Podcasts about Radu Jude

Ep. 311: Radu Jude on his film Kontinental '25, reflecting the world today, and going back to basics Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. It's not every day that I feature the same filmmaker twice in two years on the podcast, but we'll make a delightful exception for Radu Jude, director of Kontinental '25. I spoke with Jude about Kontinental '25 at the Berlin Film Festival, where his film won a Silver Bear, and where Jude previously won the Golden Bear for Bad Luck Banging or Loony Porn. Kontinental '25 follows a bailiff (an outstanding Eszter Tompa) who faces a personal reckoning after she evicts a man. True to the director of the rambunctious Do Not Expect Too Much from the End of the World, our conversation features his thoughtful reflections on living in the world today, on filmmaking technique, on dinosaur parks, and on what he's been reading and watching. Kontinental '25 will be released theatrically in North America by 1-2 Special. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Laura Laabs ROTE STERNE ÜBERM FELD ist eine Mischung aus Heimat-, Reise- und Gespensterfilm. Die Gespenster, das sind die der Geschichte - Unerledigtes, Fortwirkendes, Trauma, Funken der Hoffnung. In Form einer sprunghaften Collage verbindet sich die Zeit des Zweiten Weltkriegs mit dem Ende der DDR und die Dritte Generation der RAF mit dem Polit-Aktivismus der Gegenwart. Eine andere Form der Geschichtsschreibung und eine Geschichte Deutschlands entlang von Widerständen, Brüchen, Verzweigungen. Was das mit Walter Benjamin, Alexander Kluge und Radu Jude zu tun hat, und ob das nur schmissiger Zeitgeist ist, dazu mehr in der aktuellen Folge der PROJEKTIONEN.

Chrëschtdag ënner dem Ceauşescu, ee Suizid via en Heizkierper an hollänneschen Nationalismus aus der Perspektiv vu Geflüchteter: Am Bogdan Mureşano sengem "The New Year That Never Came" geet et ëm Ënnerdréckung a Revolutioun am Rumänie vun 1989, dem Radu Jude säi "Kontinental 25" bleift op der nämmlechter Plaz, mee mécht een zäitleche Sprong no vir, fir ze weisen, datt et sech och am kapitalistesche Rumänien net ëmmer wansinneg gutt lieft - a am autobiografeschen Dokumentarfilm "Home Game" suivéiere mir der Lidija Zelovic hir Flucht aus Sarajevo an en Holland, dat no an no méi rietsextreem gëtt: Eise Weekend um LuxFilmFest war geographesch relativ homogen, huet awer eng ganz Rëtsch vu verschiddenaartegen Theemen opgegraff.

Deutschland hat gewählt und die Berlinale ist rum. Wir sprechen über letzteres: Janick, Christian und Lucas sprechen über das Festival, ob die neue Leitung Tricia Tuttle neue Impulse setzen konnte, und was wir so gesehen haben. Es geht unter anderem um: - "Das Licht" von Tom Tykwer - "Mickey 17" von Bong Joon-ho - "The Ice Tower" von Lucile Hadzihalilovic - "What Does that Nature Say to you?" von Hong Sang-soo - "Reflection in a Dead Diamond" von Bruno Forzani & Hélène Cattet - "Palliativstation" von Philipp Döring - "The Ugly Stepsister" von Emilie Blichfeldt - "If I Had Legs I'd Kick You" von Mary Bronstein - "Kontinental '25" von Radu Jude

Véier Lëtzebuerger Koproduktioune waren dëst Joer am Wettbewerb vun der 75. Berlinale - een absolutte Rekord. Eng dovunner krut och ee Präis, an zwar dem Radu Jude säi “Kontinental 25“, deen och an der Competitioun vum LuxFilmFest lafe wäert. De Jeff Schinker huet mam Paul Thiltges, Koproduzent vu “Kontinental 25“ geschwat - an de Palmarès analyséiert.

Ultimo appuntamento dalla Berlinale 75. Ultimi film e panoramica finale. Con Marco Romagna e Davide Colli.Partecipanti:Marco GrifòMarco Romagna (ospite)Davide Colli (ospite)Argomenti:0:00 - Kontinental ‘25 (Radu Jude)7:14 - If You Are Afraid You Put Your Heart Into Your Mouth And Smile (Marie-Luise Lehner) 10:23 - Blue Moon (Richard Linklater)15:13 - Leibniz - Chronicle of a Lost Painting (Edgar Reitz, Anatol Schuster)21:46 - Panoramica finale della Berlinale 75Il nostro canale Telegram per rimanere sempre aggiornati e comunicare direttamente con noi: https://t.me/SalottoMonogatariSpotify: https://open.spotify.com/show/2QtzE9ur6O1qE3XbuqOix0?si=mAN-0CahRl27M5QyxLg4cwApple Podcasts: https://podcasts.apple.com/it/podcast/salotto-monogatari/id1503331981Google Podcasts: https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xNmM1ZjZiNC9wb2RjYXN0L3Jzcw==Logo creato da:Massimo ValentiSigla e post-produzione a cura di:Alessandro Valenti / Simone MalaspinaPer il jingle della sigla si ringraziano:Alessandro Corti e Gianluca NardoPer la gestione dei canali social si ringrazia:Selene Grifò

