Podcasts about soup cans

There was a lot to love in today's crossword, but it had us at 25A, Ref. work with definitions for "colour" and "aluminium", OED (our favorite reference work of all time). We became even more smitten thanks to 27A, Andy Warhol's "Campbell's Soup Cans," e.g.,  POPART; and the kicker had to be the shoutout to one of our favorite foodstuffs, 30D, Vegan protein source, TOFU (yum!).Since it is Tuesday, we have another one of our patented, trademarked and copyrighted Triplet Tuesday™️ segments, so to see how Mike (in the hotseat tonight) fared, have a listen to today's episode.Show note imagery: The OED, further proof that the Brits don't know how to do anything by halves

Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

With his themes of repetition and appropriation, Andy Warhol's work can seem mass produced. He was prone to say that his assistants did his work for him and often invented different narratives in interviews. In fact, weaving tall tales and shaping his own mythology was another important aspect of his art: he was creating the ultimate persona of an artist every bit as Pop as his paintings, one who specialized in glacial coolness and glib detachment. Although the paintings might look like they came off of a conveyor belt, that was by design, and Warhol maintained close involvement with his work. In fact, before silkscreen printing became his trademark, Warhol hand-painted the 32 canvasses that make up the iconic 1962 work Campbell's Soup Cans. Warhol gained fame in the 1960s as part of the Pop boom, but this was actually the second phase of his career. He spent the 1950s in New York as a successful commercial illustrator, doing advertisements, book and record covers. All the while he made personal work and had a smattering of shows in small galleries, most of which were ignored or poorly received. But the seeds of his subversive repertoire were being slyly developed in his intimate drawings to which Warhol would return in his later life. For this week's episode, Artnet editor William Van Meter is joined by the journalist, critic, and author of the 2020 biography Warhol, Blake Gopnik. What more could be said about the artist that the heap of other biographies hadn't covered? It turns out, plenty. Gopnik spent eight years researching and writing Warhol, and at almost 1,000 pages it is filled with wonderful details and newly discovered data. On this episode we discuss Warhol by-hand, his pre-Pop era as well as some of his later, less mechanized moments such as his collaboration with Jean-Michel Basquiat, and how he managed to leave his mark on every aspect of his work, handmade and beyond.

With his themes of repetition and appropriation, Andy Warhol's work can seem mass produced. He was prone to say that his assistants did his work for him and often invented different narratives in interviews. In fact, weaving tall tales and shaping his own mythology was another important aspect of his art: he was creating the ultimate persona of an artist every bit as Pop as his paintings, one who specialized in glacial coolness and glib detachment. Although the paintings might look like they came off of a conveyor belt, that was by design, and Warhol maintained close involvement with his work. In fact, before silkscreen printing became his trademark, Warhol hand-painted the 32 canvasses that make up the iconic 1962 work Campbell's Soup Cans. Warhol gained fame in the 1960s as part of the Pop boom, but this was actually the second phase of his career. He spent the 1950s in New York as a successful commercial illustrator, doing advertisements, book and record covers. All the while he made personal work and had a smattering of shows in small galleries, most of which were ignored or poorly received. But the seeds of his subversive repertoire were being slyly developed in his intimate drawings to which Warhol would return in his later life. For this week's episode, Artnet editor William Van Meter is joined by the journalist, critic, and author of the 2020 biography Warhol, Blake Gopnik. What more could be said about the artist that the heap of other biographies hadn't covered? It turns out, plenty. Gopnik spent eight years researching and writing Warhol, and at almost 1,000 pages it is filled with wonderful details and newly discovered data. On this episode we discuss Warhol by-hand, his pre-Pop era as well as some of his later, less mechanized moments such as his collaboration with Jean-Michel Basquiat, and how he managed to leave his mark on every aspect of his work, handmade and beyond.

Seine Abbildungen von Campbell’s Soup Cans und Marilyn Monroe sind weltberühmt. Aber Andy Warhol ist weit mehr als nur Pop Art. Seine Werke sind auch hingebungsvoll und erotisch, das zeigen gerade zwei Ausstellungen in Berlin. Hier entlang geht’s zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben „After the Party“ in der Fotografiska in Berlin „Velvet Rage and Beauty“ in der Neuen Nationalgalerie >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-andy-warhol-intim-erotisch

Seine Abbildungen von Campbell’s Soup Cans und Marilyn Monroe sind weltberühmt. Aber Andy Warhol ist weit mehr als nur Pop Art. Seine Werke sind auch hingebungsvoll und erotisch, das zeigen gerade zwei Ausstellungen in Berlin. Hier entlang geht’s zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben „After the Party“ in der Fotografiska in Berlin „Velvet Rage and Beauty“ in der Neuen Nationalgalerie >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-andy-warhol-intim-erotisch

Seine Abbildungen von Campbell’s Soup Cans und Marilyn Monroe sind weltberühmt. Aber Andy Warhol ist weit mehr als nur Pop Art. Seine Werke sind auch hingebungsvoll und erotisch, das zeigen gerade zwei Ausstellungen in Berlin. Hier entlang geht’s zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben „After the Party“ in der Fotografiska in Berlin „Velvet Rage and Beauty“ in der Neuen Nationalgalerie >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-andy-warhol-intim-erotisch

