Podcasts about soichiro

Offerta di ESCLUSIVA NORDVPN: Vai su https://nordvpn.com/dentrolastoria per acquistare NordVPN + 4 mesi Extra + 6 mesi da regalare a chi vuoi +30gg soddisfatti o rimborsati Il nostro canale Youtube: https://www.youtube.com/channel/UC1vziHBEp0gc9gAhR740fCw Sostieni DENTRO LA STORIA su Patreon: https://www.patreon.com/dentrolastoria Abbonati al canale: https://www.youtube.com/channel/UC1vziHBEp0gc9gAhR740fCw/join Il nostro store in Amazon: https://www.amazon.it/shop/dentrolastoria Sostienici su PayPal: https://paypal.me/infinitybeat Dentro La Storia lo trovi anche qui: https://linktr.ee/dentrolastoria 11 agosto 1991: all'Hungaroring Ayrton Senna vince il Gran Premio di Formula Uno e, sul podio, decide di omaggiare una persona scomparsa appena sei giorni prima. Soichiro Honda, fondatore dell'omonimo colosso giapponese che in quel periodo produceva anche i motori delle McLaren guidate dal campionissimo brasiliano, era stato il simbolo della rinascita economica e produttiva del Sol Levante dopo i disastri della Seconda Guerra Mondiale. Figlio di un fabbro, innamorato della meccanica e della velocità, Soichiro rivoluzionò il mondo col primo ciclomotore, poi con la CB750Four. Egli guidò la riscossa sulle strade, nelle piste e nelle fabbriche di un Paese militarmente sconfitto ma desideroso di tornare a recitare un ruolo preponderante nell'economia globale. Learn more about your ad choices. Visit megaphone.fm/adchoices

Os traemos la prueba de la última versión de la Africa Twin, seguiremos con la historia personal de Soichiro Honda y conoceremos a Gabriel Marcelli, piloto oficial del Repsol Honda Trial Team.

Keisyu, Kento and Soichiro are Dokkyo Medical University students and in this podcast series called 'idioms' they are giving an example of using one. In this situation, they are going to demonstrate the idiom "Over the Moon".

Pada tahun 1946, Jepang berkutat dengan kesulitan-kesulitan pasca kalah Perang Dunia II. Kelangkaan makanan, ketiadaan sumber energi dan bahan bakar, serta banyak warga yang kehilangan tempat tinggal. Berbagai perusahaan juga gulung tikar. Namun, di masa-masa sulit sering kali ide brilian lahir. Mari sambut Soichiro Honda. Dialah orang yang dalam kesulitan pasca perang, memasangkan mesin generator bekas dipakai tentara Jepang pada sepeda kayuh – menjadikannya sepeda dengan mesin – yang kini kita kenal sebagai sepeda motor. Setelah mesin-mesin bekas makin langka, Soichiro akhirnya membuat mesin sendiri yang menjadi awal dari lahirnya brand sepeda motor Honda. Saat ini, Honda adalah perusahaan sepeda motor terbesar di dunia. Yess, di dunia. Di Indonesia saja, brand ini menguasai 70-80 persen pasar sepeda motor nasional. Mereka juga memproduksi mobil dan kendaraan lainnya. Tapi, mungkin belum banyak yang tahu kisah awal Soichiro yang merupakan anak orang miskin dari pelosok yang bertaruh nasib melamar pekerjaan di usia 15 tahun, mendapati dirinya bekerja sebagai baby sitter dulu, lalu sempat jadi pembalap juga, dan pernah juga loh mengalami masa-masa sulit dalam hidupnya. Namun semangatnya membuat Honda kini dikenal sebagai salah satu brand paling terpercaya di dunia lewat sepeda motor, mobil, perlatan perkebunan, generator, bikin jet pribadi, bahkan di dunia AI dan robotic lewat robot ASIMO. Penasaran seperti apa kisahnya? Let's find out, this is Brand Story!

Here at Dokkyo Med. we're trying to motivate our students to be more active and productive by challenging them to make a podcast. In this podcast Kento, Keisyu and Soichiro were given three questions to answer and discuss: 1. What is your wish for the future?  2. What do you really regret doing in the past and wish you could change? 3. What situation would you like to change?

