SAL/on air

What makes a poet's voice timeless? For more than 40 years, Naomi Shihab Nye has been writing poems, novels, and stories; teaching workshops to adults, children, and incarcerated individuals. Every piece of her work cherishes and honors, be it people or relationships or olive trees, and each of these vivid snapshots create a timeline of her work that seems to extend forever. In between her poems and laugh out loud stories, Naomi refers to “these hard times of disconnection.” This talk was recorded in 2009, and it is one of the great joys of sharing the SAL archive to hear these moments from so long ago and reckon with how those times felt. Together, we remember those precious evenings, what was difficult now and what was difficult then, how we have changed and how we wish to become still better, more generous, kinder poets.

Ed Yong's bestselling first book, "I Contain Multitudes," prompted us to look at ourselves and the microbes we contain as the interconnected, interdependent systems that we are. And his follow-up, "An Immense World," was named one of the best books of the year by numerous publications while opening our eyes to the glorious world right before us. Yong visited SAL virtually in 2022, when microbes were in the news every day and the onslaught of new information overwhelmed, and his talk on the nature of journalism did a world of good.

As an Indigenous human rights lawyer and writer from Guam, Julian Aguon's book 'No Country for Eight Spot Butterflies' memorizes grief from family to country and into one of the most difficult, intangible feelings of our time: climate grief. Drawing on his experience with the law and litigation against nuclear-powered countries, Aguon reminds us that no love is ever wasted, and grief is so often an expression of that love. Part of that love begs us to question, what does a better world look like? How do we imagine justice for generations upon generations? Where do we go from here?

As a reporter, Patrick Radden Keefe holds two disparate truths together with unparalleled skill: there are facts, and there is a story. In his work as a staff writer at The New Yorker, Keefe has showcased this talent in long form articles ranging from Anthony Bourdain to the hunt for the drug lord Chapo Guzman, and in his nonfiction books he has entranced a generation of readers. Keefe joined SAL in the summer of 2021 over Zoom to discuss his recent smash hit books, and while there is no thrum and cheer of a crowded auditorium in this recording, Keefe's words bring all the light and crackle on their own. From how he began Say Nothing by reading an obituary of an unknown woman, to uncovering the moral bankruptcy of the Sackler family in Empire of Pain, Keefe has unearthed stories that must be told, with every fact both a pickaxe and a vein of gold.

At the beginning of the pandemic Charles Yu wrote an essay on the experience, which many noted, had a cinematic slant to it. “Five hundred years ago,” Yu wrote, “What we really mean when we say that this pandemic feels “unimaginable” is that we had not imagined it. Just as imagination can mislead us, though, it will be imagination—scientific, civic, moral—that helps us find new ways of doing things, helps remind us of how far we have to go as a species.” Having worked as both a television writer and a poet in addition to writing novels, Yu's imagination is boundless, generous, and vivid. And while his path to his award-winning book, Interior Chinatown, was long and zigzagging, there was endless imagination to keep him going.

As Chris Abani once stated, “The art is never about what you write about. The art is about how you write about what you write about.” Here, we find Abani's "how" thick with feeling, braided by nimble and swift metaphors, and shaped by mercurial forms. Imprisoned several times for his political writing, Abani does not shy away from the messy reality of exile, both in geography, culture, and memory. Following the reading, Abani is joined by poet and theologian Pádraig Ó Tuama for a conversation in which he discusses history, West African mythology, and how language continues to change within and around us. Abani reminds that poetry at its greatest, will always resist time.

Nikky Finney is not only a poet but a storyteller, the kind of voice that weaves through the air in a room until every person there feels that much closer together. Her poems travel the world, from her home in South Carolina to the stage at the National Book Awards where she was lauded for her prizewinning book Head Off & Split. The journeys Finney guides her readers on across the page are filled with curiosity and overflowing with lush sound until you feel sure you would follow her anywhere.

In this episode of SAL/on air, two poets from SAL's Youth Poetry Fellowship, Mateo Acuña and Aamina Mughal, talk about access to arts education, finding community in Seattle's literary scene, and about Mateo's forthcoming chapbook, "Dear Spanish." Published by Poetry Northwest Editions, "Dear Spanish" is an inquiry into identity, desire, and belonging to one's self.