With his themes of repetition and appropriation, Andy Warhol's work can seem mass produced. He was prone to say that his assistants did his work for him and often invented different narratives in interviews. In fact, weaving tall tales and shaping his own mythology was another important aspect of his art: he was creating the ultimate persona of an artist every bit as Pop as his paintings, one who specialized in glacial coolness and glib detachment. Although the paintings might look like they came off of a conveyor belt, that was by design, and Warhol maintained close involvement with his work. In fact, before silkscreen printing became his trademark, Warhol hand-painted the 32 canvasses that make up the iconic 1962 work Campbell's Soup Cans. Warhol gained fame in the 1960s as part of the Pop boom, but this was actually the second phase of his career. He spent the 1950s in New York as a successful commercial illustrator, doing advertisements, book and record covers. All the while he made personal work and had a smattering of shows in small galleries, most of which were ignored or poorly received. But the seeds of his subversive repertoire were being slyly developed in his intimate drawings to which Warhol would return in his later life. For this week's episode, Artnet editor William Van Meter is joined by the journalist, critic, and author of the 2020 biography Warhol, Blake Gopnik. What more could be said about the artist that the heap of other biographies hadn't covered? It turns out, plenty. Gopnik spent eight years researching and writing Warhol, and at almost 1,000 pages it is filled with wonderful details and newly discovered data.    On this episode we discuss Warhol by-hand, his pre-pop era as well as some of his later, less mechanized moments such as his collaboration with Jean-Michel Basquiat, and how he managed to leave his mark on every aspect of his work, handmade and beyond.

With his themes of repetition and appropriation, Andy Warhol's work can seem mass produced. He was prone to say that his assistants did his work for him and often invented different narratives in interviews. In fact, weaving tall tales and shaping his own mythology was another important aspect of his art: he was creating the ultimate persona of an artist every bit as Pop as his paintings, one who specialized in glacial coolness and glib detachment. Although the paintings might look like they came off of a conveyor belt, that was by design, and Warhol maintained close involvement with his work. In fact, before silkscreen printing became his trademark, Warhol hand-painted the 32 canvasses that make up the iconic 1962 work Campbell's Soup Cans. Warhol gained fame in the 1960s as part of the Pop boom, but this was actually the second phase of his career. He spent the 1950s in New York as a successful commercial illustrator, doing advertisements, book and record covers. All the while he made personal work and had a smattering of shows in small galleries, most of which were ignored or poorly received. But the seeds of his subversive repertoire were being slyly developed in his intimate drawings to which Warhol would return in his later life. For this week's episode, Artnet editor William Van Meter is joined by the journalist, critic, and author of the 2020 biography Warhol, Blake Gopnik. What more could be said about the artist that the heap of other biographies hadn't covered? It turns out, plenty. Gopnik spent eight years researching and writing Warhol, and at almost 1,000 pages it is filled with wonderful details and newly discovered data.    On this episode we discuss Warhol by-hand, his pre-pop era as well as some of his later, less mechanized moments such as his collaboration with Jean-Michel Basquiat, and how he managed to leave his mark on every aspect of his work, handmade and beyond.

Yall never seen a Willy like this one. That boy happy af.

Sanattan Masallar'ın bu bölümünde Pop Art'ın babası kabul edilen ve Marilyn Monroe serisi, Coca-Cola şişeleri ve Campbell's Soup Cans gibi ünlü eserlerin yaratıcısı Andy Warhol'un olaylı hayatını konu alıyoruz. İyi dinlemeler.

Welcome to Artwise, the podcast where we explore all things art. In this episode, we dive into the fascinating life and artistic vision of one of the most iconic figures in modern art history: Andy Warhol. Join us as we take a deep dive into the world of Warhol, from his early days as a commercial artist in New York City to his rise as a leader of the Pop Art movement. We'll explore the many facets of his art, including his famous Campbell's Soup Cans, Marilyn Monroe portraits, and the iconic Brillo Boxes. We'll also discuss Warhol's unique perspective on celebrity culture and his obsession with fame, as well as his groundbreaking use of unconventional materials in his art. From his legendary studio, The Factory, to his collaborations with musicians and filmmakers, we'll explore the many ways in which Warhol challenged traditional notions of what art could be. But Warhol's impact goes beyond the art world. We'll examine his influence on popular culture and his lasting legacy in areas such as fashion, music, and film. We'll also explore his complicated personal life, including his struggles with identity and sexuality, and the role these played in his art. So join us as we delve into the life and artistic vision of Andy Warhol, a true icon of the 20th century. This is an episode you won't want to miss. Listen now on YouTube, Spotify, or Apple Podcasts. Sources: https://www.youtube.com/watch?v=xMpJswC4QXM https://www.preceden.com/timelines/41974-the-timeline-of-andy-warhol https://www.metmuseum.org/exhibitions/listings/2012/steins-collect/~/media/Files/Exhibitions/WarholTimeline.pdf Support The Pod: https://linktr.ee/artwisepodcast

The boys discuss the implications of Sunday's thrilling 2-2 draw between Liverpool and Arsenal... have the Gunners just opened up Manchester City's window of opportunity? Plus, the USWNT are dealt a crucial injury blow, Lampard gets no new manager bounce and Stellini-De Zerbi: the premier league's next great managerial rivalry! Hosted on Acast. See acast.com/privacy for more information.

