Podcasts about Nadav Lapid

durée : 00:03:24 - Le Regard culturel - par : Lucile Commeaux - Petite réflexion sur deux films qui sortent ces jours-ci, et qui contournent chacun l'impossibilité des images pour montrer Gaza de deux manières très différentes : "Put your soul on your hand and walk" de Sepideh Farsi, et "Oui" de Nadav Lapid.

durée : 00:08:24 - "Oui" de Nadav Lapid Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:48:17 - Le Masque et la Plume - par : Rebecca Manzoni - Qu'ont pensé les critiques cinéma du Masque et la plume des derniers films d'Alex Lutz, d'Oliver Laxe, de Nadav Lapid, de Laura Wandel, de Michael Angelo Covino ? - invités : Jean-Marc Lalanne, Pierre Murat, Charlotte LIPINSKA, Florence COLOMBANI - Jean-Marc Lalanne : Critique de cinéma et rédacteur en chef du magazine Les Inrocks, Pierre Murat : Journaliste et auteur, Charlotte Lipinska : Critique française de cinéma, Florence Colombani : Journaliste et critique cinéma (Le Point) - réalisé par : Guillaume Girault Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Israeli director Nadav Lapid joins Arts24 to discuss “Yes”, his most daring film yet, released this week in France after a powerful premiere at Cannes. Shot in Israel during the war in Gaza and completed under rocket fire, the film follows a musician tasked with composing a patriotic anthem after October 7. With cast and crew walking off set, “Yes”was shaped by real-time tensions both on and off screen. Blending biting satire with deep emotional undercurrents, the film explores the complex roles of artists and citizens during national trauma. Lapid reflects on creative freedom, identity, and the challenge of telling hard truths in turbulent times.

durée : 00:45:24 - La 20e heure - par : Eva Bester - Le réalisateur israélien, auréolé de nombreux prix, vient nous présenter son dernier film « Oui », ou l'histoire d'un musicien précaire à qui l'on confie une tâche de la plus haute importance : la mise en musique d'un nouvel hymne national à la gloire de l'action militaire israélienne à Gaza. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Quand la fiction vient percuter la réalité… La réalité, c'est Gaza qui brûle et le début aujourd'hui de l'offensive terrestre sur la capitale de l'enclave palestinienne ; la fiction c'est un film qui sort demain et qui dénonce ce que les massacres du 7 octobre ont fait de la société israélienne entre trauma et désir de vengeance… Son réalisateur Nadav LAPID sera l'un de nos invités. Nous allons en débattre ce mardi 16 septembre avec : ▶︎Nadav LAPID Cinéaste, écrivain, réalisateur du film « Oui » (17.09.25)▶︎Alexandra SCHWARTZBROD Journaliste, directrice adjointe de la rédaction de Libération, ancienne correspondante à Jérusalem (2000-2003), autrice de « Éclats » aux éditions Mercure de France (11.04.2024)▶︎Marc KNOBEL Historien et essayiste▶︎Judith COHEN-SOLAL Psychanalyste et psychologue clinicienne, conceptrice de CoExist, une pédagogie contre le racisme et l'antisémitisme en milieu scolaire, co-autrice de « Le Bouquin de l'humour juif » aux éditions Bouquins (02.11.23)▶︎Samuel BLUMENFELD Journaliste au Monde, critique de cinéma

durée : 00:28:20 - Les Midis de Culture - par : Marie Labory - Avec "Oui", Nadav Lapid fait le portrait d'une société israélienne qui acquiesce à l'horreur. - réalisation : Laurence Malonda - invités : Nadav Lapid Réalisateur (cinéma) et écrivain

durée : 03:58:29 - La Grande matinale - par : Nicolas Demorand, Sonia Devillers, Benjamin Duhamel, Anne-Laure Sugier - Ce matin dans la Grande matinale : Pablo Longoria - Dominique Carlac'h et Gabriel Zucman - Nadav Lapid - Camion Bip Bip. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:58:05 - Plan large - par : Antoine Guillot - Ce samedi, on vous parle des deux films les plus explosifs et stupéfiants du dernier festival de Cannes : le "Oui" de Nadav Lapid, et le "Sirāt" d'Oliver Laxe ; et aussi Kim Novak, et encore Mathieu Macheret. - réalisation : Anne-Laure Chanel - invités : Oliver Laxe Réalisateur; Nadav Lapid Réalisateur (cinéma) et écrivain; Kim Novak actrice américaine; Mathieu Macheret Critique de cinéma, journaliste au Monde et aux Cahiers du Cinéma