durée : 00:58:47 - Plan large - par : Antoine Guillot - De retour de la 75e Berlinale, avec Guillaume Ribot pour "Je n'avais que le néant – « Shoah » par Lanzmann" présenté dans la section Berlinale Special, Lionel Baier et Radu Jude dont les films "La Cache" et "Kontinental'25" sont en Compétition cette année, et aussi Mathieu Macheret. - réalisation : Anne-Laure Chanel - invités : Radu Jude Cinéaste et scénariste roumain; Guillaume Ribot Réalisateur de documentaire et photographe; Lionel Baier Comédien et cinéaste.; Mathieu Macheret Critique de cinéma, journaliste au Monde et aux Cahiers du Cinéma

durée : 00:58:47 - Plan large - par : Antoine Guillot - De retour de la 75e Berlinale, avec Guillaume Ribot pour "Je n'avais que le néant – « Shoah » par Lanzmann" présenté dans la section Berlinale Special, Lionel Baier et Radu Jude dont les films "La Cache" et "Kontinental'25" sont en Compétition cette année, et aussi Mathieu Macheret. - réalisation : Anne-Laure Chanel - invités : Radu Jude Cinéaste et scénariste roumain; Guillaume Ribot Réalisateur de documentaire et photographe; Lionel Baier Comédien et cinéaste.; Mathieu Macheret Critique de cinéma, journaliste au Monde et aux Cahiers du Cinéma

Hablamos, en el pasado Festival de Gijón, con el director rumano Radu Jude, hoy compitiendo en el Festival de Berlín. Y, a las puertas de los Oscar, analizamos con Elisa McCausland los Premios Cinematográficos y los Festivales de Cine, su sentido y evolución.Escuchar audio

Im dritten und letzten Teil von Framing Berlinale 2025 sprechen Dunja Bialas, Hannah Pilarczyk und Valerie Dirk über vier weitere Wettbewerbsbeiträge: Dreams (Sex Love) von Dan Johan Haugerud, Kontinental '25 von Radu Jude, Yunan von Ameer Fakher Eldin und Blue Moon von Richard Linklater. Außerdem ziehen die drei ein Zwischenfazit und sprechen über ihre persönlichen Tops und Flops. Abonniert unseren Podcast in euren Podcatchern und lasst uns gern eine Bewertung da. Unterstützen könnt ihr uns bei ⁠⁠Steady⁠⁠ Auch über Feedback und Vorschläge freuen wir uns: ⁠podcast@critic.de⁠Und so geht es durch die Folge:(00:00:00) Begrüßung(00:00:48) Dreams (Sex Love)(00:09:23) Kontinental '25(00:15:18) Yunan(00:24:12) Blue Moon(00:28:41) Tops und Flops

Ep. 301: Guy Lodge on Berlin 2025: Kontinental '25, Living the Land, Eel, Shoah doc All I Had Was Nothingness Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. For my latest dispatch from the Berlin film festival, I sat down with Guy Lodge of Variety to talk about another batch of highlights from across the lineup. The titles we discussed include: Kontinental '25 (directed by Radu Jude), Living the Land (Huo Meng), the stunning debut feature Eel (Chu Chun-teng), and a documentary about Claude Lanzmann's making of Shoah, All I Had Was Nothingness (Guillaume Ribot). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Her hafta Canlı Yayında sinema ve televizyon gündemini konuşuyoruz, ilgimizi çeken konuları tartışıyoruz.00:00 | Giriş15:35 | Umami24:40 | Hard Truths 28:20 | Better Man33:45 | Mussolini: Son of the Century39:20 | The White Lotus - 3. Sezon (Zeynep Ocak N'aber Sinema'da)1:28:50 | 21.Yüzyılın En İyi TV Performansları2:25:55 | Tilda Swinton'ın Berlinale Konuşması2:36:50 | Sebastian Stan Sevmek İçin Bir Neden Daha2:40:15 | Brian Cox'tan Kevin Spacey'e Destek2:51:10 | Critics Choice Kazananları 2:54:25 | The Odyssey'den Yeni Haberler2:57:25 | Scorsese'den Radu Jude'ye Övgü2:59:30 | Ridley Scott'ın Yeni Filmi3:01:40 | Fennell'ın Wuthering Heights Uyarlamasından ilk Görsel3:03:40 | Anton Corbijn Geri Dönüyor3:05:25 | Çin'den Gişe Canavarı Bir Animasyon 3:14:10 | Ev Köşesi: Sahip Olmaktan Memnun Olduğumuz Şeyler 3:18:45 | Severance 2. Sezon 5. Bölüm 3:35:05 | Haftanın Klasiği: Sex, Lies and Videotape (1989)

