Podcasts about Beavis

“Today is all about 7's…”   We can't believe it…it's officially been SEVEN years since we began our podcasting journey, and as of this episode, we are celebrating SEVEN years of heavy metal podcasting excellence!  And in the spirit of heavy metal greatness, what better way to celebrate and commemorate the completion of our SEVENTH year than a tribute to the best thing MTV ever did for metal heads that started way back in the late 80's: HEADBANGERS BALL!!!   “It was the novelty, because that was the only place where you could get it…”   Premiering on Saturday April 18, 1987, MTV began what would become a weekly Saturday night tradition and/or ritual for metal heads with HEADBANGERS BALL, the one section of MTV that belonged to the metal community…it was OUR show, OUR music, and OUR videos, made by metal heads for metal heads (ironically, not unlike this podcast).   “SEVEN!”   Granted, there were often a lot of glam and hair metal videos mixed in, but there were always a plethora of obscure thrash, power metal, and other assorted heavy metal videos on there that you absolutely could not see anywhere else on MTV except for when you tuned in to “The Ball” (NOTE:  this is where the crochety “back in my day” sentiment comes into play because, as everyone with access to the internet knows, in the late 80's, rock radio sure as hell wasn't doing much to promote metal artists, and we certainly didn't have Spotify or YouTube at our disposal. “The Ball” was all we had…mark the time.).   “They weren't Trans then, dude…they were 100% dudes and they were the Savatage Brothers…”   Break out your finest relaxers and get ready for a celebratory stroll down memory lane, and understand that since we're discussing music videos, you're gonna need all the sensory enhancement you can muster to thoroughly maximize your enjoyment of this episode. Find out who's “lips are always out”, understand why calling a woman “handsome” is a dangerous move even with the proper context, see how many applicable references to “SEVEN!” you can find in this episode, and don't deny the power of “The Dinklage” when you JOIN US as we celebrate our 7th birthday in nostalgic style with HEADBANGERS BALL. Visit www.metalnerdery.com/podcast for more on this episode Help Support Metal Nerdery https://www.patreon.com/metalnerderypodcast Leave us a Voicemail to be played on a future episode: 980-666-8182 Metal Nerdery Tees and Hoodies – metalnerdery.com/merch and kindly leave us a review and/or rating on your favorite Podcast app Follow us on the Socials: Facebook - Instagram - TikTok Email: metalnerdery@gmail.com Can't be LOUD Enough Playlist on Spotify Metal Nerdery Munchies on YouTube @metalnerderypodcast   Show Notes: (00:01): “That's weird looking…”/ “I tell you one thing: don't call a woman handsome…they do not like it…especially when they don't understand the context…”/ #thebiggestloser #jillianmichaels #handsome / “They think everything is an insult…”/ #WWE / “I wanna see if this is a handsome woman…”/ The definition of a handsome woman / “It fits…see if it fits down there…”/ “Make sure to get his face during this part…”/ #markthetime / “Soap Opera for men…”/ “They're referring to my Croc sneakers / “Let's get this road on the show…year number 7!” / ***WARNING: #listenerdiscretionisadvised *** / “We are 7 years old today as a podcast…”/ #sixseven / ***WELCOME BACK TO THE METAL NERDERY PODCAST!!!*** / #YearNumberSeven (06:22): “Drinkin' some #Ghoulade …” / “Sometimes it's good and sometimes it's not…it's hit or miss…kinda like with sex…”/ “We never have mistakes, they're unique performances” – Kirk Hammett / #happyaccidents #BobRoss / “Within 5 to 7 times, you kinda know…”/  “That was angry, and rapey…” / #keepitthrashy / “Speaking of which: where has that dude been?” / ***PATREON US AT patreon.com/metalnerderypodcast ***/ #Interceptor /  ***EMAIL US AT metalnerdery@gmail.com *** / “We've got some Australian friends…”/  “It's so good, I could feel it in my balls…” / #Shittah #spotifyplaylist / ***CHECK OUT www.metalnerdery.com/episodes   for show notes, band and album info, and other goodies…***  (13:36): ***GIVE US A CALL AND VOICEMAIL US AT 980-666-8182!!!*** / “What would you consider a Metallica classic that was released after The Black Album?” /  Thanks to American Dave from Ill-Noise for the voicemail! / “I don't hate The Loads…”/ #SiriusXM #MaximumMetallica / “That's low…it's either a helicopter or a drone the size of this house, flying over…”/ #aliennews #UAP #UFOFiles / NOTE: It's shit you HAVE before…on our inaugural Poony's episode! / #UFO ROCK BOTTOM (Phenomenon – 1974) / NOTE: You absolutely HAVE heard this song before!!! / #RussellsRepetitiveReflections / “Get to the solo…”/ “Metallica Only is a better name…” (25:26): “What's the first #HeadbangersBall memory that comes to mind?” / #StormtroopersOfDeath MILANO MOSH (Speak English Or Die – 1985) / #TheDocket METAL NERDERY PODCAST CELEBRATES 7 YEARS IN PODCASTING EXCELLENCE & PAYS HOMAGE TO MTV's HEADBANGERS BALL!!! / #HeadbangersBall #SaturdayNights / “That was still OUR show…”/ “I remember it being pretty long…”/ #markthetime / Earliest memories of “The Ball” / “Remember Killer Dwarfs?”   (31:34): #KillerDwarfs DIRTY WEAPONS (Dirty Weapons – 1990) / “Stand Tall, that was the one…”/ “You may remember this video…”/ #skatethrash /  #GothicSlam WHO DIED AND MADE YOU GOD (Just A Face In The Crowd – 1989) / “I think the drums are the most loud thing in the mix…it's probably produced by Lars Ulrich…”/ “Would it work now?” / “It was the novelty, because that was the only place where you could get it…” (40:10): “Didn't Annihilator have one for ‘Alice in Hell'?” / #Annihilator ALISON HELL (Alice In Hell – 1989) / “I thought of another one…”/ “I got one that's a deep one that's gonna blow y'alls mind…do y'all remember Helloween?”/ #RussellsConcertReflections / #powermetal / #Helloween HALLOWEEN (Keeper of the Seven Keys: Part I – 1987) / “Here's some obscure ones…”/ #Voivod ASTRONOMY DOMINE (Nothingface – 1989) /  “Dude, you should have cupped…you wasted that!” / #cuppingASMR / #WrathchildAmerica SURROUNDED BY IDIOTS (3-D – 1991) / “It's in 7!” / “SEVEN!”/  “That reminds me of Scatterbrain…the funk, the fun, and the progression…”/  “Today is all about 7's…” (50:32): #Sepultura TERRITORY (Chaos A.D. – 1993) / “Funny seeing those two flags together, huh?” / “What was the first S.T. video you think you saw on Headbangers Ball?” / “What was the first Slayer video you remember seeing on the Headbangers Ball?” /  #Slayer WAR ENSEMBLE (Seasons In The Abyss – 1990) / “This was prime for us…”/  “SEVEN!”/ “That should be Phil's fill…” (56:39): #GreenJelly (originally known as #GreenJello before Kraft Foods got all butthurt and bitchy about the name) / THREE LITTLE PIGS (Cereal Killer Soundtrack – 1993) /  #Scatterbrain DOWN WITH THE SHIP (SLIGHT RETURN) (Here Comes Trouble – 1990) / “Here's an obscure Megadeth one, I think…”/ #Megadeth GO TO HELL (Bill & Ted's Bogus Journey: Music from the Motion Picture – 1991 & Hidden Treasures – 1995) /  “Let's go back old school…”/ “They're not Injuns, they're Native Americans…”/  #IronMaiden RUN TO THE HILLS (The Number of the Beast – 1982) / “If you like Iron Maiden after Paul Di'Anno, you're a poser…”/ “When I listen to Floyd, it's generally ‘Meddle'…” (1:08:05): “That might have been the first time I saw Exodus…”/ “I remember seeing that on The Ball…”/ #Exodus THE TOXIC WALTZ (Fabulous Disaster – 1989) / “They all look like children…”/ “Maybe it is Zee-Tro…we've been fucking that up for years too?” / “Really?”/ “I don't have to do anything…settle down, Beavis!” / “Somebody made a complete collection of the MTV Headbanger's Ball playlist…”/ #Cinderella SOMEBODY SAVE ME (Night Songs – 1986) / “His lips are always out…”/ #Warlock FIGHT FOR ROCK (True As Steel – 1986) / “I would have liked to see her prime…”/ “This does look familiar…”/ #theangleofthedangle / #KillerDwarfs STAND TALL (Stand Tall – 1986) / “This is the video I remember…”/ “That one that one that one that one…”/ #Dio THE LAST IN LINE (The Last In Line – 1984) / “This is such a fucking 80's video…”   (1:17:12): “That one had Milton Berle...”/ #Ratt ROUND AND ROUND (Out Of The Cellar – 1984) / “To make it in Hollywood, you've gotta wear the dress…”/ #Motorhead EAT THE RICH (Rock ‘n' Roll – 1987) / #ACDC FOR THOSE ABOUT TO ROCK WE SALUTE YOU (For Those About To Rock (We Salute You) – 1981) / “Get to the cannons real quick…”/ “Headbangers Ball taught us a lot…”/ “They weren't trans then dude, they were 100% dudes and they were the Savatage Brothers…”/ #Savatage HALL OF THE MOUNTAIN KING (Hall of the Mountain King – 1987) / “I wonder if that's Peter Dinklage?” / “It's very left leaning…in the headphones.”/ #dungeonmetal / “Smooth Up In Ya is exactly what it feels like when you go inside…”/ “You wanna see The King?”/ “Wanna see my Dinklage?”/  “Probably got a tall boy Red Bull down there…”/ #KingDiamond WELCOME HOME (“Them” – 1988) / “Look how hot grandma gets…”/ “Seven years of podcasting excellence completed…” (1:28:42): ***Ask The Metal Head***: You can only listen to one metal album for the rest of your life. What is it?” / “It's between two, but technically it's the same band…”/  “What's the most overrated metal band of all time?” / “Here we go…”/ “Overrated or over popular?”/ “When you come out with a killer album, you get rated…”/ “First metal shirt you ever owned?”/ “I could have seen so many more shows, because they were pretty affordable…”/ THANK Y'ALL FOR JOINING US FOR OUR 7th ANNIVERSARY CELEBRATION!!! / #untilthenext #outroreel

How great was 1994 for music? The year Weezer’s “Blue Album” was released? Well, pretty tough to beat. This is a nostalgia episode so turn Beavis and Butt-Head off in the background, throw some Hot Pockets in the microwave, and put down your copy of Sassy magazine, because it’s time to listen to this Disgraceland bonus episode. See omnystudio.com/listener for privacy information.