Andy Warhol's Campbell's Soup Cans, which is a seminal work of art that embodies the spirit of the Pop Art movement. Warhol's background, the Pop Art movement, and the formal qualities of the artwork. It also explores the significance of the Campbell's Soup Cans as a commentary on mass media and consumer culture. Concludes with an examination of Warhol's impact on our daily lives, particularly in the art world, advertising, and popular culture. --- Support this podcast: https://podcasters.spotify.com/pod/show/vidalsocial/support

Andy Warhol's 32 Campbell's Soup Cans have become a canonical symbol of American Pop Art. Warhol, an American commercial illustrator from Pittsburgh, Pennsylvania turned fine artist, author, publisher, painter, and film director, first showed the work on July 9, 1962 in the Ferus Gallery in Los Angeles, California. It was his first solo exhibition. Written by Brenna Miller. Narration by Dr. Nicholas B. Breyfogle. Audio production by Laura Seeger and Dr. Nicholas B. Breyfogle. A textual version of this podcast is available here. This is a production of Origins: Current Events in Historical Perspective at the Goldberg Center in the Department of History at The Ohio State University and the Department of History at Miami University. Be sure to subscribe to our channel to receive updates about our podcasts. For more information about Origins: Current Events in Historical Perspective, please visit origins.osu.edu.

Yep, we dig into why (and how often) my wearable technology is telling me to stretch my legs, and what I plan to do about it. And then we talk about wellness and tech a bit more, as tech companies come under fire for their negative impact on our wellbeing. Finally, a nudge to be aware, lest we fall into the same pattern over and over.   LET'S TALK THE WALK! Wellness While Walking Facebook page Wellness While Walking on Instagram Wellness While Walking on Twitter Wellness While Walking website for show notes and other information Coach Carolyn on Clubhouse: @stepstowellness wellnesswhilewalking@gmail.com   RESOURCES AND SOURCES (some links may be affiliate links) REDUCING INACTIVE TIME EACH DAY Oura Ring Oura Ring – Staying Active Swing and twist exercise illustrated Quick stretching routines: Healthline.com Self.com RealSimple.com 90 Minute Focus Cycles Deep Work, Cal Newport Calisthenics Routine/Body Weight Exercises Four Ways to Sculpt Your Upper Body with Soup Cans, prevention.com Jump 20 Times a Day to Strengthen Your Bones, prevention.com Why You Should Try Rebounding and How to Get Started, healthline.com Exercise Tips for Type 2 Diabetes, webmd.com Effect of two jumping programs on hip bone mineral density in premenopausal women, pubmed.ncbi.nlm.nih.gov Move More Every Day to Combat a Sedentary Lifestyle, health.harvard.edu/ Exercise restores brain insulin sensitivity in sedentary adults who are overweight and obese, pubmed.ncbi.nlm.nih.gov Apps to Help You Move More at Work, wholefamilyliving.com 6 Apps for When You Need an Alarm to Go Off Multiple Times a Day, popsci.com Should You Use an Exercise Ball as a Chair?, verywellfit.com Best Healthtech Podcasts, bcast.fm The Social Dilemma: Social Media and Your Mental Health, mcleanhospital.org Why The Nestle Boycott Continues, babymilkaction.org The Baby Bottle and The Bottom Line, hshm.yale.edu WELLNESS AND TECH – WHAT'S ON THE HORIZON Global Wellness Institute 2022 Trend Report HOLE IN THE SIDEWALK REFLECTION Autobiography in Five Chapters There's a Hole in My Sidewalk: The Romance of Self-Discovery, Portia Nelson     HOW TO RATE AND REVIEW WELLNESS WHILE WALKING How to Leave a Review on Apple Podcasts on Your iOS Device Open Apple Podcast App (purple app icon that says Podcasts). Go to the icons at the bottom of the screen and choose “search” Search for “Wellness While Walking” Click on the SHOW, not the episode. Scroll all the way down to “Ratings and Reviews” section Click on “Write a Review” (if you don't see that option, click on “See All” first) Then you will be able to rate the show on a five-star scale (5 is highest rating) and write a review! Thank you! I so appreciate this!   How to Leave a Review on Apple Podcasts on a Computer  VisitWellness While Walking page on Apple Podcasts in your web browser (search for Apple Podcasts or click here)  https://www.apple.com/apple-podcasts/ Click on “Listen on Apple Podcasts” or “Open the App” This will open Apple Podcasts and put in search bar at top left “Wellness While Walking” This should bring you to the show, not a particular episode – click on the show's artwork Scroll down until you see “Rating and Reviews” Click on “See All” all the way to the right, near the Ratings and Review Section and its bar chart To leave a written review, please click on “Write a Review” You'll be able to leave a review, along with a title for it, plus you'll be able to rate the show on the 5-star scale (with 5 being the highest rating) Thank you so very much!! OTHER APPS WHERE REVIEWS ARE POSSIBLE Spotify Castbox Podcast Addict Podchaser Podbean Overcast (if you star certain episodes, or every one, that will help others find the show)  Goodpods               HOW TO SHARE WELLNESS WHILE WALKING Wellness While Walking on Apple  Wellness While Walking on Spotify Link for any podcast app: pod.link/walking Wellness While Walking website Or screenshot a favorite episode playing on your phone and share to social media or to a friend via text or email! Thanks for sharing! : )       DISCLAIMER   Neither I nor many of my podcast guests are doctors or healthcare professionals of any kind, and nothing on this podcast or associated content should be considered medical advice. The information provided by Wellness While Walking Podcast and associated material, by Whole Life Workshop and by Bermuda Road Wellness LLC is for informational and entertainment purposes only. It is not intended to be a substitute for professional medical advice, diagnosis or treatment. Always seek the advice of your physician or other qualified health care provider with any questions you may have regarding a medical condition or treatment, and before undertaking a new health care regimen, including walking.     Thanks for listening to Wellness While Walking, a walking podcast and a "best podcast for walking"!          

