Podcasts about Radu Jude

"Diary of a Chambermaid", by Radu Jude explores everyday life and hidden power struggles, blending theatre, montage, and social satire, based on the book from Octave Mirbeau, and told in an inspired way under the direction of Radu Jude. The post “Diary Of A Chambermaid”, interview with director Radu Jude appeared first on Fred Film Radio.

Tristan Fidler and Simon Miraudo made a date to meet in the Backrooms while Pam Boland watched Say Anything on a plane. So yeah, you could say Movie Squad is back on its bulls***. On their latest Breakfast meeting, Tristan and Simon share their thoughts on Kane Parsons' big screen adaptation of his creepypasta-inspired webseries Backrooms, with Renate Reinsve and Chiwetel Ejiofor falling into his sparse and spooky liminal space. It's now showing in cinemas. Then, they review friend-of-the-show Radu Jude's Dracula, a satirical and obscenely trashy take on Romania's relationship with its famous bloodsucker (and film's relationship to AI), as only the iconoclastic Jude could make. It's now available on digital platforms. Stay tuned for a pod exclusive chat in which Simon and Tristan talk a little more about Radu Jude's provocations, and decide whether or not Chiwetel Ejiofor's unfortunate streak of a decade of bad films has finally ended. Learn about the new season of Tristan's Trash Classics screenings at Luna Cinemas held on the last Friday of every month. Be sure to tune in to RTRFM every Friday at 7:30am to hear Movie Squad live on Breakfast with Pam!

"Diary of a Chambermaid", by Radu Jude explores everyday life and hidden power struggles, blending theatre, montage, and social satire, based on the book from Octave Mirbeau, and told in an inspired way under the direction of Radu Jude. The post “Diary Of A Chambermaid”, interview with director Radu Jude appeared first on Fred Film Radio.

"Diary of a Chambermaid", by Radu Jude explores everyday life and hidden power struggles, blending theatre, montage, and social satire, based on the book from Octave Mirbeau, and told in an inspired way under the direction of Radu Jude. The post “Diary Of A Chambermaid”, interview with director Radu Jude appeared first on Fred Film Radio.

"Diary of a Chambermaid", by Radu Jude explores everyday life and hidden power struggles, blending theatre, montage, and social satire, based on the book from Octave Mirbeau, and told in an inspired way under the direction of Radu Jude. The post “Diary Of A Chambermaid”, interview with director Radu Jude appeared first on Fred Film Radio.

"Diary of a Chambermaid", by Radu Jude explores everyday life and hidden power struggles, blending theatre, montage, and social satire, based on the book from Octave Mirbeau, and told in an inspired way under the direction of Radu Jude. The post “Diary Of A Chambermaid”, interview with director Radu Jude appeared first on Fred Film Radio.

"Diary of a Chambermaid", by Radu Jude explores everyday life and hidden power struggles, blending theatre, montage, and social satire, based on the book from Octave Mirbeau, and told in an inspired way under the direction of Radu Jude. The post “Diary Of A Chambermaid”, interview with director Radu Jude appeared first on Fred Film Radio.

Cannes is almost over, which means it is time to make our Palme d'Or predictions.In this episode, we break down the Cannes competition, make our picks for who we think could win the Palme d'Or, and talk through which films might carry momentum into the Oscar race. We get into the strange energy of this year's festival, the movies that seem built for jury attention, the ones that could break out later, and whether Cannes still feels like the launchpad it used to be.Along the way, we also talk John Travolta's honorary Palme d'Or, Paul Schrader's Cannes grumpiness, Jacob Elordi's jury absence, and the general chaos of trying to read festival buzz from afar. The episode sets up the Palme prediction segment directly in the intro, so this title and thumbnail are aligned with what the show actually promises.Chapters:0:00 Intro0:42 John Travolta's honorary Palme d'Or & Paul Schrader4:24 Setting the stage: Cannes wraps up5:06 Top storylines & the Screen jury grid (Fatherland, Minotaur)9:43 Standing ovations & the clapping arms race12:08 Polarizing films & Fjord (Cristian Mungiu)14:01 Where's Hollywood? Do the studios still need Cannes?20:14 The Bolloré / Canal D scandal22:29 A quiet market & the subtitle problem24:05 Big deals: A24 bidding war & Park Chan-wook's western26:45 Hollywood no-shows: Johansson & Adam Driver27:42 The anti-AI backlash (Soderbergh, del Toro, Radu Jude)32:33 Hope by Na Hong-jin34:59 Jury dynamics & Palme d'Or predictions38:26 Parallel Tales (Asghar Farhadi) flops40:34 Was this a disappointing Cannes?43:04 Golden Globes expands its voting body45:13 Nolan's Odyssey & the casting backlash47:16 Oscar eligibility & the diversity-rule conspiracy56:05 The Daniels cast Matt Damon59:03 Wrap-up & sign-off