For James Tate, comedy and tragedy are inextricably linked within poetry. They appear as dual facets of ordinary life—the mundane and the extraordinary as one. As you'll hear in this recording from February 2003, this is laugh-out-loud poetry that wanders from the baseball field to the petting zoo and back home. And yet, after the laughter, you'll often find yourself catapulted into quiet, left to consider how this world breaks your heart again and again.

The works of Barbara Kingsolver have shaped a generation of readers. From her first novel The Bean Trees and beyond, Kingsolver's characters speak to us, cradle our faces in their hands and exchange their hearts for ours. We were thrilled to recently welcome Kingsolver back to SAL in October of 2023 for a discussion of her Pulitzer Prize-winning masterpiece Demon Copperhead.

When Dean Young took the stage in October of 2012 to read from his Copper Canyon Press collection, Bender, we were incredibly fortunate to bear witness to his humorous, irreverent, and fearless poetry. We were deeply saddened to hear of his passing in August 2022, and we continue to treasure his voice as it lives on in his work.

In October of 2003, Sandra Cisneros joined us for an evening 20 years after the publication of her luminous work The House on Mango Street. Now, we have the chance to listen again with reverence, 40 years after that seminal book first came into our lives, and we are reminded more than ever of the importance of spending time with work that not only gratifies us but changes our lives.

In September 2019, Malcolm Gladwell stepped on stage at Benaroya Hall as part of SAL's Literary Arts Series to discuss his book Talking to Strangers. That night, his talk brought us into the complicated layers that underlie our most fraught and violent interactions.  The Los Angeles Times called Talking to Strangers “a compelling, conversation-starting read.” It's a thoughtful and nuanced meditation on how we see others, and how we see the world. Like all of Gladwell's work, brilliant storytelling and razor sharp-observations carry us to understand the world in new ways.

In A Gentleman in Moscow, the subject of Amor Towles' 2019 SAL lecture, the ever-charming Count Rostov says, “By their very nature, human beings are so capricious, so complex, so delightfully contradictory, that they deserve not only our consideration, but our reconsideration—and our unwavering determination to withhold our opinion until we have engaged with them in every possible setting at every possible hour.” It takes an extraordinary writer to create a thirty-year history of a Count trapped inside a Moscow hotel and make every page feel propulsive. But that's exactly the plot of Amor Towles' A Gentleman in Moscow—and that's exactly the kind of writer Towles is. Amor Towles writes books worth considering and reconsidering, that delight in every possible setting, at every possible hour. Whether he is exploring Russian history or a 1950s road trip, Towles creates rich and nuanced worlds filled with both daily joys and fascinating characters. Join us for this episode of SAL/on air, which takes us through the research process of A Gentleman in Moscow, which spent over a year on the New York Times bestseller list.

Richard Powers' characters are often both artists and scientists—disciplines he sees as intertwined. In a delicious moment in this March 2008 reading, he describes the commonality between art and science as a state of “bewilderment,” which happens to be the title of his new book, released thirteen years later in September 2021. In this recording, Powers shares a short story called “Modulation.” A story that draws on Powers' knowledge of music and technology, “Modulation” centers on the global dissemination of a musical computer virus. Powers' work embodies this spirit of marveling and wondering in a most bewildering way. His writing describes in Technicolor detail our most ephemeral human experiences, yet his precision doesn't define; instead, it expands our awe and pondering long after his tales are over.

Dean Baquet, the executive editor of the New York Times, and Jim Rainey, an award-winning reporter with the Los Angeles Times, spoke with hometown hero Timothy Egan in March of 2019 about the importance of investigative journalism and the path forward for media in this political era. These veteran journalists discuss how investigative reporting has changed over time, and what audiences expect and demand from the media today. They share challenges that reporters face when reporting from the field. “We allowed ourselves to become mysterious; as a result, people saw us as elites in an ivory tower,” Dean Baquet says. Jim Rainey agrees, adding, “When we go out now, it's not just what we write. It's how we conduct ourselves. How empathetic we are. And so—I think, correctly—we have a lot to prove.” These reflections set the tone for a lively conversation about transparency, credibility, and truth. With wit and honesty, they shine a spotlight on what the media can and should do better in an era of disinformation. They look to the future of newspapers: from print journalism (here to stay, they insist) and paid content, to podcasts and interactive digital storytelling. They also discuss ways in which journalists—young and old—mentor each other today.

