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A Rosetta Stone for understanding Donald Trump's style, mindset, and every action, made up of over one hundred interviews with his closest associates and adversaries over the last 15 years.To his critics, Donald Trump is an impulsive, undisciplined crackpot who accidentally lucked into the presidency. But in The Method to the Madness, reporters Allen Salkin and Aaron Short reveal that nothing could be further from the truth. This objective, nonpartisan oral history shows that Trump had carefully planned his bid for the presidency since he launched what many considered to be a joke candidacy in 1999.Between 2000 and 2015, when he announced his candidacy in the lobby of Trump Tower, he was able to identify an unserved political constituency, hone a persuasive message that appealed to their needs, and deliver it effectively, despite intense media opposition.Through candid conversations with more than 100 subjects close to the President, Salkin and Short make the case that Donald Trump's ostensibly erratic approach to politics is consistent with his carefully honed personal and professional style of information gathering, opinion seed-planting, and conclusion sharing. His business, media, and political dealings from this era serve as a guide for understanding the man, his mindset, and his every action.The Method to the Madness is an accessible and unbiased oral history that brings readers into the private rooms where decisions are made, confidences are broken, strong words fly, and not all eye-witnesses see the same scene in quite the same way. Full of scoops both large and small, this is the first book to bring Trump, the politician, into focus.11 months ago #ed, #method to the madness: donald, #opperman, #reportThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/1198501/advertisement
A Rosetta Stone for understanding Donald Trump's style, mindset, and every action, made up of over one hundred interviews with his closest associates and adversaries over the last 15 years. To his critics, Donald Trump is an impulsive, undisciplined crackpot who accidentally lucked into the presidency. But in The Method to the Madness, reporters Allen Salkin and Aaron Short reveal that nothing could be further from the truth. This objective, nonpartisan oral history shows that Trump had carefully planned his bid for the presidency since he launched what many considered to be a joke candidacy in 1999. Between 2000 and 2015, when he announced his candidacy in the lobby of Trump Tower, he was able to identify an unserved political constituency, hone a persuasive message that appealed to their needs, and deliver it effectively, despite intense media opposition. Through candid conversations with more than 100 subjects close to the President, Salkin and Short make the case that Donald Trump's ostensibly erratic approach to politics is consistent with his carefully honed personal and professional style of information gathering, opinion seed-planting, and conclusion sharing. His business, media, and political dealings from this era serve as a guide for understanding the man, his mindset, and his every action. The Method to the Madness is an accessible and unbiased oral history that brings readers into the private rooms where decisions are made, confidences are broken, strong words fly, and not all eye-witnesses see the same scene in quite the same way. Full of scoops both large and small, this is the first book to bring Trump, the politician, into focus.
A Rosetta Stone for understanding Donald Trump's style, mindset, and every action, made up of over one hundred interviews with his closest associates and adversaries over the last 15 years. To his critics, Donald Trump is an impulsive, undisciplined crackpot who accidentally lucked into the presidency. But in The Method to the Madness, reporters Allen Salkin and Aaron Short reveal that nothing could be further from the truth. This objective, nonpartisan oral history shows that Trump had carefully planned his bid for the presidency since he launched what many considered to be a joke candidacy in 1999. Between 2000 and 2015, when he announced his candidacy in the lobby of Trump Tower, he was able to identify an unserved political constituency, hone a persuasive message that appealed to their needs, and deliver it effectively, despite intense media opposition. Through candid conversations with more than 100 subjects close to the President, Salkin and Short make the case that Donald Trump's ostensibly erratic approach to politics is consistent with his carefully honed personal and professional style of information gathering, opinion seed-planting, and conclusion sharing. His business, media, and political dealings from this era serve as a guide for understanding the man, his mindset, and his every action. The Method to the Madness is an accessible and unbiased oral history that brings readers into the private rooms where decisions are made, confidences are broken, strong words fly, and not all eye-witnesses see the same scene in quite the same way. Full of scoops both large and small, this is the first book to bring Trump, the politician, into focus.
A Rosetta Stone for understanding Donald Trump's style, mindset, and every action, made up of over one hundred interviews with his closest associates and adversaries over the last 15 years.To his critics, Donald Trump is an impulsive, undisciplined crackpot who accidentally lucked into the presidency. But in The Method to the Madness, reporters Allen Salkin and Aaron Short reveal that nothing could be further from the truth. This objective, nonpartisan oral history shows that Trump had carefully planned his bid for the presidency since he launched what many considered to be a joke candidacy in 1999.Between 2000 and 2015, when he announced his candidacy in the lobby of Trump Tower, he was able to identify an unserved political constituency, hone a persuasive message that appealed to their needs, and deliver it effectively, despite intense media opposition.Through candid conversations with more than 100 subjects close to the President, Salkin and Short make the case that Donald Trump's ostensibly erratic approach to politics is consistent with his carefully honed personal and professional style of information gathering, opinion seed-planting, and conclusion sharing. His business, media, and political dealings from this era serve as a guide for understanding the man, his mindset, and his every action.The Method to the Madness is an accessible and unbiased oral history that brings readers into the private rooms where decisions are made, confidences are broken, strong words fly, and not all eye-witnesses see the same scene in quite the same way. Full of scoops both large and small, this is the first book to bring Trump, the politician, into focus.
Rav Kanievsky Z'SL and the sons of Aaron, Short Class Protocol and Guidance Connecting one generation with another
A Rosetta Stone for understanding Donald Trump's style, mindset, and every action, made up of over one hundred interviews with his closest associates and adversaries over the last 15 years. To his critics, Donald Trump is an impulsive, undisciplined crackpot who accidentally lucked into the presidency. But in The Method to the Madness, reporters Allen Salkin and Aaron Short reveal that nothing could be further from the truth. This objective, nonpartisan oral history shows that Trump had carefully planned his bid for the presidency since he launched what many considered to be a joke candidacy in 1999. Between 2000 and 2015, when he announced his candidacy in the lobby of Trump Tower, he was able to identify an unserved political constituency, hone a persuasive message that appealed to their needs, and deliver it effectively, despite intense media opposition. Through candid conversations with more than 100 subjects close to the President, Salkin and Short make the case that Donald Trump's ostensibly erratic approach to politics is consistent with his carefully honed personal and professional style of information gathering, opinion seed-planting, and conclusion sharing. His business, media, and political dealings from this era serve as a guide for understanding the man, his mindset, and his every action. The Method to the Madness is an accessible and unbiased oral history that brings readers into the private rooms where decisions are made, confidences are broken, strong words fly, and not all eye-witnesses see the same scene in quite the same way. Full of scoops both large and small, this is the first book to bring Trump, the politician, into focus.
A Rosetta Stone for understanding Donald Trump's style, mindset, and every action, made up of over one hundred interviews with his closest associates and adversaries over the last 15 years.To his critics, Donald Trump is an impulsive, undisciplined crackpot who accidentally lucked into the presidency. But in The Method to the Madness, reporters Allen Salkin and Aaron Short reveal that nothing could be further from the truth. This objective, nonpartisan oral history shows that Trump had carefully planned his bid for the presidency since he launched what many considered to be a joke candidacy in 1999.Between 2000 and 2015, when he announced his candidacy in the lobby of Trump Tower, he was able to identify an unserved political constituency, hone a persuasive message that appealed to their needs, and deliver it effectively, despite intense media opposition.Through candid conversations with more than 100 subjects close to the President, Salkin and Short make the case that Donald Trump's ostensibly erratic approach to politics is consistent with his carefully honed personal and professional style of information gathering, opinion seed-planting, and conclusion sharing. His business, media, and political dealings from this era serve as a guide for understanding the man, his mindset, and his every action.The Method to the Madness is an accessible and unbiased oral history that brings readers into the private rooms where decisions are made, confidences are broken, strong words fly, and not all eye-witnesses see the same scene in quite the same way. Full of scoops both large and small, this is the first book to bring Trump, the politician, into focus.
