnetic Guardian' 02.22.04 Claire Deek & Tony Dupé ‘Before The Dark' (album the old capital) https://deakdupe.bandcamp.com/album/the-old-capital-2 02.28.22 Henrik Meierkord ‘Ambient Dreams' (album Falling) https://projektrecords.bandcamp.com 02.33.47 Henrik Meierkord ‘Spelemän' 02.38.13 Robert Rich & Luca Formentini ‘Tincture of Luminance' (album Cloud Ornament)*** https://robertrich.bandcamp.com/album/cloud-ornament 02.49.00 Blatt Siro ‘After The Storm' (EP Immensity) https://valleyviewrecords.bandcamp.com/music 02.52.04 Brannan Lane ‘Canyons Of Sleep' (EP Hypnos) https://ambient-soundscapes.bandcamp.com 02.55.14 Sonant ‘Oneka' (EP Elmquist) https://valleyviewrecords.bandcamp.com/music 02.57.30 JaJa ‘Revelation' (album Oum) www.cyan-music.com/jaja Edit***

The primal sound of prehistoric hand drums, brought to the present by space-defining ambient electronics. In the 1980s, elements of ancient indigenous music were embraced by electronic musicians searching for an earthy, vital sound to balance the dematerialized tones of electronic instruments, ground the atmospheric soundscapes of ambient, and gain the power of ritual experience. The new genre was originally called "Techno-Tribal," but as the Techno label became associated with electronic dance music, it was renamed "Tribal Ambient." Today, the period of discovery is long past, but a dedicated group of electro-acoustic artists with a taste for rhythm-powered trance continue to explore the sound and release new music. On this transmission of Hearts of Space, another ethno-tronic journey on psychoactive rhythms, on a program called TRIBAL AMBIENT 2. Music is by STEVE ROACH & ROBERT RICH, BYRON METCALF + ARI URBAN & MARK SEELIG, FRORE & SHANE MORRIS, SERENA GABRIEL, SOLITAIRE, and STEVE ROACH solo. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Robert is the Director and Financial Adviser at Unite Wealth. They talk about how he started Unite Wealth, and his goals of providing pro bono advice to help families with children with disabilities through personal client service, marketing strategies, and philanthropic partnerships. Robert Rich LinkedIn: https://www.linkedin.com/in/robertrichfa/ Unite Wealth Website: https://unitewealth.com.au/ This episode is proudly sponsored by Challenger https://ensombl.com/go/20240613 Join the Ensombl platform: App Store: http://www.ensombl.com/apple Google Play: http://www.ensombl.com/google Desktop: https://www.ensombl.com/ General Disclaimer – https://www.ensombl.com/disclaimer/

Welcome to Aquarium Drunkard Transmissions. This week on the show, direct from his desert studio on the US/Mexico border south of Tucson: synth music pioneer Steve Roach.  As a kid in Costa Mesa, he became entranced with motorsports, prog rock, and kosmische musik by Klaus Schulze, Tangerine Dream, and other Berlin school fusionists. In 1984, he released his landmark third album, Structures from Silence. Record stores filed it in the new age section, where it sold like hotcakes. But as far as Roach was concerned, it was simply his take on the electronic music that fascinated him, with a humanistic touch: it's pace mimicked the pulse of human breath. Roach has maintained a steady flow of music ever since. This year, Roach and his longtime label Projekt released a 40th anniversary version of Structures. It was quickly followed by Reflections in Repose, a live set performed,  composed and recorded in Baja Arizona in late 2023. Add to that production on Serena Gabriel's The Saffron Sky and a three-night stint at Hotel Congress in Tucson, May 29th, 30th, and 31st, where he'll be joined by fellow synth lifers Robert Rich and Michael Stearns, and you can see why it's a miracle he time to join us for this episode, dedicated to discussing his creative process, learning to go with your own flow, and his lifelong sonic journey.  Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. For heads, by heads. Aquarium Drunkard is powered by our members. Keep the servers humming and help us continue doing it by subscribing to our online music magazine. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/aquariumdrunkard Join us next week for a conversation with Jeff Tweedy of Wilco, who joins to discuss the Solid Sound festival, his literary work, and his vast songbook.

The solo piano: a sound that's been evolving for over 300 years. It's perfectly happy all by itself, but it also plays exceptionally well with others. Flexible by design, the piano has been a mainstay in classical music and jazz, and a key element in traditional and popular music. With the arrival of ambient, minimal and new age music in the 1970s, the piano was expanded and dematerialized through studio magic, and combined with ambient and electronic textures to create spatial sound images. On this transmission of Hearts of Space, the acoustic piano meets ambient atmospheres, on a program called CONFLATION. Music is by JON HOPKINS, TALE OF US, BEN LUKAS BOYSEN, ROBERT RICH & MARKUS REUTER, HAROLD BUDD & CLIVE WRIGHT, CHRIS WALLA, and CHRISTOPHER WILLITS & RYUICHI SAKAMOTO. NOTE: If you're thinking of buying one the new electronic/digital pianos, here's an excellent guide by Rob Beck. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

