Podcasts about rspb

Helen Meech is Executive Director of the Climate Coalition, the UK's largest group of organisations dedicated to action on people, climate and nature. Over 130 member organisations, from the National Trust to Oxfam to Save the Children, plus a network of around 3,500 community organisers across the UK. And yet most people have never heard of them. As Helen explains, that's deliberate.We talk about Great Big Green Week, the Coalition's flagship campaign, running this year from 6 to 14 June. It has more than doubled in size every year for three years: 250,000 people, then 600,000, then 1.2 million last year, with around 2 million expected this year. The stat that matters most: over a third of attendees had never engaged with climate or nature before. They came because someone they knew organised something, or because it was free to do with the kids on a Saturday.We also dig into where power actually sits. Helen's framing, "creating the space for politics to move into," challenges the idea that change is something politicians do to us. And we compare notes on the People's Emergency Briefing, which we recently screened at the Grange Hub, and the tension every communicator in this space wrestles with: realism versus hope.The post-interview chat gets into Tom's view that the era of being polite about the emergency is over, Chloe's case for hope grounded in community rather than technology, and why we still don't have a Help for Heroes equivalent for the climate movement.About the guestHelen Meech is Executive Director of the Climate Coalition. She has spent 25 years in environmental campaigning and movement-building, including roles at the National Trust and the RSPB, where she was Head of Movement Building and led the development of the People's Plan for Nature. Her work is built on a single belief: people are powerful, especially when they come together.The Climate Coalition: theclimatecoalition.org Great Big Green Week: greatbiggreenweek.comChapters00:00 - Welcome and intros 01:30 - Grange update: screening the People's Emergency Briefing at the Hub 04:30 - Watching hard truths in community, and why that changes the experience 06:55 - Tom's case: the days of being polite about the emergency are over 07:30 - Wilder Connections summer programme: co-design with young people 10:57 - Who is the Climate Coalition? 14:59 - Why most people haven't heard of the Climate Coalition (on purpose) 17:24 - "Creating the space for politics to move into" 20:05 - Everyone has power: protest, community organising, media, culture 22:18 - Great Big Green Week: nightclubs, litter picks, fetes and school assemblies 23:59 - The infrastructure behind 6,000 local events 29:54 - Flooded pitches: why grassroots sport is organising 30:30 - The unexpected challenge: keeping the big NGOs on board 32:43 - Greenwashing and a brand with a life of its own 34:15 - The Coalition's three policy asks 36:50 - The five million target, and matching Children in Need for awareness 39:43 - Helen's reaction to the People's Emergency Briefing 42:28 - Rebecca Solnit and hope as an action 44:35 - How to get involved in Great Big Green Week 46:03 - Tom and Chloe debrief: community action vs direct action 48:27 - The 3.5% rule, and whether the research still holds 50:45 - The school drop-off apology problem: why we need a safe movement to belong to 53:40 - Hope vs fear: did the briefing get the balance right? Key takeawaysOver a third of Great Big Green Week attendees have never engaged with climate or nature before. They come because the event is organised by someone they know, connected to a community they're already part of, or simply free to do with the kids. Over 80% of those newcomers wanted to do more afterwards.Great Big Green Week has more than doubled in size every year for three years, and reached a media audience of over 60 million last year. Around 11% of the UK population recognises it when prompted, on a par with campaigns that have run for decades.Helen's core argument about power: if we say politicians are the only ones with power, we're handing ours to them. The Coalition's job is to make the public mandate visible so politicians have space to move into.The Coalition's three policy asks: climate finance flowing where it's most needed, fairness at the heart of climate action (bills, jobs, just transition), and the urgent protection and restoration of nature.Fear needs to be combined with agency. Helen cites the Branding Biodiversity report: hard-hitting information without a path to action paralyses people. Twenty-five years into her career, the People's Emergency Briefing still made her cry. Her response was to write a to-do list.Hope is an action, not a mood. Rebecca Solnit's framing: pessimists and optimists both excuse themselves from doing anything.Resources and links mentionedOrganisations and campaignsThe Climate Coalition: theclimatecoalition.orgGreat Big Green Week (6-14 June 2026): greatbiggreenweek.comNational Emergency Briefing / People's Emergency Briefing, including the screening map and how to host one: nebriefing.orgWilder Connections, Chloe's charity growing a movement for nature connection in young people: wilderconnections.charityClimate Psychology Alliance (facilitation training Chloe mentioned): climatepsychologyalliance.orgMore in Common (audience segmentation partner): moreincommon.org.ukBristol Stepping SistersNational Trust, RSPB, Oxfam, Save the Children, Co-op (Coalition members referenced)Ideas and referencesRebecca Solnit, Hope in the DarkJoanna Macy, Active Hope: activehope.infoBranding Biodiversity report (Futerra): fear combined with agencyThe 3.5% rule (Erica Chenoweth's research on nonviolent resistance)The People's Plan for Nature: peoplesplanfornature.orgCome and stay with usIf this conversation has you craving time somewhere slower, our off-grid cabins sit in a quiet corner of Monmouthshire surrounded by 80 acres of recovering nature. Visit grangeproject.co.uk and click "Stay with us" in the top right corner.

How do people around the world celebrate the summer solstice? What does the nightjar sound like? Amelia is back with the monthly almanac.Learn more about birdsong and the nature you can enjoy every month on the RSPB website - RSPB Bird & Wildlife Conservation CharityImage shows the RNIB Connect Radio logo. On a white and black background ‘RNIB' written in bold black capital letters and underline with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font. 

RSPB Executive Director Katie Luxton and Senior Lecturer Anna Gilchrist join AMBS Research Communications Officer, Jim Pendrill to talk about Business and Biodiversity as part of a special event during IBPES 12 held in Manchester. Launched during IPBES 12 , the Business and Biodiversity Assessment is the first major global scientific framework examining how businesses depend on and impact nature.

We are joined by Alexis Johnson, Nature and Wellbeing Officer at RSPB, to talk about RSPB's work in social prescribing and how creativity plays a part. Hosted on Acast. See acast.com/privacy for more information.

I don't know about you, but May is my favourite month: spring in its pomp and the blessing of light, warm days to come! And with ‘international dawn-chorus day' tomorrow, too, it's an invitation to hear nature's songs of praise sung from the treetops afresh.If you struggle to rise early, you could follow the advice of journalist Henry Porter and drink a lot of water before you go to bed.Though some may not have been to bed at all! — a report out this week says that birdwatching is now the second most popular hobby among “Gen Z”. Almost three quarters of a million 16-29 year-olds bird-watch regularly, which has to be good news. A young woman called Jess Painter, of the RSPB youth council, said that by pausing “to be curious, to watch, listen and learn, you open yourself up to endless small moments of wonder.”With so much strife in the world, it's surely one profound way of clearing our heads.Yet as Jess hints, getting out to watch the birds, or to listen to the dawn chorus, is not merely escape from what's wrong, but embrace of what's right: nature calls to our own better nature, too — to give the gift of our attention, so desperately fought over by the tech giants, to what's natural, beautiful. And as a Christian I'd say to sense the Creator's presence, too, within the awe-inspiring symphony of Creation.Such awe is so good for us — our ego knows it can't possibly compete with a choir of blackbirds, robins, warblers, even a nightingale if we're very lucky — so it quietens, and lets the soul stir to become part of ‘the family of things' again, as the poet Mary Oliver puts it.And in such moments, shift happens. Recently, I interviewed the eminent ecologist Tom Crowther, who says that nature is filled with feedback loops — some of which are destructive, when the balance of an ecosystem has been upset (so often by humans); while other loops are restorative, regenerative — and we can be part of them.As a scientist, he said that it's crucial his discipline learns spiritual practices of contemplation, meditation, prayer, as ways to help break the circuit, to step out of our personal feedback loops of despair, into ones of hopeful uplift instead.Take joy in nature, as we rediscover our own nature singing its song, too. Watch the birds of the air, as Jesus said for good reason.It may start simply with setting an alarm for tomorrow — or by drinking that large glass of water tonight. Whatever helps us best to catch this polyphonic wake up for the soul.

As International Dawn Chorus day approaches, how can birdsong boost your wellebing?Amelia gets tips from RSPB Wildlife Expert Beth Dean ahead of International Dawn Chorus day.Learn more about International Dawn Chorus Day on the RSPB website - RSPB Bird & Wildlife Conservation CharityImage shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underlined with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font.

Today we're getting wild in the garden and taking a look at some of the abundance that's on display as spring hits its peak. The RSPB's Emma Marsh joins us to unpack the results of this year's Big Garden Birdwatch, offering a revealing snapshot of the health of some of our most cherished garden visitors. Emma also shares how new research is informing New RSPB advice on feeding birds seasonally and safely. One key food source for young chicks at this time of year is juicy caterpillars; RHS Principal Entomologist Dr Hayley Jones shares her advice on how to live with these misunderstood critters, and why moths in general deserve some more credit in the garden. And finally, we turn to a seasonal highlight: crab apples. Nurseryman Nick Dunn of Frank P Matthews nursery joins us to celebrate these remarkable trees as they burst into bloom, offering beauty, abundance and a vital source of food for birds, insects - and even us. Host: Guy Barter Contributors: Emma Marsh, Dr Hayley Jones, Nick Dunn Extra links: Wild About Gardens: magical moths RHS Wildlife gardening advice Remembering Nigel Dunnett

Mixing trees and farming in agro-forestry: why the key to resilient farming could be trees. We're looking at this all this week and today we hear from a British pioneer. A week today millions of people will head to the polls to vote in a number of local council and mayoral elections in England, while voters in Scotland and Wales will elect representatives to their national parliaments.  Farming policy is largely devolved to the governments in Edinburgh and Cardiff, and having heard the latest from the campaign trail in Scotland yesterday, today we turn to Wales.This Sunday is International Dawn Chorus day. The RSPB is using the occasion to celebrate a rise in the number of young people bird watching, though the British Trust for Ornithology warns that there are fewer birds for them to see and hear. Presented by Charlotte Smith and produced by Beatrice Fenton.

