Podcast appearances and mentions of alphonse bertillon

In this episode the guys discuss historical figures in the field of fingerprints. At the top of the episode Eric gives Glenn an Australian themed “A Truth, a Lie, and a Mandela Effect”. Glenn tells a couple of stories from his trip to London, which also inspired the topic for the episode. Because of Glenn's time in Switzerland this fall reading old texts, he learned a lot about the early days of fingerprints. The guys discuss contributions, stories and cases from Juan Vucetich, Sir Francis Galton, Sir Henry Faulds, Sir Edward Henry, Alphonse Bertillon, Dr. Edmond Locard, and more!

En octobre 1902, à Paris, on retrouve chez un dentiste de la rue du Faubourg St Honoré, le Dr Allaux, le cadavre de son domestique, Joseph Reibel. C'est la 1ère fois que les empreintes digitales ont permis de confondre un meurtrier.

Le 16 octobre 1902, au 157 rue du Faubourg Saint-Honoré à Paris, a lieu le crime le plus important de toute l'histoire policière. Pourquoi ? Tout simplement parce que l'assassinat de Joseph R. le domestique d'un dentiste, va permettre de révolutionner, à jamais, les méthodes policières du monde entier. Pourtant, rien n'était joué d'avance ! Alphonse Bertillon, l'officier de l'époque, est un homme triste, froid et sarcastique. Renvoyé plusieurs fois des meilleures écoles françaises et après quelques échecs professionnels, c'est finalement grâce à son père qu'il obtient le poste d'auxiliaire de la préfecture. À cette époque, la police n'a d'autre moyen que d'identifier les individus par leurs noms. Alphonse Bertillon décide alors de mettre un place un "classement anthropométrique", qu'il nomme "le bertillonnage". Une méthode qui permet de relever les mensurations des individus interpellés. Depuis quelques années pourtant, un nouveau système d'identification semble faire de l'ombre au "bertillonnage", celle des empreintes digitales. Lorsque Alphonse Bertillon se rend sur les lieux du crime, un détail lui saute aux yeux : des traces de doigts très apparentes sont présentes sur la vitre du battant du meuble de la pièce. Peut-être pourrait-il reproduire ces empreintes, les comparer avec celle qui figure sur ses fiches et retrouver le coupable parmi les récidivistes ? Mais parvenir à réaliser ce miracle, serait pour Alphonse Bertillon, reconnaître la supériorité de cette méthode à la sienne… Comment cet homme, décrit comme terriblement rancunier, va-t-il dénouer cette affaire ? Pierre Bellemare raconte cette incroyable histoire dans cet épisode du podcast "Les récits extraordinaires de Pierre Bellemare", issu des archives d'Europe 1 et produit par Europe 1 Studio. Crédits : Réalisation et composition musicale : Julien Tharaud Production : Sébastien Guyot Patrimoine sonore : Sylvaine Denis, Laetitia Casanova, Antoine Reclus Rédaction et diffusion : Lisa Soster Promotion et distribution : Marie Corpet Création du visuel : Sidonie Mangin Remerciements à Roselyne Bellemare et Mariapia Bracchi-Bellemare

durée : 01:29:57 - Les Nuits de France Culture - par : Albane Penaranda - En 1882, le criminologue français Alphonse Bertillon crée l'anthropométrie, un système de fichage d'individus suspects par le biais de la photographie de face et de profil aussi appelé "bertillonnage".

Connaissez-vous Alphonse Bertillon? Père de la police scientifique, il est l'inventeur de la photographie de scènes de crimes. Aujourd'hui Brak et Louis vous disent tout sur cette discipline glaçante et passionnante !

