Podcasts about Tsuki

This episode we look at many of the natural events and talk about those observing and writing things down, and why they may have wanted to do so. For more, check out our podcast blogpage:  https://sengokudaimyo.com/podcast/episode-139   Rough Transcript: Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is episode 139: Observing the "Natural" World. Members of the Onmyou-ryou, dressed in the official robes of their office, sat around in their observation tower, measuring the location of the stars.  They kept their light to a minimum, just enough so that they could write down their observations, but not so much that it would destroy their vision.  As they looked up, suddenly they saw a strange movement: a streak through the sky.  They waited, and observed, and then there was another, and another after that.  It was as if the stars themselves were falling from the heavens.  They watched as it seemed that the constellations themselves were melting and falling apart.  Quickly they scribbled down notes.  Tomorrow, with the light of day, they would consult various sources to see just what it could mean.  For now, their role was simply to observe and record.   Welcome back, everyone.  It is the height of holiday season in the US as I record this, and in our narrative we are in the middle of the reign of Ohoama, aka Temmu Tennou, who came to power in 672 and who has been shoring up the Ritsuryo state instigated by his late brother, Naka no Oe, aka Tenji Tennou.  We have talked in recent episodes about how Ohoama put a lot of the state under the control of members of the royal family, or at least those with claims to royal blood, and how he had also begun work on the Chronicles—the very works that we have been using to try and understand the history of this and earlier periods.   It seems clear that Ohoama and his cohorts were doing their best to solidify their control and, in the process, create what they felt was a modern state, leveraging the continental model, but not without their own local flavor.  After all, they were also investing in the kami based rituals of state and specifically in Ise shrine, which they claimed as an ancestral shrine for their lineage. This episode, let's dig into another thing that was getting reported around this time.  And that is… science!  Or at least observations of the world and indications of how people were interacting with it. Before going into the subject, I want to acknowledge that "science", or "Kagaku" in modern Japanese, may not look like what we think of as "science" today.  The word "Kagaku" itself appears to come about in the late Edo period, and became associated with the western idea of "Science" in the Meiji period.  Today we think of it as observations, yes, but also testing via the scientific method. I think it might be more appropriate to categorize a lot of earlier science under a term like "learning" or "study", and it seems to have encompassed a wide range of topics of study, some of which we would include as "science" and some which we might refer to more as "arts".  There is also a very fine line with religion and philosophy as well. From a modern perspective, I think one could fairly argue that "science"—particularly the so-called "hard" sciences—refers to something that can be empirically tested via the scientific method.  So you can see something, form a hypothesis, create a test, and then that test should produce the same results no matter who conducts it, assuming you account for the variables. And please don't @ me about this… I know I am simplifying things.  This isn't a podcast about science unless we are talking about the social sciences of history and archaeology. In contrast to our modern concept of science, much of what we see in the Asuka era is built around using our reasoning to arrive at the truth of something.  In cases where we are dealing with clearly physical phenomena that have observable causes and effects, this can lead to remarkably reliable results.  One example of this is calendrical science—it isn't that hard to observe the passing of days and seasons.  Even the rotation of the earth and the movements of stars and even something with as large a period as comets could be observed and tracked, especially if you had centuries of data to comb through.  In fact, they often would predict things that it turns out they couldn't, themselves, see.  They could predict that an eclipse would occur, for example, even when that eclipse was only visible somewhere else.  And they didn't have to calculate gravitational pull, mass, or distances between different heavenly bodies for that to occur. Similarly, in the agricultural sphere: you had so many people who observed the seasons and would figure out new ways of doing things.  It doesn't take an understanding of chlorophyl to know that plants generally do better when exposed to sunlight. I believe the leap happens when you get to things that go beyond purely observable means.  Sickness, for example—how do you explain viruses or germs without equipment like microscopes to see what our eyes alone cannot?  And if such "invisible" things could cause so much damage, then why could there not be other "invisible" elements, such as kami and boddhisatvas?  And as humans we are driven to make connections.  It is one of the things that has driven our technological innovation and rise, but it is also something that can easily go awry.  Like when you are sitting in a dark house, alone, and you hear a noise.  Rationally, you might know that houses settle and creak, but that doesn't necessarily stop your brain from connecting it with thoughts that someone must be in the house making that noise. Or even how we make judgments based on nothing more than how someone talks or what they look like, because our brains have made connections with those things, for good or ill. A large part of the rationalization that was accomplished in Asian thought had to do with concepts of Yin and Yang, the negative and the positive, the dark and the light.  This was thought of as a kind of energy—qi or ki—that was embedded in things.  We discussed this somewhat back in episode 127, because yin yang theory, along with the five element theory, known as Wuxing or Gogyou in Japanese, became embedded in the idea of the calendar.  Why was summer hot, except that it was connected with an excess of fire energy?  And the cold, dark days of winter would be associated with an excess of water, naturally. I should note that while this is one of the more comprehensive philosophical systems in use, it was not the only means by which various phenomena and effects were rationalized.  After all, it had to be imposed on a framework of how the world otherwise worked, and descriptions of the world came from a variety of places.  There was, for example, the Classic of Mountains and Seas, or Sanhaijing, which detailed the world as envisioned in the period before the Qin dynasty, although there were occasional updates.  The Sanhaijing  described regular plants and animals in the same breath as gods and monsters.  There were also various buddhist sutras, which brought their own cosmological view of the universe that had to be squared with other visions, including those passed down locally describing the archipelago as the "Reed Plain" and giving particular importance to eight of the islands—though which eight depends on which variant of the creation myth you are referencing. To categorize the study of the natural—and what we would consider the supernatural—world around them, the Ritsuryou set up specific bureaus.  One of these was the Onmyou-ryou, the Bureau of Yin-yang, also known as the Onyo no Tsukasa.  This Bureau oversaw divination, astronomy, time, and calendars.  At its head was the Onmyou-no-kami.  Below them were the various scholars studying the core subjects, as well as technical practitioners to carry out the rites and divination. On the continent, priority was generally given to astronomical and calendrical studies, and many of the more magical practices or rituals would fade away, likely because there were local Taoist institutions who could take up much of that work.  In Japan, however, it seems that the calendrical studies tended to ossify, instead, while onmyoji came to fill a role not just for the state but also among the population for divination and other such practices.  Even into the Edo period one could find private onmyoji, and the Bureau itself lasted until the very beginning of the Meiji period. Another important institution of the Ritsuryo government for learning was the Daigakuryou, the Bureau of Great Learning.  Students of Japanese may recognize the term "Daigaku" referring, today, to universities. The original concept for the Daigaku-ryou, or Daigaku no Tsukasa, was focused on the study of those things that were considered perhaps a bit more practical and necessary to anyone who might want a political career.  Since this was founded on concepts of Confucian government, it is little wonder that it was originally designed to focus on Confucian studies, among other things.  This fits into the idea of a supposed meritocracy, where one's education was part of the examination.  You may recall from Episode 115 we talked about the National University in Chang'an, which is likely something that the Daigaku Ryou could only ever dream of becoming. Early arts taught at the Daigaku Ryou included the Confucian classics, mathematics, writing, and Chinese pronunciation.  These were all things that you would need to know to become a part of the bureaucracy The idea of a school may have been born along with the early institution of the government, with mention as early as 671, in the last year of Naka no Oe's reign, but we don't have it clearly established in the code until later.  Full operations may have been somewhat delayed due to the tumultuous events of Ohoama's accession to power in 672, but we do see it explicitly mentioned in the year 675.  On the first day of the year we are told that Students from the Daigaku Ryou, along with students from the Onmyou-Ryou and from the Gaiyaku Ryou, the Bureau of External Medicine; along with the Woman of S'ravasti, the Woman of Tara, Prince Syeonkwang of Baekje, and Silla labourers offered presents of drugs and various rarities. We talked about the first two, the Daigaku-ryou and the Onmyou-ryou, but the Gaiyaku Ryou doesn't seem to have a lot of information out there beyond this mention.  Later there would a "Ten'yaku Ryou", or Bureau of Medicine, established in the code.  Since we don't have any extant codes from this period beyond what was written down in the Nihon Shoki, we don't know for certain what the Gaiyaku-ryou was , and it is possible that the Gaiyaku-Ryou was a precursor to the Ten'yaku Ryou.  "GAI" means "outside" or "external", leading me to wonder if this referred to external medicine in contrast to internal medicine, or if it meant medicine or drugs from outside teh archipeloago. I would point out that these students are found with the Woman of S'ravasti, or Shae; the Woman of Tara; a Baekje prince and Silla labourers.  In other words, they were all people from outside of the archipelago.  This is not entirely surprising as it was from outside that much of the learning was coming into the country. "Yaku" or "Kusuri", which can be translated as either "Drugs" or "medicine", could refer to a number of things.  How effective they were is somewhat questionable. Almost certainly some of them had confirmed medicinal efficacy, but others may have been thought to have been effective due to things like their connection to the five elements, or wuxing, theory. For example, something red might be assumed to have a warming effect because of the presumed presence of the fire element.  And the power of the placebo effect no doubt made them seem at least partially effective.  Consider, for example, how many people will swear by certain remedies for the common cold when all it really does is distract you, or perhaps make you a bit more comfortable, until the symptoms pass on their own. A more certain science was probably that of Astronomy, which we've mentioned a few times.  The passage of the stars through the sky was something that could be easily observed.  There is a theory that some of the first lines in the Yijing, or book of changes, may actually be a description of the changing of seasons as different aspects of a given constellation rise over the horizon, and the placement of certain stars would help in the adjustment of the lunar calendar, since the moon's orbit does not match up exactly with the solar year, and year the solar year was quite important to things like agriculture and even sailing to the mainland. This all makes 675 a seemingly banner year for science, as four days after the presentation of medicine to the throne, the government erected a platform by which to observe the stars.  This wouldn't need to be much—it could have been an earthen mound, or just a tower, from which one could get above the ground, presumably see over any buildings, to the horizon.  Granted, Asuka might not be the best place for such observations, with the nearby mountains meaning that the true horizon is often obstructed.  Nonetheless, it may have been enough to make calculations. Astronomy platforms, or Tenmondai, would continue to be used up until at least the Meiji period.  Without a telescope, observations were somewhat limited—though they also didn't have the same level of light pollution that we have today.  Remember, many woke just before dawn and went to sleep not too long after the sun went down, which only makes sense when you are living in a place where creating light, while doable, also ran the risk of burning your entire house to the ground. It is worth noting that the sky for the ancient Japanese was likely quite different than what most of us see when we look up, unless you are fortunate enough to live in a place with very little light pollution.  For many of those living today in the cities and suburban landscape, go outside at night and you might see the moon and some of the brightest stars, but for most of the ancient Japanese, they would look up and see the heavenly river, the Amakawa, or Milky Way.  They would have looked up at a sky glittering with myriad dots of light, as well as planets and more.  It was both familiar and strange—something one saw regularly and yet something that was also extremely inaccessible. Astronomical observations would have been important for several reasons, as I've mentioned.  They would have been used to keep the calendar in check, but they would also have likely been used to help calibrate the water clock, which helped to tell time.  Of course, going back to the five elements and yin yang theory, it is also believed that the energy, the qi or ki, changed with the seasons and the movements of the stars and planets—planets were not known as such, of course, but their seemingly erratic movements compared to bright lights in the sky meant they were noticed and assigned values within the elemental system. One of the things that came with the changing seasons, the heavenly movements, and the flow of ki was a concept of "kata-imi", literally directional taboos.  There were times when certain directions might be considered favorable or unfavorable for various actions.  This could be something as simple as traveling in a given direction.  In the centuries to come this would spawn an entire practice of kata-tagae, or changing direction.  Is the north blocked, but you need to travel there, anyway?  Well just go northwest to say hello to a friend or visit your local sake brewery, and then travel due east.  Ta-da!  You avoided going directly north!  There were also mantra-like incantations that one might say if they had to travel in an inauspicious direction to counteract the concept of bad influences. This also influenced various other things, and even today you will often see dates where a year and month might be followed by simply the character for "auspicious day" rather than an actual day of the month. So observing the heavens was important, and it was also important that they tostudy the works of those on the continent, whose records could help predict various astronomical phenomena.  Except that there was one tiny problem:  I don't know if you've noticed, but Japan and China are in two different locations.  Not all astronomical phenomena can be observed from all points of the globe.  The Northern Lights, for example, are rarely seen in more southerly latitudes, and while eclipses are not too rare, a total eclipse only impacts certain areas of the earth, along relatively narrow paths. I mention this because it isn't always clear if the records we get in the Nihon Shoki are about phenomena they directly observed or if they are taking reports from elsewhere and incorporating them into the narrative.  One such event is the comet of 676. The entry in the Nihon Shoki tells us that in the 7th lunar month of the 5th year of Temmu Tennou, aka 676 CE, a star appeared in the east that was 7 or 8 shaku in length.  It disappeared two months later. We've mentioned some of this before, but the sky was divided up into "shaku", or "feet", though how exactly it was measured I'm not entirely sure.  It appears to be that one foot was roughly 1.5 degrees of the sky, give or take about a quarter of a degree, with 180 degrees from horizon to horizon.  So it would have been about 10 to 12 degrees in the sky.  Another way to picture it is if you hold out your arm towards the object, and spread your index and little finger, it would probably fit between those two points.  This comet hung around for some time, and a great part about a comet like this is that it was viewable from multiple locations.  After all, as the earth turned, different areas were exposed to the comet as it passed through our part of the solar system.  Thus we have records of it from not just the Nihon Shoki:  We also find it in the Anglo-Saxon chronicles, where it was thought to have foretold the end of Bishop Wilfred's control of Northumbria.  We also see it in Tang, Silla, and Syrian sources. These sources aren't always in complete agreement.  For one thing, they noted when they first saw it, which might have been impacted by local conditions.  And then conversion between lunar and solar calendars can also sometimes get in the way.  Roughtly speaking, we have the Nihon Shoki providing dates of somewhere from about August or September of 676, on the Western calendar, to October or November. Tang sources put it from 4 September to 1 November.  Silla Chronicles claim that it first appeared in the 7th lunar month, so between August and September.  A Syrian Chronicle notes a comet from about 28 August to 26 October in the following year, 677, but this is thought to have been a mistake.  European sources generally seem to claim it was seen in August and lasted for three months.  All of these sightings put it at roughly the same time. Working with that and with known comets, we think we actually know which comet this is:  The Comet de Cheseaux also known as the Comet Klinkenberg-Cheseaux.  And I should mention this is all thanks to a research paper by M. Meyer and G. W. Kronk.  In that paper they propose that this is the comet with the designation of C/1743 X1, or the common names I just mentioned.  If so, based on its trajectory, this comet would have been visible in 336, 676, 1032, 1402, 1744, and is next predicted to show up in 2097.  And no, those aren't all exactly the same amount of time.  It is roughly every 350 years or so, but with the movements of the solar system, the planets, and various gravitational forces that likely slow or speed up its movement, it doesn't show up on exactly regular intervals.  Still, it is pretty incredible to think that we have a record of a comet that was seen the world over at this time, by people looking up from some very different places. Comets were something interesting for early astronomers.  They may have originally been seen as particularly ominous—after all, in the early eras, they were hardly predictable, and it would take years to get enough data to see that they were actually a somewhat regular occurrence.  In fact, it is likely that early astronomers were able to figure out eclipse schedules before comets.  Still, they seem to have come to the realization that comets were in fact another type of natural and reoccurring phenomenon.  That isn't to say that they didn't have any oracular meaning, but it did mean they were less of an obvious disturbance of the heavenly order. We have another comet mentioned in the 10th lunar month of 681, but that one seems to have had less attention focused on it, and we don't have the same details.  Then in the 8th lunar month of 682 we have an entry about a Great Star passing from East to West—which was probably a shooting star, rather than a comet.  Comets, for all that they appear to be streaking across the sky thanks to their long tails, are often relatively stable from an earthbound perspective, taking months to appear and then disappear again. Then, on the 23rd day of the 7th month of 684 we get another comet in the northwest.  This one was more than 10 shaku in length—about 15 degrees, total, give or take.  Given the date, we can be fairly confident about this one, as well: it was the famous Halley's comet.  Halley's comet is fascinating for several reasons.  For one, it has a relatively short period of about 72 to 80 years, though mostly closer to 75 to 77 years in between sightings.  The last time it visited the earth was in 1986, and it is expected back in 2061.  Halley's comet has been recorded since the 3rd century BCE, and, likely because of its short period, it was the first periodic comet to be recognized as such.  There are other periodic comets with short periods, but many of them are not visible with the naked eye.  Halley's comet is perhaps the most studied comet, given its regular and relatively short periodicity.  It is also connected to the famous writer, humorist, and essayist, Samuel Langhorne Clemens, aka Mark Twain.  He was born only a few days after the comet reached perihelion in 1835 and died a day after it reached the same point again in 1910, and while he may not have visited Japan in his lifetime, it was a period of great change both in his home country of America and in Japan.  America, of course, would undergo a Civil War over the issue of slavery in the early 1860s, and shortly after that Japan would have its own civil war in the form of the Meiji Revolution.  