A Rosetta Stone for understanding Donald Trump's style, mindset, and every action, made up of over one hundred interviews with his closest associates and adversaries over the last 15 years. To his critics, Donald Trump is an impulsive, undisciplined crackpot who accidentally lucked into the presidency. But in The Method to the Madness, reporters Allen Salkin and Aaron Short reveal that nothing could be further from the truth. This objective, nonpartisan oral history shows that Trump had carefully planned his bid for the presidency since he launched what many considered to be a joke candidacy in 1999. Between 2000 and 2015, when he announced his candidacy in the lobby of Trump Tower, he was able to identify an unserved political constituency, hone a persuasive message that appealed to their needs, and deliver it effectively, despite intense media opposition. Through candid conversations with more than 100 subjects close to the President, Salkin and Short make the case that Donald Trump's ostensibly erratic approach to politics is consistent with his carefully honed personal and professional style of information gathering, opinion seed-planting, and conclusion sharing. His business, media, and political dealings from this era serve as a guide for understanding the man, his mindset, and his every action. The Method to the Madness is an accessible and unbiased oral history that brings readers into the private rooms where decisions are made, confidences are broken, strong words fly, and not all eye-witnesses see the same scene in quite the same way. Full of scoops both large and small, this is the first book to bring Trump, the politician, into focus.
Maria is joined by Abdullah Shihipar, public health researcher at the People, Place & Health Collective at Brown University, and Jessica Malaty Rivera, infectious disease epidemiologist and a senior adviser at the Pandemic Prevention Institute. They break down the latest on the COVID-19 surge, including guidance on the new Omicron variant, and how capitalism is influencing the CDC's shifting public health response. They also talk about ways to protect the most vulnerable, and what a post-pandemic world might look like. ITT Staff Picks:For The Marshall Project, reporters Beth Schwartzapfel and Keri Blakinger warn about what the latest omicron-driven COVID-19 surge could look like in jails and prisons, many of which are already experiencing staffing shortages, vaccine hesitancy, and overcrowding. “In the US, we are so accustomed to paying out of pocket for essential health care that when it is provided for free, it is a foreign concept,” writes Abdullah Shihipar in this piece for The Nation on how a lack of universal health care coverage has aggravated the pandemic in the US.Aaron Short writes about the brutal toll of pandemic-induced burnout and staffing shortages on the nursing industry in this piece for New York Magazine. Photo credit: AP Photo/David Dermer, File See acast.com/privacy for privacy and opt-out information.
Sven chats with Aaron Short of The Bashful Youngens about his song "Tennessee," meeting Carrie, the CU music Scene, and his favorite non-musical things. SONG: Tennessee ALBUM: Inflorescent BANDS: The Bashful Youngens Favorite Treat: Bell's Light Hearted Ale and Double Tree Hotel Chocolate Chip Cookie [Recipe] Photo Credit: Anna Longworth Photography
What's it like to cover Donald Trump? In this episode, veteran American journalist Allen Salkin explains. For over three decades, Salkin has written about many things for many high-profile publications, including The New York Post, The New York Times, The Los Angeles Times, The Atlantic and others. He is also the author of a number of well-received books: Festivus: The Holiday for the Rest of Us (2008); From Scratch: The Uncensored History of the Food Network (2014); and most recently The Method to the Madness: How Donald Trump Went from Penthouse to White House in Fifteen Years--An Oral History written with political reporter Aaron Short in 2018. In this episode, we are discussing his 2019 Los Angeles Magazine piece The Biggest Loser: Why Donald Trump Couldn't Hack It in Hollywood. Learn more about your ad choices. Visit megaphone.fm/adchoices
What's it like to cover Donald Trump? In this episode, veteran American journalist Allen Salkin explains. For over three decades, Salkin has written about many things for many high-profile publications, including The New York Post, The New York Times, The Los Angeles Times, The Atlantic and others. He is also the author of a number of well-received books: Festivus: The Holiday for the Rest of Us (2008); From Scratch: The Uncensored History of the Food Network (2014); and most recently The Method to the Madness: How Donald Trump Went from Penthouse to White House in Fifteen Years--An Oral History written with political reporter Aaron Short in 2018. In this episode, we are discussing his 2019 Los Angeles Magazine piece The Biggest Loser: Why Donald Trump Couldn't Hack It in Hollywood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
What's it like to cover Donald Trump? In this episode, veteran American journalist Allen Salkin explains. For over three decades, Salkin has written about many things for many high-profile publications, including The New York Post, The New York Times, The Los Angeles Times, The Atlantic and others. He is also the author of a number of well-received books: Festivus: The Holiday for the Rest of Us (2008); From Scratch: The Uncensored History of the Food Network (2014); and most recently The Method to the Madness: How Donald Trump Went from Penthouse to White House in Fifteen Years--An Oral History written with political reporter Aaron Short in 2018. In this episode, we are discussing his 2019 Los Angeles Magazine piece The Biggest Loser: Why Donald Trump Couldn't Hack It in Hollywood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism
What's it like to cover Donald Trump? In this episode, veteran American journalist Allen Salkin explains. For over three decades, Salkin has written about many things for many high-profile publications, including The New York Post, The New York Times, The Los Angeles Times, The Atlantic and others. He is also the author of a number of well-received books: Festivus: The Holiday for the Rest of Us (2008); From Scratch: The Uncensored History of the Food Network (2014); and most recently The Method to the Madness: How Donald Trump Went from Penthouse to White House in Fifteen Years--An Oral History written with political reporter Aaron Short in 2018. In this episode, we are discussing his 2019 Los Angeles Magazine piece The Biggest Loser: Why Donald Trump Couldn't Hack It in Hollywood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
What's it like to cover Donald Trump? In this episode, veteran American journalist Allen Salkin explains. For over three decades, Salkin has written about many things for many high-profile publications, including The New York Post, The New York Times, The Los Angeles Times, The Atlantic and others. He is also the author of a number of well-received books: Festivus: The Holiday for the Rest of Us (2008); From Scratch: The Uncensored History of the Food Network (2014); and most recently The Method to the Madness: How Donald Trump Went from Penthouse to White House in Fifteen Years--An Oral History written with political reporter Aaron Short in 2018. In this episode, we are discussing his 2019 Los Angeles Magazine piece The Biggest Loser: Why Donald Trump Couldn't Hack It in Hollywood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics
What's it like to cover Donald Trump? In this episode, veteran American journalist Allen Salkin explains. For over three decades, Salkin has written about many things for many high-profile publications, including The New York Post, The New York Times, The Los Angeles Times, The Atlantic and others. He is also the author of a number of well-received books: Festivus: The Holiday for the Rest of Us (2008); From Scratch: The Uncensored History of the Food Network (2014); and most recently The Method to the Madness: How Donald Trump Went from Penthouse to White House in Fifteen Years--An Oral History written with political reporter Aaron Short in 2018. In this episode, we are discussing his 2019 Los Angeles Magazine piece The Biggest Loser: Why Donald Trump Couldn't Hack It in Hollywood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
