Podcast appearances and mentions of Toni Basil

This week on The Metro, Rev. Jeff Ivins dives back into the 80s hits you might have forgotten about with songs by: Nena, Alarm, Uncanny X-Men, Toni Basil, The B-52's, Miracle Legion, Laura Branigan, ABC, The J Geils Band, Eddie Money, Japan, Missing Persons, Marshall Crenshaw, INXS, and finishing up with Naked Eyes.

Episode 135 breaks down Bruno Mars' latest hit single alongside K-Pop star ROSÉ titled "APT."  What does APT mean? How do you pronounce it? Why does this sound so familiar? Is Bruno Mars the best modern performer we got right now? And what is his all-time greatest jam? We dissect it all in this electric pink video, check out the full video episode here: https://youtu.be/YGbNtlzhw9cNEXT!

This show is supported by our beloved MaxFun Members! To become one yourself as part of the #MaxFunDrive, go to maximumfun.org/join and set up a recurring monthly contribution for as little as $5 a month. Happy #MaxFunDrive! It's trivia so fine it'll blow your mind on a brand new episode of Go Fact Yourself! In this episode…Guests:Jerry O'Connell got his start as a child actor in the film Stand By Me. His acting career blossomed from there and continued for decades – but now he's had a second career as an Emmy-nominated TV host. He'll tell us how that came about after some advice from Kelly Ripa, plus why his dad thought his first film would be a flop. Mallory O'Meara is an author and podcaster. She hosts the shows "Reading Glasses" and "Reading Smut" on the MaxFun Network. She'll tell us all about how both podcasts celebrate book culture in very different ways. Her latest book, Daughter of Daring: The Trick-Riding, Train-Leaping, Road-Racing Life of Helen Gibson, Hollywood's First Stuntwoman is out now. Areas of ExpertiseJerry: 1980s music, 1980s movies, and 1990s Los Angeles news.Mallory: Haunted house books, werewolf movies, Washington Capitals Hockey from 2019 to the present. What's the Difference: Break the BankWhat's the difference, in music, between a rest and a break?What's the difference between a food bank and a food pantry?With Guest Experts:David Naughton: Actor and singer, who starred in the film An American Werewolf in London.Toni Basil: Award-winning singer, dancer, and choreographer behind the hit song “Oh Mickey.”Hosts: J. Keith van StraatenHelen HongCredits:Theme Song by Jonathan Green.Maximum Fun's Senior Producer is Laura Swisher.Co-Producer and Editor is Julian Burrell.Seeing our next live-audience shows by YOU! MaxFunDrive ends on March 28, 2025! Support our show now and get access to bonus content by becoming a member at maximumfun.org/join.

Hello Backstory fans! This episode is a must-listen if you're a fan of dance and choreography. We had the pleasure of chatting with the iconic Toni Basil, whose journey in the arts started at a young age thanks to her vaudeville family roots. From ballet recitals in Chicago to cheerleading and street dance influences, Tony has been immersed in the world of performance her whole life. She gave us an insider's look at working with big names like David Bowie, Tina Turner, and Mick Jagger, sharing incredible stories from her exhilarating career. Amazingly, Toni is still dancing and teaching workshops today, inspiring the next generation of dancers while maintaining a strong social media presence! Don't miss this episode as Toni shares her creative process, passion for dance, and tips for anyone looking to break into the arts. Grab your headphones and dive in as we explore the fascinating backstory of a true dance legend. Enjoy!

A mix of Top 40 hits from January 1983. Artists include The Pretenders, Hall & Oates, Don Henley, Paul McCartney, Michael Jackson, Musical Youth, Joe Jackson, Kool & The Gang, A Flock of Seagulls, Phil Collins, Toni Basil and more!

Dave Hondel sits down with living legend of entertainment, Toni Basil. Listen as Toni talks about her single "Breakaway" that she recorded in 1966 and is now being celebrated again. Toni also talks about her recent trip to South Korea and her experience with the amazing dancers at the Street Beat conference. Many other recent moments were covered in this wonderful interview with a true icon in the business including her interview with the Lincoln Center Library of Performing Arts. A must listen!