durée : 00:58:05 - Plan large - par : Antoine Guillot - Ce samedi, on vous parle des deux films les plus explosifs et stupéfiants du dernier festival de Cannes : le "Oui" de Nadav Lapid, et le "Sirāt" d'Oliver Laxe ; et aussi Kim Novak, et encore Mathieu Macheret. - réalisation : Anne-Laure Chanel, Anne-Vanessa Prévost - invités : Oliver Laxe Réalisateur, Nadav Lapid Réalisateur (cinéma) et écrivain, Kim Novak actrice américaine, Mathieu Macheret Critique de cinéma, journaliste au Monde et aux Cahiers du Cinéma Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Podsumowujemy świetną jubileuszową 25. edycję festiwalu Nowe Horyzonty. Rozmawiamy o naszych faworytach i o filmach, które nas zaskoczyły lub rozczarowały.Lista omawianych filmów:

Yes af den israelske filminstruktør Nadav Lapid er netop blevet vist i Jerusalem, hvor dele af publikum jublede, mens andre udvandrede. Filmen skildrer Israel efter den 7. oktober og krigen i Gaza - og de traumer og uenigheder, der præger den israelske befolkning. Journalist Lasse Winther Jensen var til stede under visningen og fortæller, hvordan filmen polariserer "det hellige land". Medvirkende: Lasse Winther Jensen, kulturjournalist på Weekendavisen; Caspar Eric, digter og forfatter & Bjarke Friis Kristensen, kulturjournalist Vært: Morten Runge Producer: Anna Correll Redaktør: Lasse Lauridsen

It's a wrap!In the final episode of this year's Cannes Film Festival, Eliana and Patrick are once again joined by Öykü Sofuoğlu. Together, they discuss: Jafar Panahi's Palme d'Or-winning It Was Just an Accident | یک تصادف سادهJoachim Trier's Grand Jury Prize-winner Sentimental Value | AffeksjonsverdiNadav Lapid's Yes or Yes! | כןKelly Reichardt's The Mastermind (which, alas, did not win any award)Kristen Stewart's The Chronology of WaterSimón Mesa Soto's A Poet | Un PoetaDiego Céspedes | Mysterious Gaze of the Flamingo | La Misteriosa Mirada del Flamencoand in passing : Alice Douard's Love Letters | Les preuves d'amours, Anna Cazenave Cambet's Love me Tender, Harris Dickinson's Urchin + Scarlett Johansson's Eleanor the GreatFor more of Öykü's work, check out her reviews on Sentimental Value, Christian Petzold's Mirrors No. 3, or Hafsia Herzi's The Little Sister for InReview Online.For those interested in more thoughts on one of our festival favorites, Pauline Loquès', Nino, read Patrick's review or listen to one of our previous episodes.----------------------------------------------------------------------------------------------Credits:Image: It Was Just an Acccident Film PosterFrame by Kumiko Shimuzu - Free to use under the Unsplash LicenseSound:Intro: EFF Open Audio License for Le Carnaval des Animaux (Saint-Saëns, Camille - Aquarium) by Neal O'Doan (Piano) Nancy O'Doan (Piano), and Seattle Youth Orchestra Pandora Records/Al Goldstein Archive.Extro: La Bouche - Be My Lover

Alors qu'Israël est actuellement en conflit ouvert avec l'Iran, tout en continuant de mener la guerre à Gaza, les voix opposées à la politique menée se font rares. Parmi les quelques artistes à pouvoir faire entendre une note discordante, on compte le réalisateur Nadav Lapid. Il a présenté au festival de Cannes en mai dernier son nouveau long métrage. Intitulé Oui, tout simplement, ce film montre un musicien de jazz résigné, soumis, évoluant dans une société ivre de vengeance. À lire aussiCannes 2025: faut-il choisir entre actualité brûlante et leçons du passé?

Alors qu'Israël est actuellement en conflit ouvert avec l'Iran, tout en continuant de mener la guerre à Gaza, les voix opposées à la politique menée se font rares. Parmi les quelques artistes à pouvoir faire entendre une note discordante, on compte le réalisateur Nadav Lapid. Il a présenté au festival de Cannes en mai dernier son nouveau long métrage. Intitulé Oui, tout simplement, ce film montre un musicien de jazz résigné, soumis, évoluant dans une société ivre de vengeance. À lire aussiCannes 2025: faut-il choisir entre actualité brûlante et leçons du passé?