In this episode we discover art from the POP ART movement in the United States, "Campbell's Soup Cans" Music by: bensound.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/artwithmrscap/support

Halfcast 255 - VIDEO (Spotify Only)--- Send in a voice message: https://anchor.fm/avery-johnson18/messageSupport this podcast: https://anchor.fm/avery-johnson18/support

Halfcast 255 - VIDEO (Spotify Only) --- Send in a voice message: https://anchor.fm/avery-johnson18/message

Halfcast 255--- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app--- Send in a voice message: https://anchor.fm/avery-johnson18/messageSupport this podcast: https://anchor.fm/avery-johnson18/support

Halfcast 255 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/avery-johnson18/message

Emma and Christy discuss surgical and cultural ideas embedded in Andy Warhol's series of Before and After paintings (1961/62) of a nose job. In this episode we talk plastic surgery and big egos, the before-and-after image trope, racial typification, criminology, connoisseurship, and American consumerism and capitalism. CLICK HERE TO VIEW THE IMAGES WE DISCUSS, as well as complete show notes, references, and suggestions for further reading. IMAGES DISCUSSED: Andy Warhol, Before and After [1] (1961) Old Lady / Young Lady Optical Illusion (See also: William Ely Hill, My Wife and My Mother-in-Law (1915)) National Enquirer Ad (recurring ad; ran at least in 1961 and 1962) Andy Warhol, Campbell's Soup Cans (1962) Andy Warhol, Marilyn Monroe (1967) Andy Warhol, Before and After [2] (1961) Andy Warhol, Before and After [4] (1962) Example of: Jackson Pollock (1948) Example of: Lee Krasner (1964) Example of: Roy Lichtenstein (1964) (note his use of Ben Day dots for the girl's skin) Andy Warhol, Coca-Cola [3] (1962) Andy Warhol, Bonwit Teller window with paintings (1961) Margaret Bourke White, The Louisville Flood (1937) Leonardo da Vinci, Salvator Mundi (c. 1500) Giovanni Morelli, Ears Illustration from Italian Painters (1892) Alphonse Bertillon, Ear Photographs from Identification of Persons (1893) Examples of Francis Galton's composite images: The Jewish Type (c. 1877–c. 1890) and Composite Portraits of Criminal Types (1877) H. Stickland Constable, illustration showing an alleged similarity between ‘Irish Iberian' and ‘Negro' features in contrast to the higher ‘Anglo-Teutonic' (late 19th c.) Photograph by Mark Peckmezian for The New Yorker, Recreation of colouring Roman busts: the Treu Head (second century AD); see also marble bust showing traces of red pigment on lips, eyes, and the fillet (first century AD) Andy Warhol, 13 Most Wanted Men (example from the most wanted men series of works) (1967) CREDITS: ‘Drawing Blood' was made possible with funding from the Experimental Humanities Collaborative Network. Follow our Twitter @drawingblood_ Audio postproduction by Sias Merkling ‘Drawing Blood' cover art © Emma Merkling All audio and content © Emma Merkling and Christy Slobogin Intro music: ‘There Will Be Blood' by Kim Petras, © BunHead Records 2019. We're still trying to get hold of permissions for this song – Kim Petras text us back!!

Southern Utah Museum of Art Manager of Marketing and Communication, Emily Ronquillo, and Registrar, Emily Moyle talk with artist and art historian, Dr. Andrew Kent-Marvick about Andy Warhol in anticipation of SUMA's exhibition "Andy Warhol: Cowboys and Indians" on view through March 19, 2022. Andy Warhol was the undisputed leader of American Pop Art, a movement characterized by artists' use of household items, advertising images, and other "low" art forms, and commercial printing techniques in an effort to democratize art. Warhol had a tremendous gift for understanding the myths of the Baby Boomer generation. His ability to identify images that expressed the essence of the Boomers can be seen in his early work in the 1960s, including Soup Cans and the Elvis Presley series. SUMA Observations and Conversations is produced in partnership with SUU News.

I just do art because I am ugly and there's nothing else for me to do….”- Andy Warhol Who was Andy Warhol? We know his work (soup cans- images of celebrities) but what motivated him to create his art? In this episode we will explore Andy Warhol's life defining experience- the time he was shot by a radical feminist play write/drifter. This event was ultimately overshadowed by Bobby Kennedy's assassination days later- maybe that's why you haven't heard the story. Let's delve into the world of Andy Warhol, the good, the bad, and the ugly. WORKS REFERRED TO IN THE EPISODE “Boy drawings” (refers to the works Andy created in the mid to late 1950's), Andy Warhol, Ink on Paper, Various Collections Campbell's Soup Cans, Andy Warhol, 1962, Synthetic polymer paint on thirty-two canvases, Each canvas 20 x 16" (50.8 x 40.6 cm). Overall installation with 3" between each panel is 97" high x 163" wide, Museum of Modern Art (MOMA), New York City The Marilyn Diptych, Andy Warhol, 1962, Acrylic paint on Canvas, Tate Museum, London Gold Marilyn Monroe, Andy Warhol, 1962,  Silkscreen ink on synthetic polymer paint on canvas, Museum of Modern Art (MOMA), New York City Andy Warhol (Scars), Richard Avedon (1923-2004), Photographed 1969 in NYC