Settle yourself in for another fascinating glimpse behind the curtain as TopMedTalk's perioperative profiles focus upon the incredible journey of Vanessa Beavis. Recorded at ANZCA's recent annual scientific meeting in Auckland, TopMedTalk host Andy Cumpsty interviews anesthetist and former ANZCA President Vanessa Beavis about her path from growing up in South Africa to moving to Auckland in 1993. We discuss her early work in obstetrics, solo general practice, and training in anesthesia before emigrating. She describes becoming involved in departmental leadership, navigating hospital governance to implement safety changes, and progressing through examiner roles, national committees, council, and ultimately ANZCA presidency. A role which coincided with COVID-19, when the College focused on maintaining robust training and examinations and producing clear PPE and clinical guidance across changing state rules. She also recounts helping develop ANZCA's perioperative medicine work from the 2004 task force to the SIG, qualifications, the Australian New Zealand Perioperative Patient Pathway, and the new chapter, and reflects on receiving the Companion of the New Zealand Order of Merit. -- Previous Perioperative Profiles you may also enjoy: https://topmedtalk.libsyn.com/perioperative-profiles-denny-levett https://topmedtalk.libsyn.com/perioperative-profile-rupert-pearse https://topmedtalk.libsyn.com/perioperative-profiles-professor-michelle-chew-on-seizing-opportunities-in-anaesthesia-research-editing-and-guideline-work Also, remember you can join us at Evidence Based Perioperative Medicine (EBPOM) World Congress 2026 in London. Be part of a global conversation as clinicians from around the world gather between 7-9th July at the British Library in London. Three days of evidence-based perioperative medicine, global insights, and expert debate—featuring speakers including Michael Marmot and Ken Rockwood. Register here - https://ebpom.org/product/ebpom-world-congress-2026/

IDLES drummer & huge City fan Jon Beavis joins us to discuss being in one of Bristol's most iconic bands, nearly packing it all in, and his favourite Bristol City moments. Episode originally released as 'A Cider With: Jon Beavis' on 27th March 2021. Learn more about your ad choices. Visit podcastchoices.com/adchoices

DL kicks off the Verse Chorus Verse Radiohead series with the first two albums — solo, no Evil, no Rachel, just a man and his favorite band.Pablo Honey (1992) gets a 7/10. It's a gateway drug, not a masterpiece — a Brit rock album from the early 90s that happens to contain one of the most important songs ever recorded. The story behind Creep: recorded in one take, initially hated by the band, ignored until Arsenio Hall found the tape in his car, made enormous by a Beavis and Butt-Head segment. Top songs: Creep, Rip Chord, You.The Bends (1995) gets a 9/10 and a full reassessment — DL argues this album is massively underrated and better than he'd ever given it credit for. Jonny Greenwood's octatonic guitar work on "Just" (inspired by an obscure French composer), the story of EMI threatening to drop them after Pablo Honey, Tom York's stage breakdown and the NME calling it a "temper tantrum," and why Fake Plastic Trees is great even if it's not a personal favorite. Top songs: Just, My Iron Lung, Bulletproof I Wish I Was.Part 1 of a 6-episode Radiohead dissection series. OK Computer with Rachel and Evil is next.

This week, Sean and Todd welcome back one of the show's most beloved guests — Tracy from Voices by Tracy. A bilingual voice actor based out of Montreal, Tracy holds the record for most appearances on SeanGeek and FastFret, and this episode proves exactly why.What starts as a trip down memory lane quickly becomes one of the most wide-ranging, heartfelt, and laugh-out-loud episodes the show has ever produced.We dive deep into the music that shaped a generation — Chilliwack, Headpins, Rush, Cinderella, Winger, Slaughter, Alice in Chains, Tesla, Triumph, and more — but this episode is about much more than music. It's about the friendships, the memories, and the moments that music soundtracks.This week we cover:The cassette tapes that started it all — how a Chevette, a tape deck, and a trip to Moncton shaped Todd's musical DNATracy's legendary street encounter with Kip Winger and Paul Taylor — and what happened when she opened her mouthThe night Beavis and Butt-Head killed Winger's career overnight — from sold-out shows to empty rooms in 48 hoursThe resurgence of hair metal — Monsters of Rock Cruise, Sebastian Bach and Slaughter coming to Winnipeg June 17thTim Kelly of Slaughter — a tribute to the guitarist lost too soonAlice in Chains covering Rush's Tears — and why Jerry Cantrell remains the most talked-about guitarist of the grunge eraWhale and Wasp from Jar of Flies — the instrumental that gets Sean every single timeThe seven year cellular theory — and what it has to do with relationships, reinvention, and finding yourselfTracy's story of rebuilding from the ground up during the pandemic — the three pillars that saved herSean's story of living in his car for two weeks after losing his marriage and job in the same week — and why he never told anyoneTodd's transformation — and why the smile says everythingThe Patreon tiers — Certified Geek ($5), True Geek ($10), Supreme Geek ($20), and yes, the legendary $75 Metal Shoppe song suggestion tierTracy does a live movie trailer voice for SeanGeek and FastFret — and absolutely nails itPass or Go: Cinderella's Once Around the Ride — Tracy says go. Immediately.Music featured this episode: Chilliwack, Headpins, Rush, Cinderella, Winger, Slaughter, Alice in Chains, Tesla, Triumph, Mr. Big, In This Moment, CoronerLinktree: https://linktr.ee/seangeekpodcastPatreon: https://www.patreon.com/c/seangeekpodcastWe are a part of the Boneless Podcast Network: https://bonelesspodcasting.com/ Merch:Tee Public: https://www.teepublic.com/seangeekpodcastRed Bubble: https://www.redbubble.com/people/seangeekpodcast/shop@seangeekpodcast on Twitter, Instagram and FacebookTakeaways:The podcast dives deep into the evolution of music trends over the decades, highlighting how genres like grunge impacted hair metal bands like Winger.We share personal anecdotes about our favorite music memories and how they shaped our lives, emphasizing the power of nostalgia.There's a hilarious segment about a dentist visit where one of the speakers humorously recounts an unexpected encounter with nitrous oxide.Listeners are encouraged to engage with us on Patreon, where they can submit topics and participate in our interactive discussions.One of the key themes is the importance of resilience and personal growth, with reflections on overcoming challenges and embracing change.We discuss the influence of various iconic bands, sharing our love for artists like Cinderella and the impact they had on our musical journeys.Mentioned in this episode:Boneless Podcasting NetworkThis is the ad promoting the Boneless Podcast NetworkNew Merch AdAn ad that incorporates Red Bubble and Tee Public

Who was Stanley DeSantis? Why is a 2004 Slipknot tee selling for $2,000? And what does a Daft Punk Roulette residency shirt have to do with how fashion brands sell you a lifestyle in 2026?Sol Thompson and Michael Smith return from their Neuehouse live recording for Episode 3 of Pair of Kings Season 14, continuing the season's deep dive into integrated fashion — the symbiotic loop where brands, hobbies, and ephemera matter more than the clothes. This week the boys go solo on the post-COVID explosion of the vintage band tee resale market and the story of Stanley DeSantis, the late character actor turned licensing impresario whose 90s company Passing For Sane made some of the most collectible all-over print T-shirts ever: X-Files, Aeon Flux, Spawn, Wizard of Oz, Speed Racer, Beavis and Butt-Head, Gone With the Wind, Pink Panther, Independence Day. The man licensed everything.Sol and Michael unpack why vintage T-shirts became fashion's most contested asset class: NYC's 8x vintage multiplier, why Slipknot Iowa-era merch and Daft Punk Vegas Roulette tees command four-figure resale on eBay and Whatnot, single stitch vs. double stitch hems, and the rodent-brain instinct of saving a Dub Tribe Sound System eBay search for years. They revisit the Miu Miu Literary Club through intellectual signaling (Simone de Beauvoir, Fumiko Enchi), the Aimé Leon Dore x Porsche 993 Turbo collab, defend RRL as American integrated fashion's original blueprint, and confront the imposter syndrome of wearing someone else's faded jeans.Other topics: Hedi Slimane Dior Homme resale gatekeeping, Charlie XCX Pop 2 merch as a future grail, the $3,700 Lady Gaga Schott Perfecto, why Akira and Ghost in the Shell tees became NFTs from first principles, scenecore and metalcore history (Suicide Silence, Dance Gavin Dance, The Used, Odd Future), Graceland Ridgewood, Rick Birkenstocks, and a moment for the goat — Stanley DeSantis, 1953–2005.Brought to you by ScentSplit. Tune in next week for a conversation on the artist as avatar.Lots of love!SolTags: Stanley DeSantis, Passing For Sane, vintage band tees, 90s licensed apparel, all over print t-shirts, integrated fashion, Pair of Kings podcast, fashion podcast 2026, menswear podcast, Slipknot Iowa shirt, Daft Punk Roulette, Hedi Slimane Dior Homme, Lady Gaga Fame Monster, Charlie XCX Pop 2, Aimé Leon Dore Porsche, Miu Miu Literary Club, RRL, Aeon Flux shirt, X-Files vintage, Ghost in the Shell tee, NYC vintage multiplier, Graceland Ridgewood, scenecore, archive fashion, ephemera fashionSol Thompson and Michael Smith explore the world and subcultures of fashion, interviewing creators, personalities, and industry insiders to highlight the new vanguard of the fashion world. Subscribe for weekly uploads of the podcast, and don't forgot to follow us on our social channels for additional content, and join our discord to access what we've dubbed “the happiest place in fashion”.Message us with Business Inquiries at pairofkingspod@gmail.comSubscribe to get early access to podcasts and videos, and participate in exclusive giveaways for $4 a monthLinks:InstagramTikTokTwitter/XSol's Substack (One Size Fits All)Sol's InstagramMichael's InstagramMichael's TikTok

On this episode of Small Talk we discuss the Mondo Beavis & Butt-Head and all the latest action figure news!

This week on Garage Talks, Donny, Chase, and Dan take the conversation completely off the rails. From the mystery of asparagus pee smell and broccoli-powered farts, to debating the existence of “moist chicken,” nothing is safe in this garage.The guys also dive into Dan's flex mirror setup in the garage, questionable raccoon smoking artwork, and Chase getting absolutely framed by Donny — leading to some real-life heat from the wife at home. Plus, they take a nostalgic trip back to the unhinged golden era of adult cartoons like Ren & Stimpy, Beavis & Butt-Head, and South Park.The episode also gets real as Donny opens up about his wife's battle with breast cancer, bringing some honest moments in between the chaos, laughs, and nonsense that make Garage Talks what it is.Equal parts ridiculous, nostalgic, and real life — this episode has everything.

A pesar de que ya se anunció que no habría más podcasts durante un tiempo incierto, esta semana se ha celebrado el día de Sant Jordi, día de los enamorad@s para l@s catalan@s, y eso no lo podemos pasar. Es por eso que celebramos una nueva edición de Directo al corazón. Como nos perdimos el especial dedicado a las mujeres, hemos querido aunar las dos temáticas haciendo un especial de baladas con voces femeninas Hemos elaborado una lista con temas que os van a poner muy tiern@s. Aquí teneis el listado de canciones: 1 - Phantom Blue "Why call it Love?" 2 - Joan Jett & The Blackhearts "You don't know what you've got" (Du-beat-e-o) 3 - Mike Reno & Ann Wilson "Almost Paradise" (Footloose) 4 - Fiona "Hearts of fire" (Corazones de fuego) 5 - Kate Bush "This woman's work" (La loca aventura del matrimonio) 6 - Kris McKay "Good heart" (De profesión: duro) 7 - Saraya "Timeless love" (Shocker) 8 - Robin Beck "Don't lose any sleep" (Derrick (TV)) 9 - Tiffany "You and me" (Los supersónicos) 10 - Kristina Nichols "The secrets of my heart" (Ruby Cairo) 11 - Tina Turner "What's love got to do with it" (What's love got to do with it) 12 - Belinda Carlisle "Leave a light on" (Darr) 13 - Vixen "Edge of a broken heart" (Beavis y Butthead (TV)) 14 - Alannah Myles "You love who you love" (Corazones robados) 15 - Evanescence "My immortal" (Daredevil) 16 - Pat Benatar "We belong" (Pasado de vueltas) 17 - Lita Ford "Kiss me deadly" (Romeo & Juliet vs The living dead) 18 - The Bangles "Eternal flame" (Dando la nota) 19 - Roxette "Listen to you heart" (Curve (La curva de la muerte)) 20 - Eurythmics "Miracle of Love"

Next up is the final entry (huh huh, entry) for Animated April! We're wrapping up the month with wheelie cart TV memories, tiddy buttons, loose kids crossing borders, peyOH!te, AJ Benza againza and a lesbian seagull that's real and she CAN hurt you. Robert Stack asks us to solve a mystery right before bed and we do! So cut it out bunghole because we're ready to DO you now! Hit the road with your favorite fart knockers it's Beavis and Butthead Do America, this time on Doom Generation!