In this talk, recorded in March of 2010, former U. S. Poet Laureate Rita Dove shared poems from her then-new book, Sonata Mulattica. This collection tells the story of George Augustus Polgreen Bridgetower. Previously just a footnote in Beethoven's biography, Bridgetower—who was a Black violinist—had a sonata dedicated to him, and then, after a falling out over a girl, found that same sonata renamed. In this groundbreaking book, Dove tells Bridgetower's story and restores one piece of lost history of African Americans in classical music. Without Dove to revive his story, Bridgetower may have been lost to time. Dove once noted, “There's always been a special place in my work for people who drop out of history.” In this reading, which feels like an intimate fireside chat, she brings George Polgreen Bridgetower to life for an audience in whose minds he lives still. Let's rekindle his spirit once again, and hear what Dove's writings—and Bridgetower's life and music—continue to tell us today.

At the start of this reading, which includes poems in English and Polish, Zagajewski says, “As long as you write new poems, you are alive. It's the only proof of this.” Zagajewski died this March, but his poems remain with us—proof he was alive and lives still. In a poetic twist of fate, the date of Zagajewski's passing was the same as the evening he read at Seattle Arts & Lectures—exactly nineteen years earlier. This reading by Adam Zagajewski, recorded in March 2001, was postponed from its original date by the forces of Mother Nature. On February 28, 2001, the Nisqually Earthquake struck. In wry form, Zagajewski banters about the interplay between reality and poetry, life and art. He notes thematic links between his book Tremor, his poem Lava, and the shaking earth that brought daily life in the Pacific Northwest to a halt. The pre-eminent Polish poet of his generation, Zagajewski's early work was political in nature. He sought to illuminate conditions in western Poland post-World War II: “the bitter bread of urgency and contemporaneity.” With insight and imagination, Zagajewski's poems depict the surreal experience of daily life in a totalitarian state following the Soviet takeover of his hometown, Lvov, in present-day Ukraine.

This talk by celebrated novelist Wallace Stegner, recorded in 1990, is really a master class on the intermingling of life and art. With equal measures of charm and critique, Stegner questions the very nature of storytelling: is it method, perspective, experience, or technique? The writers he admires aren't carpenters working from blueprints, he says, but sculptors in search of “the mystery implicit in the stone.” The questions Stegner raises in this lecture—about fact and fiction, life and art, craft and vision—are ones we continue to explore today.

"I live in a space between," Imbolo Mbue says in this talk. "It is the immigrant's burden to live with a body in one place, and the heart in another." In this episode, recorded on June 7, 2019, at Town Hall Seattle, Imbolo Mbue describes how her in-between began in Cameroon, where she was born, and continued in New York, where she traveled to attend college. She stayed, attended Business School, got a job in New York City and then in 2008, she lost her job in the Great Recession. She saw during this time the great economic stratification of New York and the seed for her book, "Behold The Dreamers," was born. The book went on to be a New York Times bestseller and an Oprah book club pick. The book asks the questions we all inherently struggle with. What is happiness? And what makes a good life? Why would we be willing to do or to give up for ourselves, for family, for love, and for dreams?

Maxine Kumin, whom we lost in 2014, once said that, quote, “The garden has to be attended every day, just as the horses have to be tended to. Not just every day, but morning, noon and night. Writing, I think, exerts the same kind of discipline. I think of myself as a Jewish Calvinist. You know: salvation through grace, grace through good works and working is good, just that simple.” In this episode, recorded in April of 2005, we hear poems from across Maxine Kumin’s impressive body of work, including her collection Jack and Other New Poems. Acclaimed for her meticulous observation and her mastery of traditional forms, Kumin’s poetry draws comparisons to Robert Frost, Elizabeth Bishop, and Anne Sexton, her longtime friend and collaborator. But her voice defies easy comparisons. Often reflecting the dailiness of life and death on her New Hampshire horse farm, her powers lay in the unsentimental way she translated personal experience into resonant verse. “The paradoxical freedom of working in form…” as she says in this reading, is that it “gives you permission to say the hard truths.”

As with any condition, until we have language for what we are experiencing, until we can name it, we often feel controlled by it. In January of 2019 Soraya Chemaly renamed and redefined anger for us. In a riveting talk based upon her book, “Rage Becomes Her: The Power of Women’s Anger,” Chemaly puts female anger into its societal context, revealing it as a tool of transformation, an untapped resource for change. Soraya Chemaly is the Executive Director of The Representation Project. An award-winning author and activist, she writes and speaks frequently on topics related to gender norms, inclusivity, social justice, free speech, sexualized violence, and technology. In this illuminating talk and Q&A with journalist Carole Carmichael, Chemaly details the very real ways that women are taught from an early age to control and suppress their anger rather than harness it for change—and the way that this socialization is harmful to women and men, and especially to people of color.

