Podcast appearances and mentions of pedro almod

Throughout June the New Beverly proudly presents a host of cinematic favorites in glorious 35mm, from hilarious Preston Sturges screwball classics to action-packed New York City adventures, showcases the indelible work of Lana Turner, Mariel Hemingway, and Burt Lancaster, spotlights Stanley Kubrick's epic Full Metal Jacket, plus highlights must-see film noir and Hong Kong rarities, international gems by Pedro Almodóvar and Jean-Pierre Melville, a Friday the 13th event, and an incredible, unpredictable 1970s Grindhouse Marathon! Brian, Phil and Jules discuss it all on this epic calendar episode! Check out all things New Beverly here: https://thenewbev.com/ If You Enjoy the show, You can help support us at Pure Cinema by going to: https://www.patreon.com/purecinemapod Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts The show is now on BlueSky: https://bsky.app/profile/purecinemapod.bsky.social As are Brian: https://bsky.app/profile/bobfreelander.bsky.social Elric: https://bsky.app/profile/elrickane.bsky.social and the New Beverly: https://bsky.app/profile/newbeverly.bsky.social

En 1988 se estrenó 'Mujeres al borde de un ataque de nervios', de Pedro Almodóvar. Una de las películas más icónicas del cine español. Hablamos del largometraje con la que fue la directora de producción de esta película, Esther García, Premio Nacional de Cinematografía 2018. Ha sido directora de producción de más de noventa películas y es directora de Producción de 'El Deseo', de Pedro y Agustín Almodóvar. Al borde del acantilado del Cabo de Ajo en Cantabria se encuentra el que a día de hoy sigue siendo el único faro de España, que a su vez es una pieza de arte urbano: el faro de Ajo. Están a punto de cumplirse cinco años desde que las autoridades de Bareyo encargaron al artista Okuda. Hemos invitado a Jana Sánchez, compañera y redactora de Radio Santander, para que nos cuente la evolución de esta obra de arte. Este lunes, nos acompaña Alejandro Pelayo al piano de la SER. 

Delar programledaren Arantxa Álvarez in sitt liv i ett före och ett efter att hon upptäckte uttrycket ”cray cray”? Tror hon att Madeleine McCanns föräldrar är skyldiga? Och tycker hon att namnet Pedro Almodóvar låter bekant – är det månne mammas första pojkvän?

Del deseo de reflejar una realidad cotidiana que no se ha contado, nace Tras el verano, la ópera prima de Yolanda Centeno, protagonizada por Juan Diego Botto. Es la historia de Paula, Raúl y Dani. Paula y Raúl llevan cinco años juntos, él tiene un hijo de seis años, Dani, y la pareja está a punto de separarse. ¿En qué lugar deja eso la relación entre Paula y Dani, que han convivido prácticamente desde el nacimiento del niño? Hijas, tíos, padres, amigos, sobrinas, madres... ¿Qué pasa cuando no hay un término para nombrarnos en la organización social?Leticia Audibert abre la Pequeteca para presentar la colección 'Niñera fantasma', escrita por Ana Campoy e ilustrada por Álex Alonso, una serie de libros para público infantil que combina misterio y humor con ilustraciones dinámicas.En la sección Género fluido, Víctor Mora reflexiona sobre el amor a través de la voz y su representación en el cine. Analiza dos películas que, pese a sus diferencias, comparten temas y puntos de conexión: La ley del deseo de Pedro Almodóvar y Io sono l’amore de Luca Guadagnino.Visitamos la Biblioteca Nacional con Ángela Núñez para descubrir una joya única: el Papiro de Ezequiel, el manuscrito más antiguo que se conserva en esta institución. Datado en el siglo III, destaca por su excelente estado de conservación, su formato y la historia de su recorrido hasta llegar aquí.Cerramos con la 40ª edición del Festival Internacional de Poesía de Barcelona. Marta Orquín nos cuenta los detalles de un certamen que reúne a figuras como Anne Carson, Ana Blandiana y Márton Simón, y que fusiona Oriente y Occidente, literatura y música, con la compositora Clara Aguilar como parte del programa.Escuchar audio

This week we're excited to present a special episode featuring the star-studded speeches from our recent Chaplin Award Gala. FLC was pleased to honor Pedro Almodóvar as the recipient of the 50th Chaplin Award, presented in partnership with ROLEX, at a Gala evening on April 28. The full house at Alice Tully Hall was treated to a joyful celebration of the celebrated filmmaker's incredible body of work with hilarious and heartfelt tributes by Almodóvar's cast members, friends, admirers, and more, culminating in Dua Lipa presenting the Chaplin Award to Almodóvar himself. The evening's guest speakers included, in order of appearance, Secretary of our Board of Directors Wendy Keys, Former Film at Lincoln Center Programming Director & head of the New York Film Festival Richard Peña, acclaimed filmmaker, writer, & artist John Waters, actress and longtime Almodóvar muse Rossy de Palma, renowned performer & artistic director Mikhail Baryshnikov, Emmy Award–winning actor, director, & writer John Turturro, and global pop powerhouse Dua Lipa.

When Cree-Salteaux theatre-maker Margo Kane started trying out for theatre gigs in Canada in the 1970s, there were so few roles for Indigenous actors, she ended up auditioning for the same part more than once. That all changed when she wrote her own one woman show, Moonlodge that became a classic of Canadian theatre. She's in Australia to show her new one-woman show, and reflect on her career.Women on the Verge of a Nervous Breakdown was a big international hit for the Spanish filmmaker Pedro Almodóvar in the 1980s. Now it's a crazy, funny, kitschy musical coming to Sydney's Hayes Theatre. We talk about the impact of the film and how director and performer Alex Berlage and Grace Driscoll are bringing it to life in 2025.New play Thirst, by Barbara Hostalek, is set in a lonely run-down country pub called The Glass Slipper  somewhere in Western Australia. The place is on its last legs. But maybe the new owners can turn it around with a high stakes karaoke night! Actors Leah Pigram, Jarrad Inman and Maitland Schnaars from Yirra Yaakin Theatre Company perform a scene.For our series Back Stage, we meet international set designer Anna Cordingley, who hand draws her designs among many other talents.