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Segment 1: Tom Gimbel, founder and CEO of LaSalle Network, joins John to talk about why Mayor Lightfoot needs to address crime and build a safer city so companies and businesses will come here rather than those companies needing to recruit them to Chicago. Segment 2:  Philippe Weiss, President, Seyfarth at Work, tells John how promotion pitfalls […]

005 - 100 Campbell's Soup Cans by Art Gallery of Ontario

005 - 100 Campbell's Soup Cans by Art Gallery of Ontario

When Pop Art hit its peak in the 1960s, artists embraced polkadots, popular culture, and consumerism. If you're curious about how soup cans and comics became fine art, join Klaire Lockheart as she shares the details of this Modernist art movement. Artists and Artwork: Yayoi Kusama (Accumulation No. 1, Aggregation: One Thousand Boats Show, Infinity Mirror Room [Phalli's Field], All the Eternal Love I have for the Pumpkins), Georgia O'Keeffe, Baroness Elsa von Freytag-Loringhoven, Andy Warhol (Campbell's Soup Cans, Marilyn Diptych, Cow Wallpaper), Lynn Goldsmith, Claes Oldenburg and Patty Mucha (Soft Calendar for the Month of August), Coosje van Bruggen and Claes Oldenburg (Spoonbridge and Cherry), and Roy Lichtenstein (Look Mickey, Drowning Girl) Additional Topics: Appropriation, Intersectionality, Soft Sculpture, Jason Pargin (What the Hell Did I Just Read), Abstract Expressionism, Clement Greenberg (“Avant-Garde and Kitsch”), Marilyn Monroe, Serigraphy, Comic Books, CMYK Printing, and Ben-Day Dots klairelockheart.com instagram.com/klairelockheart facebook.com/klairealockheart

Truth is truth regardless of our perspective. Don't put your perspective over the gospel

Episode 40 | Labels Are For Soup Cans | KiKi (Host) | Damn Shame Podcast #blackmen #kings #racism #downlow #relationship #protectblackmen #authentic #blackwomen #damnshame #damnshamepodcast KiKi welcomes special guests Mr. Robot, Mr. Lemonade, and Mr. Snicker to discuss the plight of living as an openly gay black man with all the negative stigma! This conversation is candid, transparent, and eye opening. Tap in and drop a comment. ________________________ SUBSCRIBE to the official Damn Shame Podcast YouTube channel to stream our latest videos, your favorite shows from past episodes, and much more. Showtime: EVERY Friday 8:00pm EST/5:00pm CST Hit the Notification Bell so you won't miss our LIVE broadcasts! __________________________ Stay Connected: YouTube: https://youtube.com/channel/UCKhQ7GrNUm9fqHTR5NVUD-w Instagram: https://www.instagram.com/damnshamepodcast Facebook: https://www.Facebook.com/damnshamepodcast Twitter: https://www.twitter.com/damnshamepod Email: damnshamepodcast@gmail.com TikTok: @damnshamepodcast Clubhouse: @damnshamepod _______________________ Damn Shame Podcast “On The Rockz” eBook Available on Amazon Kindle: https://www.amazon.com/Damn-Shame-Podcast-Rockz-Yourself-ebook/dp/B08W2P6WP1

On this episode, we'll meet a witness who claimed McVeigh showed her how he was going to build the bomb using Campbell Soup cans, how he planned on funding the mission, and what McVeigh was hiding in some Christmas packages. The Script for the show and an interactive trial visualization report is available on AMurderousDesign.com. Take a look and let me know if you have any questions. Thanks again to prosecutor Larry Mackey, and Stephen Jones and Christopher Tritico for Mr. McVeigh for sharing their thoughts on the case. The entire transcript of the trial is available at Oklahoman.com. Based on these transcripts, the first 6 episodes document the trial. The following 3 contain the full interviews from Mr. Mackey, Mr. Jones and Mr. Tritico. In the final episode of A Murderous Design, we sit down with journalist and Timothy McVeigh Biographer Lou Michel, who along with Dan Herbeck wrote the New York Times Best Seller "American Terrorist."

Y'all forgive me in this one. Lol

Limitless MindMindsetOpen Middle® - Challenging math problems worth solving

Programa decimoctavo, un año ya de este maravilloso proyecto de padre e hija. Un Cuadro Me Mira Cumplió años el 2 de diciembre, fecha de su primer capítulo. Un programa en el que hablaré de mis reflexiones momentáneas sobre Nueva York, pero también de California, Virginia, Arizona con el gran cañón del colorado, Filadelfia en fin solo 7 minutos de mi reflexión y después Los Pinceles de Candela donde consultaremos algunas cosas a una Doctora en químicas ¿Qué tendrá el óleo?. Latas de sopa Campbell (cuyo título original en inglés es Campbell's Soup Cans), también conocida como 32 latas de sopa Campbell, es una obra de arte producida en 1962 por el artista estadounidense Andy Warhol. Las películas que nombro: • Rocky de 1976 escrita y protagonizada por Sylvester Stallone. • Dirty Dancing. drama y romance de 1987, protagonizada por Patrick Swayze y Jennifer Grey. • Ghostbusters, en español Los cazafantasmas, de 1984 del género comedia. • Ghost, más allá del amor de1990 de Jerry Zucker y con Patrick Swayze, Demi Moore, Whoopi Goldberg • Big, de 1988 dirigida por Penny Marshall y protagonizada por Tom Hanks. Esperamos que os guste ¡¡¡¡ 😉