And while he never visited—and translation could only do so much to capture the art of his prose—Mark Twain's works were apparently quite influential in Japan in the early 20th century. Of course, comets were just one of the celestial phenomena to be observed.  The astronomers were interested in just about anything happening in the sky.  We have accounts of both solar and lunar eclipses, and not necessarily full eclipses either.  We even have notice of the movement of some planets, such as in 681, when they noted that the planet mars "entered" the moon. Obviously the astronomers weren't recording every raincloud that came through—at least not in the main chronicles—but they did capture a fair number of events.  They did record particularly memorable storms.  For instances, in the 8th lunar month of 675 there was a storm that is said to have caused sand to fly and which then damaged houses.  This sounds like a wind storm without rain—after all, if there was rain, you would expect that the sand would have been wet and tamped down.  It is possible to have hurricane level winds without the rain.  While typhoons typically bring rain, especially as they usually build up their strength at sea, it is possible to have the winds alone, as I've experienced, myself, in Tokyo.  This most likely happens in an isolated area—there is water and rain somewhere, but the typhoon can be large, so parts of it may only get the wind and little or no rain.  I wonder if something like that happened in this instance.  It is also possible that this record refers to actual sand being brought across from the continent.  In some instances, sand can be lifted up from as far away as Mongolia and carried all the way to Japan, though it is pretty rare. And it wasn't just wind and sand.  We get accounts of hail coming down as large as peaches, torrential rainstorms, and even ash, likely from a volcanic eruption that was otherwise unrecorded.  There are also accounts of snow, though typically recorded in times where you wouldn't expect to see it, such as the third lunar month, which would mean snow in late April or early May. Mostly these storms are mentioned in terms of how they affected the immediate fortunes of the living, but sometimes storms did even more damage.  In 682, for example, a hoar-frost was reported in both Shinano and Kibi in the 7th lunar month.  On its own, this probably wouldn't have been worth mentioning, but the chroniclers add that because of storms the "five grains had not formed".  So storms had diminished the crops and the hoar-frost was apparently the killing blow.  The harvest that year would be lean, and it would not be a happy time for many that winter. And then, just as important as what was happening was what was not.  There are several mentions of droughts, particularly towards the end of Spring, early Summer.  This is traditionally a drier period, and if it is too dry it could harm the harvest.  And so the government was expected to find a way to bring the rain—a tall order, the general resolution to which seems to be prayers and rituals designed to bring rain.  In a place like Japan, I suspect that it was usually just a matter of time before the prayers were "successful", thus reinforcing their presumed efficacy. Some of the things that they recorded were a bit more mysterious.  For example, in the second lunar month of 680 we are told that a sound like drums was heard from the East.  There are many things this could theoretically be, from rumbles of thunder to some other phenomenon, though the following year we have a note about thunder in the West, so theoretically they knew the difference between thunder and drums.  Later that same year, 680, we are told that there was a "brightness" in the East from the hour of the dog to the hour of the rat—about 8pm to midnight.  Was this some kind of aurora?  But wouldn't that have been in the north, rather than the east?    Could it have been some kind of lightning?  But that is a long time for a lightning storm to hang around.  And there are other strange things, some of which seem impossible and we have to doubt.  For example, in 684 they said that, at dusk, the seven stars of the Big Dipper drifted together to the northeast and sank.  Unless they are just recording the natural setting of the stars of the big dipper.  Certainly, over time the constellation appears to rotate around the north star, and it dips down to or below the horizon in the autumn months.  So were they just talking about the natural, yearly setting of the stars, or something else? There may be some clues in that the 11th lunar month, when that was recorded, we see several other heavenly phenomena recorded.  Two days after the Big Dipper set, at sunset, a star fell in the eastern quarter of the sky that we are told was as large as a jar.  Later, the constellations were wholly disordered and stars fell like rain.  That same month, a star shot up in the zenith and proceeded along with the Pleiades until the end of the month.  While this sounds like shooting stars and a possible meteor shower, a later commenter suggested that this was all a heavenly omen for the state of the court, showing the "disordered" state of the nobility at this time.  Of course, this was also a year and change before the sovereign's eventual passing, so there is also the possibility that the Chroniclers were looking at events later and ascribing meaning and importance after the fact. In another account of something seemingly wonderous: in 682 we are told that something shaped like a Buddhist flag, colored like flame, was seen by all of the provinces and then sank into the Japan sea north of Koshi.  A white mist is also said to have risen up from the Eastern mountains. There are various things that could be going on here.  It strikes me that the white mist could be a cloud, but could also be something volcanic.  And the flame colored prayer flag makes me think about how a high cloud can catch the light of the rising or setting sun.  That could look like a flag, and can seem extremely odd depending on the other conditions in the sky. Or maybe it was aliens. Okay, it is unlikely that it was aliens, but I think that these do give an idea of the kinds of records that were being made about the observed phenomena.  Obviously the Nihon Shoki is recording those things that were considered particularly significant for whatever reason.  This could just be because it was something odd and unexplained, or perhaps it was more well known but rare.  It may have even had religious connotations based on some aspect, like evoking the image of Buddhist flags.  And it is possible that it was thought to have had significant impact on events—perhaps even an impact that isn't clear to us today, many centuries removed from the events. Some things were clear, however.  Lightning strikes are often mentioned specifically when they strike something of note.  In 678, we are told that a pillar of the Western Hall of the New Palace was struck by lightning, though apparently the building itself survived.  Then, in 686, Lighting appeared in the southern sky with a large roar of thunder.  A fire broke out and caught the tax cloth storehouse of the Ministry of Popular affairs, which immediately exploded in flames.  After all, a thatched roofed, wooden building filled with kindling in the form of cloth—and likely a  fair amount of paper and writing supplies to keep track of it all—sounds like a bonfire waiting to happen.  There were reports that the fire had actually started in Prince Osakabe's palace and then spread to the Ministry of Popular Affairs from there. It is also worth noting that recording of such events was still somewhat new to the archipelago as a whole. They were learning from the continent, but also defining their own traditions. Observations of natural phenomena weren't just relegated to celestial occurrences or weather.  After all, there was something else that one could observe in the sky:  birds.  Now this wasn't your average bird-watching—though I'm not saying that there weren't casual birders in ancient Japan, and if we ever find someone's birding diary from that era I think that would be so cool.  But there were some things that were significant enough to be mentioned. For example, in 678 we get a report of "atori", or bramblings.  Bramblings are small songbirds which are found across Eurasia.  Notably they are migratory, and are known to migrate in huge flocks especially in the winter time, and sure enough on the 27th day of the 12th month we are told that the bramblings flew from the southwest to the northeast, covering the entire sky.  This makes me think about some of the other mass migrations that used to occur that have largely been reduced significantly due to habitat loss, disruption to traditional migratory routes, and other population pressures on various bird species.  Still, having so many birds that it blocked out the sky certainly seems a significant event to report on.  We later see a similar account in 680, with the flock moving from southeast to northwest.  Given the location of Asuka it sounds like they were flocking in the mountains and heading out over the Nara Basin, perhaps seeking food in another mountainous area. In 682, the birders were at it again.  This time, around midday on the 11th day of the 9th lunar month, several hundreds of cranes appeared around the Palace and soared up into the sky.  They were there for about two hours before they dispersed.  Once again, cranes are migratory and known to flock.  Cranes are also known as a symbol of long life and joy—and I can understand it.  Have you ever seen a flock of cranes?  They are not small birds, and they can be really an incredible sight.  Flocks of cranes themselves were probably not that rare, and it was no doubt more about so many gathering around the palace which made it particularly special. It wasn't just birds in the sky that were considered important symbols, though.  Birds often are noted as auspicious omens.  Usually strange birds, plants, or other such things are found in various provinces and presented to the throne.    So in 675, Yamato presented auspicious "barn-door fowl", likely meaning a fancy chicken.  Meanwhile, the Eastern provinces presented a white falcon and the province of Afumi presented a white kite.  Chickens are associated with the sun and thus with the sun goddess, Amaterasu, and albino versions of animals were always considered auspicious, often being mentioned in Buddhist sources.  Later, in 680, we see a small songbird, a "Shitodo", also described as white, and probably albino, sent to the court from nearby Settsu. Then, in 681 there is mention of a red sparrow.  Red coloration is not quite the same as albinism, though it is something that does occur at times, when the brownish coloration comes out more red than brown, and I suspect this is what we are talking about.  This is most likely just a recessed gene or genetic mutation, similar to causes for albinism, but just in a different place in the DNA.  As for why it was important:  I'd first and foremost note that anything out of the ordinary (and even some ordinary things) could be considered a sign.   Red was also seen as an auspicious color, so that may have had something to do with it as well.  And then there is the concept of Suzaku, the red bird of the south.  Suzaku is usually depicted as an exotic bird species of some kind, like how we might depict a phoenix.  But it was also just a "red bird", so there is that, and perhaps that was enough.  Not that this red sparrow was "Suzaku", but evoked the idea of the southern guardian animal.  A year prior, in 680, a red bird—we aren't told what kind—had perched on a southern gate, which even more clearly screams of the Suzaku aesthetic. It is probably worth noting here that in 686, towards the end of the reign, not that anyone knew it at the time, Ohoama decided to institute a new nengo, or regnal period.  It was called Shuuchou—red or vermillion bird—and it likely referred to Suzaku.  This nengo was cut short, however, with Ohoama's death that same year.  Nengo were often chosen with auspicious names as a kind of hope for the nation, so clearly "red bird" was considered a good thing. A month after the red sparrow, Ise sent a white owl, and then a month after that, the province of Suwou sent a red turtle, which they let loose in the pond at the Shima palace.  Again, these were probably just examples of animals seen as auspicious, though they would have likely been recorded by the Onmyou-ryou, who would have likely combed through various sources and precedents to determine what kind of meaning might be attached to them. Color wasn't the only thing that was important.  In 682, the Viceroy of Tsukushi reported that they had found a sparrow with three legs.  There are numerous reasons why this could be, but there is particular significance in Japan and Asia more generally.  A three legged bird is often associated with the sun Andusually depicted as a black outline of a three legged bird inside of a red sun.  In Japan this was often conflated with the Yata-garasu, the Great Crow, which is said to have led the first mythical sovereign, Iware Biko, to victory in his conquest of Yamato.  Thus we often see a three legged crow depicted in the sun, which was an object of particular veneration for the Wa people from centuries before.  And I suspect that the little three-legged sparrow from Tsukushi  I suspect that this had particular significance because of that image. Animals were not the only auspicious things presented to the throne.  In 678, Oshinomi no Miyatsuko no Yoshimaro presented the sovereign with five auspicious stalks of rice.  Each stalk, itself, had other branches.  Rice, of course, was extremely important in Japan, both from a ritual and economic sense, so presenting rice seems appropriate.  Five stalks recalls things like the five elemental theory—and in general five was consider a good number.  Three and five are both good, prime numbers, while four, pronounced "Shi", sounds like death and is considered inauspicious.  Three, or "San" is sometimes associated with life, and five is associated with the five elements, but also just the fact that it is half of ten, and we have five fingers on one hand and in so many other ways, five is regarded as a good number in much of Asia. That the stalks had multiple branches likely referred to them bearing more than the usual amount of rice on them, which seems particularly hopeful.  Certainly the court thought so.  In light of the auspicious gift, all sentences of penal servitude and lower were remitted.  In 680, Officials of the Department of Law gave tribute of auspicious stalks of grain, themselves.  I'm not sure, in this case, that it was all that they hoped, however, as that began three days straight of rain and flooding. A year earlier, in 679, we are told that the district of Ito, in Kii, immediately south of Yamato, sent as tribute the "herb of long life".  We are told that it "resembled" a mushroom—probably meaning it was a mushroom, or maybe something formed into a mushroom shape.  But the stem was about a foot long and the crown was two spans, about 6 feet in diameter.  This is pretty incredible, and I have to wonder if there is a bit of exaggeration going on here. Another tribute was a horn found on Mt. Katsuraki.  It branched into two at the base, was united at the end, and had some flesh and hair still attached, about an inch in length.  They claimed it must be horn or a Lin, or Kirin, sometimes referred to as an Asian unicorn—a mythical creature considered to be quite auspicious and benevolent.  This was on the 26th day in the 2nd lunar month of the year 680, probably around March or April.  I highly suspect that what they found was an oddly shaped bit of antler from  a buck whose antlers had begun to come in and which might have been taken out by wolves or bears or something else altogether.  The fact that the ends were said to be fused together could just be referring to some kind of malformation of the antlers.  The fur and flesh could mean that the antlers were still growing—antlers would probably just be coming in around early spring time.  Still, there is no telling how long it was there, so it could have been from the previous year as well.  Attributing it to a kirin seems a bit of a stretch, but it was clearly something unusual. Animals and plants were recorded in tribute, but also when something odd happened.  Fruiting out of season was one such occurrence, which we've seen elsewhere in the chronicles as well.  There was even a record when the famous Tsuki tree outside of Asukadera had a branch fall down.  Presumably it was a large and noticeable branch, and by now this appears to have been a tree with a bit of age to it that had seen a lot, so it makes sense it got a mention. Finally, we go from the heavens to the earth.    Perhaps the most numerous observations in the Chronicles were the earthquakes.  We've noted in the past that Japan is extremely active, volcanically speaking, so it makes sense that there are multiple accounts of earthquakes each year, especially if they were compiling reports from around the country.  Most of these are little more than just a note that there was an earthquake, but a few stand out. The first is the 12th lunar month of 678.  We are told that there was a large earthquake in Tsukushi—modern Kyushu. The ground split open to the width of about 20 feet for more than 30,000 feet.  Many of the commoners' houses in the area were torn down.  In one place there was a house atop a hill, and though the hill crumbled down the house somehow remained intact.  The inhabitants had apparently been home and must have been oblivious, as they didn't realize anything had happened until they woke up the next morning. Again, probably a bit of hyperbole in here, but if we think back to things like the 2016 Kumamoto earthquake, where large areas of land shifted noticeably along the fault lines, it is likely that this was a similar or even more catastrophic event.  And here I'll give a quick plug for Kumamoto, which is still working to rebuild from the earthquake, and if you ever get a chance, I recommend a visit to the Kumamoto Earthquake Memorial Museum or Kioku, where you can see for yourself just how powerful mother nature can be. Another powerful earthquake was mentioned in the 10th lunar month of 684.  If the earthquake in Tsukushi had hit mostly agricultural areas, based on the description, this seems to have hit more populated regions.  We are told that it started in the dark of night, the hour of the boar, so about 10pm, give or take an hour.  The shaking was so bad that throughout the country men and women cried out and were disoriented—they could not tell east from west, a condition no doubt further hindered by the dark night sky.  There were mountain slides and rivers changed course, breaking their banks and flooding nearby areas.  Official buildings of the provinces and districts, the barns and houses of the common people, and the temples, pagodas, and shrines were all destroyed in huge numbers.  Many people and domestic animals were killed or injured.  The hot springs of Iyo were dried up and ceased to flow.  In the province of Tosa, more than 500,000 shiro of cultivated land sank below sea level.  Old men said that they had never seen such an earthquake.  On that night there was a rumbling noise like that of drums heard in the east—possibly similar to what we had mentioned earlier.  Some say that the island of Idzu, aka Vries Island, the volcanic island at the entrance of Edo Bay, increased on the north side by more than 3,000 feet and that a new island had been formed.  The noise of the drums was attributed to the gods creating that island. So here we have a catastrophic quake that impacted from Iyo, on the western end of Shikoku, all the way to the head of Edo Bay, modern Tokyo.  This appears to be what seismologists have labelled a "Nankai Trough Megathrust Earthquake".  Similar quakes have occurred and are predicted to occur in the future., along a region of Japan from the east coast of Kyushu, through the Seto Inland Sea, including Shikoku, through the Kii peninsula and all the way to Mt. Fuji.  The Nankai Trough, or Southern Sea Trough, is the area where the continental shelf drops down, and where the Philippine tectonic plate slips underneath the Eurasian—or more specifically the Amuric—plate.  As these plates move it can cause multiple events all along the trough at the same time.  Since being regularly recorded, these quakes have been noted every 100 to 150 years, with the last one being the Showa Nankai quakes of 1944 and 1946. For all of the destruction that it brought, however, apparently it didn't stop the court.  Two days after this devastating quake we are told that Presents were made to the Princes and Ministers.  Either they weren't so affected in the capital, or perhaps the date given for one of the two records is not quite reliable.  Personally, I find it hard to believe that there would be presents given out two days later unless they were some form of financial aid.  But what do I know?  It is possible that the court itself was not as affected as other areas, and they may not have fully even grasped the epic scale of the destruction that would later be described in the Chronicles, given the length of time it took to communicate messages across the country. Which brings us back to the "science" of the time, or at least the observation, hoping to learn from precedence or piece out what messages the world might have for the sovereign and those who could read the signs.  While many of the court's and Chronicler's conclusions may give us pause, today, we should nonetheless be thankful that they at least decided to keep notes and jot down their observations.  That record keeping means that we don't have to only rely on modern records to see patterns that could take centuries to reveal themselves.  Sure, at this time, those records were  still a bit spotty, but it was the start of something that would be remarkably important, and even though these Chronicles may have been focused on propaganda, the fact that they include so many other references are an incalculable boon to us, today, if we can just see to make the connections.  And with that, I think I've rambled enough for this episode.  We still have a couple more to fully cover this period. Until then, if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website,  SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.  