It's being called the "astronomical event of the decade." If you live in the middle third or the northeastern quarter of the United States—on a line from Texas to Maine—there's a good chance that a total solar eclipse of the sun will be visible on the afternoon of April 8th, 2024. Depending on the exact location, the darkening and cooling within the moon's shadow or "umbra" only lasts from two to seven and a half minutes, because the umbra moves across the earth's surface at over 1100 miles per hour. Surprisingly, solar eclipses are not that rare. There are at least two, and up to five, somewhere on earth each year. For millennia, solar eclipses were attributed to supernatural causes or regarded as evil omens. Modern astronomers have taken most of the mystery and superstition—but not the strangeness and thrill—out of eclipses. They can now be accurately predicted hundreds of years into the future, but they still have a cosmic appeal that attracts millions of viewers and a worldwide community of "umbraphiles." On this transmission of Hearts of Space, music for a total eclipse of the sun, on a program called TOTALITY. Music is by CHRONOTOPE PROJECT, SUBDREAM, STELLARIUM, LONEWARD, ZENON MARKO, ROBERT RICH, and STEVE ROACH. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

In this episode, fashion industry legend Robert Rich joins Kristen to discuss his March feature in Lehigh Valley Style magazine. The pair talks about how they were first introduced, the fun they had on set of the photoshoot and all the celebrating they did this month at PA House. Robert lets listeners in on the incredible journey of his career, talks all about his book Winona, and shares what's next for him. Read Robert's full story in the March 2024 edition of Lehigh Valley Style ⁠⁠here⁠⁠. Follow along with him Instagram ⁠⁠here⁠⁠.

Singer/Songwriter Releases New Album Featuring Living Colour's Vernon Reid#newmusic #newalbum #singersongwriter #avantgardemusic #soulmusic Percy Howard, a NorCal based singer-songwriter and product of the New York no-wave avant-garde, has performed and or toured with members of Living Colour, King Crimson, Swans, Guns N' Roses (Buckethead), Oxbow, Henry Cow, This Heat, and Brand X. Percy has also shared European festival stages with Brazilian music legend Caetano Veloso and ambient pioneer Stephan Micus.Percy is the generator of the Meridiem project, which has included collaborative input from Bill Laswell, Vernon Reid, Charles Hayward, Trey Gunn, Fred Frith, Robert Rich, Buckethead, Jarboe, Happy Rhodes, and Jill Tracy, amongst others. Percy's Genre-defying mix of rock, jazz, soul and classical influences have drawn critical attention and praise from all over the planet. Percy has recently started the record label Necessary Angel, which he sees as an archival entity whose sole mission is to spread as much sonic beauty across the world as possible.Influenced by the Laurel Canyon Sound, Bowie, Steely Dan, Richie Havens, and Scott Walker, but created in the context of my own experience, Percy's new album “The Stars and The Well” is unabashedly nostalgic, consumed with Romance and unafraid of the fragility of love. It's a retrospective of the impact of love in my life, in all its forms… From the heights (The Stars) to the depths (The Well).To purchase: https://7dmedia.com/percy-howard-the-stars-the-wellBandcamp: https://percy-howard.bandcamp.com/album/the-stars-the-wellInstagram: https://www.instagram.com/percyhowardmusic/Thanks for tuning in, please be sure to click that subscribe button and give this a thumbs up!!Email: thevibesbroadcast@gmail.comInstagram: https://www.instagram.com/listen_to_the_vibes_/Facebook: https://www.facebook.com/thevibesbroadcastnetworkLinktree: https://linktr.ee/the_vibes_broadcastTikTok: https://vm.tiktok.com/ZMeuTVRv2/Twitter: https://twitter.com/TheVibesBrdcstTruth: https://truthsocial.com/@KoyoteFor all our social media and other links, go to: Linktree: https://linktr.ee/the_vibes_broadcastPlease subscribe, like, and share!

Estamos en permanente evolución. Es nuestra naturaleza. Nos adaptamos al medio o, si no podemos adaptarnos, tratamos de modificarlo. En la música sucede lo mismo. Los estilos van cambiando, interaccionan y se fusionan, surgen nuevas maneras de hacer música; nos la inventamos. A lo largo de la Historia de la Música ha habido compositores o bandas que marcaron un hito, que hicieron el giro y marcaron el camino a seguir, hasta que llegó un nuevo compositor o una nueva banda que estaba en busca de algo más. Frore, Jackson Frost, Adrián Berenguer, Edouard Ferlet, Ash Ra Tempel, Rémi Orts Project, David Cañas del Mazo, Robert Rich, Luca Fomentini, Stanislav Barantsov, The Midnight, Justin Hurwitz. El playlist detallado con enlaces a las audiciones íntegras de cada álbum: lostfrontier.org/episodios/2023/1011.