Zach Roberts, an independent journalist who has been covering protests for more than 15 years, joins Brian this week to talk about covering the recent Black Lives Matter protests in Rochester, N.Y.Zach, who was Brian's student back in 2014, talks about how he got his start in freelance investigative journalism, how covering Occupy Wall Street changed the course of his career, and his experiences covering the protests of Daniel Prude's death in Rochester. Zach discusses what he does when arrives in a city to cover a protest, his tips for staying safe while being on the ground, and what it's like to have police officers shooting and targeting protests.Zach Roberts on TwitterSupport Zach's work on PatreonZach's portfolioTruth or FictionThe BoysKnowledge FightSubscribe:Apple PodcastsSpotifyOvercastGoogle PlayRSSSupportSupport Me on Ko-fi

On The Rampage w/ Don Lichterman discusses the top U.S. & World Headlines, Trump's COVID Task Force, Law & Order messaging, The Human Penis, Steven Miller, the ACLU, from Reagan to Trump in the world of conservative, Trump in Kinosha, Soup Cans, New Polls, Sunset TV, Trump now saying that he won popular vote in 2016, The producers for 'Strike Back' and 'The Kingsman' franchises, Aisha is back on Below Deck, SummerStage Jubilee with Trey (Anastasio), how Phish should play live this year, Russian trolls are targeting the 2020 election, U.S. won’t participate in worldwide coronavirus vaccine effort....Plus, much more are discussed today!

This week Jonathan gets a little... colorful? Off-color? Blue? Join us as we dive into the film career of the man who brought us the Campbell's Soup Cans. Topic: Andy Warhol's Blue Movie and the Arrest of the Staff of the Garrick Theater. Music: "Another Day" by The Fisherman. You can find us on Facebook, Twitter, and visit our website at www.halfwit-history.com! Reach out, say hello, or suggest a topic at HalfwitPod@gmail.com Support the show (https://www.ko-fi.com/halfwithistory)

Seniman yang akrab dikenal dengan karya pop art nya ini, bernama Andy Warhol, siapa yang tidak tau dengan karya karyanya, pada tahun 1960-an Andy Warhol mulai nih merambah ke dunia seni lukis, dan menciptakan lukisan ikonik menggunakan aliran pop art miliknya. Andy Warhol juga menghasilkan beberapa karya untuk produk komersil seperti Cambell’s Soup Cans dan Coca Cola dan ia juga menghasilkan beberapa karya tokoh figur sepeti Marilyn Monroe, Elizabeth Taylor, Elvis Presley, dan Mao Zedong. Nah bagaimana sih Andy Warhol Mengkolaborasikan Seni dengan politik?

Everything is infinite. Every moment is a miracle. In this talk, we track the light of heaven from highest place to its coming down on Mt. Sinai with the giving of the Torah. And we discuss the greatness of pop art and how it gives us a greater appreciation of the ordinary.

My guest in this podcast is Ze Art Nerd; an Algerian content creator and Art enthusiast. In this podcast, we dived into middle-ages, renaissance, and modern art. We talked about the history of art, the social and historical reflection of art, development and evolution of art schools between 1400 and 1950. You find side-topics in the podcast as well about Game of Thrones and other shows. This podcast was recorded on: February 24th -------------------------------------------- Ze Art Nerd https://www.instagram.com/ze.art.nerd/ -------------------------------------------- Paintings Resources: The Birth of Venus: https://artsandculture.google.com/asset/the-birth-of-venus/MQEeq50LABEBVg?hl=en-GB Judith and Holofernes: https://artsandculture.google.com/asset/judith-and-holofernes-artemisia-gentileschi/oQF3gDEYNkutBA?hl=en Les Meninas: https://upload.wikimedia.org/wikipedia/commons/thumb/3/31/Las_Meninas%2C_by_Diego_Vel%C3%A1zquez%2C_from_Prado_in_Google_Earth.jpg/890px-Las_Meninas%2C_by_Diego_Vel%C3%A1zquez%2C_from_Prado_in_Google_Earth.jpg Jean-Antoine Watteau, The Swing | Rococo art: https://i.pinimg.com/originals/e0/95/4a/e0954a2ff7ec8b2d018a99fc6530744c.jpg Bonaparte Crossing the Grand Saint-Bernard Pass: https://i.pinimg.com/originals/e0/95/4a/e0954a2ff7ec8b2d018a99fc6530744c.jpg The Floor-Scrapers 1875 https://www.posterazzi.com/the-floor-scrapers-1875-gustave-caillebotte-oil-on-canvas-musee-dorsay-paris-poster-print-item-varsal1158857/ Gustave Courbet, The Stone Breakers, 1850: https://www.peoplesworld.org/article/the-working-class-becomes-subject-in-the-art-of-gustave-courbet/ laude_Monet_-_The_Water-lily_Pond: https://upload.wikimedia.org/wikipedia/commons/2/28/Claude_Monet_-_The_Water-lily_Pond_-_Google_Art_Project.jpg 32 Campbell's Soup Cans 1962 - Andy Warhol: https://uk.phaidon.com/agenda/art/articles/2013/february/22/the-fascinating-story-behind-andy-warhols-soup-cans/ Baumgartner Restoration YouTube Channel: https://www.youtube.com/channel/UCvZe6ZCbF9xgbbbdkiodPKQ