Ep. 327: Eric Hynes on Post-Cannes Catch-Up: I Only Rest in the Storm, The Last One for the Road, A Useful Ghost, Militantropos, plus Yes and Renoir Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The 2025 Cannes Film Festival is over, but there were still a few films that I really thought you should hear about too! So, back on the program for a catch-up episode back home is Eric Hynes of the Jacob Burns Film Center (whom I'd also been talking with on the ground in Cannes). Our post-Cannes discussion includes award-winners, personal favorites, and overlooked titles: I Only Rest in the Storm (directed by Pedro Pinho), The Last One for the Road (Francesco Sossai), A Useful Ghost (Ratchapoom Boonbunchachoke), and Militantropos (Yelizaveta Smith, Alina Gorlova, Simon Mozgovyi), plus a few words on Nadav Lapid's latest, Yes, and Chie Hayakawa's Renoir. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

durée : 00:58:31 - Plan large - par : Antoine Guillot - Un Plan large proche-oriental, avec la cinéaste Iranienne Sepideh Farsi, les Palestiniens Tarzan et Arab Nasser, l'Israélien Nadav Lapid, l'Egyptien Tarik Saleh, les Iraniens Jafar Panahi et Saeed Roustaee, Jean-Pierre et Luc Dardenne et Mathieu Macheret. - réalisation : Anne-Laure Chanel - invités : Jafar Panahi Réalisateur iranien de cinéma; Nadav Lapid Réalisateur (cinéma) et écrivain; Tarzan Nasser Cinéaste; Arab Nasser Réalisateur; Sepideh Farsi Cinéaste; Tarik Saleh Réalisateur suédois d'origine égyptienne; Saeed Roustaee  cinéaste iranien; Jean-Pierre Dardenne Réalisateur et producteur belge de cinéma; Luc Dardenne Réalisateur belge de cinéma; Mathieu Macheret Critique de cinéma, journaliste au Monde et aux Cahiers du Cinéma

durée : 00:58:31 - Plan large - par : Antoine Guillot - Un Plan large proche-oriental, avec la cinéaste Iranienne Sepideh Farsi, les Palestiniens Tarzan et Arab Nasser, l'Israélien Nadav Lapid, l'Egyptien Tarik Saleh, les Iraniens Jafar Panahi et Saeed Roustaee, Jean-Pierre et Luc Dardenne et Mathieu Macheret. - réalisation : Anne-Laure Chanel - invités : Jafar Panahi Réalisateur iranien de cinéma; Nadav Lapid Réalisateur (cinéma) et écrivain; Tarzan Nasser Cinéaste; Arab Nasser Réalisateur; Sepideh Farsi Cinéaste; Tarik Saleh Réalisateur suédois d'origine égyptienne; Saeed Roustaee  cinéaste iranien; Jean-Pierre Dardenne Réalisateur et producteur belge de cinéma; Luc Dardenne Réalisateur belge de cinéma; Mathieu Macheret Critique de cinéma, journaliste au Monde et aux Cahiers du Cinéma

Director Nadav Lapid, back on the Croisette with "Yes": "Israel was the place where people went to escape the horrors of fascism, and it is becoming more and more fascist itself. I always feel like Israel is a terrible legendary story…" The post “Yes”, an interview with director Nadav Lapid appeared first on Fred Film Radio.

Director Nadav Lapid, back on the Croisette with "Yes": "Israel was the place where people went to escape the horrors of fascism, and it is becoming more and more fascist itself. I always feel like Israel is a terrible legendary story…" The post “Yes”, an interview with director Nadav Lapid appeared first on Fred Film Radio.

Director Nadav Lapid, back on the Croisette with "Yes": "Israel was the place where people went to escape the horrors of fascism, and it is becoming more and more fascist itself. I always feel like Israel is a terrible legendary story…" The post “Yes”, an interview with director Nadav Lapid appeared first on Fred Film Radio.

Director Nadav Lapid, back on the Croisette with "Yes": "Israel was the place where people went to escape the horrors of fascism, and it is becoming more and more fascist itself. I always feel like Israel is a terrible legendary story…" The post “Yes”, an interview with director Nadav Lapid appeared first on Fred Film Radio.

Director Nadav Lapid, back on the Croisette with "Yes": "Israel was the place where people went to escape the horrors of fascism, and it is becoming more and more fascist itself. I always feel like Israel is a terrible legendary story…" The post “Yes”, an interview with director Nadav Lapid appeared first on Fred Film Radio.