What's it like to cover Donald Trump? In this episode, veteran American journalist Allen Salkin explains. For over three decades, Salkin has written about many things for many high-profile publications, including The New York Post, The New York Times, The Los Angeles Times, The Atlantic and others. He is also the author of a number of well-received books: Festivus: The Holiday for the Rest of Us (2008); From Scratch: The Uncensored History of the Food Network (2014); and most recently The Method to the Madness: How Donald Trump Went from Penthouse to White House in Fifteen Years--An Oral History written with political reporter Aaron Short in 2018. In this episode, we are discussing his 2019 Los Angeles Magazine piece The Biggest Loser: Why Donald Trump Couldn't Hack It in Hollywood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Hi,I’ve decided to launch a Webworm podcast, and I wanted you to be the first to know about it.God, how many times that phrase been uttered: “I’ve decided to launch a podcast.” Good Lord.Okay — so let me explain the “Episode 5” thing. When Webworm started, I experimented with four podcast episodes last year. I’ll list those at the end, as they’re all available along with today’s episode.But as of today I formally, officially and excitedly launch the audio component to Webworm! I’m going to use it to complement the written content here when it feels appropriate. When it feels exciting. When it feels — not to get too pretentious — worthy.And so I did a long read of Jez Brown’s heartfelt, horrifying and somehow hilarious essay on having Long Covid. I wanted to see how it would be in audio form. I want Jez’s story to have fresh legs, so people can listen in their cars or while they clean the house. It’s an experiment, and I want to see how you feel about it. You can listen to this episode in this email — it’s embedded in this newsletter — or you should be able to find it on Apple Podcasts and Spotify.I’ve been enjoying Armchaired and Dangerous so much with Dax and Monica (see below for details of our upcoming live show), so I figure Webworm can have a little podcast life, too. As a subscriber you will always get it in your inbox first.An extra thanks to paying subscribers (seriously, dear God, thank you!) who give me the resources and time to build this thing.I’d love to take your feedback in the comments below. Webworm will always be a written thing — I want you to be able to read it on your phone while you’re in bed or on the bus or at the beach — but I figure audio will be fun to play with. Some stories and interviews may even work better in audio form.Here are the previous episodes from last year:Episode #1: a week of conspiratorial madnessEpisode #2: The Sloppy Nonsense of conspiracy theoriesEpisode #3: “Make up something fucking new, so that I can actually give a shit!”Episode #4: I love The Boys because it features a psychopath with strong hints of TrumpSo welcome to the Webworm podcast. Big thanks to Aaron Short for doing the theme music. You’re great and your love of dogs is eternal and awesome.Armchaired and Dangerous: LiveWhile we’re talking podcasts — we’re doing a live Armchaired and Dangerous in Salt Lake City on Thursday September 16th. Tickets go on sale tomorrow. You’ll be able to get them here.Dax, Monica and I will see you then, Utah!And if you’re in LA on Sunday August 22nd, I’ll be making a brief appearance on stage with Chuck Tingle at his show. You can find details here. It’s sort of a secret that I am popping up, but I am telling you because I want to. If you’re in LA come say hi! Keep it a secret, okay!An update on Dr Dan - and some some reader feedbackEarlier this week I wrote about Dr Dan, a medical professional who since January has been talking a lot about hydrogen peroxide, hydroxychloroquine and ivermectin as potential Covid treatments on his Facebook and Instagram pages.He also looked nearly identical to Jason Schwartzman which is kinda cool.After that piece — his Facebook account already disabled — he shut down his Instagram account as well:As I mentioned in my piece, I wrote to the New Zealand Medical Council enquiring about the statements and studies he’d posted on his social media.They sent back this comment, attributed to Dr Curtis Walker, Chair, Medical Council of New Zealand:Council takes it very seriously when it becomes aware of any doctor who spreads medical misinformation, which includes anti-vaccination messages. Council notes that the information is no longer publicly available on Dr Quistorff’s social media platforms.The Medical Council recognises that the expert medical advice and scientific evidence strongly support that the COVID-19 vaccination is safe, effective, and necessary to overcome the global pandemic.Our role is to protect public safety and for that reason we have released a joint statement alongside the Dental and Paramedic Councils expectations of doctors, dentists and paramedics. As regulators we respect an individual’s right to have their own opinions, but it is our view that there is no place for anti-vaccination messages in professional health practice, nor any promotion of anti-vaccination claims including on social media and advertising by health practitioners: Expectations for COVID-19 vaccination released for doctors and dentists.I’d note that at no time did I observe this doctor spreading specific anti-vaccination messages. For all I know, he’s very pro-vaxx in person— and some of his patients wrote to me telling me as much. I choose to trust them.I would note however that talking at length about alternate Covid treatments on social media can act as muddying the water in regards to the very clear message to “get vaccinated”. In simply sharing “fresh research” (that’s a favourable take) of alternative Covid treatments willy nilly, Dr Dan may well have been unwittingly aiding the anti-vaxx movement:And reading comments online about my piece, you can sort of see the ripple effect Dr Dan’s posts can have:I’d argue “looking outside the square of vaccines” isn’t a great train of thought during a pandemic, when we are trying to get people vaccinated. The square is a very good place to be. Insults kept flying in on my social media. Some of my favourites:This “expose” is a cheap shot smear piecePerhaps you should stick to actingWhat are your credentials in investigative reporting anyway?With that in mind, Gideon Meyerowitz-Katz has just written a really great piece summing up the issues with ivermectin. Gideon’s an epidemiologist working in chronic disease in Sydney, Australia — and he talks about ivermectin at length on his Twitter. Ivermectin was the latest alternate Covid treatment Dr Dan was posting about, before he took his accounts offline. After I mentioned it in my newsletter, and on social media, I got plenty of comments endlessly going on about how it’s a valid treatment and to leave the poor doctor alone.Which is why I wanted to share Gideon’s piece: Ivermectin for Covid-19 — An UpdateIvermectin is a horse dewormer and anti-parasitic medication that has been promoted across the world for the treatment of Covid-19. It has been in the news a lot recently, because a large portion of the evidence-base for the drug appears to have been based on fraudulent research, which as scientific rigor goes is usually considered to be a bit of an issue.But we’ve held out hope that the drug works for Covid-19, because despite the foundations of the research being cracked, there were still a number of positive trials and some of them were really well-done. Yes, fraud is bad, but we can’t throw the baby out with the bathwater just because one study may never have happened at all.Until today. The results from a very large new study were just released, showing absolutely no benefit for ivermectin when compared to a placebo pill. It now seems depressingly likely that ivermectin is probably not useful for treating Covid-19.You can read his whole piece here, but basically:This trial has already demonstrated that hydroxychloroquine and lopinavir/ritonavir are unlikely to be beneficial treatments for people with Covid-19 in outpatient settings, and because of the hype around ivermectin had included the drug in a treatment arm to see if it worked. The results from this part of the trial, including over 1,300 patients, were released in summary form late this afternoon.They showed no benefit for ivermectin in the treatment of Covid-19. None whatsoever.It’s a bit like when Dr Dan posted about hydroxychloroquine in June. Despite clinical trials confirming hydroxychloroquine didn’t prevent illness or death from Covid 19 — his post remained up. As did his posts about hydrogen peroxide and ivermectin.Until he took all his accounts offline this week after my piece. And that, in my opinion, is a good thing. Because people trust doctors, and some of those visiting his page would trust the (not defunct) information he’d posted.Some reader feedback: Thanks to all of you for reading the piece, and thanks for the doctor and medical student who also got in touch. They agreed to let me publish their emails as long as I didn’t identify them. For that reason, I’ve changed their names.E-mail #1: Dr. “Sarah”“I am a doctor. I just started my specialist training in palliative care, but up until now have spent a lot of time rotating around various medical specialties in the hospital.Reading your newsletter made me say “oh no no no no no no”. The ivermectin thing has been bizarre. I suggest you look into Brett Weinstein — a smart but flawed guy who is using a big podcast platform to promote very inaccurate and skewed statistics around the same topic. He is very vaccine hesitant.I just want to say after listening to the Armchaired and Dangerous episode about medicine and reading this, that I feel a bit sad about your distrust of our profession. I can understand it though — your experiences have been bizarre. But just know that the Dr Dans are such a small proportion of us. Actually there are so many thousands or millions of us just constantly trying to make an assessment of recent data and interpret its value while balancing it against the patients’ expectations, and everyone I know in this job is just motivated to help people. This guy is definitely misrepresenting his profession, but being an “Integrative and Functional Medicine Specialist” is already a red flag.It’s worth also noting that everyone I know who is a doctor is anxiety-ridden.Ultimately, we are just a bunch of humans so we get things wrong a lot, and sometimes when I don’t think things through properly or carefully enough, my patients can have bad things happen to them or can die. That’s an insane amount of pressure. But everyone I’ve met has just been a good person trying their best to get their patients to feel better while the healthcare system falls apart around us.Absolutely love your work. For whatever reason just felt compelled today to add my thoughts. It would be great if this guy could face some consequences of his idiotic views.”