Sie sind im wahrsten Sinne des Wortes nicht totzukriegen. Jede neue Generation bekommt ihren Draculafilm, ihre Vampir-Romanze, ihre Vampirserie, ihre Arthouse-Version, ihren Vampir-Actionhelden, ihre Vampirparodie. Gerade ist “Nosferatu” wieder im Kino, an “Morbius” können wir uns (leider) noch erinnern, der neue Blade"-Film wird und wird nicht fertig, “What We Do in the Shadows” ist gerade ausgelaufen und Ryan Coogler, Luc Besson und Radu Jude sind nur einige der Regisseur*innen, die gerade an neuen Vampirgeschichten sitzen. In diesem Special beissen sich Lucas und Christian zusammen mit Clara Atlanta Kröhn dreieinhalb Stunden lang ganz tief ins Fleisch des Vampirfilms um herauszufinden: Wieso wird das Mega-Motiv “Vampir” nicht alt? Das ist aber nur der Teaser, wenn ihr die ganze Folge hören wollt, dann unterstützt uns bitte auf https://steadyhq.com/cuts

On episode 268 of The AwardsWatch Podcast, Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade, Associate Editor Sophia Ciminello, and AwardsWatch Contributors Dan Bayer, Cody Dericks, Jay Ledbetter, Josh Parham, Karen Peterson, Trace Sauveur, and Griffin Schiller breakdown their favorite films of 2024. As we are about to begin an exciting new year of cinema in 2025, we say goodbye to 2024 with our AW team's favorite films of the year. Instead of having everyone on one call together, the show is split up into six sections, each section covering the six films the team loved the most. Those films included Robert Eggers' Nosferatu (Karen and Griffin), Radu Jude's Do Not Expect Too Much from the End of the World (Trace), Payal Kapadia's All We Imagine as Light (Josh) Jane Schoenbrun's I Saw the TV Glow (Dan and Cody), RaMell Ross' Nickel Boys (Erik and Jay), and Brady Corbet's The Brutalist (Ryan and Sophia). In each segment, each person talks about why they selected the film as their favorite of the year, as well as an in-depth discussion over the film. At the end, the team gave honorable mentions for other films that they loved that included Challengers, Queer, Juror #2, Maria, Hit Man, Babygirl, Hundreds of Beavers, Hard Truths, Anora, Trap, Dahomey, The Substance, and many more. Please enjoy this wonderful last episode of 2024, thank you all for reading everything on the website as well as listening to the show this past year. We here at AwardsWatch hope you all have a Happy New Year. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 3h50m. We will be back next week to breakdown the winners of the 2025 Golden Globes. Music: “Modern Fashion” from AShamaleuvmusic (intro), “Once Upon a Time” from Robin Carolan, “Basm epic” from Z.O.B., “Imagined Light” from Topshe, “Anthems For A Seventeen Year-Old Girl” from yeule, “Color Memory” from Alex Somers, “Overture (Bus),” “Intermission” from Daniel Blumberg, “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

In the first of our 2024 LFF double header on the main feed, Neil and Dario are joined by one of the two correspondents joining us for this year's coverage, Ben Goff. The focus of the episode are deep dives into key films for Neil, Dario and Ben from their early and pre-festival viewing, on the digital platform and at press and industry screenings on the ground in London, at BFI Southbank and Picturehouse Central. Each of the cinematologists take two films each to pore over, with Dario discussing Mati Diop's Dahomey and Athina Rachel Tsangari's Harvest, Ben delving into La Cocina directed by Alonso Ruizpalacios and India Donaldson's Good One. Finally, Neil goes long on Soundtrack to a Coup D'Êtat (dir. Johan Grimonprez) and short on Sofa So Good (dir. Thiele Brothers). Elsewhere there is discussion of approaches to festival viewing and a quick overview of Neil and Dario's response to Radu Jude's latest experimental pastiche/provocation/essay Eight Postcards from Utopia (co-dir. Christian Ferencz-Flatz), with some valuable insight from Dario's Romanian partner Bea.  The Cinematologists is providing consistent, detailed coverage of this year's LFF over on its Patreon. For more information and to support the show, please visit https://www.patreon.com/cinematologists. --- We are expanding our output so if you enjoy the show and find value in the work, any support you can give would be very much appreciated. You can become a member for the same price as a coffee a month. We also really appreciate any reviews you might write (please send us what you have written and we'll mention it), and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. --- Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.  

Ellis and the Corbot talk about "DO NOT EXPECT TOO MUCH FROM THE END OF THE WORLD," Radu Jude's recent bang bang exploration of the feeling of being alive under late capitalism. Subjects include: terrible Romanian techno, exploitated people observing other exploited people for the purpose of exploitation, and international business's wholesale domination of our lives. Corbin reccomends concerts by Ted Leo, Matt reccomends ASASSINS CREED. Next week's episode is about "Christ Stopped At Eboli," which you can watch here. 