On the fortieth episode of All the Film Things, I talked with professor/ author James Miller! James Miller is a liberal studies professor at the New School for Social Research in New York City. He wrote music reviews for Rolling Stone in the 70s and spent much of the 80s reviewing books and writing pop music criticism for Newsweek. Among Jim's many accomplishments, he has been a Guggenheim Fellow and his work continues to be published in magazines, peer- reviewed academic journals, and newspapers. Jim has written several books over the course of his decades- spanning career focused on various subject matters from philosophy (Examined Lives: From Socrates to Nietzsche) to politics (Can Democracy Work? A Short History of a Radical Idea, from Ancient Athens to Our World) to music. His book Flowers in the Dustbin: The Rise of Rock & Roll won the ASCAP- Deems Taylor Award for the best music book written of 1999.Jim's latest book, the first he's written focused on film, is titled The Passion of Pedro Almodóvar: A Self- Portrait in Seven Films and will be published through Columbia University Press on April 29. Through this book, Jim examines the work, and by extension self, of Almodóvar through his most personal films. This book will be available for purchase wherever books are sold so preorder your copy now on Barnes & Noble, Amazon, etc.! You'll definitely want to click this link to preorder the book on Barnes & Noble!: https://www.barnesandnoble.com/w/the-passion-of-pedro-almodovar-james-miller/1146504374;jsessionid=473B373D1171A12E15F5B951CC989AA7.prodny_store01-atgap07 If you're in the New York area, Jim will be sitting down with Robert Polito for an hour- long conversation on pub day about his book at the New School at 6 pm. Learn more about this event by clicking this link!: https://event.newschool.edu/booklunchjimmillerThis is Jim's first appearance on ATFT! I wouldn't have had the opportunity to interview him without two- time ATFT guest, film historian Max Alvarez presenting me with this opportiunity. I'm very grateful to him and Sarah C. Noell of Columbia University Press for helping bring this interview into fruition. Before reading Jim's book, I had seen three Almodóvar films and the latter two, Parallel Mothers (2021) and All About My Mother (1999), blew me away. For a few years now, I had been wanting to go through Almodóvar's work but his films are not so easy to come by. Reading Jim's brilliant, analytical book was the perfect opportunity to finally dive in, leaving me completely changed. Why aren't people talking about Almodóvar?! Quentin Tarantino was right when he said Almodóvar is largely underrated in the US. This episode was recorded on April 3, 2025. In this episode, Jim shares incredible stories from his career from gettign a private concert from Paul McCartney to inspiring a Jimi Hendrix song. We talk about some of cinema's greatest filmmakers, such as Ingmar Bergman and Alfred Hitchcock, before discussing the work of Pedro Almodóvar for much of the episode. Filmmakers and film aficionados will especially enjoy this episode. Jim also talks about the impact of Michelangelo Antoninoni's Blow-up (1966) , Almodóvar's dynamic with muse Penélope Cruz, and inspiring Tom Hayden to write his memoir. All this and much more on the latest episode of All the Film Things!P.S.) If you're listening on Spotify, share your thoughts on Pedro Almodóvar in the comments! Background music created and used with permission by the Copyright Free Music - Background Music for Videos channel on YouTube.