Director Nadav Lapid, back on the Croisette with "Yes": "Israel was the place where people went to escape the horrors of fascism, and it is becoming more and more fascist itself. I always feel like Israel is a terrible legendary story…" The post “Yes”, an interview with director Nadav Lapid appeared first on Fred Film Radio.

Cannes 2025 has arrived—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our fifth episode from the French Riviera, Film Comment Editor Devika Girish is joined by critics Abby Sun, Beatrice Loayza, and Giovanni Marchini Camia to discuss some late-festival premieres, including Joachim Trier's Sentimental Value, Carla Simón's Romería, Oliver Hermanus's The History of Sound and Nadav Lapid's Yes. Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition.

durée : 00:27:11 - Les Midis de Culture - par : Lucile Commeaux - Au programme de ce débat critique consacré au cinéma, en direct du 78ᵉ festival de Cannes, deux films, un bilan et des pronostics, avec "Yes" de Nadav Lapid et "Résurrection" de Bi Gan. - réalisation : Laurence Malonda, Anne-Laure Chanel - invités : Raphaëlle Pireyre Critique de cinéma, elle publie régulièrement des articles sur le site AOC; Yal Sadat Journaliste et critique de cinéma

durée : 00:10:24 - Les Midis de Culture - par : Lucile Commeaux - Nos critiques discutent de "Yes", dernier film de Nadav Lapid, présenté à la Quinzaine des Cinéastes. Dans ce qu'il définit comme une tragédie musicale, le cinéaste israélien exilé en France produit la satire d'un pays malade de vengeance. - réalisation : Laurence Malonda, Anne-Laure Chanel - invités : Raphaëlle Pireyre Critique de cinéma, elle publie régulièrement des articles sur le site AOC; Yal Sadat Journaliste et critique de cinéma

Nos invités de la deuxième partie de C à Vous: Claude Lelouch. Nadav Lapid pour son film « YES » En salle le 17 septembre 2025. Gillian Anderson & Simone Ashley qui vont remettre ce soir le prix “Lights on Women's Worth”. Géraldine Nakache est présente également, elle Jurée de la Caméra d'or 2025. Un autre juré mais aux "grosses têtes sur RTL" c'est Adil Rami et enfin Le duo Christine and the queens & Cerrone en live pour le titre “Catching feelings” single disponible depuis le 23 mai 1er titre d'un EP collaboratif qui sortira fin juin ou début juillet avec 3 inédits et une version 2025 de « Supernature ». À venir également un documentaire « Cerrone – Supernature » le 18 juin sur CANAL+.Avec également pendant le festival de Cannes « Faites entrer les jurés » de Pierre Lescure, « Le classique » de Patrick Cohen et les Actualités de Bertrand.Tous les soirs, du lundi au vendredi à 20h sur France 5, Anne-Elisabeth Lemoine et toute son équipe accueillent les personnalités et artistes qui font l'actualité.

Jessica Cohen is an independent translator born in England, raised in Israel, and living in Denver. She translates contemporary Hebrew prose and other creative work. In 2017, she shared the Man Booker International Prize with David Grossman for her translation of A Horse Walks Into a Bar. She has also translated works by major Israeli writers including Amos Oz, Etgar Keret, Ronit Matalon and Maya Arad, and by filmmakers Ari Folman and Nadav Lapid. She is the recipient of a National Endowment for the Arts fellowship in translation, and a Guggenheim Fellowship. Cohen works with the Authors Guild and the American Literary Translators Association to advocate for literary translators' recognition, rights, and working conditions.She spoke about Hebrew Literature, the Authors Guild and working with David Grossman, the famous Israeli Author in this episode. Transcript:Harshaneeyam: Welcome to HarshaniumHarshaneeyam, Jessica. Such a pleasure. Jessica Cohen: Thank you. It's really a pleasure to be here. Harshaneeyam: Your father, Professor Stanley Cohen, was a human rights activist and your mother too, Ruth Cohen,. Sshe was an artist. And what kind of impact did your parents have on you as far as your literary sensibilities are concerned?Jessica Cohen: I'm not sure if it's entirely accurate to describe him as an activist. He was definitely an intellectual. And I think his activism was in the form of writing and thinking and calling things out that he saw. My mother was more of an activist in the sense that she was that sort of out on the barricades protesting and, and organizing.They both grew up in South Africa and I think developed a sense of the world and of justice or injustice, what they saw growing up under apartheid. And that was something they carried with them very much. And so I think Tthere was a way in which growing up in that household, I think I absorbed this sense of the importance of empathy with people who were not like us or who were less fortunate than us.And that's something they both definitely felt strongly about. And I, the reason I think that's connected to a literary sensibility is that I think Ggood writing necessitates empathy, both on the part of the writer, definitely, and the reader. That's really, I think, what most good fiction does, its allows you to step into someone else's life, someone who you could never be, but might be through reading.I was born in England, but we moved to Israel when I was seven. And so my schooling was always in Hebrew and my social life was in Hebrew, but everything at home was in English. My parents were both voracious readers. My sister and I also grew up reading a lot. The house was full of books everywhere you looked.And so I definitely, I think was raised with an appreciation for literature and reading and writing. And that's something I've always had. So I assume that. Tthat in some ways affected my choice of career, to live with literature. My dad, when I think of both of them, some of their biggest heroes were writers.Pictures up in my dad's office were Samuel Beckett, George Orwell. My mother had a framed portrait of Virginia Woolf up on her wall. Writers were who they looked to, I think, for inspiration and inspiration. Nnot just entertainment. Harshaneeyam: So what made you get into translation? And, interestingly, your first customer was Microsoft.Jessica Cohen: That's true. That's true. Which is very, it seems very incongruous with what I do now. Yeah. I think that a lot of people who hasof my generation and above who are literary translators, we all fell into it by chance or through various other previous lives that we had, that's changing quite a bit now because there are so many...