When Barry Lopez died at the age of 75 this past December, we knew we had lost one of the greats. His writings have frequently been compared to those of Henry David Thoreau, as he brought a depth of erudition to the text by immersing himself in his surroundings, deftly integrating his environmental and humanitarian concerns. In his nonfiction, he examined the relationship between human culture and physical landscape. In his fiction, he addressed issues of intimacy, ethics, and identity. This new episode of SAL/on air was recorded in April of 2010. In it, Barry Lopez speaks about the anthology Home Ground, which Lopez edited along with his wife, Debra Gwartney. The anthology brought together 45 poets and writers to create more than 850 original definitions for words that describe our lands and waters. Eleven years later, those lands and waters are still under attack, in increasing need of our attention. “Our issue with the land around us,” he says, “is how to rekindle an informing conversation back and forth. And if we hope to develop policies that ensure our children will have a chance at a full life, alive, shaped as much by imagination as by need, we need to listen to what the land around us says.”

“Every generation has to reiterate, rewrite what those genres are and what they mean in the vocabulary of the moment. So the elegy is not a set genre, it's not a set form. We each have to re-write that thing when we write. That's our job, in a way.”—Rick Barot On May 15, 2020, Rick Barot—the award-winning author of Chord, Want, and The Darker Fall—joined us for a virtual poetry reading in the midst of the pandemic. His latest book of poems, The Galleons (2020), was long-listed for this year’s National Book Award and, in honor of that, we’re pleased to present it to you now. His reading is introduced by SAL Associate Director Rebecca Hoogs, and then a conversation follows moderated by poet Jane Wong, the author of Overpour from Action Books, and How to Not Be Afraid of Everything, forthcoming from Alice James Books.

Have you ever had a slice of cake that had been soaked in a sort of syrup? Maybe rose-syrup? Maybe lemon? Dense and rich at the same time—soaked in joy—it’s almost not cake anymore. Every one of Aimee Nezhukumatathil’s poems, read at SAL’s May 2018 Poetry Series reading, was like that for us. Dense and light at the same time. Sweet and yet weighty. Aimee Nezhukumatathil is the author of a book of nature essays, World of Wonders, recently named a finalist for the Kirkus Prize in non-fiction, and four award-winning poetry collections, most recently, Oceanic from Copper Canyon Press. After her reading from Oceanic, a conversation followed between Aimee and Pacific Northwest poet Jane Wong, author of Overpour and the forthcoming How to Not Be Afraid of Everything.

As our annual reading program, Summer Book Bingo wrapped up, we asked readers to reflect on their favorite reading experience of the summer. One of you wrote: “My favorite reading experience was reading So You Want to Talk About Race. It forced me to explore my white privilege and challenged me to really examine the ways I have thought about myself, how I view race.” Ijeoma Oluo, the author of So You Want to Talk About Race, writes that it was: “A grueling, heart wrenching book to write.” She gives us all a tremendous gift by sharing her personal stories of experiencing the pain and violence of racism at the hands of school systems and police officers, and even friends and loved ones. On January 25, 2018, the Seattle-based Oluo joined us at Benaroya Hall for the launch of what’s become an essential primer on the racial landscape of America. We’re excited to be able to share that talk with you today as the first episode in Season Three of SAL/on air.

Almost exactly a year ago, on May 21, 2019, we closed our Poetry Series with a reading by Jericho Brown, followed by a conversation with Copper Canyon editor and poet Elaina Ellis. It was a riveting and joy-filled evening in celebration of Jericho’s third book, The Tradition. That book went on to win the Pulitzer Prize in Poetry. Here we are, a year later, in a starkly different world. A world where we cannot gather together in the shared space of a theatre to hear poetry. A world where Jericho’s poems of rage and grief at the pandemic of violence against Black people in this country are newly resonant. The brutality of our country keeps coming back. But the best poetry—Jericho’s poetry—can be a space of healing and a space of learning—a space of revelation and anger that inspires action.

Four weeks after her passing in her hometown of Dublin, we want to celebrate the ways Eavan Boland drew up a new science of cartography for Irish poetry—one that included women in their everyday lives. One that depicted children, the routines of the suburbs, marriage, and then radically, that laid this map over received ideas about Irish history, about poetic form. Her poems elegantly re-charted the tensions of history, memory and legends, with the unnamed. In this episode of SAL/on air, we hear Eavan Boland's 2007/08 Poetry Series reading with Seattle Arts & Lectures, followed by an interview with SAL Associate Director Rebecca Hoogs.