It's the season finale of Drinking from the Gardenhose, and OB and Ed go out the only way they know how—full chaos, no filter. Ed unloads on a brutally disappointing Rutgers tour that somehow gets worse the more you hear about it, while the guys spiral into the now-infamous "camera off" incident—breaking down Zoom etiquette, questionable decisions, and why some things just don't need to be announced out loud. Along the way, they trade family stories, react to a fan dubbing Ed the Beavis of the duo (a label he's still processing), and lock in their game plan for an upcoming metal concert—complete with high-stakes retro t-shirt strategy. It's messy, hilarious, and exactly the kind of send-off you'd expect. Tap in for the laughs, the takes, and one last blast from the hose this season.

This is a fun one. I hope you enjoy listening to these games as much as I did recording them. We have Trivial Warfare's Nikki Bates in the first game, and 2002 Jeopard Tournament of Champions Quarterfinalist Rowan Ward in the second game. It's a long one...Nikki Bates - Lincoln, NebraskaLooking for World Capitals, Futurama, and Food & DrinkListen to Trivial WarfareKen Burns: The American Revolution on PBSRowan Ward - Chicago, IllinoisLooking for Beavis & Butt Head, Homestar Runner, Horse Racing, and 90s MusicSir Barton and the Making of the Triple Crown by Jennifer S. KellyLearned LagLooking for a horse? Try an organization like The Retired Racehorse Project#######JOIN THE DISCORD!!!The best way to get the latest updates about the podcast and the Tuesday Sunday night Twitch stream is to join the Discord server. It's easy to do by clicking this link: ⁠⁠⁠https://discord.gg/z95CZGQrKQ⁠⁠⁠Want to build your own game of Tangents?All you have to do is pick a date that works for you: ⁠⁠⁠https://calendly.com/triviaworkshop/⁠⁠⁠And be sure to check out the other Trivia Workshop links here:⁠⁠⁠https://linktr.ee/TriviaWorkshop⁠⁠⁠Thank You Patreon Crew!This podcast wouldn't be possible without your support. Thank you all - and welcome to our newest member, Sara Callori! If you'd like to join, it's easy! Just go to ⁠⁠⁠https://www.patreon.com/TriviaWorkshop⁠⁠⁠ for your options.And as always, thanks to the entire Patreon Crew - Adam Wendell, Andrew Buxbaum, Anne Putnam, Asha Ouseph, Brandon Fellows, Brian Irving, Brock Kwiatkowsky, Bryan Nash, cheyenne fletcher, Chris Collins, Christian Hernandez, Claire Bancroft, Dalton McGhiey, Danielle Fields, Ian Schulze, Jane Hansen, Jay Borsom, Jeff Clear, Jillian Hawkins, JJaz, John Liu, Kevin Kuschel, Leslie Hyman, Luc Leavenworth, Madeleine Garvey, Martin Ebert, Matt Lamia, Marc Poland, Nabeel Bader, Nanci Skinner, Nicole Bates-Rush, Paul Paquet, Quizmaster Caleb, Samantha Kuchar, Sara Callori, Sarah Collins, Scott Anglemyer, Scott Barber, Shaun Bernstein, Steven Beningo, StitchinStacey, Tamara Morgan, The Professional Left, Tim Robert Gomez, Tony Schmit, Wendy Curtis, and Will Gilbert

