Podcasts about Copper Canyon Press

Fernando Valverde (Granada, 1980) has been voted the most relevant Spanish-language poet born since 1970 by nearly two hundred critics and researchers from more than one hundred international universities (Harvard, Oxford, Columbia, Princeton, Bologna, Salamanca, UNAM and the Sorbonne).His books have been published in different countries in Europe and America and translated into several languages. He has received some of the most prestigious awards for poetry in Spanish, including the Federico García Lorca, the Emilio Alarcos del Principado de Asturias and the Antonio Machado. His last book, The Insistence of Harm, received the Book of the Year award from the Latino American Writers Institute of the City University of New York.For ten years he has worked as a journalist for the Spanish newspaper El País. He directs the International Festival of Poetry in Granada and is a professor at the University of Virginia (Charlottesville, EEUU).His last bilingual book, America, has been published by Copper Canyon Press with translation by Carolyn Forché.In 2022, Fernando Valverde published the first biography of the poet Percy B. Shelley in Spanish and in 2024 he published a monumental biography of Lord Byron. Valverde is considered one of the greatest specialists in Romanticism today.-bio via FernandoValverde.com This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

This episode was recorded on March 2, 2025 at the Phillis Wheatley Heritage Center in St. Louis., Missouri. In this conversation, Pádraig Ó Tuama reads several poems from Kitchen Hymns (https://www.coppercanyonpress.org/books/kitchen-hymns-by-padraig-o-tuama/) (Copper Canyon Press, 2024), his newest collection. We discuss subversive speech, belief and doubt, lyrical poetry, the psychology of poetic forms, and the power of ancient myths. Pádraig Ó Tuama is a poet with interests in conflict, language and religion. He presents Poetry Unbound (https://onbeing.org/series/poetry-unbound/) from On Being Studios, and has published two anthologies (2022, 2025, both with WW Norton) from that podcast. A freelance artist, one of Ó Tuama's projects is poet in residence with the Cooperation and Conflict Resolution Center at Columbia University. He splits his time between Belfast and New York City. To learn more about Ó Tuama, you can visit his website (https://www.padraigotuama.com/).

In celebration of Black History Month and in honor of Martin Luther King, Jr., Jericho Brown, Pulitzer Prize-winning author of ‘The Tradition' (Copper Canyon Press, 2019), will be a guest of the President's Lecture Series at the University of Montana on February 6, 2025.

In celebration of Black History Month and in honor of Martin Luther King, Jr., Jericho Brown, Pulitzer Prize-winning author of ‘The Tradition' (Copper Canyon Press, 2019), will be a guest of the President's Lecture Series at the University of Montana on February 6, 2025.

Craig Arnold, born November 16, 1967 was an American poet and professor. His first book of poems, Shells (1999), was selected by W.S. Merwin for the Yale Series of Younger Poets. His many honors include the 2005 Joseph Brodsky Rome Prize Fellowship in literature, the Amy Lowell Poetry Travelling Scholarship, a Hodder Fellowship, and fellowships from the Fulbright Program, the National Endowment for the Arts, and MacDowell. He taught poetry at the University of Wyoming. His poems have appeared in anthologies including The Best American Poetry 1998 and The New American Poets: A Bread Loaf Anthology, and in literary journals including Poetry, The Paris Review, The Denver Quarterly, Barrow Street, The New Republic and The Yale Review. Arnold grew up in the United States, Europe, and Asia. Arnold's Made Flesh won the 2009 High Plains Book Award and the 2008 Utah Book Award.In 2009, Arnold traveled to Japan to research volcanoes for a planned book of poetry. In April of that year, he disappeared while hiking on the island of Kuchinoerabujima. In the New York Times, the poet David Orr mourned the loss of Arnold, but noted it would “be a mistake to think of him as a writer silenced before his prime... His shelf space may be smaller than one would wish, but he earned every bit of it.”-bio via Copper Canyon Press and Poetry Foundation Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Ellen Bass joins the Hive in anticipation of her appearance at UCSC for the Morton Marcus Memorial Poetry Reading on November 7. Full details about the event can be found here. Poems by Ellen which she reads in this episode: Laundry, Because, Black Coffee, Any Common Desolation, and Bringing Flowers to Salinas Valley State Prison About Our Guest: Ellen Bass is a Chancellor Emerita of the Academy of American Poets. Her most recent book, Indigo, was published by Copper Canyon Press in 2020. Other poetry collections include Like a Beggar (Copper Canyon Press, 2014)—which was a finalist for The Paterson Poetry Prize, The Publishers Triangle Award, The Milt Kessler Poetry Award, The Lambda Literary Award, and the Northern California Book Award—The Human Line (Copper Canyon Press, 2007), and Mules of Love (BOA Editions, 2002), which won The Lambda Literary Award. She co-edited (with Florence Howe) the first major anthology of women's poetry, No More Masks! (Doubleday, 1973). Her poems have frequently appeared in The New Yorker and The American Poetry Review, as well as in The New York Times Magazine, The Atlantic, The American Poetry Review, The New Republic, The Kenyon Review, Ploughshares, The Sun and many other journals and anthologies. She was awarded Fellowships from the Guggenheim Foundation, The National Endowment for the Arts and The California Arts Council and received the Elliston Book Award for Poetry from the University of Cincinnati, Nimrod/Hardman's Pablo Neruda Prize, The Missouri Review'sLarry Levis Award, the Greensboro Poetry Prize, the New Letters Poetry Prize, the Chautauqua Poetry Prize, and four Pushcart Prizes. Her non-fiction books include Free Your Mind: The Book for Gay, Lesbian and Bisexual Youth (HarperCollins, 1996), I Never Told Anyone: Writings by Women Survivors of Child Sexual Abuse (HarperCollins, 1983), and The Courage to Heal: A Guide for Women Survivors of Child Sexual Abuse(Harper Collins, 1988, 2008), which has sold over a million copies and has been translated into twelve languages. Ellen founded poetry workshops at Salinas Valley State Prison and the Santa Cruz, CA jails. She currently teaches in the low residency MFA writing program at Pacific University. Maggie Paul is the author of Scrimshaw (Hummingbird Press 2020), Borrowed World, (Hummingbird Press 2011), and the chapbook, Stones from the Baskets of Others (Black Dirt Press 2000). Her poetry, reviews, and interviews have appeared in the Catamaran Literary Reader, Rattle, The Monterey Poetry Review, Porter Gulch Review, Red Wheelbarrow, and Phren-Z, SALT, and others. She is a poet and non-fiction writer in Santa Cruz, California. Maggie's print interview with Ellen Bass can be found here.

Jennifer Chang reads “The Poem of Force” from her poetry collection An Authentic Life, published by Copper Canyon Press in October 2024.

Danusha Laméris, a poet and essayist, was raised in Northern California, born to a Dutch father and Barbadian mother. Her first book, The Moons of August (2014), was chosen by Naomi Shihab Nye as the winner of the Autumn House Press Poetry Prize and was a finalist for the Milt Kessler Book Award. Some of her work has been published in: The Best American Poetry, The New York Times, Orion, The American Poetry Review, The Kenyon Review, Ploughshares, Poetry, and Prairie Schooner. Her second book, Bonfire Opera, (University of Pittsburgh Press, Pitt Poetry Series), was a finalist for the 2021 Paterson Poetry Award and recipient of the Northern California Book Award in Poetry. She was the 2018-2020 Poet Laureate of Santa Cruz County, California, and is currently on the faculty of Pacific University's low residency MFA program. Her third book, Blade by Blade, is forthcoming from Copper Canyon Press.

In this episode, we read and discuss Jericho Brown's "Duplex," a poetic form that he created in order to explore the complexities of family, violence, and desire. This is one of several duplex poems that you can find in The Tradition (https://www.coppercanyonpress.org/books/the-tradition-by-jericho-brown/) (Copper Canyon Press, 2020), the winner of the 2020 Pulitzer Prize. Thanks to Copper Canyon Press for granting us permission to read this poem. To learn more about Jericho Brown, visit his website (https://www.jerichobrown.com/). To learn more about the duplex form, you can read Brown's essay (https://www.poetryfoundation.org/featured-blogger/81611/invention) on the Poetry Foundation's Harriet blog. We also love Jericho Brown's interview with Michael Dumanis (https://www.benningtonreview.org/jericho-brown-interview) in the Bennington Review. Cover art: Lauren “Ralphi” Burgess. To learn more about her work, visit her website (https://www.rphrt.com/about).