Merci Tsuki ! Sa chaîne Twitch est ici !COACHING RELATION À L'ARGENT

À demain avec Tsuki !COACHING RELATION À L'ARGENT

Don't point at the moon—you might wake up without your ears. In Japan, the moon rabbit isn't just making mochi. Its image was placed there by the gods to honor an act of pure sacrifice, a Buddhist tale that traveled from India through China and transformed along the way. In this episode we explore Tsukimi moon-viewing traditions, the violent origin of the moon god Tsukuyomi, protective pompous grass rituals, and dozens of poetic names for moonlight—from the "moon you can stand and wait for" to the "moon that rises deep into the night." Plus: moon-viewing thieves, spirit-attracting moonbeams, and why pointing at the moon might cost you more than you think. Tsuki wa jōman. The moon is always full. Please Note: Some of the links are affiliate links (both Amazon and other). This means that at no cost to you, if you use and purchase through them I receive a small compensation. This is paid by the retailer. It also helps support me and my artistic endeavors. Thank you. Follow Uncanny Japan: Patreon Uncanny Japan Website Thersa Matsuura Website Books on Amazon YouTube Facebook Instagram Buy Me a Coffee (one-time contribution) Subscribe on Spotify Subscribe on Apple Podcasts Credits: Music by Julyan Ray Matsuura About SpectreVision Radio: SpectreVision Radio is a bespoke podcast network at the intersection between the arts and the uncanny, featuring a tapestry of shows exploring creativity, the esoteric, and the unknown. We're a community for creators and fans vibrating around common curiosities, shared interests and persistent passions. spectrevisionradio.comlinktr.ee/spectrevisionsocial Learn more about your ad choices. Visit megaphone.fm/adchoices

DJ Глюк - Жидкий Драм 2 2025 @ DJ Глюк 1. Mr. Sham G - Soul Magnetique 2. DuoScience - Late Afternoon 3. Emba, Lily Denning - Feel Alive 4. Georgie Riot, Tsuki, Sophie-Grace - Without You 5. Izmael - No Signal 6. Tremor - Tell Me 7. Natus, Alpha Rhythm - Ascension 8. Amorius - Look Into My Eyes 9. AYDN - No Ride Home 10. Children Of Our Stars - Take Us Back (VIP) 11. Edlan, Aev.aya - Change Of Heart 12. Genetics, Amber Jay - Habits (Stay High) 13. Ben Vibrant - Olive Tree 14. Flava D, SOLAH - Can't Get It Back 15. Joshua dnb - Unbroken 16. Oversight - Smoke And Fire

Episode #374 of BGMania: A Video Game Music Podcast. Today on the show, Bryan and Bedroth from RPGera are back with another quarterly Composer Appreciation episode, this time focusing on Michiko Naruke! Email the show at bgmaniapodcast@gmail.com with requests for upcoming episodes, questions, feedback, comments, concerns, or whatever you want! Special thanks to our Executive Producers: Jexak, Xancu, & Jeff. EPISODE PLAYLIST AND CREDITS Track 3 from Future Boy Conan [Michiko Naruke, 1992] Alone in the World from Wild Arms [Michiko Naruke, 1996] Resistance Line from Wild Arms 2 [Michiko Naruke feat. Kaori Asoh, 1999] Gunmetal Action from Wild Arms 3 [Michiko Naruke, 2002] Boss 2 from Tenshi no Uta II: Datenshi no Sentaku [Michiko Naruke, 1993] Final Battle from Psycho Dream [Michiko Naruke, 1992] Everyday Lifestyle from Noora to Toki no Koubou: Kiri no Mori no Majo [Michiko Naruke, 2011] Opening from Cosmic Fantasy Stories [Michiko Naruke, 1992] Regaining from Rakugaki Kingdom [Michiko Naruke, 2021] Headquarters from Goetia: the Infinite Tower [Michiko Naruke, 2016] RIZ-ZOAWD! from The Wizard of Oz: Beyond the Yellow Brick Road [Michiko Naruke feat. Kaori Asoh, 2008] To A Space Faraway -Coo's Song- from Half-Minute Hero: The Second Coming [Michiko Naruke feat. Haruka Shimotsuki, 2011] Koboresou na Tsuki from 7'scarlet [Michiko Naruke feat. Kaori Oda, 2016] Million Memories -Instrumental Version- from Wild Arms: Million Memories [Michiko Naruke, 2018] SUPPORT US Patreon: https://patreon.com/rpgera Thanks to our Patrons: Jexak, Xancu, Prof-Jeff, and Adam CONTACT US Website: https://bgmania.podbean.com/ Discord: https://discord.gg/cC73Heu Email: bgmaniapodcast@gmail.com Twitter: https://twitter.com/OriginalLDG Instagram: https://instagram.com/bryan.ldg/ RPGERA PODCAST NETWORK Very Good Music: A VGM Podcast Listening Religiously

3 - Vendégünk Garai Győző, a Matcha Tsuki szakmai vezetője, matcha szakértő by Balázsék

DJ Глюк Drum n bass @ DJ Глюк 1. Kenji Kawai - Making Of Cyborg (S.A.C DnB Refix) 2. Punchman - K700 3. René LaVice, Eskei83, UCee - Bad To Di Bone 4. T & Sugah, Control Alt Delete, Kris Kiss - The Formula 5. Clank & Maider, Ayah Marar - Rise Again 6. Tengu - Take Me There 7. Streetflicker - Don't Wanna 8. Culture Shock - Empire 9. Dub Elements - Bass Is FXXXXXG 10. Pendulum & Armin van Buuren & Rob Swire - Sound of You 11. Punchman - Magadan 12. Repair - Hot for a Minute 13. Blanke, ÆONMODE - Stop, Go 14. The Mind Hackers - High 15. Tsuki, Sub Zero, Ellen Lynch - Good Times (feat. ellen lynch) 16. Repair - Lost In The Silence 17. Krakota - Amnesia (Bring It Back) (Bring It Back) 18. Morgan Seatree - Say My Name (Sub Focus Remix) 19. Arcando - California Dreamin'

“The Tsuki Project” was a once-active community of likeminded 4chan anons who longed to be transported into a better world. And they believed that by participating in this community formed around the promises and lore of someone named Tsuki, they could enter into this better world after they died. This is a community that first formed in 2017 and has since dissipated into the online ether. It's hard to say what the Tsuki Project was exactly. It has been described as anime suicide cult, a digital version of Heaven's Gate, a hoax, a piece of interactive fiction, an Alternate Reality Game, or just a group of lonely, depressed people who were sucked into one person's maladative daydreams. It was probably a swirl of all of those things. What exactly happened has to be pieced together from archived imageboard posts, websites that only survive as zip files, anime Wikis, and leaked screenshots from Discord servers. This is the story of the Tsuki project based on the surviving records. Subscribe for $5 a month to get all the premium episodes: http://www.patreon.com/QAA Editing by Corey Klotz. Theme by Nick Sena. Additional music by Pontus Berghe, Jake Rockatansky, and Corey Klotz. Theme Vocals by THEY/LIVE (https://instagram.com/theyylivve / https://sptfy.com/QrDm). Cover Art by Pedro Correa: (https://pedrocorrea.com) https://qaapodcast.com QAA was known as the QAnon Anonymous podcast.