En dag ska vi alla dö, men alla andra ska vi det inte. Hur får man dem att väga lika tungt som den enda? Eva-Lotta Hultén funderar på död och acceptans. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.Vid 77 års ålder drabbades en vän till mig av dödlig cancer. Han fick beskedet att han med medicinering kanske kunde leva ett par år till. Utan insatser hade han bara några månader kvar. Han satte sig in i vad behandlingen innebar och valde bort den med argumentet ”Jag har haft ett bra liv, jag är nöjd”.Jag kom att tänka på honom när jag såg Pedro Almodóvars film ”The room next door”; en berättelse om att komma till ro med, och ta makten över livets slut. Martha har drabbats av cancer och hunnit acceptera sin förestående död när hon erbjuds en experimentell ny behandling och väljer att genomgå den. När den visar sig inte fungera bryter hon ihop och ångrar att hon tackade ja.Läkemedlen ledde till diarréer, uppkastningar, trötthet och smärta. Hon borde aldrig ha gett efter för de falska förhoppningar som läkarnas utsagor gav. Det rubbade hennes mentala jämvikt, gjorde hennes liv outhärdligt och riskerar att göra hennes död ovärdig, förklarar hon för sin väninna Ingrid. Martha tycker att hon förtjänar en bra död och väljer nu bort fortsatta vårdinsatser. Hon hyr ett hus och bjuder med Ingrid som sällskap, medan hon gör sig redo att ta sitt eget liv. ”Vad är poängen med att vänta när jag är så redo att släppa taget?” frågar hon Ingrid, som är mycket kluven inför Marthas projekt och sin egen roll i det.Ingrid är författare och hennes senaste bok är ett försök att hantera den egna dödsskräcken. I filmens inledning slår hon fast att för henne känns döden onaturlig och hon kan inte acceptera att något som är levande måste dö. Jag har hört och läst andra, verkliga, människor uttrycka samma sak. Men vad kan vara mer naturligt än att det som lever måste dö? Andra varelsers död är rentav en förutsättning för våra liv ­– och det mesta av det vi stoppar i munnen är, eller har varit levande.Med rätt kost och en hälsosam livsstil försöker ändå många av oss att öka våra utsikter till långa liv. Nu sysslar allt fler också med vad som kanske kan ses som en uppgraderad version av att ta hand om sig själv: biohacking, som innefattar att med stora mängder data om den egna kroppen optimera sina chanser till ett långt liv.Somliga menar att möjligheten att leva till vi blir 150 eller 200 år redan ligger inom räckhåll. Liksom kanske rent av evigt liv, om vi omdefinierar vad vi menar med begreppet liv. Det finns de som forskar på hur vi ska kunna tanka över våra jag i datorer och leva vidare som maskiner, eller hur vi ska kunna byta ut delar av oss för att likt Frankensteins monster bli ett hopplock av olika kroppar. Några tusen personer runtom i världen har redan betalat stora summor pengar till ett företag för att bli nedfrysta efter sin död. De vill kunna återupplivas i framtiden, när möjligheterna för att bota vad det nu var de dött av antas vara bättre. Billigast är att bara frysa in huvudet, vilket förutsätter tillgängliga kroppar att låta transplantera sitt huvud på. Kanske kan någon framtiding övertalas att donera sin, i utbyte mot att få det kvarvarande huvudet infryst i väntan på ännu bättre tider?Att känna tacksamhet och vara nöjd är effektiva sätt att höja sin lyckonivå men vår samtid gör allt för att motarbeta oss i det avseendet. Tidsandan säger oss att det är mesproppar utan ambitioner som är nöjda och tacksamma. Överallt möter vi reklam som berättar för oss att man alltid ska vara hungrig på mer. Hela vårt ekonomiska system bygger på att vi alla hela tiden ska sträva efter att lägga mer materia, fler upplevelser, mer mat och fler relationer under oss. Att vara nöjd är idag kanske något av det mest subversiva – och nödvändiga – vi kan ägna oss åt. Men går det att nöja sig med annat än mesta möjliga också när det kommer till livslängd? Vad gör det med vår död om vi aldrig tillåter oss att tänka att nu räcker det?En äldre släkting gjorde en liknande erfarenhet som Martha. Hon hade vid fyllda 93 accepterat att hon skulle dö när läkarna föreslog en ny behandling – som misslyckades. I stället för att dö i ro så lämnade hon livet med mer smärta, förvirring och ångest längs vägen.Att dö är att lämna plats för någon annan, sa Karl-Ove Knausgård i en intervju. Utan död, ingen plats för nytt liv. Så hur ska vi hantera att många inte alls är beredda att ge upp sin plats? Vilka ska ha företräde till den här jorden? Vi är redan för många. Ska vi prioritera de redan existerande människor som vill få leva i 200 år eller de som vill få skaffa barn? Är rätten till ”evigt” liv viktigare än vårt behov av nya unga människor? Vi kanske borde börja fråga oss om längtan efter evigt liv verkligen bidrar till vår lycka? Filosofen Martin Hägglund menar i boken ”Vårt enda liv” att det är just det faktum att våra liv är ändliga som ger dem värde. Utan bortre gräns blir det meningslöst att verkligen ta vara på livet. Han polemiserar inte mot biohacking utan mot den religiösa tron på ett liv efter detta men det gör inte hans tankar mindre relevanta när det kommer också till det enda liv vi kan vara helt säkra på att få leva. Hur långt är ett gott liv? Så långt som möjligt, eller finns det andra gränser att förhålla sig till?I ett samhälle som lärt oss att mer alltid är bättre kan det vara svårt att säga stopp när det bjuds på mera liv. Särskilt som vi gärna pratar om cancer och andra svåra sjukdomar som något vi ska ”vinna över”. Men kanske kan de flesta av oss, när livet börjar närma sig sitt slut, faktiskt omfamna ändligheten? Om inte annat så visar forskning att ånger vid livsuppehållande behandlingar, som till exempel cytostatika, vid terminala sjukdomar inte är helt ovanligt. Ett kortare men behagligare tidsspann kan nog för många vara mer värt än ett långt om vi bara slutar se det som att vi är veklingar som inte kämpar när vi accepterar vår egen död.Martha och Ingrid har bestämt att Marthas sovrumsdörr ska stå öppen. Den dag Ingrid ser den stängd så vet hon att Martha är död. Varje morgon då Ingrid finner dörren öppen får vi se lättnaden i hennes ansikte. Marthas plågade kropp och själ är henne fortfarande mycket kära. Martha passar på när Ingrid är ute och träffar en annan vän. Hon sminkar sig, klär sig vackert och får en lätthet över anletsdragen. Det är blå himmel och hon stänger sovrumsdörren utifrån, tar sitt eutanasipiller och lägger sig i en av solsängarna på altanen.Det är förstås inte alla som har Marthas mod. Jag betvivlar att jag själv har det, men hoppas att jag, när min tid är kommen, i alla fall inte behöver brottas med rädslan att känna mig som en förlorare, utan att jag lugnt kommer att säga: ”Jag har haft ett bra liv, jag är nöjd.”Eva-Lotta Hulténförfattare och journalist

La habitación de la lado (2024) es un espacio de espera, donde una amiga pacientemente aguarda la decisión de morir de otra mujer. Pedro Almodóvar ofrece una profunda, personal y muy sincera reflexión sobre el control de la vida, que significa también, poder elegir el momento de morir. La habitación de al lado https://www.filmaffinity.com/es/film249352.htmlUsando este enlace puedes probar MUBI, nuestro servicio de streaming favorito. Y si te suscribes, uno de nosotros consigue un mes gratis. Pero no te vamos a decir cuál de los dos…https://mubi.com/es/t/web/global/KUv5-JK8Pedro, ese enlace es el de Pedro. Paco ya tiene MUBI para rato…Puedes usar Mastodon para comentar, quejarte o lo que sea…: @devuelta, @pjorge y @GuionAusente.Y si te gusta más el email: guionausente@gmail.com.

En este episodio hablamos de “Vinagre de manzana” de Netflix miniserie basada en la vida real de dos influencers australianas. “Memorias de un Caracol” nominada a mejor película animada también de la tierra de los canguros (Todavía la pueden ver en cines). Y, por último, la primera película en inglés de Pedro Almodóvar “La habitación de al lado” con las increíbles Tilda Swinton y Julianne Moore, disponible en Netflix.

Este domingo nos enfocamos en la producción fílmica del director de cine español Pedro Almodóvar. SBS on Demand está ofreciendo un ciclo de sus mejores películas. Tenemos una conversación con Óscar Cárdenas, director de cine y doctor en cinematografía, sobre este tema. Y, como cada domingo, tenemos los segmentos de Cibertendencias y Mundo Bizarro. ¡No te lo pierdas!