durée : 00:58:21 - Affaires culturelles - par : Arnaud Laporte - Repérée par Philippe Garrel, elle a depuis joué devant les caméras de Nadav Lapid, Audrey Diwan ou Joaquim Lafosse. Alors qu'elle est à l'affiche du “Tableau volé”, de Pascal Bonitzer, la comédienne revient sur son jeune mais déjà riche parcours et nous parle de ce qui nourrit son art. - invités : Louise Chevillotte Comédienne

Snobbies! Welcome…to the end of Movies Of the Middle East, or MOME as we've been calling it. Tonight we have a special guest COLIN! who hasn't been on the pod since Do The Right Thing two years ago! Tonight's pick comes from Jared and is by director Nadav Lapid, “Ahed's Knee.” This film, coming out of Israel, tackles a possibly autobiographical story about something the director went through while featuring a film. The film deals with nationalism, censorship, a director's voice, as well as many interesting camera choices that had us scratching our heads….sometimes in a good way! Anyway, we enjoyed talking through this film and we hope you Enjoy also!  Film Discussed: Ahed's Knee (2021) Letterboxd: Eric Peterson: ⁠letterboxd.com/EricLPeterson/⁠ Jared Klopfenstein: ⁠letterboxd.com/kidchimp/⁠ Ethan Jasso: ⁠letterboxd.com/e_unit7/⁠ Caleb Zehr: ⁠letterboxd.com/cjzehr/⁠ Ricky Wickham: ⁠letterboxd.com/octopuswizard/⁠ Cody Martin : ⁠letterboxd.com/codytmartin/⁠ Here is a COMPLETE LIST of every film that we have done an episode for. Enjoy! ⁠https://letterboxd.com/ericlpeterson/list/a-complete-list-of-every-the-film-snobs-episode/⁠ Five star reviews left on the pod get read out loud!

In this podcast, Kushal speaks with Vivek Agnihotri about the Kashmiri Hindu genocide denial where in the closing ceremony of 53rd IFFI Goa the jury head Nadav Lapid called The Kashmir Files "propaganda and vulgar film". They also talk about the movie Pathan and many attempts to boycott it. They also discuss Vivek's upcoming movie Vaccine War. Follow Them: Twitter: @vivekagnihotri Youtube: https://www.youtube.com/c/IAmBuddha #iffi2022 #boycottpathan #kashmirfiles #vaccinewar ------------------------------------------------------------ Listen to the podcasts on: SoundCloud: https://soundcloud.com/kushal-mehra-99891819 Spotify: https://open.spotify.com/show/1rVcDV3upgVurMVW1wwoBp Apple Podcasts: https://podcasts.apple.com/us/podcast/the-c%C4%81rv%C4%81ka-podcast/id1445348369 Stitcher: https://www.stitcher.com/show/the-carvaka-podcast ------------------------------------------------------------ Support The Cārvāka Podcast: Become a Member on YouTube: https://www.youtube.com/channel/UCKPxuul6zSLAfKSsm123Vww/join Become a Member on Fanmo: https://fanmo.in/the_carvaka_podcast Become a Member on Patreon: https://www.patreon.com/carvaka UPI: kushalmehra@icici To buy The Carvaka Podcast Exclusive Merch please visit: http://kushalmehra.com/shop ------------------------------------------------------------ Follow Kushal: Twitter: https://twitter.com/kushal_mehra?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor Facebook: https://www.facebook.com/KushalMehraOfficial/? Instagram: https://www.instagram.com/thecarvakapodcast/?hl=en Koo: https://www.kooapp.com/profile/kushal_mehra Inquiries: https://kushalmehra.com/ Feedback: kushalmehra81@gmail.com

