Podcasts about panah panahi

Iranian-American film-maker Maryam Keshavarz explores a world of creativity under restriction, where film-makers find ways to speak despite censorship. Born in New York City to Iranian parents, Maryam grew up moving between two cultures, smuggling pop culture into Iran for her cousins. That early experience - bridging the gap between freedom and limitation - shaped her storytelling and her understanding of identity. Maryam speaks to Amarali Navaee, an Iranian film-maker now living in Turkey, who shares how exile reshapes creativity; Ehsan Khoshbakht, a film historian and critic, who traces the legacy of Iranian cinema; Hossein Molayemi and Shirin Sohani, Oscar-winning Iranian animators, who discuss how animation bypasses restrictions; and Panah Panahi, an Iranian film-maker still working in Iran, who offers a rare glimpse into film-making under constant surveillance.

What do the little boy in HIT THE ROAD (2021). the dad in CAPTAIN FANTASTIC (2016) and the nearly-hopeless old driver in TASTE OF CHERRY (1997) have in common? Ask actor Bobby Naderi. He and Jordan find the common thread of a nomad lifestyle and a reckless spirit across these three films, as they track the path that led Bobby from Tehran all the way to his latest role in THE BETTER SISTER.Then, Jordan has one quick thing about HONEY DON'T!, Tricia Cooke's follow up to DRIVE AWAY DOLLS.***With Jordan Crucchiola and Bobby Naderi Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

¿Qué significado tiene la familia? Hoy hablamos de HIT THE ROAD (2021) dirigida por Panah Panahi. 00:00:00 Intro 00:16:40 Hablemos de HIT THE ROAD (2021) 01:07:50 Recomendación de la semana

Omid e Yasmin falam-nos de como foi crescer no Irão, do pesadelo em que tudo se tornou, mas também da esperança de um dia poder dançar na rua. E deixam-nos um guia para conhecer uma das culturas mais antigas do mundo. Pela gastronomia: o kebab iraniano (com borrego), o queime-nessar (arroz das jóias) ou o fesenjun. Pelos livros: Livro dos Reis; As 1001 noites; os poemas de Hafez, de Rumi, de Sohrabe, de Khayyam (traduzidos por Fernando Pessoa); O mocho cego, de Sadeq Hedayat (único livro traduzido de persa para português); O Encanto dos Cordeiros, de Reza Ghassemi (disponível em espanhol). Pelo Cinema: O Mal não Existe, de Mohammad Rasoulof; Estrada fora, de Panah Panahi; Marmulak, de Kamal Tabrizi (uma comédia, proibido no Irão) Por um lugar: Shiraz (cidade com mais de 4000 anos); o deserto Pela Música: Marjan Farsad; Pallett; Kourosh Yaghmaei; Rastak; Homayoun Shajarian; Mohammad Noori; Pouran. .

durée : 00:40:20 - Un jour dans le monde - Panah Panahi défend "Aucun ours", un film réalisé par son père Jafar Panahi, emprisonné depuis déjà six mois à Téhéran pour “propagande contre le régime”.

durée : 00:40:20 - Un jour dans le monde - Panah Panahi défend "Aucun ours", un film réalisé par son père Jafar Panahi, emprisonné depuis déjà six mois à Téhéran pour “propagande contre le régime”.

On the one hundred and ninety-sixth episode of THE THIRD ACT PODCAST the crew are setting out on a road trip, with or without an annoying kid. We have discussed Jafar Panahi's films in the past and with his son releasing a debut feature this year we take this opportunity to pair up father and son for this episode. First up is the modern, mysterious road trip film from Panah Panahi, HIT THE ROAD. Then, we go back to one of Jafar Panahi's early films about a man's experience before a robbery in CRIMSON GOLD. We compare the styles each Panahi deploys and the similar thematic areas explored. Keep in touch with us on Facebook and Twitter and email us anytime at: TheThirdActPodcast@gmail.com 