"Beyond the Frame: Sarah Demeestère's Journey from Paris to Hollywood" Join Two Mics Up as we sit down with the multi-talented Sarah Demeestère, the French-American actress and producer making waves in Hollywood. From her early roles in "Without A Trace" to her recent breakthrough in Pedro Almodóvar's "The Room Next Door" alongside Julianne Moore and Tilda Swinton, Sarah shares her inspiring journey. Discover how Sarah transitioned from producing award-winning shorts like "DuElle" to starring in critically acclaimed films. Sarah also gives us a sneak peek into her latest project, the children's show "The Chin Show," where she's both creator and producer. Don't miss this episode packed with deep connections, career advice, and Sarah's unique perspective on the differences between European and American cinema. - #SarahDemeestere #hollywoodjourney #twomicsup #AlmodovarFilm #actingcareer #FrenchAmericanTalent #childrenstv #indiefilmmaking

We have differing levels of experience with the filmography of Spanish director Pedro Almodóvar here at SFFCH, but none of us have seen what is probably his most well known film, Women on The Verge of a Nervous Breakdown, a zany, dark comedy about women on the…verge of a…nervous breakdown…yeah. So come and find out: … Continue reading "447: Women On The Verge Of A Nervous Breakdown [1988] Movie Discussion"

We meet bestselling writer Shon Faye to discuss her new book Love In Exile and artists she admires: Nan Goldin, The Bloomsbury Group, Bernini, Michelangelo, Pedro Almodóvar's Bad Education and performers including Tom Rasmussen, Madonna and David Hoyle.Shon Faye grew up quietly obsessed with the feeling that love was not for her. Not just romantic love: the secret fear of her own unworthiness penetrated every aspect and corner of her life. It was a fear that would erupt in destructive, counterfeit versions of the real love she craved: addictions and short-lived romances that were either euphoric and fantastical, or excruciatingly painful and unhinged, often both. Faye's experience of the world as a trans woman, who grew up visibly queer, exacerbated her fears. But, as she confronted her damaging ideas about love and lovelessness, she came to realize that this sense of exclusion is symptomatic of a much larger problem in our culture.Love, she argues, is as much a collective question as a personal one. Yet our collective ideals of love have developed in a society which is itself profoundly sick and loveless; in which consumer capitalism sells us ever new, engrossing fantasies of becoming more loved or lovable. In this highly politicized terrain, boundaries are purposefully drawn to keep some in and to keep others out. Those who exist outside them are ignored, denigrated, exiled.In Love in Exile, Shon Faye shows love is much greater than the narrow ideals we have been taught to crave so desperately that we are willing to bend and break ourselves to fit them. Wise, funny, unsparing, and suffused with a radical clarity, this is a book of and for our times: for seeing and knowing love, in whatever form it takes, is the meaning of life itself.Shon Faye is author of the acclaimed bestseller The Transgender Issue. Her work has been published in, among others, the Guardian, Independent, British Vogue and VICE. Born in Bristol, she now lives in London.As Frieze magazine recently wrote: Shon Faye is one of the most celebrated non-fiction authors in the UK, rising to fame for her discerning prose on culture, relationships and class. Her first book, The Transgender Issue (2021), a provocative treatise on gender identity debates in the UK, was part of her rise to fame. Not only did Faye offer a detailed survey of queer history, but she also indicated why trans-liberation is connected to liberation for all. Her new book of essays, Love in Exile (2025), explores the existential and social challenges of courtship and heartache. Rather than focus solely on the discrimination that many transgender people face, however, the text is a literary memoir that interrogates how ancient and present-day writers conceptualize and dissect love. As a Vogue contributor with her advice column ‘Dear Shon' (2022–ongoing), host of the podcast Call Me Mother (2021–ongoing) and author of Dazed & Confused Magazine's ‘Future of Sex' series (2022–ongoing), she addresses the topic of romance with honesty and poise.Follow @Shon.Faye on InstagramBuy Love in Exile, published by Pengiun.You can also follow @TalkArt for images of all artworks discussed in today's episode. Thanks for listening! Hosted on Acast. See acast.com/privacy for more information.

You may know him as Zorro, or as a very Zorro-like cat from the Shrek universe: Puss in Boots. It's Antonio Banderas! He talks with us about reconnecting with, and then portraying his friend and collaborator Pedro Almodóvar. Plus, he talks about how his acting experience in Hollywood did not, for the lack of a better term, translate to acting in Spanish films.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Pedro Almodóvar is one of the most acclaimed filmmakers of all time. He's the director of the movies Tie Me Up, Tie Me Down, Women on the Edge of a Nervous Breakdown and, most recently, The Room Next Door . He chats with us about his dramatic endeavor Julieta, his new wave band, and his unseen ailment.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

El director de cine español, Pedro Almodóvar, es poseedor de una excelente y amplia filmografía que ha sido reconocida con prestigiosos premios, como los Oscar, y que lo sitúan como uno de los mejores cineastas hispanoamericanos de la historia. SBS On Demand está ofreciendo un especial con algunas de sus mejores películas para que puedas disfrutarlas gratuitamente y desde la comodidad de tu hogar.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Los Goya esta noche pueden arreglar un poco la estantería de los premios de Pedro Almodóvar. En un mes los Oscar pueden hundir la de Emilia Pérez. En el programa de la semana hablamos un poco de la polémica entorno a Karla Sofía Gascón y de los estrenos que han llegado estos días a los cines: La acompañante, Mikaela, Septiembre 5, Memorias de un caracol, A different man, Tierra baja, María Callas, La red fantasma, El desafío de Sofía y becoming Led Zeppelin.Escucha este episodio completo y accede a todo el contenido exclusivo de El Octavo Pasajero. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/4315