Executive Director at the RSPB, Emma Marsh, joins Ben for a conversation that connects leadership, late autism diagnosis, and the often-overlooked role of nature in how we regulate and function.Diagnosed autistic in 2023, Emma reflects on what it means to navigate senior leadership as an autistic woman, the decision to disclose at work after years of masking, and how that moment reshaped both her identity and the way she leads.Ben and Emma dive into the power of nature and how fundamental it is for neurodivergent brains. From birdsong and the dawn chorus to simple ways of reconnecting with the natural world, Emma explains why nature can feel like a reset for the nervous system in ways modern environments often can't.They also explore why so many workplaces still unintentionally exclude neurodivergent people - and what it looks like to move beyond awareness into systems that actually support people and their brains.Join us at hidden20.org/donate.________Host: Ben BransonProduction Manager: Phoebe De LeiburnéVideo Editor: James ScrivenSocial Media Manager: Charlie YoungMusic: Jackson GreenbergHead of Marketing: Kristen FullerThe Hidden 20% is a charity founded by AuDHD entrepreneur, Ben Branson.Our mission is simple: To change how the world sees neurodivergence.No more stigma. No more shame. No more silence.1 in 5 people are neurodivergent. That's 1.6 billion of us - yet too many are still excluded, misunderstood, or left without support.To break the cycle, we amplify voices, challenge myths, and keep showing up. Spotlighting stories, stats and hard truths. Smashing stereotypes through honest voices, creative campaigns and research that can't be ignored.Every month, over 50,000 people turn to The Hidden 20% to feel safe, seen and to learn about brilliant brains.With your support, we can reach further, grow louder, and keep fighting for the 1 in 5 who deserve more.Join us at hidden20.org/donate.Become a monthly donor.Be part of our community where great minds think differently.Brought to you by charity The Hidden 20% #1203348______________Follow & subscribe…Website: www.hidden20.orgInstagram / TikTok / Youtube / X: @Hidden20charityBen Branson @seedlip_benEmma Marsh RSPB LinkedInhttp://www.rspb.org.uk/If you'd like to support The Hidden 20%, you can buy a "green dot" badge at https://www.hidden20.org/thegreendot/p/badge. All proceeds go to the charity. Hosted on Acast. See acast.com/privacy for more information.

In this episode, we're following the vast, invisible highways that birds carve across our skies each spring, and the extraordinary journeys that bring them back to us.We'll learn how birds navigate thousands of miles using scent, memory and instinct—and what these epic journeys reveal about survival in a rapidly changing world.Along the way, Sean is joined by actor and RSPB ambassador Samuel West, broadcaster Johnny Vaughan on the thrill of a fleeting kingfisher sighting, and Chris Hewson from the British Trust for Ornithology tracking cuckoos across continents.Plus, Dr Mya-Rose Craig answers your birding questions and Zoologist Megan McCubbin shares important new advice on feeding birds safely as seasons change.Beyond the birds themselves, conservationist Nadia Shaikh and birding instructor George Joseph dig into the deeper story—how our relationship with land shapes who gets to experience nature, and why reclaiming that connection could be key to protecting it.Produced by Hana Walker-Brown. Executive Producer is Jane Gerber.This is a Get Birding Production. BTO Cuckoo Tracking Projecthttps://www.bto.org/get-involved/volunteer/projects/cuckoo-trackingRight to Roam https://www.righttoroam.org.uk/Decolonising Birdinghttps://goldengatebirdalliance.app.neoncrm.com/np/clients/goldengatebirdalliance/event.jsp?event=14193The podcast is made in collaboration with Forest Holidays, which encourages birdwatching as part of their guests' stays, with nature sensitive cabins available in 13 incredible locations across the UK. Use the code GETBIRDING26 when booking, for £40 off a 3-night break or £60 off a 4 or 7 night break. The code expires on 30 June 2026 and is for breaks bookable until 1 October 2026.To find out more, visit www.forestholidays.co.uk Hosted on Acast. See acast.com/privacy for more information.

A symphony of beautiful birdsong will take place on the 3rd of May, but how can you recognise birds using their song? Amelia gets tips from RSPB Wildlife Expert Beth Dean ahead of International Dawn Chorus day.Tune in again to learn how birdsong can boost your wellbeing.Learn more about International Dawn Chorus Day on the RSPB website - RSPB Bird & Wildlife Conservation CharityImage shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underlined with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font.

On the 3rd of May many birds will sing together in a symphony, Amelia is here to learn more about how to enjoy the dawn chorus with Beth Dean from RSPB.Tune in again for tips on identifying birds by their song and how listening can boost your wellbeing.Learn more about International Dawn Chorus Day on the RSPB website - RSPB Bird & Wildlife Conservation CharityImage shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underlined with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font.

What's the connection between the May Queen and the Green Man and what flowers bloom in abundance this month? Amelia is here with the May almanac.Learn more about  nature on the RSPB website - RSPB Bird & Wildlife Conservation CharityImage shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underline with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font. 

We hear more from Mark's time with forager Mark Williams. They met up at Wigtown Bay on a rather wet and blustery day and headed along the coast to look for sea radish.Rachel meets up with Rosie Beetschen from Cairngorms Connect and Ross Watson from Forestry Land Scotland to hear all about some of the oldest and most interesting trees, Granny Pines. They take a wander in Glenmore to find a rather impressive specimen.About four years ago, fisherman Hans Unkles took the engine out of his boat, Lorna Jane, and replaced it with an electric motor and batteries. Mark caught up with Hans in Fraserburgh to hear how successful his electric boat has been and whether any other fisherman have been persuaded to copy him.Every week, poet and musician Bobby Motherwell visits RSPB Lochwinnoch to volunteer. He was also poet in residence at the reserve and has written a book all about his time there. Rachel met up with him in one of the hides and heard some of his tales and poems.The Ledge in Inverness is the Highland's largest climbing gym and a National Bouldering and Performance Centre which has been built on the foundations of community, inclusivity and positivity. Phil Sime headed along to hear all about the different activities on offer and push himself out of his comfort zone with a shot at climbing.Recently the RSPB issued new advice around feeding wild birds. The charity wants people to: Feed seasonally. Feed safely. We're joined live by Ross Hunter from RSPB Scotland to hear what that means practically.Plus a tribute to the late George Skinner, Aberdeenshire Farmer and font of agricultural knowledge. We dip into the archive to share his knowledge on neeps.And in this week's Scotland Outdoors podcast, Rachel hears the story of Ioana Ticu, an experienced mountaineer who found herself in a situation where she had to call Mountain Rescue at the summit of Ben More. We hear an excerpt of her story.

Animals build their homes to achieve different living goals. Bees build hives to store and protect food, spiders spin webs to catch prey and beavers build dams to create pools. But, as you walk around a town or stroll along a countryside pathway, you may notice some unique homes up on the treetops – nests.动物建造家园是为了实现不同的生活目标。 蜜蜂建造蜂巢来储存和保护食物，蜘蛛结网来捕捉猎物，海狸建造水坝来形成水池。 但是，当您在城镇中漫步或沿着乡村小路漫步时，您可能会注意到树顶上有一些独特的房屋 - 巢穴。Like architects, birds carefully engineer their nests before building them. A report named Architectural traditions in the structures built by cooperative weaver birds says that their designs are influenced by those before them. A study released by iScience finds that birds follow a culture that gets passed down. Not the high culture of art, literature and music, but an older process of transmitting traits and skills through generations.像建筑师一样，鸟类在建造巢穴之前会仔细设计它们。 一份名为《合作织鸟建造的建筑中的建筑传统》的报告称，它们的设计受到了前辈的影响。 iScience 发布的一项研究发现，鸟类遵循一种可以传承下来的文化。 不是艺术、文学和音乐的高雅文化，而是代代相传特征和技能的古老过程。Bird nest building: visions for the future, says that birds who are first-time builders will often copy familiar individuals, highlighting how important this individual, perhaps the parent, is. Sound familiar? An article in the National Library of Medicine explains how children learn by imitating their caregiver.鸟巢建造：对未来的愿景 首次建造鸟巢的鸟儿经常会模仿熟悉的个体，这强调了这个个体（也许是父母）的重要性。 听起来很熟悉吗？ 国家医学图书馆的一篇文章解释了孩子如何通过模仿他们的照顾者来学习。These behaviours, though, can also change in response to pressures of natural selection, a term coined by Charles Darwin in his theory of evolution. Competition is one of the three components of that theory.不过，这些行为也会因自然选择的压力而发生变化，自然选择是查尔斯·达尔文在其进化论中创造的术语。 竞争是该理论的三个组成部分之一。And it's not just in the human world where certain property locations are highly desirable. Some species of birds even steal nest locations from others. Studies at the Zoological Society of London have discovered that invasive species will compete with native birds for suitable trees to build their nests in. Experiments published in Science Direct also show that most female birds look for fresh, green nests when choosing their mate. A report from RSPB further adds that in some species of birds, such as wrens, the male will build multiple nests from which the female can choose her favourite and even tidy it up. This tells us that, like humans, the quality of a home, in addition to its location and cleanliness, can influence whether a pair of birds decide to live and start a family there.不仅仅是在人类世界中，某些房产位置非常令人向往。 有些鸟类甚至会窃取其他鸟类的巢穴位置。 伦敦动物学会的研究发现，入侵物种会与本地鸟类竞争合适的树木来筑巢。《Science Direct》上发表的实验还表明，大多数雌性鸟类在选择配偶时都会寻找新鲜、绿色的巢穴。 皇家鸟类保护协会的一份报告进一步补充说，在某些鸟类中，例如鹪鹩，雄性会建造多个巢，雌性可以从中选择她最喜欢的，甚至清理它。 这告诉我们，像人类一样，房屋的质量，除了位置和清洁度之外，还会影响一对鸟是否决定在那里生活并建立家庭。