In her fourth collection, Driftless Area-based poet Nikki Wallschlaeger further proves herself as a singular poet of astonishing emotional depth and formal range. Hold Your Own is a steadfast search for peace, self-acceptance, and pleasure in a world that makes those basic rights an everyday challenge for Black women. It was published in May 2024 by Copper Canyon Press.Nikki joins host Sara Batkie for a conversation about getting the right rhythm, the joys of working with books every day, and the natural beauty of her home state.Nikki Wallschlaeger's work has been featured in The Nation, Brick, American Poetry Review, Witness, Kenyon Review, Poetry, and others. She is the author of the full-length collections Waterbaby (Copper Canyon Press, 2021), Houses (Horseless Press 2015), and Crawlspace (Bloof 2017), as well as the graphic book I Hate Telling You How I Really Feel (2019) from Bloof Books. She is also the author of an artist book called “Operation USA” through the Baltimore-based book arts group Container, a project acquired by Woodland Pattern Book Center in Milwaukee.

Day 4: Richard Siken reads his new poem Cover Story, originally published in Pithead Chapel, which will appear in his forthcoming book I Do Know Some Things (Copper Canyon Press, 2025).  Richard Siken is a poet, painter, and filmmaker. His book Crush won the 2004 Yale Series of Younger Poets prize, selected by Louise Glück, a Lambda Literary Award, a Thom Gunn Award, and was a finalist for the National Book Critics Circle Award. His other books are War of the Foxes (Copper Canyon Press, 2015) and I Do Know Some Things (forthcoming, Copper Canyon Press, 2025). Siken is a recipient of a Pushcart Prize, two Lannan Fellowships, two Arizona Commission on the Arts grants, and a fellowship from the National Endowment for the Arts. He lives in Tucson, Arizona. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. 

A leading ladies game leads to a tombstone-poetry pop quiz before Monica Farrell reads a poem by Michael Dumanis. Happy Pride Month!Watch Anne Sexton respond to a vile review (published in The Southern Review) of Live or Die.  Read "Menstruation at Forty" from Live or Die.  Read "Rapunzel" from Sexton's Transformations.On Watch What Happens Live with Andy Cohen, appearing with Natalie Portman to promote May December, Julianne Moore names her performance in Far From Heaven as her "personal best performance." On another episode, Moore talks about being fired from CanYou Every Forgive Me?  by Nicole Holofcener. Here's the receipts for why.It's not just Aaron who doesn't think of Moonstruck as romantic comedy.Read "The Wicked Candor of Wanda Coleman." Read this terrific appreciation of Kathy Acker in The LA Review of Books.Here's the New Yorker profile in which Judith Butler tells the story of her job interview at Williams in the late 1980s. James Wright's first book The Green Wall won the Yale Younger  in 1957 (chosen by Auden) and is full of formal verse. Compare "On the Skeleton of a Hound" (from The Green Wall) with "A Blessing" (from his 3rd book, The Branch Will Not Break).Kim Addonizio's poem "What Women Want" is the poem James was thinking about. It was first published in Tell Me.  You can buy Diannely Antigua's new book Good Monster, just out from Copper Canyon Press.The epitaph on Auden's grave is from his poem "In Memory of WB Yeats," which you can listen to Auden reading here.Read Dorothy Parker's "Interview."Watch this intro to the project at Canterbury Christchurch University's celebrating Aphra Behn. Read her poem "Love Armed."The epitaph on Kenyon's and Hall's tombstone is from her poem "Afternoon at MacDowell"At the end of the episode, Monica Ferrell reads Michael Dumanis's poem "East Liverpool, Ohio" from his new book Creature. Read a conversation with Michael in Adroit here.

In this episode, we read one of Victoria Chang's moving poems from her collection OBIT, and discuss how the poem explores the interplay between life, death, grieving, and memory as the poet tries to process her mother's passing. Thanks to Copper Canyon Press (https://www.coppercanyonpress.org/) for granting us permission to read this poem, which was originally published in OBIT. Victoria's newest collection of poems, With My Back to the World, (https://us.macmillan.com/books/9780374611132/withmybacktotheworld)was inspired by the work of Agnes Martin and published earlier this year. To learn more about Victoria Chang, visit her website (https://victoriachangpoet.com/).

A new 'Craftwork' episode entitled 'The Life of a Bookseller.' My guest is Paul Yamazaki, principal book buyer for City Lights Bookstore. His new book is called Reading the Room: A Bookseller's Tale, available from Ode Books. Yamazaki has been the principal buyer at City Lights Booksellers, the legendary San Francisco bookstore and publisher founded by Lawrence Ferlinghetti and Peter Martin, for more than fifty years. A champion for national and global literature, writers, publishers, and independent bookstores, Yamazaki was the recipient of the National Book Foundation's 2023 Literarian Award for Outstanding Service to the American Literary Community. He has mentored generations of booksellers across America. Rick Simonsonhas worked at Seattle's Elliott Bay Book Company, one of the US's leading independent bookstores, since 1976. He is Elliott Bay's senior buyer and founded their internationally renowned author reading program forty years ago. He presently serves on the governing boards of Copper Canyon Press, the University of Washington Press, and UNESCO Seattle City of Literature. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram  TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

This conversation is a little different. We wanted to take a break from the election-year political jousting to talk to the poet Christian Wiman about Zero at the Bone: Fifty Entries Against Despair, one of the most singular books published in recent memory—part memoir, part commonplace book, part poetry collection. As with his previous My Bright Abyss, Wiman, more than any other contemporary Christian writer, manages to shake off our culture's desiccated religious tropes to write and talk about matters of ultimate concern in ways that are bracing, even exhilarating. How does poetry tap into reality, or, even better, what does poetry reveal about it? How does he think about the relationship between "life and art"? Why does he resist "Saul on the Road to Damascus"-style accounts of religious conversion? Why did he almost not write about his cancer diagnosis in My Bright Abyss? Why might postmodernism be good for religion, actually? How does the love of another person connect to the love of God? And how does any of this matter for how we live? We take up these questions and more.Sources:Christian Wiman, Zero at the Bone: Fifty Entries Against Despair (2023)— My Bright Abyss: Meditations of a Modern Believer (2013)— Ambition and Survival: Becoming a Poet (2004)— Every Riven Thing: Poems (2014)— "The Preacher Addresses the Seminarians" in Once in the West (2014)Matthew Sitman, "Finding the Words for Faith: Meet America's Most Important Christian Writer," The Dish, Sept 3, 2014Casey Cep, "How the Poet Christian Wiman Keeps His Faith," New Yorker, Dec 4, 2023Andre Dubus, "A Father's Story," in Selected Stories of Andre Dubus (1996)Simone Weil, Gravity and Grace (1947)Robert Bringhurst, "These Poems, She Said,"  from The Beauty of the Weapons: Selected Poems 1972-1982. Copper Canyon Press (1982)...and don't forget to subscribe to Know Your Enemy for access to all of our bonus episodes!

Diannely Antigua reads “Diary Entry #28: Ars Poetica” and “We Never Stop Talking About Our Mothers” from her poetry collection Good Monster, published by Copper Canyon Press in May 2024.

