Podcasts about Nadav Lapid

Alors qu'Israël est actuellement en conflit ouvert avec l'Iran, tout en continuant de mener la guerre à Gaza, les voix opposées à la politique menée se font rares. Parmi les quelques artistes à pouvoir faire entendre une note discordante, on compte le réalisateur Nadav Lapid. Il a présenté au festival de Cannes en mai dernier son nouveau long métrage. Intitulé Oui, tout simplement, ce film montre un musicien de jazz résigné, soumis, évoluant dans une société ivre de vengeance. À lire aussiCannes 2025: faut-il choisir entre actualité brûlante et leçons du passé?

Alors qu'Israël est actuellement en conflit ouvert avec l'Iran, tout en continuant de mener la guerre à Gaza, les voix opposées à la politique menée se font rares. Parmi les quelques artistes à pouvoir faire entendre une note discordante, on compte le réalisateur Nadav Lapid. Il a présenté au festival de Cannes en mai dernier son nouveau long métrage. Intitulé Oui, tout simplement, ce film montre un musicien de jazz résigné, soumis, évoluant dans une société ivre de vengeance. À lire aussiCannes 2025: faut-il choisir entre actualité brûlante et leçons du passé?

Ep. 327: Eric Hynes on Post-Cannes Catch-Up: I Only Rest in the Storm, The Last One for the Road, A Useful Ghost, Militantropos, plus Yes and Renoir Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The 2025 Cannes Film Festival is over, but there were still a few films that I really thought you should hear about too! So, back on the program for a catch-up episode back home is Eric Hynes of the Jacob Burns Film Center (whom I'd also been talking with on the ground in Cannes). Our post-Cannes discussion includes award-winners, personal favorites, and overlooked titles: I Only Rest in the Storm (directed by Pedro Pinho), The Last One for the Road (Francesco Sossai), A Useful Ghost (Ratchapoom Boonbunchachoke), and Militantropos (Yelizaveta Smith, Alina Gorlova, Simon Mozgovyi), plus a few words on Nadav Lapid's latest, Yes, and Chie Hayakawa's Renoir. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

durée : 00:58:31 - Plan large - par : Antoine Guillot - Un Plan large proche-oriental, avec la cinéaste Iranienne Sepideh Farsi, les Palestiniens Tarzan et Arab Nasser, l'Israélien Nadav Lapid, l'Egyptien Tarik Saleh, les Iraniens Jafar Panahi et Saeed Roustaee, Jean-Pierre et Luc Dardenne et Mathieu Macheret. - réalisation : Anne-Laure Chanel - invités : Jafar Panahi Réalisateur iranien de cinéma; Nadav Lapid Réalisateur (cinéma) et écrivain; Tarzan Nasser Cinéaste; Arab Nasser Réalisateur; Sepideh Farsi Cinéaste; Tarik Saleh Réalisateur suédois d'origine égyptienne; Saeed Roustaee  cinéaste iranien; Jean-Pierre Dardenne Réalisateur et producteur belge de cinéma; Luc Dardenne Réalisateur belge de cinéma; Mathieu Macheret Critique de cinéma, journaliste au Monde et aux Cahiers du Cinéma

durée : 00:58:31 - Plan large - par : Antoine Guillot - Un Plan large proche-oriental, avec la cinéaste Iranienne Sepideh Farsi, les Palestiniens Tarzan et Arab Nasser, l'Israélien Nadav Lapid, l'Egyptien Tarik Saleh, les Iraniens Jafar Panahi et Saeed Roustaee, Jean-Pierre et Luc Dardenne et Mathieu Macheret. - réalisation : Anne-Laure Chanel - invités : Jafar Panahi Réalisateur iranien de cinéma; Nadav Lapid Réalisateur (cinéma) et écrivain; Tarzan Nasser Cinéaste; Arab Nasser Réalisateur; Sepideh Farsi Cinéaste; Tarik Saleh Réalisateur suédois d'origine égyptienne; Saeed Roustaee  cinéaste iranien; Jean-Pierre Dardenne Réalisateur et producteur belge de cinéma; Luc Dardenne Réalisateur belge de cinéma; Mathieu Macheret Critique de cinéma, journaliste au Monde et aux Cahiers du Cinéma

Director Nadav Lapid, back on the Croisette with "Yes": "Israel was the place where people went to escape the horrors of fascism, and it is becoming more and more fascist itself. I always feel like Israel is a terrible legendary story…" The post “Yes”, an interview with director Nadav Lapid appeared first on Fred Film Radio.

Director Nadav Lapid, back on the Croisette with "Yes": "Israel was the place where people went to escape the horrors of fascism, and it is becoming more and more fascist itself. I always feel like Israel is a terrible legendary story…" The post “Yes”, an interview with director Nadav Lapid appeared first on Fred Film Radio.

Director Nadav Lapid, back on the Croisette with "Yes": "Israel was the place where people went to escape the horrors of fascism, and it is becoming more and more fascist itself. I always feel like Israel is a terrible legendary story…" The post “Yes”, an interview with director Nadav Lapid appeared first on Fred Film Radio.

Director Nadav Lapid, back on the Croisette with "Yes": "Israel was the place where people went to escape the horrors of fascism, and it is becoming more and more fascist itself. I always feel like Israel is a terrible legendary story…" The post “Yes”, an interview with director Nadav Lapid appeared first on Fred Film Radio.

Director Nadav Lapid, back on the Croisette with "Yes": "Israel was the place where people went to escape the horrors of fascism, and it is becoming more and more fascist itself. I always feel like Israel is a terrible legendary story…" The post “Yes”, an interview with director Nadav Lapid appeared first on Fred Film Radio.

Director Nadav Lapid, back on the Croisette with "Yes": "Israel was the place where people went to escape the horrors of fascism, and it is becoming more and more fascist itself. I always feel like Israel is a terrible legendary story…" The post “Yes”, an interview with director Nadav Lapid appeared first on Fred Film Radio.

Cannes 2025 has arrived—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our fifth episode from the French Riviera, Film Comment Editor Devika Girish is joined by critics Abby Sun, Beatrice Loayza, and Giovanni Marchini Camia to discuss some late-festival premieres, including Joachim Trier's Sentimental Value, Carla Simón's Romería, Oliver Hermanus's The History of Sound and Nadav Lapid's Yes. Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition.

durée : 00:10:24 - Les Midis de Culture - par : Lucile Commeaux - Nos critiques discutent de "Yes", dernier film de Nadav Lapid, présenté à la Quinzaine des Cinéastes. Dans ce qu'il définit comme une tragédie musicale, le cinéaste israélien exilé en France produit la satire d'un pays malade de vengeance. - réalisation : Laurence Malonda, Anne-Laure Chanel - invités : Raphaëlle Pireyre Critique de cinéma, elle publie régulièrement des articles sur le site AOC; Yal Sadat Journaliste et critique de cinéma

durée : 00:27:11 - Les Midis de Culture - par : Lucile Commeaux - Au programme de ce débat critique consacré au cinéma, en direct du 78ᵉ festival de Cannes, deux films, un bilan et des pronostics, avec "Yes" de Nadav Lapid et "Résurrection" de Bi Gan. - réalisation : Laurence Malonda, Anne-Laure Chanel - invités : Raphaëlle Pireyre Critique de cinéma, elle publie régulièrement des articles sur le site AOC; Yal Sadat Journaliste et critique de cinéma

Nos invités de la deuxième partie de C à Vous: Claude Lelouch. Nadav Lapid pour son film « YES » En salle le 17 septembre 2025. Gillian Anderson & Simone Ashley qui vont remettre ce soir le prix “Lights on Women's Worth”. Géraldine Nakache est présente également, elle Jurée de la Caméra d'or 2025. Un autre juré mais aux "grosses têtes sur RTL" c'est Adil Rami et enfin Le duo Christine and the queens & Cerrone en live pour le titre “Catching feelings” single disponible depuis le 23 mai 1er titre d'un EP collaboratif qui sortira fin juin ou début juillet avec 3 inédits et une version 2025 de « Supernature ». À venir également un documentaire « Cerrone – Supernature » le 18 juin sur CANAL+.Avec également pendant le festival de Cannes « Faites entrer les jurés » de Pierre Lescure, « Le classique » de Patrick Cohen et les Actualités de Bertrand.Tous les soirs, du lundi au vendredi à 20h sur France 5, Anne-Elisabeth Lemoine et toute son équipe accueillent les personnalités et artistes qui font l'actualité.