Ep. 397: Mark Asch on Cannes 2026: Diary of a Chambermaid, Moulin, ACID Highlights including Detention, Gabin Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. With the 2026 Cannes Film Festival in full effect, I sat down for a chat with series regular Mark Asch, who is filing from Cannes for a number of publications. The films discussed include: Diary of a Chambermaid (directed by Radu Jude), Moulin (Laszlo Nemes), Gabin (Maxence Voiseux), and highlights from the ACID independent program including Detention (Guillaume Massart), Lying Twice, Dying Thrice (Karim Lakzadeh), and Into the Jaws of the Ogre (Mahsa Karampour). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Palvin Barbara babát vár – Cannes-ban már gömbölyödő pocakkal jelent meg Túl sok turista hordja el a homokot, eltűnhet Mallorca egyik legszebb strandja Alföldi Róbert Vidnyánszky Attiláról: Nem szabad az ő kezében hagyni a szakmát Radu Jude megható anya-lánya drámával szól be keletnek és nyugatnak Befutott Steven Spielberg várva-várt ufós sci-fi-thrillerjének új magyar előzetese 53 évesen megszületett Cameron Diaz 3. gyereke Vágó Bernadett és Miller Zoltán hat babát vesztett el néhány év alatt "Te vagy a baj" – Gálvölgyi János miatt tiltották le a tévében a Rodolfo emlékriportját – 115 éve született a bűvészkirály Mi történt vele? - Megszólalt a 60 éves Frei Tamás: "Nem boldog vagyok, hanem pozitív" "Kifeküdtem az útra a kocsija elé" – Liptai Claudia őszintén mesélt egy színész iránt érzett szerelméről, aki nem kért belőle "Nem vagyok nélküle értelmezhető" – félelmeiről beszélt Farkasházi Réka A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Palvin Barbara babát vár – Cannes-ban már gömbölyödő pocakkal jelent meg Túl sok turista hordja el a homokot, eltűnhet Mallorca egyik legszebb strandja Alföldi Róbert Vidnyánszky Attiláról: Nem szabad az ő kezében hagyni a szakmát Radu Jude megható anya-lánya drámával szól be keletnek és nyugatnak Befutott Steven Spielberg várva-várt ufós sci-fi-thrillerjének új magyar előzetese 53 évesen megszületett Cameron Diaz 3. gyereke Vágó Bernadett és Miller Zoltán hat babát vesztett el néhány év alatt "Te vagy a baj" – Gálvölgyi János miatt tiltották le a tévében a Rodolfo emlékriportját – 115 éve született a bűvészkirály Mi történt vele? - Megszólalt a 60 éves Frei Tamás: "Nem boldog vagyok, hanem pozitív" "Kifeküdtem az útra a kocsija elé" – Liptai Claudia őszintén mesélt egy színész iránt érzett szerelméről, aki nem kért belőle "Nem vagyok nélküle értelmezhető" – félelmeiről beszélt Farkasházi Réka A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Ep. 393: Jordan Cronk on Cannes 2026: Directors' Fortnight Preview, Teenage Sex and Death at Camp Miasma, Nagi Notes, Butterfly Jam, plus Play-Doc retro + Jeonju Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. For the 2026 Cannes Film Festival, I'm very happy to start the big show with Jordan Cronk, critic and programmer. We discussed a few films from the first big day of programming: Teenage Sex and Death at Camp Miasma (directed by Jane Schoenbrun, starring Gillian Anderson and Hannah Einbinder), Nagi Notes (Koji Fukada), and Butterfly Jam (Kantemir Balagov, starring Barry Keoghan, Riley Keough, Harry Messing). But I was also treated to a preview of Directors' Fortnight, the Cannes showcase where Cronk is also a program advisor, and which this year includes films by Radu Jude, Alain Cavalier, Dominga Sotomayor, Lisandro Alonso, longtime Apichatpong Weerasethakul collaborato Sompot Chidgasornpongse, and Bruno Dumont. But that's not all! Cronk also shares his visits to two festivals just before Cannes: Play-Doc in Galicia, where he saw a very intriguing retrospective, Spain, and the Jeonju International Film Festival in Jeonju, South Korea. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Francesca Archibugi presenta il suo nuovo film “Illusione” con Jasmine Trinca, Michele Riondino e Angelina Andrei.Claudia Gerini e Giampaolo Moretti vengono a trovarci in studio per presentare “L'amore sta bene su tutto" diretto da Giampaolo Morelli, con Giampaolo Morelli, Max Tortora e Claudia Gerini.Silvio Orlando e Barbara Ronchi ci raccontano “Antartica” film diretto da Lucia Calamaro, con Silvio Orlando, Barbara Ronchi e Valentina Bellè.Con il nostro Boris Sollazzo parliamo di una proposta per famiglie come “Pecore sotto copertura” diretto da Kyle Balda, con Hugh Jackman, Emma Thompson e Nicholas Galitzine e del ritorno di Radu Jude alla regia con “Dracula di Radu Jude” con Adonis Tanta, Oana Maria Zaharia e Gabriel Spahiu.

Dopo un memorabile siparietto con Elisabetta Laurini si parte subito con il caso Avvocato Ligas, la serie più vista su Sky dal 2010 (più di Gomorra!) di cui si attende la seconda stagione. Si passa poi alla stroncatura de Il diavolo veste Prada 2, molto brutto perché le due protagoniste sono alleate anziché antagoniste e il messaggio è di pura retroguardia generazionale. Grande notizia da Netflix: le Cronache di Narnia di Greta Gerwig usciranno davvero in sala, un precedente senza precedenti. Tra i film della settimana c'è il Dracula di Radu Jude, film punk rumeno in cui l'intelligenza artificiale scrive 14 versioni della storia con risultati esilaranti, e Mortal Kombat 2, brutto ma fieramente di serie Z come negli anni '90. Ai David vince La città di pianura, vittoria giusta. Menzioni per il carino Noi due sconosciuti, il buon Yellow Letter e il mistero di Pecore sotto copertura, il giallo inglese con le pecore investigatrici che nessuno è riuscito a vedere. In chiusura il caso The Seed, boicottato ma terzo per spettatori, e l'annuncio della partenza per Cannes.

Kaj naredi film, vreden ponovnega ogleda? Marcel Štefančič, jr., je prepričan, da slovenski film skozi svojo zgodovino ni nastajal v vakuumu, temveč v dialogu z drugimi filmi, kinematografijami in filmskimi zgodovinami. V Kinodvoru bo na sporedu njegov letošnji izbor ''slovenskih filmov, ki jih vse preredko vidimo'', tokrat iz šestdesetih, sedemdesetih in osemdesetih let. V Slovenski kinoteki si bomo ob živi glasbeni spremljavi lahko ogledali Moža s kamero Dzige Vertova, film, ki je leta 1929 sistematično razgradil vse, kar je takratni film jemal za samoumevno, in ki ga je filmska teorija rehabilitirala šele desetletja pozneje. Iz Linza poročamo o festivalu Crossing Europe, ki se vsako leto ukvarja z vprašanjem, kaj evropski avtorski film sploh je in kje so njegove meje. In končno, o tem, kaj pomeni kino, bo spregovoril tudi romunski režiser Radu Jude ob svojem novem filmu Kontinental '25.