La Barra Libre de hoy viene con un sabor algo diferente, pues Aloma Rodríguez nos sirve una película. Se trata de 'No esperes demasiado del fin del mundo' de Radu Jude, que realiza una reflexión sobre la desigualdad y la opresión.Escuchar audio

Arrancamos la mañana con el repaso cultural diario de Cristina Moreno en Cultura Rápida. Seguimos con la inauguración de Actualidad Mal, donde Elena Vargas trata los temas que nos hemos dejado en el tintero. Hoy ha sido el turno de Pepe Baena y sus viralísimos cuadros sobre desayunos. Continuamos con 'Justicia Artificial', una película que se estrena el 11 de septiembre. Por aquí se han pasado su director, Simón Casal, y una de sus protagonistas, Verónica Echegui. Cerramos con la Barra Libre de Aloma Rodríguez, que hoy ha elegido una película: 'No esperes demasiado del fin del mundo' de Radu Jude.Escuchar audio

Podsumowuję Nowe Horyzonty 2024, koncentrując się na filmach, które warto zobaczyć, a które może trafią do naszych kin lub na serwisy. Dzielę się też refleksjami na temat retrospektywy Nagisy Oshimy.

Ep. 262: Locarno 2024 with Keva York: Invention, Sparrow in the Chimney, Mandico, Vernier Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Before the fall schedule of festivals and new releases begins in earnest, the Locarno festival has its say with a few choice selections (last year including one of my favorites, Radu Jude's Do Not Expect Too Much from the End of the World). This year, I chatted about the Locarno selection with critic Keva York, who was attending the festival. We discussed a few stimulating movies including Invention (directed by Courtney Stephens), Dragon Dilatation (Bertrand Mandico), Cent mille milliards (Virgil Vernier), and The Sparrow in the Chimney (Ramon Zurcher). Please note that this episode was recorded earlier in August during the Locarno Festival. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Puntata dedicata Kinds of Kindness di Yorgos Lanthimos con emma Stone e Jesse Plemons, The Ministry of Ungentlemanly Warfare di Guy Ritchie, Non aspettarti troppo dalla fine del mondo di Radu Jude, Horizon - Parte 1 di Kevin Costner. Stanze di Cinema è la trasmissione di Ciao Como Radio dedicata a cinema, cultura e spettacoli in onda tutti i venerdì alle ore 21:00 e i sabato alle ore 19.00. A cura di Marco Albanese, Carlo Cairoli e Daniele Valsecchi.

On this special episode Eric sits down with Radu Jude and Ilinca Manolache from Do Not Expect Too Much From The End of the World.

Will & Hesse talk to Radu Jude, the director of the new comedy feature Do Not Expect Too Much from the End of the World. The film features an overworked production assistant as she drives around Bucharest shooting videos for a large multinational company as a satire of the malaise and indignity of modern life. Will, Hesse and Radu discuss the film's send-up of TikTok masculinity influencers, the relationship with earlier films edited into the movie, the various versions of Romania Jude depicts and much more.. Do Not Expect Too Much from the End of the World is now in theaters and will be streaming on MUBI starting May 3.

Nicodemus, Katja www.deutschlandfunk.de, Kultur heute

Par Rafael Wolf et Judith Beauvallet. -"The Fall Guy" de David Leitch, avec Ryan Gosling et Emily Blunt. -"Nʹattendez pas trop de la fin du monde" de Radu Jude. -"Les cartes du mal" ("Tarot") de Anna Halsberg et Spenser Cohen. Conseils : "Le magnifique" de Philippe de Broca, (disponible en DVD et BluRay, et sur certaines plateformes). "Le tableau volé" de Pascal Bonitzer, avec Alex Lutz, Léa Drucker, Nora Hamzawi, (autre sortie de la semaine)

The new CIVIL WAR is the latest in a line of speculative scenarios that Alex Garland has pondered over the course of his career as a novelist-turned-filmmaker, but its journey through a country transformed by violent catastrophe is most reminiscent of his first project as a screenwriter, Danny Boyle's zombie-adjacent horror film 28 DAYS LATER. So before digging into Garland's vision of an apocalyptic near-future United States, we're revisiting his vision of the apocalyptic England of 2002 to consider the challenges of carving an ending (happy or otherwise) out of such a grim “what if,” and how our collective understanding of zombies (fast or otherwise) is both reflected in and shaped by 28 DAYS LATER's infected. And in Feedback, we reckon with another speculative scenario, one in which our recent episode on Radu Jude's latest was part of a different pairing.  Please share your comments, thoughts, and questions about 28 DAYS LATER, CIVIL WAR,  or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices

What does a powerless gofer in 2020s Romania have in common with a powerful studio executive in 1990s Hollywood? Radu Jude's new DO NOT EXPECT TO MUCH FROM THE END OF THE WORLD may concern a very different type of moviemaking than that in Robert Altman's satire THE PLAYER, but it takes a similarly cynical — and humorous — stance on the compromises involved in commercialized art. That's the main connection that inspired returning guest Katie Rife to suggest this pairing to us, but there's much more about Jude's film to get into first, from its focus on quotidian details to its various nods to Romanian art and culture. After that, we dive into these two films' complementary takes on capitalism, commodification, and cameos, and in Your Next Picture show offer a trio of otherwise-unrelated films with ties to this pairing.  Please share your comments, thoughts, and questions about THE PLAYER, DO NOT EXPECT TOO MUCH FROM THE END OF THE WORLD,  or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Alex Garland's CIVIL WAR and Danny Boyle's 28 DAYS LATER Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, the panel is first joined by Slate culture writer (and the Gabfest's Senior Beyoncé Correspondent) Nadira Goffe to dissect Beyoncé's latest album, Cowboy Carter. Released on March 29th, Cowboy Carter is a 27-track behemoth with a country soul, packed with archival footage and songs that span multiple genres. To call it a country album would be too simplistic, so we'll stick with Queen Bey's own words: Cowboy Carter is a Beyoncé album. Then, the three jump into Do Not Expect Too Much From the End of the World, an avant-garde film from Romanian director Radu Jude that perfectly captures life in the 21st century. Finally, the trio examine Steve! (martin): a documentary in 2 pieces, a new two-part series directed by Morgan Neville (Will You Be My Neighbor?), which analyzes the legendary Steve Martin, an inscrutable human being and American icon.  In the exclusive Slate Plus segment, the panel discusses their personal relationships to hotels.  Email us at culturefest@slate.com.  Outro music: "I Can Still Dance" by Tigerblood Jewel Endorsements: Dana: Critic Nicolas Rapold's interview with Radu Jude, the director of Do Not Expect Much From the End of the World, on his podcast, The Last Thing I Saw. It's a great companion piece to listen to after watching the film.    Julia: The Fraud by Zadie Smith, a historical novel set in Victorian England. If you've read this book and have strong feelings, please email Julia at cultfest@slate.com to dissect the work and discuss.  Stephen: Penelope Fitzgerald, the Booker Prize-winning novelist, poet, and essayist. Specifically, her 1995 novel, the Blue Flower.  Podcast production by Jared Downing. Production assistance by Kat Hong.  Hosts Dana Stephens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, the panel is first joined by Slate culture writer (and the Gabfest's Senior Beyoncé Correspondent) Nadira Goffe to dissect Beyoncé's latest album, Cowboy Carter. Released on March 29th, Cowboy Carter is a 27-track behemoth with a country soul, packed with archival footage and songs that span multiple genres. To call it a country album would be too simplistic, so we'll stick with Queen Bey's own words: Cowboy Carter is a Beyoncé album. Then, the three jump into Do Not Expect Too Much From the End of the World, an avant-garde film from Romanian director Radu Jude that perfectly captures life in the 21st century. Finally, the trio examine Steve! (martin): a documentary in 2 pieces, a new two-part series directed by Morgan Neville (Will You Be My Neighbor?), which analyzes the legendary Steve Martin, an inscrutable human being and American icon.  In the exclusive Slate Plus segment, the panel discusses their personal relationships to hotels.  Email us at culturefest@slate.com.  Outro music: "I Can Still Dance" by Tigerblood Jewel Endorsements: Dana: Critic Nicolas Rapold's interview with Radu Jude, the director of Do Not Expect Much From the End of the World, on his podcast, The Last Thing I Saw. It's a great companion piece to listen to after watching the film.    Julia: The Fraud by Zadie Smith, a historical novel set in Victorian England. If you've read this book and have strong feelings, please email Julia at cultfest@slate.com to dissect the work and discuss.  Stephen: Penelope Fitzgerald, the Booker Prize-winning novelist, poet, and essayist. Specifically, her 1995 novel, the Blue Flower.  Podcast production by Jared Downing. Production assistance by Kat Hong.  Hosts Dana Stephens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices

Romanian director Radu Jude's new DO NOT EXPECT TO MUCH FROM THE END OF THE WORLD is set in Bucharest, not Hollywood, but its cynicism about the act of capturing something on film nonetheless put us in mind of Robert Altman's 1992 industry satire THE PLAYER. We're joined by returning guest Katie Rife to discuss these two very different yet complementary movies about moviemaking, beginning with THE PLAYER's caustically meta take on the Hollywood grind during a transitional moment for studio filmmaking. And we stay on theme moving into Feedback, bringing the film's cynical outlook on Hollywood to a listener's question about the very existence of movie remakes. Please share your comments, thoughts, and questions about THE PLAYER, DO NOT EXPECT TOO MUCH FROM THE END OF THE WORLD,  or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ebba and Macon have been hard at work at the CPH DOX festival soaking as much of it in as they could. Here, they present their picks of the films they found the most engaging presented here in spoiler-free discussions.Including:*"Balomania" dir. Sissel Morell Dargis"Youth (Spring)" dir. Wang Bing"Do Not Expect Too Much from the End of the World" dir. Radu Jude*"Kix" dir. Bálint Révész & Dávid Milkulán*"Daughter of Genghis" dir. Kristoffer Juel Poulsen, Christian Als & Knud Brix"Ibelin" dir. Benjamin Ree"Soundtrack to a Coup d'Etat" dir. Johan Grimonprezand more...*Available on PARADOX On Thursday, April 4th Projector Pod presents, Lynne Ramsey's criminally underseen incredible film, "Morvern Callar", at Husets Biograf. Get your tickets to the screening and live podcast here. If you think Projector Pod is the kind of thing you'd like to support you can find out Patreon here too. 