Dr. Liz Beavis, Asset Manager at Tilt Renewables, joins to discuss O&M contracts, balance of plant, and lessons from Australia’s biggest and oldest wind farms. Contact Liz on LinkedIn or by email. Sign up now for Uptime Tech News, our weekly newsletter on all things wind technology. This episode is sponsored by Weather Guard Lightning Tech. Learn more about Weather Guard’s StrikeTape Wind Turbine LPS retrofit. Follow the show on YouTube, Linkedin and visit Weather Guard on the web. And subscribe to Rosemary’s “Engineering with Rosie” YouTube channel here. Have a question we can answer on the show? Email us! Intro: [00:00:00] Welcome to Uptime Spotlight, shining Light on Wind. Energy’s brightest innovators. This is the Progress Powering tomorrow. Allen Hall: Liz, welcome to the program. Thanks,  Liz Beavis: Alan. I feel I’m a long time listener. First time caller, so it’s exciting.  Allen Hall: You are a long time listener and thanks for doing that. Uh, and Liz, I just find you to be a wealth of knowledge and, uh, we met on a couple occasions since I’ve been in Australia and it’s just, uh, a fun to connect here because I think a lot of the things that are happening in Australia need to be spread around the world. A lot of, uh, good o and m practices happening in Australia, uh, from hard lessons learned. So that’s what I want to dive into today. And then the first one is, I don’t think many people realize this, that you went. From commissioning, Australia’s largest wind farm, Cooper’s gap to managing seven [00:01:00] of the 10 oldest operational wind farms in the country. So you got some of the biggest, newest to some of the oldest assets. Uh. Uh, my question is like, when you started that, did you just kind of assume like wind, wind farms or wind farms or wind turbines or wind turbines and you could just basically own and end them the same, or do, or did it just occur to you immediately like, I need to take a different plan of attack here? Liz Beavis: I think I, I knew nothing about wind farms when I turned up at Cooper’s Gap, so, so yeah, I got my, well, okay, we’ll go right back to the start. So I was working at a thermal power station and I was just thinking. There’s no future in coal. How do I get into renewables? And then a wind farm got built like 50 kilometers from my house. I can, I can see it in the horizon. Um, and I thought, oh, they’re not gonna need a chemical engineer there, but I wonder if they need a site manager or something. And then the site manager role came up, I applied for it. So the services site manager. So, [00:02:00] um. That was July, 2020. That’s when I first started listening to the podcast. ’cause I thought I better find out something about this industry before I do my job interview. And so I’ve been listening ever since. But, um, yeah, so I don’t know. I was just lucky to get that role. And I turned up and, um, I think it was the end of September, 2020 first time I’d ever set foot on a wind farm ’cause of COVID and everything. I didn’t, I didn’t go there for the interview. My manager was in Thailand. I just turned up. And, um, so they, they’d finished construc, they’d built all the towers where they hadn’t finished commissioning. And so we’re still working out of construction, dongas, you know, temporary buildings and um, and there was hundreds of people on site and it was just the absolute chaos of. Constructing a two hundred, a hundred and twenty three turbines. You know, like there’s just people everywhere. And I thought, wow, I’ve just gotta figure out what I’m supposed to be doing here. There were a few technicians. I found out how many technicians I supposed to have. Just started recruiting, started figuring out what I was supposed to be doing there, and I just [00:03:00] learned so much. In the two years we took over the new r and m building. We had failed gear, boxes, generators, transformers, overhead line, underground line, pretty much. Anything that could fail failed, and I got to see what we needed to do. Um, but through all of that, I was also thinking, oh, how do I manage this wind farm better? I don’t know anything about wind farms, and I’m reaching out to the other GE sites, but the, the next biggest site was 75 turbines, and all of the rest of them are 30 and 40. So they’re saying to me, oh, you just get a team to go around. And I’m thinking. Well, that’s six weeks of work. You know, like, like everything is so much bigger on a bigger wind farm. And then I’d reach out to the, the American sites. That had big wind farms, but their contracts were so different, and I didn’t understand at first, I started to realize, well, their contracts are completely different and their focus is different, and so they’re not facing the same issues that I’m facing. Um, and then, you know, even speaking to a wind farm in [00:04:00] Sweden that was a similar size, but they, you know, they. They have to think about climate and what work they can do in winter. So I started to, as you said, you start to think, well actually everyone farms very different. And it’s, um, you know, you can learn from others, but you really need to understand how your conditions are affecting what you can and can’t do. Um, and then, so then I got the job at Wally Power Services with as a portfolio manager for the renewables, um, fleet There. And yeah, a whole lot of really old turbines. And it was just so interesting to see that contrast between the new turbines and the old ones and um, and also being a independent service provider, what we could do and what the technicians. So many clever technicians out there on wind farms, just figuring stuff out and, and fixing things that if you tried to do that within the OEM, you get really hamstring Engineers say, oh no, you can’t. You can’t do that. You can’t fiddle with that. Whereas once you’re released from that, for better or worse, [00:05:00] the technicians are just off sorting things out. So that was really interesting to see that contrast. And now I’m with, um, tilt Renewables. So I’m the asset manager for Cooper’s Gap and Silverton Wind Farms. So I’m, I’m now seeing from the owner’s point of view how we actually manage these contracts with the OEMs and with ISPs and how we, how can we do r and m better? Matthew Stead: And from the, um, from the ISP, um, experience, um, compared to your experience now, what are some of the biggest differences that you’ve observed between the old, the other sites and the, and the new site?  Liz Beavis: Yeah, I think it, it’s really just that you’re on your own. Um, so you’re relying on good technicians. To figure things out, you can, you need a parts and service agreement with the OEM, um, so you can reach out to them and ask for support, but they’re, you are the lowest priority. So yeah, you don’t always get information, [00:06:00] so you just gotta be set up to figure things out. But then that does give you the freedom to make changes and to, to fix the things that you’re saying, whereas. Often the OEMs are so, uh, stuck with that mindset of, oh, we, we don’t want people to know we’ve got a serial defect. So we’ll just keep kind of patching things up and hopefully, hopefully no other sites find out about this. You know, instead of just saying, Hey, we know this is an issue, here’s a good way of fixing it. ’cause just all I understand, all of the liability that throws, that, that flows from that, uh, you know. You can’t handle it. Allen Hall: Does that change your perspective, knowing all those things? Do you have a, just a unique background in so many ways where you’ve seen, uh, pretty much all sides of wind operations. How do you think about that now? How are you, are you are addressing contracts differently or are you thinking about the way you staff differently just from your experience?[00:07:00] How does that play into it?  Liz Beavis: Yeah, so definitely from a owner’s point of view. I understand what the limitations are of the OEMs and the ISPs, and so I know, I know what I can push them to do and what I can’t push them to do. And even though you’ve got the contract in front of you and you know it, it says you’re gonna do this, there’s certain things where you, you know, that you need to let it slide because it’s just not reasonable to push it. You just, you just know that they can’t achieve things. Um. But then also going into new r and m contracts, you kind of know what’s critical, what to ask for, what, you know, what, what we need to make sure that we’re getting right from the start.  Allen Hall: How do you sort that out? Because I’ve heard, uh, I’ve talked to many operators. that are doing O&M and they look at the contract much like you, and then they, they look at the contract and go, okay, here’s are the things I can probably get. Here’s the things I can’t get. How did you come to that determination is just because you’ve been so close at all this time? Because I think a [00:08:00] lot of people in wind that are new look at that contract, as the rule of law and you’re gonna get everything in there. But I think the more experienced people realize it’s more of a negotiation or starting point, even  Liz Beavis: particularly, uh, like Comparing construction to O&M I say, construction’s the. sprint and O&M’s the marathon, and you’re in a relationship with this O&M provider for 10, 15, 25, 30 years, depending on your contract terms. So you can’t go in at year three and just have a big fight with each other And you know you, need to, You need to be able to work together. So it’s understanding what the value drivers are on both sides and, um. And focusing on that. So, you know, for us as the owner, we, we just want generation. So even though availability is what’s in the contract, really what we want is generation. So if we can figure things out together to get the maximum generation, and maybe that helps the O&M [00:09:00] provider save some costs because, they’re not just doing what’s in the contract, but they’re doing what actually helps us get generation. That’s, that’s kind of the. That’s how we work. And then the contracts there. If, everything falls apart, you’ve got a legal document underpinning where you can say, hold on, you were supposed to do this. This is the damages we can claim. And this is where we can go with it. But you’re not just enforcing every, clause. Because some of it’s been written so long ago, it’s not even relevant.  Allen Hall: Does that lead you down the path of shadow monitoring then?  Liz Beavis: My view is I would rather have, I would rather be at a point where I have a relationship with the OEM where we can agree that there’s no point me spending money that they’ve already spent and that. That we get access to their data. Even if I pay half of what I would spend on shadow monitoring as an additional fee to the OM provider, so they get some revenue and they provide me with the data, I think that’s a better outcome for both parties than to [00:10:00] feel like I’m there looking over their shoulder monitoring what they’re doing. So, I mean, it depends on what your relationship is, but our, our preference would be. That we’re working together and that we’re both benefiting from something rather than spending more money than we need to on doing something twice.  Matthew Stead: Maybe a question, Liz, in terms of your, you know, former, you know, thermal, uh, background, what, what sort of lessons learned or, or things did you sort of bring across from that, that previous um, experience? You know, although six years ago,  Liz Beavis: I think that the first thing was safety. There was, um. There’s a big difference and, and particularly coming into a construction site, that’s, it’s always a challenge because there’s just this time crunch and cost crunch and, and it’s all just, we need to just jump in and get everything done. We can’t stop and make sure we’re doing this safely or properly. Um, so getting my [00:11:00] team to stop thinking like that. We are here, we’re doing o and m. We’re here for the long term. If we’re gonna do it, we’re gonna do it properly. If we need to wait a couple of days to have the right tooling, that’s what we’re gonna do. And just kind of slow everyone down and then, and get the right procedures and the equipment and, and everything. Uh, so we did that. Um, and then. I think the other thing I’ve probably just brought across is understanding of the market. So I was quite involved, um, with thermal generation and, um, market and bidding and um, and I think if you come into Wind Farm o and m, you’re kind of separated from that because you are just there to maintain the turbines and you, you don’t care what the market’s doing, but your owner cares what the market’s doing. So being able to, to think about, well, what. What does my owner actually need? Um, and, and do that, you know, support that as well. Then you, you’re better at [00:12:00] delivering the o and m,  Allen Hall: right? Because it does add a little bit of perspective to it. I see a lot of operations and maintenance where availability is a thing, but it’s not like the top priority. It’s, it’s odd how they think about it. At the end of the day, you’re producing power, and I know Tilt Renewable, having been to your offices there. Is focused on availability. You’re selling power to the grid. You need to be looking at what the prices are. You’re actually monitoring that. There’s, it’s a complicated enterprise. It’s much more complex than I think, uh, you would think of a old power company, uh, particularly in the states where everything just kind of runs and it’s, it just happens in Australia. It’s a lot more freewheeling, I would say, and there’s more emphasis on. Making sure the assets are running, that they’re available and they are producing power. That must change the way you think about managing the assets and particularly. You, you, there will be problems, right? There’s always problems. Are you, are you trying to then categorize [00:13:00] problems and trying to assess when you’re gonna take turbines out? Or you’re just saying, Hey, we just can’t fix this thing until next year. There must be some sort of organization going on there. How do you think about that in terms of keeping your availability so high?  Liz Beavis: That’s one thing that I had to change my mindset. From thermal to wind because there’s a lot of work you can do on a thermal power station while it’s running. Whereas anything, anything you wanna fix on a wind turbine, you’re taking it down. And then on a thermal power station, you have a six or eight week outage where everything’s shut down, 200 people turn up, everything gets fixed. And then you run it back up again and then you hope that it doesn’t come back down. Yeah. Whereas the wind turbine, it’s like, it’s, the way I see it is just if it’s running, it’s running. You don’t go and stop it for any reason. You know, so it’s you, you only, you’re going there to do reactive work. When it stops and you’re going to do proactive annual maintenance work every 12 months, [00:14:00] and it’s really about getting the scope of your annual maintenance, right, so that you’re addressing everything. And you know, the goal is like, this is what was drilled into me with GE was the goal is you go to that turbine once a year or twice a year if it has a semi-annual. Maintenance requirement, but that’s, that’s what you’re trying to achieve. So you’re trying to get the reliability to a point where you only need to go there when it breaks, and Oh, so you only need to go there for the annual maintenance and it shouldn’t be breaking down in between. Unfortunately, that’s. Very difficult to achieve. I think. I think what it was interesting to see the older turbines, um, have a lot more engineering, uh, margin in them. Everything sort of does perform better.  Allen Hall: Well, that’s what I wanted to ask you because I do think there’s a difference between a slightly older turbine, even a turbine that was manufactured 20 years ago versus today. It does seem like there’s a lot more knowledge about those turbines. Maybe it’s just, uh, tribal knowledge. Over time you’re gonna learn more about them, but there, there is a huge knowledge [00:15:00] gap. Between on a new turbine, you just, you just don’t know what you don’t know. How are you trying to address that? Are, are you getting involved in RCAs or are you, are you trying to be proactive monitoring scada, the, it’s just a lot of your plate here. How do you try to manage all that and what’s your process there?  Liz Beavis: So the way the contract is structured, that’s all the OEM’s responsibility. Uh, but what, what we’re trying to do is say, well, we’ve got a lot of expertise in our asset management team. Involve us. Like, we’d like to help. We can ask the questions, we can tell you what we’ve seen on other sites. We can, you know, we, we can actually help with this. Um, it’s, yeah, it’s, it’s kind of awkward that, um. There’s no requirement in the RM phase for them to provide us with an RCA under this contract. So, you know, there’s some, there’s some contracts where they may have to, but, um, yeah, [00:16:00] I think that’s an oversight because we’re kind of guessing or we’re, we’re getting given. Part of the information, but we don’t necessarily have the whole story. And I think the advantage that the OEM has is that they’ve got hundreds of thousands of turbines out there and they, they’re monitoring all of them. They, they should be able to figure out what’s going on a lot easier than I can. I’m looking at two sites and saying, oh, hey, is, is that an issue? Or is, you know, they’ve got all that data. And, and that was the challenge with an RSP is that you, you’re only looking at a limited. Subset of sites, you’re not necessarily being able to put everything together, but I’m not sure that we all get the value of that knowledge, whether, whether they’re actually crunching the data or whether they’re keeping it to themselves because they don’t want us to know about serial issues. Um, but yeah, I, I feel like the OEMs could be leveraging that more.  Allen Hall: Are you able to bridge that gap sometimes with the [00:17:00]OEMs? I do feel like the OEMs have. Pretty good. Uh, at a minimum. I mean, I think a lot of times they’re really good on the back offices, on the engineering side of the technical expertise and the subject matter experts do exist there, and they are pretty quick to get to the root cause of a problem. But are you able to get to those back offices, to those engineering experts and to talk to them? Have you found a way to do that, that that kind of works for, for both sides of that, of that business?  Liz Beavis: Something I found really helpful is, um. We’ve joined some international groups. There’s a few groups around that say the O2 O, they’ve, they were O2 O wind, they’re now O2 O renewables and also epr, um, electric Power Research Institute. So we’ve joined them. We are sharing sort of general, um, breakdown information and issues. Um. Within those groups. And so then we are hearing from, you know, there’s a wind farm in Scotland that says, oh yeah, we’ve got the same [00:18:00] component. We are seeing this issue. And then I say, oh, well I better go check if we’ve got that problem. And then, you know, so, so we’re, we’re kind of owner to owner learning things, so that’s quite helpful.  Allen Hall: So you’re leveraging the other, uh, operators of the same turbines or, or really something similar to what you’re operating globally? That’s a, that’s a smart move and a lot of operators do not do that. I mean, and maybe in the States there’s a couple of, of organizations in the states, EPRI being one of them. O2 O is, I think, uh, definitely popular in Europe. They’re both very effective. So in instead of having to rely on the OM all the time, you’re basically word of mouth with other operators saying, I have this problem. Does anybody else have this problem? Have you solved it? Or maybe what the OEM has said, maybe the OEM has has told another operator what the answer is. Uh, is that the way you’re kind of thinking about attacking that problem?  Liz Beavis: Yes, but we’re not sharing any confidential information [00:19:00]through those forums.  Allen Hall: Never gonna do that. However, it does, I mean, if you get some heads nodding in those discussions, like an oh two, oh, uh, uh, meeting or even an EPRI meeting, uh, or e-cig in the United States. Basically doing something very similar. A lot of times I don’t think operators use them, the, maybe the way that they should, they, they, they turn into kind of complaint sessions instead of solutions, uh, that could be shared. Are you finding that you’re able to get to some solutions through those organizations? Liz Beavis: I probably found out more about failure modes and things to look out for. Necessarily then solutions. But yeah, it, it’s definitely, it’s definitely been valuable.  Matthew Stead: Um, and Liz, we went for a bit of a drive around your site. Once  Liz Beavis: I be how many days, Matt? You’re like, oh, come up for a day. And then I said, you’re gonna need to come for longer. Matthew Stead: The one day turned into three days. It was a wonderful time. Um, um, however, I think a part of our conversation was about. All the extra balance [00:20:00] of plant. And, um, I know you’ve got a few te uh, pet topics around balance of plant, including, um, toilet facilities. So maybe you could, uh, share your thoughts on, you know, the, the forgotten part of the, the site. Liz Beavis: Okay. Well, I can talk about toilets. Um, I think, I think we got away with. Um, small wind farms with just an o and m building and, um, technicians could drive back to the toilet pretty easily. Now. Cooper’s Gap Wind Farm is um, uh, 123 turbines. The furthest turbine is an hour’s drive. No one’s driving, you know. Back from the turbine and then to the r and m building and then back to their work site. So, um, we need to, we need to consider that in the design phase, but also I’ve just been talking about it every opportunity ’cause um, people just aren’t aware and that we need to think about what facilities we’re providing to our technicians. And particularly in Australia, we’ve got a big [00:21:00] energy transition we’re trying to deliver and we’re not gonna get the workforce. If people think that wind farms aren’t nice places to work, so I, I think it’s really important. So I’ve, um, I have purchased a demountable containerized toilet facility that’s gonna go out into one of our furthest corners of the wind farm. Um, so I’m gonna establish that and then look at where else we need to put them. And that was, um, $50,000 Australian delivered. So it’s really. A small cost considering everything else we spend on that one farm. Um, just to provide suitable facilities for our workforce. So, uh, I’m encouraging people to think about that and I’ve had some good conversations since I brought it up at wma, so it’s been good. Matthew Stead: Yeah, it also struck me several, um, several challenges were a much bigger issue than you may have thought them to be at the start.  Liz Beavis: I think what I found interesting is, uh, o over all the different wind farms is, um, it’s [00:22:00] really difficult to predict what the civil cost is gonna be. You, you can have some wind farms that are just dead flat and have very minimal civil costs, but as soon as you build a wind farm. On a ridge, you know, ridge line and you’ve got lots of bridges and steep roads and drainage issues. Yeah. And then depending on the erod ability of the soil and the rainfall, suddenly you’re out there grading pretty regularly. Um, I have now learned way too much about civil engineering, and it’s not my area of interest, but, um, I think there’s, there’s better decisions that can be made during construction and. Design stage of the wind farm. There’s, you know, there’s some roads, uh, I’ve driven around as a civil contractor at one of my sites and, um, he was involved during construction and he’s also a landholder and he said, well, I told them to put the road over there where it would’ve been sort of gentle slope up the hill, but they wanted to just build a shorter road. So they [00:23:00] just put a straight up the hill and then they had to bring, um, extra machines in to tow all the components up the hill. ’cause they made it too steep. But that’s then what they’ve left us. For RM to maintain, you know, so that it’s just bad decisions and, and I think it’s, yeah, it gets very fraught during construction. And then, um, you know, towards the end you’re just trying to get the project finished and you’re trying to get handover and you’re just worried about the turbines, you know, like what’s happening with these generators. And all of that becomes a focus. And meanwhile, the, the civil work hasn’t been finished to the standard and the drains haven’t been built to the drawing. And, and that’s just. The last thing on anyone’s list. ’cause we’re trying to get the turbines right. Um, but yeah, it’s, it’s a cost that you then wear for the rest of the project, so it’s worth thinking about. Um, and in Australia we’ve also, it’s quite common for the electrical balancer plant to be maintained by the OEM. Um, and we’re starting to find it’s not really their area of [00:24:00] expertise. They’re not really set up for it. You know, there’s sort of a question mark whether that’s. The best approach or whether, uh, as an owner, we are better to split that out and look after it ourselves, but then that complicates availability guarantees. And who’s responsible for the underground cable? Yes. And there’s, there’s a lot to think about.  Allen Hall: I was gonna ask you about that because that is an important difference, uh, in Australia where the BOP seems to be, uh, more, or the responsibility of the operator than the OEM, and that must be at least somewhat Australian specific because of the nature of the country and the difficulties that are involved there, but. Does that mean that as you, as the operator need to be bringing on people that know, uh, substation, architecture, underground cables, transformers, pads, uh, roads, all that, is that something that you just have decided that it makes more sense to do and we can probably do it [00:25:00] better, uh, as a, to make availability better and make the site more accessible? Is that, is that the thought process that went into that?  Liz Beavis: I think the driver was, um. The lenders. So, so finance, um, they, and that’s, that’s why that there was a real trend for the fully wrapped contract. So a, a 25 year fully wrapped contract and, and the finance world is de-risked, you know, it’s magically de-risked because, because you’ve locked it in and it’s all just gonna get done. And it’s, and now I think everyone’s realizing, well, it’s not actually DeRoot. Like there’s, there’s a lot. That we need to manage and, and now we’ve lost control over it. And actually maybe we’d like to pull that back, but it, it’s, it’s site specific. You know what you. What makes sense to, to give to the o and m contractor versus separating it out and managing it  Allen Hall: Well then let’s talk about the two wind farms you are involved with day to day, Silverton [00:26:00] and Cooper’s Gap, and now they are not next door to one another. Silverton’s in New South Wales, far west. Right. And then, uh, Cooper’s Gap is up in Queensland, way up north Counter by Brisbane. Uh, those are what, 500,000 miles apart from one another. They’re a long ways away.  Liz Beavis: Yeah, I haven’t looked at how far they’re, but um, so I live near Cooper’s Gap, so everyone in Melbourne’s quite pleased with that because it’s a pain for them to get here. ’cause it, I, it’s a three hours, I’m three hours drive from Brisbane. That’s not even North Queensland. That’s, I’m still in Southeast Queensland. Really.  Allen Hall: Right. True. Yeah.  Liz Beavis: So then for me to get to Broken Hill, I have to drive to Brisbane and then fly to Sydney or fly to Adelaide and then fly into Broken Hill. So it’s two flies. So we did have, we’ve got another asset manager who was very involved with Silverton, uh, for a long time, and she lives in Sydney. And so I. When I came in, because I lived near Cooper’s Gap, obviously I took Cooper’s Gap and then it made sense for me to also have Silverton because it’s another [00:27:00] GE three X site. So that’s why I’ve got those two. Yeah. Uh, even though it’s not my closest site, so I go out to Silverton about four times a year. Um. I make sure I spend a week there and I drive around and look at everything, and I go up tower and I spend time with the team and I, I do feel like I don’t have as much control over that site as Cooper’s Gap. I’m here most days and I’m, and I’m in the pre-start and I see where all the teams are going, and I go and talk to them. Yeah, so I, I get a lot more information and I think as an asset manager, it’s really important to be on site and to be up tower and to be talking to everyone. Um, so when I do go to Silverton, I make sure I go there for a long time, or I see some owners will just pop in for the day, or they, they’ll sort of come in at 10 o’clock in the morning and, and then leave. So they don’t even see preset. You can’t really get a feel for what’s going on in site if you’re not. Um, so I would like to be at Silverton more often, but [00:28:00] I just don’t like the 12 hours of traveling it takes me to get there. Um, but um, we have, so teams is amazing, right? Like what we can do remotely now. Um, I have a fortnightly call with the site manager and we go through what turbines are on and what’s off and what’s he working on and what issues. And, um, so I do get a lot of information. Um, not being on site and, and all the systems that we have access to, I’m constantly spying on them. They all know that. But also I’m there to help. Like, I’ll, I’ll read the fault code and go, what does this fault code mean? That sounds really bad. And they’re like, oh yeah, we better go check that. So, um, yeah, we we’re working together. Um. And it’s really just, yeah, they know that we’re, we just wanna try and get the availability up. We don’t wanna be charging them damages all the time. We, it, it doesn’t really cover our costs. So it’s better for all of us that we just improve the availability and it doesn’t matter who’s doing it, we just need to figure it out. [00:29:00] Allen Hall: Well, Liz, you’re a busy person and in your off time you co-founded an organization called Power Up Queensland and you mentor female engineers. Uh, and you have done that for a while throughout your career. What’s your message to women that are considering entering the wind energy sector?  Liz Beavis: Oh, we need more women in wind. Onsite, not just in the, in the head office. And, um, I’m fixing the toilet situation, so I’ve got it under control. Um, yeah, it’s, it’s really sad when I sort of look around at preset and there’s, I’m, I’m the only woman in the room usually. Um, but yeah, I, like, I go up tower and, um. I think it’s, it’s a lot of fun if you’re, if you’re someone that likes heights and doing something a bit more physical. And I think also the, um, for the, from the trade point of view, you get to work across mechanical and electrical. So if you’re not, uh, you know, if you’re interested in sort of working across your trade instead [00:30:00] of just a purely being a mechanic or an electrician, I think it’s a really interesting, um, uh, workplace to be in. You get. And, and there’s lots of civil work to do and, um. And then as an asset manager, you know, you can, you can come into that from a, from a mechanical engineering, electrical engineering, or mechanical engineer. There’s, there’s lots of civil work to do, but even in our team, we’ve got people from finance and accounting backgrounds and, um, trade backgrounds. So it’s, it’s, um, something that you can come. From a broad range of, um, disciplines. Um, and I just, I love being out and about this morning before I came on the call, I had to go out and put some signs out for a biosecurity issue. So, so I like, that’s the kind of thing, like I, I’m not stuck in the office. I just go for a drive and put some signs on the gate and yeah. So it’s, you’re not stuck in the office. I think it’s, it’s really. It’s, it’s a really awesome job. [00:31:00] So I encourage, yeah, people that want, don’t wanna be in the office and actually be outdoors and involved and doing some physical stuff. It’s a good job.  Allen Hall: Well, Liz, you’re a wealth of knowledge and uh, it’s always great to see you in Australia and thanks for coming to the Woma event. If people wanna reach out to you and connect about o and m issues or entering the wind industry, how can they do that?  Liz Beavis: Um, so I’m on LinkedIn. Maybe I can just put my email in the show notes because I get, I get a lot of LinkedIn connection requests and I sort of don’t know who’s who.  Allen Hall: We’ll definitely put your email in the show notes, and I know we’ve had a lot of discussions of, of getting you on this podcast. I’ve been really looking forward to this discussion, and this has been great. We need to have you on more often. So, Liz, the invitation is. Thank you so much for joining us on this podcast and yeah, we’ll see you soon.  Liz Beavis: Thanks [00:32:00] El.