In a time like this, where do you look to for joy? In a recent episode of Krista Tippett’s podcast, On Being, poet Ross Gay recently said, “It is joy by which the labor that will make the life that I want, possible. It is not at all puzzling to me that joy is possible in the midst of difficulty.” Besides being a disciple of joy, Ross Gay is a gardener, a painter, a professor, a basketball player, and a founding member of the Bloomington Community Orchard, a free-fruit-for-all non-profit focused on food, justice, and joy. He is the author of three collections of poetry. The title poem in his most recent, "Catalog of Unabashed Gratitude," is a long piece which, Ross told the Los Angeles Times, was begun as a “way to publicly imagine what it means for a person to be adamantly in love with his life. I wanted to realize joy as a fundamental aspect of our lives and practice it as a discipline.”

What drives storytelling? What is the story—who gets to tell it—and how? In a twist on the American road trip genre, Valeria Luiselli’s Lost Children Archive explores these tensions. As an artist couple and their children embark on trip from New York to Arizona, wrestling with their family’s crisis, a bigger one comes to them through the car radio: that of the tens of thousands of unaccompanied Central American and Mexican children arriving in the U.S. without papers. Author Valeria Luiselli was born in Mexico City and grew up in South Korea, South Africa and India. She was only able to write her new novel, she tells us, after writing a work of non-fiction first, Tell Me How It Ends. That book, a polemic about the US-Mexico border, is structured around the 40 questions that she translated and asked undocumented children facing deportation as a volunteer court translator. After Valeria’s talk about these two works she’s joined by Florangela Davila, news director at the Seattle-Tacoma NPR station, KNKX, for a Q&A. This event took place at Benaroya Hall in April of 2019.

What the 20th century economy typically required of Americans who wanted success was to step away from their passions and embrace sameness. Now, in this new century—amidst concerns about our jobs being stolen by computers, about the middle class vanishing, and about the super-rich getting richer, Adam Davidson sees another narrative. Davidson, who is the founder of NPR’s Planet Money and an economics writer at The New Yorker, argues that living a passionate life and living a financially stable life aren’t as separate as they used to be. Despite the pain and anxiety of around our current economy, Davidson admits that he sees a lot to be optimistic about in his new book, The Passion Economy. In this talk, he explores what’s next for Americans, from Amish furniture makers to accountants after the invention of AI, social media, outsourcing, and global trade. After Davidson’s talk, which took place at Benaroya Hall in January 2020, he’s joined by Jon Talton for the Q&A. Jon is a novelist and former long-time economics columnist for the Seattle Times.

When Rachel Maddow, host of the Emmy Award-winning Rachel Maddow Show on MSNBC, set out to research her latest book, "Blowout," she wasn’t necessarily looking to write about the oil and gas industry. Instead, the question she was asking was this: At a time when democracy is falling and authoritarianism is rising globally, what do we do? In October of this year, Maddow gave a lecture and had a conversation with multi-media journalist Joni Balter at a packed Benaroya Hall. From man-made earthquake swarms in Oklahoma, to Ukrainian revolutionaries, to Russians hacking the 2016 election, Maddow unwinds the skein of the unimaginably lucrative and equally corrupting oil and gas industry worldwide, and warns us what’s at stake if we leave the industry highly subsidized—and largely unregulated.

Port Royal in Henry County, Kentucky has a population of less than a hundred. And it’s there that farmer, novelist, poet, and cultural critic Wendell Berry—whose family farmed Kentucky land for 7 generations—has been writing for much of his life. With work like The Unsettling of America: Culture and Agriculture, Wendell has functioned as both literary maverick and visionary to Americans for half a century, issuing warnings about industrial farming and the breaking apart of rural communities—concerns that are more immediate than ever. Back in May 2011, Berry appeared at Benaroya Hall for what he, with his trademark humor, terms a “prose sandwich:” the reading of a few poems, followed by his short story “Sold,” and ending with a final poem. After, he is joined by editor and publisher Jack Shoemaker, who talks with him about what “sustainability” really means, how to save our agricultural landscapes, and advising the young (which he calls “a cheap form of entertainment”).