Songforms of conventional and highly unconventional sorts tonight, taking in folk traditions from around the world, jazz, the outer limits of metal and more, plus strange twistings of clubforms, impressionist composition of the early 20th century, field recordings and more… LISTEN AGAIN, unconventionally. Stream on demand from fbi.radio, podcast right here. Wendy Eisenberg – Take A Number [Joyful Noise/Bandcamp] Wendy Eisenberg – Curious Bird [Joyful Noise/Bandcamp] We’ve heard from brilliant guitarist, sometime banjoist, songwriter, improviser & composer Wendy Eisenberg in many contexts in the last couple of years: there’s the amazing postpunk/art-rock trio Editrix, Bill Orcutt’s Guitar Quartet, their avant-garde songwriting collaboration with Caroline Davis, and most recently their appearance on their now-partner Mari More Eaze Rubio’s brilliant solo album sentence structure in the country. But the highlight for me remains Eisenberg’s breathtaking final track, “In The Pines”, from their 2024 album Viewfinder. So for all their jazz guitar chops and restless experimentation, I’m already primed to love Eisenberg’s most pure songwriting on this album. There’s definitely a statement in self-titling a mid-career album, and Wendy Eisenberg presents as a straightforward album of songwriterly storytelling, deeply grounded in their newfound love with Mari Rubio. There’s definitely more than a little country in these songs, as well as folk-revivalist styles from Britain, Appalachia etc, but whatever genre, Wendy’s particular melodic sensibility comes through. Supporting this, however, are the utterly essential, sumptuous string arrangements from Mari Rubio, who also co-produced the album with Eisenberg and added pedal steel and synths. With longtime bandmates Trevor Dunn on bass (known for Mr Bungle, Secret Chiefs 3, many John Zorn-related lineups etc) and Ryan Sawyer on drums (of too many collaborations including a time in At The Drive-In and long-ago UFog faves Stars Like Fleas), there’s a homely feel to these songs, songs which contemplate identity, life’s trajectory, past trauma and coming into a hard-won happiness. Margareth Kammerer – Gift [Ftarri/Bandcamp] Margareth Kammerer – Amor [Ftarri/Bandcamp] Weirdly, when I did my DJ set for Art After Hours/Liquid Architecture/Sydney Biennale in March (stream it here) I decided to play a track by Berlin-based Italian singer & composer Margareth Kammerer, and only a day or two later I discovered that she’d just released a new album, The Garden. I’ve been a fan of hers since, I would say, the mid 2000s, when she released the extraordinary album To Be an Animal of Real Flesh, full of odd, experimental songs. Following a few years later came two wonderful, mysterious albums with The Magic I.D., a quartet with Christof Kurzmann on electronics and vocals next to her own guitar & vocals, and the two clarinettists, Kai Fagaschinski & Michael Thieke, who also play bewitching, alien music as The International Nothing. So it’s reasonable to say she’s been deconstructing and re-examining songform for some decades by now. Released by Japanese label Ftarri (also a tiny experimental music venue & store in Tokyo), The Garden is of a piece with her earlier albums – the last of which came out a mere 12 years ago… Her oddly beautiful songs are supported by many important fellow travellers including our own Chris Abrahams of The Necks etc, double-bassist/electronicist Werner Dafeldecker, experimental musician Valerio Tricoli and experimental cellist Bo Wiget. I remain in awe. Espen Reinertsen – Til noens dype muskelvev [SusannaSonata/Bandcamp] Espen Reinertsen – Skal jeg følge deg til havet [SusannaSonata/Bandcamp] What astonishing beauty to stumble upon without warning! Espen Reinertsen is a name I’ve known for a while, as his saxophone and woodwinds – or his mixing skills – are credited on many a Norwegian release, including those from Trondheim Jazz Orchestra, Erik Honoré, Kim Myhr, Jenny Hval and Christian Wallumrød Ensemble. But these are his own songs, with sparse live drums and drum machines, sparse keyboards and gorgeous woodwind & trumpet arrangements which frequently shift into unexpected voicings and harmonies. You’ll hear a lot of Radiohead here – albeit more jazz-informed – but it’s also one of those rare cases when the post-rock-as-in-Talk-Talk tag is completely justified. Reinertsen’s melodies are simple until they spin off into some harmonically distant galaxy, and his layers of woodwinds are delicately emotive, merging invisibly with synthesizers just as Erik Nylander’s acoustic drums somehow have the precision of drum machines and also the sparkle of jazz drums. What a blessing. Marianna Sangita Angeletaki Røe & Trondheim Jazz Orchestra – Kori [Puritone/Bandcamp] So, Trondheim Jazz Orchestra are a collective with a varying lineup of Norwegian improvising musicians, who enlist different musicians to collaborate with them, with reliably extraordinary results. On this album, they work with Greek-Norwegian singer & composer Marianna Sangita Angeletaki Røe, who has titled the album ΣΠΙΤΙ (SPITI), which is Greek for “Home”. Marianna Sangita explores her own search for belonging, caught between two very different places, and she sings in four different languages: Norwegian, Greek, English, and Sámi, the latter being a people indigenous to the Sápmi region across northern parts of Norway, Sweden, Finland and part of Russia. The music, too, draws from many different traditions, with Greece’s proximity to the area Europeans call the “Middle East” evident in its traditional musical forms, and the combined vocals of Sangita, Ina Sagstuen and Sissel Vera Pettersen (and other musicians at times) evoking Eastern European musics as much as Nordic. The musicianship is uniformly brilliant, the songs sparkling, moving, joyful. Highly recommended. Mayssa Jallad – Taamir (Bahriyyeh) [Ruptured Records/Bandcamp] A few years back, Beirut label Ruptured put out an amazing album by Lebanese singer/songwriter and researcher Mayssa Jallad called Marjaa: The Battle of the Hotels. In touching experimental songs, Jallad chronicled the beginning of the Lebanese Civil War in 1975, in which Christian Nationalists and pro-Palestinian leftists fought a violent battle amongst the high-rise hotels in Beirut, leading to the Green Line dividing the city, a rift that lasted for 15 years. Since then the album has been remixed in spectral dub fashion by Civilistjävel!, and in 2024 Mayssa created a stunning piece about a Palestinian woman displaced from her village in the Nakba. That single was created out of an instrumental track by Tunefork Studios & Ruptured Records’ Fadi Tabbal, and her new song “Taamir (Bahriyyeh)” is a musical collaboration with Tabbal, featuring drums from Postcards & SANAM‘s Pascal Semerdjian. Jallad is an urban researcher as well as a musician, and urban history is the basis of all these works. This song is about the Taamir social housing project, built in the wake of a destructive earthquake in 1956. By the time the project started, the Ain el Helwe refugee camp had already existed for 8 years, and the juxtaposition of Palestinian refugees, unfortunates who lost their homes in the earthquake, and those more fortunate, is explored by Jallad in this moving, experimental piece, with rumbling, clattering drones and field recordings surrounding Jallad’s voice. Radwan Ghazi Moumneh & Frédéric D. Oberland – Squeal Of Swine خنخنة خنازير [Constellation/Bandcamp] Montreal’s storied Constellation label here brings together a Canadian and French artist for their first duo work. Radwan Ghazi Moumneh has been deeply involved in the Montreal postrock & experimental music in Quebec for over 2 decades, and he’s the co-owner of the mighty Hotel2Tango, originally a performance & artists’ space co-run by members of Godspeed You! Black Emperor and A Silver Mt. Zion, but his main musical outlet has been Jerusalem In My Heart, begun as an audiovisual project with Erin Weisgerber, with Moumneh’s stunning melismatic vocals fed through granular processing to create a contemporary Arabic music ahead of its time in the mid-2010s. Frédéric D. Oberland is a key figure in Paris’s psych & avant-rock scenes, although he also began making films on Super8 & video. Among many bands & collaborations, he leads the incredible Oiseaux-Tempête, a collective whose music draws on psych, krautrock, postpunk and electronic music, with many collaborators and a deep connection to SWANA artists. Moumneh & Oberland had worked together via Oiseaux-Tempête and other projects, but had long intended to collaborate as a duo. Some works were started at Hotel2Tango in 2023, but as Moumneh puts it, since the genocide began he’d experienced sever writer’s block, so he took himself off to Paris in 2024 to complete the work. Four of the seven tracks do feature Moumneh’s voice, but here it’s Oberland taking more of a driver’s seat. Nevertheless, as well as Moumneh’s pain-filled voice Moumneh plays both buzuk and rababa, and there’s daf in the mix along with lots of electronic drones, drum machines and Oberland’s sax and clarineau. This is immersive music of great emotion. Maryam Saleh – Nedaa نداء [Simsara Records/Bandcamp] I first heard Egyptian singer Maryam Saleh as part of the magnificent trio release Lekhfa back in 2017. There, Saleh’s voice combined with the voice and instruments of Palestinian-Egyptian musician Tamer Abu Ghazaleh and the production wizardry and music of Maurice Louca – a masterpiece of Arabic indie music. As far as I can see, her new album, coming some 9 years later, is her first since that collaboration. Produced by Maurice Louca, it also features multiple instruments and creative mentoring from Paris-based Palestinian musician Kamilya Jubran, who founded the organisation Zamkara in Paris to support artistic projects. After three years of development, the result is Syrr سِرّ, the Arabic word for secret, which also happens to be the name Saleh gave her daughter. The album is imprinted by heavy events in Saleh’s life, particularly post-natal depression and divorce. Released by Sarah El Miniawy‘s Simsara Records, this is a creative take on Arabic music, leaning into trip-hop at times, into acoustic instrumentation at other times, carried by Saleh’s beautifully expressive voice and the confident hands of Jubran and Louca, and the impeccable musicianship of the other instrumentalists who join them. But one of the highlights is “Nafas نفَس”, in which Saleh is accompanied solely by Jubran’s oud and exquisitely-harmonised vocal shadows from the two of them. All in all, not to be missed! Taroug – Sirocco [Denovali/Bandcamp] On his second album with Denovali Records, Chott, Düsseldorf-based Tunisian musician Taroug (aka Tarek Zarroug) presents a highly varied mixture