Bertillon developed a system of identification via body measurements that was designed to identify whether crime suspects had an existing criminal history. But his contributions to police work have been occluded by some terrible missteps.  Research:  Britannica, The Editors of Encyclopaedia. "Alphonse Bertillon". Encyclopedia Britannica, 19 Apr. 2023, https://www.britannica.com/biography/Alphonse-Bertillon “Identifying Prisoners.” St. Louis Globe-Democrat. December 16, 1886. https://www.newspapers.com/image/571277110/?terms=Alphonse%20Bertillion&match=1 Gates, Kelly. “Our Biometric Future: Facial Recognition Technology and the Culture of Surveillance.” NYU Press. 2011. Fornabai, Nanette L. “Criminal Factors: ‘Fantômas', Anthropometrics, and the Numerical Fictions of Modern Criminal Identity.” Yale French Studies, no. 108, 2005, pp. 60–73. JSTOR, https://doi.org/10.2307/4149298 Fosdick, Raymond B. “The Passing of the Bertillon System of Identification.” Journal of the American Institute of Criminal Law and Criminology, vol. 6, no. 3, 1915, pp. 363–69. JSTOR, https://doi.org/10.2307/1132744 Hoobler, Thomas and Dorothy. “The Crimes of Paris: A True Story of Murder, Theft, and Detection.” Little, Brown, and Co. 2009. Levendowski, Amanda, “Face Surveillance Was Always Flawed.” Public Books. Nov. 30, 2021. https://www.publicbooks.org/face-surveillance-was-always-flawed/ Mouat, F. J. “Notes on M. Bertillon's Discourse on the Anthropometric Measurement of Criminals.” The Journal of the Anthropological Institute of Great Britain and Ireland, vol. 20, 1891, pp. 182–98. JSTOR, https://doi.org/10.2307/2842237 Wang, Hansi Lo. “Meet Alphonse Bertillon, The Man Behind The Modern Mug Shot.” NPR. March 8, 2016. https://www.npr.org/2016/03/08/469174753/meet-alphonse-bertillon-the-man-behind-the-modern-mug-shot Daniel V. The Social History of Disaster Victim Identification in the United States, 1865 to 1950. Acad Forensic Pathol. 2020 Mar;10(1):4-15. doi: 10.1177/1925362120941336 Helfand, Jessica. “Alphonse Bertillon and the Troubling Pursuit of Human Metrics.” The MIT Press Reader. May 5. 2021. https://thereader.mitpress.mit.edu/the-troubling-pursuit-of-human-metrics/ “Alphonse Bertillon (1853-1914).” National Library of Medicine. Visible Proofs: Forensic Views of the Body. https://www.nlm.nih.gov/exhibition/visibleproofs/galleries/biographies/bertillon.html Farebrother, R. and Champkin, J. (2014), Alphonse Bertillon and the measure of man: More expert than Sherlock Holmes. Significance, 11: 36-39. https://doi.org/10.1111/j.1740-9713.2014.00739.x Guthrie, Glenice J., and Sharon Jenkins. “Bertillon Files: An Untapped Source of Nineteenth-Century Human Height Data.” Journal of Anthropological Research, vol. 61, no. 2, 2005, pp. 201–15. JSTOR, http://www.jstor.org/stable/3630855 See omnystudio.com/listener for privacy information.

Connaissez-vous Alphonse Bertillon? Père de la police scientifique, il est l'inventeur de la photographie de scènes de crimes. Aujourd'hui Brak et Louis vous disent tout sur cette discipline glaçante et passionnante !

20. Februar 1883 – Alphonse Bertillon gelingt mit Hilfe des von ihm entwickelten Systems der Bertillonage die Identifizierung eines Straftäters aufgrund der Körpermaße des rückfällig Gewordenen. Zum Wikipedia-Artikel: https://de.wikipedia.org/wiki/Bertillonage Produziert von Schønlein Media: https://schonlein.media Cover-Artwork von Amadeus E. Fronk: https://amadeusamadeus.de/ Ton: Jona Hamann Schnitt: João Carlos Da Cruz Stimme: Moritz Tostmann