Bivša profesorica prava Orsolya dela kot sodna izvršiteljica, pri čemer skuša upoštevati tudi človeški vidik. Za nalogo dobi izselitev brezdomca, nekdaj uspešnega športnika. Ta si je uredil zasilno bivališče v kleti zapuščene hiše, ki jo bodo porušili zaradi graditve butičnega hotela. Toda med samim postopkom brezdomec stori samomor, kar postavi vsa življenjska prepričanja in izkušnje Orsolye na preizkušnjo. Eden od prvakov »novega romunskega filma« Radu Jude v svojem celovečercu Kontinental '25 pretresa zasebne moralne dileme, pravni sistem in potranzicijske družbene anomalije. Film je dolgo potovanje na konec noči o vprašanju osebne krivde in javne odgovornosti ter odrešitve, ki jo Orsolya med srečanji s prijateljicami, družinskimi člani in znanci v transilvanskem mestu Cluj išče zaman. Radu Jude na stanje stvari, če lahko temu tako rečemo, pogleda z različnih vidikov in poti Orsolye se kot naključno prekrivajo z lokacijami, na katerih je svoj zadnji dan preživel brezdomec. Radu Jude ostaja zvest svojemu značilnemu črnohumornemu ljudomrzništvu in seciranju licemerstva in laži, ki ju ima pravzaprav za osnovno družbeno vezivo, poleg sovraštva do vseh »drugih«: narodnih manjšin, Romov, priseljenskih delavcev … Gaza in Ukrajina pa sta tako ali tako prerasli v prispodobo, v globalni odsev vseh naših lokalnih, vsakdanjih hinavščin. Celovečerec je na prvi pogled vizualno neambiciozen, veliko je statičnih prizorov dialogov, v katere so vpletena številna imena ustvarjalcev. Filmski sliki kot da bi manjkalo globine, kar ni nepomembno (mimogrede, celovečerec je bil posnet na iPhone 15) in vezno tkivo med pripovednimi sklopi so posnetki sodobnih romunskih nepremičnin kot nekakšnih tihožitij v posmeh ozujevski poetiki. Hkrati pa imajo tudi na videz nepomembne podrobnosti svojo vlogo. Radu Jude razkazuje svoje enciklopedično znanje in v celovečerec je vpletenih toliko hipnih citatov, da bi lahko govorili kar o metafilmu. Orsolya bere »Povojno zgodovino Evrope« Tonyja Judta, brezdomec hodi po ulici Émila Zolaja, kamera se zadrži na kipih osebnosti, zaslužnih da je etnična madžarska Transilvanija pripadla Romuniji, v ozadju se pojavita plakata za Buñuelovega Grobijana iz leta 1952 in Rosselinijevo Evropo '51 iz istega leta, na katera se navezuje tudi pripovedna struktura Kontinentala '25. Junakinja zaspi ob Ulmerjevem Obvozu iz leta 1945, kultnem noirju o nesrečnih naključjih in izgubljenih iluzijah, in tako naprej ... Film Kontinental '25, ki je bil lani nagrajen za najboljši scenarij na Berlinalu, je intelektualna satira, ki nudi več užitka ob razmišljanju o njem in navzkrižnem preverjanju referenc kot ob samem ogledu; ki ti pusti suh cmok v grlu. Sicer pa to, da bi nas zazibal v lagodnost, tudi nikoli ni bil avtorjev namen …

Inflaţia s-a apropiat de 10% şi loveşte puternic în speranţa de creştere economică (Ziarul Financiar) - Noii şefi ai marilor parchete îşi încep miercuri mandatele de trei ani (Adevărul) - Ajuns de trei ani în Parlament, Codul urbanismului este încă în sertar la Camera Deputaților / România riscă să piardă peste 1 miliard de euro din PNRR (HotNews) - “Jurnalul unei cameriste”, cel mai recent film regizat de Radu Jude, va avea premiera la Cannes, în cadrul secțiunii Quinzaine des Cinéastes (Cultura la dubă) Inflaţia s-a apropiat de 10% şi loveşte puternic în speranţa de creştere economică (Ziarul Financiar) Politicile proaste din trecut, deficitul bugetar aflat la cote greu de susţinut, se văd azi în banalitatea unei etichete la raft: preţurile cresc, în ciuda consumului în scădere. Criza din piaţa mondială a petrolului a adăugat, în martie, 0,6% la inflaţie, ajunsă la 9,9%, anual, faţă de 9,3%, în februarie. România rămâne, aşadar, pe primul loc în topul european al inflaţiei, în ciuda reducerii consumului casnic şi a consumului guvernamental. Inflaţia în România este de trei ori mai mare decât în Germania, de şase ori mai mare ca în Italia, de cinci ori mai mare ca în Belgia, de cinci ori mai mare ca în Franţa, notează ZF. Noii şefi ai marilor parchete îşi încep miercuri mandatele de trei ani (Adevărul) Ziarul reamintește că este vorba despre Cristina Chiriac - procuror general al Parchetului de pe lângă Înalta Curte de Casaţie şi Justiţie, Ioan-Viorel Cerbu - procuror-şef al Direcţiei Naţionale Anticorupţie şi Codrin-Horaţiu Miron - procuror-şef al Direcţiei de Investigare a Infracţiunilor de Criminalitate Organizată şi Terorism. Săptămâna trecută, preşedintele Nicuşor Dan a anunţat că a semnat decretele pentru numirea şefilor marilor parchete, în urma propunerilor primite de la ministrul Justiţiei, Radu Marinescu. „După acest moment, aşteptarea pe care o am de la Parchete şi, implicit, de la şefii Parchetelor este o dinamizare a activităţii pentru a răspunde aşteptărilor românilor. De marea corupţie se ocupă DNA, de corupţia curentă se ocupă Parchetul General. De la DIICOT îmi doresc destructurarea marilor reţele de droguri şi a marilor reţele de evaziune fiscală”, afirma Nicuşor Dan, într-o conferinţă de presă susţinută la Palatul Cotroceni. Președintele oberva și că „sistemul nostru judiciar a transformat procurorii într-un fel de funcţionari apăsaţi de mii de dosare şi care nu mai au timpul necesar ca să se uite la dosarele care sunt cu adevărat de impact pentru societate. Şi una din preocupări va fi despre cum să punem în balanţă activitatea asta de rutină care este necesară şi cum putem să o simplificăm, să o standardizăm şi cum să lăsăm totuşi timp procurorilor pentru a se ocupa de acele dosare importante cu impact asupra societăţii”, a afirmat şeful statului. Șefii marilor parchete au mandate legale de doar 3 ani, care pot fi reînnoite doar o singură dată. Fețele lui Kelemen Hunor. Își asumă eșecul alături de Orbán? (DW) Liderii UDMR continuă să creadă că susținerea lor față de Viktor Orbán și Fidesz, partidul acestuia, a fost întemeiată. Kelemen Hunor, președintele Uniunii Democrate Maghiare din România, a declarat că formațiunea sa nu are motive „să-și pună cenușă-n cap” fiindcă a susținut Fidesz la alegerile generale de duminică. Relația de vasalitate a UDMR față de Viktor Orbán și Fidesz era atât de serioasă încât în cele două turnee făcute anul trecut de Péter Magyar în Transilvania niciunul dintre membrii marcanți ai Uniunii nu a vrut să se vadă cu el. Politețea ardelenească a fost înlocuită de orbirea lor politică. Cât de credibil mai poate fi Kelemen Hunor în fața maghiarilor din Transilvania? Care dintre fețele lui mai poate fi luată în serios: cea pro-europeană clamată la București sau cea pro-Orbán, iliberalul pro-rus pe care l-a susținut la Budapesta și în fața maghiarilor ardeleni? Cât de sincer a fost liderul UDMR cu fiecare dintre părți? Dar cu el însuși?, se întreabă jurnalista Sabina Fati în analiza publicată pe pagina DW. UDMR a avut meritul să susțină propaganda lui Viktor Orbán în așa fel încât maghiarii ardeleni să creadă că doar Ungaria îi ajută cu adevărat, deși în paralel administrațiile din secuime și nu numai, primeau finanțări importante de la guvernul român. După ce Viktor Orbán a pierdut puterea la Budapesta, UDMR încearcă o repliere, o nouă înțelegere cu învingătorul, cu Péter Magyar și partidul său,Tisza, eventual înainte să apară în presa ungară numele celor din Uniune care au beneficiat personal de afacerile susținute de guvernele ungare din ultimii 16 ani. Între timp, Kelemen Hunor ar trebui să-și asume înfrângerea alături de Viktor Orbán, mai ales că este în fruntea UDMR de 15 ani, o perioadă prea lungă pentru un politician, oricât de talentat ar fi și oricâte fețe poate avea. Ajuns de trei ani în Parlament, Codul urbanismului este încă în sertar la Camera Deputaților / România riscă să piardă peste 1 miliard de euro din PNRR (HotNews) Mai multe puncte la care politicienii nu au reușit să se pună de acord blochează de luni de zile la Comisia de administrație publică de la Camera Deputaților Codul urbanismului, un proiect care va reuni legislația ce vizează amenajările și construcțiile, pentru mai puțină birocrație.  Potrivit HotNews, punctele de divergență sunt:  construcțiile pe plajă,  construcțiile pe spații verzi,  o parte din referendumul lui Nicușor Dan, ca autorizarea construcțiilor și a planurilor urbanistice să treacă de la Primăriile de Sector, la Primăria Capitalei,  chestiuni juridice legate de certificatele de urbanism și atacarea în instanță a autorizațiilor și documentațiilor de urbanism. Codul urbanismului trebuie aprobat până la vară, pentru ca România să nu piardă peste 1 miliard de euro, fonduri din PNRR.  Termenul final al PNRR este 31 august 2026, dar în iulie și august este vacanță parlamentară, astfel că el poate fi adoptat cel târziu în iunie.   “Jurnalul unei cameriste”, cel mai recent film regizat de Radu Jude, va avea premiera la Cannes, în cadrul secțiunii Quinzaine des Cinéastes (Cultura la dubă) “Jurnalul unei cameriste”/ “Le journal d'une femme de chambre“, cel mai recent film regizat de Radu Jude, va avea premiera la Cannes, în cadrul secțiunii Quinzaine des Cinéastes. Acesta este primul film realizat de Jude în afara României, cu o echipă mixtă, de români și francezi. Filmările au avut loc în Franța și România. În rol principal joacă actrița Ana Dumitrașcu. Filmul este produs de un cunoscut producător francez, Saïd Ben Saïd. Despre proiect și colaborarea cu acesta, Radu Jude a vorbit într-un interviu pentru Cultura la dubă, realizat în august 2025.