El 22 de julio de 1962 la NASA lanzó la primera misión del programa espacial estadounidense con destino a Venus, la sonda Mariner 1, que se destruyó durante el despegue. Mariner 10 fue la última sonda espacial dentro del programa Mariner de la NASA. Fue lanzada el 3 de noviembre de 1973, dos años después de la Mariner 9. Su misión era probar un transmisor experimental en banda X, explorar la atmósfera, superficie y características físicas de Venus y Mercurio y validar la asistencia gravitatoria, usando en este caso a Venus para acelerarse en su trayecto final hacia Mercurio. Visitó Mercurio en tres ocasiones, el 29 de marzo y el 21 de septiembre de 1974 y el 16 de marzo de 1975. En total cartografió entre el 40 y el 45% del planeta, aunque sólo la parte iluminada por el Sol mientras lo sobrevolaba. Mercurio es el planeta del Sistema Solar más cercano al Sol y también el más pequeño. Al igual que Venus, carece de satélites naturales. Se conocía muy poco sobre su superficie hasta que fue enviada la sonda planetaria Mariner 10. Posteriormente fue estudiado por la sonda MESSENGER de la NASA y actualmente se encuentra activa la misión conjunta de la Agencia Espacial Europea y la Agencia Japonesa de Exploración Aeroespacial que han enviado la sonda BepiColombo, lanzada en octubre de 2018, y que se dirige a Mercurio a donde previsiblemente llegará el 5 de diciembre de 2025. Antiguamente se pensaba que Mercurio siempre presentaba la misma cara al Sol, en similitud al caso de la Luna con la Tierra; es decir, que su periodo de rotación era igual a su periodo de traslación, ambos de 88 días terrestres. Sin embargo, en 1965 se comprobó que su periodo de rotación era de 58'7 días, lo cual representa ⅔ de su periodo de traslación. A esta situación se la denomina resonancia orbital. Al ser un planeta cuya órbita es inferior a la de la Tierra, lo observamos pasar periódicamente delante del Sol, fenómeno que se denomina tránsito astronómico. Observaciones de su órbita a través de muchos años demostraron que el perihelio gira 43" de arco más por siglo de lo predicho por la mecánica clásica de Newton. Esta discrepancia llevó al astrónomo francés Urbain Le Verrier a pensar que existía un nuevo planeta más cerca todavía del Sol que modificaba la órbita de Mercurio. Ahora se sabe que tal planeta no existe y el comportamiento del perihelio de Mercurio se explica en la Teoría General de la Relatividad de Einstein. Mercurio está formado en un 70% por metales y el 30% restante por silicatos. Los geólogos estiman que el núcleo de Mercurio ocupa un 42% de su volumen total (el núcleo de la Tierra apenas ocupa un 17%). Este núcleo estaría parcialmente fundido y sería el responsable del campo magnético del planeta. La temperatura en un día normal en Merurio oscila entre 350 °C por el día y -170 °C por la noche. La órbita de Mercurio es la más excéntrica entre todos los planetas que orbitan el Sol. La distancia de Mercurio al Sol varía en un rango entre 46.000.000 y 70.000.000 de kilómetros. La inclinación de su plano orbital con respecto al plano de la eclíptica es de 7°. La elevada velocidad del planeta cuando está cerca del perihelio hace que cubra esta mayor distancia en un intervalo de sólo cinco días. Mercurio rota tres veces alrededor de su eje cada dos órbitas; es decir, 3 días en Mercurio duran 2 años teniendo en cuenta que emplea 88 días terrestres en realizar una traslación completa. Pero lo más fascinante de Mercurio es que sus amaneceres son dobles: cuando el Sol sale aproximadamente dos tercios de su tamaño, se detiene, se esconde nuevamente casi exactamente por donde salió y luego vuelve a salir para continuar su recorrido por el cielo; esto sólo ocurre en algunos puntos de la superficie. A 180° de longitud de estos puntos lo que se observa es un doble anochecer. Debido al mismo mecanismo, en el resto del planeta se observa que el Sol aparentemente se detiene en el cielo y realiza un movimiento de retroceso.​ Esto se debe a que aproximadamente cuatro días terrestres antes del perihelio, la velocidad angular orbital de Mercurio iguala a su velocidad angular de rotación, lo que hace que el movimiento aparente del Sol cese, se invierta el movimiento durante los ocho días seguidos en los que la velocidad angular orbital es superior a la de rotación, y finalmente cuatro días después del perihelio el Sol vuelva a detenerse y recuperar su sentido de movimiento inicial. Justo en el perihelio es cuando la velocidad angular orbital de Mercurio excede en mayor magnitud a la velocidad angular de rotación, y es entonces cuando la velocidad aparente de retroceso del Sol es la máxima. A.e.r.o. & Unusual Cosmic Process, Stellardrone, Dusklight, Papi Thereso, OldSol, How To Disappear Completely, Jo Blankenburg, Dreamstate Logic, Robert Rich, Ian Boddy, Carbon Based Lifeforms, Violet Light, Erik Wøllo & Bernhard Wostheinrich, Jarmodular, r beny, Aleks Michalski, Ω. El playlist detallado con enlaces a las audiciones íntegras de cada álbum: lostfrontier.org/episodios/2023/1010.