Jessica Cohen is an independent translator born in England, raised in Israel, and living in Denver. She translates contemporary Hebrew prose and other creative work. In 2017, she shared the Man Booker International Prize with David Grossman for her translation of A Horse Walks Into a Bar. She has also translated works by major Israeli writers including Amos Oz, Etgar Keret, Ronit Matalon and Maya Arad, and by filmmakers Ari Folman and Nadav Lapid. She is the recipient of a National Endowment for the Arts fellowship in translation, and a Guggenheim Fellowship. Cohen works with the Authors Guild and the American Literary Translators Association to advocate for literary translators' recognition, rights, and working conditions.She spoke about Hebrew Literature, the Authors Guild and working with David Grossman, the famous Israeli Author in this episode. Transcript:Harshaneeyam: Welcome to HarshaniumHarshaneeyam, Jessica. Such a pleasure. Jessica Cohen: Thank you. It's really a pleasure to be here. Harshaneeyam: Your father, Professor Stanley Cohen, was a human rights activist and your mother too, Ruth Cohen,. Sshe was an artist. And what kind of impact did your parents have on you as far as your literary sensibilities are concerned?Jessica Cohen: I'm not sure if it's entirely accurate to describe him as an activist. He was definitely an intellectual. And I think his activism was in the form of writing and thinking and calling things out that he saw. My mother was more of an activist in the sense that she was that sort of out on the barricades protesting and, and organizing.They both grew up in South Africa and I think developed a sense of the world and of justice or injustice, what they saw growing up under apartheid. And that was something they carried with them very much. And so I think Tthere was a way in which growing up in that household, I think I absorbed this sense of the importance of empathy with people who were not like us or who were less fortunate than us.And that's something they both definitely felt strongly about. And I, the reason I think that's connected to a literary sensibility is that I think Ggood writing necessitates empathy, both on the part of the writer, definitely, and the reader. That's really, I think, what most good fiction does, its allows you to step into someone else's life, someone who you could never be, but might be through reading.I was born in England, but we moved to Israel when I was seven. And so my schooling was always in Hebrew and my social life was in Hebrew, but everything at home was in English. My parents were both voracious readers. My sister and I also grew up reading a lot. The house was full of books everywhere you looked.And so I definitely, I think was raised with an appreciation for literature and reading and writing. And that's something I've always had. So I assume that. Tthat in some ways affected my choice of career, to live with literature. My dad, when I think of both of them, some of their biggest heroes were writers.Pictures up in my dad's office were Samuel Beckett, George Orwell. My mother had a framed portrait of Virginia Woolf up on her wall. Writers were who they looked to, I think, for inspiration and inspiration. Nnot just entertainment. Harshaneeyam: So what made you get into translation? And, interestingly, your first customer was Microsoft.Jessica Cohen: That's true. That's true. Which is very, it seems very incongruous with what I do now. Yeah. I think that a lot of people who hasof my generation and above who are literary translators, we all fell into it by chance or through various other previous lives that we had, that's changing quite a bit now because there are so many...

durée : 00:58:21 - Affaires culturelles - par : Arnaud Laporte - Repérée par Philippe Garrel, elle a depuis joué devant les caméras de Nadav Lapid, Audrey Diwan ou Joaquim Lafosse. Alors qu'elle est à l'affiche du “Tableau volé”, de Pascal Bonitzer, la comédienne revient sur son jeune mais déjà riche parcours et nous parle de ce qui nourrit son art. - invités : Louise Chevillotte Comédienne

Snobbies! Welcome…to the end of Movies Of the Middle East, or MOME as we've been calling it. Tonight we have a special guest COLIN! who hasn't been on the pod since Do The Right Thing two years ago! Tonight's pick comes from Jared and is by director Nadav Lapid, “Ahed's Knee.” This film, coming out of Israel, tackles a possibly autobiographical story about something the director went through while featuring a film. The film deals with nationalism, censorship, a director's voice, as well as many interesting camera choices that had us scratching our heads….sometimes in a good way! Anyway, we enjoyed talking through this film and we hope you Enjoy also!  Film Discussed: Ahed's Knee (2021) Letterboxd: Eric Peterson: ⁠letterboxd.com/EricLPeterson/⁠ Jared Klopfenstein: ⁠letterboxd.com/kidchimp/⁠ Ethan Jasso: ⁠letterboxd.com/e_unit7/⁠ Caleb Zehr: ⁠letterboxd.com/cjzehr/⁠ Ricky Wickham: ⁠letterboxd.com/octopuswizard/⁠ Cody Martin : ⁠letterboxd.com/codytmartin/⁠ Here is a COMPLETE LIST of every film that we have done an episode for. Enjoy! ⁠https://letterboxd.com/ericlpeterson/list/a-complete-list-of-every-the-film-snobs-episode/⁠ Five star reviews left on the pod get read out loud!

Dans le cadre du Luxembourg City Film Festival, l’équipe du Bistro a pu rencontrer certains membres du jury international. Cette fois-ci, c’est le réalisateur Nadav Lapid (L’Institutrice, Synonymes, Le genou d’Ahed) que l’on a rencontré.

In this podcast, Kushal speaks with Vivek Agnihotri about the Kashmiri Hindu genocide denial where in the closing ceremony of 53rd IFFI Goa the jury head Nadav Lapid called The Kashmir Files "propaganda and vulgar film". They also talk about the movie Pathan and many attempts to boycott it. They also discuss Vivek's upcoming movie Vaccine War. Follow Them: Twitter: @vivekagnihotri Youtube: https://www.youtube.com/c/IAmBuddha #iffi2022 #boycottpathan #kashmirfiles #vaccinewar ------------------------------------------------------------ Listen to the podcasts on: SoundCloud: https://soundcloud.com/kushal-mehra-99891819 Spotify: https://open.spotify.com/show/1rVcDV3upgVurMVW1wwoBp Apple Podcasts: https://podcasts.apple.com/us/podcast/the-c%C4%81rv%C4%81ka-podcast/id1445348369 Stitcher: https://www.stitcher.com/show/the-carvaka-podcast ------------------------------------------------------------ Support The Cārvāka Podcast: Become a Member on YouTube: https://www.youtube.com/channel/UCKPxuul6zSLAfKSsm123Vww/join Become a Member on Fanmo: https://fanmo.in/the_carvaka_podcast Become a Member on Patreon: https://www.patreon.com/carvaka UPI: kushalmehra@icici To buy The Carvaka Podcast Exclusive Merch please visit: http://kushalmehra.com/shop ------------------------------------------------------------ Follow Kushal: Twitter: https://twitter.com/kushal_mehra?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor Facebook: https://www.facebook.com/KushalMehraOfficial/? Instagram: https://www.instagram.com/thecarvakapodcast/?hl=en Koo: https://www.kooapp.com/profile/kushal_mehra Inquiries: https://kushalmehra.com/ Feedback: kushalmehra81@gmail.com

Who got a Jewish self-hater to head the IFFI jury? Nadav Lapid's fulmination on The Kashmir Files as 'vulgar propaganda' have been best rebutted by Israel's Ambassadors to India Naor Gilon. Puneet Issar, Rajesh Kumar Singh and Dr. Ajay Chrungoo join the discussion with Sanjay Dixit.

Bölüm bağlantılarına aşağıdan ulaşabilirsiniz Parlamento Yakın Geçmiş #5: Ordu geri dönüyor Son Düzlük #13: DEVA Partisi İstanbul İl Başkanı Erhan Erol ile 2023 seçimleri Neden Popüler Oldu? #5: Influencer Marketing Keşif Sineması #2.4: Nazlı Bulum | Oyunculuk, kimlik arayışı, göç ve Nadav Lapid sineması Sahne Arkası #8: Tunç Karabayer ve Döngüsel Ekonomi 101

Keşif Sineması'nın ikinci sezonun yeni bölümünde, oyuncu Nazlı Bulum'la tiyatro, sinema ve televizyon oyunculuğu, Mavi Dalga, Kar, Birlikte Öleceğiz ve Büyük İstanbul Depresyonu gibi filmleri ve sinemada kimlik arayışı teması üzerine sohbet ettik, Nadav Lapid sinemasını onunla keşfettik.

Y., cinéaste israélien, arrive dans un village reculé au bout du désert pour la projection de l'un de ses films. Il y rencontre Yahalom, une fonctionnaire du ministère de la culture, et se jette désespérément dans deux combats perdus : l'un contre la mort de la liberté dans son pays, l'autre contre la mort de sa mère.Avec : Avshalom Pollak, Nur Fibak, Yoram Honig, Lidor Ederi, Yonathan Kugler, Amit Shoshani, Yehonathan Vilozni, Naama PreisFestival de Cannes 2021, Sélection officielle, Prix du JuryBonus DVD :Court métrage : La Star de Nadav Lapid, sélectionné au Festival de Cannes (2021, 17')Présentation du court-métrage par Nadav Lapid (8')Entretien avec Nadav Lapid (29')Description d'un combat (9')Commentaire de Morgan Pokée, critique de cinémaAudio : Hébreu DD 5.1 & DD 2.0 - Sous-titrage : FrançaisFormat image : 2.39DVD Pal Zone 2

Réalisateur entre autresEmission spéciale en direct du cinéma CityClub à PullyPour regarder l'émission, c'est par ici:https://youtu.be/MvT34nwp-n4

Tuğçe Arslan Üçer ve Eylül Görmüş, 10. bölümde Uysallar dizisine göz atıp bir Xavier Dolan klasiği Laurence Anyways ve Nadav Lapid'in son filmi Ahed'in Dizi üzerine konuşuyor. Alejandro Zambra'nın dilimize çevrilen son eseri Okumamak ve Jorge Baron Biza eseri "Çöl ve Tohumu" da listede. Haftanın heyecanlandıran haberlerindeyse yeni yayımlanan biyografik Leonard Cohen çizgi romanı Teldeki Kuş var.