What if stress isn't always the enemy?In this message, Dr. Wes unpacks what Scripture and science reveal about anxiety, stress, and the way God designed the human body. Looking at Psalm 139:14, Isaiah 41:10, Philippians 4:6–7, and more, this teaching explores how fear, cortisol, resilience, and faith all connect.You'll hear a powerful real-life story of survival, learn the difference between a fear-based mindset and a growth-oriented mindset, and discover how speaking God's truth over your life can reshape the way you face pressure, pain, and uncertainty.If you've been feeling overwhelmed, anxious, exhausted, or mentally stuck, this message is a reminder that you are fearfully and wonderfully made—and that God is with you in whatever you're facing.Connect with us online!Instagram - http://www.instagram.com/242communityYouTube - http://www.youtube.com/242communityWebsite - http://www.242community.comSupport the show

In this episode, I sit down with cartoonist and longtime Marvel letterer Rick Parker for a wide-ranging conversation about his career in comics and cartooning. Rick spent years lettering at Marvel Comics, working during a fascinating period in the company's history and contributing his distinctive hand to titles like Amazing Spider-Man and many others. We talk about what lettering at Marvel was really like. How the job worked day-to-day, the production realities of the era, and how lettering quietly shapes the rhythm and storytelling of a comic page.Rick also discusses his creator-owned graphic novel Drafted, a powerful and personal project that reflects his own experiences with the Vietnam draft and military service. It's a candid look at the book's origins, the emotional weight behind the story, and why he felt compelled to tell it in comics form.And of course we dig into Rick's work as an artist, including his run drawing the Beavis and Butt-Head comic book, translating the anarchic MTV characters into comics while keeping their chaotic humor intact.

Send a textBilly Biohazard Graziadei of Biohazard joins the Vulgar Display of Podcast via Zoom for a no-holds-barred conversation about the band's triumphant return, their crushing new album Divided We Fall, and the stories that helped define an era of heavy music.We dive into Biohazard's massive 2026 North American tour alongside Sepultura, Exodus, and Tribal Gaze - a stacked lineup celebrating heavy music across generations.Billy shares unforgettable stories from the road including:• Touring with Pantera and wild memories of Dimebag Darrell and Vinnie Paul• Performing at Dime Bash, playing “Walk” with Sen Dog of Cypress Hill, and ripping Pantera classics• A tense club encounter with Lars Ulrich that unexpectedly led to touring with Metallica• The chaos of touring with Insane Clown Posse and Mindless Self Indulgence• Biohazard's impact through MTV's Beavis and Butt-Head and Headbangers Ball in the pre-internet eraBilly also reflects on Biohazard's unique identity - too hardcore for metal, too metal for hardcore - and how blending streetwise groove, thrash, punk, and hip hop helped create a genre-defining sound that still resonates today.If you've been a fan since your teenage years or you're just discovering Biohazard's legacy, this episode is packed with stories, laughs, history, and serious heavy music energy.www.BetterHelp.com/TheBarnhttp://www.betterhelp.com/TheBarn http://www.betterhelp.com/TheBarnThis episode is sponsored by www.betterhelp.com/TheBarn and brought to you as always by The Barn Media Group. YOUTUBE https://www.youtube.com/@TheBarnPodcastNetwork SPOTIFY https://open.spotify.com/show/09neXeCS8I0U8OZJroUGd4?si=2f9b8dfa5d2c4504 APPLE https://podcasts.apple.com/podcast/id1625411141 I HEART RADIO https://www.iheart.com/podcast/97160034/ AMAZON https://music.amazon.com/podcasts/7aff7d00-c41b-4154-94cf-221a808e3595/the-barn

Beavis and Butt-Head, the irreverent duo known for their adolescent antics and crude humor, go head-to-head with Ren & Stimpy, the zany chihuahua and dimwitted cat who took surrealism to new heights. It's a lively and entertaining debate that you won't want to miss. Originally aired Oct 08, 2023 For More from the 80s and 90s visit Web: the80sand90s.com    Instagram: @The80sand90sCom  YouTube: The 80s and 90s Overlooked If you enjoy this episode, don't keep it a secret, tell a friend and/or share it on social media so others can experience it as well.

SUBSCRIBE TO IMPOSSIBLE WAY OF LIFE ON PATREON TO ACCESS FULL EPISODE https://www.patreon.com/animpossiblewayoflifeWell, it's a long way to the top if you wanna rock 'n roll and, as of today, we've done 500 hours of this demented business. To celebrate this milestone we decided to feel ourselves by going through some of the all time greatest IWOL moments and episodes and a few surprise guests even make an appearance. Thanks to all of you who have been with us from the beginning or joined us along the way. The road has taken a lot of the greats...Janis, Elvis, Otis, Beavis...but we're still here and it's still a god damn impossible way of life. 