of styles. When Zarroug wants to make beat-based bass music, he hits all the right production notes with a healthy dose of north African percussion, while elsewhere there’s dreamy postrock with vocals by the artist himself. Honestly it’s uncanny how the album flits between genres, displaying Zarroug’s ancestry here, slipping into UK bass there or indie guitar music elsewhere. A really impressive album. Wraz. – Twist [Deep Dark & Dangerous/Bandcamp] Rites, the second full album from Montreal dubstep master Wraz., is released through Deep Dark & Dangerous, the label run by New Zealand’s longstanding dubstep duo Truth. As usual, heavyweight dubstep gear, sci-fi aesthetics, surprising melodies… Battery Operated – Stutter [YUKU/Bandcamp] Battery Operated – Casting Shadows [YUKU/Bandcamp] It should be obvious by now that YUKU delivers the goods, but here they are again with something insanely great. The artist behind Battery Operated is also known as PS95, an outlet for mangled jungle breaks that draws our attention to the fact that the Playstation was launched in 1995, the heyday of jungle. On the other hand, Battery Operated has thus far been an alias for deliciously lo-fi tape loops – see their Instagram for videos of their beautifully-modded cassettes & players. But the debut Battery Operated album for YUKU, TYPE I, combines these two strands in stunning fashion. From what I can tell, PS95 & the recording artist Battery Operated are the same person, but the tape loop “art” projects are done with his brother. So this ain’t dance music, not primarily, but nor is it dreamy loop-jelly. Breaks surface from tape hiss, tape loop experiments are layered & sequenced into melodies and sonic narratives, often sounding like a half-analogue/half-digital current-day version of IDM. Wonderful. Thugwidow – IT DIDN’T NEED EXPLAINING [Thugwidow Bandcamp] Thugwidow – pristine heart [Thugwidow Bandcamp] Jungle may be having a renaissance right now, with no end in sight, but Welsh producer Alex Lowther-Harris was on the jungle train way before most. The first Thugwidow releases were around 2017, and for a few years he was fiercly prolific, released mostly on cassette and digital, with a couple of CDs and some vinyl further down the track. His lo-fi early work gave way to slicker production chops as time went on, and the creative firehose slowed by around 2021-22. So it was a joyful shock to see something new appear on his bandcamp, only… it’s a swan song? Yes, SWUN SUNGZ does do what its title suggests, but it also shows that this prolific artist had more up his sleeve – it’s just that the pleasure had drained from it, he was feeling stuck… So here’s *ahem* 121 tracks, going for almost 11½ hours, and there’s a lot of quality material here, including a bunch of collaborations, and productions ranging from hardcore jungle-techno to advanced rhythm science. It’s a helluva way to go out! Note also that not only is all the money likely going to the British bird & wildlife charity RSPB, but he says most of his earnings from the project were always given away to charity. CRZKNY – 009 [Virgin Babylon Records] Japanese experimental electronic producer CRZKNY (which I’ve just learned stands for “CRAZY KENNY”) has brushed shoulders with experimental genre-mashing legend (and seminal UFog artist) World’s End Girlfriend before, on WEG productions and on his label Virgin Babylon, but this is a bit of a special release – a bit like Thugwidow’s above, this is a massive collection of unreleased tunes, here all just numbered as they’re pieces that CRZKNY has played at the Nagoya club GOODWEATHER. CZRKNY put this collection together to help support the club’s founder Eri Ishii after she suffered both an aortic dissection and a cerebral thrombosis, leaving her in a coma for some weeks. She is now on a long road of rehabilitation, and CRZKNY wants to give back to a person who built this perfect live space for his music. Lots of great techno, including glitchy shit and tasty breakbeats, for a good cause. deafkids – CICATRIZES [Neurot Recordings/Bandcamp] Brazilian band deafkids may nominally be classed as “punk”, but hardcore punk mixes with industrial and noise in their sound, along with electronic music of all shapes. They released the incredible uncategorizable Metaprogramação on Neurosis‘ Neurot Recordings in 2019, and then when the pandemic hit, they put out a series of EPs that mixed Latin rhythmic complexity with guitar pedal and software experimentation, collected now on the album Ritos do Colapso. Except before that in 2020 came their collaboration DEAFBRICK with cross-continental noise-metal-industrial-electronic duo PETBRICK. So with various collabs and oddities in the interim, their forthcoming CICATRIZES DO FUTURO (Scars of the Future) is their first album proper since Metaprogramação. It looks to be more electronic, more intense, more angry than ever, a visceral reaction to the state of the world. Highly rhythmic and danceable, it shifts between hardcore punk, industrial, Latin American and club sounds with abandon. I can’t wait to hear the whole thing. Lint – Balsam of Peru [Lint Bandcamp] OK so, you know, like Scattered Order? A band who I have referred to in the past as “Sydney postpunk/post-industrial/experimental electronic legends”. Mitch Jones is a founding member of said legendary band, active since the early ’80s or possibly slightly earlier, post-etc as described above. Drusilla Johnson aka Dru Jones has been a member of said legendary band at times, and has contributed some brilliant artwork in various phases of their existence. She’s also Mitch’s wife, and they live now in Mt Victoria, in the Blue Mountains on Dharug and Gundungurra country, and at times they release music together as Lint. It’s instinctual, artistic, splashes of colour washed over detailed line drawings… It’s the sound of Air in the taps, but it’s also the sound of over four decades building and trashing and rebuilding a musical language, and you can hear it in every dialogue sample and every wonky beat and the occasional guitar noise solo. It’s so lovely to have a seemingly endless font of new music from these folks in many changing combinations. Roman Rofalski – Ondine (radio edit 1) [Puddle Label/Bandcamp] Last time we heard from German pianist Roman Rofalski – only a few weeks ago – he was deconstructing his piano… again, following his wonderful Fractal from 2024, which shredded piano and prepared piano into constellations of granular sound and rhythm. Ravel Reimagined does just what it tells you – but to be clear, Rofalski does it really well. Over four tracks, Rofalski excerpts four celebrated piano works by the beloved impressionist composer and deconstructs them – and it’s notable that these are live performances, with Rofalski playing grand piano and simultaneously sampling himself, then reworking phrases into loops & glitchy constructions, overlaying them with synths and even beats at times. Maurice Ravel was famously prickly, was not fond of the borrowed artistic term of “impressionism” being used for his music (nor was his elder, Debussy), and was underappreciated in his time. He’s also one of my favourite composers, who I believe advanced composition in directions hitherto unimagined. Rofalski’s extrapolations push Ravel far beyond his imaginings, and it’s quite likely he would be horrified to hear what’s been done to his pieces – but now we’re imagining a composer unmoored by over a century from his origins; these prickly pieces require decades of context to situate them here and now. The virtuosic pianism outlining harmonies full of augmented and diminished intervals, whole-tone scales, melodies woven through corruscating hemidemisemiquavers (hear the original here) are thrown immediately into digital reverberation and gradual distortion until they’re glitched and chopped, then crash into long-ringing tones, a fragmented sample bleating around Ravel’s melody as the piece comes to a close. Bravo. OD – Arrival [Driftworks/Bandcamp] Alex O’Donovan is a recording & mixing engineer, but as OD he makes his own music. On Svalr, O’Donovan documents time spent in Svalbard, an island archipelago in the Arctic which is also home to Norway’s Global Seed Vault (the subject of another beautiful sound work by Ecker & Meulyzer). This album is part of a new project called SITE, co-curated by Audiobulb and Driftworks. O’Donovan took extensive field recordings of the diversity of natural sounds (including glaciers!) as well as the built environment, and found commonalities in all these sounds that formed the basis of his compositions. Remote as it is, Svalbard is inevitably encroached upon by anthrogenic climate change, and as the EP goes on, the sounds of water & ice & animals are swept up in almost industrial impulses, and glitched beat constructions. OD’s Svalr makes compelling music around its highly engaging field recordings. Sandscape – half closed eyes [Octopoda Records/Bored of Works/Bandcamp] Sudanese-Scottish “ethereal grunger” Eliza Shaddad and screen composer Daniel Sonabend team up as Sandscape on the forthcoming album Phenomenology, and first single “half closed eyes” is like hearing a dusty 7″ record playing in a different room of your house – a beguiling piece of ambient-dub-jazz with both artists’ vocals, soft but saturated piano, and muffled drumming from Liam Hutton. Unexpected harmonisations flow over the looping music, but not long after it fades away like a dream – “half closed eyes” indeed. The album promises noise-laden trip-hop, muffled jazz and an exploration of the mixed Arab/British/Jewish heritage between the members… Keen to hear more. Stine Janvin / Morten Joh – Leaving home – O Verden, Hav Da Gode Nat! (feat. Lucy Railton) [Futura Resistenza/Bandcamp] Stine Janvin / Morten Joh – Before the burial site – Jeg Raader Eder Alle [Futura Resistenza/Bandcamp] Returning now to Norway, we finish with beautiful strangeness from Norwegians Stine Janvin and Morten Joh, adapting funeral procession music (“Liksongen” = corpse songs) from Ryfylke, Norway. Janvin’s voice forms the basis of these works, but the ceremonial music is rendered alien through extensive electronic processing and additional electronics, and occasional vibraphone from Joh. Two guests, both with innovative approaches to their instruments, contribute further: Berlin-based Australian guitarist Jules Reidy and British cellist Lucy Railton. But one of the most magical moments must be when Janvin’s voice is shadowed by its electronic twin in warbling harmony. On the second last track, the alien elements mostly give way to the acoustic sounds of voice and vibraphone, although the album concludes with stentorian synths playing J.S. Bach. Not for the faint of heart, but rewarding listening. Listen again — ~208MB