We’re going to New York City! Browny and Deano hassled Soup Cans so much that the legends at Underworks Australia fronted up the cash to shut ‘em up and the big fella is heading off to run the NY Marathon! It was also a show full of surprise guests, with UK pop sensation Gabrielle (Dreams) calling in, and Ivan dancing his way into the studio! Jack Riewoldt wasn’t sure Chrissie picked the right date night; and Sandra Perrett sprinkled her husband’s ashes on the Gabba! Oh yeah, and Sam was dusty as hell. See acast.com/privacy for privacy and opt-out information.

Titus O’Reily co-hosts.We talked 80s horseracing scandals, because of course we did; Ash Williams rented a room; Ben Knight wrapped up the month of June; Deano pitched an idea that got hm in financial trouble with Soup Cans; we played the home viewer quiz; and of course, it was time for the cheat sheet!Hear all the of ‘good advice’ Chrissie Swan has been given over the years. See acast.com/privacy for privacy and opt-out information.

Dave O’Neil co-hosts.Chrissie reads a letter from Soup Cans that got published in Your Say; David Campbell drops by to give us the lowdown on Lizzie from Married At First Sight’s Today Extra debacle; Dave O’Neil is ‘Mr Melways’; Deano’s Pitch delivered us ‘cat or baby’; we learned about Dave O’Neil’s future thanks to his C-Pap machine; and we had the best Friday ever! See acast.com/privacy for privacy and opt-out information.

Hello, Lovelies! This week we discuss Andy Warhol's history and the influence he had on pop culture that we still see today. From Campbell's Soup cans to Marilyn Monroe to his work in pop art, hear about it this week from the resident expert storyteller, Ashley. This week's drink break is brought to you by the wonderful Diane and her podcast, History Goes Bump! Follow the link for more info: https://wp.me/paqGnY-8S Website: https://theladiesofstrange.com Patreon: https://www.patreon.com/theladiesofstrange Links to our social media and other fun stuff: https://theladiesofstrange.com/links/

Anna examines the values and motivations behind Andy Warhol's ‘Campbell's Soup Cans' from 1962 and interviews Tom Rowland and Claire Campion about the responsibility of designers to make more ethical choices. Plus, highlights from this week on Instagram.To view any images discussed or to get in touch visit Instagram: @annagammansart or visit Facebook: @theartthenandnowshow. See acast.com/privacy for privacy and opt-out information.

People ask us all the time 'where did you find Deano', and in a lot of cases they're literally imagining that we tripped over him, sleeping in a street or something, and brought him home to nurse him back to health. But did you know that Deano's roots are far classier than you may have thought? Sam has found out, via our boss, Soup Cans, that Deano actually was discovered on ABC Classic FM. So how did it sound? See acast.com/privacy for privacy and opt-out information.

This week, we settle in for a full rundown of the new Venom movie. We are also giving away cans of soup to homeless people. More details inside.   If you enjoy the show, please leave us a rating and review on iTunes! You can also follow us on Twitter @WeSpeakMovies, like us on Facebook, follow us on Patreon, and most importantly, TELL YOUR FRIENDS! Released October 11th, 2018

Jess! Pfohl is a self-taught 21st century AmericanJ Artist from Baltimore, MD. Jess holds degrees from St. Bonaventure University in Journalism and Mass Communications. In 2012, Jess was endorsed by Campbell’s Soup in celebration of the 50th Anniversary of Andy Warhol’s Campbell’s Soup Cans. In 2016, Jess headlined the Music is Art Festival supporting the Goo Goo Dolls, with her visual art installation Sexposé. Jess works with many artists throughout a wide range of mediums including film, photography, textile and music. Jess attributes the combination of these experiences as being the core influence of her work, which tends to revolve around human behavior and interest. Jess has works permanently installed at Brooklyn Bowl-Brooklyn, NY, E-Villa-Atlanta, GA and The Alchemy of Art-Baltimore, MD. Jess’ Watercolor and Inks is licensed for design in the Gift and Home Décor Industry. The original Pink Claw Crab displayed at the Baltimore Museum of Art among the product it inspired (2016.) Jess continues to paint in this style, regularly updating the art and design catalog; there are over 800 images and combinations. Product designed by the artist is available in stores throughout the United States, most notably in Bed, Bath and Beyond. In 2018, The Regina A. Quick Arts Center at St. Bonaventure University hosted Jess as their “Artist in Residency.” Jess spent a week on campus working with students while displaying 48 works and painting live. The 2 original canvases left behind are now part of their permanent collection and hangs in the company of her creative idol, Andy Warhol. Jess is represented by ALI Agency-Vermont for commercial licensing.

We got another call from our boss ‘Soup Cans’ on the red phone; Helen Bidou made her very first radio appearance; Denise Scott held her tone; Lincoln Lewis dropped by for a chat; you called us with your terrible jokes, and; we asked Chrissie for another NBA wrap up! See acast.com/privacy for privacy and opt-out information.