“It’s worth also noting that everyone I know who is a doctor is anxiety-ridden.”E-mail #2: Medical student “Adam”“I’m a medical student and over the past few years I’ve been placed in various medical specialities to learn about them. Unfortunately, I’m not surprised to learn about Dr Dan because there are lots of Dr Dans around. Most of them are just aren’t on social media. On one of my placements I had two separate doctors tell me and the other students that we should take ivermectin instead of getting the vaccine. One of them would regularly bring alternative articles/guidelines into the hospital to try and convince us.He actually had one of the other students really worried about the vaccine for a while, but once she learned more she did get the jab. I was also warned off getting the vaccine by both a surgeon and an oncologist. Both for alternative conspiracy type reasons. The number of conspiracy believing, anti-vaxx doctors is pretty scary. If the average member of the public was warned by multiple doctors not to get vaccinated I don’t think they would. And these were just the ones bold enough to push their views on the med students.To be clear — I’ve met a huge number of doctors and these ones are still a small minority among them. But enough that it’s concerning. It just goes to show that doctors aren’t immune to misinformation. We have the same mental circuitry as everyone else and we fall prey to the same tricks and mental traps.That said — I never heard any of them express these views to their patients, it’s just been talk among the other medical professionals and students. The fact that Dr Dan is publicly putting all of this out there on social media makes it a different situation. He’s not only influencing the people around him, but also anyone who stumbles across his instagram.”“It just goes to show that doctors aren’t immune to misinformation. We have the same mental circuitry as everyone else and we fall prey to the same tricks and mental traps.”Okay, David here again.I really appreciated hearing from those two — and hearing from all of you, too. A lot of you came forward with other stories and tips about this story, and others. Please know I have them all on file and hope to follow them up. You can always reach me in the comments, or if it’s something more confidential you can get me at davidfarrier@protonmail.com. You can contact me there with any information you have about any story, for that matter. A bunch of non-Webworm readers also found my social media and wrote to tell me off for “cancelling” a doctor. To those people: I haven’t cancelled a doctor. A doctor very publicly posted a bunch of stuff, and I wrote some context around that stuff. I’m okay with that.And with all that in mind — let me know what you think of the podcast and what sorts of things you’d like to hear in the comments below. I’ll most likely just chase my gut, but I’d really like your input.Yours, David. Get full access to Webworm with David Farrier at www.webworm.co/subscribe
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On this episode, we interview Aaron Short, a professional singer and guitarist, who regularly live streams musical performances on his YouTube channel, Aaron Short Music, to discuss how he gets clean music on his livestreams. Summary: Learn how to play musical instruments on your live streams. Questions for Aaron Short How did you get started with live streaming? When did you start live streaming your musical performances? What are some of the challenges with playing music instruments such as the guitar, when streaming on YouTube Live or Facebook Live? What type of equipment is needed to play an instrument or to capture good, quality vocals or instruments? Do people have to worry about copyright if they cover someone else's music on a live stream? Where can people connect with Aaron Short? @AaronShortMusic Thank you for joining us for episode 44 of the Launch Your Live podcast where we discussed playing musical instruments on live streams with Aaron Short. Remember, if you need help with your live streaming, contact us for a consultation by messaging us on our Facebook page @launchyourlive. For more information on this episode, head to https://launchyour.live/ep44 (https://launchyour.live/ep44). We will see you all on a future episode. Click the subscribe or follow button, push play, and let's get you moving with live video Link: https://launchyour.live/ep44 (https://launchyour.live/ep44) Launch Your Live Official Site (https://launchyour.live (https://launchyour.live)) Facebook (https://facebook.com/launchyourlive (https://facebook.com/launchyourlive)) Instagram (https://instagram.com/launchyourlive (https://instagram.com/launchyourlive)) Twitter (https://twitter.com/launchyourlive (https://twitter.com/launchyourlive)) LinkedIn (https://linkedin.com/company/launch-your-live (https://linkedin.com/company/launch-your-live)) YouTube (https://www.youtube.com/channel/UCjAelMZ-TPHw-vn0fWTxQ9A (https://www.youtube.com/channel/UCjAelMZ-TPHw-vn0fWTxQ9A))
Even from a young age, having a biological family was never in the cards for Kristen & Aaron Short. While the road to adoption is typically a long and stressful one for many families, hear how all three of the Short's adoptions happened quicker than expected, once they were obedient to God’s prompting. This interview is packed with examples of how taking leaps of faith with God can bless us more than we could've ever imagined. Connect with us at: www.ohmygodpod.com or https://www.facebook.com/groups/ohmygodpod/
Venturi's Voice: Technology | Leadership | Staffing | Career | Innovation
Aaron is the Co-founder of Accomodation.co.uk After 6th form, Aaron had a great opportunity to work at a digital marketing agency. He was trained up and managing accounts at 18. This role impressed on him the importance of design. After a while, in this role, Aaron decided to go to university. He did a year of creative advertising then moved into business and marketing. Whilst he was doing this he started building websites for local businesses. Aaron started working on marketing property and learned a lot of valuable lessons from estate agents. From the profits he made doing this he was able to buy his own house and he himself became a landlord. This let him understand the troubles landlord face and with his co-founder, they set up accomodation.co.uk
International Overdose Awareness Day is on the 31st of August every year. In this episode, hear audio from an IOAD event held in Richmond for the Aaron Short Awareness Association (ASAA Inc) in collaboration with the Yarra Drug and Health Forum, APOD Family Services and Harm Reduction Victoria.Location: Richmond Town Hall @ 1pm – 5pmInternational Overdose Awareness Day (IOAD) is a global event held on 31 August each year and aims to raise awareness of overdose and reduce the stigma of a drug-related death. Originating in Melbourne 2001, the day acknowledges the grief felt by families and friends by remembering those we have lost, or those who have sustained a permanent injury as the result of drug overdose. Our minds immediately go to illegal drugs when discussing overdose, however alcohol and prescription medication are two of our biggest killers.In honour of loved ones lost and dearly missed, our aim is to raise awareness and reduce stigma within our communities around this significant health issue.Read the Vancouver safe supply statement
Constructing and maintaining a green building is a difficult and expensive process. One of the more difficult parts is conducting the required mobility survey. This is because the results are often inaccurate and, overall, useless to the building owner. When people are asked about how they move and how they travel, their answers often do not represent reality. Fortunately, B-Line is here to help record useable data and made sense of what you have.Rather than conducting interviews with people, hoping that they know what their travel pattern looks like, B-Line uses the occupants' actual travel patterns. People from the building are given access to the mobile app on their phone, where the company can anonymously track the user's behaviors and travel patterns. After the campaign is complete, the building owner is given access to a report detailing how their occupants actually move, making it truly actionable. All of this can be done for less money than traditional methods because no people have to be hired to conduct surveys and no manual data processing has to take place after.One of the big actions that can be taken based on the data is an accurate assessment of how many parking spaces are needed. While this might not sound like a big deal, parking spaces are incredibly expensive to maintain. The average parking space costs about $100,000 and can be a lot more in places like New York City or Los Angeles. If a building owner can eliminate just one spot, it can be a huge cost saving.To demonstrate the power of the platform, B-Line worked with a group of university students at the State University of New York in Syracuse. To start, CEO Aaron Short gave his presentation on how current methods are terrible. The students didn't believe him, and so they conducted a traditional mobility survey with the students and then turned on the system. The students got to see first hand just how little they knew about their travel patterns, and how easy it can be to get false data using traditional methods.The B-Line system can be used for more than just green building certifications. It can be applied to new community developments, universities, and even cities. The service is available now and you can get more information on their website.Sponsored by: Get $5 to protect your credit card information online with Privacy. Amazon Prime gives you more than just free shipping. Get free music, TV shows, movies, videogames and more.