Listen in on James, Will and Steven as they talk all about the final chapters of Death Note, discussing their favorite tricks that the characters utilised and more. What was your favorite trick? But beware! there are spoilers of both the 2006 Japanese two-part movie as well as the manga and the anime! Otherwise come and listen in! Skip synopsis @ 5:02   Email: WeAppreciateManga@Gmail.com 099: Death Note vol. 12 ⁓ Finis Story by Tsugumi Ohba Art by Takeshi Obata Translation by Tetsuichiro Miyaki Lettering by Gia Cam Luc   Light Yagami, the boy gifted with the magical and powerful Death Note was able to reshape the world as the god like Kira. A battle of wits began with Light and the prodigy detective L but Light successfully kills L and becomes the “the second L”; four years pass only for Light to be faced by the arrival of L's heirs, Near and Mello. Both of L's heirs know of the existence of Light's murder weapon, the titular Death Note. Near and Light agree to meet each other at a warehouse, where Near claims to have proof of who the serial killer known as Kira is. Near knows that Japan's NPA (National Police Agency) has had no leads on Kira upon L's death, he also knows that they acquired a death note before L's death and had acquired a second death note upon losing the first to Mello. Near also knows that Kira has made no threat or demand in order to retrieve the existing death note from the NPA branch. And finally, one actual god of death, Ryuk resides amongst the NPA task force. These facts support that Kira has planted himself among the task force. Mello revealed to Near the existence of the fake 13-day-rule, and NPA task force agent Aizawa revealed to Near that Light was a suspect until the discovery of this 13-day-rule. These facts support that Light is Kira. Before their meeting Mello abducts one of the two Kira proxies, Kiyomi Takada. Mello dies from Takada's hidden death note scrap and soon Takada along with any evidence of the death note is killed off by Light's own hidden death note, since you can rip pieces from the note book and still use them to kill. Near has organised the warehouse meeting so that the last living Kira proxy, Teru Mikami can be tricked into secretly writing all names down in a fake copy of Kira's death note. If Teru is arrested and Light's name is absent from this fake death note. Then Near wins, having all the evidence he needs on Light/Kira. The only issue for Near however is that Light already knows about Near's fake death note plan. Comparisons from how the ending of the anime differs from that of the manga: Teru Mikami dies on screen, after Light is caught by Near in the Yellow box warehouse, Mikami, whilst under arrest, grabs a pen and stabs himself in the chest with it. The image of Near's finger puppets being reflected in Light's eye is absent in the anime. Ryuk is not in the warehouse after Light is shot and injured, Ryuk is alone outside when he writes Light's name in the Death Note. Misa attempts suicide by jumping, the implication that she intuitively knows that Light has now been caught as Kira. Light flees the warehouse; he runs past an apparition of a schoolboy walking in the opposite direction. It is himself as a teenager, before he became Kira. When Light finds a place to hide, he soon dies. Possibly alone if it were not for L's ghost appearing in the same room. The final scene of the manga makes no appearance in the anime, the one where a large cult of Kira followers making a candle light vigil. Notable differences from the manga and the 2006 movie adaptations:   The first movie covers the events of volumes 1 to 3 and the sequel covers volumes 4 and 7. L is seen stirring his tea with a small lollipop. Near's mask resembles L but in the 06 movie L did wear a mask, the mask of the Hyottoko. Lind L. Tailor pronounces Kira, with the R syllable replaced entirely with the letter L and a slight emphasis on the first vowel. As in saying the word “killer” but with “ah” replacing “er”. Raye Penber is Japanese and has the surname changed to Iwamatsu. This is due to the movie casting local actors, as is usually the case for most film studios. Foreign agencies do exist, but finding an actor who is both a good performer, bilingual and foreign is a challenge for most, with actors like Anupam Tripathi (famous for Netflix's Squid Game) being an outlier. In the first movie Naomi Misora confronts Light Yagami, this proves to be her undoing as she reveals to Light that she is Raye's fiancé. And in a late plot twist, Light tells Ryuk that he sought out and found her name on a church's register. The climax in the first movie ends with a more dramatic version of Naomi's death. Kiyomi Takada appears in the second movie, she fulfils the role of Higuchi with an abridged version of the events in the Yotsuba arc. Takada never attends university with Light and Light never dates her. Takada is a news anchor who kills her rival in order to become a fully-fledged news presenter. As she raises suspicion the task force bugs her home and use Matsuda to blackmail her. Matsuda does not fake his death, instead when confronting the Higuchi/Takada character he presents himself with a fake business card and name whilst wearing a disguise. This leads to the bait-and switch-tactic of using the TV broadcast, which in turn forces Takada to make the eye trade and kill a policeman whilst making her way to the TV station. The conclusion to the sequel ‘Death Note: The Last Name' is perhaps the biggest difference in comparison to the manga, the anime adaptation and even the Netflix movie. As with the manga, L suggests having Americans on death row test the Death Note rules, however once a trend in Kira deaths occur L tells Soichiro that he has written his own name in the death note and has decided to test the 13-day rule on himself, by doing this he is invulnerable to an attack from Rem and L has Soichiro pretend to leave for America so to make a surprise ambush on Light. Facebook Instagram Twitter Official Website   Email