Which birds can you celebrate this month? Can you tell your warblers apart? Amelia is here with the April almanac.Learn more about the nature you can enjoy every month on the RSPB website - RSPB Bird & Wildlife Conservation CharityImage shows the RNIB Connect Radio logo. On a white and black background ‘RNIB' written in bold black capital letters and underline with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font. 

Spring's on the turn, and the birds are getting busy.From the surprisingly wild love life of the dunnock to bowing and puffed-up chests on city balconies — we explore what courtship really looks like in the bird world. We'll also get practical about nestboxes — where to put them, who they're for, and how even a balcony can help the next generation fledge. With expert advice from the RSPB, we look at the small changes that can make a real difference as breeding season begins.Sean will be joined by ornithologist and environmentalist Dr Mya-Rose Craig with guests including Lucy Lapwing on her coastal patch, City Girl in Nature in South East London, comedian Toussaint Douglass making the case for our feathered city-dwelling friends, and Jason Singh on the unmistakable rhythm of the wood pigeon.Produced by Hana Walker-Brown. The Executive Producer is Jane Gerber.This is a Get Birding Production. The RSPB Guide to Nestboxes Toussaint Douglass: Accessible Pigeon Material runs from Thu 26 – Sat 28 Mar 26 at the Soho Theatre, London. “Love Is A Toad: Exploring our relationship with nature” by Lucy Lapwing is available for pre-order now.The podcast is made in collaboration with Forest Holidays, which encourages birdwatching as part of their guests' stays, with nature sensitive cabins available in 13 incredible locations across the UK. Use the code GETBIRDING26 when booking, for £40 off a 3-night break or £60 off a 4 or 7 night break. The code expires on 30 June 2026 and is for breaks bookable until 1 October 2026.To find out more, visit www.forestholidays.co.uk Hosted on Acast. See acast.com/privacy for more information.

March is here which means another monthly almanac from Amelia. Here are some celebrations and birdsongs to look forward to…P.S. Don't forget the clocks go forward on Sunday the 29th March too!Learn more about the nature you can enjoy all year round on the RSPB website - RSPB Bird & Wildlife Conservation CharityImage shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underline with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font. 

Welcome back to Healing 101. Today I'm joined by Alexis Johnson, Nature & Wellbeing Officer at the RSPB, and we're talking about something I found genuinely eye-opening: nature prescriptions - a simple, supportive way for healthcare professionals (and other trusted adults) to encourage people to use nature as part of their wellbeing toolkit, without it feeling like yet another thing to “get perfect.”We unpack what nature prescriptions actually look like in practice, how they're different from being referred into a group or service, and why nature doesn't have to mean a countryside walk - it can be as small as noticing light moving across your wall, listening to rain at night, or spotting weeds pushing through the pavement. If you're feeling overwhelmed, time-poor, or not remotely a “nature person,” this episode is full of low-lift ways to reconnect, reset, and feel a little more grounded.Find out more about Nature Prescriptions: https://www.rspb.org.uk/helping-nature/what-we-do/nature-prescriptionsStay Connected with Hurt to Healing:Instagram: instagram.com/hurttohealingpodTikTok: tiktok.com/@hurttohealingpodLinkedIn: linkedin.com/company/hurt-to-healingSubstack: substack.com/@hurttohealingWebsite: hurttohealing.co.uk Hosted on Acast. See acast.com/privacy for more information.

Bees are buzzing and Grey Herons are with us! Amelia returns to explore the many celebrations in February and share some returning friends from nature.Learn more about the nature you can enjoy each month on the RSPB website - RSPB Bird & Wildlife Conservation Charity Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underline with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font. 

This week, Plodcast host Fergus sets out to find signs of spring in seldom-visited woodland in south Monmouthshire. Listen on for a mindful Plodcast full of eerie midwinter atmosphere. Later, Fergus returns to his garden to record a Big Garden Birdwatch for the RSPB. The BBC Countryfile Magazine Plodcast is the Publishers Podcast Awards Special Interest Podcast of the Year 2024 & 2025 and the PPA Podcast of the Year 2022. If you've enjoyed the plodcast, don't forget to leave likes and positive reviews. Contact the Plodcast team and send your sound recordings of the countryside to: theplodcast@countryfile.com. If your letter, email or message is read out on the show, you could WIN a Plodcast Postbag prize of a wildlife- or countryside-themed book chosen by the team. The Plodcast is produced by Jack Bateman and Lewis Dobbs. The theme tune was written and performed by Blair Dunlop. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week we're rolling up our sleeves to look at how we can support our garden visitors, while also preparing for the burst of life that spring will bring. The RSPB's Emma Marsh is back to share how monitoring projects like the Big Garden Bird Watch can make a real difference when it comes to helping our declining species. Gareth Richards pops in with his top tips for growing one of his allotment favourites (and a firm favourite with bumblebees too) the humble raspberry. And Olivia Drake shines a spotlight on the RHS Wildlife Wonders plant for January: the shrubby honeysuckle. Host: Nick Turrell Contributors: Emma Marsh, Gareth Richards, Olivia Drake Links: Sign up to the Big Garden Bird Watch RSPB free guide and ID chart How to grow raspberries Why you need a shrubby honeysuckle in your garden

Get Birding is back for a brand new, fortnightly season—hosted by actor and longtime birder Sean Bean. In this opening episode, Sean grabs his binoculars and invites listeners into his garden to slow down, look up, and join the UK's biggest citizen science event, the RSPB Big Garden Birdwatch.He is joined by NHS doctor and RSPB President Dr Amir Khan, fellow birder, Elbow frontman and BBC 6 Music DJ Guy Garvey; ornithologist and environmentalist Dr Mya-Rose Craig; YouTuber City Girl in Nature; and beatboxer and nature sound artist Jason Singh.The Big Garden Birdwatch runs from 23–25 January. All you need is one hour, a view outdoors, and a kettle on.Produced by Hana Walker-Brown. Executive Producer is Jane Gerber.This is a Get Birding Production. The podcast is made in collaboration with Forest Holidays, which encourages birdwatching as part of their guests' stays, with nature sensitive cabins available in 13 incredible locations across the UK. Use the code GETBIRDING26 when booking, for £40 off a 3-night break or £60 off a 4 or 7 night break. The code expires on 30 June 2026 and is for breaks bookable until 1 October 2026.To find out more, visit www.forestholidays.co.uk Hosted on Acast. See acast.com/privacy for more information.

A garden that has to look good in every season is the Horatio's Garden at Musgrave Park Hospital in south Belfast. Two years after it was planted up, David Maxwell chats to head gardener Matthew Lee about how the garden continues to change, and about the great groundcover plants that help keep weeding to a minimum. Adam Frost begins his new ‘Bulb of the month' series with the common snowdrop, Galanthus nivalis. Ahead of the Big Garden Birdwatch, the RSPB's Claire Barnett visits David's garden to find out what's coming to his feeders. In studio, gardener Anna Hudson, brings some seasonal highlights from the Ballywalter and answers questions live. Contact the programme on gardenerscorner@bbc.co.uk

Today, we're joined by the RSPB's Emma Marsh, who shares how she has made her garden into a haven for birds. We'll also conclude Nick Turrell's countdown of the most influential plants that have shaped human culture, and history around the globe. Plus, now is the best time to get outside and prune your freestanding apples and pears. The RHS's Jim Arbury gives us a masterclass on exactly what you need to do to keep your trees productive and in shape for the year ahead. Host: Guy Barter Contributors: Emma Marsh, Nick Turrell, Jim Arbury Links: Plants for birds Apples and pears: winter pruning

The RSPB's annual Big Garden Birdwatch is one of the world's biggest citizen science projects and provides incredible insights into the populations of our common birds.To find out more, Plodcast host Fergus meets the RSPB's Chief Operating Officer James Robinson in beautiful RSPB Nagshead Nature Reserve in Gloucestershire. As they listen out for winter birdlife, James explains to Fergus why the Birdwatch matters and how to get involved – and provides a fascinating insight into the work of this great conservation organisation. You can find out more about this year's Big Garden Birdwatch here: https://www.rspb.org.uk/whats-happening/big-garden-birdwatchThe BBC Countryfile Magazine Plodcast is the Publishers Podcast Awards Special Interest Podcast of the Year 2024 & 2025 and the PPA Podcast of the Year 2022. If you've enjoyed the plodcast, don't forget to leave likes and positive reviews. Contact the Plodcast team and send your sound recordings of the countryside to: theplodcast@countryfile.com. If your letter, email or message is read out on the show, you could WIN a Plodcast Postbag prize of a wildlife- or countryside-themed book chosen by the team. The Plodcast is produced by Jack Bateman and Lewis Dobbs. The theme tune was written and performed by Blair Dunlop. Learn more about your ad choices. Visit podcastchoices.com/adchoices

How do people around the world welcome the new year? Which red animals will appear this month? Amelia is back with the first almanac of 2026.Learn more about the birds and nature you can enjoy this month on the RSPB website - The year in natureImage shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underline with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font.