Who got a Jewish self-hater to head the IFFI jury? Nadav Lapid's fulmination on The Kashmir Files as 'vulgar propaganda' have been best rebutted by Israel's Ambassadors to India Naor Gilon. Puneet Issar, Rajesh Kumar Singh and Dr. Ajay Chrungoo join the discussion with Sanjay Dixit.

Bölüm bağlantılarına aşağıdan ulaşabilirsiniz Parlamento Yakın Geçmiş #5: Ordu geri dönüyor Son Düzlük #13: DEVA Partisi İstanbul İl Başkanı Erhan Erol ile 2023 seçimleri Neden Popüler Oldu? #5: Influencer Marketing Keşif Sineması #2.4: Nazlı Bulum | Oyunculuk, kimlik arayışı, göç ve Nadav Lapid sineması Sahne Arkası #8: Tunç Karabayer ve Döngüsel Ekonomi 101

Keşif Sineması'nın ikinci sezonun yeni bölümünde, oyuncu Nazlı Bulum'la tiyatro, sinema ve televizyon oyunculuğu, Mavi Dalga, Kar, Birlikte Öleceğiz ve Büyük İstanbul Depresyonu gibi filmleri ve sinemada kimlik arayışı teması üzerine sohbet ettik, Nadav Lapid sinemasını onunla keşfettik.

Tuğçe Arslan Üçer ve Eylül Görmüş, 10. bölümde Uysallar dizisine göz atıp bir Xavier Dolan klasiği Laurence Anyways ve Nadav Lapid'in son filmi Ahed'in Dizi üzerine konuşuyor. Alejandro Zambra'nın dilimize çevrilen son eseri Okumamak ve Jorge Baron Biza eseri "Çöl ve Tohumu" da listede. Haftanın heyecanlandıran haberlerindeyse yeni yayımlanan biyografik Leonard Cohen çizgi romanı Teldeki Kuş var.

With Ahed's Knee, the rawest, most autobiographical entry in Nadav Lapid's blistering filmography (The Kindergarten Teacher; Synonyms), the director crafts a stylized and self-lacerating portrait of an Israeli filmmaker railing at the censorship, hypocrisy, and violence of his government. Last week, we welcomed Lapid for a Film Comment Live Talk exploring Ahed's Knee and the questions it raises about state censorship of cinema, the politics of self-critique, and the political role and responsibility of the artist. We were also joined by Jamsheed Akrami, scholar of Iranian cinema and director of several documentaries, including A Cinema of Discontent. Listen all the way to the end for Jamsheed's translation of a recent viral video in which the legendary Iranian filmmaker Dariush Mehrjui excoriates government censorship.

Episode 110: Nadav Lapid on Ahed's Knee Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. The filmmaker Nadav Lapid has made one tense, kinetic, indelibly original drama after another: Policeman, The Kindergarten Teacher, Synonyms, and now Ahed's Knee. Ahed's Knee premiered at the Cannes film festival last year where it shared the Jury Prize with Memoria, and it opened in New York on March 18. The film follows an Israeli director who is presenting one of his movies in a small town, thanks to an invitation by a young, eager library official. But when he arrives, she asks him to sign a government form saying exactly what topics he can and cannot talk about. The director—who's named only with the letter Y—lashes out at his host. But the small community doesn't have exactly the reaction he might expect. The film's title refers to a well-known incident when a Palestinain teenager named Ahed Tamimi slapped an Israeli soldier, and a conservative politician responded by saying that she should be shot in the knee. I spoke with Lapid about the film's ferocious vision and how it explores the idea of speaking out, among other things. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

This week on the Film at Lincoln Center podcast, we're featuring a programmer's preview on our Kinuyo Tanaka Retrospective, and a Q&A from the 59th New York Film Festival with director Nadav Lapid on Ahed's Knee,  moderated by NYFF Programmer Rachel Rosen. As an actress in over 250 films, Kinuyo Tanaka was one of the most celebrated and wildly popular artists of her time, regularly collaborating with consummate masters like Yasujirō Ozu, Kenji Mizoguchi, and Mikio Naruse. Between 1953 and 1962, Tanaka directed half a dozen films with a determined sense of freedom and touches of provocation, placing women at the forefront of her movies as mistresses, prostitutes, poets, heroines, and victims of social injustice. The Kinuyo Tanaka Retrospective, featuring brand new 4K restorations of her directorial work and 35mm screenings of her collaborations as an actor, takes place March 18 - 27! Listen to an introduction to the filmmaker from Assistant Programmer Tyler Wilson and rediscover the groundbreaking auteur at filmlinc.org/tanaka. Also opening this Friday, Ahed's Knee is Israeli filmmaker Nadav Lapid's shattering follow-up to his bat-out-of-hell Synonyms (NYFF57). A film of radical style and splenetic anger, Ahed's Knee accompanies a celebrated but increasingly dissociated director to a small town in the desert region of Arava for a screening of his latest film. Already anguished by the news of his mother's fatal illness (Lapid's film was made soon after the death of his own mother, who had worked as his editor for many years), he grows frustrated with a speech-restricting form he is encouraged to sign by a local Ministry of Culture worker. The confrontation ultimately sends him into a spiral of rage aimed at what he perceives as the censorship, hypocrisy, and violence of the Israeli government. This boldly shot and conceived work, which won the Grand Jury Prize at this year's Cannes Film Festival, feels as though it has welled up from the depths of its maker's soul. Ahed's Knee opens this Friday with filmmaker Q&As at the 6pm screenings on Friday and Saturday, and a special Film Comment Free Talk with Lapid at 8:30pm on Friday. Get showtimes and tickets at filmlinc.org/ahed.

durée : 00:52:54 - L'Heure bleue - par : Anne-Sophie DAZARD, Laure Adler - Nadav Lapid ne cesse d'interroger son rapport conflictuel avec Israël. On le retrouve cette fois-ci avec son film, "Le genou d'Ahed" dans l'Heure Bleue.

Við förum í skoðanaferð um vinnustofu fata-og textílhönnuðarinns Drífu Líftóru. Hún sýnir okkur græjurnar sínar og fatalínuna sem hún sérsaumar eftir pöntunum í mynstri sem hún þrykkir sjálf, en þar sækir hún innblástur í eigin myrkfælni og, af einhverjum ástæðum, kvikmyndina Hellraiser. Við förum til Tékklands, á kvikmyndahátíðina Karlovy Vary þar sem Ásgeir H Ingólfsson sá íslensku kvikmyndina Dýrið og nýjustu mynd ísraelska leikstjórans Nadav Lapid, hnéskeljar Ahed. Magnús Thorlacius eyddi sumrinu í að rannsaka sjálfsmynd Kópavogs. Hann skoðaði atburði í sögu bæjarfélagsins og kennileiti þess út frá óvæntum sjónarhornum og ætlar að setja niðurstöður sínar í samhengi fyrir okkur í pistlaröð á næstu vikum. Magnús byrjar á að velta sér upp úr skítalæknum. Og nýir sjónvarpsþættir um pönksveitina Sex Pistols bera á góma.

The actors from Nadav Lapid's competition film at the 74th Festival de Cannes remark on the importance of never taking freedom for granted. The post Avshalom Pollack, Nur Fibak – Ahed’s Knee #Cannes2021 appeared first on Fred Film Radio.

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Today from the Cannes film festival, we hear about the much anticipated film from director Paul Verhoeven: Benedetta, about a young nun whose sexual awakening causes a stir in her convent. My correspondent this time is the critic and programmer Jordan Cronk, whose work is published in many publications including Cinema Scope, Reverse Shot, and MUBI Notebook. Jordan also tells us about the vibrant film Ahed's Knee, from Israeli auteur Nadav Lapid; The Worst Person in the World, from Joachim Trier; and the latest directorial effort from Sean Penn, Flag Day. And finally we hear about some highlights from other film selections at Cannes. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Nadav Lapid is the Head of the Jury at Giornate degli Autori. We chat with him about this experience and more. The post Nadav Lapid #Giornate2020 appeared first on Fred Film Radio.

JJ and Steve finish the first half of 2020 with a film and its remake. This pairing starts with 2014's The Kindergarten Teacher from Israeli filmmaker Nadav Lapid. There's something different about this film. Is it an allegory? Is it a poem? Their discussion starts with the unique cinematography. From the first scene, this film exhibits exceptional camerawork that engages and draws the viewer into the story. Throughout the story of Nira and young Yoav, we are gifted with beautifully framed sequences that mirror the story's emphasis on poetry. The Kindergarten Teacher is a visual treat. But what about the substance of the story? Nira, the titular character, discovers a student's poetic ability that exceeds her own and puts her on a quest to ensure that his gift is not ignored. The choices she makes lead to a dark and unsettling journey. The film ends with a shot that Steve believes is less ambiguous than it may appear. Is he right, or is he reading too much into it? Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Watch this film: iTunes • Amazon • YouTube Original theatrical trailer Original poster artwork Flickchart Letterboxd Press Kit

JJ and Steve finish the first half of 2020 with a film and its remake. This pairing starts with 2014's The Kindergarten Teacher from Israeli filmmaker Nadav Lapid. There's something different about this film. Is it an allegory? Is it a poem?Their discussion starts with the unique cinematography. From the first scene, this film exhibits exceptional camerawork that engages and draws the viewer into the story. Throughout the story of Nira and young Yoav, we are gifted with beautifully framed sequences that mirror the story's emphasis on poetry. The Kindergarten Teacher is a visual treat. But what about the substance of the story? Nira, the titular character, discovers a student's poetic ability that exceeds her own and puts her on a quest to ensure that his gift is not ignored. The choices she makes lead to a dark and unsettling journey. The film ends with a shot that Steve believes is less ambiguous than it may appear. Is he right, or is he reading too much into it? Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film Sundries Watch this film: iTunes • Amazon • YouTube Original theatrical trailer Original poster artwork Flickchart Letterboxd Press Kit

Israeli Security Forces respond to weekend terror A man in his 40's was reportedly stabbed in the Gilo neighborhood of Jerusalem, Sunday morning. The suspect fled the scene and is still reportedly on the run. #WESTBANK #STABBING __________________ Warsaw Conference comes to a close The Polish and American-hosted Warsaw Conference on Iran and the Middle East came to a close Thursday night; Prime Minister Netanyahu initiated more ties within the Arab-Muslim world, many are criticizing the conference for its lack of direction or action, among other things. #BIBI #SECURITYCONFERENCE ____________________ 3.Munich Security Conference 2019 opens Dozens of world leaders convened again, to discussed the Middle East, Iran, and the Israeli-Palestinian Conflict– among many other issues. But as is often the case, what was said doesn't exactly line up with what Israeli officials were hoping for. #MUNICH #ISRAEL ___________________   4. Egypt votes to extend presidential term limits MARTIN SHERMAN, FOUNDER & EXECUTIVE DIRECTOR OF THE IISS joins us in the studio to speak about Egyptian President Sisi potentially to continue in power until 2034 #SISI #EGYPT ___________________ UNHRC to release ‘record' Anti-Israel Resolutions The United Nations Human Rights Council is now set to release a number of damning reports about Israel in March. According to Pro-Israel NGO, UN-Watch all the reports accuse Israel of war crimes and human rights violations. #UNHRC #ANTI-ISRAEL ___________________ UTJ head allegedly interfered in sex assault case Deputy Health Minister Yaakov Litzman met with Jerusalem psychiatrist Jacob Charnes in order to attain false assessments for an accused sexual offender; thereby saving the suspect from extradition to Australia. #YAAKOVLITZMAN #SEXUALASSAULT ___________________ Israeli backpacker drowns in Zimbabwe Israeli backpacker, Ofer Cohen, was killed in an accident in Zimbabwe last week near Victoria Falls. #OFERCOHEN #ZIMBABWE ___________________ Israelis flock to International Medical Universities ILTV's Natasha Kirchuk joins us in the studio to speak about how Romania, Hungary, Ukraine & Italy are popular medical-school destinations for Israeli's. #STUDYABROAD #MEDICINE ___________________ Israeli-French film director wins ‘Golden Bear' ‘Synonyms' a film by Israeli French director by Nadav Lapid takes top prize at berlin international film festival, the first golden bear for the Jewish State. #NADAVLAPID #SYNONYMS ___________________ Hebrew word of the Day: NIRDAHF | נרדף = SYNONYMOUS Learn a New Hebrew word every day. Today's word is ‘NIRDAHF' which means SYNONYMOUS  #LEARNHEBREW   #HEBREWWORDOFDAY   #ILTVHEBREWWORDOFDAY  ___________________ The Weather Forecast Tonight you can expect light and scattered showers with a low of forty-eight or nine degrees Celsius. Then tomorrow should also have some rain, and a slight drop in temperatures to a high of sixty or sixteen degrees Celsius. #ISRAELWEATHER   #ISRAELFORECAST See omnystudio.com/listener for privacy information.