James tells Steven all about the Netflix Death Note movie whilst sharing opinions on volume 9 of the manga. And some talk around the effects of the Death Note and the how it functions as a magical almost Lovecraftian object of cosmic or psychological horror. Skip synopsis @ 4:25 Email: WeAppreciateManga@Gmail.com   096: Death Note vol. 9 ⁓ Contact Chapters 71 and 79 ‘Contact' and ‘Lies' Story by Tsugumi Ohba Artwork by Takeshi Obata Translation by Alexis Kirsch Lettering by Gia Cam Luc Light repeats his tactic of controlling one of Mello's gangs in order to gain information on Mello's hideout.  This time, he sends Ryuk with a spare Death Note and tells him to work with the Japanese task force in order to help them find and kill Mello as well as return Mello's Death Note to Sidoh, the original owner and death god. During this point onward Light decides to hide Misa's Death Note on his person and banks on Matsuda making the Shinigami eye deal, instead Soichiro makes the deal, with Light himself prepared to kill Soichiro so to support the belief in the fake 13-day rule that he fabricated so to maintain his innocence. After a conflict with Mello and his men, Soichiro learns of Melo's real name and recovers a Death Note but soon dies of his injuries. Light returns the Death Note to Sidoh and sends him away. Soon the U.S. Government pardons Kira and officially disbands Near's team, the SPK.  Mello, having survived the conflict with Soichiro, holds SPK agent Hal as a hostage and intrudes on Near's Headquarters. Near gives Mello his photo and in return Mello gives Near clues by telling him of the existence of Shinigami and saying that there is a fake Death Note rule. Near works with Light (who he knows as the new L) over Kira- and Mello-related matters while suspecting Light is Kira. Near determines the 13-day rule written in the Death Note is fake and suspects Kira is the new L. Then Mello contacts the Japanese task force agent Mogi, managing to get Mogi under Near's interrogation but also leaking Near's headquarters to Light. Afterwards, Light spreads the information to Kira worshippers so to orchestrate an attack on Near.   Topics: Because of how Syndar was manipulated by Light in the previous volume we are seeing Light use the same tactic again. Clearly the Death Note has the power to change fate but it seems like it can also inflict insanity on the target, as we have seen with Kal Snydar and Naomi. The powers of the Death Note along with the Shinigami are Lovecraftian in nature. Meaning Ohba leaves it to our imagination where ever we want to rationalise their actions or take the Death Note on face value. Also, if you are to go by James' analysis that the mind itself is a box not unlike that of the Schrodinger's Cat experiment then the Death Note has the power to either change minds or be a catalyst for a pre-destined fate. In strange ways memories can often rewrite reality and as of the year 2022 CE we cannot prove what goes on inside someone's head metaphysically, and we cannot prove, certainly not to the layman, if you can hold multiple thoughts at one time. It is important to note that James only states theories as to what Naomi and Syndar was thinking whilst under the Death Note's influence. Mello has been vocal on how stupid he thinks the Japanese police are and as of volume 9 Near suspects that Kira is working under the Japanese police as L. The events after Death Note arguably take a turn for the implausible since Light suspiciously leads the Kira case as a part of the NPA, even after being suspected of being Kira. Ergo he should remain a suspect in terms of real-world logic. Additionally, Soichiro Yagami and Light lose the Death Note to Mello in order to protect Sayu Yagami. A demonstration of their biases due to having a personal involvement in the Kira case. It is most certainly a bad idea to have Light on the Death Note case, however for reasons that are actually known in the manga Light becomes the new L despite these fallacies. Major differences between the manga and the Netflix live action movie. Light Yagami is named Light Turner, an interesting translation since it keeps to a pun, in the manga Light spells his English sounding name “Raito” with the Kanji for Moon, this creates a dual meaning of his name being “Moonlight” but Moon can be read as “Tsuki”. With his surname being Yagami and when you spell out the individual Kanji it sounds very much like