En este episodio exploramos los distintos elementos biomecánicos y energéticos presentes en el Tsuki de Karate. También intercambiamos opiniones sobre distintas metodologías para desarrollar un Tsuki potente. Esta es la técnica más central del Karate moderno y por lo tanto merece un estudio minucioso. Con la participación de José Navarro. Bajo la conducción de Jorge F. Garibaldi.

Neste vigésimo oitavo episódio do quadro de recomendações do WJB, e em clima de Haloween, o horripilante ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ig0y⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, do ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ENDCast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, recomenda dois mangás com temática TERROR! Mangás estes que você talvez... não conheça. Temos um FAQ, então envie sua pergunta aqui no Spotify ou no youtube!

Máry M, Tsuki e Vanessa Parish Crooks são as três rappers portugueses selecionadas no programa internacional She Raps, dinamizado pela Skoola e que pretende capacitar mais mulheres no hip-hop.

Tällä kertaa puhumme Japanin koulujärjestelmästä ja sen kuvaamisesta mangassa yhdessä vieraamme, Afureko-blogin Cillan kanssa, joka tuntee Suomen koulujärjestelmää. Ajankohtaisena aiheena puhumme espoolaisen Museo Leikin näyttelystä Tokiosta Tapiolaan, johon on koottu suomalaisen Japani-harrastamisen historiaa. Lukujonossa mietimme, miten koulujärjestelmä ja opettajuus esitetään ysäriklassikossa Great Teacher Onizuka sekä Setona Mizushiron lyhytsarjassa X-Day, jossa kolme oppilasta ja opettaja suunnittelevat koulunsa räjäyttämistä. --- Kommentoi | Threads | Mastodon | Bluesky | X | Instagram --- (01:10) – KUULUMISET: ILMOITUS JA CILLA - Cilla X:ssä, Blueskyssa, Mastodonissa ja Instagramissa - Cillan Tiktok-kanava Popu lukee suomimangaa - Afureko-blogi, joka on myös Äänijälki-podcastin koti - X:ssä, Blueskyssa, Mastodonissa - Jakso 89, jossa Afurekon Nita oli vieraanamme puhumassa mangan historiasta - Äänijälki-podcastin jakso 21, jossa Maaret oli vieraana puhumassa animesarjasta IDOLiSH 7 - Äänijälki-podcastin jakso 51, jossa Cilla ja Nita puhuivat nostalgisista ensikosketuksistaan animeen (06:32) – KOULUNKÄYNTI JAPANISSA: ESITTELY - Rahtikultit (12:31) – KOULUNKÄYNTI JAPANISSA: KOULUASTEET – ALAKOULU - Nakayoshi-lehden sankarit ovat usein joko ala- tai yläkoulussa, koska lehti on sen ikäisille tytöille suunnattu - A Silent Voice, josta puhuimme jaksossa 35 - Poissa – Erased, josta puhuimme jaksossa 64 - 20th Century Boys (14:29) – KOULUNKÄYNTI JAPANISSA: KOULUASTEET – YLÄKOULU - Neon Genesis Evangelion - Revolutionary Girl Utena - Cardcaptor Sakura - Sailor Moon - Unohtui mainita jaksossa, mutta monet 90-luvun ikoniset taikatyttösankarittaret ovat 14-vuotiaita juuri siksi, että sarjat ilmestyivät aiemmin mainitussa Nakayoshi-lehdessä ja muissa vastaavan kohdeyleisön lehdissä - Teasing Master Takagi-san - Mob Psycho 100 - Tsuki ga kirei - Shuzo Oshimi, jonka sarjasta Happiness puhuimme jaksossa 49 ja jonka sarjasta Blood on the Tracks puhuimme jaksossa 74, jaksossa 76 ja jaksossa 81 (20:18) – KOULUNKÄYNTI JAPANISSA: KOULUASTEET – LUKIO - Silver Spoon, josta puhuimme jaksossa 34 - My Hero Academia, josta puhuimme jaksossa 94 (30:40) – KOULUNKÄYNTI JAPANISSA: KOULUASTEET – YLIOPISTO - Blue Period, josta puhuimme jaksossa 57 - Golden Time - Rent-A-Girlfriend - How Do We Relationship, josta puhuimme jaksossa 81 - A Sign of Affection, josta puhuimme jaksossa 74 - Yliopisto on nykyisin suosittu BL-mangan tapahtumakehys: - Pink Heart Jam, josta puhuimme jaksossa 37 ja jaksossa 42 - Escape Journey, josta puhuimme jaksossa 88 - Classmates - Genshiken, josta puhuimme jaksossa 67 - Highschool of the Dead - Sarjoja, joissa päähenkilö menee suoraan lukiosta työelämään: - Clannad - New Game - Ogeretsu Tanakan Hadakeru kaibutsu esiosineen, joista puhuimme jaksossa 88 (46:04) – KOULUNKÄYNTI JAPANISSA: OPETUSMETODIT - Hesarin artikkeli suomalaisen kokemuksista buddhalaismunkkina - Otomen - Monthly Girls' Nozaki-kun - Yotsuba& (01:07:47) – KOULUNKÄYNTI JAPANISSA: KIVAT OPETTAJAT - Assassination Classroom - The Royal Tutor - Great Teacher Onizuka - Spy x Familyn opettaja Henry Henderson - Blue Periodissa lukion kuvataideopettaja inspiroi päähenkilöä (kuva) - Blue Periodin valmennuskouluopettaja Mayu Ooba - Kaveriopettajia: - Azumanga Daioh'n Yukari-sensei - Toradoran Yuri Koigakubo - Ihastusopettajia: - Daytime Shooting Star - Aoha Ride, josta puhuimme jaksossa 40 - I'm in Love and It's the End of the World, josta puhuimme jaksossa 95 - Dead Dead Demon's Dededede Destruction - Domestic Girlfriend - Towa Ooshiman High School Girls - Kerhojen valvojaopettajia: - Sound Euphonium - Laid-Back Camp - Kono oto tomare (01:29:40) – KOULUNKÄYNTI JAPANISSA: IKÄVÄT OPETTAJAT - A Silent Voice -jaksomme show noteihin on koottu hyviä havainnollistavia kohtia sarjassa nähtävästä kiusaamisesta ja opettajan vuorovaikutuksesta (ks. otsikko 51:32 - A Silent Voice: Pokkari 1) - March Comes in Like a Lion - The Garden of Words (01:45:40) – KOULUNKÄYNTI JAPANISSA: MUITA OPETTAJAHUOMIOITA - Parasyte (01:48:53) – KOULUNKÄYNTI JAPANISSA: ELÄMÄNTAIDOT – TASAPÄISTÄMINEN (01:50:53) – KOULUNKÄYNTI JAPANISSA: ELÄMÄNTAIDOT – SIIVOAMINEN (01:54:27) – KOULUNKÄYNTI JAPANISSA: ELÄMÄNTAIDOT – LUOKKARETKET - Cromartie High School, josta puhuttiin Äänijäljen jaksossa 45 - Horimiya, josta puhuimme jaksossa 42 - The Disastrous Life of Saiki K. - The Dangers in My Heart (02:01:17) – KOULUNKÄYNTI JAPANISSA: ELÄMÄNTAIDOT – KERHOT JA CIRCLET - Sexy Commando Gaiden: Sugoi yo!! Masaru-san (02:05:14) – KOULUNKÄYNTI JAPANISSA: ELÄMÄNTAIDOT – FESTIVAALIT - Kulttuurifestivaali eli bunkasai - Urheilupäivä eli undoukai - Mitsudomoe - Blue Flag - Jakso 101, jossa puhuimme Japanin-matkastamme ja siellä koetusta kesäfestivaalista - Nana & Kaorussa kulttuurifestivaalin valmistelu päätyi lähentämään päähenkilöitä (kuva) - Puhuimme sarjasta jaksossa 80 - Skip and Loafer, josta puhuimme jaksossa 83 (02:14:08) – KOULUNKÄYNTI JAPANISSA: ELÄMÄNTAIDOT - SÄÄNNÖT - Hana & Hina After School - Haganai - Yu-Gi-Oh! - Desucon-luento Koulupukumuodin tuulet Meiji-kaudelta nykypäivään (YouTube) - Kaguya-sama: Love Is War - Sound! Euphonium - Confidential Confessions - Petterin STT-uutinen siitä, miten koulujen ulkonäkönormistoihin on alkanut tulla lisää joustavuutta: - Yle (PDF) - IS (PDF) - Hazbin Hotel (02:31:31) – KOULUNKÄYNTI JAPANISSA: KOULURAKENNUS - His Favorite -sarjan humoristinen yksinkertaistettu kuvaus koulurakennuksesta: kuva 1, kuva 2, kuva 3 (02:35:10) – KOULUNKÄYNTI JAPANISSA: ARVOTTAMINEN - Fruits Basketissa koulun tytöillä on fanikerho Yukille (YouTube) - Horimiya - Kare Kano eli His and Her Circumstances - Himouto! Umaru-chan - Kaiju No. 8 - Witchcraft Works (02:53:34) – KOULUNKÄYNTI JAPANISSA: KOULUKIUSAAMINEN - Cillan luento A Silent Voicesta ja koulukiusaamisesta (YouTube, alkaa kohdasta 1:30:20) - Petterin Desucon-ohjelma Koulukiusaaminen Japanissa (YouTube) (03:03:06) – KOULUNKÄYNTI JAPANISSA: YHTEENVETO (03:06:44) – MUSEO LEIKKI JA TOKIOSTA TAPIOLAAN -NÄYTTELY - Tokiosta Tapiolaan -näyttelyn nettisivut - Jakso 18, jossa puhuimme Tampereen taidemuseon Osamu Tezuka -näyttelystä - Jirai-kei-tyylisuuntaus - Näyttelyssä oli kaikenlaista hauskaa (kuva) (03:20:17) – HAMPAANKOLOSSA: ONE PIECE - Jakso 100 ja jakso 103, joissa puhuimme One Piecestä - Ryusei Nakao Caesar Clownin roolissa - Megumi Hayashibara Rebeccan roolissa - Hideyuki Tanaka Donquixote Doflamingon roolissa - Hiroshi Kamiya Trafalgar Law'n roolissa - Petterin shottilasit Zorosta ja Trafalgar Law'sta (kuva) - Mami Koyama Charlotte Linlinin roolissa (03:32:08) – KUULIJAKOMMENTTI: LYCHEE LIGHT CLUB - Jakso 102, jossa puhuimme Lychee Light Clubista (03:33:25) – KUULIJAKOMMENTTI: KOTAE EXPO - Kotae Expo - Popcult - Comic Con Suomi - Crystal Fair (03:42:28) – KUULIJAKOMMENTTI: BARAKAMON - Barakamon - Sarjan OP on jäänyt mieleen (YouTube) - Sweetness and Lightning - After the Rain, josta puhuimme jaksossa 52 (03:46:05) – LUKUJONOSSA: GREAT TEACHER ONIZUKA - Great Teacher Onizuka - Gambling Apocalypse Kaiji - Gokusen - Rookies - Jakso 60, jossa puhuimme Death Notesta - Uuden GTO-tv-spesiaalin traileri (YouTube) (04:03:48) – LUKUJONOSSA: X-DAY - X-Day - Jakso 47, jossa puhuimme Setona Mizushiron sarjasta Black Rose Alice - Jakso 71, jossa puhuimme Setona Mizushiron sarjasta The Cornered Mouse Dreams of Cheese - Paranoia Agent - Moto Hagio - Mitsukazu Mihara (04:34:52) – LOPETUS - 10 Dance - Thunderbolt Fantasy

it's back to tsukihime this week... kinda? it's the year 3000, humanity is dying, and arcueid asexually reproduces. probably. tsuki no sango is a mixed bag, but we found enough to chat about.next time we have a grab bag of two things: room of the april witch and the first volume of koha-ace. and for yuri teatime we're doing the al|together game wanders in the sky, accompanied by the third volume of urasekai picnic and venus meets venus.Featuring co-hosts Benn Ends (@bennends) and fen (@fenic_fox). Guest featuring marin (she/they).Support the show and get access to bonus episodes: https://www.patreon.com/cryingrulesLink to Moon Archive Schedule Masterlist: http://moonarchive.art/scheduleSection Timestamps:intro - 0:00:00yuri teatime - 1:49visions from the other side - 4:53sadblood - 18:18call of the night - 34:25kannazuki no miko - 1:01:37void stanger - 1:27:13tsuki no sango - 1:33:341 - 1:52:172 - 2:04:243 - 2:21:054 - 2:57:41outro - 3:18:30LIST OF NON TYPE-MOON WORKS REFERENCEDVisions from the Other SideCall of the NightSaDistic BloodKannazuki no MikoVoid StrangerHiraeth wa Tabiji no HateTsui no StellaThis episode carries content warnings for discussions of birth rate decline, sexual assault, death, and heterosexuality.Email us at cryingrulesactually@gmail.com with questions, comments, and compliments.Cover art by Benn Ends, Intro music by Benn Ends, remaining music from works covered.