Episode Summary:  Menina Fortunato interviews renowned choreographer Alex Magno to explore his inspiring journey from Rio de Janeiro to Los Angeles, where he became an influential figure in the dance world. Menina introduces Alex, celebrating his achievements, including Emmy and World Choreography Awards, and their shared history, as Alex's scholarship significantly impacted her own dance path. A turning point came when Alex won a competition sponsored by Paramount Pictures, bringing him to the United States. In Los Angeles, he trained rigorously, embracing diverse dance styles, including tap, and connecting with industry mentors who encouraged his artistic pursuits. Alex shares career highlights and challenges, from performing in The Nutcracker to working with global icons like Madonna. He emphasizes the importance of collaboration, adapting choreography to each dancer's strengths, and staying disciplined. For emerging choreographers, Alex advises a focus on collaboration, continual learning, and maintaining a positive, resilient mindset. He underscores the value of authenticity, discipline, and creating a supportive community. Concluding with words of encouragement, Alex urges dancers to remain dedicated to their craft and persevere in pursuit of their dreams. Show Notes: (0:03) Introduction and Background of Alex Magno (5:26) Alex Magno's Early Dance Journey (8:36) Training and Early Successes (17:48) Move to the United States (41:42) Career Highlights and Challenges (47:25) Advice for Emerging Choreographers (1:05:46) Final Thoughts and Encouragement Biography: ALEXANDRE MAGNO is an Emmy and a WCA (World Choreography Awards) nominated Choreographer, director, and Producer, best known for his work with MADONNA (Girlie Show and Drowned World Tours), BRITNEY SPEARS, JENNIFER LOPEZ, THE PUSSYCAT DOLLS, THE ACADEMY AWARDS, MTV MUSIC AWARDS, , SO YOU THINK YOU CAN DANCE (FOX), DANCING WITH THE STARS (ABC) , YANNI VOICES (PBS and TELEVISA TV SPECIAL), NEODANCE (A Tango Project, Featuring GRAMMY WINNER NESTOR TORRES), BENISE (EMMY WINNER Nights Of Fire PBS Special, along with two other shows: The Spanish Guitar, and FUEGO The Spirit Of Spain - PBS TV Special) ONYX LULLABY (Experimental Dance Film featuring ANNIE LENNOX & DAVID ALLAN STEWART'S Iconic Music: SWEET DREAMS (Are Made Of This) - LIDO DE PARIS (Lido La Tourné), BALLET HISPANICO, MAAPshowseries, and DEEP SLEEP FOR Beat FreaksUTY (A Fashion Dance Show, Presented and Produced by JUSTONEEYE; based on a Fairytale Book created by CHRISTIAN LOUBOUTIN, as part of LOUBOUTIN'S new collaboration (The Capsule Collection) with Indian Couture Designer SABYASACHI And more…. Drawing on a variety of styles, disciplines, and cultural influences, Mr. MAGNO infuses his work with powerful drama, beauty and sensuality. As a Dance Educator: Mr. Magno is known worldwide, for his unique Latin, cool, sensual fused dance style; and for training today's top dancers, celebrities and choreographers; such as Carrie Ann Inaba, Christina Applegate, Jenna Elfman, Elizabeth Berkley, Carlos Gomes, Brian Friedman, Gil Duldulao, Mandy More, Bobby Newberry, Jillian Meyers, Tony Testa, Jason Parsons to name a few. This well-deserved recognition celebrates over three decades of the extraordinary career of Alex Magno and further solidifies his status as a leading figure in the world of dance and choreography, sharing this honor among esteemed Lifetime Achievement Award previous recipients like Toni Basil, the Nicholas Brothers, Debbie Allen, Jamie King, Adam Shankman, Vincent Paterson, Janet Jackson, Gene Kelly, Nappy Tabs, Travis Payne, and Twitch. Connect on Social Media: https://www.instagram.com/alexmagnoofficial https://www.facebook.com/share/1NpRHUZKq9/ https://www.alexmagno.com/

National ice cream cone day. Entertainment from 1954. Last 8 hung in salem witch trials, Patriot Nathan Hale hung by Britian, President Ford unhurt in assassination attempt. Todays birthdays - Ellen Church, Martha Scott, Junko Tabei, Toni Basil, David Coverdale, Richard Fairbrass, Debby Boone, Joan Jett, Scott Baio, Bonnie Hunt. Yogi Berra died.Intro - Pour some sugar on me -    Def Leppard http://defleppard.com/Ice cream cone - The Laurie Berkner BandSh-Boom - The Crew-CutsI don't hurt any more - Hank SnowBirthdays - In da club - 50 Cent      http://50cent.com/Mickey - Toni BasilStill of the night - WhitesnakeI'm too sexy - Right Said FredYou light up my life - Debby BooneI love rock and roll - Joan Jett & the BlackheartsCharles in charge TV themeExit - It's not love - Dokken     http://dokken.net/Follow Jeff Stampka on facebook and cooolmedia.com

This week on The Metro, Rev. Jeff Ivins brings the following bands for your 80s time warp: The Cars, Annie Lennox, Kid Creole & the Coconuts, Pet Shop Boys, Erasure, George Michael, a-ha, Nik Kershaw, Heaven 17, Tears for Fears, Tracey Ullman, Toni Basil, and finishing off with Steve Perry.

Thank you for checking out Rock Musical Month. Coming up is Septdumber, where the topics are slightly dumber than usual, and way more September. First film will be Rambo III (1988). Looking for more content? We are continuously backfilling our library with classics such as our radio play of Alfred Hitchcock's The 39 Steps (250 - 253) and Music Videos that Remind Us of Thor (754 - 759). If you want to check out the full list of topics covered, it can be found here, and we'd love to take requests for re-upload.