Send a textThe Beavis and Butt-Head Experience is an album released in the late months of 1993 when the hype of the show was already heating up and hot to pop. All of the biggest acts in rock knew that being on Beavis and Butt-Head's good side and being incorporated with them in a product would mean a lot more album sales of their own.This special bonus episode picks up right after the 57th episode "Canoe" leaves off in this chronological order of what happened in Beavis and Butt-Head lore. Enjoy hearing the story of how the Beavis and Butt-Head Experience came to be, what the ablum was exactly, the songs, the skits, the music videos, the fun facts, how well it did (it did VERY well) and my review of it along with a rating.Thanks for waiting patiently, i'm back, The Butt Chronicles is back, lets uh...like, go or something uh huh huh huh huhIndustrial Industries World Radio Songs and Skits of Seasons 1 & 2.Stream and download now on anywhere you enjoy music!It directly helps the IIWR brand of podcasts!Support the show

They Said It Would Ruin Society…Every generation has something that was “going to destroy civilization.”Rock music was corrupting the youth.MTV was rotting brains.Video games were creating violence.The internet was ending real relationships.And now? TikTok and AI are apparently the final boss.In this episode, Vara and Roxy break down the pop culture moments that sparked full-blown moral panic — and ask the big question: Did any of it actually ruin us?From parental advisory stickers to Dungeons & Dragons fears, from Beavis & Butt-Head to social media meltdowns, we explore why society panics every time culture shifts.Is it really about safety and values… or is it just fear of change?It's funny. It's nostalgic. And it might make you rethink what we're freaking out about right now.

Julie Brown joined me to discuss Captain Kangaroo; being in her high school homecoming court; the scary nun's in elementary school; being funny in Van Nuys High; studying at the American Conservatory Theater in San Francisco; meeting her comedy partner Charlie Coffey; Denzel Washington being in the cast; starting a comedy team, Brown & Coffey; playing San Francisco and gay audiences; guest starring on Happy Days; doing an NBC late night pilot Road Show with John Candy; being in a slasher film, Bloody Birthday; guest starring in the pilot for Get a Life; being on two episodes of Laverne & Shirley; being in the repertory company of Evening at the Improv; performing "Homecoming Queens Got a Gun"; Newhart; Just Say Julie; her character made jokes, she didn't hate any performer; Gene Simmons; "Downtown" Julie Brown; MTV wouldn't pay for props, proper writers; Beavis & Butthead stealing her commenting on videos; her SNL audition in 1985; turning down a re-audition in 1986; Sam Kinison; SCTV; The Edge; Wayne Knight; Tom Kenny; being a fan of reality TV; her new podcast being improvised; doing improv once a week at the Groundlings

DId Beavis & Butthead kill music careers? Ed and Liana have very different opinions; how a classic 70s TV show used a real-life tragedy for entertainment; what calling a woman "HOT" reveals about a man's intelligence and more with Ed & Red. Listen to Liana on It's Not Therapy wherever you get podcasts or notttherapyshow.com Listen to Ed on The All-Night Show LIVE, weeknights midnight - 5AM on 94.9 The Rock/therock.fm/94.9 The Rock App Find the shows in podcast form at therock.fm On-Demand section, look under Ed the Sock on The Rock All-Star All-Night Show featuring the best of the week Saturdays & Sundays, midnight - 5AM on 94.9 The Rock/therock.fm/94.9 The Rock App

If I had a time machine, I'd go right back to the start of this recording session just to experience it again. Joining us is "Time Machine" editor Dave Hughes, one of the last remaining original employees at Adult Swim. When he isn't curating Adult Swim Smalls, producing the instant classic Haha, You Clowns, or running the long-standing Off the Air, Dave is building a legendary resume that includes Beavis and Butt-Head, Celebrity Deathmatch, and Space Ghost Coast to Coast. I bet if he had a time machine, he'd go back and do something like invest in Apple in the 90's. But not me, man. Not me. Dave also gave me a rough cut of "Time Machine", which I then blab to you about. Other topics discussed include the limited - yet impactful - vocabulary of calculators, the forgotten history of MTV's groundbreaking animation, and why Bret Michaels is gonna sue my ass back to the stone ages. Talk about a time machine!R E F E R E N C E S• Time Machine Rough Cut Screenshots: https://www.dancingisforbidden.com/blog/time-machine-rough-cut-stills/• Lowe Country (2007): https://www.adultswim.com/videos/specials/lowe-country• Adult Swim Smalls (new every week!): https://www.youtube.com/playlist?list=PLQl8zBB7bPvJEW7pwb1wYawqBdFPLf_TPG U E S T S

This week, podcast-fave comedian Bo Vee returns and debuts fabulous new hair that manages to not to look too much like Beavis. Bo talks about waiting on Cloris Leachman, elder cats, milestone birthdays. Plus, Robyn, Comedy, and Drew Barrymore energy. Follow Rory: @itsRORYjames Follow Bo: @itsbovee Subscribe and follow us at @superexcitedpod Stream Rory James: Acquired Taste Buy Rory Merch!  

Hehehe - heheehehe. Heheheh. Hehe - hehehehe - heheh."Beavis and Butt-Head” episodes watched for this F&L:*S1E1 - Door to Door*S7E41 - Beavis and Butt-Head are DeadMake show suggestions or tell who us what is your favorite music video!WEBSITE: https://anchor.fm/fandlpodcastEMAIL: FandLpodcast@gmail.comTWITTER: https://twitter.com/FandLpodcastINSTAGRAM: https://www.instagram.com/fandlpodcast

Lucasfilm gets itself a couple of new co-presidents as Kathleen Kennedy takes aim at half the galaxy on her way out the airlock. Plus, Mondo's Beavis and Butt-Head Squad comes with its own couch, giving collectors a front-row seat to their own poor financial decisions. And, Super Mario Little People prove it's never too early to learn how to drop some coin. It's The Reluctant Adult Podcast. Email TheReluctantAdultPodcast@gmail.com TikTok @TheReluctantAdultPodcast Instagram @TheReluctantAdultPodcast Facebook The Reluctant Adult Podcast YouTube The Reluctant Adult Podcast Paul's eBay Auctions Save 10% with code RAP101 at New Meta Save and get Free Shipping from Entertainment Earth

Ep. 365: Chicago Film Society's Rebecca Lyon and Cameron Worden on The Unholy Three, Heather McAdams, Bob Balaban's Parents, Proto-Beavis and Butthead, By the Bluest Sea Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The Chicago Film Society screens wonderful seasons of features and shorts at Chicago theaters, carefully curated with printed program notes, all of which I've enjoyed from afar. I was delighted to kick off another new year of the podcast with two CFS members (and projectionists): Rebecca Lyon and Cameron Worden. Since the Chicago Film Society is between its Fall 2025 and Spring 2026 seasons, we talked about some past programming, including: The Unholy Three (the 1930 sound version), Parents (directed by Bob Balaban), ephemera collected by filmmaker Heather McAdams, home movies from the Filipino American Historical Society of Chicago, and Wes Archer's extraordinary animated short that prefigured Beavis and Butt-head. Bonus: a sneak peek at a couple of events coming up at Chicago Film Society in the spring. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

If one person can change the feel of a city block, Dave did. We open with the stories that defined him—treating partners like equals, greeting every table at the deli, hauling a skid of candy so kids didn't miss trick-or-treat—and why that kind of generosity becomes infrastructure. It's not just kindness; it's how a local economy learns to trust itself. Saying goodbye means figuring out how to keep that standard alive.From there we pull you into a packed night of indie wrestling and the unglamorous decisions that make small shows feel big. We break down entrance flow, speaker placement, and how to time music so a pop hits at the curtain instead of halfway down the aisle. We talk copyright-safe themes for YouTube, camera angles that catch faces, and why production value is a promise to families who traded a night on the couch for a ten-dollar ticket. When the sound is crisp and the screens frame the story, the whole town feels like it's part of something.Life keeps throwing curveballs, so we lean into the human moments too. Breakfast with an eighty-eight-year-old grandma becomes a masterclass in patience, humor, and love under the slow weather of dementia. Back at the shop, we geek out over an original Back in Black, a Beatles Revolver 8-track, Apollo 13 on laserdisc, and a 1970s eight-millimeter projector that begs for a Star Wars reel night. Tactile media, fair pricing, and real conversations turn casual customers into regulars.We also address a lingering wedding-DJ review that still echoes around town. We own what we missed, lay out the constraints no one sees, and explain why a good DJ has to serve both the couple and the crowd. The takeaway is simple: defend your name with facts, empathy, and an open door, then get back to making things better for the next person who walks in. Hit play, share your favorite memory of a local hero, and if you're new here, follow the show, leave a review, and tell a friend who loves community, wrestling, or records to join us next week.Send us a text message and let us know how awesome we are! (Click the link)!Support the show'Beavis and Butt-head' Cover art created by Joe Crawford

A blowout can be loud, but the echoes are louder. We kick off with Ohio State's rough night against Miami and pull the thread until it reveals something bigger: how trenches, tempo, and decision-making still decide games in an era obsessed with skill stars and highlight throws. The memes are brutal, yet the film is clearer—if your line can't anchor and your playcaller waits to adjust, elite edge rushers will turn your season into a cautionary tale.From there we zoom out to the shifting map of college football. NIL and the transfer portal have leveled the old money games, and the SEC's untouchable glow looks dimmer as unfamiliar programs crash the bracket. We debate fixes to the expanded playoff—home games for byes, tighter portal windows, incentives that protect seeding—and share why parity isn't a problem to solve but a feature to celebrate. Then comes our contrarian pick: Indiana's balance on offense and discipline on defense make them a tough out, especially against pass-happy teams that can't run when it matters.When the takes cool down, life barges back in. There's an 80-inch screen at a surprisingly classy Finley hotel, a vow renewal with church folks grinding and requesting Drowning Pool, and a chef whose green beans steal the show. We drift into the comfort of nostalgia—Sesame Street clips, Newgrounds chaos, the Chappelle Show sketches that still sting and still sing—and cap it with a metal rabbit hole that connects faith, fury, and riffs in all the right ways. Sports, comedy, and music collide into the same truth: preparation, timing, and conviction lift everything.If that sounds like your lane, hit play, ride with us, and then tell us what you think: should teams with byes get home playoff games? Subscribe, share with a friend who needs new takes and new tunes, and drop a review so we know what to dig into next.Send us a text message and let us know how awesome we are! (Click the link)!Support the show'Beavis and Butt-head' Cover art created by Joe Crawford

A year that felt like a ten-car pileup deserves an exit with momentum, so we lit the fuse. We kick off with laughter and a little scorched earth, then dive straight into college football's favorite paradox: a playoff built on “best teams” with criteria that shift like sand. We break down the Pop-Tart Bowl chaos, lay out bold CFP predictions, and make the case for a hybrid selection model that blends analytics with accountable human judgment—because fans deserve transparency, not vibes.From there we put Michigan's new hire under the microscope: is this a stabilizing move or a ceiling capper at elite money? We rank the top coaches by more than reputation, and then flip the question on ourselves—would you coach your rival for $8 million? The tension between loyalty and opportunity becomes a lens for how players choose schools too. We map the real decision tree: roster fit and development pipeline first, culture and facilities close behind, NIL as leverage not destiny, and the transfer portal as both lifeline and accelerant. If the rules made loyalty optional, programs need to earn it with clarity, growth, and honest pathways to the NFL.Then we shift gears into the pure joy of discovery. Jaw Candy turned into a weeklong obsession, and it opened the door to a run of new tracks: melodic hardcore with early-2000s DNA, blackened metalcore that actually hits, rap with classic bounce, and an unexpected left-field banger with haunting clown visuals that somehow works. Not every pick lands—some get a hard pass—but that's the point. Curated risk beats algorithmic rinse-and-repeat, and your next favorite band might be hiding under a few hundred views.If you're here for strong takes, messy honesty, and a playlist that doesn't sound like last year's, you're in the right place. Tap play, argue our CFP picks, tell us whether culture or cash wins the recruiting war, and drop your best underground music find. Subscribe, share with a friend who loves college football and heavy music, and leave a review with your boldest playoff upset—let's see who calls it first.Send us a text message and let us know how awesome we are! (Click the link)!Support the show'Beavis and Butt-head' Cover art created by Joe Crawford