Ep. 389: Amy Taubin on The Christophers, Ken Jacobs Tributes, Kontinental 25, her New Directors pick, Elvira Notari, Crimson Gold, plus Fiume o Morte! Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. It's Amy Taubin Time! I'm delighted to share another conversation with Amy Taubin, covering new releases and repertory selections. Among the new films included are The Christophers (directed by Steven Soderbergh, starring Ian McKellen and Michaela Coel), Kontinental 25 (Radu Jude), Fiume o Morte! (Ivan Bezinovic), and from New Directors New Films 2025, Chronovisor (Kevin Walker and Jack Auen). Taubin also discusses the city-wide tribute to the late Ken Jacobs, aka The Whole Shebang, screening across New York, as well as a documentary about pioneering filmmaker Elvira Notari. Plus, as some cultural counterprogramming to the news: we revisit a pivotal Jafar Panahi film from the 2000s, Crimson Gold. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Project Hail Mary and The Bride! lead a March roundup, along with Hoppers, Heel, By Design, Undertone, Radu Jude's Dracula, Yes, Zach Cregger's Mars and Peaky Blinders: The Immortal Man. Plus, Aaron Brooks (@incubrooks) of ⁠⁠⁠Why We Love Horror⁠⁠⁠⁠ returns (53:00) to share the movies that made him who he is in our latest MovieBio.Also, Blindspot Swap™ reviews Scott Pilgrim vs the World and Four Lions, plus new swaps for next episode, as well as a Classics Corner.Outre: Sandra Huller cover of Harry Styles' "Sign of the Times" (2026) - NO LICENSE ISSUE AS ONLY A BRIEF EXCERPT

"Kontinental '25" is a Romanian absurdist black comedy-drama film written and directed by Radu Jude. It stars Eszter Tompa as a bailiff in Cluj-Napoca who faces a moral crisis when a homeless man she has evicted kills himself. Its title is inspired by the Roberto Rossellini film Europe '51. An international co-production between Romania, Brazil, Switzerland, the United Kingdom, and Luxembourg, the film premiered at the 2025 Berlin International Film Festival, where it won the Silver Bear for Best Screenplay. Jude was kind enough to return to the podcast and spend some time talking with us about his work and experience making the film, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from 1-2 Special. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Ep. 381: Berlin 2026 – Rachel Pronger on The Blood Countess, No Good Men, The Radu Jude Short, The Fabulous Time Machine, The Cruel Woman Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. As the 2026 Berlinale enters its second week, I continue my series covering the highlights. This time I welcome a new guest to the podcast, Rachel Pronger, critic and co-founder of Invisible Women, an archive activist feminist film collective which champions historic work by women and marginalized gender filmmakers through curation, events, and editorial. We began with a revival selection from the festival's Teddy 40 anniversary series, Seduction: The Cruel Woman, co-directed by Elfi Mikesch and Monika Treut. Then we discuss premieres from across the festival: The Blood Countess (directed by Ulrike Ottinger, from Berlinale Special Gala), the opening film No Good Men (Shahrbanoo Sadat), The Fabulous Time Machine (Eliza Capai and Daniel Grinspum, from Generation Kplus), Crocodile (The Critics and Pietra Brettkelly) and a new short film from Radu Jude, Plan Contraplan (from Shorts Program 4). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Ep. 361: Amy Taubin on Richard Linklater's Fall Doubleheader, It Was Just an Accident, The Secret Agent, Mr. Scorsese, Cover-Up, BLKNWS, Kontinental '25 Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. As the week of Thanksgiving begins, I give thanks for... Amy Taubin! She returns to The Last Thing I Saw to discuss some new releases, including key titles that have been making their way into theaters after screening in The New York Film Festival and elsewhere. Titles addressed by Taubin include: Richard Linklater's double triumph of Nouvelle Vague and Blue Moon; It Was Just an Accident, from Jafar Panahi; The Secret Agent, from Kleber Mendonça Filho; Rebecca Miller's streaming series Mr. Scorsese; Kahlil Joseph's BLKNEWS: Terms & Conditions; Kontinental '25 from Radu Jude; the Seymour Hersh documentary Cover-Up, from Laura Poitras and Mark Obenhaus; and memories from the NYFF secret screening of Marty Supreme. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