This week, Carsten & Stephen take a look at some sweat-soaked movies set in desolate deserts, starting with the recent John Michael McDonagh (Calvary, The Guard) film The Forgiven with Ralph Fiennes and Jessica Chastain as a jaded aristocratic couple whose lives are thrown into turmoil when a tragic accident on the way to a decadent desert mansion housewarming party becomes a catalyst for change in more ways than one, and the Iranian family odyssey Hit the Road, the directorial debut by Panah Panahi, son of firebrand filmmaker Jafar Panahi. Along the way we revisit The English Patient, Ice Cold in Alex, The Passenger and not one but two Flight of the Phoenixes. Phoenixi? Anyway, there's one with James Stewart and another one with Dennis Quaid. Follow us on twitter: @Lensmeyourears and like us on Facebook! Stephen's twitter:@NS_scooke Carsten's twitter: @FlawInTheIris

Hit the Road (Persian: جاده خاکی, romanized: Jadde Khaki, lit. 'Dirt Road') is a 2021 Iranian road comedy-drama film written and directed by Panah Panahi in his feature debut. It depicts an Iranian family driving to the Turkish border to smuggle their young adult son out of the country. It premiered in the Directors' Fortnight sidebar at the 2021 Cannes Film Festival, and won top prizes at the BFI London Film Festival and the Singapore International Film Festival. Hassan Madjooni as Khosro, the father Pantea Panahiha as the mother Rayan Sarlak as the younger brother Amin Simiar as Farid, the elder brother --- Send in a voice message: https://anchor.fm/popcorn-junkies/message

In un'estate arida di uscite in sala, ci rivolgiamo all'home video, dove troviamo il nuovo capitolo della saga di Predator, un po' sacrificato nel catalogo Disney+, ma capace di regalare intrattenimento di altissimo livello. Ritorna a grande richiesta (inesistente) la rubrica implicita "film bellissimi che non vedrà mai nessuno", con l'esordio del figlio d'arte Panah Panahi, road movie irresistibile, in costante equilibrio tra commedia grottesca e dramma. Chiudiamo con una commedia che ha raccolto pareri contrastanti in puntata, ma che indubbiamente satireggia il presente con una precisione invidiabile. Timestamp dei film in scaletta: [00:54] Prey [23:15] Hit The Road [47:40] Not Okay Per supportarci: ko-fi.com/incompetentipodcast Per contatti: gliincompetenti@gmail.com

This week, Ron Howard takes a deep-dive into the 2018 Tham Luang cave rescue in THIRTEEN LIVES (12:37); Panah Panahi takes us on the trip of a lifetime to Iran's border in his debut HIT THE ROAD (29:26); And documentarian Sara Dosa captures a romance between two daring volcanologists in FIRE OF LOVE (45:12). Plus, in our ‘HOT TAKE' (01:00:10), we talk about the dire state of the VFX industry and how studios, most especially Marvel, continue to exploit artists. What's the real cost of a good time at the movies? And we're doing a live podcast at the London Podcast Festival on Thursday September 15! Book your tickets here: https://www.kingsplace.co.uk/whats-on/comedy/fade-to-black/ If you'd like to join the conversation or suggest a Hot Take for the gang to discuss tweet us at @FadeToBlackPod Follow us: @amonwarmann, @clarisselou, @hannaflint If you like the show do subscribe, leave a review and rate us too!

Simon talks to legendary Hollywood director and actor Ron Howard, about his new biographical survival film ‘Thirteen Lives' - starring Viggo Mortensen, Colin Farrell, and Joel Edgerton. Mark reviews the new animation ‘DC League of Super-Pets', ‘Thirteen Lives', documentary ‘Fire of Love' - following the lives and careers of volcanologists Katia and Maurice Kraftt, and ‘Hit the Road' - a new film by Iranian director Panah Panahi, that tells the tender and chaotic story about a family on a road trip You can contact the show by emailing correspondence@kermodeandmayo.com or find us on our social channels. A Somethin' Else & Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts Exclusive! Grab the NordVPN deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-daycare  money-back guarantee! Learn more about your ad choices. Visit megaphone.fm/adchoices