Constructing and maintaining a green building is a difficult and expensive process. One of the more difficult parts is conducting the required mobility survey. This is because the results are often inaccurate and, overall, useless to the building owner. When people are asked about how they move and how they travel, their answers often do not represent reality. Fortunately, B-Line is here to help record useable data and made sense of what you have.Rather than conducting interviews with people, hoping that they know what their travel pattern looks like, B-Line uses the occupants' actual travel patterns. People from the building are given access to the mobile app on their phone, where the company can anonymously track the user's behaviors and travel patterns. After the campaign is complete, the building owner is given access to a report detailing how their occupants actually move, making it truly actionable. All of this can be done for less money than traditional methods because no people have to be hired to conduct surveys and no manual data processing has to take place after.One of the big actions that can be taken based on the data is an accurate assessment of how many parking spaces are needed. While this might not sound like a big deal, parking spaces are incredibly expensive to maintain. The average parking space costs about $100,000 and can be a lot more in places like New York City or Los Angeles. If a building owner can eliminate just one spot, it can be a huge cost saving.To demonstrate the power of the platform, B-Line worked with a group of university students at the State University of New York in Syracuse. To start, CEO Aaron Short gave his presentation on how current methods are terrible. The students didn't believe him, and so they conducted a traditional mobility survey with the students and then turned on the system. The students got to see first hand just how little they knew about their travel patterns, and how easy it can be to get false data using traditional methods.The B-Line system can be used for more than just green building certifications. It can be applied to new community developments, universities, and even cities. The service is available now and you can get more information on their website.Sponsored by: Get $5 to protect your credit card information online with Privacy. Amazon Prime gives you more than just free shipping. Get free music, TV shows, movies, videogames and more.
Jeff is joined in studio by Alex Nazaryan, author of "The Best People, Trump’s Cabinet and the Siege on Washington," and Allen Salkin, co-author with Aaron Short of "The Method to the Madness: Donald Trump’s Ascent as Told by Those Who Were Hired, Fired, Inspired—and Inaugurated." The trio takes your calls.
Aaron Short (with Allen Salkin) talks about President Donald Trump in their new book "The Method to the Madness"
July 7, 2019: Julie K. Brown, Catherine Rampell, Philip Bump, Carl Bernstein, Allen Salkin, Aaron Short, Elora Mukhurjee and Carl Cameron join Brian Stelter.
He's running: Jeff and Celeste discuss Joe Biden's campaign for president with Newsday national reporter Emily Ngo and author Aaron Short.
Dr. Mayfield, Trever, and Aaron Short discuss human trafficking, and how we can be a part of the solution. This is a Parental Discretion Suggested episode as we talk about one of the darkest markets in the world.
The power of one song can completely change a band's life. "Young Blood" was released back when most of the members of New Zealand indie electronic band, The Naked and Famous, were still living with their parents. Before they knew it, the band was touring all over the world and contemplating a move to either London or LA--so they could conquer the world. I hung out with Alisa Xayalith and Aaron Short backstage at Rogers Arena. They were opening for radio rock supergroup Imagine Dragons--and you can hear the Imagine Dragons support crew finishing the Imagine Dragons soundcheck in the background. Alisa and Aaron were running on less than four hours sleep when we chatted and they were super nice to do this interview when they could have been resting before the show. I tried to make our time together fun, since I love what these guys do. What's a quick way to tell New Zealanders from Australians? What 90s legend inspired the band's name? What was it like to leave New Zealand to grow the band's career? What's it like to do an arena show for the first time? When does inspiration hit? Which TNAF song nearly didn't make the first record? What's the weirdest offer the band has received to license their music? Which member of the band do they describe as Sauron from Lord of the Rings? What's the weirdest object Alisa and Aaron have in their suitcases? Which TNAF song was inspired by the death of Alisa's mom? You'll have to listen to find out! Tracks played on the radio edit of the show... 1) The Naked and Famous, In Rolling Waves (2013) "Hearts Like Ours" 2) The Naked and Famous, Passive Me, Aggressive You (2010) "Young Blood" 3) The Naked and Famous, Passive Me, Aggressive You (2010) "Punching In A Dream" 4) The Naked and Famous, In Rolling Waves (2013) "I Kill Giants" NO songs CANCON
Join us for a special preview of Portland Opera's upcoming production of Cosi Fan Tutte. The preview is hosted by Chorus Master and Assistant Conductor Nicholas Fox with musical highlights performed by singers Antonia Tamer, Kate Farrar, Aaron Short and Ryan Thorn --in a total of seven arias from the opera. For more information, visit Portland Opera. Recorded Live at Central Library: July 9, 2017
On this episode of KNOBS, Matt and Chris celebrate Spring Break through the devilish eyes of their children, chat about how the U.S President is completely fucking with the arts, and how reading bad reviews might actually help album sales. Matt also sits and talks with Aaron Short of Space Above, and The Naked And Famous before getting to know Chris Tomson, the man behind Dams Of The West and a member of Vampire Weekend. KNOBS is brought to you by: Atomic Film + Design Start your project now at atomicfilmshop.com and Pedal Genie All you pedal wishes, granted at pedalgenie.com
This week we take a look at newly-elected NYC Mayor Bill de Blasio with City & State’s Aaron Short, and later we’re joined by photographer Tod Seelie and Ian Vanek of Japanther to discuss Tod’s new book, Bright Nights.