Yorukami Tsuki, or “Loving Night God” or “Loving Dark God” But the implication is that Light's name refers to moonlight or night. The Kira killings are outlandish and gory spectacles disguised as accidents, a la 2000's Final Destination. How anyone deduces that Kira is a person from this is not explained, where as the manga clearly outlines the Kira Modus Operandi as a heart attack, meaning Kira wants to be recognised for his killings and is successful in doing so. Misa Amane, is named Mia and is played by Margaret Qualley. Mia is a cheerleader who attends the same school as Light and has a love for horror movies. Both Mia and Light establish their relationship after Light gets the Death Note but before news of Kira becomes viral. Meaning both Mia and Light are culpable in the creation of Kira. Where as the manga clearly had a one-sided relationship where Light was the more manipulative one out of the two, and was a lot more secretive of the Death Note in the manga. Ryuk says how his name is pronounced, it is not “Raiuk” or “Rook” he is the only Shinigami who makes an appearance and there is no Rem. The Shinigami eyes are mentioned but no such deal is made throughout the movie. Light himself creates the term Kira and spreads that name using the internet and such forums (obviously this makes him suspicious but that matter is not addressed by L). L discovers Light as a suspect by deliberately leaking information of criminals. (This is flawed logically because if L is responsible for the leaks he cannot stop the proliferation of such information, meaning any supporter of Kira or amateur sleuth would be a suspect by this logic)   In the movie there is no Lind L. Tailor, which is a notable plot point in the manga because L needs to determine if Kira wants him dead before he can deduce wherever or not Kira can kill him. However, L does address Kira through a live broadcast and public press event. Unlike the manga he makes his statement L is in public wearing a mask, and does not hide behind a monitor. But like the manga L uses this event to determine that Kira can not kill without knowing the targets name and face. But again, L's logic in the movie is flawed. Although it is a correct hypothesis that Kira does indeed need a name and face to kill, L, has not determined a motive or a reason for Kira to choose him as a target. L is flawed because he does not factor in wherever Kira wants him dead or not, this is because Kira has not killed law enforcement at this point. L is merely guessing that Kira wants him dead because he antagonised Kira and lived. Whereas the manga has Lind L. Tailor antagonising Kira, as L, only to die in doing so. This is how L proves that Kira is not only willing to kill law enforcement but would kill L if he could do so. L does not show his reasoning on how he is able to deduce that Light is Kira, we are never privy to L's thought process as an audience. And there is no voice over.   Light threatens Ryuk with the Death Note. And Ryuk entertains the thought. Saying “there are four letters in my name, most anyone ever gotten were two” this is not possible to do in the manga. It is also unusual because a message in Light's Death Note clearly reads “Don't trust Ryuk”. Perhaps it was a misspelling? Or maybe Ryuk is bluffing? Light writes Watari's name in the Death Note, manipulating him to acquire L's real. This means that Watari is the real name of L's representative, instead of it being Quillish Wammy like the manga. A new rule exclusive to the Netflix movie is that you can burn a page of the Death Note effectively making any name written down in the destroyed page null and void to the effects of the Death Note. Another Netflix movie only rule is you can write someone's name in the Death Note and only have them die once the target's actions meet a set of pre-conceived requirements. E.g. “Mia dies upon touching the Death Note”. This obviously disregards the first rule “whoever's name is written in this note shall die” because so long as you do not meet the requirements, you can still live a long life without any passive effect of the Death Note.   By breaking and entering L finds a Death Note, or at least usable scraps of it. The implication is that L has evidence on Light, although how L can deduct that the note is the murder weapon is never explored.     Feel free to follow us through the following links: Facebook Instagram Twitter Official Website   Email