Panah Panahi is the son of acclaimed Iranian filmmaker Jafar Panahi. Panah's film Hit the Road is a road movie with a difference as a family travel through Iran without acknowledging the real purpose of their trip. It's reviewed by Diane Roberts and Leila Latif. They've also been reading Mercury Pictures Presents by Anthony Marra, a novel set in wartime Hollywood where a new arrival is trying to escape her past. As the newly formed Ukrainian Freedom Orchestra prepares to perform at the BBC Proms on Sunday, Tom talks to conductor and founder Keri-Lynn Wilson and double-bass player Nazarii Stets, who has recently been allowed to leave Ukraine to join the orchestra's world tour. And Matthew Sweet joins Front Row to mark the passing of Bernard Cribbins, the much-loved and admired actor and comedian famous for Jackanory, The Railway Children and Dr Who. Presenter: Tom Sutcliffe Producer: Kirsty McQuire

Scrubbed of nostalgia, 1986's "Top Gun" is, let's be honest, a big slab of '80s cheese. But there's that star-making turn by Tom Cruise; some flashy direction from Tony Scott; the rousing, synth-heavy score; and a memorable supporting cast led by the never more intense Val "Iceman" Kilmer. Could TOP GUN: MAVERICK, the long in the works sequel, justify its return? Adam comes to the sequel as a "Top Gun" fanboy, with the '86 original a seminal film of his bike-riding preadolescence. Josh, though, never really took to the film that he's described as a "locker room movie." Which makes their review of the new film something of a surprise, with Josh (mostly) joining the chorus of praise that has so far greeted the film and Adam of all people calling the film "131 minutes of fan service where the fan isn't really served until the last 30.” Take my breath away, indeed. Plus, the Buster Keaton Marathon continues with Josh's favorite film of the series, 1927's STEAMBOAT BILL, JR, and a Golden Brick nomination for HIT THE ROAD, from director Panah Panahi. 0:00 - Billboard 1:47 - Review: "Top Gun: Maverick" 27:54 - Golden Brickspotting: "Hit the Road" 33:12 - Next Week / Notes 40:57 - Massacre Theatre 46:09 - Buster Keaton #5: "Steamboat Bill, Jr." 1:00:41 - Outro Learn more about your ad choices. Visit megaphone.fm/adchoices

Kresala Zineklubak 'Eskamak Kentzen' atala egiten du astero Ispilu Beltzan saioan. Zinemaz solasteko aukera ederra da. Gaurkoan Paul Ormaetxea etorri zaigu, Panah Panahi zuzendariaren film baten inguruan hitz egitera: 'Hit the road'. https://my.captivate.fm/kresalazinekluba.com (kresalazinekluba.com)

Proiektu berriarekin datoz Jose Ignazio Ansorena eta Joserra Senperena: 'Euskal danbolinaren aroak'. Eta kontzertua eskainiko dute maiatzaren 18an, 18.30ean, Victoria Eugeniako Club Aretoan diskoa aurkezteko. Gaur, Ispilu Beltzan biak izan ditugu telefonoaren beste aldean. Horrez gain, asteartero zinemarekin hitzordua izaten dugu Trueban, Kresala zineklubeko lagunekin. Paul Ormaetxearekin izan gara, Panah Panahi zuzendariaren 'Hit the road' filmaren inguruan hitz egiteko. Amaitzeko, Jon Gartziak musika berritasunez agurtu du gaurko saioa. Jantzi kaskoak eta adi!

Pour son premier long métrage, Panah Panahi choisit le road trip. Bien loin de l'équipée sauvage, il choisit le drame familial intimiste dans une voiture sur les routes d'Iran. Les sublimes paysages défilent tandis que l'on comprend tranquillement les enjeux familiaux et politiques du film. Les non-dits et les silences […]

Pour son premier long métrage, Panah Panahi choisit le road trip. Bien loin de l'équipée sauvage, il choisit le drame familial intimiste dans une voiture sur les routes d'Iran. Les sublimes paysages défilent tandis que l'on comprend tranquillement les enjeux familiaux et politiques du film. Les non-dits et les silences […]

Hit The Road is a new film from Kino Lorber and directed by Panah Panahi and stars Pantea Pananhiha, Hasan Majuni, Rayan Sarlak and Amin Similar. The Criterion CULT Film Podcast was lucky enough to get to screen the film early courtisy of the folks at Kino Lorber. Hope you CULT members enjoy our review of Hit The Road.     