With Ahed's Knee, the rawest, most autobiographical entry in Nadav Lapid's blistering filmography (The Kindergarten Teacher; Synonyms), the director crafts a stylized and self-lacerating portrait of an Israeli filmmaker railing at the censorship, hypocrisy, and violence of his government. Last week, we welcomed Lapid for a Film Comment Live Talk exploring Ahed's Knee and the questions it raises about state censorship of cinema, the politics of self-critique, and the political role and responsibility of the artist. We were also joined by Jamsheed Akrami, scholar of Iranian cinema and director of several documentaries, including A Cinema of Discontent. Listen all the way to the end for Jamsheed's translation of a recent viral video in which the legendary Iranian filmmaker Dariush Mehrjui excoriates government censorship.

Episode 110: Nadav Lapid on Ahed's Knee Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. The filmmaker Nadav Lapid has made one tense, kinetic, indelibly original drama after another: Policeman, The Kindergarten Teacher, Synonyms, and now Ahed's Knee. Ahed's Knee premiered at the Cannes film festival last year where it shared the Jury Prize with Memoria, and it opened in New York on March 18. The film follows an Israeli director who is presenting one of his movies in a small town, thanks to an invitation by a young, eager library official. But when he arrives, she asks him to sign a government form saying exactly what topics he can and cannot talk about. The director—who's named only with the letter Y—lashes out at his host. But the small community doesn't have exactly the reaction he might expect. The film's title refers to a well-known incident when a Palestinain teenager named Ahed Tamimi slapped an Israeli soldier, and a conservative politician responded by saying that she should be shot in the knee. I spoke with Lapid about the film's ferocious vision and how it explores the idea of speaking out, among other things. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

This week on the Film at Lincoln Center podcast, we're featuring a programmer's preview on our Kinuyo Tanaka Retrospective, and a Q&A from the 59th New York Film Festival with director Nadav Lapid on Ahed's Knee,  moderated by NYFF Programmer Rachel Rosen. As an actress in over 250 films, Kinuyo Tanaka was one of the most celebrated and wildly popular artists of her time, regularly collaborating with consummate masters like Yasujirō Ozu, Kenji Mizoguchi, and Mikio Naruse. Between 1953 and 1962, Tanaka directed half a dozen films with a determined sense of freedom and touches of provocation, placing women at the forefront of her movies as mistresses, prostitutes, poets, heroines, and victims of social injustice. The Kinuyo Tanaka Retrospective, featuring brand new 4K restorations of her directorial work and 35mm screenings of her collaborations as an actor, takes place March 18 - 27! Listen to an introduction to the filmmaker from Assistant Programmer Tyler Wilson and rediscover the groundbreaking auteur at filmlinc.org/tanaka. Also opening this Friday, Ahed's Knee is Israeli filmmaker Nadav Lapid's shattering follow-up to his bat-out-of-hell Synonyms (NYFF57). A film of radical style and splenetic anger, Ahed's Knee accompanies a celebrated but increasingly dissociated director to a small town in the desert region of Arava for a screening of his latest film. Already anguished by the news of his mother's fatal illness (Lapid's film was made soon after the death of his own mother, who had worked as his editor for many years), he grows frustrated with a speech-restricting form he is encouraged to sign by a local Ministry of Culture worker. The confrontation ultimately sends him into a spiral of rage aimed at what he perceives as the censorship, hypocrisy, and violence of the Israeli government. This boldly shot and conceived work, which won the Grand Jury Prize at this year's Cannes Film Festival, feels as though it has welled up from the depths of its maker's soul. Ahed's Knee opens this Friday with filmmaker Q&As at the 6pm screenings on Friday and Saturday, and a special Film Comment Free Talk with Lapid at 8:30pm on Friday. Get showtimes and tickets at filmlinc.org/ahed.

Leweke, Ankewww.deutschlandfunkkultur.de, VollbildDirekter Link zur Audiodatei

Un año más acudimos puntuales a una de las citas culturales más importante de nuestro país: el Festival de Cine Europeo de Sevilla. Cita a la que no podía faltar el director del Certamen José Luis Cienfuegos, quien pasará por estos micrófonos para contarnos todas las novedades de esta decimoctava edición. En el marco de la gala inaugural, La cineasta húngara Ildikó Enyedi recibe el Premio Honorífico, una nueva distinción del certamen, con ella y de ella hemos hablado además de la película que presenta, 'La historia de mi mujer'. Otros de los protagonistas en esta sección oficial con los que charlamos son el director Jacques Audiard y alguno de sus actores que presentan París distrito 13, una cinta ambientada en el país actual donde se cuenta todo acerca de la realidad de los jóvenes y las nuevas formas de entender el amor y las relaciones. Pasará por De Película el director Nadav Lapid, ya un asiduo del certamen, con el que hemos tenido el privilegio de comentar Ahed’s Knee,toda una historia de desamor con Israel que opta al Giraldillo de oro al igual que dos directores españoles. Liliana Torres, una ambiciosa directora con la que comentamos todo sobre su último trabajo ¿Qué hicimos mal? En la que además de dirigir guioniza y protagoniza. El otro director español que opta a tan preciado galardón es Santi Amodeo, que nos visita junto a las actrices principales de Las Gentiles, las debutantes África de la Cruz y Paula Díaz. Comentamos la cartelera con nuestros colaboradores Teresa Montoro y Elio Castro. Escuchar audio

Nos vamos al Festival de cine europeo de Sevilla y os contamos todos los detalles de esta 18º edición que se celebra desde este viernes, 5 de noviembre hasta el 13 de este mes. Conversamos con cineastas como IIdikó Enyedi, Jacques Audiard, Nadav Lapid, Liliana Torres y Santi Amodeo y también os contamos los estrenos más destacados, entre ellos, Eternals, de Chloé Zhao o las películas con participación de RTVE, Josefina de Javier Marco y Tres de Juanjo Giménez (05/11/2021) Escuchar audio

durée : 00:54:07 - Le masque et la plume - par : Jérôme Garcin - "Dune" de Denis Villeneuve, "Respect" de Liesl Tommy, "L'Origine du monde" de Laurent Lafitte, "Serre-moi fort" de Mathieu Amalric, "Les amours d'Anaïs" de Charline Bourgeois-Tacquet et de "Le genou d'Ahed" de Nadav Lapid méritent-ils leur ticket ? - réalisé par : Xavier PESTUGGIA

durée : 00:05:00 - Cinéma week-end - par : Florence LEROY - "Le Genou d'Ahed" est une nouvelle salve du réalisateur israélien contre son pays, politique et intime.

Changement de dernière minute. Nous rediffusons l'émission consacrée au film de Mamadou Dia «Le père de Nafi».C'est un premier long métrage, déjà couvert d'éloges et de prix. Il a notamment décroché le Léopard d'or de la section Cinéastes du présent au festival de Locarno en 2019 et le Prix Découverte à Namur. (Rediffusion du 5 juin 2021). Son auteur, le Sénégalais Mamadou Dia l'a intitulé Le père de Nafi, mais il aurait pu choisir comme titre «Nafi et Tokara», car c'est une sorte de Roméo et Juliette africain. Au Sénégal, une belle jeune fille Nafi tombe amoureuse de son cousin. Mais Tierno, le père de Nafi s'oppose fermement au mariage. Car le jeune homme, Tokara n'est autre que le fils de son frère, zélateur d'un islam intégriste financé par des djihadistes venus de Mauritanie.  L'amour pris en otage par l'affrontement entre deux hommes, deux frères, voilà le cœur du film. D'un côté, le père de Nafi qui est depuis toujours l'imam du village, imam modéré, plein de sagesse et de modération. Et face à lui son frère Ousmane, revenu de Dakar pour prendre le pouvoir avec le soutien, l'argent et les armes des djihadistes.  Entretien avec Mamadou Dia qui a filmé dans son village natal de Matam cette tragédie ayant valeur d'avertissement. À l'affiche également de notre cinéma cette semaine, l'annonce de la sélection du 74ème festival de Cannes (du 6 au 17 juillet 2021). Glamour, paillettes, les plus grands noms du cinéma d'auteurs, des blockbusters aussi et des découvertes : on ne change pas la recette du plus grand festival de cinéma au monde. Même si cette année, s'y rajoutent du gel hydroalcoolique, des masques et des gestes barrières. La 74ème édition du festival de Cannes est d'ores et déjà collector. C'est ce qu'a répété à plusieurs reprises le délégué général Thierry Frémaux. Et il a concocté une très belle sélection de Cannes 2021 : 61 longs métrages figurent en sélection, dont 24 seront en lice pour décrocher la Palme d'or. Certains réalisateurs déjà titulaires d'une Palme d'or reviennent sur la Croisette comme l'Italien Nanni Moretti ou le Thaïlandais Apichatpong Werasethakul... À leurs côtés, le Tchadien Mahamat Saleh Haroun, le Marocain Nabil Ayouch ou le Russe Kirill Serebrennikov. On a hâte aussi de découvrir le nouveau film de l'Israélien Nadav Lapid, ou du Français Jacques Audiard. Sans parler des autres sections de l'officielle : Un certain regard, recentré sur les jeunes créateurs, promet ainsi le premier long métrage d'une réalisatrice haïtienne Gessica Généus… Thierry Frémaux crée une section consacrée aux maîtres confirmés : Cannes première, dans laquelle on découvrira le nouveau Arnaud Desplechin. Et cela, sans compter celle de nos sections partenaires, la Semaine de la critique et de la Quinzaine des réalisateurs et de l'Acid, qui seront dévoilées en début de semaine prochaine. Pauses musicales : Fleuve Sénégal par Baaba Maal, Don't forget your neighborhood par Cola Boyy, et So may we start des Sparks (tiré de la BO du film d'ouverture de Cannes, Annette de Leos Carax).