Founder of Archive.org discusses the nonprofit’s plan to archive as much information as possible online, for all the world to share for freeTRANSCRIPTSpeaker 1:You're listening to k a LX, Berkeley 90.7 FM and this has method to the madness to show from the public affairs department that celebrates the innovative spirit of the bay area. I'm your host Ali Nisar and today we have Brewster Kale to internet pioneer who is an engineer, entrepreneur, activists advocating for universal access to knowledge for all through his projects. The Internet archive. Stay with us. Speaker 2:We're trying to bring universal access to all knowledge. [00:00:30] Can we build the library of Alexandria version two can you actually take everything ever published? All books, music, video, software, webpages, anything ever meant for public distribution. Make it one, preserve it forever and to make it then available to anybody. Curious enough to want to have access to. So that's the, that's the basic worldview that we're part of a, we're not trying to solve the whole thing, but anything that's missing, we want to try to get to that [00:01:00] goal. That's such an amazing and inspirational vision. I mean, cause it's almost impossible to catalog everything. I would think that's actually quite possible. Yeah, you kind of have that. It's not infinite. It's not, it's not at all. Um, so if you take, um, oh, I don't know, take, take the library Congress for the largest book or print library in the world and by far about 28 million books. Speaker 2:The next ones down are things like, uh, the British library, [00:01:30] the uh, Harvard and New York public library in there and kind of half the size and lead. So the library can exchange gimmick. But if you take a book, it's about a megabyte, about a megabyte, a book. So if you have 28 million megabytes, it goes mega, Giga, Tera, 28 terabytes. And that's 20 terabytes is seven hard drives that you can buy in best buy. And that means in one shopping cart for less than you pay in rent in a month. You get out of all [00:02:00] of the disc storage. I would store all the words in the library of Congress. Speaker 1:Okay, Speaker 2:let's do, and if you do out the math on the other things like movies and music and web pages, it's all completely within our grants. It's just cause the tech, techno, the technical guys have gotten data storage to be so, so dense. And then the access part is this internet. The idea of, of getting it to somebody in Kenya or East Oakland is completely possible. So when did you begin the process? [00:02:30] I this, this really crystallized for me back in 1980 to go and build, uh, try to build the library, but there were a lot of things missing. So I tried to help build some of those, those pieces, uh, leading up to a system that came before the worldwide web, uh, called ways to try to get people to come online in an open way, but the web was better. Um, so I've jumped onto that and then, um, built a couple of companies along the way to try to get the publishers online. Speaker 2:Um, but by 19, 1996, [00:03:00] things were going, uh, well enough. All the Polish was getting online and the basic infrastructure was moving along. And not just because of me, but because of the, everybody was working together towards building that I could say, okay, let's build the library. So we started collecting the World Wide Web and this new organization called the Internet Archive, archive.org and we started archiving the world wide web and we tried to build robot crawlers. Basically the same things that operate the search engines, like Google the disco and visit every [00:03:30] website and download every webpage. And we would basically do every webpage from every website every two months. Then we'd start again and do it again. Do it again, do it again. Do it again. Cause that long it takes to crawl a wet, that's how long we give it. And then because the web is effectively infinite, you know, that was my question that it's, you know, there's these sites that just play chess with you. Speaker 2:So I mean, so you know, there's infinite numbers of, of computer generated web pages. Um, but yeah, it takes us [00:04:00] about two months to go and gather up what it is. It's in a modern search engine. How do you determine which sites are, are um, are we trying to do order the you archive? We tried to do, we tried to do all of them. We biased towards the popular ones. So, uh, we tried to get something from everybody. And then for the, uh, ones that are used a lot, then those are the ones we try to go deeper, but we're talking hundreds of millions of websites. We, we now have 240 billion [00:04:30] pages. Um, and in 19,001 we made a way back machine, so you could go to archive.org and type in a URL. And, um, if we have it, we'll show you all the different versions we have. Speaker 2:You can start clicking around and seeing the web as it was. So the idea of, of preserving this amazing thing that we're building, which is this worldwide web is quite doable even by a nonprofit. So we started working with the library of Congress. We worked with a bunch of different national libraries. [00:05:00] We work with about 200 university libraries, um, and state libraries and archives that they help fund bits and pieces of the Internet archive on the, on the web collection. It's completely exciting and it's working. Uh, we get about a half a million people a day using just the way back machine itself. And so it's a popular resource, uh, out there. But then we thought, okay, well what's this is going along. What else is there to do? So the, another endangered medium was a television and I've had a love [00:05:30] hate relationship with television, uh, burn television anyway. Speaker 2:Said, hey, I watched too much growing up, but it is still a very influential purse, pervasive and persuasive medium. And nobody else seemed to be in the cultural areas, seem to be doing a good archive of it. So in the year 2000, we started, we hit the record button and we started quoting 20 channels, 24 hours a day, DVD quality, so Russian, Chinese, Japanese, Iraqi, Al Jazeera, BBC, CNN, ABC, Fox, whatever, [00:06:00] all these. And then just crunched forward. We're now up to around a hundred channels from 35 countries. Um, and we made these available just a few months ago. Um, at least the television news from the United States from the last three years. We wanted everyone to be, uh, uh, John Stewart Research Department before the last election so that people could go and type in words to try to find out what did their, what did politicians say before about particular [00:06:30] things would have pundits say. Speaker 2:So you could basically go and quote and compare and contrast the elements that require, are required for critical thinking. So we wanted this to happen, so we made this available, um, publicly, and you can get 32nd snippets of these, um, news programs and you can watch those. And if you want the whole program, then we print it on a DVD and send it to you. I charge 25 bucks. So the idea is to try to get this, um, uh, ecosystem to work. [00:07:00] So documentaries can come out and it makes it easier for people to look at television news and critique it because otherwise it just flows over and it's just, these guys can say anything they want and get away with it. So how are we going to basically hold them accountable? Um, make it so that this, these materials are referenceable and making it by URL. Speaker 2:So you can go and refer into news over a period of time. So it's really fascinating. I, I, I wonder though, if you could explain to us about, um, by copyrights. Yeah. So, [00:07:30] so, you know, you mentioned a lot of big net television networks, right? Um, that probably, you know, they have ownership over the content in some way, or how does that work? Um, well, everything's copyrighted forever, it seems, or at least, I don't know, I am not a lawyer on this stuff, but we are a library and the libraries have copyrighted materials. So that's what, that's what libraries are full of. And there are certain things libraries can do with them. Um, for instance, lends, I'm out. So let's take books. So we digitize books, [00:08:00] we've digitized a couple million bucks, uh, and we give them away for free. And so they can be downloaded in bulk. Speaker 2:Uh, we think that that's very important. It's kind of a counter to some of the project by Google with their, with those libraries. Uh, and we worked with the University of California and we had a scanning center in Richmond, California and at UCLA, uh, digitizing books. And we digitized about 300,000 books from, um, those collections. And they're available for free on the net, uh, [00:08:30] for any use at all. Cause they were old enough to be out of copyright. But for the newer ones, the ones since 1923, a lot of them's have rights problems. So we digitize these also, um, largely based on book people donating the books to us and then we make them available to the blind and dyslexic and because we can, so the blind and dyslexic, if they are blind for the library of Congress to get a access, they can have access to now 500,000 [00:09:00] modern books all the way through Harry Potter or whatever, uh, to be able to have, um, free, uh, and easy access to these materials. Speaker 2:But then we wanted to go further than that. Um, so for the books from the 20th century that we've scanned for the 21st century, we would try to buy books and then lend them out one at a time. So there's only one person who can have a copy at a time using the same controls. The publishers