Iedereen weet dat de huid aan de binnenzijde van onze vingertoppen doorsneden is door een patroon van parallel-lopende lijnen die lussen, ovalen, cirkels en spiralen vormen. Deze lijnen noem je papillaire lijnen en de afdruk daarvan is een vingerafdruk. Ook is algemeen bekend dat ieder mens een unieke papillairtekening heeft. Deze uniciteit is zelfs te zien aan je eigen vingers, geen vingertop is gelijk aan de volgende. Bovendien blijven deze papillairtekeningen vanaf de geboorte tot de dood toe onveranderd. Tegenwoordig is de vingerafdruk niet meer weg te denken als identificatiemiddel, als bewijsstuk in justitieel onderzoek of simpelweg om je telefoon te ontgrendelen. Maar dit is een relatief recent inzicht. In de aflevering hebben wij Geertjan de Vugt te gast om te praten over zijn boek ‘Fonkelrozen: Over vingerafdrukken', dat afgelopen februari is verschenen bij Uitgeverij Van Oorschot. Geertjan is schrijver en essayist. In 2015 promoveerde cum laude op het proefschrift getiteld ‘The Polit-Dandy, On the Emergence of a Political Paradigm' bij de studie Comparative Literature aan de Universiteit Tilburg. Zijn proefschrift werd in 2016 bekroond met de Academische Jaarprijs voor beste dissertatie van de Maatschappij der Nederlandse Letterkunde en verscheen in 2018 onder de titel ‘Political Dandyism in Literature and Art: Genealogy of a Paradigm' bij uitgeverij Palgrave Macmillan. Tegenwoordig is hij werkzaam als coördinator Wetenschap & Kunst bij de Koninklijke Nederlandse Akademie van Wetenschappen. Ook schrijft hij over poëzie en literatuur voor de Volkskrant. En essays van zijn hand verschenen in tijdschriften zoals De Groene Amsterdammer, De Witte Raaf en De Nederlandse Boekengids. Timestamps: 00:00-02:04 – Introductie 02:04-09:54 – Wat is dactyloscopie? 09:54-20:57 – Fonkelrozen, Jan Evangelista Purkinje 20:57-26:23 – Thomas Bewick & ‘his mark' 26:23-39:02 – Brits-Indië en de dactyloscopie, William James Herschel, Henry Faulds 39:02-56:47 – Francis Galton, antropometrie, Alphonse Bertillon & Bertillonage 56:47-01:16:26 – Chiromantie, Agatha Christie, Charlotte Wolff, handlezen en de psycho-analyse 1:16:12-01:17:41 – Outro

Leonardo da Vinci's Mona Lisa has been described as, “the best known, the most visited, the most written about, the most sung about, the most parodied work of art in the world.” She's been immortalized in everything from Andy Warhol's pop art to Dan Brown's bestselling novel, The Da Vinci Code. But there was a time when the Mona Lisa was not well known, if you can imagine – and it took a man named Vincenzo Peruggia to launch her into stardom. See omnystudio.com/listener for privacy information.

En 1902, le corps d'un domestique est retrouvé dans un appartement à Paris. Sur la scène de crime, l'assassin laisse des traces de doigts. Alphonse Bertillon emporte alors un fragment de verre sur lequel se dessine une empreinte. Grâce à ses analyses, l'assassin est identifié en seulement une semaine. Les experts s'inspirent encore de ses méthodes révolutionnaires aujourd'hui.

¿Qué es esto? ¿Un episodio para hormigas? En este minisodio, te contamos la historia de Alphonse Bertillon, un experto en identidad criminal que padecía el aburrimiento de su trabajo en un sótano de la Policía de París, hasta que logró salir a fuerza de intelecto... al menos por un rato. ★ Support this podcast ★