From its nearly three-hour runtime to its deployment of some of the most deranged CGI you've ever seen committed to screen, Radu Jude's DRACULA often feels like an extended act of trolling, but is it art? The answer to that question is inextricable from the film's presentation of AI-derived art as grotesque, inhuman, and unsatisfying, and it makes DRACULA arguably more entertaining to discuss than it is to watch. So after attempting to pull some meaning out of what the critic in 8 1/2 might describe as DRACULA's “series of gratuitous episodes,” we move into Connections for a study in contrasts between Fellini's portrait of an artist struggling to make a personal work, and Jude's evisceration of a charlatan trying to outsource artistry to a machine. Then in Your Next Picture Show, we discuss another film we considered as a DRACULA pairing that may not be quite as celebrated as 8 1/2, but we nonetheless recommend as another depiction of a filmmaker in creative crisis: Christopher Guest's debut feature, THE BIG PICTURE. Please share your thoughts about 8 1/2, DRACULA, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next episode: A celebration of Peter Bogdanovich's THE LAST PICTURE SHOW, and 500 episodes of a niche film podcast named after it. Intro: 00:00:00-00:01:57 Dracula discussion: 00:01:57 - 00:27:20 Dracula/8 1/2 Connections: 00:27:20 - 00: 48:11 Your Next Picture Show and goodbyes: 00:48:11-end Learn more about your ad choices. Visit megaphone.fm/adchoices

Radu Jude's DRACULA is, technically speaking, yet another movie about one of the most depicted antagonists in all of cinema, but in actuality it's about a different beast that has fascinated filmmakers for nearly as long: filmmaking. Within the grand tradition of “movies about moviemaking,” DRACULA's surreal humor, combined with its focus on a struggling filmmaker fantasizing about the film he might make, gave us an excuse to revisit an all-time classic of the form, Federico Fellini's 8 1/2. So this week we search for meaning within 8 1/2's reveries of a blocked creative mind, interrogate the “semi” part of Fellini's semi-autobiographical approach, and touch on some of the other films that exist in the shadow of this one. Then in Feedback, our recent pairing of RUNNING ON EMPTY and ONE BATTLE AFTER ANOTHER inspires a supplementary-listening suggestion for the former, and a head canon explanation for one of our questions about the latter.Please share your thoughts about 8 1/2, DRACULA, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.Intro: 00:00:00-00:05:128 1/2 Keynote: 00:05:12-00:11:398 1/2 Discussion: 00:11:39-48:26Feedback/outro: 00:48:26-end Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a text5:58 Ballad of a Small Player14:36 Hedda21:23 Stitch Head27:11 It Was Just An Accident33:23 Anniversary39:06 Violent Ends45:03 Radu Jude's Dracula54:02 Self-Help59:28 If I Had Legs I'd Kick YouIt's a 9-movie week here on 'Roger (Ebert) & Me,' the only comprehensive 'Siskel & Ebert'-style review show out there. A film criticism podcast.  Please rate and review on Apple Podcasts. Even if you're on Spotify or YouTube, jump over there and throw us 5 stars. We can't get on RottenTomatoes until 200 people rate it!  'Roger & Me' is a movie review podcast covering all new releases, both theatrical and streaming, every Friday, modeled after 'Siskel & Ebert.'  Hosted by Mark Dujsik of markreviewsmovies.com & Brett Arnold of Yahoo Entertainment and The New Flesh podcast, a show about horror movies that is currently celebrating its tenth year.Support the show

"Dracula" is a Romanian satirical comedy-drama film written and directed by Radu Jude. The film title is inspired by the Gothic horror novel by Irish author Bram Stoker, "Dracula." Set in contemporary Transylvania, it explores the legend of Dracula through Romanian lenses while examining modern dystopia through the timeless allure of vampire lore, crafting a biting, gleefully profane takedown of AI, capitalism, and our decaying culture. The film had its world premiere in the main competition of the 78th Locarno Film Festival, where it received polarizing reviews. It's par the course for Jude, but he still has his own opinions on how audiences are receiving his 170-minute bonkers film. Jude was kind enough to spend some time speaking with us about his experience working on the film, which you can listen to below. Please be sure to check out the film, which will be released in theaters on October 29th by 1-2 Special. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Ep. 357: Radu Jude on his new film Dracula, plus One Battle After Another, shooting his next film, and more Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Radu Jude's latest film, Dracula, is a fervidly imaginative, joyously profane look at this enduring myth through multiple stories, riffing on past tellings, a dinner theater, Francis Ford Coppola's film, a sweatshop run by vampires, assorted AI grotesquerie, and more. As a fan of Radu Jude's work, I couldn't resist another conversation with the multiple-award-winning Romanian director of Do Not Expect Too Much from the End of the World. He also dug into the history of the Dracula story in Romania and shared his recent viewing and reading, including thoughts on One Battle After Another. Dracula opens in theaters on October 29. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Hrdinkou satirického filmu Kontinental '25 je soudní vykonavatelka, která se pokouší vystěhovat bezdomovce z kotelny, aby majitel objekt mohl začít rekonstruovat. Celé se to ale zvrtne. Telefonem natočený snímek nahlíží gentrifikaci rumunské Kluže, války svědomí a situaci postsocialismu. „Radu Jude je podle mě velice nesystematický režisér, který má strašně systematický zájem o současnost, o kapitalismus, o to, jak dopadá na naše životy,“ vypichuje kritik Pavel Sladký.

durée : 00:49:29 - Le Masque et la Plume - par : Rebecca Manzoni - “Nouvelle Vague” de Richard Linklater, “Chien 51” de Cédric Jimenez, “Deux pianos” d'Arnaud Desplechin ou encore “Dracula” de Radu Jude, quels sont les films à aller voir dans les salles obscures cette semaine ? - invités : Pierre Murat, Florence COLOMBANI, Jean-Marc Lalanne, Murielle Joudet - Pierre Murat : Journaliste et auteur, Florence Colombani : Journaliste et critique cinéma (Le Point), Jean-Marc Lalanne : Critique de cinéma et rédacteur en chef du magazine Les Inrocks, Murielle Joudet : Critique cinéma française - réalisé par : Stéphane LE GUENNEC Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