Donate to the Trevor Project: https://www.thetrevorproject.org/Support us on Patreon: https://www.patreon.com/CumpostingPodcastRosa & Joku discuss the recently announced 2025 Academy Awards nominations, alongside 'Wallace & Gromit: Vengeance Most Fowl' - a 2024 British animated comedy film produced by Aardman Animations and the BBC in association with Netflix, and directed by Nick Park and Merlin Crossingham. It is the sixth Wallace & Gromit film, the first since A Matter of Loaf and Death, and the second feature-length film after The Curse of the Were-Rabbit. Additionally we review 'A Real Pain' a 2024 buddy road comedy-drama film written and directed by Jesse Eisenberg. An international co-production between Poland and the United States, it stars Eisenberg and Kieran Culkin as mismatched Jewish American cousins who travel to Poland to honor their late grandmother. The cast also includes Will Sharpe, Jennifer Grey, Kurt Egyiawan, Liza Sadovy, and Daniel Oreskes. Lastly, we review 'All About My Mother' (Spanish: Todo sobre mi madre) is a 1999 comedy-drama film written and directed by Pedro Almodóvar, and starring Cecilia Roth, Marisa Paredes, Candela Peña, Antonia San Juan, Penélope Cruz, Rosa Maria Sardà, and Fernando Fernán Gómez. Our Podcast Artist is the incredibly talented Vero (she/they) of Praxisstvdio who you should check out here: https://linktr.ee/praxisstvdioTwitch: http://www.twitch.tv/cmpostingThe Cumposting Power Ranking: https://letterboxd.com/cumposting/list/cumposting-all-movies-watched-ranked/Donate: https://throne.com/cumpostingSend Us a Voice Message: https://www.speakpipe.com/cumpostingReddit (Cringe): https://www.reddit.com/r/cumpostingpod/Follow Rosa: https://www.youtube.com/@ReddestRosaFollow Joku: https://www.youtube.com/channel/UC6MqDAGSrKEVBzHtgBBbT0wIrish Shorts Editor Rosaburgs: https://x.com/marxlsmusFeaturing music from @newjazzunderground Outro guitar solo performed by @djangoklumppguitarImage of the Week: https://imgur.com/a/s94WrvV#oscars #wallaceandgromit #arealpainChapters:0:00 Intro10:44 Oscars Nominations27:38 Karla Sofía Gascón Controversy28:56 Oscars Nominations (ctd.)29:46 Rosa's Commie Corner33:42 Oscars Nominations (ctd.)36:17 Highly Intellectual Conversation38:43 'A Real Pain' (2024) Review & Analysis59:54 Scoring & Ranking 'A Real Pain'1:00:45 'Wallace & Gromit: Vengeance Most Fowl' (2024) Review & Analysis1:14:22 Scoring & Ranking 'Wallace & Gromit: Vengeance Most Fowl'1:15:02 'All About My Mother' (1999) Review & Analysis1:31:10 Scoring & Ranking 'All About My Mother'1:31:56 Q&A1:42:02 Outro & Next Week's FilmsTags:movie podcast, comedy podcast, movie review podcast, leftist podcast, marxist podcast, communist podcast, socialist podcast, progressive podcast, film podcast, film review podcast, lesbian podcast, trans podcast, lesbian film critics, transgender movie review, lesbian movie review, left communism, leftcom, leftist film review, leftist movie review, communist film review, communist movie review, socialist movie review, socialist film review, woke movies, woke film, queer film review, queer movie review, best podcast, oscars, jennifer lawrence, emilia perez worst, the oscars, kevin spacey, worst film of the year, oscar nominees, 97th oscars, bad representation, emilia pérez, ariana grande, zoe saldana emilia perez, oscar predictions, comedy podcast, film awards, academy awards, wallace and gromit, wallace and gromit vengeance most foul netflix, nick park, the wrong trousers, a grand day out, wallace and gromit vengeance most fowl trailer reaction, wallace and gromit were, train chase, wallace and gromit vengeance most fowl, wallace and gromit were-rabbit, wallace...

Dr. Rebecca Phillips on rangeland carbon, Dave Thompson's news review, and Matt Olien's take on The Room Next Door, Pedro Almodóvar's first English film.

Matt Olien reviews The Room Next Door, Pedro Almodóvar's first English film, starring Tilda Swinton and Julianne Moore in a moving tale of friendship and euthanasia.

Esta nueva entrega de episodios especiales se pinta de rojo, rojo pasión, rojo Almodóvar porque Haydée saca todos sus apuntes y nos hace un resumen de toda la filmografía de este director que lleva más de 40 años dirigiendo y plasmando historias de mujeres y su forma de amar!.

En las noticias locas del Me Bajo de la Vida, un asteroide que amenazaba la tierra y que resultó que no era ni asteroide ni amenazante. Vas a flipar con lo que era realmente.  Después, Nacho Gómez Hermosura con su zapping, que hoy viene con ración de Pedro Almodóvar, Belén Esteban y Ana Guerra, cada uno con lo suyo.  También San Bernardino con una obra ilegar en la broma telefónica, historias de andayeros que lo han dejado todo para hacer cambios radicales en su vida y Keru Sánchez con su trivial musical.  ¿Y los 1.500€? ¡También, como siempre! Quédate y te cuento cómo te los puedes llevar. 

Just before a ceasefire was reached between Israel and Hamas, Christiane sat down with Biden's top diplomat, outgoing Secretary of State Antony Blinken for his final television interview. She asked him about the details of the deal, calls from Israeli ministers to resettle Gaza, criticism of IDF conduct, and America's role in Vladimir Putin's all-out invasion of Ukraine. Blinken also shares his concerns about passing the baton to Trump and Marco Rubio, just days before Donald Trump takes the oath of office for a second term. Then, Hanako Montgomery reports on a surge of crime among female pensioners in fast-aging Japan, landing themselves in prison where they are taken care of in their old age. And, oscar-winning, Spanish director Pedro Almodóvar joins Christiane to discuss his new film "The Room Next Door," his first English language feature portraying death among friends, starring Julianne Moore and Tilda Swinton. When it comes to the Israeli-Palestinian conflict, much of the focus is on Gaza. From her archive, Christiane revisits her 2007 report exploring the alliance between Christian evangelicals in the U.S. and Israel's settler movement. She highlights that evangelicals continue to influence president-elect Donald Trump and Republican politics to this day. Finally, “Babygirl” Director Halina Reign speaks to Christiane about the bold erotic thriller stirring up conversation and awards buzz, starring Nicole Kidman.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tilda Swinton stars as a woman with cancer who decides she wants to end her life in the new Pedro Almodóvar film The Room Next Door. She asks a friend to stay with her for her last weeks. She spoke with Terry Gross about the role and her own experience bearing witness to the deaths of loved ones.Also, we hear from award-winning actor Adrien Brody. He stars in the film The Brutalist as a Hungarian-Jewish architect and Holocaust survivor who seeks a fresh start in post-WWII America. Brody tells Tonya Mosley how drew from his mother and grandfather's experience as Hungarian immigrants for the role. Also, film critic Justin Chang reviews the new Mike Leigh film Hard Truths.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The enigmatic Scottish Oscar winner, who doesn't consider herself an actress, reflects on her formative collaborations with Derek Jarman, how she wound up juggling the artiest of art house films with the biggest of big studio films and why she was so drawn to working with Pedro Almodóvar. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:08:29 - L'invité de 7h50 - par : Sonia Devillers - À 7h50, l'actrice Julianne Moore est l'invitée de Sonia Devillers pour le film “La chambre d'à côté” de Pedro Almodóvar, qui évoque la difficile question de la fin de vie. - invités : Julianne Moore - Julianne Moore :

durée : 00:08:29 - L'invité de 7h50 - par : Sonia Devillers - À 7h50, l'actrice Julianne Moore est l'invitée de Sonia Devillers pour le film “La chambre d'à côté” de Pedro Almodóvar, qui évoque la difficile question de la fin de vie. - invités : Julianne Moore - Julianne Moore :

durée : 00:03:14 - Le Regard culturel - par : Lucile Commeaux - Le nouveau film de Pedro Almodóvar, qui raconte la mort choisie d'une New-Yorkaise atteinte d'un cancer, surprend d'abord par une certaine retenue, voire une fadeur, qui se révèle finalement bouleversante.