Emma and Christy discuss surgical and cultural ideas embedded in Andy Warhol's series of Before and After paintings (1961/62) of a nose job. In this episode we talk plastic surgery and big egos, the before-and-after image trope, racial typification, criminology, connoisseurship, and American consumerism and capitalism. CLICK HERE TO VIEW THE IMAGES WE DISCUSS, as well as complete show notes, references, and suggestions for further reading. IMAGES DISCUSSED: Andy Warhol, Before and After [1] (1961) Old Lady / Young Lady Optical Illusion (See also: William Ely Hill, My Wife and My Mother-in-Law (1915)) National Enquirer Ad (recurring ad; ran at least in 1961 and 1962) Andy Warhol, Campbell's Soup Cans (1962) Andy Warhol, Marilyn Monroe (1967) Andy Warhol, Before and After [2] (1961) Andy Warhol, Before and After [4] (1962) Example of: Jackson Pollock (1948) Example of: Lee Krasner (1964) Example of: Roy Lichtenstein (1964) (note his use of Ben Day dots for the girl's skin) Andy Warhol, Coca-Cola [3] (1962) Andy Warhol, Bonwit Teller window with paintings (1961) Margaret Bourke White, The Louisville Flood (1937) Leonardo da Vinci, Salvator Mundi (c. 1500) Giovanni Morelli, Ears Illustration from Italian Painters (1892) Alphonse Bertillon, Ear Photographs from Identification of Persons (1893) Examples of Francis Galton's composite images: The Jewish Type (c. 1877–c. 1890) and Composite Portraits of Criminal Types (1877) H. Stickland Constable, illustration showing an alleged similarity between ‘Irish Iberian' and ‘Negro' features in contrast to the higher ‘Anglo-Teutonic' (late 19th c.) Photograph by Mark Peckmezian for The New Yorker, Recreation of colouring Roman busts: the Treu Head (second century AD); see also marble bust showing traces of red pigment on lips, eyes, and the fillet (first century AD) Andy Warhol, 13 Most Wanted Men (example from the most wanted men series of works) (1967) CREDITS: ‘Drawing Blood' was made possible with funding from the Experimental Humanities Collaborative Network. Follow our Twitter @drawingblood_ Audio postproduction by Sias Merkling ‘Drawing Blood' cover art © Emma Merkling All audio and content © Emma Merkling and Christy Slobogin Intro music: ‘There Will Be Blood' by Kim Petras, © BunHead Records 2019. We're still trying to get hold of permissions for this song – Kim Petras text us back!!

For full show notes and photos: https://www.allthroughalens.com   We talk to Jon Hilty (@amphetadreamer on IG) because we were wrong about Autochromes! There's also some history about the View-Master, and we take a good look at two books of early crime scene photos. There's also Tiffen (@tiffen.sinclair on IG), zine reviews and some other fun along the way. Jon Hilty: DIY Autochromes In our last episode, we talked about autochrome color photos, basically saying that it couldn't be done. And with that, we got a bunch of folks messaging us, saying that we should talk to Jonathan Tod Hilty who had done it. IG: @amphetadreamer https://www.jonhilty.com/ A guide to making autochromes: https://www.jonhilty.com/autochromeguide It's a bit older, but here are some more pictures of the autochromes he's made: https://www.jonhilty.com/autochromegallery Here are some examples of the Lippmann plates: https://www.jonhilty.com/lippmanngallery Here are a few of his latest:   Short History of the View-Master The View-Master was introduced in April of 1939 at the New York Worlds Fair. This was also where RCA introduced television, Dupont introduced Nylon, and Einstein gave a speech about cosmic rays. What fairgoers witnessed was a futuristic improvement upon the stereocards of old. Using a stereoscope (which every antique store is legally required to sell), the grandparents of these spectators could look at 3D renderings of individual photographs, taken with special stereo cameras. Stereo photos pre-dated the Civil War, and so by 1939, they were old hat. What View-Master provided was an exciting update.  Round cardboard circles (which they called “reels”), held 14 16mm Kodachrome transparencies, which made seven pairs of photos – one for each eye. When looked at through a View-Master, they would be rendered in 3D. And with the flick of the lever, the reel would advance to the next 3D photo.  Here's a bunch of ads:   Murder vs. Death: Early 1900s Crime Scene Photos Back in April, we did an episode called Mugshots and Memorials (episode 41 if you were wondering). In the main feature, we talked about Alphonse Bertillon, the French police photographer responsible for the creation of mugshots. Bertillon, an exacting fellow, noted all sorts of things about the human face. He believed that things like ear size or arm length might determine someone's criminal potentiality. But oddly enough, we're not here to talk about Bertillon and his crime scene photographs. Not directly, anyway. A while back, we picked up two books on crime scene photos in hopes of making some larger piece with them.  The first, Murder in the City, a collection of glass plates from New York City in the 1910s and 20s, is very much in the vein of Bertillon – it's almost classy. The other, called Death Scenes, is a book of crime scene photos from 1940s LA. It's very candid, very matter-of-fact. Though the subjects are dead bodies, the way they are photographed is nearly the opposite of Bertillon – at least as far as unintentional artfulness went. It might seem a little obvious that photos of murder victims would be potentially unnerving and upsetting. But we weren't really prepared to deal with the photos in one of these two books. We're not sharing many photos from either book, but here are some photos about the God's Eye View Tripod setup: But here are some of Eugene de Salignac's photos:   Zine Reviews Future Condos by Jesse Rinyu – @jrinyu on IG   Toy Golf by Garon Kiesel (@grain_or_die on IG) PATREON Thank you to everyone who supports us! Check out our Patreon for bonus episodes, extended interviews, early drops. Tons of stuff! patreon.com/allthroughalens THE CREDITS OF ENDING Music by Last Regiment of Syncopated Drummers Vania: IG, Flickr, Zines Eric: IG, Flickr, Zines, ECN-2 Kits Tiffen: IG All Through a Lens: IG, Website, Patreon, Spotify Playlists