¿No paras de ver y escuchar sobre Tsuki Odyssey? En este episodio, Pau Galindo, Omar Moreira y Leo Luna hablan sobre este juego viral y muchos otros que nos han tenido pegados al celular. Cuéntanos con qué juego te has obsesionado y no te pierdas ninguno de los contenidos y guías que tenemos para ti en YouTube y plataformas de audio #GeekHunters

Momtaku is joined by tumblr's @lostcauses-noregrets,  @seitsen-sarvi and @tsuki-no-ura for a chapter discussion of Attack on Titan "Bad Boy". Since Luna can't be bothered with Levi's tragic teacup tale, she joins after the break to discuss her trip to Japan and Momtaku's visit to the Netherlands.  Discussion Time Stamps 00:00:00 Intro with Momtaku & Luna 00:03:50 Guest Introductions - Lostcauses, Marie and Tsuki-no-ura 00:06:38 Is "Bad Boy" a fair translation of the new chapter title? 00:07:58 Thoughts on the Shingeki Fly bundle 00:11:08 American vs French fans 00:16:45 Translation challenges of Bad Boy and Attack on Titan in general 00:24:41 "Bad Boy" chapter impressions 00:30:43 Is Levi's age confirmed? 00:33:04 Have we hear the tea cup story before? 00:35:30 Ackerawakening vs Ackerbond 00:52:16 Levi's hero journey 00:55:02 Reference to Kenny as Levi's father 01:01:21 Ask from Mysh (shymshym) on Twitter: Levi's Titan-like transformation? 01:09:05 Ask from Mysh on Twitter: Any Ackerlore? 01:16:53 Levi's post canon life 01:22:45 Rate Levi's tea making technique 01:29:22 Isayama learns to draw digitally & his post canon life. 01:36:40 Break 01:37:20 Luna discusses her trip to Japan: Shingeki cafes, feeding the deer, and Disney Sea. (Also if anyone wants Connie merch - hit her up!) 01:59:36 Momtaku discussed her visits the Netherlands: Museums, food, kitties and binge watching Avatar 02:16:37 Future podcasts? Probably not. Goodbyes! Links this episode Interviews from Shingeki Fly: https://twitter.com/AttackOnFans/status/1788564618941476905 Fan Translation: https://dto.to/chapter/2831302 Translation analysis: https://www.tumblr.com/tsuki-no-ura/750192956623994880/bad-boy-translation-analysis           

Episodio para buscadores. ¿Estas buscando un Karate más efectivo, con más capacidad destructiva que el Tsuki, Uke y Keri, pero no sabes como? En este episodio José Navarro, Santiago Berberán y Jorge F. Garibaldi te marcan el camino en base a su propia experiencia. ¿Que hacer? ¿Donde encontrar información? ¿A quien contactar? --- Send in a voice message: https://podcasters.spotify.com/pod/show/podcastdojo/message

1.Lost Frequencies/ Declan J Donovan - Just Wanna Know 2.Moytra - On My Mind 3.T & Sugah & Nathan Smoker - Set It Off 4.Luude feat. Elliphant - Pachamama 5.Dim Bolt - Deja-Vu 6.DC2 - Cassiopeia 7.Robin Schulz, Topic, Oaks - One By One (Andromedik Remix) 8.Matrix & Futurebound & Blaine Stranger & Tom Cane - New Energy 9.Dim Bolt/Marge - Rising 10.Used & Idle Days - Psycho 11.Khronos - Titan's Revenge 12.Lukher - Victorious 13.DC2, Oneder - Furidashi (2024) 14.Blueboss - Andromeda 15.Warp Fa2e - The Chase 16.Tryst Temps/Opsen - Birds Aren't Real 17.Javeon & Whiney - Find A Way 18.Impex - The Knot 19.Sin Buzz - Go From You (Malinoviy John Remix) 20.Brainpain - Another Story (KIK'S Remix) 21.Pristage - Diamod Bones 22.Issey Cross - Sleepwalking (Serum Remix) 23.mnn - Difficult (Original Mix) 24.Fixrow - Undead Revolver 25.mnn - Timey Wimey (Original Mix) 26.Briggz - Emergency Broadcast 27.Molecular & Lavance - Next Level 28.Sebastian Ingrosso, Steve Angello - Skip (Snackbox Remix) 29.Yannons, Kragar - Fort Greene 30.Deformaty - Symbiote (Original Mix) 31.S9 & Ana Barrena - Ghost 32.Rebel Scum - Undone (feat. Josh Rubin) 33.Break - Overstayed 34.Phaze One - I Need Your Desire 35.Mr Quest - I Think We All VIP 36.Kontakt - Hold On 37.Vodkah - Crazy 38.Isaac Maya & Papa Michigan - Nice Up Dance (Kleu Remix) 39.Trauma DBC, Tomoyoshi, Starz & Deeza - Back In The Day 40.Skuff - Here We Go 41.Damageman, Mc Craftamus - Grey skyz 42.Amoss - Stay Hungry 43.Suv & K Jah - Bubble Soup 44.2GEN, Tripsta, AJ:MC - PSYCHOPATH 45.Licid - Offline 46.TSUKI & Toxinate - Break 47.Bru-C- Wild (Disrupta Remix) 48.AIRGLO - LIGHTS OUT 49.Foes - Mephisto 50.Skorpion - Accidental Authority 51.Kensei/FOE - Autobots 52.Kolyahorosh - My Kung Fu 53.Joy Mobility - Check This Out 54.Lundy - My Style 55.Flatline - Dark Magic 56.Anaïs x Scrufizzer - Never Seen Never Heard 57.Conrad Subs - Middle 58.Bladerunner - The Chronic 59.Systm Hackerz - Rave In The 90's 60.Poynt Too - Ready To Talk 61.Lynx & Malibu - Element 62.Biorhythm - Music Box 63.Kleu - Loco 64.Lowriderz - Nice 65.Magic Touch - Yea hey 66.Sin - Premonition 67.Capital Dogz - Sunday Funday 68.Fernando Ferreira - Algazarra 69.Flair, IC - Come Get It (Original Mix) 70.Oliver Ferrer - Frames 71.Muru - Gradience (Original Mix) 72.Duoscience - From Brasil 73.Styke & switch/case & Steo - Let You Know 74.Niall T - Night Out 75.Liquefaction - Transition's 76.Adzzy, Maczee P - No One

01. Lost Frequencies/ Declan J Donovan - Just Wanna Know 02. Moytra - On My Mind 03. T & Sugah & Nathan Smoker - Set It Off 04. Luude feat. Elliphant - Pachamama 05. Dim Bolt - Deja-Vu 06. DC2 - Cassiopeia 07. Robin Schulz, Topic, Oaks - One By One (Andromedik Remix) 08. Matrix & Futurebound & Blaine Stranger & Tom Cane - New Energy 09. Dim Bolt/Marge - Rising 10. Used & Idle Days - Psycho 11. Khronos - Titan's Revenge 12. Lukher - Victorious 13. DC2, Oneder - Furidashi (2024) 14. Blueboss - Andromeda 15. Warp Fa2e - The Chase 16. Tryst Temps/Opsen - Birds Aren't Real 17. Javeon & Whiney - Find A Way 18. Impex - The Knot 19. Sin Buzz - Go From You (Malinoviy John Remix) 20. Brainpain - Another Story (KIK'S Remix) 21. Pristage - Diamod Bones 22. Issey Cross - Sleepwalking (Serum Remix) 23. mnn - Difficult (Original Mix) 24. Fixrow - Undead Revolver 25. mnn - Timey Wimey (Original Mix) 26. Briggz - Emergency Broadcast 27. Molecular & Lavance - Next Level 28. Sebastian Ingrosso, Steve Angello - Skip (Snackbox Remix) 29. Yannons, Kragar - Fort Greene 30. Deformaty - Symbiote (Original Mix) 31. S9 & Ana Barrena - Ghost 32. Rebel Scum - Undone (feat. Josh Rubin) 33. Break - Overstayed 34. Phaze One - I Need Your Desire 35. Mr Quest - I Think We All VIP 36. Kontakt - Hold On 37. Vodkah - Crazy 38. Isaac Maya & Papa Michigan - Nice Up Dance (Kleu Remix) 39. Trauma DBC, Tomoyoshi, Starz & Deeza - Back In The Day 40. Skuff - Here We Go 41. Damageman, Mc Craftamus - Grey skyz 42. Amoss - Stay Hungry 43. Suv & K Jah - Bubble Soup 44. 2GEN, Tripsta, AJ:MC - PSYCHOPATH 45. Licid - Offline 46. TSUKI & Toxinate - Break 47. Bru-C - Wild (Disrupta Remix) 48. AIRGLO - LIGHTS OUT 49. Foes - Mephisto 50. Skorpion - Accidental Authority 51. Kensei/FOE - Autobots 52. Kolyahorosh - My Kung Fu 53. Joy Mobility - Check This Out 54. Lundy - My Style 55. Flatline - Dark Magic 56. Anaïs x Scrufizzer - Never Seen Never Heard 57. Conrad Subs - Middle 58. Bladerunner - The Chronic 59. Systm Hackerz - Rave In The 90's 60. Poynt Too - Ready To Talk 61. Lynx & Malibu - Element 62. Biorhythm - Music Box 63. Kleu - Loco 64. Lowriderz - Nice 65. Magic Touch - Yea hey 66. Sin - Premonition 67. Capital Dogz - Sunday Funday 68. Fernando Ferreira - Algazarra 69. Flair, IC - Come Get It (Original Mix) 70. Oliver Ferrer - Frames 71. Muru - Gradience (Original Mix) 72. Duoscience - From Brasil 73. Styke & switch/case & Steo - Let You Know 74. Niall T - Night Out 75. Liquefaction - Transition's 76. Adzzy, Maczee P - No OneДоброй

01. Lost Frequencies/ Declan J Donovan - Just Wanna Know 02. Moytra - On My Mind 03. T & Sugah & Nathan Smoker - Set It Off 04. Luude feat. Elliphant - Pachamama 05. Dim Bolt - Deja-Vu 06. DC2 - Cassiopeia 07. Robin Schulz, Topic, Oaks - One By One (Andromedik Remix) 08. Matrix & Futurebound & Blaine Stranger & Tom Cane - New Energy 09. Dim Bolt/Marge - Rising 10. Used & Idle Days - Psycho 11. Khronos - Titan's Revenge 12. Lukher - Victorious 13. DC2, Oneder - Furidashi (2024) 14. Blueboss - Andromeda 15. Warp Fa2e - The Chase 16. Tryst Temps/Opsen - Birds Aren't Real 17. Javeon & Whiney - Find A Way 18. Impex - The Knot 19. Sin Buzz - Go From You (Malinoviy John Remix) 20. Brainpain - Another Story (KIK'S Remix) 21. Pristage - Diamod Bones 22. Issey Cross - Sleepwalking (Serum Remix) 23. mnn - Difficult (Original Mix) 24. Fixrow - Undead Revolver 25. mnn - Timey Wimey (Original Mix) 26. Briggz - Emergency Broadcast 27. Molecular & Lavance - Next Level 28. Sebastian Ingrosso, Steve Angello - Skip (Snackbox Remix) 29. Yannons, Kragar - Fort Greene 30. Deformaty - Symbiote (Original Mix) 31. S9 & Ana Barrena - Ghost 32. Rebel Scum - Undone (feat. Josh Rubin) 33. Break - Overstayed 34. Phaze One - I Need Your Desire 35. Mr Quest - I Think We All VIP 36. Kontakt - Hold On 37. Vodkah - Crazy 38. Isaac Maya & Papa Michigan - Nice Up Dance (Kleu Remix) 39. Trauma DBC, Tomoyoshi, Starz & Deeza - Back In The Day 40. Skuff - Here We Go 41. Damageman, Mc Craftamus - Grey skyz 42. Amoss - Stay Hungry 43. Suv & K Jah - Bubble Soup 44. 2GEN, Tripsta, AJ:MC - PSYCHOPATH 45. Licid - Offline 46. TSUKI & Toxinate - Break 47. Bru-C - Wild (Disrupta Remix) 48. AIRGLO - LIGHTS OUT 49. Foes - Mephisto 50. Skorpion - Accidental Authority 51. Kensei/FOE - Autobots 52. Kolyahorosh - My Kung Fu 53. Joy Mobility - Check This Out 54. Lundy - My Style 55. Flatline - Dark Magic 56. Anaïs x Scrufizzer - Never Seen Never Heard 57. Conrad Subs - Middle 58. Bladerunner - The Chronic 59. Systm Hackerz - Rave In The 90's 60. Poynt Too - Ready To Talk 61. Lynx & Malibu - Element 62. Biorhythm - Music Box 63. Kleu - Loco 64. Lowriderz - Nice 65. Magic Touch - Yea hey 66. Sin - Premonition 67. Capital Dogz - Sunday Funday 68. Fernando Ferreira - Algazarra 69. Flair, IC - Come Get It (Original Mix) 70. Oliver Ferrer - Frames 71. Muru - Gradience (Original Mix) 72. Duoscience - From Brasil 73. Styke & switch/case & Steo - Let You Know 74. Niall T - Night Out 75. Liquefaction - Transition's 76. Adzzy, Maczee P - No OneДоброй