use to control the distribution of their imprint works. So [00:09:30] we, we buy these books and we lend them out, but the publishers are selling that many books yet. Um, so we've digitized a lot of these books, let's say from the 20th century and then we lend them out. So you can go to open library.work, which is another side of ours. And then you can go and click and download a pdf of this. But it's one of these special weird PDFs from Adobe that melt in your hands after two weeks, self-destruct, say self-destruct in that sort of a mission, impossible kind of way. Speaker 2:Or you can [00:10:00] check it out and read it on the screen and then while you're reading it on the screen, nobody else can check it out. If you check it back in and then somebody else can use it. And if you forget to check it back in, then it automatically is checked back in so you don't get any library fees and it, um, uh, then somebody else can check it out. And we get, Oh, a couple thousands of 3000 people checking out a book a day. Um, uh, I think so on that order. So you can sound like a member of the archive just like, yeah, you get a library card, it's free. So if you've got an open library.org [00:10:30] you can go and borrow books. If you've got an archive.org you can borrow TV programs. Um, and on the website on the way back machine that's just free and open use. Speaker 2:Um, is there a legal entity for a library or is it just the kind of no, you walk out like a duck, quacks like a duck, you're a library. So, uh, but uh, we were actually, um, there is a particular regulation to be able to get some bandwidth subsidy. Um, you have to get the state librarian [00:11:00] to go and say that your library and California State Library and Susan Hildreth time, uh, said that we were a library, which actually turned out to be very helpful because at one point this, the FBI came and wanted, actually demanded information about a patron and what that patron had done on the Internet archive. And well, libraries have a long history of not liking these sorts of requests. Um, and, but it was done with the Patriot Act, these national security letters with a gag [00:11:30] order. So they basically, they said, okay, you're going to have to give us this information and never tell anybody that you've even been asked this question. Speaker 2:And, um, well it turns out that there's no way to say, uh, no. Can we ask a court from this or anything like that? They said, the only way you can say to pushback, uh, we were advised by the electronic frontier foundation and the was you had to sue the United States government. So we sued the United States government with, with their help [00:12:00] and um, uh, and we won. The FBI backed off immediately. They didn't really need that information. Um, and so we are, uh, so they backed off. Um, and one of the things that was to our advantage was that we were a library. Oh. So because of the state library in it. Yes. There that had verified for this particular use that we were library. But, but there are no real laws saying what a library is. Pretty much you can tell [00:12:30] when you see him. Speaker 1:You're listening to k a LX, Berkeley 90.7 FM university and listener supported radio. This is method to the madness and show from the public affairs department that explores the innovative spirit of the bay area. I'm your host. Tallinn is our, thanks for joining me. And today we've been speaking with Brewster Kale, Internet legend and founder of the Internet archive about open access information and his project [00:13:00] to catalog the output of humanity back to our interview. Yeah. So I mean, just the, the scope of the operation in terms of bandwidth and storage. Um, could you ever dreamed when you, when you envision this in 1980 that these types of um, Speaker 2:oh yeah, it's all very predictable. We're, we're pretty much on path. I mean, it was [00:13:30] these discussions, um, back in like 1883 with Richard Feinman, a physicist and, uh, with, with Stephen Wolfram who, who's gone on to make Mathematica and, and things like that. Yeah. We did not the, the, the, the church and sort of when would we be able to have it be cheap enough to put all books online and when would movies and when would all these other things come online? Yeah, we're pretty much on, uh, on the path detection a little slower than we predicted. So actually I would've imagined we'd be here [00:14:00] by now. It's certainly is assumed. I mean, if I, I talked to yet, you know, younger people, they think, isn't it the library of Congress already online? And I was like, ah, you know, it's really not. And uh, Eh, the Internet's still fairly thin in terms of the information that's on it. Speaker 2:If you really know some subject area, you can look around, there's something on everything, but there's not the depth. Um, so that's the key thing that we've got to do now is fill out the rest of, of what [00:14:30] the best we have to offer. How do we make it so that everything that we'd want is online. So we digitize, if you take the total goal and see books of 10 million books, the library, Congress, 28 million, 10 million book libraries and good solid library, that's the University of California system or Princeton or um, uh, Corey Yale. It's sort of a 10 million book collection. Um, we're at about 2.5 million, so we're a quarter [00:15:00] of the way there. How many per day? We're doing about a thousand to 1500 a day. How does it happen? Um, there are scanning centers in 33 libraries around in eight countries around the world that are operated by the Internet archive. Speaker 2:And, uh, these are scanners that were designed and built by some burning man guys, uh, over in Berkeley. Um, and there are two digital cameras that take pictures of each page. We raised them over a glass to flatten the page, to get a good image. [00:15:30] Um, and basically you can digitize a book in about an hour, all told the cataloging and the whole Shebang. Q and a is searchable. And then it's then it's put to a computer and it munches on it for about 12 hours. It makes it then searchable. It does the optical character recognition. It makes it into PDFs and into the talking books for the blind, um, on and on the all these different formats. And it makes it as available as possible and copies it to another, uh, storage computer in a backup computer in two different locations. [00:16:00] So in case things go down or things disappear. Speaker 2:Um, so the idea is to, to try to give a permanent access to this book and it's now in its digital form. The physical book is not damaged, so we don't break the books. Um, we're kind of obsessive about books. We love books. So, uh, and for the books that don't go back on the library shelves, we actually go and store and, um, have done high density storage in Richmond, California. So we have a [00:16:30] warehouse that now has 600,000 books and it's growing at a couple thousand a day of books that are donated from all sorts of places. And we want one copy of every book ever published so that we can digitize it, um, and either put it back on the library shelf or put it back away. So every book ever published, I mean, that's not infinite, but it's a huge number. Like how do you know what the number is? Speaker 2:Well, I very countered is 28 million. It's probably not that much bigger than that. So maybe, you know, what, 50 million, I'm talking [00:17:00] millions western history or everything. Everything. Yeah. Just go back to Sumerian tablets. I mean, it's, it's not, it's just from a computer perspective, it's not that big. And if you take the same movies, um, the, the number of movies that have been made for theatrical releases, their couple, 100,000 of them, and that's kind of it cause they're expensive to make. And, uh, actually about half of them are Indian. So, uh, so the idea of even doing the whole movies is [00:17:30] quite doable. Um, music, well during the disk era, two 78 long playing records and cds, few million. And that's kind of the number of published. There are gigs that people, you know, play in local bars. So a lot of them aren't recorded, but we have 100,000 concert recordings, uh, from about 5,000 bands. Speaker 2:There was a tradition started by the grateful dead of doing tape trading. Um, so as that moved down [00:18:00] to the Internet, people started trading on the online and so we offered to, to play a host to these materials as long as nobody got upset if people wanted it to happen. And we get two or three bands a day, I'm saying yes, we're up for this. And the fans themselves go and put the materials on the Internet archive sites. So for not archive.org we've got everything the grateful dead has ever done, plus about 5,000 other bands that make something about a hundred thousand concert recordings. So that finding [00:18:30] those ways of working with the system such that we're not trying to interrupt a commerce, we're just trying to be aligned. Great. Just a digital one. Yeah, so there's, there's this sounds like there's a crowdsourcing element you got, you're uploading a lot of information. Oh, absolutely. Thousands of things a day get uploaded at the Internet archive and then they're different from what goes up on Youtube. I mean, if you [inaudible] it's sometimes not as easy to find, you know, whatever, but at least they're there for the long term. Speaker 3:[00:19:00] Okay. Speaker 1:You're listening to k a l ex perfectly in 90.7 FM university in listener supported radio and this is method to the madness, the show from the public affairs department that explores the innovative spirit of