Partnerem epizodu jest BookBeat: https://bit.ly/3wU4Lzp Skorzystajcie z naszego kodu "DTP" aby dostać 30 dni pakietu premium za FREE! W 152 Epizodzie Dwóch Typów porównuje Brytyjczyka na stadionie piłkarskim do piosenkarza Gorillaz (0:00) Leave Britney Alone nie autentyczne, lecz prawdziwe (2:56) Sprawdź, czy w twojej szkole mówią "performans" czy "występek" (4:08) Polski performans pod postacią stania w miejscu na dworcu oraz lip dubów w liceum (5:17) Na wernisażach musisz wyglądać tak, jakbyś się starał (8:51) Każdy ma typa, który ogarnie Ci idealną sztuczną losowość i stronę w HTMLu (10:25) Problem problemu definicji performansów (11:50) Czego nie powiedział Hitchcock, a co jednak powinien? (16:16) Lib duby licealne kontra lib duby szkół zawodowych (19:38) Materacci na egzaminach maturalnych (22:22) Kubix robi polecanie rzeczy - Krzysztof M. Maj (24:38) Posłuchaj książki - wciągnij się w BookBeat (26:34) "Stulecie detektywów" Jürgena Thorwalda oraz początki współczesnej kryminalistyki - zdjęcia, odciski, fizyczność, kategoryzacja (30:29) Eugène-François Vidocq - złodziej i twórca francuskiego Suicide Squadu dla działu kryminalistyki (36:10) Alphonse Bertillon i jego rozwinięcie kryminalistyki na całym świecie - antropometria kryminalna (46:14) William Herschel - historia pobierania odcisków palców i koncept analizy linii papilarnych (1:02:24) Nacisk na śledztwa na miejscach zbrodni - krew pod podłogą, identyfikacja po kościach (1:11:53) "Rowerem i pieszo przez Czarny Ląd" Kazimierza Nowaka i jego listy o podróży przez Afrykę pełne naturalizmu (1:20:46) PRZERWA PODCASTOWA - Kuba wyrusza na wakacje. Plusy i minusy latania samolotami (1:32:27) Jak nie radzić ludziom jak przetrwać katastrofę lotniczą? (1:39:05) Dwóch Typów dziękuje za wsparcie. Nowy commentary track do "Miłość do Kwadratu" - już niedługo na Patronite (1:48:00) Nowy skin Kuby - pierwsze krótkie spodenki i nowe klapki (1:49:06) Nowe plany na nowe podcasty - trzech gości, trzech rysowników (1:50:11)