Chronique Nonobstant Le genou d'AhedPrix du jury du Festival de Cannes de cette année, le genou d'Ahed arrive sur nos écrans cette semaine.Réalisé par le talentueux cinéaste israélien Nadav Lapid, ce film-choc et corrosif poursuit le sillon entamé par le réalisateur depuis ses premiers films avec « Le policier » et « L'institutrice »…Film extrêmement radical, non seulement politiquement, mais aussi esthétiquement, Le genou d'Ahed raconte l'histoire d'Y., cinéaste israélien, qui arrive dans un village reculé au bout du désert pour la projection de l'un de ses films. Il y rencontre Yahalom, une fonctionnaire du ministère de la Culture, et se jette désespérément dans deux combats perdus : l'un contre la mort de la liberté dans son pays, l'autre contre la mort de sa mère…On le comprend vite, Y est que le double à l'écran du réalisateur Nadav Lapid qui avec ce film exprime sa colère désespérée et sa rage frondeuse contre les tentatives d' entraves à la liberté d'expression en Israël et la tentation d'autocensure de la part d'une société israélienne schizophrène, en questionnement permanent, d'un peuple pris en otage entre intimité, solidarité et pulsions nationalistes.Inspiré d'évènements autobiographiques, ce film écrit et tourner dans l'urgence est comme un cri dans le désert qui questionne la puissance des mots et propulse en avant leur capacité à dire l'urgente vérité. Cependant, il ressemblent pourtant plus à un cri d'amour pour un pays chéri dont on ne comprend plus comment il fonctionne…Le genou d'Ahed de Nadav Lapid est actuellement sur les écrans

Chronique Nonobstant Le genou d'AhedPrix du jury du Festival de Cannes de cette année, le genou d'Ahed arrive sur nos écrans cette semaine.Réalisé par le talentueux cinéaste israélien Nadav Lapid, ce film-choc et corrosif poursuit le sillon entamé par le réalisateur depuis ses premiers films avec « Le policier » et « L'institutrice »…Film extrêmement radical, non seulement politiquement, mais aussi esthétiquement, Le genou d'Ahed raconte l'histoire d'Y., cinéaste israélien, qui arrive dans un village reculé au bout du désert pour la projection de l'un de ses films. Il y rencontre Yahalom, une fonctionnaire du ministère de la Culture, et se jette désespérément dans deux combats perdus : l'un contre la mort de la liberté dans son pays, l'autre contre la mort de sa mère…On le comprend vite, Y est que le double à l'écran du réalisateur Nadav Lapid qui avec ce film exprime sa colère désespérée et sa rage frondeuse contre les tentatives d' entraves à la liberté d'expression en Israël et la tentation d'autocensure de la part d'une société israélienne schizophrène, en questionnement permanent, d'un peuple pris en otage entre intimité, solidarité et pulsions nationalistes.Inspiré d'évènements autobiographiques, ce film écrit et tourner dans l'urgence est comme un cri dans le désert qui questionne la puissance des mots et propulse en avant leur capacité à dire l'urgente vérité. Cependant, il ressemblent pourtant plus à un cri d'amour pour un pays chéri dont on ne comprend plus comment il fonctionne…Le genou d'Ahed de Nadav Lapid est actuellement sur les écrans

durée : 00:52:54 - L'Heure bleue - par : Anne-Sophie DAZARD, Laure Adler - Nadav Lapid ne cesse d'interroger son rapport conflictuel avec Israël. On le retrouve cette fois-ci avec son film, "Le genou d'Ahed" dans l'Heure Bleue.

Við förum í skoðanaferð um vinnustofu fata-og textílhönnuðarinns Drífu Líftóru. Hún sýnir okkur græjurnar sínar og fatalínuna sem hún sérsaumar eftir pöntunum í mynstri sem hún þrykkir sjálf, en þar sækir hún innblástur í eigin myrkfælni og, af einhverjum ástæðum, kvikmyndina Hellraiser. Við förum til Tékklands, á kvikmyndahátíðina Karlovy Vary þar sem Ásgeir H Ingólfsson sá íslensku kvikmyndina Dýrið og nýjustu mynd ísraelska leikstjórans Nadav Lapid, hnéskeljar Ahed. Magnús Thorlacius eyddi sumrinu í að rannsaka sjálfsmynd Kópavogs. Hann skoðaði atburði í sögu bæjarfélagsins og kennileiti þess út frá óvæntum sjónarhornum og ætlar að setja niðurstöður sínar í samhengi fyrir okkur í pistlaröð á næstu vikum. Magnús byrjar á að velta sér upp úr skítalæknum. Og nýir sjónvarpsþættir um pönksveitina Sex Pistols bera á góma.

Við förum í skoðanaferð um vinnustofu fata-og textílhönnuðarinns Drífu Líftóru. Hún sýnir okkur græjurnar sínar og fatalínuna sem hún sérsaumar eftir pöntunum í mynstri sem hún þrykkir sjálf, en þar sækir hún innblástur í eigin myrkfælni og, af einhverjum ástæðum, kvikmyndina Hellraiser. Við förum til Tékklands, á kvikmyndahátíðina Karlovy Vary þar sem Ásgeir H Ingólfsson sá íslensku kvikmyndina Dýrið og nýjustu mynd ísraelska leikstjórans Nadav Lapid, hnéskeljar Ahed. Magnús Thorlacius eyddi sumrinu í að rannsaka sjálfsmynd Kópavogs. Hann skoðaði atburði í sögu bæjarfélagsins og kennileiti þess út frá óvæntum sjónarhornum og ætlar að setja niðurstöður sínar í samhengi fyrir okkur í pistlaröð á næstu vikum. Magnús byrjar á að velta sér upp úr skítalæknum. Og nýir sjónvarpsþættir um pönksveitina Sex Pistols bera á góma.

The actors from Nadav Lapid's competition film at the 74th Festival de Cannes remark on the importance of never taking freedom for granted. The post Avshalom Pollack, Nur Fibak – Ahed’s Knee #Cannes2021 appeared first on Fred Film Radio.

The actors from Nadav Lapid's competition film at the 74th Festival de Cannes remark on the importance of never taking freedom for granted. The post Avshalom Pollack, Nur Fibak – Ahed’s Knee #Cannes2021 appeared first on Fred Film Radio.

The actors from Nadav Lapid's competition film at the 74th Festival de Cannes remark on the importance of never taking freedom for granted. The post Avshalom Pollack, Nur Fibak – Ahed’s Knee #Cannes2021 appeared first on Fred Film Radio.

The actors from Nadav Lapid's competition film at the 74th Festival de Cannes remark on the importance of never taking freedom for granted. The post Avshalom Pollack, Nur Fibak – Ahed’s Knee #Cannes2021 appeared first on Fred Film Radio.

The actors from Nadav Lapid's competition film at the 74th Festival de Cannes remark on the importance of never taking freedom for granted. The post Avshalom Pollack, Nur Fibak – Ahed’s Knee #Cannes2021 appeared first on Fred Film Radio.

The actors from Nadav Lapid's competition film at the 74th Festival de Cannes remark on the importance of never taking freedom for granted. The post Avshalom Pollack, Nur Fibak – Ahed’s Knee #Cannes2021 appeared first on Fred Film Radio.

Bon dia i bon dilluns família, comencem amb ganes la setmana i us pengem recent sortit del forn el PODCAST MONOGRÀFIC ESPECIAL CANNES 2021 que vam grabar dissabte. Salut i metratge! - Palma d'Or: "Titane", de Julia Ducournau - Gran Premi ex aequo del Jurat: "A Hero" ("Un héroe") de Asghar Farhadi, y "Hytti N°6" (Compartment nº 6), de Juho Kuosmanen. - Premi a la Millor Direcció: Leos Carax por "Annette". -Premi al Millor Guió: Ryusuke Hamaguchi por "Drive My Car". - Premi del Jurat "ex aequo": "Ahed's knee", de Nadav Lapid, y "Memoria", de Apichatpong Weerasethakul. -Premi a Millor Actriu: Renate Reinsve por "The worst person in the world", de Joachim Trier. - Premi a Millor Actor: Caleb Landry Jones por "Nitram", de Justin Kurzel. - Premi Una Certa Mirada: "Unclenching The Fists", de Kira Kovalenko. - Premi del Jurat: "Great Freedom", de Sebastian Meise. - Premi al Repartiment: "Bonne Mère", de Hafsia Herzi. - Premi a la Valentia: "La civil", de Teodora Ana Mihai. - Premi a la Originalitat: "Lamb", de Valdimar Jóhannsson - Menció Especial: "Noche de Fuego", de Tatiana Huezo.