A special day indeed! I'm joined by my long time friend Wade sharing his love for a cute sound in VGM that cannot be fully explained. Prepare for tangents, laughter and general silliness as a couple Wacky Wonkers just have fun! Tracklist – Cultural Festival (Theme) – Aitakute… your smiles in my heart – Soichiro … Continue reading "Episode 39: An Inexplicably Cute Sound with Wade"

This is the latest series by another one of my favorite manga authors and I'm so glad it's being released in English. I had read the web comic on the artist's twitter from pretty much the beginning and loved it. It's even getting an anime next year! So uh, just go read it. It's cute and fun! Manga Recommendation: When Will Ayumu Make His Move? by Soichiro Yamamoto Here's a link to my new business if you like tea at all: mainichiteas.com Music Orbiting A Distant Planet by Quantum Jazz Eclosion by Salmo Check out my website. It has links to all my stuff: dokupe.com Follow dokupied on podcast.dokupe.com, subscribe and review wherever you listen to podcasts!

I love this series. It's adorable, funny, endearing, and just comfy. Maybe you've seen the anime adaptation? Well, here's my recommendation for the manga! Manga Recommendation: Teasing Master Takagi-san by Soichiro Yamamoto Music Orbiting A Distant Planet by Quantum Jazz Eclosion by Salmo Check out my website. It has links to all my stuff: dokupe.com Follow dokupied on podcast.dokupe.com, subscribe and review wherever you listen to podcasts!

Episode 252: Finally a spotlight on an older romance! Nick and Dannie pop off on this romance anime that led them to be...disappointed? The class rep Yukino might be hiding some secrets from Soichiro, the male rep in her class. Love secrets? Sexy time secrets? Listen to Nick and Dannie yell about the manga and the ending to this 90s romance. 05:45 RIP Zac Bertschy 09:00 Listener Question of the Week 14:30 Waifu and Husbando 16:00 Main Topic: His and Her Circumstances 1:00:30 Final Thoughts and Scores --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/anime-summit/message

This episodes talks about the true definition of stay persistent and being commited in whatever you do by using the story of Soichiro.

İş kurmanın da iş bulmanın da kolay olmadığı, gerçekten fakirleştiğimiz, hayatın çok pahalı olduğu, paralarımızın hızla eridiği zor bir dönemden geçiyoruz ülkece. Honda'nın hikayesi, güçlü bir vizyonumuz, tutkumuz ve çalışma azmimiz olduktan sonra bu zorlukların hayallerimizi ve isteklerimizi gerçekleştirmeye engel olmadığını anlatıyor bize.

A preview of Death Note Super Dope, our Monday - Friday podcast on our Patreon page. That's right. You get a Super Dope podcast once daily, Monday through Friday.  Sneak peek at Episode 1-11: https://bit.ly/2VcIuxa  To sign up for the $5 Tier: https://bit.ly/2GuUSAu Subscribe on Apple Podcasts Subscribe on YouTube Follow on Spotify Subscribe on Stitcher Patreon: https://www.patreon.com/dragonballsuperdope   Twitter: https://twitter.com/DBSuperDope1  Instagram: https://www.instagram.com/dbsuperdope/  Voicemail: 401-213-9596  Email: DBSuperDope@gmail.com 

Matt and Zack discuss how Honda became a motorcycle Juggernaut, an automotive perfectionist, and somehow found time to be the best mediocre car company out there. All by building their future out of the dreams of one very awesomely uncool guy. --- Support this podcast: https://anchor.fm/mzcarguys/support