#27 « Tes papiers, contrôle de police » : une histoire des contrôles au facièsCet épisode est consacré à l'histoire des contrôles au faciès en France. Cette expression désigne les contrôles de police conduits sans raison légale et qui s'adressent plus particulièrement aux jeunes hommes racisés. Bien que ces contrôles discriminatoires soient une pratique habituelle de la police, les condamnations sont rares. En 2016, pour la première fois, la plus haute juridiction de la justice française, la cour de cassation, a confirmé la condamnation de l'Etat à verser des dommages et intérêts à trois jeunes hommes noirs et arabes contrôlés sur la seule base de caractéristiques physiques associées à une origine réelle ou supposée. Comme nous allons le voir dans cet épisode, le contrôle d'identité a toujours eu pour but de soumettre des personnes au pouvoir de l'Etat. Et surtout, il n'a jamais été appliqué à toustes de la même manière.Références :À l'ENSP, Alphonse Bertillon vous plonge au cœur de l'anthropométrie judiciaireVincent Denis, Vincent Milliot, Police et identification dans la France des Lumières, Genèses 2004/1 (n° 54), p. 4-27, https://www.cairn.info/revue-geneses-2004-1-page-4.htm Vincent Denis, Histoire de l'identité en France, p. 6-12Claire Etcherelli, Elise ou la vraie vie, Denoël, 1967Emmanuel Blanchard, « Police judiciaire et pratiques d'exception pendant la guerre d'Algérie », Vingtième Siècle. Revue d'histoire 2006/2 (no 90), p. 61-72—, Contrôle au faciès : une cérémonie de dégradation, Plein droit 2014/4 (n° 103), p. 11-15Arret de la Cour de cassation de 2016 : https://www.courdecassation.fr/communiques_4309/contr_identite_discriminatoires_09.11.16_35479.htmlPierre Piazza, Histoire de la carte nationale d'identité, Paris, Odile Jacob, 2004Nathalie Ferré, « Contrôles d'identité : de quel droit ? », Métropolitiques, 30 janvier 2013Série « Mon premier contrôle » de Stop le contrôle aux facièsDocumentaire Égalité trahie, Open Society, 2013Sihame Assbague, Le contrôle au faciès, Oumma,13/03/15 Musique :Fonky Family, Mystère et suspense, 1999Générique: Atch, Freedom (2020) Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