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Dr. Jay Vyas is an Associate Professor of Medicine and Program Director of the Internal Medicine Residency Program at the Massachusetts General Hospital. Prior to joining the faculty at MGH, Dr. Vyas completed his MD/PhD training at the Baylor College of Medicine, where he conducted his Immunology PhD research within the lab of Dr. Robert Rich. He then completed his internal medicine residency followed by infectious disease fellowship training at MGH. He also conducted postdoctoral research within the Whitehead Institute. In addition to his clinical and administrative responsibilities, Dr. Vyas maintains an active NIH-funded research program dedicated to the study of the innate immune response towards invasive fungal infections. In today's episode, Dr. Vyas shares his philosophy on MD/PhD and physician-scientist training and discusses the importance of team-based practices within research, medicine, and administration. Our thanks to Dr. Vyas for being on the podcast. Lab website: https://www.massgeneral.org/medicine/infectious-diseases/research-and- initiatives/vyas-laboratory Executive Producers: -       Bejan Saeedi -       Joe Behnke -       Michael Sayegh -       Carey Jansen -       Nielsen Weng Faculty Advisors  -       Brian Robinson -       Mary Horton -       Talia Swartz -       Chris Williams -       David Schwartz Twitter: @behindthescope_ Instagram: @behindthemicroscopepod Facebook: @behindthemicroscope1 Website: behindthemicroscope.com

• David Rogers & Paul Shaw • Alan Hawkshaw • Bertrand Eluerd • Paul Williams • Ron Aspery • Keith Mansfield • Iasos • Kip Hanrahan • Anthony Phillips • Milan Pilar • O Yuki Conjugate • Don Alias & Michael Blair & Art Baron & Bill Frisell & Gary Lucas & Greg Cohen • David Vorhaus • Steve Everitt • David Hentschel • Eric Vann • Geinoh Yamashirogumi • Steve Roach & Robert Rich

Episode 012 / August 13, 2023 In this episode of Ambient Discourses, we have a mind-altering conversation with one of the legends in the ambient music genre, Robert Rich, an extremely prolific composer and creator who has over 50 albums to his name, over four decades of music that transports you to another time and place. In my interview with him, we talk about his origin story, the story of the poet historian Tu Fu from the Tang dynasty in the eighth century and his influence on the album "Travelers' Cloth", the commoditizing of music and art, cultivating community and a common language for collaboration, and approaching art as a sort of shaman of the arts. You can hear more from Robert Rich on The STOLACE | RELAY STATION, episode 3.41 at https://stolace.com/relay-station/episodes/03/41/ [0:00:49] The origin story [0:09:22] “Requiem” by Robert Rich from “Below Zero” [0:16:30] The Traveler's Cloth and the Story of Tu Fu [0:23:00] The commodification of music and the ego [0:30:00] “Feathers on a Barefoot Path” by Robert Rich from “Travelers' Cloth” [0:38:41] Cultivating community [0:49:41] A common language for collaboration [0:55:26] “Motes Float in Window Light” by Robert Rich and Luca Formentini from “For Sundays When It Rains” [1:02:39 Influential collaborations [1:06:22] Embracing the whole of life [1:10:58] “Footprints Fade in the Rain” by Robert Rich from “Travelers' Cloth” [1:17:42] Being a shaman in the arts // ABOUT AMBIENT DISCOURSES // Ambient Discourses is the podcast companion to The STOLACE | RELAY STATION, a weekly 59-minute music program that showcases ambient, neoclassical, new age, and other instrumental music from around the world. Discover new signed and independent artists from nearly every corner of the globe, unwind with the Relay Station at work or at home, and hear from the artists themselves what inspires them, how their latest releases evolved, and other deep topics of conversation. You can find every episode of The STOLACE | RELAY STATION at ⁠https://stolace.com/relay-station/⁠ The STOLACE | RELAY STATION is available on YouTube and the Public Radio Exchange (PRX) platform. // CONNECT WITH STOLACE // ⁠https://stolace.com⁠ ⁠https://youtube.com/stolace⁠ ⁠https://twitter.com/stolacemusic⁠ ⁠https://instagram.com/stolacemusic⁠ ⁠https://facebook.com/stolace⁠