Even though the original manga ended over a decade ago, Death Note has never really died. It has remained ingrained in the zeitgeist, transcending the status of merely being a popular anime series to being a story even those outside the community would recognize. Hence why it’s getting a Netflix live-action film adaptation, the newest in a series of attempts to cash in on the franchise since it concluded. So Death Note is an evergreen series everyone still talks about, but does it actually hold up? Was it really as tightly written and thrilling as you remember? Do its themes of justice, good and evil hold any actual weight? That’s what the Mavericks intend to find out as they re-read the series for the first time in nearly a decade. VLordGTZ also joins us to give his impressions of the series as a first-time reader, to see if the story could still grab the attention of modern fans. Together they discuss the good and the bad, and why Death Note still captures the imagination of fans nearly fifteen years later. PODCAST BREAKDOWN: 00:22 - Intro & Show Plans News: 03:30 - Detective Conan Surpasses 1000 Chapter Milestone 06:55 - Sankarea Author’s New Manga Gets Full-Length Series  07:35 - Ne Ne Ne Has Ended  09:05 – The Seven Deadly Sins Spinoff About Ban & Elaine Ends  10:35 - The Legend of Koizumi Returns with “Tyrant Trump" arc  12:50 - Yoshihiro Togashi Draws 2-Chapter Manga for Grand Jump Premium  15:25 - Shimabukuro Will Publish Two New One-shots in Grand Jump  16:20 - Kaitou Shonen Jokers & Yokai Watch Shadowside Launch  17:25 - Yen Press Simulpublishes The Witch’s House 18:35 - Kodansha USA Licenses Cosplay Animal & Beauty Bunny  21:25 - Viz Licenses Takane & Hana & The Young Master’s Revenge  26:35 - Cross Infinite World Licenses Obsessions of an Otome Gamer Light Novel Series  28:10 - Sekai Project Licenses The House in Fata Morgana Manga  29:20 - Weekly Shonen Jump’s Print Sales are Decreasing, but Digital Sales are Increasing  32:32 - The Live-Action JoJo’s Bizarre Adventure Film is a Bomb  39:20 - Film Critic Comments on Netflix’s Rise in Japan  Death Note Discussion: 44:35 - How We Got into Death Note 52:36 - The Appeal of Death Note 1:02:00 - Light is Evil  1:15:18 - Soichiro is Noble 1:21:52 - Matsuda is Earnest  1:29:05 - The Ending of Death Note 1:38:35 - Misa Deserved Better 1:46:40 - Sexism in Death Note 1:57:05 - Why the Second Half isn’t as Good 2:28:00 - Has Our Opinion of Death Note Changed Upon Re-reading it?  2:37:17 - Tonal Differences Between the Anime and Manga  2:41:25 - Thoughts on the Upcoming Netflix Live-Action Film  2:45:00 - Wrap-Up Enjoy the show, and follow us on twitter at @manga_mavericks and on tumblr at mangamavericks.tumblr.com, and the hosts at @sniperking323 and @lumranmayasha and special guest VlordGTZ at @VlordGTZ. Don’t forget to also like and subscribe to us on Youtube and iTunes and leave us reviews to help us curate the show and create better content! You won’t have to wait two weeks before the next show, because we’ll be putting out a special discussion out next week focusing on piracy in the anime/manga community. If you have any questions or topics concerning piracy that you’d like us to discuss, you can drop us a line in the comments below, comment in the Manga Mavericks thread on Animation Revelation, tweet at us, or send an e-mail! As always, thanks for listening!

Even though the original manga ended over a decade ago, Death Note has never really died. It has remained ingrained in the zeitgeist, transcending the status of merely being a popular anime series to being a story even those outside the community would recognize. Hence why it’s getting a Netflix live-action film adaptation, the newest in a series of attempts to cash in on the franchise since it concluded. So Death Note is an evergreen series everyone still talks about, but does it actually hold up? Was it really as tightly written and thrilling as you remember? Do its themes of justice, good and evil hold any actual weight? That’s what the Mavericks intend to find out as they re-read the series for the first time in nearly a decade. VLordGTZ also joins us to give his impressions of the series as a first-time reader, to see if the story could still grab the attention of modern fans. Together they discuss the good and the bad, and why Death Note still captures the imagination of fans nearly fifteen years later. PODCAST BREAKDOWN: 00:22 - Intro & Show Plans News: 03:30 - Detective Conan Surpasses 1000 Chapter Milestone 06:55 - Sankarea Author’s New Manga Gets Full-Length Series  07:35 - Ne Ne Ne Has Ended  09:05 – The Seven Deadly Sins Spinoff About Ban & Elaine Ends  10:35 - The Legend of Koizumi Returns with “Tyrant Trump" arc  12:50 - Yoshihiro Togashi Draws 2-Chapter Manga for Grand Jump Premium  15:25 - Shimabukuro Will Publish Two New One-shots in Grand Jump  16:20 - Kaitou Shonen Jokers & Yokai Watch Shadowside Launch  17:25 - Yen Press Simulpublishes The Witch’s House 18:35 - Kodansha USA Licenses Cosplay Animal & Beauty Bunny  21:25 - Viz Licenses Takane & Hana & The Young Master’s Revenge  26:35 - Cross Infinite World Licenses Obsessions of an Otome Gamer Light Novel Series  28:10 - Sekai Project Licenses The House in Fata Morgana Manga  29:20 - Weekly Shonen Jump’s Print Sales are Decreasing, but Digital Sales are Increasing  32:32 - The Live-Action JoJo’s Bizarre Adventure Film is a Bomb  39:20 - Film Critic Comments on Netflix’s Rise in Japan  Death Note Discussion: 44:35 - How We Got into Death Note 52:36 - The Appeal of Death Note 1:02:00 - Light is Evil  1:15:18 - Soichiro is Noble 1:21:52 - Matsuda is Earnest  1:29:05 - The Ending of Death Note 1:38:35 - Misa Deserved Better 1:46:40 - Sexism in Death Note 1:57:05 - Why the Second Half isn’t as Good 2:28:00 - Has Our Opinion of Death Note Changed Upon Re-reading it?  2:37:17 - Tonal Differences Between the Anime and Manga  2:41:25 - Thoughts on the Upcoming Netflix Live-Action Film  2:45:00 - Wrap-Up Enjoy the show, and follow us on twitter at @manga_mavericks and on tumblr at mangamavericks.tumblr.com, and the hosts at @sniperking323 and @lumranmayasha and special guest VlordGTZ at @VlordGTZ. Don’t forget to also like and subscribe to us on Youtube and iTunes and leave us reviews to help us curate the show and create better content! You won’t have to wait two weeks before the next show, because we’ll be putting out a special discussion out next week focusing on piracy in the anime/manga community. If you have any questions or topics concerning piracy that you’d like us to discuss, you can drop us a line in the comments below, comment in the Manga Mavericks thread on Animation Revelation, tweet at us, or send an e-mail! As always, thanks for listening!