Par Judith Beauvallet et Thomas Gerber -"Ma famille afghane" de Michaela Pavlatova -"Hit the road" de Panah Panahi -"Marx peut attendre" de Marco Bellocchio Conseil : -"Le peuple migrateur" de Jacques Perrin -"Valhalla Rising" de Nicolas Winding Refn

De Michel Delage, d'Martine Reuter an d'Valerija Berdi beschwätzen: "Hit the road" (Panah Panahi), "Jack's ride" (Susana Nobre) an "Animals" (Nabil Ben Yadir). A mir hu mam iranesche Realisateur Panah Panahi geschwat.

P1 Kultur har intervjuat regissören Panah Panahi som debuterarmed en film om en familj som kör mot sin egen upplösning. I det här reportaget hör du bland annat om varför det var nära att den här filmen aldrig skapades, varför 90% av regissörens filminspelning gick åt barnskådespelaren Rayan Sarlak och varför den förmodligen aldrig kommer visas på bio i Iran.

Sommaren 2020 började den belarusiska filmaren Aliaksei Paluyan följa Belarus Free Theatre i Minsk dokumentärprojektet kom snart att snarare handla om de protester som bröt ut efter presidentvalet. Nu visas filmen på dokumentärfilmfestivalen Tempo. P1 Kultur har träffat regissören. Kommentar av Fredrik Wadström. KULTURARVET RISKERAR ATT BLI MÅLTAVLA I IDENTITETSKRIG Kulturarvet konsten, byggnaderna, sångerna, monumenten som berättar om vilka vi är, vart vi ska och var vi kommer ifrån  löper särskilt stor risk att utsättas i de krig där nationell identitet har en viktig roll. Reportage av Mattias Berg om kulturarvets roll i kriget i Ukraina.VECKANS ORD: EKOLODDen här veckan har Katarina Wikars sjunkit ner i den tyska författaren Walter Kempowskis skildringar av krigets verkningar. Han samlade mängder av fragment i form av vittnesmål, bilder och berättelser från andra världskriget, som han sedan sammanställde i det gigantiska verket "Das Echolot". I ett försök att synliggöra vad som finns under ytan i det kollektiva medvetandet. Veckans ord är - "Ekolod"NY FILM: ROADMOVIE MED FAMILJ PÅ VÄG MOT UPPLÖSNINGEn ny stjärna har tänts på den iranska filmhimlen i och med regissören Panah Panahis debutfilm Hit The Road, om en familj som kör mot sin egen upplösning. Intervju med regissören Panah Panahi.ESSÄ: TÄNK OM DET ÄR MENINGSLÖSHETEN SOM ÄR GREJEN?När världen rasar och allting tycks osäkert och obegripligt: var hittar vi då de där rena svaren, den avklarnade blicken på världen? I dagens essä tar författaren Mattias Hagberg sig an just den frågan. Svaren tycks leda honom till en värld som består av brus, nonsens och trams.Programledare: Saman Bakhtiari Producent: Saman Bakhtiari

V soboto se je s podelitvijo vodomca in drugih nagrad sklenil 32. Ljubljanski filmski festival Liffe. V oddaji gostimo iranskega režiserja Panaha Panahija, ki je na Liffu prejel vodomca, pogovarjamo se o psihološki drami Morena in predstavljamo 18. Animateko, mednarodni festival animiranega filma, ki se začenja v ponedeljek.