Nach jahrelangem Warten haben wir endlich "The French Dispatch" von Wes Anderson gesehen. Und das ist leider kein überhaupt kein guter Film. Patrick Fey (Moviebreak) nimmt mit Christian auseinander, warum diese Journalismus-Satire nicht funktioniert und empfiehlt stattdessen "A Hero" von Asghar Farhadi, "Hit the Road" von Panah Panahi und "Ahed's Knee" von Nadav Lapid.

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Today from the Cannes film festival, we hear about the much anticipated film from director Paul Verhoeven: Benedetta, about a young nun whose sexual awakening causes a stir in her convent. My correspondent this time is the critic and programmer Jordan Cronk, whose work is published in many publications including Cinema Scope, Reverse Shot, and MUBI Notebook. Jordan also tells us about the vibrant film Ahed's Knee, from Israeli auteur Nadav Lapid; The Worst Person in the World, from Joachim Trier; and the latest directorial effort from Sean Penn, Flag Day. And finally we hear about some highlights from other film selections at Cannes. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Lo mejor del mayor certamen de cine, con las nuevas películas de Paul Verhoeven, Nadav Lapid, François Ozon o Leos Carax, y los estrenos de cine en salas, el cine clásico y las series

Tous les Cinémas du monde prend ses quartiers cannois pour vous faire vivre la 74ème édition du plus grand festival de cinéma au monde. Cela faisait un an et demi qu'on attendait ce moment, depuis l'annulation l'an dernier (2020), pour cause de pandémie de coronavirus, puis le report de l'édition qui aurait dû se tenir en mai. On est donc de retour à Cannes et l'on retrouve ses repères : tentes blanches du village international (même si elles sont moins nombreuses que d'ordinaire), le soleil se fait plus mordant, on entend les cigales qui chantent sur le passage des festivaliers. Les festivaliers en smoking ou robes du soir qui croisent les touristes en maillot remontant de la plage. C'est une image nouvelle : tout comme le masque sur le tapis rouge, ou le QR code attestant d'une vaccination complète ou d'un test PCR négatif que l'on doit présenter pour entrer dans le palais. Nous recevons sur le studio de RFI, installé, comme chaque année sur le pavillon des Cinémas du monde, nos partenaires : la Quinzaine des réalisateurs, et son délégué général Paolo Moretti, la Semaine de la critique avec Charles Tesson, et Constance Meyer, dont le premier long-métrage Robuste (avec Gérard Depardieu en acteur fatigué et Deborah Lukumuena en agente de sécurité) a fait l'ouverture de la Semaine de la critique. Les invités Pauses musicales : So may we start (The Sparks, issu de la bande originale d'Annette), Be my baby (Vanessa Paradis, que l'on entend dans le film Le genou d'Ahed, de Nadav Lapid) et When you're a French director (The Sparks).

È stato presentato in concorso al Festival di Cannes Ahed's Knee, il film di Nadav Lapid con Nur Fibak e Avshalom Pollak. La videorecensione di Francesco Alò.

Eine angehende Regisseurin trauert, in der israelischen Wüste bricht Wut aus den Menschen, in Frankreich lässt sich nicht freiwillig sterben, in Deutschland nicht schwul sein: Im zweiten Podcast aus Cannes stehen neue Filme von Joanna Hogg, Nadav Lapid, François Ozon und Sebastian Meise im Mittelpunkt.

C'est un premier long métrage, déjà couvert d'éloges et de prix. Il a notamment décroché le Léopard d'or de la section Cinéastes du présent au festival de Locarno en 2019 et le Prix Découverte à Namur. Son auteur, le Sénégalais Mamadou Dia l'a intitulé Le père de Nafi, mais il aurait pu choisir comme titre «Nafi et Tokara», car c'est une sorte de Roméo et Juliette africain. Au Sénégal, une belle jeune fille Nafi tombe amoureuse de son cousin. Mais Tierno, le père de Nafi s'oppose fermement au mariage. Car le jeune homme, Tokara n'est autre que le fils de son frère, zélateur d'un islam intégriste financé par des djihadistes venus de Mauritanie.  L'amour pris en otage par l'affrontement entre deux hommes, deux frères, voilà le cœur du film. D'un côté, le père de Nafi qui est depuis toujours l'imam du village, imam modéré, plein de sagesse et de modération. Et face à lui son frère Ousmane, revenu de Dakar pour prendre le pouvoir avec le soutien, l'argent et les armes des djihadistes.  Entretien avec Mamadou Dia qui a filmé dans son village natal de Matam cette tragédie ayant valeur d'avertissement. À l'affiche également de notre cinéma cette semaine, l'annonce de la sélection du 74ème festival de Cannes (du 6 au 17 juillet 2021). Glamour, paillettes, les plus grands noms du cinéma d'auteurs, des blockbusters aussi et des découvertes : on ne change pas la recette du plus grand festival de cinéma au monde. Même si cette année, s'y rajoutent du gel hydroalcoolique, des masques et des gestes barrières. La 74ème édition du festival de Cannes est d'ores et déjà collector. C'est ce qu'a répété à plusieurs reprises le délégué général Thierry Frémaux. Et il a concocté une très belle sélection de Cannes 2021 : 61 longs métrages figurent en sélection, dont 24 seront en lice pour décrocher la Palme d'or. Certains réalisateurs déjà titulaires d'une Palme d'or reviennent sur la Croisette comme l'Italien Nanni Moretti ou le Thaïlandais Apichatpong Werasethakul... À leurs côtés, le Tchadien Mahamat Saleh Haroun, le Marocain Nabil Ayouch ou le Russe Kirill Serebrennikov. On a hâte aussi de découvrir le nouveau film de l'Israélien Nadav Lapid, ou du Français Jacques Audiard. Sans parler des autres sections de l'officielle : Un certain regard, recentré sur les jeunes créateurs, promet ainsi le premier long métrage d'une réalisatrice haïtienne Gessica Généus… Thierry Frémaux crée une section consacrée aux maîtres confirmés : Cannes première, dans laquelle on découvrira le nouveau Arnaud Desplechin. Et cela, sans compter celle de nos sections partenaires, la Semaine de la critique et de la Quinzaine des réalisateurs et de l'Acid, qui seront dévoilées en début de semaine prochaine. Pauses musicales : Fleuve Sénégal par Baaba Maal, Don't forget your neighborhood par Cola Boyy, et So may we start des Sparks (tiré de la BO du film d'ouverture de Cannes, Annette de Leos Carax).

DUVAR - Şenay Aydemir'in hazırlayıp sunduğu 'Bir Film Bir Konuk'a yazar- yayıncı Rober Koptaş konuk oldu. İkili, Nadav Lapid'in 'Eş Anlamlılar' (Synonymes) filmini konuşuyor.

Ce neuvième épisode est consacré au métier d'attachée de presse. Chloé Lorenzi a accepté d'en parler à mon micro. Elle y évoque notamment la découverte de ce métier, un film au festival de  Cannes qui l'a particulièrement marquée, sa méthode de travail ou encore son dernier coup de coeur cinéphile... Si ça vous intéresse, voici les films dont elle parle:-"Eau argentée" de Wiam Simav Bedirxan, Oussama Mohammad-"Synonymes" de Nadav Lapid-"À l'abordage" de Guillaume BracSi cet épisode vous a plu, n'hésitez pas à le partager autour de vous. En attendant je vous souhaite une très belle écoute pour ce neuvième épisode.Pour suivre les aventures de "Travelling" ou le cinéma en général, c'est sur mon compte Instagram que ça se passe : https://www.instagram.com/clemencedubranarolin/ Épisode enregistré le 12 avril 2021 à Paris.   Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

L’un des réalisateurs les plus importants du cinéma contemporain. Faisant suite aux grands noms de la « nouvelle vague » taïwanaise (Edward Yang, Hou Hsiao-sien, Ang Lee...), le cinéma de Tsai Ming-liang s’impose en trois premiers films : Les Rebelles du dieu néon, Vive l’amour (Lion d’or à Venise), La Rivière (Ours d’argent à Berlin).Cette trilogie scelle sa rencontre et son travail avec l’acteur Lee Kang-sheng dont le corps, le regard et les mouvements vont imprégner durablement le cinéma de Tsai. Fait unique dans l’histoire du cinéma, leur duo artistique perdure jusqu’à aujourd’hui, sans interruption.Grand topographe de Taipei, entomologiste des matières, conteur et filmeur hors pair du désir, Tsai Ming-liang a nourri les œuvres d’Apichatpong Weeraethakul, Nadav Lapid ou Lisandro Alonso.Ce coffret contient :Les Rebelles du dieu néon (1 992, 103 min) :Hsiao-kang abandonne soudainement ses études pour se mettre à suivre et observer un trio de jeunes voyous.Vive l’amour (1994, 118 min) :Un appartement vide de Taipei est témoin du chassé-croisé de trois âmes esseulées de Taipei.La Rivière (1997, 111 min) :Après s’être plongé dans les eaux troubles d’une rivière de Taipei, Hsiao-kang est victime d’un mal articulaire insoluble.Suppléments :Past Present (2013, 76 min), documentaire inédit :Accompagné de Tsai Ming-liang, Saw Tiong Guan, sillonne les lieux qui ont marqué le réalisateur, le questionne sur son travail ett s’entretient avec les réalisateurs Ang Lee, Hou Hsiao-hsien et Apichatpong Weerastehkul.Entretien inédit (2019, 20 min) avec Tsai Ming-liang et Lee Kang- sheng.Livret 36 pages : Textes inédits d’Olivier Cheval et Wafa Ghermani.Langues : Mandarin (Taiwan) - Sous- titres : françaisDVD Pal Toutes Zones

Nadav Lapid is the Head of the Jury at Giornate degli Autori. We chat with him about this experience and more. The post Nadav Lapid #Giornate2020 appeared first on Fred Film Radio.