On today’s show we’re talking to Charlie from Themselves Press, we’ll be telling you all about the weird history of police mug shots, there’s a couple of book reviews and a bit of a listener memorial to Aloy Anderson.   Full Show Notes & Photos here: https://allthroughalens.com/ CHARLIE CHUX CANDACE CAMUGLIA: THEMSELVES PRESS Last episode we interviewed Denise Grays (@deniseg316), who had just published a zine through Themselves Press. That zine distro and press is run by charlie chux candace camuglia (@casualscience) of Themselves Press (@themselvespress).  Since they’re into film photography, zines, art and cats, it just seems natural that we’d give them a call.  Here are some of their photos: This is Charlie’s site: https://www.casual-science.com/hello And don’t forget to visit themselvespress.com THE HISTORY OF MUG SHOTS It would be tempting to say that before the invention of photography, there was some sort of rudimentary form of mugshots. We might even want to claim that Wanted Posters from the Wild West and runaway slave notices were proto-mugshots. But they weren’t. Both existed before photography. Wanted posters eventually used photography, while runaway slave notices never used it at all (enslaved people were generally not photographed). In truth, mugshots grew out of the portrait industry. Both were, essentially, identical: front-facing, no expression, and photographed from the shoulders up. The stereotypical side-facing mugshot came later, and we’ll get to that. We delve into Rogues’ Galleries, Alexander Gardner, Thomas Byrnes, Cesara Lombroso, Francis Galton, Alphonse Bertillon – the usual suspects. Vania and Eric also talked about their favorite celebrity mug shots: Here are some we mentioned: We also mentioned Underworld: Mug Shots from the Roaring Twenties. ALOY ANDERSON We asked our followers on Instagram to leave us voices message memorials to Aloy Anderson, who passed away last month. His YouTube channel is here: https://www.youtube.com/channel/UCKbs6hVUJsDxCVpZeZPurOg His Instagram is here: https://www.instagram.com/aloyandersonphotography/ His memorial service is here: https://www.youtube.com/watch?v=JKa_AeQ_MMQ   REVIEW: BLACK & WHITE & WEIRD ALL OVER Review of Black & White & Weird All Over by Jon “Bermuda” Schawartz.  “Bermuda” Swartz has been Weird Al Yankovic’s drummer since they met on the Dr. Demento Show in September 1980. And while he’s known mostly for that, he was also a photographer. He picked up a Minolta SRT-101 in the early 70s, and was rolling his own rolls and printing in a home darkroom not long after. He quickly discovered that he simply documented everything. When it became more economical to shoot color, he switched over. But in 1983, as Weird Al was shooting the video for “Ricky” (a Desi & Lucy-based parody of Toni Basil’s “Hey Mickey”), he thought that black & white might just be the better choice to capture the shoot. He was not wrong. The book, a 200 page hardback, is made up of a couple hundred photos from 1983 to 1986, covering Al’s first album through his fourth, Polka Party. ZINE REVIEWS Vania reviewed Wet Plate Collodion Photographs by Paul Bardon, available here: https://www.blurb.com/b/9819915-wet-plate-collodion-photographs Eric reviewed Bulldozed Future #2 by Ryan Berkebile (@l0ngdistancerunner on IG) PATREON: THANKS! Thank you to everyone who supports us! Check out our Patreon for bonus episodes, extended interviews, early drops. Tons of stuff! patreon.com/allthroughalens Our featured Patron for this episode is Jaya Bhat @jayabhat on Instagram. THE CREDITS OF ENDING Music by Last Regiment of Syncopated Drummers Vania: IG, Flickr, Zines Eric: IG, Flickr, Zines, ECN-2 Kits All Through a Lens: IG, Website, Patreon, Spotify Playlists    

1853 - Alphonse Bertillon, one of the pioneers of forensic police work and the creator of the mugshot photo is born in Paris, France

"Every measurement slowly reveals the workings of the criminal. Careful observation and patience will reveal the truth." - Alphonse Bertillon, French Criminologist --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/undoing-evil/support

En hovedjæger, der jagter forbryderkranier. En sydende og boblende gryde i det indre København. En bande, der terroriserer en hel landsdel og de første forbryderfotografier i Danmark.Hør hvordan sagen om handskemagerbanden kom til at markere kriminalteknologiens indtog. Et biometrisk indtog, der den dag i dag udgør et af politiets vigtigste redskaber i opklaringen af forbrydelser.Undervejs zoomer vi ind på frenologi og kropsopmålinger udført af franske Alphonse Bertillon.Podcasten er blevet til som del af udstillingen ‘Mistænkelige personer - fotos fra underverdenen’, en midlertidig særudstilling på Politimuseet (2021).Medvirkende: Poul Duedahl, professor i historie ved Aalborg Universitet. Tak til Jens Valdemar Madsen for rollen som præst og dommer. Tak til Antropologisk Laboratorium og Samling ved Retsmedicinsk Institut for lån af kranie med frenologiske aftegninger.Fortalt af Frederik Strand og Anders Brandt Lundager.Tilrettelæggelse, jingle, musik og lyddesign: Anders Brandt Lundager. Tak til Christian Worsøe for mix og master af jingle.Politimuseet 2021.

Historiquement réunit 3 grands noms de la police: Alphonse Bertillon, le père de la police scientifique, Roger Borniche spécialisé dans le grand banditisme, et Olivier Marchal, l’ancien flic devenu comédien et réalisateur.

Historiquement réunit 3 grands noms de la police: Alphonse Bertillon, le père de la police scientifique, Roger Borniche spécialisé dans le grand banditisme, et Olivier Marchal, l’ancien flic devenu comédien et réalisateur.

Episode: 2527 Alphonse Bertillon: Measuring the Man.  Today, the measure of a man.