As the 63rd New York Film Festival drew to a close last weekend, it was once again time for Film Comment's Festival Report, our annual live overview of the NYFF that was. FC Editor Clinton Krute was joined by critics Molly Haskell, J. Hoberman, and Beatrice Loayza for a spirited wrap-up analysis of the highlights and lowlights from the NYFF63 lineup. In front of a lively audience, the panel discussed and debated Radu Jude's Kontinental '25, Noah Baumbach's Jay Kelly, Kelly Reichardt's The Mastermind, Lav Diaz's Magellan, Mary Bronstein's If I Had Legs I'd Kick You, Alexandre Koberidze's Dry Leaf, and many other selections.

durée : 00:58:49 - Plan large - par : Antoine Guillot - Ce samedi, on culpabilise en Transylvanie et on communique avec Gaza : nous sommes avec Radu Jude et Sepideh Farsi ; et aussi Luck Razanajaona, et encore Sophie-Catherine Gallet. - réalisation : Anne-Laure Chanel - invités : Sepideh Farsi Cinéaste; Radu Jude Cinéaste et scénariste roumain; Luck Razanajaona cinéaste; Sophie-Catherine Gallet Collaboratrice à France Culture, critique de cinéma à Revus et corrigés, cinéaste

durée : 00:58:49 - Plan large - par : Antoine Guillot - Ce samedi, on culpabilise en Transylvanie et on communique avec Gaza : nous sommes avec Radu Jude et Sepideh Farsi ; et aussi Luck Razanajaona, et encore Sophie-Catherine Gallet. - réalisation : Anne-Laure Chanel, Anne-Vanessa Prévost - invités : Sepideh Farsi Cinéaste, Radu Jude Cinéaste et scénariste roumain, Luck Razanajaona cinéaste, Sophie-Catherine Gallet Collaboratrice à France Culture, critique de cinéma à Revus et corrigés, cinéaste Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:58:49 - Plan large - par : Antoine Guillot - Ce samedi, on culpabilise en Transylvanie et on communique avec Gaza : nous sommes avec Radu Jude et Sepideh Farsi ; et aussi Luck Razanajaona, et encore Sophie-Catherine Gallet. - réalisation : Anne-Laure Chanel, Anne-Vanessa Prévost - invités : Sepideh Farsi Cinéaste, Radu Jude Cinéaste et scénariste roumain, Luck Razanajaona cinéaste, Sophie-Catherine Gallet Collaboratrice à France Culture, critique de cinéma à Revus et corrigés, cinéaste Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:58:49 - Plan large - par : Antoine Guillot - Ce samedi, on culpabilise en Transylvanie et on communique avec Gaza : nous sommes avec Radu Jude et Sepideh Farsi ; et aussi Luck Razanajaona, et encore Sophie-Catherine Gallet. - réalisation : Anne-Laure Chanel, Anne-Vanessa Prévost - invités : Sepideh Farsi Cinéaste, Radu Jude Cinéaste et scénariste roumain, Luck Razanajaona cinéaste, Sophie-Catherine Gallet Collaboratrice à France Culture, critique de cinéma à Revus et corrigés, cinéaste Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:27:54 - Les Midis de Culture - par : Marie Labory - Radu Jude a tourné 28 films en 20 ans de carrière, entre fictions, documentaires, longs et courts-métrages, films expérimentaux... la star du cinéma indépendant roumain revient avec Kontinental' 25, une tragicomédie grinçante qui ausculte les failles de nos sociétés contemporaines. - réalisation : Laurence Malonda - invités : Radu Jude Cinéaste et scénariste roumain

No sempre passa però avui en la roda de premsa prèvia a la 58a edició del Festival Internacional de Cinema Fantàstic de Sitges s'ha anunciat la pel·lícula que cloura el certamen, serà The long walk (la larga marcha), de Francis Lawrence, que adapta la novel·la homònima d'Stephen King amb una pel·lícula molt gràfica i molt dura segons el director, Àngel Sala. Qui és director artístic del Festival de Sitges, juntament amb la directora de la Fundació del Festival, Mònica Garcia, han presentat a la Casa Seat de Barcelona el gruix destacat de pel·lículas que es podran veure entre el 9 i el 19 d'octubre a Sitges agrupades per seccions. En l'espai Òrbita, espai dedicat als films de més acció i aventura han destacat la xinesa Trapped, la coreana Sad tòpics o Find your friends, de qui Àngel Sala n'augura serà un xoc per al públic. En la secció Sitges Collections que inclou "les perles" del Festival n'han destacat títols com el film d'animació Arco, produïda per Nathalie Portman, una de les pel·lícules més gore d'aquesta edició, Bugonia o Frankestein de Guillermo del Toro. Pel que fa a la Secció Oficial que agrupa el gruix més grans de pel·lícules en destaquen Chain51 de qui els crítics diuen que és la Blade Runner francesa, la divertida Death of a Unicorn, el Drácula del romanés Radu Jude, gairebé tres hores de pel·lícula desconcertant. Altre títols destacats Esa cosa con alas, Good boy molta por amb un gos de protagonista, If I Had Legs I'd Kick You(Si pudiera, te daría una patada), probablement una de les sorpreses del Festival segons Àngel Sala que parla sobre la maternitat o La Leyenda de Ochi apte per a tota la família . També hi haurà presència de cinema nacional amb Decorado de Alberto Vázquez, Gaua de Paolo Urkijo o Silencio d'Eduardo Casanova. Pel que fa als convidats especials que rebran Premi Honorífic destaca Carmen Maura que rebrà el guardó el primer dia del Festival alhora que es projectarà Vieja Loca, film que interpreta i que produeix J.A. Bayona. Altres noms destacats són Joe Dante, padrí de la relació de l'humor i el terror i referent del cinema dels anys 80 amb títols com Gremlins i Terry Gilliam, membre dels Monty Phyton i director de Los caballeros de la mesa cuadrada o 12 Monos. Rebran també Màquina del Temps Enzo G.Castellari, William Fichtner, Bean Wheatley i Benedict Cumberbatch. Pel que fa als noms femenins el programa Woman in Fann destaca tres grans dones, Gale Anne Hurd Hunt, productora de Terminator, entre d'altres; Mery Harron, responsable d'American Phsyco i Nancy Loomis, un dels rostres més coneguts del cinema dels 70 i 80. Aquí teniu la roda de premsa íntegra amb Mònica Garcia i Àngel Sala. L'entrada Carmen Maura, Joe Dante i Terry Gilliam, convidats d’honor al Festival de Cinema de Sitges que clourà la 58a edició amb The long walk, adaptació de la novel·la distòpica d’Stephen King ha aparegut primer a Radio Maricel.