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In retrospect, it was inevitable. When high quality portable tape recorders became available after World War II, ethnomusicologists took them into the field to document the living folk music traditions of Europe, the Americas, the Middle East, Africa, Asia, and beyond. Then came the 12" LP record in 1948, and these recordings began to circulate around the world, as specialty labels like the Nonesuch Explorer Series inspired an era of cross-cultural influences and collaborations. Ethnic artists traveled west to perform and record, while western musicians traveled far and wide to engage with these genres. Ambient and electronic artists who created music for virtual travel were highly receptive to these influences, and in time they evolved the sophisticated World/Ambient styles we have today. On this transmission of Hearts of Space, we return to the place where world music meets ambient, on a program called AMBIENT TRAVELER 3. Music is by ROBERT RICH, FORREST FANG, AL GROMER KHAN, LOREN NERELL & MARK SEELIG, and STEPHAN MICUS. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 11th May 2023 Artist - Track - Album - Year Nick Green    Horizons    Green on the Scene    2023 Jae Sinnett's Zero to 60 Quartet feat. Randy Brecker    Simone    Commitment    2023 The Joe Farnsworth Quintet    Terra Nova    In What Diretion Are You Headed?    2023 Walter Smith III    Mother Stands for Comfort    Return to Casual    2023 Louis Hayes    So Many Stars    Exactly Right!    2023 David Larsen    He Who Gets the Last Laugh    The Peplowski Project    2023 JOI Jazz Orchestra    Days on End    Jazz Outreach Initiative (JOI) Presents…A JOIful Noizz    2023 The Kupkasonic Orchestra, dir. Craig Kupka    A Kupkasonic Reset    Big Band Trax by Wax: The Music of Michael Wetherwax    2023 Ravita Jazz    Peace and Love    Oriana    2023 Benji Daniels    Spicy Vindaloo    Brunch    2023 Joe Marcinek Band    Still Got It    Dead Funk Summit    2023 GoGo Penguin    Glow    Everything is Going to Be OK    2023 Astrocolor    Spacewalk    Moonlighting: Astrojazz, Volume 1    2023 Astrocolor    Singularity    Moonlighting: Astrojazz, Volume 1    2023 Davy Mooney    La Bruja    Way Back    2023 Alyse Korn & Robert Kyle    Distance Between Us    Tuesday's Child    2023 Joanie Pallatto, f. Fareed Haque    Surrender    Accidental Melody    2023 Tom Guarna    Glass Bead Games    Reimagine    2023 Vince Ector Organatomy Trio+    Renewal Revisited    Live @ The Side Door    2023 Le Boeuf Brothers    Vignette No. 25    Hush    2023 Le Boeuf Brothers    Oblique Two-Step    Hush    2023 Le Boeuf Brothers    Soot    Hush    2023 Javier Red's Imagery Converter    Life    Life & Umbrella    2023 Javier Red's Imagery Converter    Interior World    Life & Umbrella    2023 Robert Rich    Feathers on a Barefoot Path    Travelers' Cloth    2023 The post The Creative Source (#CreativeSource) – 11th May 2023 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.

Dr. Bob Rich has a goal to create tomorrow worth surviving. ⁠https://bobrich18.wordpress.com/⁠ https://twitter.com/bobswriting https://www.linkedin.com/in/bob-rich-a06a3528 https://www.goodreads.com/author/show/8309822.Bob_Rich https://www.amazon.ca/Robert-Rich/e/B006HP75NM Read the First Chapter of the following books From Depression to Contentment,  https://bobrich18.wordpress.com/2020/10/04/chapter-1-from-depression-to-contentment-a-self-therapy-guide/ Hit and Run  https://bobrich18.wordpress.com/2020/09/30/chapter-1-hit-and-run/ Ascending Spiral  https://bobrich18.wordpress.com/2020/10/01/chapter-1-ascending-spiral/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/onlineforauthors/message

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 27th April 2023 Artist - Track - Album - Year Michael Feinberg Quartet/Quintet    Saqqara    Blues Variant    2022 Esthesis Quartet    Brush Fire    Time Zones    2023 Les DeMerle Sound 67    Raunchy Rita    Once in a Lifetime    2023 Leo Sidran    Hanging by a Thread    What's Trending    2023 Benny Green    Jackie McLean    Solo    2023 Cecile McLorin Salvant    Petite Musique Terrienne    Melusine    2023 Tom Collier    At Last    Boomer Vibes, Volume 1    2023 Ahmad Jamal    Pittsburgh    Pittsburgh    1989 The Ahmad Jamal Trio    The Awakening    The Awakening    1997 Ahmad Jamal    Silver    Saturday Morning: The Buisonne Studio Sessions    2013 Jae Sinnett's Zero to 60 Quartet feat. Randy Brecker    Guise    Commitment    2023 LeBoeuf Brothers    Vignette No. 18    Hush    2023 LeBoeuf Brothers    Please Scream Inside Your Heart    Hush    2023 GoGo Penguin    You're Stronger Than You Think    Everything is Going To Be OK    2023 GoGo Penguin    Glimmerings    Everything is Going To Be OK    2023 Steve Smith and Vital Information    Ugly Beauty    Time Flies    2023 Jason Keiser    Katerina Ballerina    Shaw's Groove    2023 Jazz Outreach Initiative presents JOI Jazz Orchestra    Second Line Sally    A JOIful Noizz    2023 Christoph Irniger Pilgrim    Marvel    Ghost Cat    2023 Elio Villafranca    Solitaria    Standing by the Crossroads    2022 Mike Clark    Speak Like a Child    Plays Herbie Hancock    2023 Joe LoCascio Trio    Contrails    November: The Music of Phil Gurlik    2023 Robert Rich    Loom of Origins    Travelers' Cloth    2023 Stephan Thelen    Black on Electric Blue    Fractal Guitar 3    2022 The post The Creative Source (#CreativeSource) ...