durée : 00:27:46 - Les Midis de Culture - par : Marie Labory - Critique ciné : avec "La Chambre d'à côté", Pedro Almodóvar explore la mort avec pudeur dans un univers plus américain. Jia Zhang-ke, dans "Les Feux sauvages", mélange ses films précédents, offrant des moments émouvants, mais avec un montage un peu décousu. - réalisation : Laurence Malonda - invités : Murielle Joudet Critique de cinéma au Monde; Raphaëlle Pireyre Critique de cinéma, elle publie régulièrement des articles sur le site AOC

Happy New Year! To ring in 2025, Nadeem decided to bend the rules. When tasked with picking a film that starts with "T", Nadeem choose the Pedro Almodóvar's "Todo Sobre Mi Madre", which you might know as "All About My Mother" for the next movie review. Mita and Nadeem see one final movie in 2024. 

Comenzando el año reseñando el nuevo filme de Pedro Almodóvar titulado The Room Next Door (La habitación de al lado) El filme estará exhibiéndose en Puerto Rico (se supone) desde el 15 de enero. Disclaimer: Picheen el que le dije The Next Room.

Introducing Julianne Moore at the New Yorker Festival, in October, the staff writer Michael Schulman recited “only a partial list” of the directors Moore has worked with, including Robert Altman, Louis Malle, Todd Haynes, Paul Thomas Anderson, Lisa Cholodenko, Steven Spielberg, the Coen brothers, and many more legends. It seems almost obvious that Moore co-stars (alongside Tilda Swinton) in Pedro Almodóvar's first feature in English, “The Room Next Door,” which comes out in December. Moore has a particular knack with unremarkable characters. “I don't know that I seek out things in the domestic space, but I do think I'm really drawn to ordinary lives,” she tells Schulman. “I've never been, like, I'm going to play an astronaut next. . . . A lot of these stories [are] domestic stories—well, that's the biggest story of our lives, right? How do we live? Who do we love? . . . Those are the things that we all know about.”New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts.

Welcome to the first episode of The Curb review podcast, where Andrew F Peirce and Nadine Whitney catch up to talk through recent cinema, while also recommending a feature film from the past to catch up on. In this first episode, we delve into the relationships in William S. Burrough's Queer, directed by Luca Guadagnino and adapted for the screen by Justin Kuritzkes, with Daniel Craig, Drew Starkey, Lesley Manville, and Jason Schwartzman. This discussion flows into talking about Halina Reijn's latest film, Babygirl, which gives Nicole Kidman the chance to give the performance of her career, alongside Harris Dickinson, Antonio Banderas, and Sophie Wilde.Finally, Nadine talks about Pedro Almodóvar's first English language feature, The Room Next Door, featuring Tilda Swinton and Julianne Moore. Filmic recommendations this episode are:Andrew: Fur: An Imaginary Portrait of Diane Arbus by Steven ShainbergNadine: Love is the Devil: Study for a Portrait of Francis Bacon by John MayburyFollow The Curb on Bluesky, Instagram, and Facebook and visit the Rotten Tomatoes profiles of Andrew here and Nadine here. Hosted on Acast. See acast.com/privacy for more information.

Welcome to the first episode of The Curb review podcast, where Andrew F Peirce and Nadine Whitney catch up to talk through recent cinema, while also recommending a feature film from the past to catch up on. In this first episode, we delve into the relationships in William S. Burrough's Queer, directed by Luca Guadagnino and adapted for the screen by Justin Kuritzkes, with Daniel Craig, Drew Starkey, Lesley Manville, and Jason Schwartzman. This discussion flows into talking about Halina Reijn's latest film, Babygirl, which gives Nicole Kidman the chance to give the performance of her career, alongside Harris Dickinson, Antonio Banderas, and Sophie Wilde.Finally, Nadine talks about Pedro Almodóvar's first English language feature, The Room Next Door, featuring Tilda Swinton and Julianne Moore. Filmic recommendations this episode are:Andrew: Fur: An Imaginary Portrait of Diane Arbus by Steven ShainbergNadine: Love is the Devil: Study for a Portrait of Francis Bacon by John MayburyFollow The Curb on Bluesky, Instagram, and Facebook and visit the Rotten Tomatoes profiles of Andrew here and Nadine here. Hosted on Acast. See acast.com/privacy for more information.

Filmed over six years, "The Silence of Others" reveals how survivors and their families have struggled to cope in the aftermath of Spain's 40-year dictatorship under General Franco. The film, executive produced by Pedro Almodóvar, follows the victims as they organize a groundbreaking international lawsuit and fight a “pact of forgetting” around the crimes they suffered. Survivors of the dictatorship and human rights lawyers built a case in Argentina that Spanish courts refuse to hear. Maria Hinojosa speaks about the film with its directors, Almudena Carracedo and Robert Bahar.This episode originally aired in 2019.Follow us on TikTok and YouTube. Subscribe to our newsletter by going to the top of our homepage. 