In this pre‑Christmas episode, hosts Chloe and Tom sit down with Tom Clark and Alex Brocklesby from the National Trust at Purbeck.Purbeck is one of the UK's most biodiverse areas, yet many residents remain disconnected from the nature on their doorstep. Tom and Alex explain how varied geology; including Pool Harbour, chalk ridges and heathlands, creates an incredible range of habitats.They describe how the Purbeck Heaths, the UK's first super national nature reserve, unites 3500hectares of heathland owned by NGOs, statutory bodies and private landowners. The conversation explores why connecting local communities to this landscape is as important as ecological restoration, highlighting systemic barriers like work pressures and lack of time.Key topics & chapter markers:Each bullet below begins with the approximate start time for that segment:[00:05] Welcome & purpose of the Wilder Podcast. Chloe and Tom explain that the podcast has evolved from documenting their family's rewilding journey to exploring wider systemic challenges—education, community, economy and eco‑entrepreneurship.[04:20] Conservation sheep and lessons in rewilding. Chloe and Tom recount borrowing six conservation sheep, difficulties moving them between fields and why most commercial sheep aren't suited to rewilding. Conservation breeds like the Castlemilk Moorit nibble less and promote diverse grasslands.[16:55] Introducing Purbeck's biodiversity. Tom Clark and Alex Brocklesby describe Purbeck as one of the most biodiverse parts of the UK because of its varied geology—harbours, chalk ridges, heathlands and limestone cliffs. They note the long‑standing presence of organisations like Natural England, the National Trust and RSPB.[19:17] Super National Nature Reserve. The guests explain that the Purbeck Heaths are the UK's first super national nature reserve. The reserve unites several smaller reserves into a continuous 3500 hectare landscape that includes private landowners, demonstrating collaboration beyond NGOs.[20:54] – Experiences on the Isle of Purbeck. Visitors can see snakes, lizards, puffins, eagles, beavers and butterflies; picnic in flower‑rich meadows; explore sheltered beaches with seahorses; wander ancient woodlands; watch sunsets; or go coasteering along the Jurassic Coast. Four million people visit each year because the region offers so many ways to connect with nature.[22:55] – Why local people aren't more connected to nature. Despite living in a biodiverse landscape, Purbeck residents aren't any more nature‑connected than people elsewhere. Nearly 40 % of local children start school without ever having been to the beach. Tom and Alex discuss building trust with schools, community groups and businesses and reflect on the need for community‑led approaches, rather than top‑down conservation.[27:19] – Systemic barriers & opportunities. Modern lifestyles—commuting, low‑paid seasonal work, high numbers of second homes—leave little time for nature connection. Society is structured around nine‑to‑five routines rather than natural rhythms. The guests urge listeners to co‑create solutions that make time in nature accessible to everyone.About the guests:Tom Clark Land & Outdoors Manager for the National Trust's Purbeck portfolio. He leads teams responsible for nature conservation, habitat restoration and visitor engagement across the Purbeck Heaths. Tom is passionate about collaborative, community‑led rewilding and believes the future of conservation depends on partnerships between NGOs and local people.Alex Brocklesby Community & Volunteering Manager for the National Trust at Purbeck. With a background in...

In this episode of the Fundraising Everywhere Podcast, host Simon Scriver sits down with Jake Massey, the winner of IWITOT 2025 (“I Wish I'd Thought of That”). Jake, Senior Innovation Executive at the RSPCA, shares his journey to the top of this year's event and reveals the story behind his winning idea: the RSPB's viral “Bird of the Week” TikTok campaign. Tune in as Jake discusses how a fun, meme-driven social media campaign turned into a fundraising and branding phenomenon, generating not just revenue but also national buzz and community engagement. Discover the power of creative risk-taking, the value of sharing ideas across the charity sector, and why collaboration and innovation are more important than ever for fundraisers. Click here to subscribe to our email list for exclusive fundraising resources, early access to training, special discounts and more If you enjoyed this episode, don't forget to hit follow and enable notifications so you'll get notified to be first to hear of future podcast episodes. We'd love to see you back again! And thank you to our friends at JustGiving who make the Fundraising Everywhere Podcast possible.

This week's Dare Day episode was inspired by an unexpected quiet moment.An early morning drive.No traffic. No radio. nd the sudden realisation that I could hear birds singing — from inside the car.That small moment led to a bigger question: when did we stop noticing what's around us?In this bonus episode, Michelle shares a simple but grounding story about an early winter morning, a red sky, a cup of tea in the garden, and how listening — properly listening — shifted her entire day.The episode also connects to insights from Episode with Georgia, who described a chance visit to an RSPB hide that made her realise how much of the natural world she'd been missing simply because she'd never stopped to notice it.This isn't sentimental fluff. There's real science behind why moments like this feel so powerful.In this episode, we cover:Why natural sounds like birdsong calm the nervous systemHow most of us live in low-level fight-or-flight without realisingThe concept of “soft fascination” and why nature restores a tired brainHow listening grounds us in the present and eases anxietyWhy nothing has to change around you for something to shift internallyThis Week's Dare:Take 5–10 minutes early in the morning.Before your phone. Before conversations. Before the world gets loud.No music. No podcasts. No scrolling. Make a tea or coffee if you like. Sit outside, on a doorstep, balcony, or by an open window.Close your eyes. And listen.Birds, wind, distance, silence — whatever is there.You're not trying to relax. You're not fixing anything. You're simply reminding your nervous system that it's safe.If you've stopped hearing the birds, there's a good chance you've been carrying too much noise for too long.Want weekly dares like this?Dare Club is free to join and lands these weekly dares straight in your inbox, along with early access to live events and special announcements.You can sign up via the link in the episode description or through Instagram.Thanks for listening — and enjoy this week's dare.Join Dare Club https://stan.store/shewhodareswins Hosted on Acast. See acast.com/privacy for more information.

Georgia didn't just dare — she bolted. At 22 she booked a one-way ticket to Australia, spent seven years travelling the world, worked in one of Queensland's roughest pubs, wandered through Africa, and accidentally built the resilience most people try to buy in paperback form.A decade later, one spontaneous visit to an RSPB reserve flipped a switch she didn't know she had. In just one year, she's become a standout wildlife photographer, built a community of new-age birders, and is now leading her first international birding trip — all while navigating the tension between passion and monetisation.This episode is all about daring to start something completely new, letting curiosity lead the way, and remembering that the wild isn't “out there”… it's been on your doorstep the whole damn time.Key Takeaways (Condensed)How a single meme and a toxic relationship pushed her to book that one-way ticket.The seven years of travel that shaped her grit, confidence, and worldview.The unexpected moment birding clicked — and why it hit so hard.Her rise in wildlife photography despite zero formal training.The ethics, chaos, and surprising humour inside the birding world.Why she's not rushing to turn her passion into a full-time job.How community, nature, and curiosity helped her find her thing.Timestamps0:00 – Welcome + Georgia's biggest dare 0:12 – Why she booked a one-way ticket to Australia at 22 3:20 – Seven years on the road: Africa, New Zealand, Canada & chaos 4:55 – Working in one of Queensland's “roughest pubs” 7:30 – The accidental moment she discovered birding 12:50 – Why wildlife photography hooked her instantly 15:40 – The challenge of keeping passion and monetisation separate 18:45 – Building a new kind of birding community + UK wildlife loveShop www.shewhodareswins.comJoin Dare club Community Hosted on Acast. See acast.com/privacy for more information.

Conservationists have accused the government of turning its back on nature in the new planning bill which is making its way through parliament. The RSPB says the legislation is creating a new tried and untested process which will put nature and nature markets at risk.We often talk about exports of produce like beef and dairy but exporting farm animal genetics is also big business. The industry estimates that around 70 per cent of the world's farmed poultry orginates from UK breeding stock, while UK cattle genetics are now exported to 100 countries around the world. A new agreement with Kenya will see sheep and goat genetics exported there. The UK Export Certification Partnership is a public-private grouping which promotes the export of livestock products, breeding stock and genetics. All this week, we're checking in with the dairy industry. Over the last 30 years, the size of the UK dairy herd has been gradually falling, while average milk yields, that's the number of litres a cow produces, has been steadily increasing. That increase is partly down to using new technology like on-demand robotic milking machines. We visit a herd of indoor cows in Wiltshire.Presenter = Anna Hill Producer = Rebecca Rooney

Which Geese will be taking to the sky this month? Why do we celebrate fireworks night? Amelia shares some of the birds, celebrations and folklore you can enjoy this November. Learn more about the nature you can enjoy every month on the RSPB website - The year in nature Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underline with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font. 