¿Hemos visto suficientes vampiros en el cine? Todos saben la historia de Drácula/Nosferatu pero en este episodio vamos a ver si el monstruo ha sido explorado tantas veces que ya no queda nada más por contar.Tú también puedes apoyar la creación de este y más programas y recibir crédito (para que aumentes currículum) y otros extras exclusivos en www.patreon.com/churrosypalomitas.Puedes suscribirte en YouTube para ayudarnos a producir más contenido de calidad, así como en apoyar este proyecto donando el dinero de Jeff Bezos y a ti no te cuesta nada! Instrucciones aquí.Lecturas de interés: El vampirismo en la literatura.Vampiros en el cine. Las versiones de Nosferatu.La influencia de Anne Rice.¿No están cansados? Por que viene otra versión de Dracula de un tal Radu Jude. Esto iba para "nunca leas los comentarios" de gente que sin ver una película ya la anda juzgando. En fin.Esta entrega fue traída gracias a:Productora Ejecutiva: Blanca LópezCo-Productor: Dany SaadiaCo-Productor: Román RangelAgradecimiento especial a nuestros Patreons: Adriana Fernández, Agustín Galván, Cris Mendoza, Jaime Rosales, Juan Espíritu, Luiso Uribe, Óscar G. Campos Zert, Álvaro Vázquez, Arturo Manrique, Fabiola Sándoval, Lau Berdejo, Marce, Alejandro Alemán, Arturo Aguilar, Enrique Vázquez, Ernesto Diezmartínez, Jorge I. Figueroa, Mariana Padilla, Tania RG y Fernando Alonso.¡Gracias a nuestros suscriptores en Twitch ! Gracias a soyuncadavermx y LFMacías por su apoyo.Tú también puedes apoyar la creación de este y más programas y recibir crédito (para que aumentes currículum) y otros extras exclusivos en www.patreon.com/churrosypalomitas¿Quieren continuar la discusión? Tenemos nuestro canal de Discord de Charlas y Palomitas, con distintos temas, unos solo para productores del show y otros para toda la banda.

The Locarno Film Festival takes place every August in the Swiss town of Locarno, at the base of the Alps, with a robust mix of new discoveries, repertory selections, and premieres of films by major auteurs. Film Comment was on the ground this year, combing through the lineup for highlights, and this episode—featuring critics and programmers Inney Prakash and Cici Peng in conversation with FC Editor Devika Girish—covers some of the notable titles: Radu Jude's Dracula (3:09), Alexandre Koberidze's Dry Leaf (16:10), Kamal Aljafari's With Hasan in Gaza (23:45), Sophy Romvari's Blue Heron (30:38), and more

GET THE FULL EPISODE AT patreon.com/extended_clip Today's episode is on Radu Jude's Godardian theatrical farce about facing the dark side of your nation's past, I Do Not Care if We Go Down in History as Barbarians. Then, an email segment on our favorite podcasts of all time and our piracy origins.

Her hafta Canlı Yayında sinema ve televizyon gündemini konuşuyoruz, haftanın öne çıkan dizi ve filmlerini yorumluyoruz, ilgimizi çeken konuları tartışıyoruz, listeler yapıyoruz, goygoydan geri kalmıyoruz...00:00 | Giriş04:15 | Alien: Earth41:15 | En İyi 10 Komedi Dizisi1:16:00 | Weapons Sansürlendi mi?  1:26:35 | Zach Cregger ve Resident Evil 1:29:35 | DiCaprio'nun En Büyük Pişmanlığı1:31:15 | Bourne'un Hakları Universal'da 1:34:55 | Park Chan-wook WGA'dan Kovuldu 1:37:25 | Variety'nin Tartışmalı Weapons Yazısı 1:42:25 | Spike Lee'den Sinners'a Övgü 1:44:35 | Radu Jude'nin Frankenstein'ından Heyecan Verici Haber1:45:35 | Daniel Radcliffe'in Reddettiği Teklif 1:47:45 | Superman'in İkinci Filminin Senaryosu Hazır 1:48:20 | Denzel Washington'ın Oscar Açıklaması 1:49:25 | Uyarlamala Katilleri İş Başında  1:51:40 | Josh Safdie'nin Marty Supreme Filminden İlk Fragman1:54:00 | Daniel Day-Lewis'in Emeklilik Sonrası İlk Rolü: Anemone

Ep. 337: Keva York on Locarno 2025: Dracula, Legend of the Happy Worker, plus The Seasons Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I'm reporting from the Locarno film festival, which annually rolls out an adventuresome sale of films. For my latest episode I'm joined by Keva York, a critic and an editor of the festival's Pardo publication. Titles discussed include the highly anticipated Dracula (directed by Radu Jude), Legend of the Happy Worker (Duwayne Dunham), and The Seasons (Maureen Fazendeiro). Ambient sound is courtesy of our recording location, the lounge of the GranRex cinema, one of the festival's venues. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Prieteni, suntem bucuroși că Radu Jude, unul dintre cei mai apreciați regizori din România, a poposit în studioul Vorbitorincii. Filmele lui sunt provocatoare, incomode și profund actuale și avem timp suficient să povestească despre toate cele. Cu filmul „Babardeală cu bucluc sau porno balamuc" a câștigat Ursul de Aur la Berlin și ne întrebăm dacă ar face un film despre Ion Iliescu cum ar arăta. Altfel, vă povestim ce am mai făcut și ce planuri avem pentru toamnă, rubrica de cărți are locul binemeritat, avem și-un pic de fotbal și vă întâlniți și cu distinsa Diana Popescu.  Care este cel mai bun film românesc din punctul vostru de vedere? Scrieți-ne în comentarii, unde așteptăm și opiniile voastre și, dacă v-a plăcut episodul, trimiteți linkul mai departe, să-l vadă cât mai multă lume. Vizionare plăcută! 00:01:29 - Algoritmi, controverse din jurul romanului Vraciul, de Tadeusz Dołęga-Mostowicz, și al scriitorului Paulo Coelho, dezvăluim câteva idei pe care vrem să le ducem la înfăptuire în această toamnă, câteva amintiri despre Ion Iliescu - episodul acesta a fost filmat luni, pe 4 august.  00:45:31 - România, o JUDEcată ca-n filme. O întâlnire memorabilă cu regizorul Radu Jude 02:16:31 - Spuma filelor vă aduce Cântec deasupra cenușii - Ramona Gabăr, Occidentul debusolat - Jean-Loup Bonnamy, Povara crucii - Ismail Kadare 02:39:03 - Fotbal și fotbalamuc și năstrușniciile echipelor românești în Europa 02:48:09 - Vânătorile Dianei - recomandări culturale pentru următoarea perioadă