This week we're digging a classic from out of the cellar – our episode exploring the absolute magic of sake that's been crafted to stand the test of time.While still a relatively niche category within sake, more and more producers are leaning into clearly communicating the amount of time – and in what form – their sake spends maturing prior to release, and the wider beverage-loving community is finally taking notice.From a production standpoint, there are tricks of the trade that allow for all variety of flavor and style creation. The one quality that really can't be replicated, however, is the unique and special character born only through the passage of time.We welcome you to take a step back in time with us this week, joining your hosts Marie Nagata, Sebastien Lemoine, and Justin Potts, revisiting this episode originally released back in the spring of 2021. If you're looking to further explore the world of aged sake, I encourage you to check out the special session we hosted on the topic for the Sake Future Summit back in 2020, as well.Thanks for tuning in this week. We'll be back with more Sake On Air for you very soon. Despite a rich and storied history spanning millennia, in certain terms, sake has yet to unequivocally prove its ability to stand the test of time.If you're in some way associated with the sale or service of sake, likely one of the most common questions you get is, “How long can I keep my sake before it starts to go bad?” or, “How long does sake stay good after it's opened?” As a buyer, these are both logical and very important questions. As an industry, having clear and concise answers to those questions is equally important. In order to keep things simple, as well as to help assure an overwhelmingly positive experience for as many sake drinkers as possible, the general message adopted suggests that sake should be consumed within 6-12 months from purchase, refrigerated both prior to and after opening, and then consumed within several days to a week once it's been opened. This is sound advice that's relevant to a great majority of the sake being produced and sold both domestically and internationally.There is, however, a paradigm that exists entirely outside of the above logic; where a greater element of time isn't only a factor, but a necessity.Welcome to the world of matured and aged sake.Often referred to as koshu – literally “old sake” – often translated as “aged sake”, or jukuseishu, commonly translated as “matured sake”, bottles of sake referencing these qualities were crafted taking time into account. That amount of time can be anywhere from a few years to a few decades depending on the style of sake and the intent of the brewer, and in many cases the results are astounding.Yet despite plenty of beautiful examples of aged or matured sake on the market and countless historical texts singing the praises of what time can do to a bottle of sake, a rather perfect storm of circumstances coalesced to nearly erase aged sake culture, production, and consumer appreciation from the collective understanding of sake for about a century.Thankfully, a relatively small, but thoughtful, proactive and coordinated effort from a growing number of sake makers and sellers has been hard at work seeking to rebuild and redefine what time can mean (and cost) when factored into a bottle of sake. Whether it be the collective rebranding efforts of the Toki Sake Association, the Muni line from Kokuryu used in the first ever sake industry auction in 2018, the dedication to long-term aging in ceramic storage vessels by Tsuki no Katsura, or a handful of specialty bars dedicated to the unique and treasured style, awareness surrounding the magic that time can work on a bottle of the right kind of sake is slowly building.This week, Sebastien Lemoine, Marie Nagata and Justin Potts gather to discuss the historical and modern context of matured and aged sake, the formal definitions (or lack thereof) in place,

Sensei Jerri joins us today as we try our hand at another episode of words from The Overlook Martial Arts Dictionary. This week it's the letter R. While discussing different ranks,  Grandmaster Urban's book The Karate Dojo came up. We did a few episodes on this great book. Here's a link to one of them:https://www.buzzsprout.com/477379/2196104We also discuss Jiguro Kano, the founder of both Judo and the inventor of the modern day ranking system. Here's one of the episodes about him:https://www.buzzsprout.com/477379/10515380And finally, we discuss eye pokes. (How did we get there?) We mentioned eye pokes in a recent episode with Shihan T.D. McKinnon. The day we were recording, I thought it happened in a wrestling episode. Oops, it actually came up in his body-guarding episode. Here's the link:https://www.buzzsprout.com/477379/12796037Thanks for considering supporting our work with a small donation. Here's the link:Support the showAnd of course support our sponsor Honor Athletics. Here is their link:https://honor-athletics.com/We appreciate our listeners so much and hope that you'll get in touch. Reach us all over the web. Facebook and twitter are simply wildcatdojo. However, insta is wildcatdojo conversations. (There's a story there.)On YouTube (where we are now airing some of our older episodes - complete with a slideshow that I tweak constantly) : https://www.youtube.com/@wildcatdojo9869/podcastsAnd for our webpage, where you can also find all the episodes and see some info about the dojo: http://wildcatdojo.com/025-6/podcast.html . Thank you for listening.

En este episodio discutimos la técnica más preciada y practicada del Karate Do. El tsuki.Hablamos sobre su importancia, las metodologías de entrenamiento y su efecto sobre como vemos el Karate hoy. Con la participación de José Navarro y bajo la dirección de Jorge F. Garibaldi. --- Send in a voice message: https://podcasters.spotify.com/pod/show/podcastdojo/message

Sfinga explores some of the historical, anthropological, and medical scholarship on the phenomena of kitsune-tsuki: fox spirit possession or "attachment". From Meiji Period medical and religious reforms to the anxieties of socio-economic upheaval in villages, the Dragon considers culturally-negotiated categories of "madness" and trance, the politics of witchcraft accusations, and the fox spirits at the center of it all. Support us on patreon.com/TheFrightfulHowls and follow us at twitter.com/FrightfulHowls.

(IND) Interlude is on a roll! Ada episode baru lagi nih Pak Kucing, bersama vsinger yang dijamin bakal memanjakan telinga kalian! Tsuki Hana akan sharing berbagai cerita kepada kalian semua selama satu jam kedepannya!

We made it to the penultimate episode of Season 3!! Join us as we discuss a couple EOY podcast stats, talk about Tsuki's incredible return, Nishinoya's crazy saves, and collegiate Oikawa. "Keep fighting, my legs!"

Do you hear that sound? Can you feel it? The cool ocean breeze in your hair, the salt on your tongue. It's the smooth crash of KVGM "The Last Wave", with your host, Hammock. A biweekly VGM podcast bringing you the jammiest video game music from all your favorite composers and consoles. Sit back, relax, and get ready to catch...the Last Wave. We're in the holiday season and what better way to celebrate than with more jams...a lot of personal computer jams but jams nonetheless. Please enjoy them responsibly. Playlist A Moment of Rest - Tomohito Nishiura (Professor Layton and the Diabolical Box, Nintendo DS) Hide and Seek - PELVISMUSIC inc. (Tsuki no Hikari Taiyou no Kage -Another Moon-, PC) Opening - Kazuhiko Naruse (Shining Crystal, MSX2) Pizza 3 - Daisuke Shiiba (Practice English, Nintendo DS) Illusion of Youth - PANDA (Aoi Tori ~L'Oiseau Bleu, PC) Darts Theme - Shinya Watabe (Deca Sports 2, Nintendo Wii) Dark Night - Donmaru (First Love: One Over One, PC) Player Turn - Goji Tsuno (Gotha: Ismailia Seneki, Sega Saturn) Hoshiyuki - SENTIVE (Yukiiro ~Sora ni Rokka no Sumu Machi~, PC) Satisphée (Staff Roll) - Hiroaki Takahashi (Toukidenshou -ANGEL EYES-, Sony PlayStation) Special Request Cool Bell “Extra Stage” - Takenobu Mitsuyoshi (Virtua Fighter 3, Arcade)

Originally Recorded: October 6, 2023 Happy Halloween, ghosts and ghouls! It's that spooky time of year again, so we've dug up a show of frights and terrors to scare and entertain you while the leaves turn and a chill hits the air. Get cozy with a blanket and a hot beverage - and make sure all your doors are locked tight - as Steph leads Noah, Lac, and Amon in a discussion of the fabled dub for Mononoke! Our theme music is composed by Gabriel Pulcinelli / Ponpoko in the Distance. You can find more of their work at https://ponpokointhedistance.com/ and at @gabrpulcinelli on Instagram, Twitter, TikTok, and Facebook. Special thanks to https://infinitemac.org/ for helping record the disclaimer. AUDIO PLATFORMS: Spotify: https://open.spotify.com/show/47LMCAgEW0BAOy9BnKYmLv Apple Podcast: https://podcasts.apple.com/ca/podcast/dub-talk/id1514880122 Like what we do? Support us on Patreon! https://www.patreon.com/dubtalkpodcast Or consider buying us a Ko-fi! https://ko-fi.com/dubtalk Hosts: @LilacAnimeRevue @NoahClue @LacTheWatcher @AmonduulUS Editors: @NoahClue @amonduulus Music: "Kagen no Tsuki" by Ryouta Komatsu x Charlie Kosei "Natsu no Hana" by JUJU Selections from the Mononoke OST by Yasuharu Takanashi

Avec Thibault du compte et chaine youtube La Vie de Sora, nous faisons le parallèle entre la parentalité bienveillante et l'éducation canine positive. Comment nos propres émotions peuvent avoir une répercussion dans le comportement de nos animaux et de nos enfants... Et donc l'importance que nous apprenions à mieux les vivre ! Cet épisode est plus long qu'à mon habitude mais notre échange est très riche en réflexions, partages d'expériences : Thibault avec ses 2 chiens Sora et Tsuki, mais également de sa vie personnelle... et moi avec mes 3 enfants. Pour plus de facilité, je t'ai mis les différents "chapitres" de notre échange : #1 Présentation de Thibault: 04:47 #2 La bienveillance, l'éducation canine positive c'est accepter les erreurs 09:19 #3 Eviter le problème ce n'est pas le résoudre 11:37 #4 Comprendre le POURQUOI pour apprendre 15:42 #5 Le risque Zéro n'existe pas 18:23 #6 Education rapide ? 20:20 #7 Le concept de la bonne fessée (ou tape) 21:50 #8 Ce que le comportement de Sora a appris à Thibault sur lui même 24:23 #9 Quand ton chien (ou ton enfant) devient le représentant de TES propres émotions et de qui TU es 28:09 #10 La peur (des chiens) 29:40 #11 On ne peut pas reprocher ton émotion. Mais on peut te reprocher COMMENT tu réagis à ton émotion 35:55 #12 L'éducation par la mise en situation, l'expérience : enfant et chien c'est pareil ! 40:35 #13 Quand une "bêtise" est faite : Comment réagir (et comment NE PAS réagir !) 44:39 #14 L'autorité et le cadre, c'est comme une bulle de savon 53:45 #15 Parfaitement imparfaits ! 01:06:29 #16 Eduquer par la compréhension du POURQUOI 01:10:25 #17 Accepter les remises en question : La clé pour évoluer 01:25:23 Retrouve mes formations : www.merecredi.com/formations

While squaring up against Ushijima, Tsuki finally discovers he loves volleyball!! In other news, we're going on a trip, Hannah's been playing basketball (shocking), we perform a K-pop dance, and discuss the current state of Bungou Stray Dogs fans (stressed out of our minds).

WE'RE SELLING STICKERS!! Check them out at hannahjuliot.redbubble.com. Also in this episode: Tendou's silly song, Tsuki's character development, Marli's K-pop fall playlist, and Hannah's socks.

This week on Krewe of Japan Podcast... HAJIME! The Krewe sits down with Alexander Bennett, 7th Dan in Kendo, to take a deep dive into the way of the sword. From the historical context of how kendo came to be to the ins and outs of being a kendo practitioner, this episode will open your eyes to this intense martial art! And don't forget... KI... KEN... TAI... ICHI! (Gotta listen to get that reference!)------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ More Info on Alexander Bennett, Kendo & Kenjutsu  ------Budo BooksAlexander Bennett on InstagramShogun Martial ArtsNew Orleans Kendo Club

Tracks by Azim G, Badger, Biohzrd, Botnek, Buitano, DJEAU, Denney, Dommix, Domzi, Eats Everything, FANNYPACK, FOMO, Franky Rizardo, Friend Within, HODA, Honey, Interupt, Jay Robinson, Lekota, MVDOU, Makla, Martin Ikin, Matty Gale, MelyJones, Michael Sparks, Morrisson, Murci, Noizu, Obskür, Rachel West, Ranger Trucco, Ron Carroll, Roxe, Shiba Shan, Ship Wrek, Stace Cadet, Thom Bold, Tom Zanetti, Trace, Tsuki, Valentino Khan, Wa-Fu, Window Kid and more.

"Mizu No Kokuro", meaning mind like still water, and "Tsuki No Kokuro", meaning mind like the moon, are Japanese sayings used in martial arts. You can apply these sayings not only to your martial arts journey, but in your everyday life.James Cox Premier Martial Arts Abilene, Texas. 3287 South 14th Street - (325)-676-2696 and 6410 Buffalo Gap Road - (325)-704-5454. Visit: www.PremierMartialArts.com or www.JamesCoxMartialArts.comEmail: gmjamescox@gmail.comFacebook: PremierMartialArtsSth14th and PremierMartialArtsWylieInstagram: pmaabilene and pmawylieTwitter: JamesCoxPMA#PremierMartialArts#PremierMartialArtsAbilene#JamesCoxMartialArts#MixedMartialArtsAbilene#MMAAbilene#KidsKarateAbilene#AdultSelfDefenseAbilene#Kajukembo#KravMaga#BrazilianJiuJitsu#Kickboxing#TaeKwonDo#Karate#Judo#JiuJitsu#Kempo#KungFu#SportKarate#Fitness#Fighting#SelfProtection#MartialArtsLifeSkills#JamesCoxFollow James Cox for more content!Youtube: James Cox Martial ArtsInstagram: @themartialartslifestylepodcastTikTok: @jamescoxmartialartsGot questions or topics you would like covered in the podcast? Email gmjamescox@gmail.com.