Two mics, one space heater, and a dream: we kick off the first week of Big Jay's Replays and tell the truth about building a local game shop from the ground up. From weather-thinned foot traffic to a rush of trade-ins—PS2 hauls, stacks of DVDs and CDs, and a shocker of vintage TMNT figures worth serious cash—we walk through the moves that matter: fair valuations, flexible appointments, and setting up play areas that make people linger. It's messy, real, and way more fun than the glossy version.Behind the counter, the numbers get interesting. We break down credit card processing fees by brand, swipe charges, percent-of-transaction rates, hardware costs, monthly support, and PCI compliance. No sugarcoating—just the actual overhead small retailers face and why some pass fees to customers. Jay doesn't. He's betting on loyalty, momentum, and the simple magic of a welcoming store. That spirit spills into neighbor relations too: clearing up a back-entrance issue, swapping a gift card for a cross-promo giveaway, and building a mini-ecosystem with the card shop next door so collectors hit both spots in one trip.Then we throw sparks with music discovery. Wolves at the Gate delivers melody and muscle, Stained With Silver brings moody cinematic textures, and Resistor's “Mutt” drops a turntablist into metal, filling a groove we didn't know we missed. We spiral into the wild world of “The John Candy,” AI-tinted visuals, and sample-packed chaos, before pivoting to EDM anthems, Eurodance nostalgia, and Little Big's “LollyBomb,” whose towering build-ups punch like a perfect breakdown. If you love retro games, underground bands, and the thrill of finding gold where the algorithm sleeps, you'll feel right at home.Stick around for holiday wishes and a promise to keep uncovering the good stuff—on shelves and in playlists. If this ride hits your frequency, follow the show, share it with a friend, and drop your favorite discovery from the episode in a review so others can find us too.Send us a text message and let us know how awesome we are! (Click the link)!Support the show'Beavis and Butt-head' Cover art created by Joe Crawford

Press play and step into the room where our best mistakes live. We stitched together the wildest outtakes from our skit vault—parodies that veer off course, voices no one planned, and laugh fits so hard the song sheets might as well be confetti. What started as a quick way to break up our episodes turned into a full-on celebration of the moments that never make the final cut, and somehow, they're even funnier than what we aimed for.We kick off with a Fresh Prince riff that explodes into uncharted territory, then slide into a “Lean On Me” tangent where one unexpected voice takes down the whole room. The crown jewel is a power ballad parody that starts strong and beautifully derails as the lines get too bold and the backup vocals lose it. There's also a fast hit of cartoon chaos on “Too Close,” with a Goofy-style delivery that punches through the mix. Between the bits, we share quick context, the creative sparks behind each attempt, and why certain breaks became instant keepers.This collection doubles as our origin story. You'll hear the pre-podcast clip that had us gasping for air and convinced us to start recording on purpose. We tip our hats to Weird Al and classic radio comedy, talk about how outtakes sharpen our timing, and shout out Jay's new shop, Big Jay's Replays, now open on Main Street in downtown Finley, Ohio. If you love musical parodies, improv energy, and the kind of laughter you can feel in your ribs, this is your episode-length grin. Tap follow, share it with a friend who needs a break, and drop a comment with the time stamp that wrecked you. We're ready to hear which disaster was your favorite.Send us a text message and let us know how awesome we are! (Click the link)!Support the show'Beavis and Butt-head' Cover art created by Joe Crawford

On this episode Matt and Jon discuss Hamnet, Wake Up Dead Man, Plur1bus, South Park, Beavis and Butt-Head, Task and I Love LA, while Jon saw It: Welcome to Derry, Batman Beyond, read Absolute Batman #15, and played Marvel Cosmic Invasion and Ghost of Tsushima and Matt's Hollow Knight playthrough rages on! Threads: https://www.threads.net/@jonwahizzle Facebook: https://www.facebook.com/groups/damnthattelevision/ Instagram: https://www.instagram.com/damntvpod Bluesky: https://bsky.app/profile/mattlovestv.bsky.social https://bsky.app/profile/jonwahizzle.bsky.social Letterboxd: https://letterboxd.com/mattlovestv/ https://letterboxd.com/jonwahizzle/ Jon on AIPT: https://aiptcomics.com/author/jonathanw/ Matt's show The Drop: A Pop Culture Mix Tape: wscafm.org Sundays 6-8 PM: https://www.facebook.com/groups/thedropwsca/

Happy birthday Tom Waits! This year, inspired by the new Knives Out, we're talking about Tom's songs in movies and TV. From The Wire to Beavis and Butt-Head, I'm covering the things I like! Also, with the help of AI, we determine whether or not Tom Waits is Hellboy.

Hello Happy Hour! This week, we talk about some fun games we are playing, the good, the bad and is that a Beavis in Fortnite?! We share our start to Christmas shopping and how much we love Wawa! Have a great week, everyone!

A shocker in the Big Ten flips our weekend on its head: Ohio State falls to Indiana, and we dive straight into how it happened. We break down the chess match in the trenches, why Indiana kept hammering the right side, and how red zone confusion turned short-yardage into missed chances. Credit where it's due—Curt Cignetti has a plan and a program—but we also talk accountability, from who's holding the play sheet to why your best players can't be spectators when the game hangs on one drive.From there, we zoom out to a bracket that feels equal parts merit and marketing. We debate Alabama vs. Notre Dame vs. Miami, the quiet power of bowl geography, and how “neutral” sites can become home games with nicer logos. We welcome chaos with a grin—James Madison, Tulane, and the potential for real upsets—because a playoff should have room for disbelief. Then we get practical about NIL and the transfer portal: let players get paid and move, but create contract terms that protect both the athlete and the team from nonstop churn.Between all the football, we savor the absurd: a Pop-Tart mascot toasted and devoured, trophy toasters, and the kind of sponsorship theater that makes college football wonderfully strange. And we open up about life off the mic—riding a packed train to the Browns game, swapping food takes (Wendy's, fix the lettuce), and building our new retro game and record shop in Finley while wrestling with permits, inspections, and long nights. It's football, it's hustle, it's community, and it's a reminder that resilience shows up on the field and in the storefront.If you vibe with candid breakdowns, wild bowl lore, and real small-business grit, hit follow, share with a friend, and drop your playoff upset pick in a review. We read them all—and we'll shout out the sharpest takes next week.Send us a text message and let us know how awesome we are! (Click the link)!Support the show'Beavis and Butt-head' Cover art created by Joe Crawford

The Real Housewives of Potomac has a dueling weed promo. At one, Wendy tries to remember her PIN and at the other, Stacey and Tia get into it over a lie about Thiemo. Also, Ashley dumps Beavis to search for a rich old guy. To watch this recap on video, listen to our bonus episodes, and participate in live episode threads, go to Patreon.com/watchwhatcrappens. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode Matt and Jon discuss Stranger Things 5 Vol. 1, Train Dreams, the season finale of The Chair Company, Plur1bus, South Park and Beavis and Butt-Head while Jon saw It: Welcome to Derry, The Rock and Roll Hall of Fame Induction Ceremony, Joy Ride and Who Killed the Montreal Expos while Matt's Gilmore Girls watch comes to end, but also he saw some Christmas Crap like The Christmas Tree and then goes on an over 10 minute rant about Oh. What. Fun. (It isn't) Threads: https://www.threads.net/@jonwahizzle Facebook: https://www.facebook.com/groups/damnthattelevision/ Instagram: https://www.instagram.com/damntvpod Bluesky: https://bsky.app/profile/mattlovestv.bsky.social https://bsky.app/profile/jonwahizzle.bsky.social Letterboxd: https://letterboxd.com/mattlovestv/ https://letterboxd.com/jonwahizzle/ Jon on AIPT: https://aiptcomics.com/author/jonathanw/ Matt's show The Drop: A Pop Culture Mix Tape: wscafm.org Sundays 6-8 PM: https://www.facebook.com/groups/thedropwsca/

Rivalries don't just crown winners; they expose identities. We kick off with Ohio State's statement over Michigan, tracing the arc from an early gut-punch to a slow, ruthless squeeze built on line-of-scrimmage control. An 18-play, 11-minute drive becomes the thesis: fewer snaps, higher efficiency, and a defense that turns games into long exhales. We walk through Julius Sayin's composure after a pick, Bo Jackson running angry with purpose, and receivers winning on leverage when it mattered most. Then we zoom out—why common-opponent comparisons mislead, how tempo inflates perceptions, and when a team should speed up vs. double down on its identity.The spectacle didn't end at the whistle. Brutus crossing out the block M turned into instant lore, reminding us that rivalry week is part chess, part theater. We separate playful mascot mischief from true disrespect, and we call balls and strikes on media noise—from Dave Portnoy's performative meltdown to Pat McAfee's showman's pick that actually respected the football. It's sports as culture clash, the joy of a fan base exhaling after years, and a nod to the details that make November feel larger than life.To celebrate our 200th, we turn the amps up. We highlight a local standout in Heartstomper, then relive a night with Spiritbox and Periphery—tight sets, heavy grooves, and the kind of live energy that sticks to your ribs. We talk the realities of ticket prices, festival fatigue, and smarter ways to enjoy shows without roasting in a field. Finally, we dive into female-fronted metal—Nervosa, Arch Enemy lineage notes, Crypta's menace—and why these bands deserve more space in your rotation. If you're here for football or for riffs, you'll leave with both.If you loved this, hit follow, share it with a friend who needs better game takes and heavier playlists, and drop a review with your favorite play or track from the show. Your notes help shape the next 200.Send us a text message and let us know how awesome we are! (Click the link)!Support the show'Beavis and Butt-head' Cover art created by Joe Crawford

Happened In the 90's hosted by Steve and Matt picks a day, any day, and then goes back in time to that magical decade we all know and love the 90's, to revisit episodes of tv, movies that premiered, or cultural events that occurred on that day in the 90's.This week Steve & Matt discuss their favorite Survivor Series moments, the uncanny brilliance of Magneto, & Beavis & Butt-Head giving Thanks, before going "out!!!"SEGMENT 1Show: X-Men: The Animated SeriesEpisode: “Enter Magneto” (Season 1| Episode 3)Premiere Date: 11/27/1992Story: Cyclops, Storm, & Wolverine face off w/ Magneto.SEGMENT 2Show: Beavis & Butt-HeadEpisode: “Beavis and Butt-Head Do Thanksgiving” (Season 7 | Episode 40)Premiere Date: 11/27/1997Story: Beavis and Butt-Head, who are about to get killed off, celebrate Thanksgiving '97 with Kurt Loder.