Nadav Lapid is the Head of the Jury at Giornate degli Autori. We chat with him about this experience and more.Nadav Lapid #Giornate2020 was first posted on September 22, 2020 at 6:41 pm.©2015 "Fred English Channel". Use of this feed is for personal non-commercial use only. If you are not reading this article in your feed reader, then the site is guilty of copyright infringement. Please contact me at radio@fred.fm

Nadav Lapid is the Head of the Jury at Giornate degli Autori. We chat with him about this experience and more. The post Nadav Lapid #Giornate2020 appeared first on Fred Film Radio.

Nadav Lapid is the Head of the Jury at Giornate degli Autori. We chat with him about this experience and more. The post Nadav Lapid #Giornate2020 appeared first on Fred Film Radio.

Nadav Lapid is the Head of the Jury at Giornate degli Autori. We chat with him about this experience and more. The post Nadav Lapid #Giornate2020 appeared first on Fred Film Radio.

Nadav Lapid is the Head of the Jury at Giornate degli Autori. We chat with him about this experience and more. The post Nadav Lapid #Giornate2020 appeared first on Fred Film Radio.

Nadav Lapid is the Head of the Jury at Giornate degli Autori. We chat with him about this experience and more. The post Nadav Lapid #Giornate2020 appeared first on Fred Film Radio.

Fresh off quarantine and on the precipice of returning to it, Jonathan (@Berkreviews) and Corey (@coreyrstarr) return to the theme of Small Screen. That is to say, these films are all streaming originals or at least available on a streaming service. It's a good way to check off some movies that slipped passed the two of them over the years or maybe even this year. As far as the podcast goes, each episode features an in-depth review of the movie for the week. They begin with a spoiler-free review before diving in completely after the needed spoiler warning. However, before getting into the review of the week, Jonathan and Corey discuss what other movies they've seen since the last episode as well as anything else they feel like discussing. To help them decide which of the many films to watch each month they started creating themes for them all. Week 1 - The Kindergarten Teacher (2018) Corey had first pick for this theme and she selected the Maggie Gyllenhaal lead vehicle The Kindergarten Teacher (2018) which is streaming on Netflix. This is the American remake of an Israeli film written and directed by Nadav Lapid. The 2018 version of the film is directed by Sara Colangelo and stars Gyllenhaal, Gael García Bernal, and Ato Blankson-Wood. In the film, Gyllenhaal plays the titular kindergarten teacher who becomes obsessed with one of her students whom she believes is a child poetry prodigy. --- Support this podcast: https://anchor.fm/berkreviewscom-moviecasts/support

JJ and Steve finish the first half of 2020 with a film and its remake. This pairing starts with 2014's The Kindergarten Teacher from Israeli filmmaker Nadav Lapid. There's something different about this film. Is it an allegory? Is it a poem? Their discussion starts with the unique cinematography. From the first scene, this film exhibits exceptional camerawork that engages and draws the viewer into the story. Throughout the story of Nira and young Yoav, we are gifted with beautifully framed sequences that mirror the story's emphasis on poetry. The Kindergarten Teacher is a visual treat. But what about the substance of the story? Nira, the titular character, discovers a student's poetic ability that exceeds her own and puts her on a quest to ensure that his gift is not ignored. The choices she makes lead to a dark and unsettling journey. The film ends with a shot that Steve believes is less ambiguous than it may appear. Is he right, or is he reading too much into it? Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Watch this film: iTunes • Amazon • YouTube Original theatrical trailer Original poster artwork Flickchart Letterboxd Press Kit

JJ and Steve finish the first half of 2020 with a film and its remake. This pairing starts with 2014's The Kindergarten Teacher from Israeli filmmaker Nadav Lapid. There's something different about this film. Is it an allegory? Is it a poem?Their discussion starts with the unique cinematography. From the first scene, this film exhibits exceptional camerawork that engages and draws the viewer into the story. Throughout the story of Nira and young Yoav, we are gifted with beautifully framed sequences that mirror the story's emphasis on poetry. The Kindergarten Teacher is a visual treat. But what about the substance of the story? Nira, the titular character, discovers a student's poetic ability that exceeds her own and puts her on a quest to ensure that his gift is not ignored. The choices she makes lead to a dark and unsettling journey. The film ends with a shot that Steve believes is less ambiguous than it may appear. Is he right, or is he reading too much into it? Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film Sundries Watch this film: iTunes • Amazon • YouTube Original theatrical trailer Original poster artwork Flickchart Letterboxd Press Kit

JJ and Steve finish the first half of 2020 with a film and its remake. This pairing starts with 2014's The Kindergarten Teacher from Israeli filmmaker Nadav Lapid. There's something different about this film. Is it an allegory? Is it a poem? Their discussion starts with the unique cinematography. From the first scene, this film exhibits exceptional camerawork that engages and draws the viewer into the story. Throughout the story of Nira and young Yoav, we are gifted with beautifully framed sequences that mirror the story's emphasis on poetry. The Kindergarten Teacher is a visual treat. But what about the substance of the story? Nira, the titular character, discovers a student's poetic ability that exceeds her own and puts her on a quest to ensure that his gift is not ignored. The choices she makes lead to a dark and unsettling journey. The film ends with a shot that Steve believes is less ambiguous than it may appear. Is he right, or is he reading too much into it? Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel! Film Sundries Watch this film: iTunes • Amazon • YouTube Original theatrical trailer Original poster artwork Flickchart Letterboxd Press Kit

JJ and Steve finish the first half of 2020 with a film and its remake. This pairing starts with 2014's The Kindergarten Teacher from Israeli filmmaker Nadav Lapid. There's something different about this film. Is it an allegory? Is it a poem? Their discussion starts with the unique cinematography. From the first scene, this film exhibits exceptional camerawork that engages and draws the viewer into the story. Throughout the story of Nira and young Yoav, we are gifted with beautifully framed sequences that mirror the story's emphasis on poetry. The Kindergarten Teacher is a visual treat. But what about the substance of the story? Nira, the titular character, discovers a student's poetic ability that exceeds her own and puts her on a quest to ensure that his gift is not ignored. The choices she makes lead to a dark and unsettling journey. The film ends with a shot that Steve believes is less ambiguous than it may appear. Is he right, or is he reading too much into it? Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Watch this film: iTunes • Amazon • YouTube Original theatrical trailer Original poster artwork Flickchart Letterboxd Press Kit

For our latest daily edition of the podcast, we reached out again to a filmmaker for a report from another corner of the world. Nadav Lapid is the director of The Kindergarten Teacher, The Policeman, and most recently, Synonyms, which played in The New York Film Festival and before that won the top prize at Berlin. Film Comment Editor-in-Chief Nicolas Rapold interviewed Nadav about The Kindergarten Teacher at its premiere in Cannes, and in our July-August 2019 issue, the director sat down with Jordan Cronk for a conversation about Synonyms. The filmmaker spoke to us from Tel Aviv this time about working on his next feature under the current circumstances, and a couple of movies that came to mind in the process. I was joined by Devika Girish, assistant editor. And as we enter another week of the pandemic, we hope that all of our listeners are staying safe. If you're a longtime Film Comment subscriber, listener, or reader, or are just tuning in now, please consider becoming a member or making a donation to our publisher, Film at Lincoln Center, during these unprecedented times: purchase.filmlinc.org/donate/contribute2

[Quem Nunca Quis um Oscar que Atire a Primeira Faca] O principal destaque entre as estreias é Entre Facas e Segredos (7:54), resgatando aquele tipo de filme em que um detetive resolve crimes intrincados e complexos. Desta vez, com humor, reviravoltas, e um viés social de um dos grandes temas da atualidade: a imigração. O vencedor do Urso de Ouro chega aos cinemas brasileiros, Sinônimos (36:08) é pulsante, provocativo e remete muito às experiência vividas pelo próprio Nadav Lapid, quando passou uma temporada em Paris. Será que a Varanda se rendeu ao cineasta israelense? O Boletim do Oscar dividido em duas partes, logo no começo as shortlists (0:27) recém-divulgadas, principalmente repercutimos a não inclusão de A Vida Invisível em Melhor Filme Internacional, e a pré-indicação de Democracia em Vertigem em Documentário. Já no fim temos os indicados (1:02:27) ao Globo de Ouro, SAG e muito mais. O Puxadinho da Varanda (1:13:58) recomenda o podcast Papo de Trilha, especializado em trilha sonora para cinema, faz um resumo de diversos filmes do Festival do Rio, e ainda o filme russo A Mulher Alta que também está nos cinemas. Bom podcast!

Confira os destaques do Caderno 2 desta quarta-feira (11/12/19)See omnystudio.com/listener for privacy information.