What happens when your world shifts, and you have to come to terms with a whole new reality? Barbara Kingsolver – the bestselling author of The Poisonwood Bible, The Lacuna, Animal, Vegetable, Miracle, and more – has some idea. In October 2018, SAL’s Executive Director, Ruth Dickey, sat down with Kingsolver to discuss her latest book, Unsheltered, at Benaroya Hall. The novel toggles between a small New Jersey town in 1870 and 2016, exploring both societal and family struggles. Unsheltered is a beautiful book about politics and economics and science and dogmatism and hope. It finds the parallels between the Victorian era, when Darwin’s theory challenged the Judeo-Christian worldview, and our own time, when global warming has challenged beliefs about the future of humanity. And Unsheltered is also—because this is Barbara Kingsolver we’re talking about here—a book about love and connection, about family and meaning and grief.

Why write about slavery in 2019? And when you write about, how do you defy the popular conceptions about slavery that readers have in their heads? How do you make the subject new? It took Ta-Nehisi Coates – author of the bestselling nonfiction works The Beautiful Struggle, We Were Eight Years in Power, and Between The World And Me – ten years of writing and meticulous research to produce his first novel, The Water Dancer, and in that time, he unearthed some incredibly powerful answers to these questions. Dr. Charles Johnson, author of 24 books and winner of the 1990 National Book Award for his novel, Middle Passage, sat down with Coates in October 2019 to discuss The Water Dancer at Benaroya Hall. Already a NYT bestseller and Oprah's Book Club pick, his novel follows the life of Hiram Walker, born into slavery on a Virginia plantation. In the book, Harriet Tubman says of the Underground Railroad – “This is war. Soldiers fight in war for all kinds of reasons, but they die because they cannot bear to live in the world as it is.”

In this episode, we hear from Indian-born food and travel writer Madhur Jaffrey, who joined us in November 2013 for a talk on how we become who we are. At the time of her visit, Jaffrey, who is recognized for bringing Indian cuisine to the western hemisphere, had written nearly 30 cookbooks and won several James Beard Awards, as well as her critically-acclaimed memoir, Climbing the Mango Trees. We learn how Jaffrey evolved to be an ambassador for Indian cuisine through her career as a prolific cookbook writer. We also learn of Jaffrey’s lively, food-infused childhood in India, of her time in New York where she made a living as a freelance writer while waiting for acting gigs, and of the acting career that followed. Listen to find out how she became an unofficial ambassador for Coca-Cola, how Jaffrey learned to swim with the aid of a watermelon, and how she joined in a peace prayer with Gandhi.

In this episode, we hear from poet Ada Limón, who joined us in October 2016 at McCaw Hall for a reading from her collection Bright Dead Things. Named a finalist for the 2015 National Book Award in Poetry and the National Book Critics Circle, Bright Dead Things follows a female speaker’s experiences of love and loss, exploring how we build our identities from place and from human contact. “Ada Limón doesn't write as if she needs us. She writes as if she wants us. Her words reveal, coax, pull, see us,” writes poet Nikky Finney. “We read desire, ache, what human beings rarely have the heart or audacity to speak of alone—with the help of a poet with the most generous of eyes.”

In our latest episode of SAL/on air, we hear from actor and filmmaker Tom Hanks, who joined us at McCaw Hall in December of 2017. Seattle’s beloved librarian, Nancy Pearl, was in conversation with Hanks, who shared with us how he came to write his first book, the short story collection "Uncommon Type," plus all about his obsession with vintage typewriters and highlights from his prolific career.

In 2003, Azar Nafisi electrified readers worldwide with "Reading Lolita in Tehran: A Memoir in Books," which went on to become a long-running #1 New York Times bestseller. A modest professor of English literature, Nafisi taught at the University of Tehran as the Islamic Revolution raged around her, until she was fired in 1981 for her refusal to wear the mandatory veil. Before leaving the country in 1995, Nafisi spent two years holding secret classes on forbidden Western literature in her home.  "Reading Lolita in Tehran" recounts seven young women students passionately relating Nabokov’s works, as well as novels like "Madame Bovary" and "Pride and Prejudice," to their own lives, claiming intellectual freedom through their survey of banned literature. In episode, we hear from Nafisi, who joined us at Benaroya Hall in February 2006 for Seattle Arts & Lectures’ 2005/06 Season. At the conclusion of Nafisi’s talk, Margit Rankin, then-Executive Director of Seattle Arts & Lectures, joins her in an interview about teaching, intellectual integrity, and the dire consequences of banning books.