De Yagyu Jubei sabemos que era el mejor espadachin de su época, pero, ¿qué más? ¿Fue un ninja? ¿Un agente secreto? ¿Le faltaba un ojo? ¿Derrotó a 38 enemigos a la vez él solo? ¿Inventó la filosofía de las artes marciales? Todas estas preguntas serán respondidas por R. Ibarzábal, que está de regreso con nosotros para traernos las mejores historias del Japón feudal. Imagen: Jubei de Samurai Shodown, nextn.es Fuentes - Makoto Sugawara; (1985) Lives of Master Swordsmen; The East Publications - Kenji Tokitsu; (2005) Miyamoto Musashi, His Life and Writings; Weatherhill - Yagyu Munenori; traducido por W. S Wilson.; (2012) The Life-Giving Sword: Secret Teachings from the House of the Shogun; Shambhala - Yagyu Jubei; transcripción de Yoshio Imamura (1995) Tsuki no Sho - Wikipedia (versión japonesa) Música: La música es de Duke Ellington y de Dunne. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Originally Recorded: May 1, 2023 Привет, Comrades! We bring you here today to discuss a topic near and dear in the hears of all members of our glorious motherland: anime dubs. Join Megan as she leads Jackson, Amon, and Patrick though the English dub for Irina: The Vampire Cosmonaut, the 2021 alternate history light novel adaptation about, you guessed it, vampires and the space program. Our theme music was compased by Gabriel Pulcinelli / Ponpoko in the Distance. You can find more of their work at https://ponpokointhedistance.com/ and at @gabrpulcinelli on Instagram, Twitter, TikTok, and Facebook. AUDIO PLATFORMS: Spotify: https://open.spotify.com/show/47LMCAgEW0BAOy9BnKYmLv Apple Podcast: https://podcasts.apple.com/ca/podcast/dub-talk/id1514880122 Like what we do? Support us on Patreon! https://www.patreon.com/dubtalkpodcast Or consider buying us a Ko-fi! https://ko-fi.com/dubtalk Hosts: @queenira2 @9clawtiger @amonduulus @rootsofjustice Editors: @amonduulus @rootsofjustice Music: "Hi no Tsuki" by Ali Project "Arifureta Itsuka" by Chima "My Beloved" by Sarah Àlainn Selections from the Irina: The Vampire Cosmonaut OST by Yasunori Mitsuda

James tells Steven all about the Netflix Death Note movie whilst sharing opinions on volume 9 of the manga. And some talk around the effects of the Death Note and the how it functions as a magical almost Lovecraftian object of cosmic or psychological horror. Skip synopsis @ 4:25 Email: WeAppreciateManga@Gmail.com   096: Death Note vol. 9 ⁓ Contact Chapters 71 and 79 ‘Contact' and ‘Lies' Story by Tsugumi Ohba Artwork by Takeshi Obata Translation by Alexis Kirsch Lettering by Gia Cam Luc Light repeats his tactic of controlling one of Mello's gangs in order to gain information on Mello's hideout.  This time, he sends Ryuk with a spare Death Note and tells him to work with the Japanese task force in order to help them find and kill Mello as well as return Mello's Death Note to Sidoh, the original owner and death god. During this point onward Light decides to hide Misa's Death Note on his person and banks on Matsuda making the Shinigami eye deal, instead Soichiro makes the deal, with Light himself prepared to kill Soichiro so to support the belief in the fake 13-day rule that he fabricated so to maintain his innocence. After a conflict with Mello and his men, Soichiro learns of Melo's real name and recovers a Death Note but soon dies of his injuries. Light returns the Death Note to Sidoh and sends him away. Soon the U.S. Government pardons Kira and officially disbands Near's team, the SPK.  Mello, having survived the conflict with Soichiro, holds SPK agent Hal as a hostage and intrudes on Near's Headquarters. Near gives Mello his photo and in return Mello gives Near clues by telling him of the existence of Shinigami and saying that there is a fake Death Note rule. Near works with Light (who he knows as the new L) over Kira- and Mello-related matters while suspecting Light is Kira. Near determines the 13-day rule written in the Death Note is fake and suspects Kira is the new L. Then Mello contacts the Japanese task force agent Mogi, managing to get Mogi under Near's interrogation but also leaking Near's headquarters to Light. Afterwards, Light spreads the information to Kira worshippers so to orchestrate an attack on Near.   Topics: Because of how Syndar was manipulated by Light in the previous volume we are seeing Light use the same tactic again. Clearly the Death Note has the power to change fate but it seems like it can also inflict insanity on the target, as we have seen with Kal Snydar and Naomi. The powers of the Death Note along with the Shinigami are Lovecraftian in nature. Meaning Ohba leaves it to our imagination where ever we want to rationalise their actions or take the Death Note on face value. Also, if you are to go by James' analysis that the mind itself is a box not unlike that of the Schrodinger's Cat experiment then the Death Note has the power to either change minds or be a catalyst for a pre-destined fate. In strange ways memories can often rewrite reality and as of the year 2022 CE we cannot prove what goes on inside someone's head metaphysically, and we cannot prove, certainly not to the layman, if you can hold multiple thoughts at one time. It is important to note that James only states theories as to what Naomi and Syndar was thinking whilst under the Death Note's influence. Mello has been vocal on how stupid he thinks the Japanese police are and as of volume 9 Near suspects that Kira is working under the Japanese police as L. The events after Death Note arguably take a turn for the implausible since Light suspiciously leads the Kira case as a part of the NPA, even after being suspected of being Kira. Ergo he should remain a suspect in terms of real-world logic. Additionally, Soichiro Yagami and Light lose the Death Note to Mello in order to protect Sayu Yagami. A demonstration of their biases due to having a personal involvement in the Kira case. It is most certainly a bad idea to have Light on the Death Note case, however for reasons that are actually known in the manga Light becomes the new L despite these fallacies. Major differences between the manga and the Netflix live action movie. Light Yagami is named Light Turner, an interesting translation since it keeps to a pun, in the manga Light spells his English sounding name “Raito” with the Kanji for Moon, this creates a dual meaning of his name being “Moonlight” but Moon can be read as “Tsuki”. With his surname being Yagami and when you spell out the individual Kanji it sounds very much like Yorukami Tsuki, or “Loving Night God” or “Loving Dark God” But the implication is that Light's name refers to moonlight or night. The Kira killings are outlandish and gory spectacles disguised as accidents, a la 2000's Final Destination. How anyone deduces that Kira is a person from this is not explained, where as the manga clearly outlines the Kira Modus Operandi as a heart attack, meaning Kira wants to be recognised for his killings and is successful in doing so. Misa Amane, is named Mia and is played by Margaret Qualley. Mia is a cheerleader who attends the same school as Light and has a love for horror movies. Both Mia and Light establish their relationship after Light gets the Death Note but before news of Kira becomes viral. Meaning both Mia and Light are culpable in the creation of Kira. Where as the manga clearly had a one-sided relationship where Light was the more manipulative one out of the two, and was a lot more secretive of the Death Note in the manga. Ryuk says how his name is pronounced, it is not “Raiuk” or “Rook” he is the only Shinigami who makes an appearance and there is no Rem. The Shinigami eyes are mentioned but no such deal is made throughout the movie. Light himself creates the term Kira and spreads that name using the internet and such forums (obviously this makes him suspicious but that matter is not addressed by L). L discovers Light as a suspect by deliberately leaking information of criminals. (This is flawed logically because if L is responsible for the leaks he cannot stop the proliferation of such information, meaning any supporter of Kira or amateur sleuth would be a suspect by this logic)   In the movie there is no Lind L. Tailor, which is a notable plot point in the manga because L needs to determine if Kira wants him dead before he can deduce wherever or not Kira can kill him. However, L does address Kira through a live broadcast and public press event. Unlike the manga he makes his statement L is in public wearing a mask, and does not hide behind a monitor. But like the manga L uses this event to determine that Kira can not kill without knowing the targets name and face. But again, L's logic in the movie is flawed. Although it is a correct hypothesis that Kira does indeed need a name and face to kill, L, has not determined a motive or a reason for Kira to choose him as a target. L is flawed because he does not factor in wherever Kira wants him dead or not, this is because Kira has not killed law enforcement at this point. L is merely guessing that Kira wants him dead because he antagonised Kira and lived. Whereas the manga has Lind L. Tailor antagonising Kira, as L, only to die in doing so. This is how L proves that Kira is not only willing to kill law enforcement but would kill L if he could do so. L does not show his reasoning on how he is able to deduce that Light is Kira, we are never privy to L's thought process as an audience. And there is no voice over.   Light threatens Ryuk with the Death Note. And Ryuk entertains the thought. Saying “there are four letters in my name, most anyone ever gotten were two” this is not possible to do in the manga. It is also unusual because a message in Light's Death Note clearly reads “Don't trust Ryuk”. Perhaps it was a misspelling? Or maybe Ryuk is bluffing? Light writes Watari's name in the Death Note, manipulating him to acquire L's real. This means that Watari is the real name of L's representative, instead of it being Quillish Wammy like the manga. A new rule exclusive to the Netflix movie is that you can burn a page of the Death Note effectively making any name written down in the destroyed page null and void to the effects of the Death Note. Another Netflix movie only rule is you can write someone's name in the Death Note and only have them die once the target's actions meet a set of pre-conceived requirements. E.g. “Mia dies upon touching the Death Note”. This obviously disregards the first rule “whoever's name is written in this note shall die” because so long as you do not meet the requirements, you can still live a long life without any passive effect of the Death Note.   By breaking and entering L finds a Death Note, or at least usable scraps of it. The implication is that L has evidence on Light, although how L can deduct that the note is the murder weapon is never explored.     Feel free to follow us through the following links: Facebook Instagram Twitter Official Website   Email

150: "Sharing my story is not just me learning about myself, but it's for those struggling with their identity to learn from, too." Philippines trip reflections with Gretchen "TSUKI" PuddicombeBy popular demand from our BUYUSBOBA.COM supporters, Gretchen "TSUKI" Puddicombe returns to the show for a second interview! She shares how she's started cooking Filipino food, how successfully living your life as a brown person can be a form of protest, her first visit to the Philippines (when she was in middle school), what it was like meeting her birth mother for the first time, more about her birth story, advice to future parents looking to adopt, her exciting holiday plans, and much more!This conversation is also available on YouTube: https://youtu.be/hK9f9QCoDKAFor the unedited version: https://www.buymeacoffee.com/jenandnani/tfawp-e150-jen-nani-unfiltered-instagram-live-ft-tsukiConnect with Tsuki https://www.instagram.com/cowgirl_ninja/December EventsJoin us for our LAST BOOK CLUB OF THE YEAR on Friday, December 16th @ 5:30 (PST) / 6:30 PM (MST) / 7:30 PM(CST) / 8:30pm (EST) https://www.buymeacoffee.com/p/1504387Join our FREE Vision Board event on Tuesday, December 27th @ 6 PM (PST) / 7 PM (MST) / 8 PM (CST) / 9 PM (EST)! Simply email us to RSVP at jen@tfawproject.com and nani@tfawproject.com or text us at (415) 484-8329Past TFAW Project Episodes with Tsuki138: "I'm so high on being Pinay." Outdoor adventures, adoptee raised in Vermont, and returning to the motherland with Gretchen "TSUKI" Puddicombe https://tfawproject.com/episode/138149: "If you want to go fast, go alone. If you want to go far, go together." December festivities and exciting events with Jen, Nani and Tsuki https://tfawproject.com/episode/149Past Tsismis w/ Jen & Nani Episodes with Tsuki033: [TJN Exclusive] "Why does everything have to be about race? ... Because it is." Pre & Post-Interview with Gretchen "TSUKI" Puddicombe https://www.buymeacoffee.com/jenandnani/033-tjn-exclusive-why-everything-race-becauseTFAWP E149 - Jen and Nani Unfiltered on Instagram Live - Ft. Tsuki https://www.buymeacoffee.com/jenandnani/tfawp-e149-jen-nani-unfiltered-instagram-live-ft-tsukiTFAWP E150 - Jen and Nani Unfiltered on Instagram Live - Ft. Tsuki https://www.buymeacoffee.com/jenandnani/tfawp-e150-jen-nani-unfiltered-instagram-live-ft-tsukiPast Facebook Live Interviews with AdopteesAllie Moreno

149: "If you want to go fast, go alone. If you want to go far, go together." December festivities and exciting events with Jen, Nani and TsukiJen and Nani are joined with BUYUSBOBA.COM Book Club member and past guest Gretchen "TSUKI" Puddicombe! Together, they talk about their holiday plans, give grace during a busy season, share the latest updates on the Instagram Reflection Series, share details on the LAST book club session of the year, invite everyone to their FREE vision board event, and much more!December Events:Join us for our LAST BOOK CLUB OF THE YEAR on Friday, December 16th @ 5:30 (PST) / 6:30 PM (MST) / 7:30 PM(CST) / 8:30pm (EST) https://www.buymeacoffee.com/p/1504387Join our FREE Vision Board event on Tuesday, December 27th @ 6 PM (PST) / 7 PM (MST) / 8 PM (CST) / 9 PM (EST)! Simply email us to RSVP at jen@tfawproject.com and nani@tfawproject.comResources:This episode is also available on YouTube: https://youtu.be/1Ge6pqEvGIwFor the unedited version of this conversation: https://www.buymeacoffee.com/jenandnani/tfawp-e149-jen-nani-unfiltered-instagram-live-ft-tsukiListen to Tsuki's first interview with us on Ep. 138: "I'm so high on being Pinay." Outdoor adventures, adoptee raised in Vermont, and returning to the motherland with Gretchen "TSUKI" Puddicombe https://tfawproject.com/episode/138Listen to Tsuki's pre/post-interview: https://www.buymeacoffee.com/jenandnani/033-tjn-exclusive-why-everything-race-becauseRead our latest newsletter, published Friday, December 9th, 2022: https://mailchi.mp/cddd96c2eac3/tfawproject--LOVE OUR SHOW? Show your support at http://www.buyusboba.com/ Supporting us with a minimum of one cup of boba gets you access to our monthly book club. A monthly or annual support gets you access to our monthly book club and exclusive access to our private podcast: Tsismis with Jen & Nani! FREE ONLINE COMMUNITY: Chat with Jen and Nani, along with your fellow podcast listeners on Discord https://discord.gg/2hSaHK9CpsNEWSLETTER: Receive the latest stories, updates and media coverage by subscribing to our newsletter: http://eepurl.com/cO0bifABOUT US: Welcome to the Filipino American Woman Project - A Podcast Show that shares stories and life lessons told by individuals living (or have lived) in America, that are of Filipino descent and are cisgender female. For Season 4, Jen and Nani pivot the show to focus on their journey as podcasters, content creators, and entrepreneurs -- with a focus on advocating for Filipino American women storytellers and authors.UPCOMING BOOK: Special thanks to the Bulosan Center for Filipino Studies at UC Davis for the opportunity to present our academic paper, Pinay Podcasters: Building a Self-Sustaining Community Through Storytelling, Collective...