Bienvenidos a un nuevo programa especial de La Gran Evasión sobre el Festival de Cine Europeo de Sevilla, edición 16. Desde Radiopolis, en la 92.3 de la FM repasamos nuestro amado festival con el entusiasmo y la devoción acostumbradas. Comentamos el palmarés, nuestras impresiones y conmociones sufridas, por los golpes de las obras de Jessica Hausner, Abel Ferrara, Robert Guédiguian, Nadav Lapid, Albert Serra, Eloy Enciso, Pietro Marcello, Marco Bellocchio o Bruno Dumont, entre otros. Tenemos la suerte de poder contar con el programador del festival, Javier Estrada, que nos relata su visión del certamen al teléfono. Una amena charla regada con la música de los grupos que han participado en el Seff Noche, nuestras críticas "crípticas", nuestras entrevistas absurdas y sobre todas las cosas, nuestra pasión por el cine. Esta fría noche, compartimos experiencias y emociones cinéfilas, José Miguel Moreno, Raúl Gallego, Gervi Navío, "Guti" y Javier Estrada, mientras, un solemne canto ortodoxo, nos recuerda lo insignificante que somos. De coda final os dejamos extractos de las entrevistas "perpetradas" por nuestro intrépido y bilingüe reportero.

French-Israeli drama Synonyms won the Golden Bear at the 69th Berlin International Film Festival. Jason speaks to director Nadav Lapid about his work in which a young Israeli man travels to Paris to flee his nationality. Lauren checks out Modern Love, an anthology series based on The New York Times beloved column that sees the rom-com genre firmly placing itself in the TV landscape, film curator at the Art Gallery of New South Wales talks about their latest series, and Jason reviews Pedro Almodóvar's Pain and Glory.

French-Israeli drama Synonyms won the Golden Bear at the 69th Berlin International Film Festival. Jason speaks to director Nadav Lapid about his work in which a young Israeli man travels to Paris to flee his nationality. Lauren checks out Modern Love, an anthology series based on The New York Times beloved column that sees the rom-com genre firmly placing itself in the TV landscape, film curator at the Art Gallery of New South Wales talks about their latest series, and Jason reviews Pedro Almodóvar's Pain and Glory.

French-Israeli drama Synonyms won the Golden Bear at the 69th Berlin International Film Festival. Jason speaks to director Nadav Lapid about his work in which a young Israeli man travels to Paris to flee his nationality. Lauren checks out Modern Love, an anthology series based on The New York Times beloved column that sees the rom-com genre firmly placing itself in the TV landscape, film curator at the Art Gallery of New South Wales talks about their latest series, and Jason reviews Pedro Almodóvar's Pain and Glory.

French-Israeli drama Synonyms won the Golden Bear at the 69th Berlin International Film Festival. Jason speaks to director Nadav Lapid about his work in which a young Israeli man travels to Paris to flee his nationality. Lauren checks out Modern Love, an anthology series based on The New York Times beloved column that sees the rom-com genre firmly placing itself in the TV landscape, film curator at the Art Gallery of New South Wales talks about their latest series, and Jason reviews Pedro Almodóvar's Pain and Glory.

Hablamos sobre el más reciente filme de Nadav Lapid, también de los detalles de Black Canvas, Festival de cine contemporáneo. Además de la recomendación de cine mexicano, El grito (1968). --- Send in a voice message: https://anchor.fm/sonidofilme/message

On Day 6 of our New York Film Festival daily podcast, Eugene Hernandez, FLC's Deputy Director and Co-Publisher of Film Comment, is joined by Israeli director Nadav Lapid to discuss the experience of film festivals, protecting cinema, and two recent favorite films: Bacurau and Once Upon a Time... in Hollywood. Then we go to last night's NYFF Live discussion with Lapid, moderated by FLC programmer Dan Sullivan, in which they explore his Main Slate selection and Golden Bear winner Synonyms, which will open at Film at Lincoln Center on October 25. They discuss the personal history of both the basis of the narrative and the filmmaking process, as well as creating a space for spontaneity and the importance of language. The 57th NYFF continues through October 13! See all available tickets at filmlinc.org/nyff This podcast is brought to you by Film at Lincoln Center.

Die Regisseurin Mirjam Leuze und der Walforscher Hermann Meuter besuchen uns im radioeins-Filmmagazin, um über „The Whale and the Raven“ zu reden, ein beeindruckender Film über die Schönheit und Gefährdung der Wale. Regisseur Bernd Böhlich spricht bei uns über sein DDR-Drama „Und der Zukunft zugewandt“ und Nadav Lapid aus Israel über seinen Berlinale-Gewinner „Synonymes“. Wir fragen, ob „Es 2“ so furchtbar gut ist, wie der erste. Und dann geht es noch um Diego Maradona. In seiner gleichnamigen Doku zeigt der oscarprämierte Regisseur Asif Kapadia zwei Seiten des legendären Fußballers.

Answering the big question...should I see this movie?The Kindergarten Teacher (Drama) A kindergarten teacher in New York becomes obsessed with one of her students whom she believes is a child prodigy.Director: Sara ColangeloWriters: Sara Colangelo, Nadav Lapid (based on the screenplay by)Stars: Maggie Gyllenhaal, Gael García Bernal, Ato Blankson-Wood - (IMDb) Movies First RSS feed:  https://feeds.megaphone.fm/BIT7197946000  Stream podcast episodes on demand from www.bitesz.com/moviesfirst (mobile friendly).  Subscribe, rate and review Movies First at all good podcatcher apps, including Google Podcasts, Apple Podcasts (formerly iTunes), Stitcher, PocketCasts, CastBox.FM, Podbean, Acast, Spreaker, etc.For more, follow Movies First on Facebook, Twitter and YouTube :Facebook - @moviesfirsttwitter - @MoviesFirstYouTube Channel: https://www.youtube.com/channel/UCatJQHaVabIvzCLqO16XvSQ   If you're enjoying Movies First, please share and tell your friends. Your support would be appreciated...thank you.#movies #cinema #entertainment #podcast #reviews #moviesfirst #thekindergartenteacher Learn more about your ad choices. Visit megaphone.fm/adchoices See acast.com/privacy for privacy and opt-out information.

Cinefile this month talks to Nadav Lapid the director of the Franco-Israeli 2019  Berlinale Golden Bear-winner, Synonymes, and to Spanish star actor, Antonio de la Torre about his role as former rebel and former president, José Muhica in Alvaro Brechner's A Twelve-Year Night. A TWELVE-YEAR NIGHT Alvaro Brechner’s film is so beautifully shot in parts that it disconnects from the extremely tough story of three Uruguayan leftist rebels in 1973 who are thrown into prison and kept in solitary confinement for some 12 years. The junta chief says he wants to make them lose their minds. Based on the true story of the rebels who survived years of inhumane treatment to become politicians, one a minister and one, José Muhica, president, from 2010 to 2015. Brechner’s film which has enjoyed plenty of success internationally, released in France in March. Brechner throws in a love-sick sergeant with a heart and shows not all Uruguayan soldiers were as mean as the army chief. However, neither this scene nor the amazing way he captures light and shades, detract from the effect of scenes of rough-handling and torture. The painful result is partly because, the three main actors on the rebel side, Antonio de la Torre as Muhica, Alfonso Tort as Eleutherio Fernandez Huidobroa and Chino Darin as Mauricio Rosencof, handle themselves so well. They experienced some hardship in preparing their roles. De la Torre said “we all lost about 15 kilos for this film and whenever we had a break, all we would talk about was food.” A feeling of numbness starts to creep in the film during its series of different forms of humiliation and of jail-transfers. It's still impossible to imagine how these could have men felt day after day, night after twelve years of nights of being ill-treated, living in squalor, hungry and thirsty. Listen to the interview with guest of the month, Antonio de la Torre in the latest Cinefile. Spoiler alert: Anyone who knows the recent history of Uruguay knows that the nightmarish and sad scenes will come to an end and there will be a happy ending. SYNONYMES Writer-director Nadav Lapid is a philosophical sort. He’s concerned with questions of identity in general and Israeli identity more specifically and even more specifically masculine identity. For example, he said in Berlin just before receiving, along with his producer Sayeed Ben Sayeed, the Berlinale’s Golden Bear in February 2019 for Synonymes. “It’s very tough to be a woman in Israel.” He agrees that it’s tough to be a woman in many places actually. Philosophy and satire In his award-winning French-co-produced film which released in France this spring, Yoav (Tom Mercier) a young Israeli who has quit Israel some time after his military service, is fleeing the Israel he doesn’t identify with, and seeks to become French. Yoav discovers that underlying an appearance of freedom in a country largely at peace, is a similar identity is also defined by everyone feeling the same, being taught to feel the same about their country. In strange circumstances, he meets Emile (Quentin Dolmaire), an aspiring writer and Caroline (Louise Chevillotte), a musician. They are two seemingly contained, slightly odd, rather cold and artistic individuals who warmly befriend Yoav. Punchy stuff The runaway is also investigated by Israeli agents to whom he speaks in perfect literary French about the Battle of Troy, contrasting with one Israeli's bullish , sexist provocation. Combined with biting caricatures, and high-energy dance scenes Lapid allows his poetic side to irrigate Synonymes which at times flows fast, and then slows down to a pseudo New Wave pace. Listen to more of the interview with Lapid in Berlin in the latest Cinefile. If you enjoyed Cinefile this month, you can subscribe to the podcast.

durée : 00:04:59 - "Synonymes" de Nadav Lapid : les critiques du "Masque & la Plume" -

Critique du film Synonymes, un film franco-israélien réalisé par Nadav Lapid, sorti en 2019. Avec Tom Mercier, Quentin Dolmaire, Louise Chevillotte.  Yoav, un jeune Israélien, atterrit à Paris, avec l'espoir que la France et la langue française le sauveront de la folie de son pays. Bobo : "Je n'ai rien compris à ce film, si vous pouvez allez le voir pour me l'expliquer cela me rendrait service".  Donc n'hésitez pas à donner votre point de vue sur ce film Synonymes sur nos réseaux sociaux Twitter et Facebook, sur le site de Cinémaradio, sur itunes, sur la chaine Youtuibe de Cinémaradio et par mail : contact@lafabrikaudio.com Retrouvez toutes les critiques de films sur Cinémaradio avec nos podcasts cinéma, et sur la webradio Cinémaradio avec également les meilleures musiques de films et de séries. 