This episode is our first with a guest, the brilliant scholar of French & transnational anarchism Dr Constance Bantman (University of Surrey, @ConnieLorene). Constance joined us to speak about her forthcoming book, 'Jean Grave and the Networks of French Anarchism,' which examines the life, work and connections of one of the most influential anarchists of the late 19th/early 20th century. Our discussion takes us through many aspects of Grave's activism: including his personal relationships, his internationalism & role in solidarity campaigns, his controversial position on the First World War & his educational work. Constance was written widely on turn-of-the-century anarchism and beyond. You can see her full bibliography here: https://www.surrey.ac.uk/people/constance-bantman An open-access version of her article 'Jean Grave and French Anarchism: A Relational Approach (1870s-1914)' which informed this discussion can be found here: https://epubs.surrey.ac.uk/841830/ ------------------------------------------------------------------- The podcast music is Stealing Orchestra & Rafael Dionísio, 'Gente da minha terra (que me mete um nojo do caralho).' Reproduced from the Free Music Archive under a Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License. The podcast logo is an adapted version of the Left Book Club logo (1936-48), reproduced, edited and shared under a Creative Commons Attribution-Share Alike 4.0 International licence. Original available here The image in this episode is a police mugshot of Jean Grave taken by Alphonse Bertillon in 1894, which is in the public domain and can be found here: https://bit.ly/2NLcScQ

Polismuseets fotoutställning Avtryckaren berättar om hur kameran kunde bli ett av polisens viktigaste redskap för att lösa brott, men handlar lika mycket om några av alla de människor som blivit fotograferade av polisen de senaste 150 åren. I denna serie får vi lära känna personerna framför och bakom polisens kamera. Migranter i det tidiga 1900-talet, kvinnor som brutit mot lösdriverilagen och tvingats till tvångsarbete men också personer och händelser som förändrat och moderniserat polisens arbetssätt med hjälp av kameran. Vad hände och vilka var de egentligen? I detta avsnitt möter vi den världsberömde fotografen och kriminalisten Alphonse Bertillon som 1888 standardiserade förbrytarporträttet, den internationellt erkända metoden vi idag känner igen som ”the mug shot”. Bertillon skapade även ett kompletterade system, antropometrik, som mätte kroppsdelar. Hans system var det första vetenskapliga systemet som användes av polisen för en heltäckande identifiering av brottslingar. Även Sverige tog intryck av den franske kriminalistens arbete och öppnade sitt första signalementskontor i Stockholm 1906. Ta del av Alphonse Bertillons liv och arbete här. Manus och inläsning: Ann-Sofie Kylin

A la fin du XIXe siècle, trois français vont radicalement changer les méthodes d’enquêtes de la police. Leur nom : Alphonse Bertillon, Alexandre Lacassagne et Edmond Locard. Ils vont tout simplement mettre en place les bases de la police technique et scientifique.  Dans cette émission, grâce à Philippe Marion, chef de la section physique-chimie du laboratoire de Lille à l’Institut National de Police Scientifique, et auteur du livre « Petites Histoires de la police technique et scientifique », nous allons revenir sur des enquêtes qui sont très révélatrices des progrès de l’époque, tout aussi bien que des déboires et des tâtonnements de ce qui allait devenir une science... 

In this episode, we discuss the development of modern forensics and its application to detective work, beginning with the work of Alphonse Bertillon, moving through the golden age of fingerprint analysis and criminal profiling, touching on the Jack the Ripper and H H Holmes murders, and ending with the implementation of DNA profiling in the 1980s.

Keine zwei Menschen haben genau dieselben Körpermaße, wusste Alphonse Bertillon und begann, Straftäter zu vermessen, um sie im Bedarfsfall schnell wieder zu finden. Am 20. Februar 1883 gelang der "Bertillonage" der erste Erfolg. Autorin: Christiane Neukirch

In the 19th century, Alphonse Bertillon standardized the mug shot and came up with a system of organizing police records; he also conceived a new way of identifying people. Tune in to learn more about the rise -- and fall -- of Bertillon's system. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers