Podcasts about Terence Davies

Brooklyn-based writer and editor Robert Rubsam joins to discuss the work of Terence of Davies and his 1992 masterwork, The Long Day Closes. An impressionistic evocation of memory and sensation, the film is the culmination of Davies' early autobiographical period, exploring the roughly 5 year period between when the filmmaker's abusive father died and when he began his time in primary school, which Davies has called "the happiest years of [his] life."We discuss the films distinctive formal approach to autibiography, forgoing concrete scenes in favor of a densely-woven, ellipticap tapestry of music, sounds, and images that give the impression of searching memory in real time. Then, we explore how the film reckons with the concept of nostalgia, offering reverence for and criticism of the social values of Liverpool in the 1950s in equal measure. Finally, we explore the life and work of Davies beyond The Long Day Closes, how the filmmaker's irresolute feelings about his own identity informed his later works, and why he may never be en vogue with cinematic tastemakers.Follow Rob Rubsam on Twitter and visit Rob's website to read his work.  Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish. 

Hello and welcome to Episode 58. Today, we are delighted to welcome to the podcast Phil Cheadle and Edward Bennett, the director and star respectively of ‘Selecting a Ghost', a stage adaptation of the Conan Doyle short story which was performed in Norwood, South London, in November 2024. Listen to our episode about ‘Selecting a Ghost' here: https://www.doingsofdoyle.com/2023/12/46-selecting-ghost-ghosts-of.html Read the Conan Doyle short story here: https://www.arthur-conan-doyle.com/index.php/Selecting_a_Ghost Listen to the podcast here: The episode will be uploaded to our YouTube channel soon, where you can listen with closed captions. In the meantime, you can subscribe to our YouTube channel here: https://www.youtube.com/@doingsofdoyle And follow us @doingsofdoyle.com on BlueSky. Philip Cheadle Phil trained at the Royal Academy of Dramatic Arts (RADA) and has an extensive range of theatre, television, and film credits. His notable stage roles include Harry Potter and the Cursed Child (West End), Mrs. Affleck (National Theatre), Henry IV Part I & Part II, and Bedlam (Shakespeare's Globe), as well as The Changeling (Cheek by Jowl), Reasons to Stay Alive and Far from the Madding Crowd (ETT), A Midsummer Night's Dream (Sheffield Crucible), and Breaking the Code (Royal Exchange). On television, Phil has appeared in Harlots, Dark Angel, Crimson Fields, New Worlds, and Silent Witness. His film work includes 1917, John Carter, and the upcoming independent film Shalbourne, in which he plays the title role. In addition to his acting career, Phil is the co-founder and Artistic Director of Two Lines Productions. He recently adapted and directed Arthur Conan Doyle's short story Selecting a Ghost as an immersive, site-specific production for Stanley Arts' Day of the Dead festival. Website: https://www.twolinesproductions.com/ IMDB for Phil Cheadle. Edward Bennett Ed's diverse and extensive theatre work has seen him perform with some of the country's leading companies and directors, including the Royal Shakespeare Company, Theatre Royal Bath and Chichester Festival Theatre. On the small screen, Edward stars most recently in Joan for ITV and in Series 3 of Bridgerton for Netflix. You can also watch him in Series 1 and 2 of Sky drama Cobra as Peter Mot, Max Owen in Sky Atlantic's Save Me Too, Industry for the BBC, Pennyworth for Warner Bros, Poldark for the BBC and Series 2 of ITV's Victoria. Ed's feature film work includes The Laureate directed by Jonathan Cape, Napoleon directed by Ridley Scott and as T E Lawrence in Benediction directed by Terence Davies.  IMDB for Edward Bennett. Photograph credit Photographs by Cecilia Costello Photography. Next time We rejoin the intrepid Challenger expedition (not that one) as they journey further into The Lost World. Support the podcast Please help us reach new listeners by leaving a rating or view on the podcast platform of your choice. And if you want to sponsor the podcast, please check out our Patreon page: https://www.patreon.com/doingsofdoyle Acknowledgements Thanks to our sponsor, Belanger Books (www.belangerbooks.com), and our supporters on Patreon and Paypal. Image credits: Thanks to Alexis Barquin at The Arthur Conan Doyle Encyclopaedia for permission to reproduce these images. Please support the encyclopaedia at www.arthur-conan-doyle.com. Music credit: Sneaky Snitch Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License. http://creativecommons.org/licenses/by/3.0/.  

10e édition des Rendez-vous Cinéma IL EST UNE FOI : célébrer la beauté :  Du 30 avril au 4 mai 2025, les Rendez-vous Cinéma IL EST UNE FOI célèbrent leur 10e édition avec un thème central profondément évocateur : la beauté. Ce festival unique, où culture et spiritualité se rencontrent, marque une décennie d'engagement avec un bilan impressionnant : plus de 11'500 spectateurs, 130 films et 80 débats depuis sa création. Pour cette édition anniversaire, le festival propose une programmation riche et variée avec 25 films qui explorent la beauté sous toutes ses facettes : dans l'art, la nature, l'amour, et le quotidien. Parmi les œuvres phares, on retrouve des classiques comme Andreï Rublev de Tarkovski, Sayat Nova de Parajanov, et The Long Day Closes de Terence Davies, chacune offrant une expérience de transcendance et d'émerveillement. En célébrant ce cap symbolique, le festival invite les spectateurs à une réflexion profonde sur la grâce et la simplicité qui élèvent l'âme et apaisent l'esprit. Dans cet épisode, nous échangeons avec Geoffroy de Clavière, délégué général du festival, pour découvrir les coulisses de cette édition exceptionnelle et les messages qu'elle porte.    

In the penultimate episode of the season, Neil sits down with friend and colleague Kat Flint-Nicol to think through British cinema. The aim was to focus on regionality, but the conversation is much-more wide ranging than that. It captures the complex intersectionality of place, class, genre, industry gatekeeping, and the relationship between industry and culture.  Films, places and texts discussed in this discursive chat include Rochester and Dickens, and David Lean's Great Expectations, Terence Davies, The Commitments, Nick Love, Sexy Beast and the crime cinema that followed it, Muscle and Hyena, Guy Ritchie, Last Orders, Ray Winstone, Rose Glass and Shane Meadows.  It is fascinating conversation and hopefully provides insight into Neil and Kat's current thinking about the complexities of British Cinema historically and contemporarily. — You can listen to The Cinematologists for free wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it), and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. Huge thanks to the publicist Chris Lawrance for making this conversation happen. — Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.

Memento #302. Acomiadem la setena temporada del "Memento" homenatjant un dels directors brit

Random movie 1280 on Metacritic's all time movie list…  "The Deep Blue Sea," a poignant drama from 2012 directed by Terence Davies, delves into the turbulent emotional landscape of post-war Britain. Starring Rachel Weisz and Tom Hiddleston, the film explores the complexities of a forbidden love affair that threatens to unravel the lives of everyone involved. Will passion prevail over duty in this exploration of desire and restraint? Listen on and find out! Want to contact us? 15krandommoviereviews@gmail.com Follow, rate, and review our podcast on all audio platforms here: https://linktr.ee/15krandommoviereviews Follow us on Tiktok to see our favourite (and least favourite) scenes: https://www.tiktok.com/@15krandommoviereviews We are Colin and Niall, two movie enthusiasts from Ireland who wanted to take a different approach to movie watching and reviewing. So we came up with the idea to randomly choose a movie from Metacritic's all time movie list (which at the time of starting our podcast was over 15,000 movies, hence the title!). We take pleasure in bad movies as well as good! We hope you enjoy our podcast and follow us on your favourite podcast platform (or Youtube). See all our review ratings for all our movies in all our episodes in spreadsheet form! https://docs.google.com/spreadsheets/d/1BLin0MnPslu13i003F9PE9c6CBOCs4RQfWcblt65PhI/edit?usp=sharing Our list of movies reviewed on IMDB: https://www.imdb.com/list/ls526575109/ Our list of movies reviewed on Letterboxd: https://letterboxd.com/15krandommovier/list/15k-random-movie-reviews-1/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/15krandommoviereviews/message

On this episode of Podcast Like It's 1992, Emily St. James is on to talk about Long Day Closes (& Lethal Weapon 3)Emily's first foray into a Lethal Weapon movie, we talk about Terence Davies capturing how childhood memory works, and comparing one of the greatest films of all time to Leathal Weapon 3.Patreon: http://patreon.com/PodcastlikeitsTwitter: http://twitter.com/podcastlikeitsInstagram: http://instagram.com/podcastlikeitsReddit: http://reddit.com/r/podcastlikeits Hosted on Acast. See acast.com/privacy for more information.

Welcome everyone to a fresh episode! We're talking about all things Terence Davies, the late great filmmaker who directed Will's pick for the week - The Long Day Closes (1992). Join us as we discuss all things Davies, examining the emotional and objective elements of his style, and how it shines in this particular film of a semi-autobiographical portrait of a young boy in crisis. --- Support this podcast: https://podcasters.spotify.com/pod/show/willandcorey/support

durée : 00:47:00 - Le masque et la plume - par : Rebecca Manzoni - Les critiques du Masque & la Plume sont allés voir "Boléro" d'Anne Fontaine, "Dans la peau de Blanche Houellebecq" de Guillaume Nicloux, "La salle des profs" d'Ilker Çatak, "Il reste encore demain" de Paola Cortellesi et "Les carnets de Siegfried" de Terence Davies. Qu'en ont-ils pensé ? - invités : Xavier Leherpeur, Ariane Allard, Florence COLOMBANI, Pierre Murat - Xavier Leherpeur : Chroniqueur et critique de cinéma (7e Obsession), Ariane Allard : Critique de cinéma (Causette), Florence Colombani : Journaliste et critique cinéma (Le Point), Pierre Murat : Rédacteur en chef adjoint de Télérama - réalisé par : Lilian ALLEAUME

durée : 00:54:03 - Certains l'aiment Fip - À l'occasion de la rétrospective au Centre Pompidou consacrée au réalisateur anglais de "Distant Voices, Still Lives", "The Neon Bible" ou "The long day close", nous parcourons les B.O de ses films et interviewons Jack Lowden qui joue dans le dernier film "Les carnets de Siegfried".

durée : 00:58:17 - Plan large - par : Antoine Guillot - Aujourd'hui, nous recevons Isabelle Huppert et Igor Minaïev pour la réssortie en salles de "L'Inondation", le comédien Jack Lowden pour "Les Carnets de Siegfried" de Terence Davies, et aussi Amjad Al Rasheed, et encore Mathieu Macheret. - invités : Igor Minaev Réalisateur ukrainien; Isabelle Huppert Actrice française; Lowden Jack acteur; Mathieu Macheret Critique de cinéma, journaliste au Monde et aux Cahiers du Cinéma; Amjad Al Rasheed cinéaste

durée : 00:58:17 - Plan large - par : Antoine Guillot - Aujourd'hui, nous recevons Isabelle Huppert et Igor Minaïev pour la réssortie en salles de "L'Inondation", le comédien Jack Lowden pour "Les Carnets de Siegfried" de Terence Davies, et aussi Amjad Al Rasheed, et encore Mathieu Macheret. - invités : Igor Minaev Réalisateur ukrainien; Isabelle Huppert Actrice française; Lowden Jack acteur; Mathieu Macheret Critique de cinéma, journaliste au Monde et aux Cahiers du Cinéma; Amjad Al Rasheed cinéaste

Tyler and David are joined by Scott Nye to discuss the career of the late Terence Davies.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Good morning SNOBBIES! And welcome back to our episode on Terence Davies month. This week we have Jared's pick and he decided to go with “The Long Day Closes.” This film has a similar feel and vibe to Distant Voices, Still Lives. In this film we follow the perspective of Bud, a boy in Liverpool in the 1950's, coming of age around the other family members and the austere Catholic Church as he enters the rigors of school, nurtures a bedazzled love of the movies and longs for companionship. Jared says this is a near perfect film and Terence Davies best film he's ever made. We dive into childhoods, favorite shots, the Davies Dissolve, and much much more. Enjoy! Film Discussed: ⁠⁠⁠⁠⁠⁠The Long Day Closes (1992) Letterboxd: Eric Peterson: ⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/EricLPeterson/⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jared Klopfenstein: ⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/kidchimp/⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ethan Jasso: ⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/e_unit7/⁠⁠⁠⁠⁠⁠⁠⁠⁠ Caleb Zehr: ⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/cjzehr/⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ricky Wickham: ⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/octopuswizard/⁠⁠⁠⁠⁠⁠⁠⁠⁠ Cody Martin : ⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/codytmartin/⁠⁠⁠⁠⁠⁠⁠⁠⁠ Here is a COMPLETE LIST of every film that we have done an episode for. Enjoy! ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/ericlpeterson/list/a-complete-list-of-every-the-film-snobs-episode/⁠⁠⁠⁠⁠⁠⁠⁠⁠ Five star reviews left on the pod get read out loud!

“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto: Jodie Foster, Kali Reis · 
Photograph by Michele K. Short/HBO

How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto credits: Michele K. Short / HBO

How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto credits: Michele K. Short / HBO

“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto: Jodie Foster, Kali Reis · 
Photograph by Michele K. Short/HBO

“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto: Jodie Foster, Kali Reis · 
Photograph by Michele K. Short/HBO

How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto credits: Michele K. Short / HBO

“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto: Jodie Foster, Kali Reis · 
Photograph by Michele K. Short/HBO

How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto credits: Michele K. Short / HBO

“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto: Jodie Foster, Kali Reis · 
Photograph by Michele K. Short/HBO

How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto credits: Michele K. Short / HBO

How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto credits: Michele K. Short / HBO

“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto: Jodie Foster, Kali Reis · 
Photograph by Michele K. Short/HBO

How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto credits: Michele K. Short / HBO

“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto: Jodie Foster, Kali Reis · 
Photograph by Michele K. Short/HBO

“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto: Jodie Foster, Kali Reis · 
Photograph by Michele K. Short/HBO

How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto credits: Michele K. Short / HBO

“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other. When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”How does the place we're born influence our beliefs? What would it be like to live in a world run by women, where it's perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO's True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.http://florianhoffmeister.de/ www.hbo.com/true-detective www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto: Jodie Foster, Kali Reis · 
Photograph by Michele K. Short/HBO

Snobbies. Welcome to a new segment. Today we are featuring an old ep from the archives. This episode is one that we have talked about more than once on the podcast. The topic when this originally aired was "Going on a Journey." This was Ricky's week to pick a film and he decided to go with MXP Most Xtreme Primate as the film that best represented "Going on a Journey." You can tell on the pod, but I was a little less than enthusiastic about this pick. Probably one of the only times I've actively tried to derail a podcast due to how horrible the film was. Ahhh, fun times. Anyway, enjoy this throwback week as we recuperate after the holidays and we WILL be back with Jared's Terence Davies pick next time! See you then! Film Discussed: ⁠MXP Most Xtreme Primate (2004)⁠ Letterboxd: Eric Peterson: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/EricLPeterson/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jared Klopfenstein: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/kidchimp/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ethan Jasso: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/e_unit7/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Caleb Zehr: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/cjzehr/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ricky Wickham: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/octopuswizard/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Cody Martin : ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/codytmartin/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Here is a COMPLETE LIST of every film that we have done an episode for. Enjoy! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/ericlpeterson/list/a-complete-list-of-every-the-film-snobs-episode/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Five star reviews left on the pod get read out loud!

Ellen E Jones and Mark Kermode celebrate the life and career of the much-loved Liverpudlian screenwriter and director Terence Davies, who died earlier in 2023 at the age of 77.From an astonishing trilogy of early short films, to his final feature, 2021's Benediction, Terence Davies seamlessly blended personal recollections with wider essential truths. His subjects ranged from autobiographically inspired portraits of postwar working-class life in Liverpool in films like Distant Voices Still Lives and The Long Day Closes, to intimate portraits of real-life authors, most remarkably the American poet Emily Dickinson in A Quiet Passion. Mark speaks to Scottish actor Jack Lowden, who played poet Siegfried Sassoon in Benediction, about his relationship with Davies. He also talks to critic and historian Lillian Crawford about why the director's work resonates so deeply for so many.And Ellen discusses Davies' relationship to his hometown with two fellow Scousers - author and screenwriter Frank Cottrell-Boyce, and actor Tina Malone, who starred in The Long Day Closes.Producer: Jane Long A Prospect Street production for BBC Radio 4

Hey there Snobbies! This week we continue on our journey with the late Terence Davies and his filmography. This week was Cody's pick and he chose to go with the director's last film that he ever made…Benediction. A film that truly has some of the most incredible acting we have ever seen. The film features a war time military man who is put into a mental hospital to quiet his dissenting voice. The film follows the man's life and love's. With incredible direction, brutal shots, and beautiful scenery, the film takes you along a path that follows closely with Davies's own life. We LOVED Benediction and loved talking through it tonight. We hope that you enjoy it as well.  Film Discussed: ⁠⁠⁠⁠⁠Benediction (2021) Letterboxd: Eric Peterson: ⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/EricLPeterson/⁠⁠⁠⁠⁠⁠⁠⁠ Jared Klopfenstein: ⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/kidchimp/⁠⁠⁠⁠⁠⁠⁠⁠ Ethan Jasso: ⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/e_unit7/⁠⁠⁠⁠⁠⁠⁠⁠ Caleb Zehr: ⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/cjzehr/⁠⁠⁠⁠⁠⁠⁠⁠ Ricky Wickham: ⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/octopuswizard/⁠⁠⁠⁠⁠⁠⁠⁠ Cody Martin : ⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/codytmartin/⁠⁠⁠⁠⁠⁠⁠⁠ Here is a COMPLETE LIST of every film that we have done an episode for. Enjoy! ⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/ericlpeterson/list/a-complete-list-of-every-the-film-snobs-episode/⁠⁠⁠⁠⁠⁠⁠⁠ Five star reviews left on the pod get read out loud!

Welcome back Snobbies! This month we are continuing to feature the late Terence Davies and his filmography. This week was Eric's pick and he chose to go with 1988's Distant Voices, Still Lives. A film that has been described as the most important British film ever made, this film was powerful. This film opened up a bit of discussion in all of us about family, fathers, abuse, history, love, pain, and healing. This film delves into the heart of a family and the heart of a human. Joins us In our discussion and enjoy this film.  Film Discussed: ⁠⁠⁠Distant Voices, Still Lives (1988) Letterboxd: Eric Peterson: ⁠⁠⁠⁠⁠⁠⁠letterboxd.com/EricLPeterson/⁠⁠⁠⁠⁠⁠⁠ Jared Klopfenstein: ⁠⁠⁠⁠⁠⁠⁠letterboxd.com/kidchimp/⁠⁠⁠⁠⁠⁠⁠ Ethan Jasso: ⁠⁠⁠⁠⁠⁠⁠letterboxd.com/e_unit7/⁠⁠⁠⁠⁠⁠⁠ Caleb Zehr: ⁠⁠⁠⁠⁠⁠⁠letterboxd.com/cjzehr/⁠⁠⁠⁠⁠⁠⁠ Ricky Wickham: ⁠⁠⁠⁠⁠⁠⁠letterboxd.com/octopuswizard/⁠⁠⁠⁠⁠⁠⁠ Cody Martin : ⁠⁠⁠⁠⁠⁠⁠letterboxd.com/codytmartin/⁠⁠⁠⁠⁠⁠⁠ Here is a COMPLETE LIST of every film that we have done an episode for. Enjoy! ⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/ericlpeterson/list/a-complete-list-of-every-the-film-snobs-episode/⁠⁠⁠⁠⁠⁠⁠ Five star reviews left on the pod get read out loud!

Snobbies, we have a new topic! This month we are featuring the late Terence Davies and his filmography. This week was Caleb's pick and he chose to go with 2016's A Quiet Place. Wait…no…A Quiet PASSION. That's it. Okay. This film was very good. A film about Emily Dickinson and what a beautiful and brutal film. With incredible shots, beautiful dialogue, and death…we had plenty to talk about. Every other week we will pick another film from Terence's body of work. We hope you enjoy this film! Film Discussed: ⁠A Quiet Passion (2016) Letterboxd: Eric Peterson: ⁠⁠⁠⁠⁠⁠letterboxd.com/EricLPeterson/⁠⁠⁠⁠⁠⁠ Jared Klopfenstein: ⁠⁠⁠⁠⁠⁠letterboxd.com/kidchimp/⁠⁠⁠⁠⁠⁠ Ethan Jasso: ⁠⁠⁠⁠⁠⁠letterboxd.com/e_unit7/⁠⁠⁠⁠⁠⁠ Caleb Zehr: ⁠⁠⁠⁠⁠⁠letterboxd.com/cjzehr/⁠⁠⁠⁠⁠⁠ Ricky Wickham: ⁠⁠⁠⁠⁠⁠letterboxd.com/octopuswizard/⁠⁠⁠⁠⁠⁠ Cody Martin : ⁠⁠⁠⁠⁠⁠letterboxd.com/codytmartin/⁠⁠⁠⁠⁠⁠ Here is a COMPLETE LIST of every film that we have done an episode for. Enjoy! ⁠⁠⁠⁠⁠⁠https://letterboxd.com/ericlpeterson/list/a-complete-list-of-every-the-film-snobs-episode/⁠⁠⁠⁠⁠⁠ Five star reviews left on the pod get read out loud!

Ten odcinek to surowy zapis dyskusji, jaka odbyła się w warszawskim Kinie Muranów wieczorem 10 listopada 2023, w ramach wydarzenia "Terence Davies - In memoriam", dedykowanego pamięci zmarłego 7 października 2023 roku brytyjskiego reżysera Terence'a Daviesa. Pokaz obejmował filmy "Dalekie głosy, martwe natury" (1988) oraz "Kres długiego dnia" (1992). Wydarzenie powstałe we współpracy z Timeless Film Festival.

In Memoriam dedicado al director y guionista Terence Davies, un símbolo de exquisitez, sensibilidad y elegancia que partió de experiencias personales para después convertirse en una voz imprescindible del cine de las últimas décadas adentrándose en la hondura de los sentimientos más universales. Evocación del pasado para conectar con el presente. Este reportaje pertenece al programa “El Cine de LoQueYoTeDiga” nº 420 (15x05) y fue emitido el 21 de octubre de 2023.

Access this entire 83 minute episode and additional monthly bonus episodes by becoming a Junk Filter patron! Over 30% of episodes are exclusively available to patrons of the show. https://www.patreon.com/posts/149-terence-with-91945894 To mark the passing of the great British filmmaker Terence Davies, I'm joined for this episode by two returning guests from the UK who are both big Davies heads, the film writers Ben Nash and James Slaymaker. Davies was from the working class and only became a filmmaker in his thirties but made up for lost time with a series of semi-autobiographical, poetic works that drew on his troubled upbringing and instantly put him on the map of international cinema. After some underperforming literary adaptations in the nineties Davies had difficulties getting film financing for several years, but in 2008 he returned to acclaim with his expressionistic and personal documentary about the history of Liverpool, Of Time and the City which kicked off his second wind as a filmmaker through the 2010s including The Deep Blue Sea, Sunset Song and his final work, 2022's biography of the queer anti-war poet and decorated WWI soldier Siegfried Sassoon, Benediction. We discuss Davies' singular vision as an film artist, his innovations in using stock footage and music to express his personal vision, his hilarious distaste for the Catholic Church, the Monarchy and the Beatles, and the sad state of film financing in the UK. Currently Canadian and American listeners can stream Distant Voices, Still Lives and Of Time and the City on Kanopy. Follow Ben Nash and James Slaymaker on Twitter. Trailer for Distant Voices, Still Lives (Davies, 1988) Trailer for The Long Day Closes (Davies, 1992) Trailer for Of Time and the City (Davies, 2008) Trailer for Benediction (Davies, 2022) Trailer for The Long Gray Line (John Ford, 1955)

A few weeks ago, we lost the great and greatly undervalued filmmaker Terence Davies, who listened have heard our love of on our previous episode for The House of Mirth. In 2011, Davies adapted the play The Deep Blue Sea for the screen, with Rachel Weisz taking the role of a post-WWII married woman devastated by a failed … Continue reading "260 – The Deep Blue Sea"

Es semana grande ya que este fin de semana estrena Martin Scorsese y eso siempre es un acontecimiento más cuando estamos ante un título de envergadura como es “Los asesinos de la luna”. Una nueva colaboración entre el director y Leonardo DiCaprio que hará que recorramos con Mary Carmen Rodríguez (también editora del podcast) una relación imprescindible y llena de grandes momentos en el cine contemporáneo. In Memoriam dedicado al director y guionista Terence Davies, un símbolo de exquisitez, sensibilidad y elegancia, y a la actriz Piper Laurie, la cual fue capaz de crear papeles icónicos a pesar de tener una carrera irregular. Seguimos celebrando el centenario de Charlton Heston en Recordando clásicos de la mano de Mónica Balboa con un top de sus 5 mejores trabajos. Además de todo ello tenemos estrenos, recomendaciones en Colgados de la plataforma, el álbum sonoro del Festival de Sitges 2023 con Imogen y la crítica de las favoritas “O corno”, “Al otro lado del río y entre los árboles” y “Los colonos”. ¡Muchas gracias por escucharnos!

This week's Empire Podcast would have been a lot longer had we kept in all the bits where Chris Hewitt was coughing. Needless to say, we cut (most) of them out (probably), leaving instead another fine and fun episode in which Chris is joined in the studio by James Dyer and Helen O'Hara, thus putting them at risk of infection. Thankfully, none of them turn into mindless zombies (how could we tell?) as they discuss the week's news, including the sad passing of Terence Davies, Kevin Costner's big-screen comeback, and rumoured upheaval at both Marvel Studios and A24, review The Miracle Club, Shortcomings, BlackBerry and Paw Patrol: The Mighty Movie, and fail spectacularly to name all the Carry On movies. Oh, and James bangs on about Taylor Swift, which makes a change. Our guest this week is the wonderful actor Randall Park, who talks to Chris (50:56.00 - 1:07:01.00) about making the step up to directing with his excellent indie debut, Shortcomings, plus how he methodically built his acting career over the years. This is Good Audio Content, folks. Good. Audio. Content. Enjoy.

We've got a quick news catch-up and a great new indie for you on the latest Breakfast All Day podcast episode. Christy and Alonso discuss the Writers Guild ratifying a new contract, "The Exorcist: Believer" box office, Guillermo Del Toro, the late Terence Davies and more. We also review Kitty Green's stressful, slow-burn thriller "The Royal Hotel," featuring excellent performances from Julia Garner and Jessica Henwick. Check back later this week when we'll have a review of "Taylor Swift: The Eras Tour" movie. We can't wait to hear your thoughts on it too!  * We're thrilled to be partnering with Coffee Bros.! New York-based brothers Nick and Dan Hunnewell make small-batch coffee that's ethically sourced from around the world. Take 15% off your coffee order with code BREAKFAST15: https://coffeebros.sjv.io/EKRRd9  * Athletic Brewing Co. has an autumnal, alcohol-free beer that's just right for the season. Dark & Gourdy offers a warm blend of pumpkin and spice. Take 10% off your order with code BREAKFASTALLDAY. Shipping is free on orders of at least $50. Check out all their delicious non-alcoholic options here: https://athletic-brewing-co.sjv.io/e4oGYQ Some product links are affiliate links which means if you buy something, we'll receive a small commission.

NBA News, NFL News, MLB News, WNBA News, NHL News, Fox's Welcome to Flatch, WGA Strike, Star Wars, Spriderwick Chronicles, Daily Show, NBC's SNL, A Farewell to Dick Butkus, Johnny Mathis, Ove Johansson, Wayne Comer, Joe Christopher, Kurt Schumacher, Russ Francis, George Reed, Keith Jefferson, Terence Davies, Michael Chiarello, Nick Wilkinson, Brendan Malone, Steve Lutvak, Jim Poole. --- Support this podcast: https://podcasters.spotify.com/pod/show/on-the-radar/support

Kathryn Tickell and The Darkening's new album, Cloud Horizons, fuses synthesizers with a bone flute, a sistrum – very old Egyptian instrument - and lyrics based on an inscription in Latin carved on a stone in Northumberland nearly 2 millennia ago. Kathryn talks to Samira about this ancient Northumbrian futurism and plays her smallpipes, live. We remember the film director Terrence Davis, perhaps best known for the film Distant Voices, who has died aged 77. Samira spoke to him for Front Row last year, about his Netflix drama Benediction, which followed the life of the war poet Siegfried Sassoon. Samira talks to Jhumpa Lahiri, the Pulitzer Prize winning novelist, essayist and editor. Her latest offering Roman Stories marks a return to shorter fiction, presenting snapshots of a city and its unnamed residents in flux. Today the Heritage Fund announces nine ‘Heritage Places' across the UK- the first of twenty to receive a share of £200 million in National Lottery funding over the next 10 years to support local heritage. We hear from Eilish McGuinness, Heritage Fund Chief Executive about how the money will be spent and from Eirwen Hopkins, founder of the heritage group Rich History in Neath Port Talbot, one of the nine places to receive the cash injection. Presenter: Samira Ahmed Producer: Olivia Skinner

Ep. 207: Michael Koresky and Jeff Reichert on Reverse Shot at 20 Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. The wonderful film publication Reverse Shot celebrates its 20th anniversary of existence this year. Since I first wrote for Reverse Shot early in my career, it's always held a special place in my heart, and it's still going strong -- a gladdening beacon in the landscape of film criticism (and of critics, with an enviable roster of sharp voices and alums). I sat down with the co-founders of Reverse Shot, Michael Koresky and Jeff Reichert, at MOMI to discuss how it all began, go through highlights from the eventful past 20 years, and (in an unpredictable lightning round) a few personal favorites of theirs. Koresky and Reichert's biographies besides RS extend to filmmaking (such as American Factory, co-produced by Reichert, and Feast of the Epiphany, co-directed by Koresky, Reichert, and Farihah Zaman), books (including Koresky's Films of Endearment), and more. MOMI's anniversary program of Reverse Shot events continues this weekend with screenings of Terence Davies's The Deep Blue Sea, and other rarely screened films in the coming weeks. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

We're kicking off Pride 2023 with a look at gay romances from 100 years ago in Terence Davies's 2022 biopic Benediction, about the many loves of World War I poet Siegfried Sassoon. Join in as we discuss Sassoon's biography, the Bright Young Things, handsome British boys, and casting characters at different ages. Plus: How autobiographical is this movie for Davies? Is Sassoon right to hate musicals? What does the title mean for the movie? And, most importantly, what TV has Marc been watching lately? Make sure to rate, review, and subscribe! Next week: The Handmaiden (2016) --- Send in a voice message: https://podcasters.spotify.com/pod/show/we-love-the-love/message

Florian Hoffmeister is a prolific director of photography. Recent works by Hoffmeister include his lensing on the Apple TV+ series Pachinko, the critically-acclaimed political thriller Official Secrets starring Keira Knightley, Ralph Fiennes, and Matt Smith, and TÁR starring Cate Blanchett. Hoffmeister is well-known for his collaboration with Terence Davies on feature films The Deep Blue Sea, starring Rachel Weisz, Tom Hiddleston and Simon Russel-Beale, and A Quiet Passion, starring Cynthia Nixon and Jennifer Ehle. His work on Brian Kirk's television phenomenon Great Expectations earned him further distinction as well as numerous accolades, including a Primetime Emmy, a BAFTA, and an ASC Award.

Florian Hoffmeister is a prolific director of photography. Recent works by Hoffmeister include his lensing on the Apple TV+ series Pachinko, the critically-acclaimed political thriller Official Secrets starring Keira Knightley, Ralph Fiennes, and Matt Smith, and TÁR starring Cate Blanchett. Hoffmeister is well-known for his collaboration with Terence Davies on feature films The Deep Blue Sea, starring Rachel Weisz, Tom Hiddleston and Simon Russel-Beale, and A Quiet Passion, starring Cynthia Nixon and Jennifer Ehle. His work on Brian Kirk's television phenomenon Great Expectations earned him further distinction as well as numerous accolades, including a Primetime Emmy, a BAFTA, and an ASC Award.

Dozens of soldiers have been killed in fighting between neighbouring countries Armenia and Azerbaijan. Armenia's Prime Minister Nikol Pashinyan said 49 of its soldiers died in overnight clashes. Azerbaijan says 50 of its military personnel were killed. Also in the programme: Ukraine's Foreign Minister Dmytro Kuleba accused Germany of not supplying enough heavy weapons, we will hear the view from Berlin; and British film director Terence Davies tells us the significance of the godfather of the New Wave of French cinema, Jean-Luc Godard, who died today in Switzerland. (Photo: File photo of Azerbaijan soldiers in position in the Tartar region in 2016. Credit: Getty Images).