Soichiro Fukutake presents the thinking behind his bold, far-reaching experiment on islands in Japan’s Seto Inland Sea. Benesse Art Site Naoshima comprises museums, permanent art installations and commissions on the islands of Naoshima, Teshima and Inujima. Recorded at Sherman Contemporary Art Foundation (SCAF), 22 April 2017, in association with SCAF Projects 34 & 35, The inventive work of Shigeru Ban.

This playlist is made up of all podcasts Jaian is a part of including Anime Podcasters & The JaianMusic Q&A Series. All of these are available on YouTube: http://www.youtube.com/jaianmusic

Manga Review for Maison Ikkoku Volume 14: Welcome Home by Rumiko Takahashi. Translated by Mari Morimoto. Adapted by Gerard Jones. This is for the first American edition printed in May 2000 by Viz in a flipped and slightly larger trade paperback size which sold for $16.95 which is out of print but still readily available used. The Maison Ikkoku series was reprinted unflipped in the now standard tankoban format by Viz with the addition of a fifteenth volume due to the differences in the page counts of the two editions. Rumiko Takahashi is known for letting the relationships between her romantic leads drag on for years or even decades without them ever evolving or being consummated (see Inuyasha), but as the last and concluding volume of Maison Ikkoku opens, Godai and Kyoko enter a love hotel. Godai should be in heaven, right? I mean, this is what he's always wished for. But things become a bit awkward when Kyoko says that she is thinking about Soichiro. Godai thinks she's talking about her dead husband, but Kyoko corrects him and says she meant her dog, which happens to have the same name. Is that the truth? Suffice it to say, Godai suffers from impotence at the moment of truth. Things get even more complicated when his ex-girlfriend, Kozue shows up wanting to talk about their relationship. She had already told him a guy proposed to her but she didn't want to say yes because she didn't want to hurt Godai's feelings. On top of all this Godai is going to find out how he did on the teacher certification exams. The only way he can ask Kyoko to marry him is if he passed, so there's a lot riding on the results. I have been reading this series off and on for a little over two years now and I have to admit I got a little misty eyed when I came to certain sections of this last volume. Simply because you never wish good things to come to an end. I used to have that experience a lot with anime and manga series, but it has become rarer lately, probably because there is so much product coming out that you don't have time to lament the end of one before you start another. Instead of just centering a review on this one volume, I'll just make some comments about the series as a whole because in terms of quality they were all about the same. The central conflict of the manga that lasted through the first to most of the last volume was the lack of courage Godai had to make Kyoko his. He bumbled his way through a relationship with Kozue and some childish competition with Mitaka the tennis coach but he was just never aggressive enough to pursue Kyoko with a single-minded determination. He was too wishy-washy. Kyoko too suffered a lot because she wanted to be pursued, hunted, and caught by an alpha male. While this kind of thing makes for a lot of heartache and tragedy in real-life, in the manga world it's the perfect tried and true setup for comedy. And boy was Maison Ikkoku funny!  One of the best comedies I've ever read. I've still never figured out how Takahashi was able to make such a masterpiece from such simple materials and operating mainly with character interaction rather than plot. To me, that's the hardest story to write. Making the lives of everyday people interesting and fun. It's also great to experience a relatively long manga series that has true resolution and ends on an upbeat and happy note. A great manga work. My Grade: A+