Kelli Russell Agadon makes her triumphant return to the show after nearly two years since she became the first true guest of the show. This time around, Kelli brings three poems from three different eras in her writing career. She talks with Dave and Aaron about "dressing up" poems, choosing strong titles, and flipping everything on its head, when editing one's work. My Bad Poetry 5.17 "Both Things are True...North of the Eiffel Tower (w/ Kelli Russell Agadon) End Poem from a Real Poet: "Hum of the Living" by Kelli Russell Agadon Kelli Russell Agadon is the co-founder of Two Sylvia Press, faculty at PLU, and a poet with Dialogues with Rising Tides published through Copper Canyon Press. You can find more of her work and information about her through her social media accounts and website. Podcast Email: mybadpoetry.thepodcast@gmail.com Bluesky: @mybadpoetrythepod.bsky.social Instagram & Threads: @MyBadPoetry_ThePod Website: ⁠⁠⁠⁠⁠⁠https://www.podpage.com/my-bad-poetry/⁠⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/mybadpoetry-thepodcast/message

On this very special January night, editor extraordinaire John Freeman was joined by three of his star contributors, Jakuta Alikavazovic, Juan Gabriel Vasquez and Deborah Landau to bid farewell to his literary journal.Buy Freeman's Conclusions: https://www.shakespeareandcompany.com/books/freemans-conclusions*Jakuta Alikavazovic (b.1979) is a French writer of Bosnian and Montenegrin origins. Her first novel, Corps Volatils (2008) won the Goncourt Prize for Best First Novel and her second and third novels, Le Londres-Luxor (2010) and La Blonde et Le Bunker (2012) won prizes in France and Italy. Her most recent novel, Night as it Falls (L'Avancee de la Nuit), was published by Faber in 2020. Her essay Comme un Ciel en Nous (Like a Sky in Us) won the Prix Medicis Essai 2021 and her collected newspaper columns Faites Un Voeu (Make a Wish) were published in 2022. She is working on a new novel to be delivered in 2023.Juan Gabriel Vásquez is the author of 8 works of fiction, including the award-winning The Sound of Things Falling, The Shape of the Ruins and Retrospective. His work is published in 30 languages.Deborah Landau is the author of five collections of poetry, most recently Skeletons. Her other books include Soft Targets (winner of The Believer Book Award), The Uses of the Body, and The Last Usable Hour, all Lannan Literary Selections from Copper Canyon Press, as well as Orchidelirium, selected by Naomi Shihab Nye for the Robert Dana Anhinga Prize for Poetry. In 2016 she was awarded a Guggenheim Fellowship. She is a professor at New York University, where she directs the Creative Writing ProgramJohn Freeman is the founder of the literary annual Freeman's and the author and editor of a dozen books, including Wind, Trees, Dictionary of the Undoing, Tales of Two Planets, The Penguin Book of the Modern American Short Story, and, with Tracy K. Smith, There's a Revolution Outside, My Love. His work has appeared in The New Yorker, The Paris Review, and Orion, and been translated into over twenty languages. The former editor of Granta, he lives in New York City, where he is an executive editor at Alfred A. Knopf and hosts the monthly California Book Club -- a free online discussion of a new classic in Golden State literature -- for Alta magazine.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Michael Wiegers is the Editor-in-Chief at Copper Canyon Press, an independent nonprofit press that publishes award-winning poetry. Under his leadership over the past 30 plus years, CCP has published over 400 titles, including winners of the Pulizer and Nobel Prizes and the National Book Award. In this episode, Michael gives us a masterclass in poetry. If you've ever felt that poetry is unattainable, Michael will convince you otherwise. You'll walk away with a reading list and his answer for why poets are always writing about death.You can learn more about Michael's work and Copper Canyon Press at: https://www.coppercanyonpress.org/authors/michael-wiegers/

The full title of today's poem from Maurice Manning says it all: “A Brief Refutation of the Rumor That I Allowed Willie and Tad to Relieve Themselves in my Up-Turned Hat on a Sunday Morning at the Office While Their Mother was Attending Religious Services” Maurice Manning (born 1966) is an American poet. His first collection of poems, Lawrence Booth's Book of Visions, was awarded the Yale Younger Poets Award, chosen by W.S. Merwin. Since then he has published four collections of poetry (with Houghton Mifflin Harcourt and Copper Canyon Press). He teaches English and Creative Writing at Transylvania University in Lexington, Kentucky, where he oversees the Judy Gaines Young Book Award, and is a member of the poetry faculty of the Warren Wilson College MFA Program for Writers. Today's poem comes from his 2020 collection, Railsplitter.-bio via Wikipedia Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

When Dean Young took the stage in October of 2012 to read from his Copper Canyon Press collection, Bender, we were incredibly fortunate to bear witness to his humorous, irreverent, and fearless poetry. We were deeply saddened to hear of his passing in August 2022, and we continue to treasure his voice as it lives on in his work.

In the first episode of 2024, we read one of the great poets of the past century, W.S. Merwin, and his address to the new year, considering his attentiveness, his style, and his wondrous mood and mode of contemplation and surprise. Picking up on the "radical hope" we discussed in Dimitrov's "Winter Solstice," we turn to Merwin's sense of what is untouched but still possible as he greets the new year. In this episode, we quote a few pieces from The New Yorker. Here they are, plus a few other resources. "The Aesthetic Insight of W.S. Merwin (https://www.newyorker.com/magazine/2017/09/18/the-ascetic-insight-of-w-s-merwin)" by Dan Chiasson "The Final Prophecy of W.S. Merwin (https://www.newyorker.com/culture/postscript/the-final-prophecy-of-w-s-merwin)" by Dan Chiasson "The Palm Trees and Poetry of W.S. Merwin (https://www.newyorker.com/books/page-turner/the-palm-trees-and-poetry-of-w-s-merwin)" by Casey Cep "When You Go Away: Remembering W.S. Merwin (https://www.newyorker.com/books/page-turner/when-you-go-away-remembering-w-s-merwin)" by Kevin Young See also The Poetry Foundation (https://www.poetryfoundation.org/poets/w-s-merwin). The poem originally appeared in Present Company (https://www.coppercanyonpress.org/books/present-company-by-w-s-merwin/) (Copper Canyon Press, 2005). Thanks to the Wylie Agency for granting us permission to read this poem on the episode.

In this episode, we read and discuss a poem that provides a powerful meditation on the longest night of the year. To learn more about Alex Dimitrov, please visit his website (https://www.alexdimitrov.com/poems). Thanks to Copper Canyon Press (https://www.coppercanyonpress.org/authors/alex-dimitrov/) for granting us permission to read this poem from Love and Other Poems. During our conversation, we briefly allude to "Love," Dimitrov's wonderful poem that he continues to write each day. To read the original poem, you can check the American Poetry Review (https://aprweb.org/poems/love0); and to read Dimitrov's additional lines on Twitter, you can follow him at @apoemcalledlove on Twitter (https://x.com/apoemcalledlove?s=20).

Bob Hicok's tenth collection, Water Look Away, was published by Copper Canyon Press this year. A two-time finalist for the National Book Critics Circle Award and recipient of the Bobbitt Prize from the Library of Congress, he's also been awarded a Guggenheim Fellowship, two National Endowment for the Arts Fellowships, and eight Pushcart Prizes, and his poems have been selected for inclusion in nine volumes of The Best American Poetry. He teaches at Virginia Tech. Find Bob's most recent book here: https://www.coppercanyonpress.org/books/water-look-away/ Review the Rattlecast on iTunes! https://podcasts.apple.com/us/podcast/rattle-poetry/id1477377214 As always, we'll also include the live Prompt Lines for responses to our weekly prompt. A Zoom link will be provided in the chat window during the show before that segment begins. For links to all the past episodes, visit: https://www.rattle.com/rattlecast/ This Week's Prompt: Write a poem that addresses a pain from childhood, and use a refrain. Next Week's Prompt: Write a poem that begins with an idiomatic expression that you take literally or incorrectly, and see where it goes. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

Jaswinder Bolina reads “English as a Second Language” from his poetry collection English as a Second Language and Other Poems, published by Copper Canyon Press in October 2023.

The queens talk music, monsters, and masturbation with Diannely Antigua.Support Breaking Form!Review the show on Apple Podcasts here.  Buy our books:Aaron's STOP LYING is available from the Pitt Poetry Series. Publisher's Weekly calls the book "visceral, tender, and compassionate."James's ROMANTIC COMEDY is available from Four Way Books. Writing in Lit Hub, Rebecca Morgan Frank says the poems have "a gift for telling stories . . .  in acts of queer survival." Please consider buying your books from Bluestockings Cooperative, a feminist and queer indie bookselling cooperative. You can buy Ugly Music by Diannely Antigua by clicking here. Diannely Antigu is a Dominican American poet and educator, born and raised in Massachusetts. Her debut collection Ugly Music (YesYes Books, 2019) was the winner of the Pamet River Prize and a 2020 Whiting Award. Her second poetry collection Good Monster is forthcoming with Copper Canyon Press in 2024. She hosts the podcast Bread & Poetry and is currently the Poet Laureate of Portsmouth, NH, the youngest and first person of color to receive that title.Diannely reads "Diary Entry # 16 About Using My Body" from Good Monster. The poem was originally published in Muzzle Magazine and you can read it here. Two poems Diannely mentions but doesn't read: "Praise to the Boys" in the Paris Review &"Chronically" in Pangyrus.You can read the entire Raque Dalton poem "Like You" ("Como Tú") translated by Jack Hirschman here.Go here to listen to Diannely read poems and be interviewed on Was I in a CultRead a rave review of Ugly Music in Muzzle Magazine.Watch Diannely tell stories and read in the Creative Mornings  series (~25 min).Here's another terrific recording of Diannely Antigua reading at City of Asylum for "Latinx and Proud" series (~15 min). 

Randall Mann reads a poem by Karl Tierney and ""Wi-Fi" from Randall Mann's new book Deal: New and Selected Poems (2023, Copper Canyon Press). Queer Poem-a-Day Lineage Edition is our new format for year three! Featuring contemporary LGBTQIA+ poets reading a poem by an LGBTQIA+ writer of the past, followed by an original poem of their own. A queer poet, critic, and medical writer, Randall Mann is the author of five poetry collections: Deal: New and Selected Poems (2023, Copper Canyon Press), Complaint in the Garden, Breakfast with Thom Gunn, Straight Razor, Proprietary, and A Better Life. He is also the author of a book of criticism, essays, and interviews, The Illusion of Intimacy: On Poetry. His writing has appeared in The Adroit Journal, Lit Hub, Kenyon Review, Paris Review, Poetry Magazine, San Francisco Chronicle, and elsewhere. He is the recipient of the Kenyon Review Prize in Poetry and the J. Howard and Barbara M.J. Wood Prize from Poetry, and his books have been shortlisted for the Lambda Literary Award, California Book Award, and Northern California Book Award. Mann lives in San Francisco. Text of today's original poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Find books from participating poets in our library's catalog.  Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this third year of our series is AIDS Ward Scherzo by Robert Savage, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. 

As past panelists for the Ohio Arts Council Individual Excellence Awards, Traci Brimhall, Melissa Faliveno, and Tanya Rey share what it was like to read and judge applications. They discuss what made an application stand out, how writers can craft the narrative and philosophy statements to good effect, the importance of submitting polished work, the inherent subjectivity of the process, persistence in the face of rejection, and more.   About the Panelists: Traci Brimhall's fifth poetry collection, Love Prodigal, will be published by Copper Canyon Press in 2024. She is also the author of Come the Slumberless to the Land of Nod (Copper Canyon Press, 2020); Saudade (Copper Canyon Press, 2017); Our Lady of the Ruins (W.W. Norton, 2012), selected by Carolyn Forché for the 2011 Barnard Women Poets Prize; and Rookery (Southern Illinois University Press, 2010). Her children's book, Sophia & The Boy Who Fell, was published by SeedStar Books in March 2017.   Melissa Faliveno is the author of the debut essay collection Tomboyland, named a Best Book of 2020 by NPR, New York Public Library, Oprah Magazine, and Electric Literature and recipient of a 2021 Award for Outstanding Literary Achievement from the Wisconsin Library Association. Her writing has appeared in Esquire, Paris Review, Bitch, Literary Hub, Ms Magazine, Brooklyn Rail, Prairie Schooner, and in the anthology Sex and The Single Woman (Harper Perennial, 2022).   Tanya Rey is a queer Cuban-American writer whose work has appeared in Guernica, Granta, The Sun, Roads & Kingdoms, McSweeney's Internet Tendency, The Georgia Review, and Catapult, among others. She holds an MFA from New York University and has received fellowships from The Georgia Review, Rona Jaffe Foundation, San Francisco Writers Grotto, MacDowell, Hedgebrook, UCross, Blue Mountain Center, I-Park, and others. Rey has worked as managing editor for One Story and fiction editor for Epiphany and has taught creative writing at New York University and Writing Pad in San Francisco.   Page Count is produced by Ohio Center for the Book at Cleveland Public Library. For full show notes and a transcript of this episode, visit the episode page. To get in touch, email ohiocenterforthebook@cpl.org (put “podcast” in the subject line) or follow us on Twitter or on Facebook.

Copper Canyon Press is a poetry only publisher in Port Townsend. It operates out of a small building in Fort Warden, but it has published some big names in the genre. We can only make Soundside because listeners support us. Make the show happen by making a gift to KUOW:https://www.kuow.org/donate/soundside

The queens get quick (and dirty), summarizing a poet's oeuvre in one sentence.If you'd like to support Breaking Form, please consider buying Aaron's and James's  books (both 2023):Aaron's STOP LYING is available from the Pitt Poetry Series. James's ROMANTIC COMEDY is available from Four Way Books.When James says that Aaron makes a "Stuck the Landing" flourish, he means the kind of gesture made over and over in this montage of gymnasts sticking the landing!Watch an Elizabeth Bishop documentary here (including interviews with  Bidart,  Strand, Howard Moss, Mary McCarthy, and James Merrill). ~56 min.Watch John Ashbery accept, in delightfully odd fashion, a lifetime achievement award at the 2011 National Book Award here. (~10 min).Here's a 40-min documentary on Robert Frost that's worth watching. Watch this interview with Gwendolyn Brooks (~30 min), courtesy of Maryland's Howard County Poetry and Literature Society (HoCoPoLitSo).Listen to this ~2min recording of Jorie Graham reading her poem "Why" from To 2040 (Copper Canyon Press) here.Watch James Merrill read Bishop's "One Art" and his own "Developers at Crystal River" at the San Francisco Poetry Center in 1980. (~5 min)Watch this interview with Stanley Kunitz, on the occasion of his becoming  Poet Laureate (~20 min).Read Anthony Hecht's poem "More Light! More Light!" which deals centrally with Nazi executions in the Holocaust, or listen to him read the poem (3.5 min) here. We mention two articles about Cummings's anti-Semitism. The review of Susan Cheever's biography is here. The article Aaron mentions is available through J-Stor here. The article (and lost poem) that The Awl published about Cummings can be read here. Eloise Klein Healy's most recent book is A Brilliant Loss, published in 2022 by Red Hen Press and available here. She is the author of 10 books of poetry. Check out her website: https://www.eloisekleinhealy.com. You can read the poem that Celeste Gainey recites on the show, "Asking About You," here. Celese Gainey is the author of The Gaffer, published by Arktoi Books, an imprint of Red Hen Press. You can read more about her and her poetry on her website here.In 1974, Gainey was the first woman to be admitted as a gaffer to the International Alliance of Theatrical Stage Employees (I.A.T.S.E.). In addition to lighting dozens of documentaries, she worked for such programs as 60 Minutes, ABC Close-Up, and 20/20, as well as on feature films like Dog Day Afternoon, Taxi Driver, and The Wiz.

This April's issue of Poetry celebrates the 2022 Ruth Lilly Poetry Prize recipients. In previous years, one poet was awarded the prize. This year, in honor of the 110th anniversary of the magazine, eleven poets were selected—a nod to the eleven decades of the magazine's existence. This week, we hear from one of these winners, someone who's been illuminating a way forward for poetry for over fifty years: Arthur Sze. Sze is a poet, a translator, and an editor. He's authored eleven books of poetry, most recently The Glass Constellation: New and Collected Poems out from Copper Canyon Press. We asked his friend, Pulitzer Prize winning writer Forrest Gander, to speak with Sze for this episode of the podcast. Sze shares the story of how he became a poet, which included encouragement from poets and teachers Denise Levertov and Josephine Miles, and the two recall how their friendship started through publication. Not surprisingly, they also lead us into the cosmos. Sze introduces the ancient Sanskrit idea of Indra's net: Everything that happens in the cosmos is like a crystal. If you imagine the cosmos as an immense chandelier and shine light into it, each hanging jewel reflects and absorbs the light of every other. “That's one of the things poetry does,” Sze says. “We're not writing in competition—we're all trying to create poems, and they're all shining light on each other.

The queens get fictional, discussing the poetry equivalents of best supporting actresses with guest Manuel Muñoz.Kay Ryan won the Pulitzer Prize for poetry for her book The Best of It: New and Selected Poems (2010).Randall Mann's Deal: New and Selected Poems is currently out from Copper Canyon Press.Watch Olympia Dukakis's famous "Why do men cheat?" scene in Moonstruck.When Anne Hathaway accepted the Critics Choice Award for Best Supporting Actress in 2013, she said, “This is a bittersweet moment for me because I have this award, but you spelled my name wrong." She kind of forgot to thank the Broadcast Film Critics Association for the honor. “It is with an ‘e,'” she clarified, adding, “It's probably in bad taste for me to point that out here.”Watch Anne Hathaway's cupcake tutorial here. The movie Jacqueline Susann's Once Is Not Enough is a 1975 American romance film, directed by Guy Green, starring Kirk Douglas, Alexis Smith, David Janssen, George Hamilton, Brenda Vaccaro, Melina Mercouri, and Deborah Raffin. When Louise Gluck accepted her National Book Award for Faithful and Virtuous Night, she said, in part, "I'm astonished. My thanks to the judges for their mercy. Four times," she said, "This is a difficult evening. It's very difficult to lose. I've lost many times. And it is also, it turns out, is very difficult to win. It is not in my script," she said, to a general scattering of laughter in the audience. Watch it here.   Gary Soto was born April 12, 1952. He published The Elements of San Joaquin in 1977 through the Pitt Poetry Series, which released the book on February 1 that year—so he was actually 24! Read more about Soto here.  He lists his address on his website, in case you want to write to him: https://garysoto.com Heather McHugh read and gave a lecture in April 2009 at the University of Arizona's Poetry Center, which keeps a terrific audio/video recording archive. You can watch the reading here. The poems she reads are:"The Gift""Not to Be Dwelled On""Granny's Song""No Sex for Priests""I Knew I'd Sing""Coming""Etymological Dirge""Glass House""From the Tower""Webcam the World""Hackers Can Sidejack Cookies""Philosopher Orders Crispy Pork""DOMESTIQUE"watch McHugh give a lecture about the design and impact of the ends of poems, including close readings of powerful last lines including examples from the work of Emo Philips, Abd-ar-Rahman III, Su Tung-po, Anthony Hecht, D.H. Lawrence, Paul Valéry, Alan Dugan, Julio Cortázar, Louis Simpson, Samuel Beckett, and John Frederick Nims.Watch Bette Davis chain-smoke on the Dick Cabot Show while praising Gladys Cooper.Watch Mare Winningham in Girl from the North Country and even her recorded performance of "Like a Rolling Stone" is a little flat.

Curl up with us tonight as we enjoy the warmth of a cosy cabin as snow gives way to sweeping rain and our stove glows brightly in the gathering darkness.Journal entry:10th March, Friday“The convocation of oaks rises to my view From a swirling mist of snow and blown spindrift. Their trunks wrapped white. Icicles hang from their branches.I want to say, “Don't worry, Spring is on its way.”But they know that. They have known that before I was born They have known that for centuries. What can you tell trees that they don't know?”Episode Information:In this episode I briefly refer to the following: Christiane Ritter's A Woman in the Polar Night originally published in 1938 and republished by Pushkin Press in 2019. Tom Hennen's Darkness Sticks to Everything published in 2013 by Copper Canyon Press. With special thanks to our lock-wheelersfor supporting this podcast.Mary Keane.Arabella Holzapfel.Rory and MJ.Narrowboat Precious Jet.Linda Reynolds Burkins.Richard Noble.Carol Ferguson.General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on: Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Twitter: https://twitter.com/NoswPod Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon.

In conjunction with ALTA Journal, City Lights presents John Freeman with Forrest Gander reading from new poetry. John Freeman celebrates his new collection of poetry "Wind, Trees" published by Copper Canyon Press. This live event took place in Kerouac Alley, between City Lights and Vesuvio Cafe, and was hosted by Peter Maravelis with an opening statement by Blaise Zerega. You can purchase copies of "Wind, Trees" directly from City Lights here: https://citylights.com/wind-trees/ John Freeman is the founder of the literary annual Freeman's, and an executive editor at Alfred A. Knopf. His books include "How To Read a Novelist" and "Dictionary of the Undoing", as well as a trilogy of anthologies about inequality, including "Tales of Two Americas: Stories of Inequality in a Divided Nation," and "Tales of Two Planets," which features dispatches from around the world, where the climate crisis has unfolded at crucially different rates. His poetry collections include "Maps" and "The Park." His work has been translated into more than twenty languages and appeared in The New Yorker, The Paris Review, Orion and Zyzzyva. He is a former editor of Granta and a Writer in Residence at New York University. Forrest Gander is a Pulitzer Prize Winning poet, author, translator, and essayist. He is the author of numerous books of poetry, fiction, and essays. "Twice Alive" is his latest collection of poetry. His translations include the work of Gozo Yoshimasu, Pablo Neruda, Alfonso D'Aquino, and Raúl Zurita. He has received numerous honors for his work, including the Pulitzer Prize for "Be With," and the Best Translated Book Award, as well as fellowships from the Library of Congress, the Guggenheim Foundation, and United States Artists. He makes his home in Northern California. Alta Journal is a quarterly publication for anyone seeking an insider's take on this most forward-thinking region. From arts and culture, to technology and the environment, to food and fashion—what happens ​​​​​​in California and the West happens everywhere. Each large-format issue (the West demands a wide lens) demystifies the region with provocative essays, cultural commentary, deeply reported investigations, original fiction and poetry, sumptuous photos, topical cartoons, and more. Founded in 2017 by William R. Hearst III, Alta Journal provides an exciting—and much-needed—literary perspective on the West, sparking conversations that are as diverse and vibrant as the place itself. In this era of rapid change, the award-winning Alta Journal offers an immersive reading experience like no other. To learn more visit: https://www.altaonline.com/ This event was made possible by support from the City Lights Foundation: citylights.com/foundation

Tayi Tibble in conversation with Tommy Orange, celebrating the publication of "Poukahangatus: Poems" by Tayi Tibble, published by Alfred Knopf. This live event took place in Kerouac Alley, between City Lights and Vesuvio Cafe, and was hosted by Peter Maravelis with an opening statement by John Freeman. You can purchase copies of "Poukahangatus: Poems" directly from City Lights here: https://citylights.com/poukahangatus-poems/ Tayi Tibble (Te Whānau ā Apanui/Ngāti Porou) was born in 1995 and lives in Wellington, New Zealand. In 2017, she completed a master's degree in creative writing from the International Institute of Modern Letters, Victoria University of Wellington, where she was the recipient of the Adam Foundation Prize in Creative Writing. Her second book of poetry, Rangikura, will be published in the United States in 2023. Tommy Orange is the PEN/HEMINGWAY AWARD WINNER and best selling author of the novel There,There. He is a graduate of the MFA program at the Institute of American Indian Arts. An enrolled member of the Cheyenne and Arapaho Tribes of Oklahoma, he was born and raised in Oakland, California. John Freeman is the editor of Freeman's, a literary annual of new writing, and executive editor at Alfred A. Knopf. His books include "How to Read a Novelist" and "Dictionary of the Undoing," as well as "Tales of Two Americas," an anthology about income inequality in America, and "Tales of Two Planets," an anthology of new writing about inequality and the climate crisis globally. He is also the author of two poetry collections, "Maps" and "The Park." His work is translated into more than twenty languages, and has appeared in The New Yorker, The Paris Review, and The New York Times. The former editor of Granta, he teaches writing at New York University. He has a new collection of poetry, published by Copper Canyon Press, being released in the fall titled "Wind, Trees." This event was made possible by support from the City Lights Foundation: citylights.com/foundation

This week, Su Cho sits down with Taneum Bambrick to talk about two of her favorite things: poetry and intimacy. Bambrick is the author of Intimacies, Received, recently out from Copper Canyon Press, and Vantage. Their chapbook, Reservoir, was selected by Ocean Vuong for the Yemassee Chapbook Prize. Vuong wrote, “This is poetry that encompasses, that let's no one turn away.” That's exactly how Cho felt reading Bambrick's poems in the November 2022 issue of Poetry. Cho says, “Bambrick's poems make me feel incredibly shy and brave at the same time. I say make me because I can't look away from them. The poems are telling me to sit down and listen.” Join us for a conversation about break ups, vulnerability, rodeos, and so much more.

A person is lost, and in panic. A calm voice says strangely comforting things. David Wagoner is the author of 24 poetry collections and 10 novels. He is the recipient of two Pushcart Prizes (1977 and 1983) and the Ruth Lilly Poetry Prize (1991). Wagoner's final collection of poetry, After the Point of No Return, was published by Copper Canyon Press in 2012.Find the transcript for this show at onbeing.org.

Shangyang Fang grew up in Chengdu, China, and composes poems both in English and Chinese. While studying civil engineering at University of Illinois, Urbana-Champaign, he realized his bigger passion lies in the architecture of language and became a poetry fellow at Michener Center for Writers. He is the recipient of the Joy Harjo Poetry Award and Gregory O'Donoghue International Poetry Prize. His name, Shangyang, originating from Chinese mythology, was a one-legged bird whose dance brought forth flood and rain. His debut is Burying the Mountain from Copper Canyon Press.This week's Southword poem is ‘The Last Kodak Moment' by Timothy McBride, which appears in issue 41. You can buy single issues, subscribe, or find out how to submit to Southword here.

In this special episode, host Charlie Rossiter reviews and reads from two new collections of poetry by Gary Snyder and Jim Harrison. In June of 2022 the Library of America released an 1100+ page collection of Snyder's poetry and at the very end of 2021, Copper Canyon Press released a collection of all of Jim Harrison's poems. Charlie reads from both collections and shares his thoughts on these two literary titans. Get a copy of Gary Snyder: Collected Poems from the Library of America, here: https://www.loa.org/books/711-collected-poems Get a copy of Jim Harrison: Complete Poems from Copper Canyon Press, here: https://www.coppercanyonpress.org/books/jim-harrison-complete-poems/ SUBMIT TO THE OPEN MIC OF THE AIR! www.poetryspokenhere.com/open-mic-of-the-air Visit our website: www.poetryspokenhere.com Like us on facebook: facebook.com/PoetrySpokenHere Follow us on twitter: twitter.com/poseyspokenhere (@poseyspokenhere) Send us an e-mail: poetryspokenhere@gmail.com

(My audio starts shaky, but gets better after 8 minutes) Bill Porter, aka Red Pine, calls the hermit life, "graduate school for the spiritually inclined." Bill Porter is a translator of Buddhist and Taoist mountain poets that uncross your third eye and waft the scent of a  fine scotch.  What can I say about Bill Porter that he won't say better about himself? I first stumbled on his book Road to Heaven: Encounters with Chinese Hermits while on retreat. His adventures and chitchats with hermits beckoned me to discover more about this hermit tradition and the man captivated by trekking into the mountains in search of monks living off the map. Bill is credited with an uptick of interest in the hermit life in China. Stateside Bill Porter is best known under his translator name of Red Pine, translating the work of Cold Mountain, Stonehouse, Lao Tzu and others over at the granddaddy of beautiful publishing Copper Canyon. We talk about this and more.  To visit Bill Porter, well if you bump into him in his hometown. To find his work online go his publisher Copper Canyon at coppercanyonpress.org.

With apologies for sounding like an asthmatic badger, tonight we explore the special qualities of an unremarkable dusk and why we can feel so at peace with it and the darkness it can bring.Journal entry:28th June, Tuesday.“I stop work to breathe in the storm-wind And bathe in the whirlpool of its noise.My shoulders feel heavy       As If I alone am holding               up the blanket clouds       That sag grey above my head.The water hose, snakes and hisses around my feet.Head upright, neck relaxed, the cob swan pushes towards me, Lazily, doggy paddling a V of disturbance on the water's surface.My day begins to smile.” Episode Information:In this episode I refer to an interview with John O' Donohue recorded by Krista Tippett (2008/2022) ‘The Inner Landscape of Beauty' on the On Being podcast. I also read a very short extract from John O' Donohue's (1999) Anam Cara: Spiritual wisdom from the Celtic world published by Penguin Random House. I also refer to Robin Wall Kimmerer's article ‘Nightfall' published in Paul Bogard's (2008) Let There Be Night: Testimony on behalf of the dark published by University of Nevada Press. I also refer to the following works:Matthew Beaumont (2016) Nightwalking: A nocturnal history of London published by Verso Books.Roger Ekirch (2004/2013) At Day's Close: Night in times past published by Weidenfeld and NicholsonThe episode finishes with a reading of Tom Hennen's short poem ‘Summer Night Air' from his Darkness Sticks to Everything: Collected and New Poems published (2013) by Copper Canyon Press. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon. 

won't you celebrate with me - by Lucille Clifton --- won't you celebrate with me what i have shaped into a kind of life? i had no model. born in babylon both nonwhite and woman what did i see to be except myself? i made it up here on this bridge between starshine and clay, my one hand holding tight my other hand; come celebrate with me that everyday something has tried to kill me and has failed. --- Lucille Clifton, “won't you celebrate with me” from Book of Light. Copyright © 1993 by Lucille Clifton. Reprinted by permission of Copper Canyon Press. Source: Book of Light (Copper Canyon Press, 1993) --- How to Support How to Survive --- Send in a voice message: https://anchor.fm/how-to-survive-the-end-of-the-world/message

When the Seattle Art Museum opened the Olympic Sculpture Park on the urban waterfront in 2007, it changed the way people could interact with art and experience the city's environment. The fact that it's free and open to everyone makes the park one of the most inclusive places to see art in the Pacific Northwest. The sculpture park contains pieces like Alexander Calder's red sculpture The Eagle, Jaume Plensa's giant head Echo, and Neukom Vivarium, a 60-foot nurse log in a custom-designed greenhouse, among many others. Although many people believe that the greatest work of art at the park is the park itself and the way it connects with its surroundings. Because of the efforts of the Seattle Art Museum and the city, instead of being filled with private condo buildings, this former industrial site has become a welcoming part of the waterfront for the public to enjoy sculptures, activities, and the gorgeous Elliott Bay views. The new book Seattle's Olympic Sculpture Park: A Place for Art, Environment, and an Open Mind, pays homage to the interconnected spirit of the park. Mimi Gardner Gates — the director of the Seattle Art Museum (1994–2009) at the time of the Sculpture Park's conception and creation — edited this collection of writings and images about the park and how public-private partnerships can create innovative civic spaces. Other contributors include Barry Bergdoll, Lisa Graziose Corrin, Renée Devine, Mark Dion, Teresita Fernández, Leonard Garfield, Jerry Gorovoy for Louise Bourgeois, Michael A. Manfredi, Lynda V. Mapes, Roy McMakin, Peter Reed, Pedro Reyes, Maggie Walker, and Marion Weiss. Seattle Times journalist Lynda V. Mapes and SAM curator Catharina Manchanda joined Gates in discussion about the remarkable waterfront park and how it might inspire future innovation in civic spaces. Mimi Gardner Gates was director of the Seattle Art Museum for fifteen years and is now director emerita, overseeing the Gardner Center for Asian Art and Ideas. Previously, she spent nineteen years at Yale University Art Gallery, the last seven-and-a-half of those years as director. She is a fellow of the Yale Corporation; Chairman of the Dunhuang Foundation; Chairman of the Blakemore Foundation; a trustee of the San Francisco Asian Art Museum; a trustee of the H. John Heinz III Center for Science, Economics and the Environment, and serves on the boards of the Yale University Art Gallery, the Northwest African American Museum, the Terra Foundation, and Copper Canyon Press. Dr. Gates formerly chaired the National Indemnity Program at the National Endowment for the Arts and served on the Getty Leadership Institute Advisory Committee. Lynda V. Mapes is a journalist, author, and close observer of the natural world, and covers natural history, environmental topics, and issues related to Pacific Northwest indigenous cultures for The Seattle Times. Over the course of her career she has won numerous awards, including the international 2019 and 2012 Kavli gold award for science journalism from the American Association for the Advancement of Science, the world's largest professional science association. She has written six books, including Orca Shared Waters Shared Home, winner of the 2021 National Outdoor Book Award, and Elwha, a River Reborn. Catharina Manchanda joined the Seattle Art Museum as the Jon & Mary Shirley Curator of Modern & Contemporary Art in 2011. Notable exhibitions for SAM include Pop Departures (2014-15), City Dwellers: Contemporary Art from India (2015), Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas (2017), and Frisson: The Richard E. Lang and Jane Lang Davis Collection (2021). Prior to joining SAM, she was the Senior Curator of Exhibitions at the Wexner Center for the Arts in Columbus, Ohio. She has also worked in curatorial positions at the Mildred Lane Kemper Art Museum, St. Louis; the Museum of Modern Art, New York; the Solomon R. Guggenheim Museum; and the Philadelphia Museum of Art. She is the recipient of numerous international awards including an Andy Warhol Foundation grant, Getty Library Research grant, and others. Buy the Book: Seattle's Olympic Sculpture Park: A Place For Art, Environment, And An Open Mind from University Book Store Presented by Town Hall Seattle. To become a member or make a donation click here. 

How can you cope with anxiety? Try writing a book about it. In this interview Kelli Russell Agdon discusses her latest book. Originally she tells us that the book began with two separate manuscripts melding into one. One book was a collection of poems about the broken world, and another about the broken self. Together they become her manuscript, Dialogues with a Rising Tide, out from Copper Canyon Press. Hear Kelli discuss the way she channels anxiety into writing, how she uses constraint to help her choose titles for her poems, and why she has more fun and ease when writing with friends. 

Ellen Bass's most recent collection, Indigo, was published by Copper Canyon Press in 2020. Her other poetry books include Like a Beggar, The Human Line, and Mules of Love. Her poems appear  frequently in The New Yorker, American Poetry Review, and many other journals. Among her awards are Fellowships from the Guggenheim Foundation, The NEA, and The California Arts Council, The Lambda Literary Award, and four Pushcart Prizes. She co-edited the first major anthology of women's poetry, No More Masks! (Doubleday, 1973), and her nonfiction books include the groundbreaking The Courage to Heal: A Guide for Women Survivors of Child Sexual Abuse (HarperCollins, 1988) and Free Your Mind: The Book for Gay, Lesbian and Bisexual Youth (1996). A Chancellor of the Academy of American Poets, Bass founded poetry workshops at Salinas Valley State Prison and the Santa Cruz, California jails, and teaches in the MFA writing program at Pacific University. Ellenbass.com Twitter: @PoetEllenBass Facebook: @PoetEllenBass Instagram: @poetellenbass “The Morning After” was published in her collection, Like a Beggar (Copper Canyon Press, 2014). Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.

On the first stop of the “Las cuatro esquinas Tour” around the United States, Dr. Adriana Pacheco and Seattle Escribe bring together a panel of key players in education, culture, and literature to discuss names, topics, trends and voices in literature by writers of hispanic heritage and their impact on the culture. The literature of writers from Spanish-speaking countries who write from the United States, Latin America, the Caribbean, and Spain is impacting the world in an unprecedented way. Awards, publishing houses, curated lists, and translations of new books give proof of the movement. Hablemos, escritoras has followed these changes and recognizes synergies that mark our contemporary world, as well as the causes and motivations that have driven the phenomenon. This talk, part of the 2022  “Las cuatro esquinas Tour” around the United States, will allow for conversations with cultural advocates, members of the community, and especially readers about what we have learned after years of work. Most importantly, it offers space to learn what is happening in our region, the challenges we face, and the road that still needs to be traveled in recognizing new names, topics, and trends. The tour's goal is to broaden the scope of the conversation beyond regional borders and to encourage and foster meaningful, nationwide conversations about the presence, impacts, and influences of literature, language, and the hispanic culture in the United States. This event will be presented in English. Presented by Town Hall Seattle, Seattle Escribe, and Hablemos, escritoras. Participants Catalina Marie Cantú (Xicana) is of Indigenous Mexican/Madeiran heritage and is a multi-genre writer, interdisciplinary artist, Jack Straw Fellow, and Alum of VONA/Voices and The Mineral School. She has received funding from Artists' Trust, Hugo House, Centrum, and Hedgebrook. Her poems and stories have been published widely and anthologized. Cantú earned a B.A. in La Raza Studies and a J.D. from the University of Washington, where she was a co-founding member of the groundbreaking Latinx groups MEChA and Teatro del Piojo. As a volunteer attorney, she managed the King County Bar Association Bilingual Spanish Legal Clinic. She is a co-founding member and current Board President of La Sala Latinx Artists and former chair of Los Norteños NW Latino Writers. As a writer, Cantú's goal is to bring her Latinx BIPOC family viewpoint to the page and provide stories to connect readers to themselves and their familias. She is currently finishing her braided essay collection and her first YA novel. She lives on the unceded traditional land of the Coast Salish peoples, specifically, the first people of Seattle, the Duwamish People. Miguel Guillén joined ArtsWA in 2016 and currently serves as Program Manager for the Grants to Organizations program. As a seasoned arts administrator, Miguel provides support to community-based arts organizations and projects, small arts groups, and artists across Washington. He has previously managed arts programs for the private sector. Born in Mexico and raised in the Skagit Valley of Washington State, Miguel received an Arts Management Certificate from Seattle Central College. He holds a Bachelor of Fine Arts Degree from Cornish College of the Arts, Seattle. He is a practicing visual artist. Claudia Castro Luna is an Academy of American Poets Poet Laureate fellow (2019), WA State Poet Laureate (2018-2021), and Seattle's inaugural Civic Poet (2015-2018). Castro Luna's newest collection of poetry, Cipota Under the Moon, is forthcoming in May of 2022 from Tia Chucha Press. She is also the author of One River, A Thousand Voices, the Pushcart-nominated Killing Marías, which was also shortlisted for WA State 2018 Book Award in poetry, and the chapbook This City. Her most recent non-fiction is in There's a Revolution Outside, My Love: Letters from a Crisis. Living in English and Spanish, Claudia writes and teaches in Seattle on unceded Duwamish lands where she gardens and keeps chickens with her husband and their three children. Alfonso Mendoza is a Mexican author that has written and published more than forty peer reviewed academic articles and chapters in the areas of economics, finance, and social sciences. As a creative writer, he enjoys writing short stories and poetry. Alfonso was a founding member of Seattle Escribe and participated as a student in the first writing workshop. Since then, he has remained in close contact with creative writing and the writers in the group. He is the current president of Seattle Escribe. José Luis Montero is passionate about storytelling regardless of the medium. After dabbling in radio, photography, and filmmaking, he turned his artistic attention towards the written word, both in English and Spanish. He was born and raised in Mexico and has lived most of his adult life in Seattle. He earned a certificate in Literary Fiction from University of Washington and a Master in Narrative and Poetry from Escuela de Escritores in Madrid. Upon his return from Spain, he worked as a production intern for Copper Canyon Press and assistant editor of poetry for Narrative Magazine before becoming a resident of the Jack Straw Writers Program in 2021. He is the former president of Seattle Escribe, a nonprofit promoting Spanish literature, and currently serves on the board of Seattle City of Literature. Dr. Adriana Pacheco was born in Puebla, Mexico and is a naturalized American Citizen. She sits at, and is the former Chair of, the International Board of Advisors at University of Texas Austin. She is an Affiliate Research Fellow at Llilas Benson, a Texas Book Festival Featured Author (2012), has several publications in collective books and magazines and has edited several books like Romper con la palabra. Violencia y género en la literatura mexicana contemporánea (Eón, 2017), and Para seguir rompiendo con la palabra. Dramaturgas, cineastas, periodistas y ensayistas mexicanas contemporáneas (Literal/Eón, 2021). She is the founder and producer of Hablemos Escritoras podcast and its accompanying encyclopedia, and founder of the first online bookstore for the United States focusing on women writing in Spanish or of Hispanic heritage: Shop Escritoras. She is currently working on several new books. Rubi Romero has worked as a content and policy manager, technical account manager, and UX Researcher at Amazon. In addition, Rubi serves as one of the leaders for Latinos@; an affinity group at Amazon, as a Career Development Director, and as a project manager for the Hispanic Heritage Month. Rubi graduated from the University of Washington with a Master's Degree in Digital Business and a B.A. in Communications and Sociology. Previously, she was a Project Manager for Microsoft and a Program Director for a non-profit organization where she built a State Program to assist Latino Victims of Domestic Violence, Sexual Assault, and Human Trafficking. Rubi is originally from Mexico City and has lived in Seattle since 1994. Kristen Millares Young is a journalist, essayist and novelist. Named a Paris Review staff pick, her debut novel Subduction won Nautilus and IPPY awards. Her short stories, essays, reviews and investigations appear most recently in the Washington Post, The Rumpus, PANK Magazine, the Los Angeles Review, and others, as well as the anthologies Alone Together, which won a Washington State Book Award in general nonfiction, and Advanced Creative Nonfiction: A Writer's Guide and Anthology. She is the editor of Seismic: Seattle, City of Literature, a 2021 Washington State Book Award finalist in creative nonfiction. A former Hugo House Prose Writer-in-Residence, Kristen was the researcher for the New York Times team that produced “Snow Fall,” which won a Pulitzer Prize. Presented by Town Hall Seattle. To become a member or make a donation click here. 

In this week's episode of the Get Lit Minute, your weekly poetry podcast, we spotlight the life and work of Mojave American poet, Natalie Diaz. She is an enrolled member of the Gila River Indian Tribe. Her first poetry collection, When My Brother Was an Aztec, was published by Copper Canyon Press in 2012.  SourceThis episode includes a reading of her poem, "Manhattan is a Lenape Word". See more of her work in our Get Lit Anthology."Manhattan is a Lenape Word"It is December and we must be brave.The ambulance's rose of lightblooming against the window.Its single siren-cry: Help me.A silk-red shadow unbolting like waterthrough the orchard of her thigh.Her, come—in the green night, a lion.I sleep her bees with my mouth of smoke,dip honey with my hands stung sweeton the darksome hive.Out of the eater I eat. Meaning,She is mine, colony.The things I know aren't easy:I'm the only Native Americanon the 8th floor of this hotel or any,looking out any windowof a turn-of-the-century buildingin Manhattan.Manhattan is a Lenape word.Even a watch must be wound.How can a century or a heart turnif nobody asks, Where have allthe natives gone?If you are where you are, then whereare those who are not here? Not here.Which is why in this city I havemany lovers. All my lovesare reparations loves.What is loneliness if not unimaginablelight and measured in lumens—an electric bill which must be paid,a taxi cab floating across three laneswith its lamp lit, gold in wanting.At 2 a.m. everyone in New York Cityis empty and asking for someone.Again, the siren's same wide note:Help me. Meaning, I have a giftand it is my body, made two-handedof gods and bronze.She says, You make me feellike lightning. I say, I don't everwant to make you feel that white.It's too late—I can't stop seeingher bones. I'm counting the carpals,metacarpals of her hand inside me.One bone, the lunate bone, is namedfor its crescent outline. Lunatus. Luna.Some nights she rises like that in me,like trouble—a slow luminous flux.The streetlamp beckons the lonelycoyote wandering West 29th Streetby offering its long wrist of light.The coyote answers by lifting its headand crying stars.Somewhere far from New York City,an American drone finds then lovesa body—the radiant nectar it seeksthrough great darkness—makesa candle-hour of it, and burnsgently along it, like American touch,an unbearable heat.The siren song returns in me,I sing it across her throat: Am Iwhat I love? Is this the glittering worldI've been begging for?Support the show (https://getlit.org/donate/)

Kelli Russell Agodon brings a much needed breath of fresh air when she shares her own "bad" poetry. Turns out Aaron's high school Wolf Journal isn't the only place failed poems have sat in purgatory! My Bad Poetry Episode 2.8: "Revising" & "Don't Bury Me in a Donut" (w/Kelli Russell Agodon) End Poem from a Real Poet: "Grace" by Kelli Russell Agodon in Dialogues with Rising Tides. Copper Canyon Press, 2021. Learn more about our guest Kelli on her site: https://www.agodon.com/index.html or follow her on Twitter @KelliAgodon Find her books: Dialogues with Rising Tides, The Daily Poet, Everything is Writable: 240 Poetry Prompts from Two Sylvias Press and many more at your local bookstore or online. Podcast's Twitter: @MyBadPoetryThe1 Email the Podcast: mybadpoetry.thepodcast@gmail.com Website: https://www.podpage.com/my-bad-poetry/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/mybadpoetry-thepodcast/message

Tyree Daye is a poet from Youngsville, North Carolina, and a Teaching Assistant Professor at UNC-Chapel Hill. He is the author of two poetry collections River Hymns 2017 APR/Honickman First Book Prize winner and Cardinal from Copper Canyon Press 2020. Daye is a Cave Canem fellow. Daye won the 2019 Palm Beach Poetry Festival Langston Hughes Fellowship, 2019 Diana and Simon Raab Writer-In-Residence at UC Santa Barbara, and is a 2019 Kate Tufts Finalist. Daye most recently was awarded a 2019 Whiting Writers Award.Bio via Tyree.work. See acast.com/privacy for privacy and opt-out information.

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Ellen Bass is a Chancellor of the Academy of American Poets. Her most recent book, Indigo, was published by Copper Canyon Press in 2020. Other poetry collections include Like a Beggar (Copper Canyon Press, 2014)—which was a finalist for The Paterson Poetry Prize, The Publishers Triangle Award, The Milt Kessler Poetry Award, The Lambda Literary Award, and the Northern California Book Award—The Human Line (Copper Canyon Press, 2007), and Mules of Love (BOA Editions, 2002), which won The Lambda Literary Award. She co-edited (with Florence Howe) the first major anthology of women's poetry, No More Masks! (Doubleday, 1973).Her poems have frequently appeared in The New Yorker and The American Poetry Review, as well as in The New York Times Magazine, The Atlantic, The American Poetry Review, The New Republic, The Kenyon Review, Ploughshares, The Sun and many other journals and anthologies. She was awarded Fellowships from the Guggenheim Foundation, The National Endowment for the Arts and The California Arts Council and received the Elliston Book Award for Poetry from the University of Cincinnati, Nimrod/Hardman's Pablo Neruda Prize, The Missouri Review's Larry Levis Award, the Greensboro Poetry Prize, the New Letters Poetry Prize, the Chautauqua Poetry Prize, and three Pushcart Prizes.Her non-fiction books include Free Your Mind: The Book for Gay, Lesbian and Bisexual Youth (HarperCollins, 1996), I Never Told Anyone: Writings by Women Survivors of Child Sexual Abuse (HarperCollins, 1983), and The Courage to Heal: A Guide for Women Survivors of Child Sexual Abuse(Harper Collins, 1988, 2008), which has sold over a million copies and has been translated into twelve languages. Ellen founded poetry workshops at Salinas Valley State Prison and the Santa Cruz, CA jails. She currently teaches in the low residency MFA writing program at Pacific University.From https://www.ellenbass.com/about/. For more information about Ellen Bass:“Ellen Bass”: https://www.poetryfoundation.org/poets/ellen-bass“The Poem is an Exploration: Ellen Bass Interviewed”: https://bombmagazine.org/articles/ellen-bass-interviewed/“A Conversation with Ellen Bass”: https://theadroitjournal.org/issue-thirty-six/ellen-bass-interview/