In this episode of Natural Capital, Harry Fisher and Alex Pirie reflect on their time at Scotland's first Nature Friendly Farming Summit. The summit explored how to scale nature-friendly farming to deliver for people, nature and climate and brought together farmers, policymakers, researchers, and environmental leaders to discuss how Scotland can build a resilient, nature-positive farming future. The summit addressed how nature and profitability are not opposites and showed how the path to a thriving, nature-friendly farming future is already taking shape. Harry and Alex explore the main themes from the day, from farmers as stewards of the land, how profitability and biodiversity can go hand in hand and set the scene on biodiversity loss, climate pressures, and the need to de-risk nature-based solutions. The episode also looks at the future of funding, how current and new payment systems can reward environmental outcomes and discusses some of the key messages and announcements made on the day. Host Harry Fisher, Producer Iain Boyd, Editor Kieron Sim, Executive Producers Kerry Hammond & Kirstyn Blackwood Related FAS resources: FAS Environment - https://www.fas.scot/environment/ NC LENs episode - https://www.fas.scot/podcast/natural-capital-landscape-enterprise-networks-leven-lens/ NC John and Louise Seed Woodend episode - https://www.fas.scot/podcast/arable/ Thrill of the Hill - https://www.fas.scot/sounds/thrill-of-the-hill/ Other Related Resources: Nature Friendly Farming Network - https://www.nffn.org.uk/ Minister for Agriculture speech - https://www.gov.scot/publications/minister-for-agriculture-speech-nature-friendly-farming-network-summit/ RSPB article on summit - https://www.rspb.org.uk/scotland/news/nature-friendly-farming-summit-scotland AECS announcement - https://www.ruralpayments.org/news-events/ministers-have-confirmed-the-2026-round-of-the-agri-environment-climate-scheme--aecs-.html Alex Pirie - https://www.sruc.ac.uk/all-unearthed-posts/meet-the-consultant-alex-pirie/ Timestamps: 0:56 – 6:10 Intro to summit, nature friendly farming and setting the scene 6:11 – 25:26 Range of different farmers, organisations and messages from speakers and exhibitors 25:27 – 29:10 Policy, government messages and funding announcements 29:10 – 35:04 Landscape scale initiatives and LENs 35:05 – end. Summing up and main takeaways.

Episode 328 Not only has the mRNA covid vaccine saved 14 million lives, it may also help our bodies fight off cancer. A study of cancer patients undergoing immunotherapy treatment showed those who received an mRNA vaccine lived nearly twice as long - and this effect was discovered by accident. In a trial of cancer vaccines, Elias Sayour's team at the University of Florida used standard mRNA vaccines as a control - they weren't meant to do anything. Except they did - and the effect was huge. It's still early days, but as we await more trial results, people are beginning to speculate how this might transform cancer treatment. Ahead of COP30, the World Resources Institute has published the State of Climate Action 2025 report - and it doesn't make for good reading. It finds that we have failed to meet any of the goals laid out in the Paris agreement to avoid breaching 1.5°C of global warming. From deforestation to coal use, we're not moving fast enough on anything. Hear from the authors of the report, who offer an important message of hope. Why do birds sing the dawn chorus? Many theories exist - 11 in fact - but a new one has emerged, after scientists were studying zebra finches in the lab. Hear their conclusion while enjoying the serenity of birdsong, recorded at some of the RSPB's nature reserves. Chapters: (00:00) Intro (00:34) How mRNA vaccines fight cancer (10:00) State of Climate Action report (21:13) Why birds sing the dawn chorus Hosted by Rowan Hooper and Penny Sarchet, with guests Michael Le Page, Clea Schumer and Sophie Boehm. To read more about these stories, visit https://www.newscientist.com/ Learn more about Yakult at www.yakult.co.uk Learn more about your ad choices. Visit megaphone.fm/adchoices

What birds can you listen our for as the leaves change? Where does the jack-o-lantern come from? Amelia shares the history, folklore and nature of October in this month's almanac. Learn more about the nature you can enjoy every month on the RSPB website - The year in nature Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underline with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font. 

Farmland bird populations in England have seen a 'rapid nosedive' says the RSPB. It's worried by new Government figures showing an 11% decrease in farmland bird numbers between 2019 and 2024. Meanwhile, farmers in Scotland have been trialling tweaks to conservation scheme options which could help the Corn Bunting.And, new techniques to make Plum growing more profitable by using resources more efficiently.Presenter: Anna Hill Producer: Sarah Swadling

For most of the last 2,000 years, the white-tailed eagle — or sea eagle — has been one of the most common birds of prey in Britain.That all ended in horrendous fashion from the late 18th century onwards. Shooting, poisoning, egg collection, a mania for taxidermy and more combined to see this majestic creature — affectionately dubbed the 'flying barn door — hunted to extinction in Britain. The last bird is thought to have been killed in 1918.Fast forward a century and they are now one of the great success stories of nature. Starting with four chicks brought to RAF Kinloss in June 1975, a 50-year effort led by the RSPB but supported by a string of other organisations has seen populations restored from the Highlands to West Sussex. The RSPB have celebrated this milestone with the making of a film, Return, which tells the full story, and we're delighted that two of the — conservationist Dave Sexton and musician Alice Boyd — joined the Country Life Podcast to talk to James Fisher about how it all came together.It's a wonderful, inspiring story which shows just what can be done by committed experts, backed by long-term thinking, and is a must-watch for anyone with even a passing interest in wildlife and nature. As of August 29 it's now available to watch on the RSPB's YouTube channel.You can find out more on the RSPB website — rspb.org.uk — about white-tailed eagles themselves, the making of the film and Alice's hauntingly beautiful music which captures the beauty and majesty of these great creatures. Episode creditsHost: James FisherGuests: Dave Sexton and Alice BoydProducer and Editor: Toby KeelMusic: Alice Boyd and JuliusH via Pixabay Hosted on Acast. See acast.com/privacy for more information.

Mark is in Aberdeenshire with RSPB's Hywel Maggs to try to catch a glimpse of the Common crane and to find out why numbers of the birds are increasing in North East Scotland.Naturalist and Educator Dan Puplett reads the Scottish landscape to track wildlife. Jenny Graham meets him Rafford, near Forres to search for evidence of local species.‘Clouds', a new book by Dr Edward Graham explores cloud formations, the science behind them and even the famous artists who have painted them. Mark meets author Eddy to take a look at the formations floating in the sky above Glasgow Green.Crafted entirely from upcycled materials, a new statue by Helen Denerley is bringing the story of one of Scotland's most notorious historical figures back to life. Phil Sime joins Shirley Neild in Kingussie to chat about the history of Alexander Stewart marked by the structure.On a recent trip to Norway, Jenny Graham hopped on her bike in the Fosen district to adventure through Fjord territory.The Balmoral Estate is home to a series of Royal commemorative cairns, including a structure that's more reminiscent of ancient Egypt than Scotland. Mark explores with Heraldist Gordon Casely.Red grouse numbers continue to be low in Scotland. Mark and Jenny are joined by Game and Wildlife Conservation Trust Director for Scotland Dr Nick Hesford to talk about their latest research on the grouse population.Every summer the Woodland Trust announces its shortlist for UK Tree of the Year. The National Contest aims to highlight how vital trees are. Mark meets instrument maker Steve Burnett at Napier's Craiglockhart Campus in Edinburgh to discover the history behind a sycamore with connections to famous war poet Wilfred Owen.

Salted pig's trotter? Brains on toast? Why the carcass balance is important to farmers. We like steak but we're not so keen on tripe, and we eat a lot of chicken but not the feet. To both reduce waste and get the best price for the whole animal or bird we need to do something with the offal. This is carcass balance, balancing the sale of the popular bits with finding markets for the bits that are less desirable here. Those parts that can't be sold are sent for rendering, using heat to separate them into fats and proteins to be sold as animal feed, fertiliser or go into things like cosmetics.Shooting clubs on Salisbury Plain say they may have to close because they can't get a licence to release game birds. Clubs near protected areas, like Sites of Special Scientific Interest, now need a special licence from Natural England to release birds like pheasants and that's now harder to get because of the threat of bird flu. The British Association for Shooting and Conservation says the licensing system is legally flawed and it's issued legal proceedings against Natural England. However, the RSPB would like to see the licensing regime extended. New rules to make trade fairer for pig producers came in this week. A series of recent difficulties in the industry revealed that many farmers didn't have proper contracts for their stock. The new system aims to change that.Presented by Charlotte Smith and produced by Beatrice Fenton.