Late pod edition, sorry everyone! Let's talk about budget Tsuki and budget Golbez! Join our Discord for exclusive after-talk content! https://discord.gg/Y9JkMfN Global Exclusive is a Final Fantasy Brave Exvius weekly podcast, by the people that give you the Gamepedia Wiki Unit Rankings.

Meet Jill – Founder of Tsuki Sake. A local sale find you can discover in liquor stores in our area as well as places like Purgatory, Beer Bar, and Takashi (plus many other spots!) Jill shared her story of getting into sake, what it means to her, and who she is. She's all about feminine […]

Meet Jill – Founder of Tsuki Sake. A local sale find you can discover in liquor stores in our area as well as places like Purgatory, Beer Bar, and Takashi (plus many other spots!) Jill shared her story of getting into sake, what it means to her, and who she is. She's all about feminine […]

We get in touch with our romantic side in this week's episode as we discuss the coming of age middle school romance anime: Tsuki ga Kirei! One of us has a VERY high opinion of this series but does that actually mean anything when you haven't seen in it in three years? It doesn't. We break down our thoughts and feelings on young love and why it doesn't mean anything and how you'll probably never really find peace. We don't really but maybe! You'll have to listen in to find out, won't you? As always, check out new episodes every Sunday by going to our website at www.otakumelancholy.com to see all our links including our social media and join the Discord at https://discord.gg/rUHYUyW to continue the conversation! Ganbatte! We do not own or claim to own the songs and media used in this podcast. All rights belong to their respective owners. All songs and clips used in this podcast are applied for critical analysis and reflect a usage that pertains to fair use.

In this slightly chaotic episode, Marli meets another Haikyuu fan, Hannah plays fetch with a dog, and we gush about the watermelon scene. We're very excited to start getting more into the Tsuki story!

We flashback to Darcy and Bella's first meeting 5 years previous, where Bella rescues Darcy from a spy mission gone wrong. She teacher her a defensive move, which Darcy uses in the present day. Bella warns Darcy to stay away from Redcliff, refusing to explain why. Darcy goes in for a hug, which shocks Bella, who can't accept it. Darcy pleads with Bella to leave Redcliff, and Bella say she can't. Her final warning is to stay away from Redcliff and her.

On this episode of the podcast I got to chat with Jill Watanabe, founder of Tsuki Sake. We find out her story. We talk about the inspiration behind starting a Sake company, we talk about obstacles she had to overcome when she started, where you can the Sake, and where Jill sees the company going. We also of course talk about what Jill loves about living in Utah, favorite local eating spots, and everything else in between. Connect more with I am Salt Lake: Email chris@iamsaltlake.com Connect With Our Facebook https://www.facebook.com/IAmSaltLake/ Connect With Our Twitter https://twitter.com/iamsaltlake Connect With Our Instagram https://www.instagram.com/iamsaltlake/ Join The Facebook Group https://www.facebook.com/groups/iamsaltlake/ Support our Patreon https://www.patreon.com/iamsaltlake Sign up for our email list https://iamsaltlake.com/email Thank you for listening to this episode of I am Salt Lake podcast. We showcase local talent, businesses, and everyday people making Salt Lake City what it is today. Please consider making a one time donation through PayPal to help with the expenses of keeping this podcast running smoothly https://www.paypal.me/iamsaltlake

This episode is also available via video: https://youtu.be/bD9B55A9VlA (https://youtu.be/bD9B55A9VlA) 138: "I'm so high on being Pinay." Outdoor adventures, adoptee raised in Vermont, and returning to the motherland with Gretchen "TSUKI" Puddicombe Tsuki loves to describe herself as a cowgirl, lesbian, rock climbing and parkour coach. As an adoptee, she speaks fondly of her family, friends, and her outdoorsy upbringing in Vermont. It was during the BLM movement when she started to embrace her Filipino identity and plan for an epic trip to meet her biological family in the Philippines. She elaborates more on her childhood, what inspired her to start cooking, what she's learned as an adoptee, and much more. Shout out to Lish, Dee, Barbara (Tsuki's mom), and Paulette for joining us! Connect with Tsuki https://www.instagram.com/cowgirl_ninja/ (https://www.instagram.com/cowgirl_ninja/) Resources: Listen to Tsuki's pre and post-interview: https://www.buymeacoffee.com/jenandnani/033-tjn-exclusive-why-everything-race-because (https://www.buymeacoffee.com/jenandnani/033-tjn-exclusive-why-everything-race-because) For our latest newsletter: https://mailchi.mp/981f7989891d/tfawproject (https://mailchi.mp/981f7989891d/tfawproject) -- LOVE OUR SHOW? Show your support and get exclusive access to the "Tsismis with Jen & Nani" podcast by visiting http://www.buyusboba.com/ (http://www.buyusboba.com/) FREE ONLINE COMMUNITY: Join us on Discord https://discord.gg/2hSaHK9Cps (https://discord.gg/2hSaHK9Cps) NEWSLETTER: Receive the latest stories and life lessons from our community by subscribing to our newsletter: http://eepurl.com/cO0bif (http://eepurl.com/cO0bif) ABOUT US: Welcome to the Filipino American Woman Project - A Podcast Show that shares stories and life lessons told by individuals living (or have lived) in America, that are of Filipino descent and identify as female or non-binary. UPCOMING BOOK: Special thanks to the Bulosan Center for Filipino Studies at UC Davis for the opportunity to present our academic paper, Pinay Podcasters: Building a Self-Sustaining Community Through Storytelling, Collective Healing & Learning, and Collaboration. The initial draft is now available! Read more at http://pinaypodcasters.com/ (http://pinaypodcasters.com/) RECOGNITION: In December 2020 and December 2021, we received an Honorable Mention at the Asian American Podcaster's Golden Crane Podcast Awards. August 2020, Jen Amos participated as a speaker on behalf of TFAW Project for PodFest Global, which now holds the GUINNESS WORLD RECORDS™ title for Largest Attendance for a Virtual Podcasting Conference in One Week. May 2020, we were recognized as “Amplifying Asian Women Voices” on Spotify during AAPI Heritage Month. We've also been featured in Realtime Community Oakland, Mochi Magazine, Ossa Collective, SUPERBANDS, Chopsticks Alley, FoundHer by Entrepinayship, Spotify, PodFest Expo, Philippine American Foundation for Charities, When In Manila, You Are Collect;ve, San Diego Union Tribune, NBC 7 San Diego, and much more! Read more at: https://linktr.ee/tfawproject.featured (https://linktr.ee/tfawproject.featured) CONTACT US: Find us on social media: Instagram @thefilipinoamericanwoman, Facebook @thefilipinoamericanwoman, Twitter @thefilamwoman, YouTube https://www.youtube.com/channel/UC-IzWjkLCof3Pf7TW8ExyXw (https://www.youtube.com/channel/UC-IzWjkLCof3Pf7TW8ExyXw) Learn more about our co-hosts Jen at https://linktr.ee/thejenamos (https://linktr.ee/thejenamos) and Nani at https://notesbynani.com/ (https://notesbynani.com/) Have something to share? Email Jen at jen@tfawproject.com or Nani at nani@tfawproject.com or leave us a voice or text message at 415-484-TFAW(8329)

136: "We're all the same. Why am I going to divide us based on class?" Celebrating AAPI Heritage Month with Paulette Imperial and Discord community members Happy Asian American and Pacific Islander (AAPI) Heritage Month! Bulosan Center and TFAW Project's intern Paulette Imperial joins us as our special guest for this bonus episode to share her interest in Filipino genealogy and Philippines political dynasties. We also welcome our Discord community members to partake as our audience: BuyUsBoba.com members Jeremy and Clarissa, and new TFAW Project listener Tsuki. This interview is also available on video: https://youtu.be/1QstbY_oNfw (https://youtu.be/1QstbY_oNfw) Connect with Paulette: https://www.instagram.com/pauletteimperial/ (https://www.instagram.com/pauletteimperial/) imperialpaulette@gmail.com Newsletter Articles Written by Paulette: 2022 Philippine Presidential Elections - Candidate Overview https://www.buymeacoffee.com/jenandnani/2022-philippine-presidential-elections-candidate-overview (https://www.buymeacoffee.com/jenandnani/2022-philippine-presidential-elections-candidate-overview) 2022 Philippine Presidential Elections - Historical Deep Dive https://www.buymeacoffee.com/jenandnani/philippine-politics-historical-deep-dive (https://www.buymeacoffee.com/jenandnani/philippine-politics-historical-deep-dive) Resources The Filipino Genealogy Project - http://www.filipinogenealogy.com/ (http://www.filipinogenealogy.com/ ) Join us in finishing Part 3 of Dawn Mabalon's book Little Manila Is In The Heart at our next book club on Friday, May 20th at 12 PM (PDT) / 3 PM (EDT)! Simply buy is a minimum of one cup of boba at http://buyusboba.com/ (http://buyusboba.com/) -- LOVE OUR SHOW? Show your support and get exclusive access to the "Tsismis with Jen & Nani" podcast by visiting http://www.buyusboba.com/ (http://www.buyusboba.com/) FREE ONLINE COMMUNITY: Join us on Discord https://discord.gg/2hSaHK9Cps (https://discord.gg/2hSaHK9Cps) NEWSLETTER: Receive the latest stories and life lessons from our community by subscribing to our newsletter: http://eepurl.com/cO0bif (http://eepurl.com/cO0bif) ABOUT US: Welcome to the Filipino American Woman Project - A Podcast Show that shares stories and life lessons told by individuals living (or have lived) in America, that are of Filipino descent and identify as female or non-binary. UPCOMING BOOK: Special thanks to the Bulosan Center for Filipino Studies at UC Davis for the opportunity to present our academic paper, Pinay Podcasters: Building a Self-Sustaining Community Through Storytelling, Collective Healing & Learning, and Collaboration. The initial draft is now available! Read more at http://pinaypodcasters.com/ (http://pinaypodcasters.com/) RECOGNITION: In December 2020 and December 2021, we received an Honorable Mention at the Asian American Podcaster's Golden Crane Podcast Awards. August 2020, Jen Amos participated as a speaker on behalf of TFAW Project for PodFest Global, which now holds the GUINNESS WORLD RECORDS™ title for Largest Attendance for a Virtual Podcasting Conference in One Week. May 2020, we were recognized as “Amplifying Asian Women Voices” on Spotify during AAPI Heritage Month. We've also been featured in Realtime Community Oakland, Mochi Magazine, Ossa Collective, SUPERBANDS, Chopsticks Alley, FoundHer by Entrepinayship, Spotify, PodFest Expo, Philippine American Foundation for Charities, When In Manila, You Are Collect;ve, San Diego Union Tribune, NBC 7 San Diego, and much more! Read more at: https://linktr.ee/tfawproject.featured (https://linktr.ee/tfawproject.featured) CONTACT US: Find us on social media: Instagram @thefilipinoamericanwoman, Facebook @thefilipinoamericanwoman, Twitter @thefilamwoman, YouTube https://www.youtube.com/channel/UC-IzWjkLCof3Pf7TW8ExyXw (https://www.youtube.com/channel/UC-IzWjkLCof3Pf7TW8ExyXw) Learn more about our co-hosts Jen at https://linktr.ee/thejenamos (https://linktr.ee/thejenamos) and...

How has it been three months?! Ginger gives an update about UnKpopular Opinions. TSUKI's viral ‘GingaMingaYo(the strange world)' Fancam LIONESSES' ‘Show Me Your Pride' MV ALPHA's ‘OSTIN BA? (acoustic ver.)' MV MAMADOL's ‘WooAh HIP' MV

It's been a while since we've had a Trappist ale on the show, but we've got two to show you! This episode features the Spencer Trappist Ale and the Westmalle Trappist Tripel Ale. What's special about these Trappist ales? Well we've got a pitch for a beer brewing anime that will never get picked up unfortunately...but you can hear about it anyways! The Summer 2021 anime season is coming to a close, and thus begins the time to preview next season's shows; so grab your favorite ale and join us for the Fall preview! 00:00:26 Intro00:03:23 Beers of the Week: Spencer Brewery Trappist Ale and Westmalle Trappist Tripel Ale00:05:00 Trappist Monk Brewing Anime?Weekly Pairing: Fall 2021 Previews, The AniChart Top 400:08:15 Returning/Continuing Shows00:14:36 Komi-san wa Komyushou Desu00:21:40 Platinum End00:27:13 Mieruko-chan00:31:49 takt op.Destiny00:38:00 News BreakHappy Hour: Fall 2021 Previews, The Rest 00:46:40 Sekai Saikou no Ansatsusha Isekai Kizoku ni Tensei Suru00:50:34 World's End Harem00:53:43 Saihate no Paladin00:57:18 Banished from the Hero's Party, I Decided to Live a Quiet Life in the Countryside01:00:52 Senpai ga Uzai Kouhai no Hanashi01:05:12 Visual Prison01:07:10 Tsuki to Laika to Nosferatu01:11:41 Taishou Otome Otogibanashi01:14:55 Sakugan01:19:52 Puraore!: Pride of Orange01:22:55 Kyoukai Senki01:28:22 Blue Period01:30:18 Three Episode Rule Selections01:37:45 Beer Reviews01:47:38 Housekeeping/Closing To catch our shows live, head over to twitch.tv/animeondraft and give us a follow. Be sure to turn on notifications to be alerted when we go live. You can catch us on Twitter @animeondraft to receive updates on our weekly streams. Our current streaming schedule is Tuesdays or Fridays starting around 8:00 PM Pacific Time. Join our Discord! animeondraft.com/discord Podcast Survey: https://forms.gle/T89YdmrBGfcL7VP18