[Areia na Mostra dos Outros É Refresco] O tão aguardado Duna chega aos cinemas, Denis Villeneuve dirige a nova adaptação do clássico livro de Sci-Fi de Frank Hebert em tom solene e ritmo contemplativo. O blockbuster do ano ou será que ele caiu da varanda? Entre sessões presenciais e online a 45ª Mostra SP (32:42) está a todo o vapor. Escolhemos três filmes para debater no podcast, e são eles: Titane (Palma de Ouro, da francesa Julia Ducournau), Má Sorte no Sexo ou Porno Amador (Leão de Ouro, do romeno Radu Jude) e Pegando a Estrada (do iraniano Panah Panahi). E mais: No Momento Belas Artes à La Carte recomendamos um clássico de Orson Welles. No Puxadinho da Varanda destaque para mais dicas da 45ª Mostra SP. No Cantinho do Ouvinte, o Metavaranda dos Ouvintes e os comentários sobre o episódio anterior. Bom Podcast!

The second episode in our coverage of the London Film Festival is a bumper one with Dario and Neil discussing a ton of new movies from all over the world. They are joined by regular visitor to the pod Savina Petkova, who Dario talked to at the festival itself as it wound down, who added discussions about new films by Joanna Hogg, Terence Davies and Julia Ducournau to the mix. Neil waxes lyrical about the Japanese masterpiece Drive My Car by Ryûsuke Hamaguchi and Hit The Road, the debut feature by Panah Panahi. Dario meanwhile loves Paolo Sorrentino's The Hand of God unapologetically and reserves special, high praise for Joel Coen's first solo outing, The Tragedy of Macbeth. Other films discussed are: Flee (dir. Jonas Poher Rasmussen) Compartment No. 6 (dir. Juho Kuosmanen) Benedetta (dir. Paul Verhoeven) Boiling Point (dir. Philip Barantini) You can follow Savina on Twitter here where she posts links to all the wonderful pieces she writes across the year. (Apologies for the constant banging under my audio. 6 years in and still making silly mistakes like that. NF) ______ Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing. ——— You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only $2.50. We also really appreciate any reviews you might write about the show (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show.

Terminó el NYFF, el festival de festivales, con su completa programación de películas de las que vamos a hablar durante muchos meses. Cerramos el repaso de lo mejor que hemos visto destacando dos auténticas joyas con niño protagonista: la iraní 'Hit the road' de Panah Panahi y 'C'mon C'mon' de Mike Mills. Nos emocionaron como nunca. Otras muy buenas películas fueron 'The Tragedy of Macbeth' de Joel Coen y 'The Souvenir: Part II' de Joanna Hogg. Y también tenemos espacio para esas peliculitas que nos gustaron, sin más. Como 'Dune' de Denis Villeneuve; 'The French Dispatch' de Wes Anderson; 'Madres paralelas' de Pedro Almodóvar; y una que nos invitó a la reflexión: 'Memoria' de Apichatpong Weerasethakul. El resumen es que el NYFF59 ha sido otro gran festival y esperamos ya el siguiente.¡Síguenos en Twitter e Instagram para ver los trailers y enlaces de las películas que comentamos! Cualquier comentario o sugerencia en las redes o salase7en@gmail.com

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. For this week's episode, I catch up with my colleague Jonathan Romney, a veteran critic of the festival circuit who regularly files for Screen Daily. For this year's blockbuster Cannes lineup, he joins the podcast to talk about a strong batch of films that we haven't heard about yet. That includes two Iranian movies: A Hero from Oscar winner Asghar Farhadi, and Hit the Road, from Panah Panahi. Plus there was a curious new movie co-directed by Miguel Gomes, who you might know from Arabian Nights; a new Jacques Audiard movie, Paris 13th District; and a highly unpredictable Russian film called Petrov's Flu. It's a mix of adventuresome films that we'll definitely be hearing more of down the road. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Nach jahrelangem Warten haben wir endlich "The French Dispatch" von Wes Anderson gesehen. Und das ist leider kein überhaupt kein guter Film. Patrick Fey (Moviebreak) nimmt mit Christian auseinander, warum diese Journalismus-Satire nicht funktioniert und empfiehlt stattdessen "A Hero" von Asghar Farhadi, "Hit the Road" von Panah Panahi und "Ahed's Knee" von Nadav Lapid.