Browny is an aspiring coach, so he likes to give the guys feedback whenever he can, and this morning he wanted to do a classic 'air check' on air, just like our boss Soup Cans might have back in the olden days of radio. It didn't go well. Tony Martin had some feedback, too. See acast.com/privacy for privacy and opt-out information.

Deano's installed new security measures in the studio. Well, just outside the studio. He's on the lookout for when our boss, Rohan 'Soup Cans' Brown is coming past in his Soup Can Shoes so they stop misbehaving... what do the guys think? See acast.com/privacy for privacy and opt-out information.

In this Art History Babe Brief, Corrie, Ginny, & Jen discuss leading contributor to the Pop Art movement and man behind the infamous "Campbell's Soup Cans", Andy Warhol. Join us for a snapshot of Warhol's early life, fascinating (and lucrative) career, and untimely death. Check out our Patreon for exclusive bonus episodes! www.patreon.com/arthistorybabes www.arthistorybabes.com Insta: @arthistorybabespodcast Twitter: @arthistorybabes Email: arthistorybabes@gmail.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Andy Warhol’s “Campbell’s Soup Cans” has got to be one of the most famous images of the 20th century. But at the time, Warhol’s use of advertising and imagery from consumer culture was super controversial. So was his unabashed desire to become famous. Abbi and Rookie editor Tavi Gevinson wonder what Warhol might do in an age of social media. Then, Abbi gets a behind-the-scenes look at the work of Beatriz González, whose posters covered the city of Bogatá in a brave gesture of political expression. Also featuring: Sarah Suzuki   Andy Warhol. Campbell's Soup Cans. 1962. Synthetic polymer paint on 32 canvases, each canvas 20 x 16" (50.8 x 40.6 cm). Overall installation with 3" between each panel is 97" high x 163" wide. (The Museum of Modern Art, New York. © 2017 Andy Warhol Foundation/ARS, NY/TM Licensed by Campbell's Soup Co. All rights reserved.)   Beatriz González. Zócalo de la comedia. 1983. One from a set of six linoleum cuts, each 27 9/16 x 39 3/8" (70 x 100 cm). (The Museum of Modern Art, New York. Publisher: the artist, Bogata. Edition: approx. 500. Latin American and Caribbean Fund. © 2017 Beatriz González)   Beatriz González. Zócalo de la tragedia. 1983. One from a set of six linoleum cuts, each 27 9/16 x 39 3/8" (70 x 100 cm). (The Museum of Modern Art, New York. Publisher: the artist, Bogata. Edition: approx. 500. Latin American and Caribbean Fund. © 2017 Beatriz González)    

Julee teaches Jenna and Tony about Andy Warhol's 32 Campbell's Soup CansFollow along with this image: https://upload.wikimedia.org/wikipedia/en/1/1f/Campbells_Soup_Cans_MOMA.jpgJulee used the following resources for her info:Art Since 1940; Strategies of being by Jonathan FinebergMoma.orgSee Julee's art at JuleesaTorres.com

Julee teaches Jenna and Tony about Andy Warhol's 32 Campbell's Soup CansFollow along with this image: https://upload.wikimedia.org/wikipedia/en/1/1f/Campbells_Soup_Cans_MOMA.jpgJulee used the following resources for her info:Art Since 1940; Strategies of being by Jonathan FinebergMoma.orgSee Julee's art at JuleesaTorres.com

On tap this week: Would You Rather Blast, I'm just a Christian, Using Coldplay in worship, and choose your dream pet.  This week's partner: Missional Wear. Use coupon code "reformedpub" at checkout to saved $10 off a $50 order for Father's Day!

Ten years. Ten years! TEN. YEARS. Ten years we've been doing this show. TEN. In that time, technologies have waxed and waned; world leaders have come and gone; yet here we still are, answering the questions that you supply. To celebrate our birthday, in AMT346 we provide a thrilling glimpse into the AMT Process, receive a gift from a musical hero, and tackle a question on Olly's favourite subject. Or, at least, his third favourite subject. Find out more about the episode at http://answermethispodcast.com/episode346. Tweet us http://twitter.com/helenandolly Be our Facebook friend at http://facebook.com/answermethis Subscribe on iTunes http://iTunes.com/AnswerMeThis Buy old episodes and albums at http://answermethisstore.com

THE FOOD SEEN: “The Modern Art Cookbook” with Mary Ann Caws January 6, 2015 11:21 AM On today's THE FOOD SEEN, Mary Ann Caws, a Distinguished Professor of Comparative Literature, English, and French at the Graduate School of the City University of New York, takes an in-depth look at palates of famous artists throughout history. “The Modern Art Cookbook” mixes art with recipes, from Salvador Dali's “Eggs on the Plate without the Plate” to a Picasso's Omelette a L'Espagnole. The relationship between how Impressionists, Surrealists, and Futurists see food, interpreted through cooking, is wonderfully reflective of their personal styles. Imagine being studio with Paul Cezanne, snacking on his Anchoiade (anchovy spread), or trying Frida Kahlo's Red Snapper, Veracruz Style, a bite of Monet's Madeleines au Citron, or a slice of David Hockney's Strawberry Cake. You can't touch Andy Warhol's “Campbell's Soup Cans”, but you can eat Allen Ginsberg's Borscht any day! “I think the simplicity of the recipes is exactly what I was aiming at – simple and spontaneous – the kind of thing you'd make if people happened to drop in.” [18:00] –Mary Ann Caws on THE FOOD SEEN