Ep. 234: Radu Jude on Do Not Expect Too Much From the End of the World Welcome to The Last Thing I Saw with your host, Nicolas Rapold. This week I present a chat with Radu Jude, the director of what's already the most acclaimed movie of the year: Do Not Expect Too Much From the End of the World. The wild, funny, multi-layered movie follows a young production assistant, Angela (the incredible Ilinca Manolache), on her endless days working in Bucharest, Romania. Jude creates a crazy quilt that captures what it's like to get through the world today, folding in Angela's hilariously foulmouthed Instagram videos and weaving in clips from a Communist-era 1981 film about a female taxi driver. Nina Hoss and Uwe Boll also have memorable roles. I first saw Jude's continually surprising film at its world premiere in the Locarno Film Festival, and we spoke on the eve of its U.S. release on March 22. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Her Perşembe saat 22.00'de Canlı Yayında sinema ve televizyon gündemini konuşuyoruz, ilgimizi çeken konuları tartışıyoruz.00:00 | Giriş03:12 | Haftanın Klasiği Adayları: Picnic at Hanging Rock, Dark City, A Serious Man, La Cérémonie05:19 | X-Men '97: İlk İzlenim18:20 | Alien: Romulus'undan İlk Trailer 25:12 | Furiosa: A Mad Max Saga'dan İlk Fragman32:40 | House of the Dragon ve The Acolyte Fragmanları42:37 | Amazo Prime'ın Yeni Yerli Projesi: Arda Turan Belgeseli48:50 | MrBeast x Amazon Prime49:57 | Radu Jude'nin Oscar ve TikTok Yorumları58:25 | Drive-Away Dolls: Kısa yorum1:00:14 | Love Lies Bleeding'in Gösteriminde Sık Rastlamadığımız Bir Olay1:02:11 | Ciwil War'dan Yen Afişler1:05:52 | Knock at the Cabin: Kısa Yorum1:07:41 | OSCAR 2025 Tahminleri 1:17:33 | Jonathan Glazer'e Utanç Verici Tepkiler 1:23:38 | David O. Russell'ın Öfke Sorunu1:24:50 | Cem Yılmaz'ın Nafaka Şakası 1:27:50 | 6 Taksitte 1984 1:33:05 | Soru: Kızıl Goncalar'ın Ramazan Kesiti1:37:03 | Drive-Away Dolls'ta Yeni Gelin Şoku1:38:13 | 3 Body Problem: İlk İzlenim1:52:53 | Zeki Demirkubuz'a İlginç Jüri Ödülü1:55:00 | Quinzaine Afişinde Sürpriz İmza1:56:20 | Beetlejuice Beetlejuice: Beklentiler2:02:36 | The Office'ın devamı geliyor2:05:05 | Michael Mann'den Heat 2 Açıklaması 2:07:15 | Nolan Bu Hafta Kimi Övdü?2:08:23 | Haftalık Denis Villeneuve Köşesi2:09:07 | Özcan Alper ve Hayatla Meselesi Olan Adamlar2:13:06 | Late Night with the Devil İçin AI'ya Görsel Yaptırıldı2:15:05 | The Sopranos'un Yazarları Korku Filmi Yazıyor2:15:33 | Bu Yorum Hangi Film için Yapıldı?2:17:30 | Anket Sonucu Belli Oldu2:18:52 | Ev Köşesi: Sahip Olmaktan Memnun Olduğumuz Şeyler2:25:00 | Haftanın Klasiği: A Woman Under the Influence (1974)

Our March episode is maybe our most film-packed episode yet! We review big cinema releases, Denis Villeneuve's Dune: Part II and Radu Jude's Don't Expect Too Much from The End of the World, both out in cinemas this month. Plus we give our full coverage of this year's Glasgow Film Festival 2024 including a review of Tummy Monster, La Chimera, and an interview with John Archer, director of Janey, the festival's closing film.

On Truth & Movies this week, we discuss Radu Jude's powerful, experimental dark comedy Do Not Expect Too Much From The End Of The World and spoke to the director Radu Jude about his award-winning film. Then we review Ava DuVernay's equally ambitious look at the work of Isabel Wilkerson in Origin. Finally, for film club its Elia Kazan's look at white-passing privilege in 1949's Pinky.Joining host Leila Latif is Little White Lies Editor David Jenkins and joining us for the first time, we welcomed film critic and podcaster Soma Ghosh.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comTwitter and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

(00:00:35) Ein Berner Anarchist über die Jugendbewegung der 1980er Jahre und wie er vom erfolgreichen Bananen-Händler zum Galeristen für moderne Kunst wurde. (00:18.32) «Do Not Expect Too Much from the End of the World» von Radu Jude – ein wildes Roadmovie aus Bukarest. (00:22:42) Die 12. Swiss Dance Days auch für das breite Publikum – die besten 15 Tanzproduktionen der letzten zwei Jahre in Zürich. (00:27:58) Der Science-Fiction «Dune: Part 2» ist komplex und sehr bildgewaltig. (00:32:07) Fang Fangs Roman «Glänzende Aussichten» erzählt vom harten Leben in Wuhan in den 1980ern.