Ve čtrnáctém díle videopodcastu týdeníku Respekt Dělníci kultury spolu Jindřiška Bláhová, Pavel Turek a Pavel Kroulík debatují o tom, co je v uplynulém týdnu v kultuře potěšilo, zaujalo a o své aktuální práci. Tentokrát došlo na:- filmy Sbormistr (Ondřej Provazník, 2025), Raději zešílet v divočině (Miro Remo, 2025), Letní škola, 2001 (Dužan Duong, 2025), I Died in Irpin (Anastasiia Falileieva, 2024), Hurikán (Jan Saska, 2025), Karavan (Zuzana Kirschnerová, 2025), Kontinentaal 25' (Radu Jude, 2025), Dva prokurátoři (Sergej Loznica, 2025) a F1 (Joseph Kosinski, 2025) - koncert kapely Ida the Young v pražské MeetFactory- portrét hudebního vydavatelství mappa a jeho lídra a spisovatel Jakuba Juháse- knihy Portrét vědce v systému postindustriální společnosti od Josefa Pánka (Argo), Čas vos od Aleny Mornštajnové (Host), Úlice od Jakuby Katalpy (Host), Vekslačka od Scarlett Wilkové (Motto) a Futuremania: Electronic Dreams, Desiring Machines, and Tomorrow's Music Today od Simona Reynoldse (White Rabbit).

durée : 00:09:19 - France Culture va plus loin (l'Invité(e) des Matins d'été) - par : Astrid de Villaines, Stéphanie Villeneuve, Sarah Masson - Le cinéaste Radu Jude est l'invité d'honneur du festival FID Marseille, du 8 au 13 juillet, pour une rétrospective intitulée "La Fin du cinéma peut attendre". Son nouveau film, "Kontinental '25", Ours d'argent du meilleur scénario à la Berlinale 2025, sortira le 24 septembre 2025. - réalisation : Félicie Faugère - invités : Radu Jude Cinéaste et scénariste roumain

durée : 02:00:25 - Les Matins d'été - par : Astrid de Villaines, Stéphanie Villeneuve, Sarah Masson - . - réalisation : Félicie Faugère - invités : Eric d'Ortenzio Médecin et épidémiologiste, ANRS-Maladies infectieuses émergentes/Inserm; Philippe Heusèle Secrétaire général de l'AGPB, l'Association générale des producteurs de blé; Radu Jude Cinéaste et scénariste roumain

Ep. 311: Radu Jude on his film Kontinental '25, reflecting the world today, and going back to basics Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. It's not every day that I feature the same filmmaker twice in two years on the podcast, but we'll make a delightful exception for Radu Jude, director of Kontinental '25. I spoke with Jude about Kontinental '25 at the Berlin Film Festival, where his film won a Silver Bear, and where Jude previously won the Golden Bear for Bad Luck Banging or Loony Porn. Kontinental '25 follows a bailiff (an outstanding Eszter Tompa) who faces a personal reckoning after she evicts a man. True to the director of the rambunctious Do Not Expect Too Much from the End of the World, our conversation features his thoughtful reflections on living in the world today, on filmmaking technique, on dinosaur parks, and on what he's been reading and watching. Kontinental '25 will be released theatrically in North America by 1-2 Special. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Deutschland hat gewählt und die Berlinale ist rum. Wir sprechen über letzteres: Janick, Christian und Lucas sprechen über das Festival, ob die neue Leitung Tricia Tuttle neue Impulse setzen konnte, und was wir so gesehen haben. Es geht unter anderem um: - "Das Licht" von Tom Tykwer - "Mickey 17" von Bong Joon-ho - "The Ice Tower" von Lucile Hadzihalilovic - "What Does that Nature Say to you?" von Hong Sang-soo - "Reflection in a Dead Diamond" von Bruno Forzani & Hélène Cattet - "Palliativstation" von Philipp Döring - "The Ugly Stepsister" von Emilie Blichfeldt - "If I Had Legs I'd Kick You" von Mary Bronstein - "Kontinental '25" von Radu Jude

Ep. 301: Guy Lodge on Berlin 2025: Kontinental '25, Living the Land, Eel, Shoah doc All I Had Was Nothingness Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. For my latest dispatch from the Berlin film festival, I sat down with Guy Lodge of Variety to talk about another batch of highlights from across the lineup. The titles we discussed include: Kontinental '25 (directed by Radu Jude), Living the Land (Huo Meng), the stunning debut feature Eel (Chu Chun-teng), and a documentary about Claude Lanzmann's making of Shoah, All I Had Was Nothingness (Guillaume Ribot). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Sie sind im wahrsten Sinne des Wortes nicht totzukriegen. Jede neue Generation bekommt ihren Draculafilm, ihre Vampir-Romanze, ihre Vampirserie, ihre Arthouse-Version, ihren Vampir-Actionhelden, ihre Vampirparodie. Gerade ist “Nosferatu” wieder im Kino, an “Morbius” können wir uns (leider) noch erinnern, der neue Blade"-Film wird und wird nicht fertig, “What We Do in the Shadows” ist gerade ausgelaufen und Ryan Coogler, Luc Besson und Radu Jude sind nur einige der Regisseur*innen, die gerade an neuen Vampirgeschichten sitzen. In diesem Special beissen sich Lucas und Christian zusammen mit Clara Atlanta Kröhn dreieinhalb Stunden lang ganz tief ins Fleisch des Vampirfilms um herauszufinden: Wieso wird das Mega-Motiv “Vampir” nicht alt? Das ist aber nur der Teaser, wenn ihr die ganze Folge hören wollt, dann unterstützt uns bitte auf https://steadyhq.com/cuts

Will & Hesse talk to Radu Jude, the director of the new comedy feature Do Not Expect Too Much from the End of the World. The film features an overworked production assistant as she drives around Bucharest shooting videos for a large multinational company as a satire of the malaise and indignity of modern life. Will, Hesse and Radu discuss the film's send-up of TikTok masculinity influencers, the relationship with earlier films edited into the movie, the various versions of Romania Jude depicts and much more.. Do Not Expect Too Much from the End of the World is now in theaters and will be streaming on MUBI starting May 3.