Dan, Manny, & Billy talk about the recent shutting down of MTV music channels in the UK and what that means for the future of MTV, while putting some iconic music videos that aired on MTV in the 80s and 90s to the ultimate test—THE NOSTALGIA TEST! “MTV created culture.” -Manny After hearing about MTV music channels being shut down in the UK after 40 years, the guys had to call an audible and to talk about what they think this means for the future of MTV, music videos, and the cultural impact that MTV had on pop-culture. They also talk about what this means for MTV in the US? The episode then dives into a celebration of iconic music videos that aired in MTV from the 80s and 90s, like Michael Jackson's “Thriller,” Beastie Boys' “Sabotage,” Peter Gabriel's “Sledgehammer,” and Duran Duran's “Hungry Like the Wolf.” There's also the classic Nostalgia Test Podcast tangents, Billy's hot take about Pearl Jam, and so much more. This is part 1 of a series on MTV, so stay tuned for episodes on TRL and Carson Daly, MTV2, Beavis & Butthead, and everything else MTV.   Email us (thenostalgiatest@gmail.com) your thoughts, opinions, and topics for our next Nostalgia Test! Suggest A Test & Be Our Guest! We're always looking for a fun new topic for The Nostalgia Test. Hit the link above, tell us what you'd like to see tested, and be our guest for that episode!   Approximate Rundown 00:00 MTV Shuts Down in UK and Europe 01:07 Corporate Restructuring and Layoffs 03:44 MTV's Shift to Reality TV 05:11 The Decline of Music Videos 06:33 Nostalgic Memories of MTV 09:25 Impact of Technology on Social Interaction 11:29 Driving and Navigation in the Digital Age 15:05 The Evolution of Music Videos 20:30 Iconic Music Videos and Their Legacy 36:10 MTV Music Awards and Controversies 47:16 Hilarious Movie Quotes and Intro Discussion 48:04 Running Out of Gas Stories 49:59 Michael Jackson's Transformation and Movie Theater Scene 54:41 Iconic Music Videos and Their Impact 01:15:09 MTV's Influence on Culture and Reality TV 01:28:29 Conclusion and Future Episodes   Book The Nostalgia Test Podcast Bring The Nostalgia Test Podcast's high energy fun and comedy on your podcast, to host your themed parties & special events!  The Nostalgia Test Podcast will create an unforgettable Nostalgic experience for any occasion because we are the party! We bring it 100% of the time! Email us at thenostalgiatest@gmail.com or fill out the form at this link. LET'S GET NOSTALGIC!     Keep up with all things The Nostalgia Test Podcast on Instagram | Substack | Discord | TikTok | Bluesky | YouTube | Facebook   The intro and outro music ('Neon Attack 80s') is by Emanmusic. The Lithology Brewing ad music ("Red, White, Black, & Blue") is by PEG and the Rejected

MAYOR TIM KELLER | Metal, Beavis and Butt head | Thoughts on crime and homelessness | NM History | What's the plan | RTC.EP127

We're wrapping up October's Halloween TV theme with a couple of fun episodes of Glee and Beavis and Butt-Head, courtesy of our friend Ernie. Then we yap about what the algorithm has been serving us like: Shelby Oaks, Haha, You Clowns, and The Toxic Avenger (2023). Support us on Patreon! Patrons have access to the NOTLP Discord Server, weekly virtual meetups with the hosts, ad free episodes and tons of other great content. This podcast is brought to you by the Legion of Demons at patreon.com/notlp. Our Beelzebub tier producers are: Ernest Perez Shayna Spalla Branan & Emily Intravia-Whitehead Bill Chandler Blayne Turner Monica Martinson Bill Fahrner Brian Krause Dave Siebert Joe Juvland Matt Funke Paul Gauthier "Monster Movies (with My Friends)" was written and performed by Kelley Kombrinck. It was recorded and mixed by Freddy Morris. Night of the Living Podcast Social Media: facebook.com/notlp instagram.com/nightofthelivingpodcast youtube.com/notlpcrew https://www.tiktok.com/@nightofthelivingpodcast

Brian Slagel, founder and CEO of Metal Blade Records joins this week to talk some hockey, some metal, some of his history, NAPSTER, branding, his Edward Van Halen story, KISS and did the Pantera Stanley Cup story really happen?Also Dating TIps With Porn Stars with Alena Croft @alenacroftxxxhttps://www.metalblade.com100 Songs That Define Heavy Metal Podcast:https://www.youtube.com/@100MetalSongsPATREON - https://www.patreron.com/realizzypres...WEBSITE - https://www.izzypresley.comIzzy's linkshttps://www.lasvegasguitartradeshow.comhttps://www.sotastick.comhttps://vintageguitarsrus.comhttps://www.beeteramplification.comhttps://www.thesmokinkills.comhttps://www.7thavenuepizza.comhttps://www.lockecustomguitars.com https://valkenburgusa.com https://www.monstersofrockcruise.comMERCH https://official-izzy-presley-store.creator-spring.comhttps://www.teepublic.com/user/official-izzy-presleyCAMEOhttps://www.cameo.com/realizzypresley RAISE YOUR GLASSEShttps://www.amazon.com/RAISE-YOUR-GLA...

Is it possible, common even, to spend a lot early in retirement to celebrate your financial freedom? How do Roth conversions and withdrawals work if you do plan to call it quits around age 57, and spend big early on? Should you convert retirement funds to tax-free Roth after you stop working? Joe Anderson CFP® and our special guest co-host, Marc Horner, CFP® spitball on these topics for "Beavis and Daria" in Texas and "Clark Kent" in Pennsylvania, today on Your Money, Your Wealth® podcast number 543. Plus, the sooner 56-year-old "Tony Soprano" in New Jersey can retire, the better. What tips do Joe and Marc have for him? By the way, Marc is one of the newest principals here at Pure Financial Advisors. He's the founder of Fairhaven Wealth Management, which has just become the newest Pure Financial Advisors Chicagoland office in Wheaton, Illinois - so help us welcome him for his YMYW debut. Free financial resources & episode transcript: https://bit.ly/ymyw-543 Complete the 8th Annual YMYW Podcast Survey for your chance at a $100 Amazon e-gift card! (secret password: ymyw) DOWNLOAD the Withdrawal Strategy Guide for free WATCH Withdrawal Trap Doors on YMYW TV ASK Joe & Big Al for your Retirement Spitball Analysis SCHEDULE your Free Financial Assessment LEAVE YOUR HONEST RATINGS AND REVIEWS on Apple Podcasts SUBSCRIBE or FOLLOW on your favorite podcast app JOIN THE CONVERSATION on YouTube DOWNLOAD more free guides READ financial blogs WATCH educational videos SUBSCRIBE to the YMYW Newsletter Timestamps: 00:00 - Intro: This Week on the YMYW Podcast 01:00 - Spending Higher Earlier in Retirement to Celebrate? How to Convert? Where to Withdraw? (Beavis & Daria, TX) 12:30 - Watch Withdrawal Trap Doors on YMYW TV and Download the Withdrawal Strategy Guide for free 13:36 - Can I Retire at 57 Even With a High Draw Down Rate? Should I Convert After Retirement? Should I Consider an Annuity? (Clark Kent, PA) 28:23 - Complete the 8th Annual YMYW Podcast Survey for your chance at a $100 Amazon e-gift card! (secret password: ymyw) 29:09 - When Can I Retire? The Sooner the Better. (Tony Soprano, NJ) 37:43 - Next Week on the YMYW Podcast 38:01 - YMYW Podcast Outro

SPONSORS: - Get 10% Off your entire order & take advantage of Ridge's Annual Sweepstakes by going to https://www.Ridge.com/NOTTODAY #RidgepodNO PURCH. NEC. Open to legal residents of 50 US/DC, Canada & the UK, age maj.+. Void where prohibited. Begins 8/1/25 and ends 9/15/25. 2 winners selected. Max Prizes total ARV: $380,000 USD / approximately $516,000 CAD / £306,800. Canadian skill-testing question required. Subject to Rules, including free entry method & odds: ridge.com/rules. Sponsor: The Ridge Wallet, LLC.AUCUN ACHAT NÉC. Ouvert aux résidents autorisés des 50 É.-U./D.C., du Canada et du R.-U., âge de maj.+. Nul là où interdit. Débute le 01/08/25, se termine le 15/09/25. Sélection de 2 gagnants. VDA totale max. des prix : 380 000 $ US / ~516 000 $ CA / 306 800 £. Question d'habileté mathématique (Canada) req. Sujet au règlement, incluant méthode de participation gratuite et chances de gagner : http://ridgewallet.ca/rules. Organisateur : The Ridge Wallet, LLC. - Sign up for a $1 per month trial period at https://shopify.com/nottoday, all lowercase Fresh off game night, Jamie and Rob dive into Cutter's late-night Dairy Queen addictions, Rob's heroic pantry resistance, and the sacred rules of Monopoly Deal. Jamie also teases her new memoir and the 50 pages she'll have to cut — but promises to spill them all on the pod. The two pay tribute to stuntmen, argue whether AI should do their jobs, and take a culinary detour into the legendary Giovanni's Italian deli. Also: LeBron's psychotic TV habits, Beavis & Butt-Head's long-lost soundboard, curse words that have gone extinct, and one Sopranos theory so insane… it just might be genius. Have a question for Rob and Jamie? Reach out at nottodaypalpodcast@gmail.com Not Today, Pal Ep. 106 https://www.instagram.com/jamielynnsigler https://www.instagram.com/nottodaypalshow https://store.ymhstudios.com Chapters 00:00:00 - Intro 00:00:25 - Locking Into A Diet 00:06:45 - The Most New York Sandwich Maker 00:13:52 - Clip: Unc Lebron Sopranos 00:15:07 - Lost Curse Words + Beavis & Butthead 00:20:23 - Rob's TV PTSD Moment 00:22:41 - Memory Lane + Some Mob Land Love 00:27:13 - Reviewing A Theory About AJ Soprano 00:32:24 - Jamie's Book Update 00:36:30 - Clip: Stunt Man Learn more about your ad choices. Visit megaphone.fm/adchoices

EP796: JoJo Siwa is occupying way too much of Bryan's brain. But JoJo has entire internet wondering...WTF? This time she decides to cover a song no other person needs to sings. Plus, massages are a very touchy subject with Eric Andre and with Bryan and Krissy. European massages are touchy, apparently! Stories are told, things get weird. Finally, Bryan wants to get the credit he deserves for being a complete baby when he is ill. A for effort, BG. A for effort. TCB Clip: I aint no dog! Watch EP #796 on YouTube! Text us or leave us a voicemail: +1 (212) 433-3TCB FOLLOW US: Instagram:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thecommercialbreak⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/thecommercialbreak⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@tcbpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.tcbpodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ CREDITS: Hosts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bryan Green⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ &⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Krissy Hoadley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Executive Producer: Bryan Green Producer: Astrid B. Green Voice Over: Rachel McGrath TCBits & TCB Tunes: Written, Voiced and Produced by Bryan Green. Rights Reserved To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

EP796: JoJo Siwa is occupying way too much of Bryan's brain. But JoJo has entire internet wondering...WTF? This time she decides to cover a song no other person needs to sings. Plus, massages are a very touchy subject with Eric Andre and with Bryan and Krissy. European massages are touchy, apparently! Stories are told, things get weird. Finally, Bryan wants to get the credit he deserves for being a complete baby when he is ill. A for effort, BG. A for effort. TCB Clip: I aint no dog! Watch EP #796 on YouTube! Text us or leave us a voicemail: +1 (212) 433-3TCB FOLLOW US: Instagram:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thecommercialbreak⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/thecommercialbreak⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@tcbpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.tcbpodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ CREDITS: Hosts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bryan Green⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ &⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Krissy Hoadley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Executive Producer: Bryan Green Producer: Astrid B. Green Voice Over: Rachel McGrath TCBits & TCB Tunes: Written, Voiced and Produced by Bryan Green. Rights Reserved To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Sean Combs newest rape accusation, The Liver King, broke Justin Bieber, Chris Brown arrested, Tommy Lee is single, the legend of Billy Jack, Jim's Picks: Top 10 Motown songs, and we go in search of Maz. There's a new documentary on Netflix about The Liver King. If you want a new grifter to hate, give it a watch. Justin Bieber is basically the head of a fan cult. Dude is messed up and continues to screw over Scooter Braun. He's falling apart at the seams. Mexico is mourning the death of an influencer who was murdered live on Tik Tok. Some people are saying it was a stunt and she's still alive. Beavis & Butthead learn how to take advantage of their white privilege. Public Access prank calls are sorely missed. Andy Green from Dave & Chuck has left the building. Sheila Smith was a WRIF staple back in the day. She was the glue that kept the building together and she needs some help. She's going through some tough times. Let's show her how great this audience is. Chris Brown has been arrested in the UK for an assault that occurred two years ago. Something must not be right as he never does anything wrong. Diddy has nothing on Tootsie Rolls. He's been accused of another rape and the description of his penis is less than flattering. New Bonerline action. Did Jenny die of AIDS in Forrest Gump? YES Is Haley Joel Osment Forrest's kid in the movie? YES Billy Jack Goes to Washington...And fights...With no shoes... Jim's Picks: Top 10 Motown Songs. We FINALLY get a hold of Tom Mazawey. He "lost track of time" while getting the pool ready. We have fun with the Detroit Lions schedule. The Detroit Tigers are rolling. See ya, Tom! Breaking News: Tommy Lee is allegedly single. Michael Strahan is THE WORST! He interviewed Ana de Armas and put everyone to sleep. He BARELY even brought up Tom Cruise. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (The Drew Lane Show, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).