Bit of a short first set, but as usual it ends right where it was supposed to. We get into some intriguing spaces in the second set, and bring it all in for a smooth and quiet landing. Start      Janne Hanhisuanto, Moon Over Fell, Moon on the Man5.37       Robert Rich and […]

The anti-communist Red Scare of the 1940s and 1950s spared no corner of the country or the culture. The FBI combed the Green Mountains looking for communists, and the University of Vermont ousted a suspected faculty member. In Hollywood, 10 screenwriters and directors refused to cooperate with the House Un-American Activities Committee, or HUAC, which led to a highly publicized hunt for supposed communist sympathizers and “subversives” throughout the entertainment industry.The Hollywood 10, as they came to be known, used the HUAC hearings in 1947 to condemn the committee. Among them was Dalton Trumbo, one of Hollywood's highest paid writers. His credits included “Thirty Seconds Over Tokyo” (1944). As result of their defiance and principled stands, Trumbo and other members of the Hollywood 10 were convicted of contempt of Congress, fined, imprisoned and blacklisted from working in the film industry. Trumbo was unable to make a living under his own name for more than a decade, though he continued to write scripts under pseudonyms and use other writers as a front. He won an Oscar for “The Brave One” (1956), which he wrote under the name Robert Rich.In 1959, former President Harry Truman denounced HUAC as the “most un-American thing in the country today.” The Hollywood blacklist ended in 1960, when Trumbo was publicly credited with writing two films, “Spartacus” and “Exodus.” In 1975, the Academy Awards officially recognized Trumbo as the writer of “The Brave One.”“Trumbo: Red White & Blacklisted” is a two-person play featuring Trumbo's letters that was written in 2003 by Trumbo's son Christopher. The play is being performed in Vermont beginning Feb. 11 in Plainfield, Waterbury Center and White River Junction. It is directed by Monica Callan, narrated by Nick Charyk, and actor and former State Rep. Donny Osman plays Trumbo. Rick Winston, author of “Red Scare in the Green Mountains: Vermont in the McCarthy Era 1946-1960,” is an adviser to the play.Trumbo served 11 months in prison for contempt of Congress. “As far as I was concerned, it was a completely just verdict. I had full contempt for that Congress,” he wrote.

Ian Boddy has been at the forefront of the UK electronic music scene since 1983, when he both performed at the very first UK Electronica Festival in Milton Keynes and released his first vinyl album, The Climb. The formation of his DiN label in 1999 allowed Ian to actively collaborate with a wide variety of musicians as well as release music from other artists and celebrate its 100th release in 2022. Download Bio at: https://we.tl/t-o28WIBKGjf Playlist No226 part 1 0.00 Ian Boddy ‘Coil' (album Coil) 2022 06.43 Ian Boddy ‘Nevermore' (album Nevermore) *** 2021 16.34 Ian Boddy ‘Prague' (album Modulations) 2020 29.48 Ian Boddy ‘Boddy Love' (album Axiom) 2020 35.39 Ian Boddy 'Shrine' (album Altair) 2019 44.22 Markus Reuter & Ian Boddy ‘Memento' (album Memento) 2017 50.34 Ian Boddy ‘Tone Science 3' (album Tone Science) 2016 57.31Ian Boddy ‘As Above So Below' (album As Above So Below ) 2016 01.03.15 Arc Ian Boddy & Mark Shreeve ‘Filtered Through The Haze' (album Arclight) 2015 01.11.31 Ian Boddy ‘Destination Zero' (album Liverdelphia) 2013 01.21.37 Ian Boddy & Erik Wollo ‘Ascension' (album Frontiers) 2012 01.26.39 Boddy, Hoffman & Wright ‘Halcyon' (album Trinity Live at AD Music Festival) 2009 01.40.10 Ian Boddy & David Wright ‘Comets' (album Shifting Sands) 2009 01.46.06 Ian Boddy 'Tourmaline' (album Slide) 2008 01.53.35 Ian Boddy ‘Flux' (album Elemental) 2006 01.59.24 Ian Boddy ‘E-Day Part 1' *** 02.07.18 Ian Boddy ‘Kinaesthesia' (album Chiasmata) 2004 02.17.21 Ian Boddy ‘Summer Lawn Daze' (album Three Dreams Live Stars End) 2004 02.26.24 Robert Rich & Ian Boddy ‘Tuning In' (album Outpost) 2002

Here we are, three decades later. Same show, new times. In this anniversary episode, I will tell you the story of the program from a personal perspective and we will enjoy the congratulatory messages and music of some very special guests, among them Suzanne Ciani, Andreas Vollenweider, Øystein Sevåg, Deuter, Steve Roach, Robert Rich, Ian Boddy.Heartfelt thanks to our listeners, and wishing you a beautiful transition to 2023!

Markus Reuter is a music producer, composer, performer, and creative educator with international credentials and a vast discography. Reuter's work as a recording artist, solo performer, and collaborator spans (and frequently fuses) electrophonic loop music, contemporary classical music, progressive and art rock, industrial music, world jazz, jazz fusion, pop songs, and pure improvisation. Over the course of a two-decade career, he has been a member of multiple bands, ensembles, and projects (including centrozoon, Stick Men, Tuner, The Crimson ProjeKct, and Europa String Choir) as well as a solo artist. Since 2011 Reuter has established himself as a contemporary classical composer, starting with the performance and recording of his large-scale orchestral piece Todmorden 513.A specialist in touch guitar playing, Reuter became known as a leading player of the Warr Guitar and Chapman Stick during the 1990s and 2000s before developing, adopting, and marketing his own U8 and U10 Touch Guitar instruments. In collaboration with former King Crimson member Trey Gunn, he runs the Touch Guitar Circle, a teaching and support network for touch guitar players.As well as further collaborations with artists including Tim Bowness, Lee Fletcher, Ian Boddy, and Robert Rich, Reuter has produced records by numerous musicians and released several solo recordings as both performer and composer. He is also part of an artist-owned production consortium that encompasses Iapetus Media, Unsung Productions, and Unsung Records.Lean more about Lyte.Find more great podcasts from Osiris Media, the leading storyteller in music. Hosted on Acast. See acast.com/privacy for more information.