It's our last episode of 2024! If you're out and about running those final few errands and buying last-minute gifts, we'd be delighted to keep you company with some movie reviews here at Breakfast All Day. First, we catch up with "Carry-On," a lean, mean thriller from Spanish action director Jaume Collet-Serra ("Unknown, "Orphan," "The Shallows"). Taron Eegrton stars as a TSA agent stuck working at LAX on Christmas Eve. Jason Bateman is the menacing voice on an earpiece who makes him put a suspicious suitcase through security -- or else. Hopefuly your travels are less hectic. Streaming now on Netflix. Then, we review the latest from another Spanish director, the legendary Pedro Almodóvar. "The Room Next Door" is his first English-language feature. Julianne Moore and Tilda Swinton star as old friends who reconnect after many years. When Swinton's character asks Moore's character for a major favor, it tests their bond. In theaters now in limited release, going wider in upcoming weeks. Thank you so much for being a part of things here all year long. We're about to hit 1 million downloads, and we deeply appreciate having you spend some time with us. Keep an eye (and an ear) out for our top 10 lists at the start of January. Merry Christmas, Happy Hanukkah, Happy New Year, and we can't wait to see you in 2025. Subscribe to Christy's Saturday Matinee newsletter: https://christylemire.beehiiv.com/  

Entrevistamos a Carlos y Genís, Hidrogenesse, que cumplen 25 años en la música y lo acaban de celebrar lanzando el tema "Volver". Mery Cuesta conoce muy bien al dúo cuya seña de identidad es el humor y les invita a acudir a la Fundación Juan March a visitar la exposición dedicada a Saul Steinberg. Terminamos conociendo a Dis Berlin, el artista fetiche de Pedro Almodóvar expone en la galería Guillermo de Osma. Lalo Tovar nos presenta su nuevo podcast dedicado a Los Simpsons, "¡Mosquis, un podcast amarillo!".Escuchar audio

This week we're excited to present a conversation from the 62nd New York Film Festival with author Sigrid Nunez. With her novels The Friend (winner of the 2018 National Book Award for Fiction) and What Are You Going Through, New York–based author Sigrid Nunez has supplied the extraordinarily rich source material for not one, but two films in the NYFF62 lineup: Scott McGehee and David Siegel's Spotlight standout The Friend, starring Naomi Watts as a writer mourning the complicated loss of a beloved mentor; and Pedro Almodóvar's Centerpiece selection The Room Next Door, which follows another writer (Julianne Moore) as she reconnects with a friend from her past (Tilda Swinton) who approaches her with an unusual request. We were honored to welcome Nunez for a special conversation about her prismatic literary meditations on grief, friendship, and the passage of time; the experience of seeing her creative work adapted into other mediums; and cinema's alchemical capacity to both translate and transform a novel's meaning. This conversation was moderated by A.O. Scott, critic at large for The New York Times Book Review. A New York Times Critic's Pick, Pedro Almodovar's The Room Next Door is now playing at FLC. Get tickets at filmlinc.org/room NYFF Free Talks are presented by HBO.

Alessandro Nivola returns to the podcast (Ep. 37 and Ep.170) to discuss three performances he gives in three different films out at the same time this week—Pedro Almodóvar's “The Room Next Door,” “The Brutalist,” and “Kraven The Hunter.” He gifts us with a detailed peek into what it took to build each of these characters. He talks about the interesting way he received a “green light” from Almodóvar in terms of his approach to the role of an Upstate New York policeman, the challenge of balancing adherence to period authenticity with a modern accessibly as Attila in Brady Corbet's epic, tells the thrilling story of how he found a way to bypass the Marvel committee approval to bring his version of The Rhino to life while miraculously having a creatively fulfilling time in the process, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

SEASON 2 - EPISODE 119 - Edu Grau - Cinematographer Cinematographer Edu Grau (THE ROOM NEXT DOOR, PASSING, A SINGLE MAN) joins us in this episode of the Team Deakins Podcast. After an encouraging compliment from his art teacher, Edu attended a then-newly established film school in his hometown of Barcelona where he learned to foster his passion for filmmaking. Edu shares with us how, after a six month drought from work, he was selected by director Tom Ford to shoot A SINGLE MAN, and we reflect on working with actor/directors pulling double-duty. We later discuss Edu's involvement on PASSING and the joy of shooting in black-and-white, and we ruminate on the nature of prep and the nagging anxiety of riding around in the van. Towards the end of the conversation, we later learn how Edu approached his work on THE ROOM NEXT DOOR and eschewed naturalism to help realize director Pedro Almodóvar's unique vision. - This episode is sponsored by Aputure

La stanza accanto è  l'ultimo film di Pedro Almodóvar, ha vinto il Leone d'oro a  Venezia e il 5 dicembre arriva nelle sale italiane. Il sesto album del rapper californiano Kendrick Lamar, GNX, è uscito a sorpresa su tutte le piattaforme il 22 novembre. A Brescia sono in mostra le opere del vignettista sudanese Khalid Albaih. Paola Laforgia racconta Fattore K, il suo libro sulla storia e l'impatto culturale ed economico dell'hallyu, l'ondata sudcoreana di cultura pop esportata in tutto il mondo. CONPiero Zardo, editor di cultura di Internazionale  Giovanni Ansaldo, editor di musica di Internazionale  Elettra Stamboulis, curatrice Paola Laforgia, discografica e autrice Se ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità . Vai su internazionale.it/podcastScrivi a podcast@internazionale.it o manda un vocale a +39 3347063050Produzione di Claudio Balboni e Vincenzo De Simone.Musiche di Carlo Madaghiele, Raffaele Scogna, Jonathan Zenti e Giacomo Zorzi.Direzione creativa di Jonathan Zenti.La stanza accanto: https://www.youtube.com/watch?v=dmlHO_csH7kKendrick Lamar: https://www.youtube.com/watch?v=fuV4yQWdn_4Khalid Albaih: https://www.youtube.com/watch?v=5arO2NqYzpk&t=585sFattore K: https://www.youtube.com/watch?v=OEDHEzs5kyk

This week we're excited to present a conversation from the 62nd New York Film Festival with The Room Next Door director Pedro Almodóvar and cast members Tilda Swinton, Julianne Moore, and John Turturro. The Room Next Door opens at Film at Lincoln Center on December 20th. Get tickets a filmlinc.org/room Ingrid (Julianne Moore), a best-selling writer, rekindles her relationship with her friend Martha (Tilda Swinton), a war journalist with whom she has lost touch for a number of years. The two women immerse themselves in their pasts, sharing memories, anecdotes, art, movies—yet Martha has a request that will test their newly strengthened bond. Pedro Almodóvar's finely sculpted drama, his first English-language feature, is the unmistakable work of a master filmmaker, a hushed and humane portrayal of the beauty of life and the inevitability of death, graced with incandescent performances by Moore and Swinton that tap the very essence of being. Adapting Sigrid Nunez's treasure of a novel, What Are You Going Through, Almodóvar has exquisitely reframed his career-long fascination with the lives of women for an American vernacular, capturing Manhattan and upstate New York with enraptured affection. This conversation was moderated by NYFF Artistic Director Dennis Lim.