the day area. I'm your host. Tallinn is Ark. Thanks for joining me. And today we've been speaking with Brewster Kale, Internet legend and founder of the Internet archive back to our interview. So my listeners understand the context too. Yeah, there's [00:19:30] a really tragic story of Aaron Schwartz that just happened right now. And so there is this question of public domain information and what's open. Can you as a leader at the vanguard of this movement, can you just explain it a little bit about his story? [inaudible] Speaker 2:what a tragedy. Aaron Short is, squirts a good friend and he worked here at the Internet Archive, was a, uh, was the guiding light. Um, he sort of entered the field when he was 14 years old and helped form creative Commons. And when we did the Internet [00:20:00] bookmobile making free books for people, he was involved in and playing a role peripheral at that, at that realm. But he was central towards this be creating of the creative comments, which is kind of 14, 15, 16 years old. Um, and he lived a very public life. He would just publish everything. You sort of lived on the net. He was, I learned what an open source life was like by watching him. Um, so he didn't really have [00:20:30] private journals. He kept it public. Um, and he strove to bring public access to the public domain. And you think that this is, of course, you know, if it's public domain, there'd be public access to it. Speaker 2:And I was like, well, there's some people that aren't that interested in it and he ran up against them. So he made a court records available that were being sold by the government to try and make cost recovery. So he would, uh, made a system to try to make it, [00:21:00] um, such the court documents that were public domain went onto the Internet archive. And this was working with some folks at Princeton and Carl Malamud who lives up in Sebastopol, um, the Internet archive all working together on this. But he did it so fast because he was a good, good at writing script that, uh, the library that he was downloading them from, um, got noticed by the database provider, which I happened to be the government [00:21:30] and they called the FBI on them, called the FBI on somebody to go and, because they're reading the public domain too fast, but this is what happened. Speaker 2:And then, uh, the FBI found that they didn't have anything that could, uh, Hassell this, um, guy with. So there wasn't an ongoing investigation. And then Aaron, uh, wanted to bring public access to the Google books that were done, um, that were in copyright, that were digitized from places like Berkeley [00:22:00] and others. And, uh, and so he went and freed those. And actually there's Google to their credit, didn't complain. Um, but the library, some of the libraries complained to us because Aaron went and put those books on the Internet archive again and we pointed back to Google to see where they came from. And, um, but they're public domain and so was basically just liberating the public domain. And when Aaron started downloading a lot of journal literature from a, from a digital library called j store, [00:22:30] um, a nonprofit, uh, j store got all upset and, uh, told MIT, which is where it was going, it was being downloaded. Speaker 2:There's somebody that's downloading too many articles. And I, MIT went chase down, uh, Aaron and, uh, I think made the tragic mistake of calling the cops. And once the cops were involved and they escalated to the federal government and the federal government put into the secret service and [00:23:00] they made a federal case out of some young guy going and downloading too many old journal articles, um, and not even making them publicly available, maybe it would have made me window. But, um, what's the, what's the problem? And this went on for a couple of years and um, according to the family and his girlfriend made him so depressed and really dragged him down that had contributed to deciding to commit suicide last week. And, [00:23:30] uh, absolutely tragedy. So real starve our community and the federal government came down on somebody. I was trying to do something fundamentally good. And actually it's something that happens all day long every day. People are downloading masses of things from the Internet archive and other digital libraries all the time. And for some reason, um, they thought this kid should be stopped. Speaker 1:And it's so counterintuitive and it's public domain information. That's what I think [00:24:00] as, as you know, people who are growing up on the Internet [inaudible] people at some of the show of students, they don't know anything besides having this wonderful tool at their disposal and find all the information I think could possibly ever want. But it seems with this story and where, you know, it highlights the fact that this isn't something we should take for granted. It's something that we actually actively protecting and fighting for. Speaker 2:Yes, we should be actively protecting the Wikipedia is the Erin Schwartz is the, uh, uh, I'd say [00:24:30] the Internet Archive, the um, uh, Carl Malamud's public, um, public resource.org, um, that are people that are trying to build open access models. This, this bunch in the bay area. There's the Public Library of science, which is trying to, uh, get around the monopoly of, of some of these journal publishers that are, um, not allowing, um, new computer research data mining techniques to be applied. So [00:25:00] there's a real problems to what's going on out there. And there's a schism. There's a, there's a conflict and the Aaron Schwartz suicide, I think really highlighted that we're not out of the woods, but there are people that want to lock everything down and want cell phones that you can't go and play with you. You want to make it so that you can't go and install any software you want to on a computer, um, that you can't just read anything. Or if you do read anything that they'll know about it. And, and that this type of thing has got [00:25:30] to stop. It really doesn't lead to a world that we want to live in. Speaker 1:Well, thank you so much for your time today. I really appreciate it. And you know, as someone who's created a organization that is really dedicated to trying to advance, you know, the acquisition of knowledge for the human race, I wanted to ask you, how do you create an organization that endorsed, like obviously when you're trying to do is create something that goes on Speaker 2:forever? Um, yes. Well, archive.org and open library.org. [00:26:00] Well they go on forever. I hope so. But the, what happens to libraries is they're burned historically. That's just what happens. So library, Congress has already burned once. Library of Alexandria of course is famous for not being around anymore. So designed for it. So make copies. Um, so put other copies in other places. So we've already donated, um, early on about 10 years ago, a full copy of, of the web collection to the library of Alexandria in Egypt. [00:26:30] And there's a partial copy of our, uh, our collections in Amsterdam. So when there are five or six of these around the world and I think I can sleep cause the, what happens is they burn and they're burned by governments. Now it's not a political statement, it's just historically what happens. The new guys don't like the old stuff around theirs, sorry about it afterwards and they, you know, 50 or a hundred years from then they tend to want to have it back. Speaker 2:Um, but often it's too late. But if we had other copies and [00:27:00] other places we could make this work and this takes real work, real, um, real money effort, um, could use all the help we could. Uh, any, any volunteers or any effort from the University of California community? Um, we're just over in San Francisco. We'd love to have visits. We'd love to have five ways to work with more people. Great. That's a great segue to my last question and how do I, if our listeners want to get involved in fighting this good fight, how do they get involved? Um, [00:27:30] please visit archive.org and open library.org. Um, take a look. Play around with it. Try uploading some things. Are you downloading some things? If you're, um, if you've got extra books we want, well, we'll preserve one of every different book that we can get Ahold of. We only have 600,000, so we probably don't have the books that you've got. Um, we could use volunteer effort. We could, uh, people do collections, technical people, all sorts of mechanisms of getting [00:28:00] involved in the Internet archive and the open access movement in general. Okay, great. Well, thanks so much for sharing. Thank you very much. Speaker 1:You've been listening to method to the madness on k a l x Berkeley 90.7 FM. Thanks for joining us and thanks to Brewster Kale, as he's mentioned, you can learn more about his organization, archive.org. You'll learn more about us and method to the medis.org. Thanks for listening. Everybody. See in a couple of weeks Speaker 4:[inaudible]. 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On Monday, April 2nd, we talked College and NBA Basketball with Jerel Marshall of hoopsaddict.com, from panthertalk.com, Ben Moore, laughed with Aaron Short and Comedian Ronnie Jordan of the Phat Comedy All-Stars. Also, local Atlanta Cable TV Talk Show Host Natalie Carr. We previewed the NCAA Men's and Women's Final, the upcoming MLB season, The Masters, and discussed the latest NFL news.
People Make Mistakes - Aaron Short ; Anger - Gil Fronsdal Audio Dharma ; Insight Meditation Center ; Gil Fronsdal ; Aaron Short; Aaron Short (iTunes)