Shooting clubs on Salisbury Plain say they may have to close because they can't get a licence to release game birds. Clubs near protected areas, like Sites of Special Scientific Interest, now need a special licence from Natural England to release birds like pheasants and that's now harder to get because of the threat of bird flu. The British Association for Shooting and Conservation or BASC says the licensing system is legally flawed and it's issued legal proceedings against Natural England. However the RSPB would like to see the licensing regime extended. It's called for all game bird releases to be stopped this year because of the risks. In the meantime, clubs say no shoots means no money coming in which means some, like the Bulford and Tidworth Garrison Shoot, are at risk of folding.All week we're looking at what's known as the 5th quarter - this is the name given to the offcuts of meat which, though edible, the British palate isn't keen on. Carcass balance is about finding a use for offal and things like ears or trotters both to combat waste and to get the best price for the whole animal and that means exports. British consumers may not want to eat this sort of thing, but in other parts of the world there is a market so in recent years greater emphasis has been put on seeking out new buyers to get the best out of animal carcasses. Presenter = Charlotte Smith Producer = Rebecca Rooney

Katie and Rob, who embody Maid Marian and Robin Hood with the medieval performance troop known, appropriately enough, as the Sherwood Outlaws, join me in the Greenwood for an energetic discussion about how they embody those legendary characters as they performance with the other Sherwood Outlaws across the UK and abroad.Stick around until the end for a quick bonus segment from Rob James of the RSPB as we discuss what's happening at the 2025 Robin Hood Festival in Sherwood Forest!For more on The Sherwood Outlaws:https://www.thesherwoodoutlaws.com/https://www.facebook.com/thesherwoodoutlawsFor more on the Robin Hood Festival:https://visitsherwood.co.uk/home/robin-hood-festival-2025/https://www.buzzsprout.com/1727735/episodes/15587100For more from Into the Greenwood:www.instagram.com/intogreenwood/www.threads.net/@intogreenwoodbsky.app/profile/intogreenwood.bsky.socialwww.facebook.com/intogreenwoodTo support the podcast go to:www.patreon.com/IntoGreenwoodorwww.buymeacoffee.com/intogreenwoodOur selected charity: Trees, Water & PeopleInto the Greenwood is produced by Thaddeus PapkeTheme music is by Plastic3intogreenwood@gmail.comSupport the show

In this episode of Golden Grenades, Kit is joined by his good friend Will Rose, for a live podcast recorded on the Whinchat podcasting stage at Golbal Birdfair 2015. Kit and Will’s very special guest for this episode is Indy Kiemel Greene. Indy is a conservationist, wildlife guide, RSPB volunteer and ambassador, Butterfly Conservation ambassador and a man who was 50% of a team walking from Lands’… Source

The Welsh government has unveiled a new system of payments for farmers. The sustainable farming scheme or SFS replaces the current basic payment scheme or BPS, which farmers received under the EU. BPS is being wound down and farmers in Wales are being encouraged to take part in the new scheme, which will pay them to produce food sustainably and protect the environment. Farming unions welcome some aspects of the SFS but say farmers now face a cliff edge as old payments are phased out next year. Environmentalists say that although it's a step in the right direction, it is also a missed opportunity and Wales needs to do more to protect biodiversity and tackle climate change. We speak to the Tenant Farmers Association, the RSPB, NFU Cymru, and Wales deputy first minister and cabinet secretary for climate change and rural affairs Huw Irranca-Davies. Presenter: Anna Hill Producer: Rebecca Rooney

In a couple of weeks, swifts will leave our skies and depart for their wintering grounds in Africa. Author and naturalist Mark Cocker has spent a lifetime observing them and Rachel meets him in Crail to chat about the migrating birds and his new book One Midsummer's Day - Swifts and the Story of Life on Earth. Never a stranger to getting his hands dirty, Mark grabs a trowel and joins community volunteers on an archaeological dig on East Lomond Hill in Fife. Chairman of the Falkland Stewardship Trust Joe Fitzpatrick unearths the history behind some significant Pictish findings on the hill and chats to Mark about the importance of volunteer excavators. Producer Phil gets on the saddle with the Highland Blind Tandem Club for a cycle along the canal tow path in Inverness. Rachel's on a hunt for the egg cases of the critically endangered flapper skate. She meets marine biologist Dr Lauren Smith at Cairnbulg Harbour near Fraserburgh to hear about the work going on to safeguard these huge creatures and map exactly where they are. Mark visits the National Museums Collection Centre in Edinburgh to discover how changes at the site are supporting the local urban biodiversity. We hear how the Museum is monitoring wildlife around the Centre from Curator of Entomology Ashleigh Whiffin. An Irish teenager has just become the youngest person to swim the North Channel from Northern Ireland to Scotland solo. 15-year-old Oscar Black joins Rachel and Mark to share his experience battling the currents to reach Scottish shores While following the Whithorn Way, Mark and Rachel stop at Prestwick, Ayrshire to visit Bruce's Well, named after Robert The Bruce, King of Scotland from 1306 to 1329. They meet Julia Muir Watt of the Whithorn Way Trust and local historian Alasdair Malcolm to explore King Robert's connection to the well. In 2003, part of a sea wall at Nigg Bay on the Cromarty Firth was deliberately breached to reconnect an area of land to the sea. Rachel catches up with Steph Elliot from the RSPB to discover how the intertidal habitat created is now benefiting bird life.

The Whithorn Way follows an ancient pilgrim route from Glasgow to Whithorn in Dumfries and Galloway. In this episode, Mark and Rachel start with a quick stop off at Renfrew to contemplate the motivation for pilgrimage in medieval times. Then they head to Paisley Cathedral to learn about the unearthing of a drain which revealed a slate containing musical notation from the 1400's. And they end up at the RSPB's Lochwinnoch Nature Reserve for a bit of wildlife watching and poetry.

Whilst out along the Kent side of the Thames Estuary on Saturday, aiming to capture the sound of skylarks and reeds, we met a walker with a very friendly border terrier. She told us there was talk of a nightingale not too far away at RSPB's Northward Hill Nature Reserve. We aren't strictly speaking wildlife recordists, the Lento box is designed like a wide angle camera to capture panoramic landscape sounds, but we thought it might be worth a visit to the reserve to see if we might be able to find it. Unusually for us public transport devotees, we were able to travel on to Northward Hill easily thanks to a magnificent Lento supporter. He'd driven us and the Lento box out from Brockley station in South East London to explore another corner of the Hoo Peninsula, and was keen to visit the reserve. We didn't feel hugely confident about actually hearing a nightingale. They are the kinds of birds you don't expect to find on demand. We rolled into the reserve's car park and quickly headed down into the woodland. We descended a rough flight of bare earth steps under the dark shadows of dense tree canopy, surrounded by glorious birdsong. All the usual suspects of course, familiar if you regularly listen to Lento - chif chaf, blackbirds, black caps, jackdaws, robins, various others plus trusty wood pigeons.  After turning right and proceeding further into the woods over a few hundred yards our ears pricked up. I found myself saying "and there it is" before I had even properly heard it. We continued for a few steps and, fortunately, there it was again, this time much more clearly, and without doubt a nightingale only about thirty yards away! Up on the tripod went the Lento box. I turned it to face the sound of the nightingale, and pressed record, bathed in the rich tapestry of spring woodland birds, coming from all around us.  Here's what the box captured. It's only twenty minutes. The passage of time is from around 5pm on 24th May. There are some people vaguely audible and a horse (louder) somewhere to left of scene. A road must pass the reserve too because some level of vehicle noise is distantly audible, but not so much as to spoil the overall effect. We capture whole landscapes from one fixed position, so what you hear is the nightingale just as we heard it from standing on the path and facing into the reserve. Wildlife recordists find ways to post their microphones very close to their subjects and as such we are all used to hearing nightingales proportionately far louder than anything else. In reality though these are not birds that like being approached, so few people can ever actually hear in-person, the bird singing as loudly as they do in specially focused recordings.  With a pair of headphones though this episode provides a realistic woodland soundscape with a nightingale almost dead centre of scene. You should be able quite easily to hear it between the other birds which are spread out to the left and to the right of scene. Listen out for a wonderfully special coincidence that happens a few times where a distant cuckoo comes into earshot too. It is pretty well dead centre, behind the nightingale.  There must be a farm nearby because several cockerels crow towards the end. The whole scene is in fact very busy, and whether a connection or not, I note how the nightingale seems to become more active when the chif chaf is in full voice. Coincidence, or not? This bonus episode is shared with big thanks to our trusty supporter and to the dog walker we met. 

This week we saddle up for the limp 2003 action buddy comedy Shanghai Noon. There's East meets West, there's the ever watchable Jackie Chan and hit-and-miss charmer Owen Wilson. There's some buddy movie chat and every excuse is made to discuss anything but this dull dross.  Plus: Joe gets waylaid by a call to the RSPB. Got a film you forgot you forgot? Hit us up at moviesyouforgotyouforgot@gmail.com with your thoughts, episode suggestions, or just some light praise.  The best Forgot You Forgot offerings make it onto the sacred Communal List - who knows, one day, fate (or our deeply flawed selection process) might smile upon your Forgot You Forgot. You can also follow Adam @errorofways on Letterboxd; he rates and reviews the films he watches. The comments section is a very cool place to be. Also, be a pal: tell your chums, rate us, review us, shout our name into the void - whatever helps spread the word.

The Great Auk: Its Extraordinary Life, Hideous Death and Mysterious Afterlife is the subject of Tim Birkhead's new book. This goose-sized seabird became the favoured food of hungry sailors and hunters, and the last two were killed in 1844. But then the bird became an obsession for collectors who vied for the last skins, eggs and skeletons. Victorian hunters, explorers and collectors feature strongly in the story of the Great Auk. The writer Kaliane Bradley places the 19th century polar explorer Commander Graham Gore at the heart of her time-travelling novel, The Ministry of Time. The book is being made into a television series on BBC1 – to be aired later in the Spring. Human activity has had, and continues to have, a big impact on bird populations. While several species have gone extinct, more are classified as threatened. But a joint conservation project between farmers and wildlife organisations is looking at restoring ‘zombie' ponds, in an effort to increase pockets of wildlife. The RSPB's Mark Nowers helps to organise the Lost Ponds Project and is involved in the protection of turtle doves, whose numbers are vulnerable.Producer: Katy Hickman