Diego Fortea repasa algunas noticias que se dieron por la radio de un día como hoy. Un 28 de noviembre de 1971 en Radio Barcelona, Pepe Antequera entrevistó a Ángeles Fernández, técnica de esta emisora en los años 40. En 1978 sonaba una publicidad de la promotora Pisos Tres Calles en Radio Barcelona. En 1987 en Radio Miramar se emitió el programa 'La radio prohibida' sobre una de las peores zonas de chabolas de Cataluña. En 1988 Pedro Almodóvar y Carmen Maura recogieron dos premios europeos de cine por su película 'Mujeres al borde de un ataque de nervios', lo contó Agustín Rodríguez en RNE. El 28 de noviembre de 1990, Onda Cero se encontraba en el segundo día de emisión de su historia. En el año 2000, se celebró la final de la Copa Intercontinental, que enfrentó al Real Madrid y al Boca Juniors; ese día unos presos organizaron un motín para poder ver el partido. Lo contó Carlos Alsina en Onda Cero... 

During the 2024 New York Film Festival, Film Comment's Devika Girish had the chance to chat with Julianne Moore, one of the great American actresses of the last three decades and more. She was at the festival for the premiere of The Room Next Door, the first English-language feature film by Pedro Almodóvar, which stars Moore as a writer in New York who reconnects with an old friend, now in the late stages of cancer, played by Tilda Swinton. The friend makes a strange request of Moore's character: to give her company in a house in upstate New York where she plans to take her own life using a euthanasia pill. Almodóvar's film unfolds like a chamber drama, honing in on the awkward but tender companionship of two women in an absurd and dark situation, as they try to figure out how to enjoy the day-to-day of their togetherness while anticipating death. The Room Next Door hinges on its lead performances, and Moore and Swinton rise to the task with luminous turns that imbue the beautifully designed, fantasy world of Almodovar's film with a rough-edged, piercing emotional realism. Devika's conversation with Moore delves into the challenge of inhabiting the unreal worlds of Almodóvar with realism, as well as Moore's relationship with Swinton, how she acts with her voice, and whether it's difficult to play a good person in the movies.

Libremos a Hopper, de una vez, del sambenito de la tristeza. Pedro Almodóvar mediante.

The second half of this year's New York Film Festival brought other previous festival favorites, like the Sundance hit A Real Pain, featuring Kieran Culkin and writer-director Jesse Eisenberg, and highly-anticipated auteur releases, like Luca Guadagnino's Queer, Mike Leigh's Hard Truths, and Pedro Almodóvar's The Room Next Door. Nick and Sophia densely pack this week's episode with reviews of all of these and more, including chatting Oscar buzz and potential in multiple categories, like Costume Design, Actress, and International Feature.Then, enjoy a spoiler-free review of Sean Baker's latest and 2024 Palme d'Or winner, Anora (37:43). In the best screwball comedy of the year, Mikey Madison stuns as the titular sex worker on her own rollercoaster of a fairy tale. Go experience the spectacle for yourself in theaters this weekend!Follow us on Twitter, Instagram, and TikTok @oscarwildpodFollow Nick @sauerkraut27Follow Sophia @sophia_cimMusic: “The Greatest Adventure” by Jonathan AdamichMore content including updated nomination predictions @ oscarwild.squarespace.com

As the 62nd New York Film Festival drew to a close last weekend, it was once again time for Film Comment's Festival Report, our annual live overview of the NYFF that was. This year, the end-of-fest ritual took place in collaboration with the New York Film Critics Circle, which will celebrate its 90th anniversary in 2025. Devika and Clint were joined by NYFCC members Bilge Ebiri and Lovia Gyarkye for a spirited wrap-up analysis of the highlights and lowlights from the NYFF62 lineup. In front of a lively audience, the panel discussed and debated RaMell Ross's Nickel Boys, Brady Corbet's The Brutalist, Mike Leigh's Hard Truths, David Cronenberg's The Shrouds, Pedro Almodóvar's The Room Next Door, Payal Kapadia's All We Imagine as Light, Trương Minh Quý's Việt and Nam, and many more. The Questions: Favorite moment in an NYFF62 film? (4:25) Favorite performance? (19:30) Best film about a real person? (32:30) A film that you can't shake, for good or bad? (50:17)

On the second half of our coverage of the 62nd New York Film Festival, we're reviewing several more films out of the fest, a few of which are bound for end-of-year attention for sure. We'll be reviewing Pablo Larraín's Maria, Guy Maddin's Rumours, Luca Guadagnino's Queer, Pedro Almodóvar's The Room Next Door, Paul Schrader's Oh, Canada & more! PLUS: Chris Cabin POPS OFF on the new Jason Reitman film, Saturday Night! Be sure to head to our website for all ticketing information on our final shows of the year in Seattle, Portland (Oregon) & Boston! And don't miss our worldwide digital event on October 23 where we're talking Scream 4! Can't make it the night of? The show has a 14-day replay window after the broadcast! Make the WHM Merch Store your one-stop shop for all your We Hate Movies merch-related needs! Including new Bus Movie, Night Vision & Too Old For This Shit designs!  Original cover art by Felipe Sobreiro.

On today's episode, we discuss the demise of SJP Collection, J.Lo and Ben Affleck's divorce, Lady Gaga's underwhelming duet with Bruno Mars, Joaquin Phoenix's shock departure from Todd Haynes' latest project, the trailer for Pedro Almodóvar's new film The Room Next Door, the deaths of Los Angeles legends Peggy Moffitt and Gena Rowlands, the confusing Beetlejuice Beetlejuice x Rodarte collab, Supreme's acquisition by Essilor Luxottica, and M. Night Shyamalan's latest film Trap. Oh, and Chelsea's wife bought a Cybertruck?! Listen at your own risk. Today's episode is brought to you by Quince! Go to Quince.com/outfit for free shipping on your order and 365-day returns. Shop my Fall picks! The Organic Cropped Cotton Polo Sweater, the Washable Silk Drawstring Wide Leg Pants, and the Ultra-Soft Cropped Bootcut Pant. And try our favorite water Fiji Water!