In this episode, we hear from poet Jane Hirshfield, who joined us in March 2009 at Benaroya Hall for a reading spanning across her career, and for a discussion on the importance of inviting the intimacies of poetry and finding ways to say “yes” to the difficult. Described by The New Yorker as “radiant and passionate,” Hirshfield is now the author of eight collections of verse, many of which are influenced by her Zen Buddhist practice and her knowledge of classical Japanese verse, and which are concerned with the many dimensions of our connections with others.

In this special Thanksgiving episode, we hear from Viet Thanh Nguyen, author of The Sympathizer and The Refugees, who joined us at Benaroya Hall in May 2018. He is introduced by Ruth Dickey, SAL Executive Director, and is interviewed after his talk by Jamie Ford, celebrated author of Hotel on the Corner of Bitter and Sweet. In Viet Thanh Nguyen’s story “Black Eyed Woman” from The Refugees, the narrator speaks to us about the arrival of stories and of ghosts, saying: “Stories are just things we fabricate, nothing more. We search for them in a world beside our own, then leave them here to be found, garments shed by ghosts.” This slight of hand illuminates the heart of Nguyen’s writing – the ideas that stories are just fabricated things, nothing more. Yet also that stories are everything we search for, the only things that remain of us, the things we leave to be found, the things that give meaning.

In this episode, we hear from Frank McCourt, who joined us in November 2006 for a lively talk about committing his youth to paper in his phenomenally popular memoir series, beginning with Angela’s Ashes. At the conclusion of McCourt’s talk, Margit Rankin, then-Executive Director of Seattle Arts & Lectures, joins him in an interview. McCourt, a New York City schoolteacher who taught for nearly three decades, always told his writing students, “Write what you know.” It wasn’t until his mid-60s, in 1996, that he decided to follow his own advice, sitting down to produce the Pulitzer Prize and National Book Award-winning Angela’s Ashes, based on his poverty-stricken childhood in Limerick, Ireland. At the time of McCourt’s visit, two more best-selling installments had followed his first offering: ’Tis, describing his struggle to gain his footing in New York, and Teacher Man, an account of his misadventures as a public-school teacher. Sadly, McCourt is no longer with us, but his incomparable voice lives on. In his talk, hear McCourt, with his uncanny humor and profound sense of humanity, characterize the Irish Catholic school of his youth as “the school of fear and trembling.” Find out how, as a young Korean War veteran with “no high school diploma and no self-esteem,” he was able to convince the dean of NYU to admit him, and how his education ill-prepared him for what he calls the “flying sandwich situations” in the tough vocational high schools of Brooklyn.

When Lucie Brock-Broido, poet of the witching hour, sadly passed away in March 2018, we released audio of her reading "Infinite Riches in the Smallest Room," a title that's an apt description of her entire body of work. In our latest episode of SAL/on air, we are delighted to share her SAL reading in its entirety, which took place on April 2015 at Chihuly Garden and Glass. At the time of Brock-Broido’s visit, she had produced four astonishing collections of poetry: A Hunger, The Master Letters, Trouble in Mind, and Stay, Illusion, a finalist for the National Book Award and the National Books Critics Circle Award. "You have harnessed yourself ridiculously to this world," she read, words that ring true hearing her now.

Madeleine Albright was America's first-ever female Secretary of State, from 1997 to 2001. Her distinguished career of public service includes positions in the National Security Council, as U.S. ambassador to the United Nations, and on Capitol Hill. In her latest book, Fascism: A Warning, Albright gives us an urgent examination of fascism in the 20th century and how its legacy shapes today’s world. A fascist, observes Albright, “is someone who claims to speak for a whole nation or group, is utterly unconcerned with the rights of others, and is willing to use violence and whatever other means are necessary to achieve the goals he or she might have.” In this episode, we hear from Albright, who sat down in April 2018 at the Paramount Theatre to discuss Fascism: A Warning with Mark Suzman, Chief Strategy Officer and President in Global Policy and Advocacy at the Bill & Melinda Gates Foundation. Albright draws upon both her experiences as a child in war-torn Europe and her distinguished career as a diplomat to demonstrate how fascism not only endured through the twentieth century, but how it now presents a more virulent threat to peace and justice than at any time since the end of World War II.