Critique du film Synonymes, un film franco-israélien réalisé par Nadav Lapid, sorti en 2019. Avec Tom Mercier, Quentin Dolmaire, Louise Chevillotte. Yoav, un jeune Israélien, atterrit à Paris, avec l'espoir que la France et la langue française le sauveront de la folie de son pays. Bobo : "Je n'ai rien compris à ce film, si vous pouvez allez le voir pour me l'expliquer cela me rendrait service". Donc n'hésitez pas à donner votre point de vue sur ce film Synonymes sur nos réseaux sociaux Twitter et Facebook, sur le site de Cinémaradio, sur itunes, sur la chaine Youtuibe de Cinémaradio et par mail : contact@lafabrikaudio.com Retrouvez toutes les critiques de films sur Cinémaradio avec nos podcasts cinéma, et sur la webradio Cinémaradio avec également les meilleures musiques de films et de séries.

LA CHRONIQUE CINE, mercredi et vendredi à 9h et 20h. Jeanne Beyrand nous parle des sorties des films. Cette semaine, deux films à l'affiche "Dumbo" de Tim Burton avec Eva Green, Colin Farrell, Danny de Vito et Michael Keaton et "Synonymes" de Nadav Lapid avec Léa Drucker et Quentin Dolmaire.

Les sorties ciné de la semaine du mercredi 27 mars 2019 avec notamment "C'est ça l'amour" de Claire Burger, avec Bouli Lanners, "Compañeros", de Alvaro Brechner avec Antonio de la Torre, "Synonymes", un drame israélien de Nadav Lapid, "Dumbo" de Tim burton et "Styx" de Wolfgang Fischer. Les critiques de "Dernier Amour" de de Benoît Jacquot, avec Vincent Lindon et de "Sunset" de László Nemes.

Le site de Monolink : https://www.mono.link/ La bande-annonce de Synonymes de Nadav Lapid : https://www.youtube.com/watch?v=80RJL6FM3RU

Israeli Security Forces respond to weekend terror A man in his 40's was reportedly stabbed in the Gilo neighborhood of Jerusalem, Sunday morning. The suspect fled the scene and is still reportedly on the run. #WESTBANK #STABBING __________________ Warsaw Conference comes to a close The Polish and American-hosted Warsaw Conference on Iran and the Middle East came to a close Thursday night; Prime Minister Netanyahu initiated more ties within the Arab-Muslim world, many are criticizing the conference for its lack of direction or action, among other things. #BIBI #SECURITYCONFERENCE ____________________ 3.Munich Security Conference 2019 opens Dozens of world leaders convened again, to discussed the Middle East, Iran, and the Israeli-Palestinian Conflict– among many other issues. But as is often the case, what was said doesn't exactly line up with what Israeli officials were hoping for. #MUNICH #ISRAEL ___________________   4. Egypt votes to extend presidential term limits MARTIN SHERMAN, FOUNDER & EXECUTIVE DIRECTOR OF THE IISS joins us in the studio to speak about Egyptian President Sisi potentially to continue in power until 2034 #SISI #EGYPT ___________________ UNHRC to release ‘record' Anti-Israel Resolutions The United Nations Human Rights Council is now set to release a number of damning reports about Israel in March. According to Pro-Israel NGO, UN-Watch all the reports accuse Israel of war crimes and human rights violations. #UNHRC #ANTI-ISRAEL ___________________ UTJ head allegedly interfered in sex assault case Deputy Health Minister Yaakov Litzman met with Jerusalem psychiatrist Jacob Charnes in order to attain false assessments for an accused sexual offender; thereby saving the suspect from extradition to Australia. #YAAKOVLITZMAN #SEXUALASSAULT ___________________ Israeli backpacker drowns in Zimbabwe Israeli backpacker, Ofer Cohen, was killed in an accident in Zimbabwe last week near Victoria Falls. #OFERCOHEN #ZIMBABWE ___________________ Israelis flock to International Medical Universities ILTV's Natasha Kirchuk joins us in the studio to speak about how Romania, Hungary, Ukraine & Italy are popular medical-school destinations for Israeli's. #STUDYABROAD #MEDICINE ___________________ Israeli-French film director wins ‘Golden Bear' ‘Synonyms' a film by Israeli French director by Nadav Lapid takes top prize at berlin international film festival, the first golden bear for the Jewish State. #NADAVLAPID #SYNONYMS ___________________ Hebrew word of the Day: NIRDAHF | נרדף = SYNONYMOUS Learn a New Hebrew word every day. Today's word is ‘NIRDAHF' which means SYNONYMOUS  #LEARNHEBREW   #HEBREWWORDOFDAY   #ILTVHEBREWWORDOFDAY  ___________________ The Weather Forecast Tonight you can expect light and scattered showers with a low of forty-eight or nine degrees Celsius. Then tomorrow should also have some rain, and a slight drop in temperatures to a high of sixty or sixteen degrees Celsius. #ISRAELWEATHER   #ISRAELFORECAST See omnystudio.com/listener for privacy information.

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More interesting and thought-provoking discussions on BEHIND THE LENS this episode with three very talented directors as each brings issues of human nature to the forefront through film. JAMIELYNN LIPPMAN and MICHAEL GREENE are live, while we've got a prerecorded interview with SARA COLANGELO. First up this week is part of our prerecorded interview with writer/director SARA COLANGELO talking about her latest film, THE KINDERGARTEN TEACHER starring Maggie Gyllenhaal and newcomer Parker Sevak. Adapted from a screenplay and film by Israeli filmmaker Nadav Lapid, Sara explores the psychological complexity of a kindergarten teacher and her obsession with a seemingly prodigal student named Jimmy. Questions of moral and ethical ambiguity arise and Colangelo digs deep with indelible performances, emotional depth and a distinctive visual palette. Then, MICHAEL GREENE joins us live talking about his new film, LIVE. Last week actor Asante Jones was on hand talking about working with Michael, his acting process, and the cautionary tale told with LIVE. This week, Michael talks about the film from the point of view as writer and director, the challenges of getting the film made, finding tone, casting, and other elements of the process. Rounding out this episode of #BTLRadioShow is writer/director JAMIELYN LIPPMAN who returns to BTL this year with her latest documentary - 3 YEARS IN PAKISTAN: THE ERIK AUDE STORY. Erik's story made the news more than 14 years ago when he was arrested and held prisoner in a Pakistani prison accused of a crime he didn't commit - drug trafficking. An up and coming actor and stuntman, Erik's life was put on hold - and almost ended as he was on death row - before those working in the United States to secure his release were finally successful, with Erik retaining his own integrity by not making a deal to cop a plea and confess. While Erik's story was told in 2010 by the Nat Geo show "Locked Up Abroad", there was much that wasn't covered. Calling on her own friendship with Erik, Jamielyn felt it important to dig deeper, provide more context and explore the man Erik was and who he has since become. A 2 1/2 year process in which interviews were obtained (and in some cases, refused), dramatic recreations were conceived and shot, and a lengthy editing process, Jamielyn talks about it all. http://behindthelensonline.net http://eliasentertainmentnetwork.com

Marielle Heller is the director of the new coming-of-age comedy, THE DIARY OF A TEENAGE GIRL, starring Bel Powelle, Kristen Wiig, and Alexander Skarsgaard; and Nadav Lapid is the writer-director of THE KINDERGARTEN TEACHER, a beautiful and perplexing drama from Israel. Both movies screened in last spring’s New Directors/New Films series, and today we're sharing the Q&A's that followed their sold out screenings. THE DIARY OF A TEENAGE GIRL opens in select theaters this weekend, and THE KINDERGARTEN TEACHER is now playing here at The Film Society of Lincoln Center. 00:00–01:45 – Intro 01:45–24:00 – Nadav Lapid Q&A 24:00–25:04 – Membership Interstitial 25:04–44:23 – Marielle Heller Q&A 44:23–45:25 – Credits This podcast is brought to you by The Film Society of Lincoln Center. Film Lives Here. www.filmlinc.com