Markus Reuter is a music producer, composer, performer, and creative educator with international credentials and a vast discography. Reuter's work as a recording artist, solo performer, and collaborator spans (and frequently fuses) electrophonic loop music, contemporary classical music, progressive and art rock, industrial music, world jazz, jazz fusion, pop songs, and pure improvisation. Over the course of a two-decade career, he has been a member of multiple bands, ensembles, and projects (including centrozoon, Stick Men, Tuner, The Crimson ProjeKct, and Europa String Choir) as well as a solo artist. Since 2011 Reuter has established himself as a contemporary classical composer, starting with the performance and recording of his large-scale orchestral piece Todmorden 513.A specialist in touch guitar playing, Reuter became known as a leading player of the Warr Guitar and Chapman Stick during the 1990s and 2000s before developing, adopting, and marketing his own U8 and U10 Touch Guitar instruments. In collaboration with former King Crimson member Trey Gunn, he runs the Touch Guitar Circle, a teaching and support network for touch guitar players.As well as further collaborations with artists including Tim Bowness, Lee Fletcher, Ian Boddy, and Robert Rich, Reuter has produced records by numerous musicians and released several solo recordings as both performer and composer. He is also part of an artist-owned production consortium that encompasses Iapetus Media, Unsung Productions, and Unsung Records.Lean more about Lyte.Find more great podcasts from Osiris Media, the leading storyteller in music. Hosted on Acast. See acast.com/privacy for more information.

One of the key built-in features of music is movement. Fast or slow, steady or changing, ascending or descending in musical space — music invites us to move within it when we listen, while also inspiring us physically to move with it. When we move in physical space, we normally have a destination, goal, or purpose. But when we explore a new environment, we like to be goal-free, take our time, and savor the experience. We can do this with the virtual environments of ambient music. On this transmission of Hearts of Space, the underrated pleasure of unplanned exploration, on a program called WANDERING. Music is by ROBERT RICH & LUCA FORMENTINI, BJÖRN MEYER, JON DURANT & ROBERT JÜRJENDAL & PETER CHILVERS, SECONDFACE, and EIVIND AARSET. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Bob Rich and Joe Lynch discuss the ROAR Logistics story. Bob is the Founder and President of ROAR Logistics, a based logistics company that delivers world-class service by rail, ocean, air or road. About Bob Rich Bob Rich is the Founder and President of ROAR Logistics, a Buffalo based logistics company that lives up to its name by delivering world-class service by Rail, Ocean, Air or Road (ROAR). Prior to founding ROAR with 3 associates in 2003, Bob held a series of positions with increasing responsibilities at both Rich's (his family's business) and other logistics companies. ROAR has enjoyed rapid growth and now has 8 locations within the USA. Bob gives all the credit to the ROAR team and the culture they have created. Bob earned a BS in Environmental Psychology from St. Lawrence University and an MBA from the Richard J. Wehle School of Business, Canisius College. When he is not busy leading the charge at ROAR, Bob is a family man who has diverse interests including acting, music, and volunteering in the Buffalo community. About ROAR Logistics Founded in 2003, ROAR Logistics entered the transportation industry as an upstart Intermodal Marketing Company (IMC), approaching an old industry with a fresh, innovative attitude. Pioneering a much-needed transformation in transportation services, Founder & President, Bob Rich III, set out with two associates and a vision to change the logistics landscape – placing shippers at the forefront of its mission to build a “World Class” logistics company. October 2018 marked the beginning of ROAR's 15th year in business and, today, the company continues to be recognized as a world-class industry leader in domestic truckload & LTL freight brokerage, intermodal marketing services, international freight forwarding, NVOCC and US-licensed customs brokerage services. Headquartered in Buffalo, New York, ROAR continues to grow successfully, with ten operations throughout the United States and a global network of agents providing comprehensive transportation services in over 150 countries worldwide. ROAR prides itself on delivering an extensive portfolio of award-winning transportation and logistics solutions – whether by Rail, Ocean, Air or Road – to a diverse clientele across a broad spectrum of industries. Key Takeaways: The ROAR Logistics Story Bob Rich is the Founder and President of ROAR Logistics, a Buffalo based logistics company that lives up to its name by delivering world-class service by Rail, Ocean, Air or Road (ROAR). In the podcast interview, Bob and Joe discuss Bob's life, career, and his role as the Founder and President of ROAR Logistics. Bob comes from a family of successful entrepreneurs and Bob grew up working in the family business. Bob started ROAR Logistics in 2003 with Tony Barnes, Beth Grieshober, and Guy Gessner. ROAR's first load booked was a rail shipment and was handled by Tony Barnes. Today ROAR has sales in excess of $315M and 180 associates in 10 offices nationwide. Bob believes that ROAR Logistics success is because of the people and the culture. Click here to see ROAR's Philosophy. Learn More Bob Rich on LinkedIn ROAR Logistics Rich's (Bob's family business) Robert Rich III IMDb (Bob is a musician, actor and film producer on the side) The Logistics of Logistics Podcast If you enjoy the podcast, please leave a positive review, subscribe, and share it with your friends and colleagues. The Logistics of Logistics Podcast: Google, Apple, Castbox, Spotify, Stitcher, PlayerFM, Tunein, Podbean, Owltail, Libsyn, Overcast Check out The Logistics of Logistics on Youtube

In this podcast: 1. Robert Rich, 2. Robert Rich, 3. Satori, 4. Dr Sounds, 5. Kirsty Hawkshaw, 6. Robert Rich, 7. Kourosh Dini, 8. Robert Rich, 9. Paul Avgerinos

In this podcast: 1. Robert Rich, 2. Paul Avgerinos, 3. Rapoon, 4. Stargarden, 5. Paul Avgerinos, 6. Robert Otto, 7. Saros, 8. Tilopa, 9. Tilopa, 10. Robert Rich

It doesn't take much: a quiet drone, soft skin drums, and hand claps in this case — but it opens up an immersive perceptual world that's encoded in the word "trance." Trance music has a surprisingly long provenance, stretching back from the electronic beats of today to the mists of prehistory. Whether fueled by psychoactive substances, ecstatic group experiences, or just applied boredom, the world of trance music has proven both durable and adaptable. There's acid trance, epic trance, euro-trance, tech and progressive trance, vocal trance, and dream trance — just to mention the electronic dance variations. From the traditional acoustic drumming of North Africa/ to the relentless pounding of 140 beats per minute on the electronic dance floor, repetition and the power of extended, slowly changing rhythms are the foundation. Add infinite feedback guitar and Ambient electronics, and you have a sonic vehicle for travel to exotic virtual spaces. On this transmission of Hearts of Space, an ethno-tronic journey on psycho-active trance rhythms, on a program called TRANCE PLANET. If the name sounds familiar, it was used in the 1990s for a series of World Music compilations on the late Triloka Records label. Music is by TIM GERWING, FRORE & SHANE MORRIS, MICHEL BANABILA, ROBERT RICH, JON HASSELL, MA JA LE & VIR UNIS, and STILLPOINT. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

In this podcast: 1. Kourosh Dini, 2. Robert Rich, 3. Piotr Janeczek, 4. Rapoon, 5. Rapoon, 6. Paul Avgerinos

An impromptu mix to celebrate the ones we have lost.  Artists featured are Symphocat, Robert Rich, Ex confusion and a handful more. Love to all.

In this podcast: 1. Robert Otto, 2. Robert Rich, 3. Robert Otto, 4. Satori, 5. Kourosh Dini, 6. General Fuzz, 7. Tilopa, 8. Tilopa, 9. LVX Nova

In this podcast: 1. Ion, 2. Claire Fitch, 3. Paul Avgerinos, 4. Satori, 5. Rapoon, 6. Robert Rich, 7. Stargarden, 8. General Fuzz, 9. Paul Avgerinos, 10. Robert Otto

In this podcast: 1. Satori, 2. Robert Rich, 3. Ion, 4. Paul Avgerinos, 5. Rapoon, 6. Robert Rich, 7. General Fuzz, 8. Ion, 9. Robert Rich, 10. Paul Avgerinos

In this podcast: 1. Robert Rich, 2. Kourosh Dini, 3. Rildrim, 4. Robert Rich, 5. Ryo Utasato, 6. Robert Rich, 7. Kourosh Dini, 8. Rapoon, 9. Satori, 10. Paul Avgerinos

In this podcast: 1. Ion, 2. Robert Rich, 3. DAC Crowell

In this podcast: 1. Robert Rich, 2. Claire Fitch, 3. Intersonic Subformation, 4. Stargarden, 5. DAC Crowell, 6. Kourosh Dini, 7. Robert Rich, 8. Rapoon

In this podcast: 1. Ion, 2. Satori, 3. Paul Avgerinos, 4. Mystic Crock, 5. Swivel Neck Jones, 6. Rapoon, 7. Intersonic Subformation, 8. Paul Avgerinos, 9. Robert Rich, 10. Kourosh Dini

Inflation and tales of its constant rise have been part of the economic reality for a while, long enough for there to be plenty of misunderstandings about what the term and concept actually mean. To help clear some of that up, we spoke to Robert Rich, director of the Center for Inflation Research and a senior economic and policy adviser at the Federal Reserve Bank of Cleveland. We check in on the state of China’s GDP. Twitter has adopted the fabled “poison pill” strategy to fend of Elon Musk’s bid to buy the company.

Inflation and tales of its constant rise have been part of the economic reality for a while, long enough for there to be plenty of misunderstandings about what the term and concept actually mean. To help clear some of that up, we spoke to Robert Rich, director of the Center for Inflation Research and a senior economic and policy adviser at the Federal Reserve Bank of Cleveland. We check in on the state of China’s GDP. Twitter has adopted the fabled “poison pill” strategy to fend of Elon Musk’s bid to buy the company.

Showcasing new sounds from Robert Rich, including the album "Neurogenesis" and the concert recording of Robert's performance at Soundquest 2021.