In our latest episode of SAL/on air, we hear from one of the pre-eminent authors of the 20th century—Philip Roth. He joined us back in October 1992 for a reading from his National Book Award-winning memoir, Patrimony: A True Story. Written with great intimacy at the height of his literary powers, Patrimony is Roth’s elegy to his father, who he accompanies, full of love and dread, through each stage of terminal brain cancer. As he does so, Roth wrestles with the stubborn, survivalist drive that distinguished Herman Roth’s engagement with life, and his own anxieties around remembering the man with precision. “You mustn’t forget anything – that’s the inscription on [my father’s] coat of arms,” Roth writes. “To be alive, to him, is to be made of memory.” At the conclusion of Roth’s reading, he takes questions from the audience. Sadly, Roth passed away in May 2018 at the age of eighty-five, after a long and vital career of investigating what it meant for him to be an American, a Jew, a writer, and a man, through many different masks. He once said: “Updike and Bellow hold their flashlights out into the world, reveal the world as it is now. I dig a hole and shine my flashlight into the hole.”

This episode is Part Two of our double-feature with legendary Chilean writer Isabel Allende, who joined us for the second time for Seattle Arts & Lectures’ 2017/18 Season. On November 28, SAL had the pleasure of welcoming Allende back to our Literary Arts Series after her last visit thirty years ago, which we shared in our previous episode. SAL Executive Director Ruth Dickey was in conversation with Allende that night, who shared with us how she came to write her newest book, In the Midst of Winter, as well as her thoughts on love, loss, and healing. From the transformative potential of women in power, to the healing work of truth-telling, to advice for eternal youth, her warm talk reveals Allende to be not only a candid comic genius and a passionate storyteller, but ultimately, an ambassador of joy.

One of the world's most widely-read Spanish language authors, Chilean writer Isabel Allende is a master of the magical realism form and a colorful storyteller. At the time of Allende's first visit to the SAL stage, she had authored her astonishing debut, "The House of the Spirits," "Of Love and Shadows," and "Eva Luna." This episode is Part One of our double-feature with Allende, who first joined us in March 1989 for Seattle Arts & Lectures’ inaugural season. In her talk, she describes surrendering to the power of writing, and its potential to unify what she calls the “extended family” of the world. Allende is introduced by Seattle Arts & Lectures’ visionary founder, Sherry Prowda. Stay tuned for Part Two of this double-feature, when Allende returns to the SAL stage in November 2017 for an update on her storied career.

Ruth Ozeki is a novelist, filmmaker and Zen Buddhist priest, whose award-winning novels have been described as "witty, intelligent and passionate" by the Independent, and as possessing "shrewd and playful humor, luscious sexiness and kinetic pizzazz" by the Chicago Tribune. At the time of her visit, Ozeki had written three novels, most recently A Tale for Time-Being (2013), shortlisted for the Man Booker Prize and the National Book Critics Circle Award. In this episode, we hear from Ozeki, who joined us in November 2014 at Seattle Town Hall for a self-reflective, humorous talk about the writer’s relationship with time, and the ways in which we can learn to cultivate patience and find time to become better writers and better human beings. How did Ozeki’s time in a “neo-Luddite enclave” help her redefine her relationship with technology and birth her most successful novel? How do ideas from the 13th century priest, Dogen Zenji, remain relevant in our lives today? Listen and find out why Ozeki believes that “practicing patience is the most deeply subversive thing you can do.”

Elizabeth Strout is the Pulitzer Prize-winning author of Olive Kitteridge, the bestsellers Abide With Me, The Burgess Boys, My Name is Lucy Barton, and the award-winning Amy and Isabelle, all set in New England, all exploring the twists and turns of family dynamics, small-town gossip, and experiences of love, loss, and grief. “The pleasure in reading Strout," writes Louisa Thomas for the New York Times, "comes from an intense identification with complicated, not always admirable, characters. [...] There’s nothing mawkish or cheap here. There’s simply the honest recognition that we need to try to understand people, even if we can’t stand them.” In this episode, we hear from Strout, who joined us in January 2011 at Benaroya Hall for a talk on why fiction matters, followed by an interview with Linda Bowers, then-Executive Director of Seattle Arts & Lectures. Strout's appearance begins with the tale of an ire-inducing comment at a wedding reception, then traces how, through reading John Updike’s Rabbit books and understanding the despicable Harry Angstrom, she learned to be a more compassionate person. With her signature dry New England wit, Strout shares stories from her puritanical childhood, her battle with writer's block, and her belief that reading fiction is the one guaranteed way to “find out what it means to be human.”