Empezamos con Radu Jude y su última película No esperes demasiado del fin del mundo, cara a cara en la Muestra de Cine de Lanzarote, con la traducción de Elena Azzedín. Y recorremos, con Pablo de María, la travesía cinematográfica de Tom Waits.Escuchar audio

The nerds review Radu Jude's I Do Not Care if We Go Down in History as Barbarians. Thank You ALL for Helping Support Us! Visit Our Website

For the last episode of Cannesversations this year, Eliana, and Patrick are joined by critic friends Öykü Sofuoğlu (this marks Öykü's second time on the podcast; check out our Cannes episode on About Dry Grasses and May December) and Lawrence Garcia to look back at their favorite films of 2023.Follow Öykü & Lawrence on Twitter/XBelow, you'll find our Top 5 films.Top 5Öykü5 The Human Surge 3 (Eduardo 'Teddy' Williams)4 Afire (Christian Petzold)3 Los delincuentes (Rodrigo Moreno)2 May December (Todd Haynes)1 Do Not Expect Too Much from the End of the World (Radu Jude)Lawrence5 Here (Bas Devos)4 This Closeness (Kit Zauhar)3 Un Prince (Pierre Creton)2 May December1 Arturo a los 30 (Martín Shanly)Eliana5 Our Body (Claire Simon)4 Un Prince3 Sobre todo de noche (Victor Iriarte)2 A Wild Roomer (Lee Jeong-Hong)1 About Dry Grasses (Nuri Bilge Ceylan)Patrick5 About Dry Grasses4 The Human Surge 33 Do Not Expect Too Much from the End of the World2 Inside the Yellow Cocoon Shell (Phạm Thiên Ân)1 The Shadowless Tower (Zhang Lü)At the end of the second episode, we asked Öykü and Lawrence about writings they are proud of or happy with. Öykü interviewed Radu Jude for Mubi's Notebook, which you can find here, and Lawrence referred to his 15,000-word deep dive into David Lynch's Twin Peaks: The Return. Make sure to check both of them out!We wish all of you a happy year of 2024 and are hopeful for many more episodes to come in the new year!

For the last episode of Cannesversations this year, Eliana, and Patrick are joined by critic friends Öykü Sofuoğlu (this marks Öykü's second time on the podcast; check out our Cannes episode on About Dry Grasses and May December) and Lawrence Garcia to look back at their favorite films of 2023.Follow Öykü & Lawrence on Twitter/XBelow, you first find all our honorable mentions, followed by our individual Top 10-6 films.Honorable MentionsÖyküEvil Does Not Exist (Ryûsuke Hamaguchi)Killers of the Flower Moon (Martin Scorcese)Poor Things (Yorgos Lanthimos)About Dry Grasses (Nuri Bilge Ceylan)Here (Bas Devos)LawrenceMusic (Angela Schanalec)The Human Surge 3 (Eduardo Williams)Notre Corps (Claire Simon)In Water (Hong Sang-soo)The Wonderful Story of Henry Sugar (Wes Anderson)ElianaAmiko (Yusuke Morii)MusicSparta (Ulrich Seidl)Do Not Expect Too Much from the End of the World (Radu Jude)The Human Surge 3PatrickForms of Forgetting (Burak Çevik)A Wild Roomer (Lee Jeong-hong)Blackbird Blackbird Blackberry (Elene Naveriani)MusicEureka (Lisandro Alonso)De Facto (Selma Doborac)There Is a Stone (Tatsunari Ota)Remembering Every Night (Yui Kiyohara)This Closeness (Kit Zauhar)May December (Todd Haynes)Fallen Leaves (Aki Kaurismäki)Top 10Öykü10 Yannick (Quentin Dupieux)9 Orlando, My Political Biography8 Riddle of Fire (Weston Razooli)7 Notre Corps6 La bête (Bertrand Bonello)Lawrence10 Totem (Lila Avilés)9 Cerrar los ojos (Víctor Erice)8 In Our Day (Hong Sang-soo)7 The Feeling that the Time for Doing Something Has Passed (Joanna Arnow)6 Forms of ForgettingEliana10 Passages9 Blackbird Blackbird Blackberry8 Yannick7 The Delinquents6 May DecemberPatrick10 Concrete Valley (Antoine Bouge)9 Notre Corps8 Cerrar los ojos7 Here6 La bêteAt the end of the second episode, we asked Öykü and Lawrence about writings they are proud of or happy with. Öykü interviewed Radu Jude for Mubi's Notebook, which you can find here, and Lawrence referred to his 15,000-word deep dive into David Lynch's Twin Peaks: The Return. Make sure to check both of them out!We wish all of you a happy year of 2024 and are hopeful for many more episodes to come in the new year!

Die Viennale ist in vollem Gange und Lucas ist für uns vor Ort. In der ersten Folge vom Festival spricht er Patrick Holzapfel über das literarische und filmkritische Schreiben und diese Filme: - "About Dry Grasses" von Nuri Bilge Ceylan - "In Our Day" von Hong Sang-soo - "Clorindo Testa" von Mariano Llinás - "Eureka" von Lisandro Alonso - "Menus plaisirs - Les Troisgros" von Frederik Wiseman - "Do Not Expect Too Much from the End of the World" von Radu Jude

Battered and broken, their eyes barely staying open, Ralph and Owen are joined by Berlin correspondent George MacBeth for a second heaving helping of LFF. The stakes are high, covering the likes of Radu Jude's towering DO NOT EXPECT TOO MUCH OF THE END OF THE WORLD, Steve McQueen's uneven symphony of OCCUPIED CITY, Mortezai's unexpectedly bracing EUROPA, Scorcese's *shrugging emoji* KILLERS OF THE FLOWER MOON, Franco's divisive MEMORY, Todd Hayne's blistering MAY DECEMBER, Luna Carmoon's drab debut HOARD and Sean Price Williams' promising debut, THE SWEET EAST. And possibly some other things. We're tired. 0.00 Intro 2.14 Do Not Expect Too Much From The End of The World - Radu Jude 25.29 Killers of the Flower Moon - Martin Scorsese 44.47 May December - Todd Haynes 55.13 Memory - Michel Franco 1.07.28 The Sweet East - Sean Price Williams 1.20.30 Hoard - Luna Carmoon 1.36.48 Europa - Sudabeh Mortezai 1.53.05 Occupied City - Steve McQueen

durée : 00:58:06 - Plan large - par : Antoine Guillot - Aujourd'hui dans Plan Large, nous recevons les cinéastes Cédric Kahn pour "Le Procès Goldman" et Radu Jude, pour "N'attendez pas trop de la fin du monde", et aussi N. T. Binh - invités : Cédric Kahn Réalisateur; Radu Jude Cinéaste et scénariste roumain; N.T. Binh Journaliste, critique, enseignant de cinéma (Université Paris 1 Panthéon-Sorbonne)

durée : 00:58:06 - Plan large - par : Antoine Guillot - Aujourd'hui dans Plan Large, nous recevons les cinéastes Cédric Kahn pour "Le Procès Goldman" et Radu Jude, pour "N'attendez pas trop de la fin du monde", et aussi N. T. Binh - invités : Cédric Kahn Réalisateur; Radu Jude Cinéaste et scénariste roumain; N.T. Binh Journaliste, critique, enseignant de cinéma (Université Paris 1 Panthéon-Sorbonne)

"¿Para qué detenerse en las cosas feas del pasado?", dice un personaje: "lo importante es la concordancia y la unión". Es apenas uno de los debates que plantea "No me importa que la historia nos recuerde como bárbaros", largometraje del rumano Radu Jude estrenado en 2018. Porque, ¿cómo se puede opinar sobre el pasado, si no hay consenso sobre lo que ocurrió entonces?

Ep. 193: Locarno 2023 with Jessica Kiang: Radu Jude's Do Not Expect Too Much from the End of the World, Sweet Dreams, Manga D'Terra Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. This week I'm reporting from the Locarno film festival, where Radu Jude's Do Not Expect Too Much from the End of the World, has been a major stand-out. Jessica Kiang (Variety) joins the podcast to discuss Radu Jude's film as well as two more titles in Locarno's competition lineup: Ena Sendijarević's Sweet Dreams and Basil Da Cunha's Manga d'Terra. Please note: the audio in this episode may sound different at one point because of a mic change. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

"Under Capricorn" is a true oddity: an old-fashioned Gothic melodrama which experiments with long takes; a movie set in Australia but visibly shot in a studio; a financial failure that is claimed by some to be one of the master's greatest works. Join us as we explore the film with our special guest Andrei Gorzo - one of Romania's most brilliant film critics and scholars, and a professor at the University of Theatre and Film in Bucharest. His newest book, co-authored with Veronica Lazăr and titled "Beyond the New Romanian Cinema: Romanian Culture, History, and the Films of Radu Jude", will be released this year.

2022 marks the birth centenary of the great filmmaker, writer, and intellectual Pier Paolo Pasolini. To celebrate his legacy, Fireflies Press has published a new book, Pier Paolo Pasolini: Writing on Burning Paper, featuring reflections from Mike Leigh, Helena Wittman, Alexandre Koberidze, Jia Zhangke, Angela Schanelec, and many other filmmakers on the powerful influence the auteur continues to exert on contemporary cinema. To discuss the book and reflect on Pasolini's life and work, Film Comment's Devika Girish and Clinton Krute sat down with Giovanni Marchini Camia, co-publisher of Fireflies Press, and filmmaker Radu Jude, one of the contributors to Writing on Burning Paper. Among other great insights, Giovanni reveals how the title of the book—and in fact, the name “Fireflies Press” itself—was inspired by Pasolini's writings, and Radu recalls his first encounters with Pasolini's work at the Romanian Cinematheque in Bucharest in the early '90s.

Marat/Sade (1967) / I Do Not Care If We Go Down in History as Barbarians (2018) This week we're going into production as we join the crew of Radu Jude's Romanian historical reenactment and get caught in the madhouse of Peter Brook's play-within-a-play