No Resuminho do Som de hoje eu vou contar pra você um pouco sobre as músicas Mickey, da Toni Basil, Enjoy the Silence, do Depeche Mode e Rainbow in the Dark, do Dio. O próximo episódio vai sair quando eu juntar mais três pedidos, então não perca tempo, mande a sua sugestão clicando no link que está na descrição deste episódio. CLIQUE AQUI PARA PEDIR A SUA MÚSICA  OUÇA O EPISÓDIO DO DISTOPIA RASTREADA Ouça as três músicas no YouTube Music       Mickey foi escrita por Chin/Chapman - © 1981 Chrysalis Enjoy the Silence foi escrita por Martin Gore- © 1989 Mute Records Limited Rainbow in the Dark foi escrita por Bain, Dio, Appice, Campbell - ℗ 1983 Phonogram Int BV Músicas de fundo Pixabay Agradecimentos aos produtores virtuais pelo apoio: Fabiano F. M. Cordeiro (Fab 97,4 FM) Marcelo Machado (Podcast de Garagem) Marcos Coluci Ricardo Bunnyman (AutoRadio Podcast) William Floyd (Fermata podcast) Gostaria de apoiar o 80 WATTS? É só escolher a plataforma de sua preferência.     This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Background vector created by freepik - www.freepik.com

Barry and Abigail discuss The Rise and Fall of a Midwest Princess by Chappell Roan and sample Single in Savannah, Abbey Terno, and Three Fates from Barrel of Monks Brewing in Boca Raton, Florida. Read more about how Chappell Roan spent 7 years becoming an overnight success. Listen to Good Luck, Babe! Watch the music video for Red Wine Supernova. Watch Chappell's performances on The Late Show and The Tonight Show. Learn about the theory that Chappell is referencing Miss Piggy in her looks. Barry shared a mashup of HOT TO GO! and Hey Mickey by Toni Basil for credit at the Abigail Hummel School of Speaking Smartly About Music. Compare the two music videos as well! Chappell seems to reference California Dreamin' by The Mamas & the Papas in California. Watch Charlene Kaye's “Every Chappell Roan Song”! Up next… Catching a Wave by Steve & Teresa Jingles are by our friend Pete Coe. Visit Anosmia Awareness for more information on Barry's condition. Follow Barry or Abigail on Untappd to see what we're drinking when we're not on mic! Leave us a rating or a review on Apple Podcasts or Spotify! Facebook | Instagram | X | YouTube | Website | Email us | Virtual Jukebox

Here in episode 179 of the No Name Music Cast, it is Joy's turn to pick the topic and she chooses to talk about the net worth of the artists of one hit wonders.We cover Toni Basil, Bobby McFerrin, Vanilla Ice and Sir Mix-a-Lot to name only a few!We also talk about electric cars, Psy, graduation music and debut the NNMC movie game!https://www.facebook.com/NoNameMusicCast/

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. This week, we are all about those songs that can get stuck in your head, whether you like it or not, aka “Earworms”. On today's episode, Andy Atherton is watching, “Mickey” by Toni Basil from 1981. The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=X7ZIA41yfF4

We're back for another round of our New Wave Game! The rules are simple, because the game is stupid. We're listening to the next three volumes in the Just Can't Get Enough: New Wave Hits of the 80s CD series, and trying to guess each other's favorite songs. Volumes 4-6 include Flopcast favorites like the Go-Go's, Men at Work, Duran Duran, and Devo. There are also memorable one-or-two hit wonders like Soft Cell, A Flock of Seagulls, the Waitresses, and Bow Wow Wow. And then there are the acts who never really scored a hit, but still made an impression. (Yikes, Jim Carroll knew a lot of people who died...) In New Wave Game Part 1, we both failed miserably. Surely we'll do better this time, if we can only clear our brains of Toni Basil screeching about Mickey. The Flopcast website! The ESO Network! The Flopcast on Facebook! The Flopcast on Instagram! The Flopcast on Mastadon! Please rate and review The Flopcast on Apple Podcasts! Email: info@flopcast.net Our music is by The Sponge Awareness Foundation! This week's promo: Modern Musicology!

Dave and Ethan interview Janet Greek, the director behind "Ricky," Weird Al's first-ever music video!  Janet speaks about her time on set with Weird Al, as well as her time working on Babylon 5, Max Headroom, and the other aspects of her extensive career. ABOUTSince 2019, Dave & Ethan's 2000″ Weird Al Podcast has covered all facets of the life, career, and fandom of “Weird Al” Yankovic. Hosted by Dave “Elvis” Rossi and Ethan Ullman, two Weird Al super fans, collectors, and historians - the podcast aims to spread the joy of Weird Al and his music while digging deep and learning from those who have worked with, or been inspired by, his work. LINKSFollow us on social media, Patreon, and more: https://linktr.ee/2000inchPast episodes available at WeirdAlPodcast.com PODCAST CREDITSIndependently produced, hosted, and created by Dave "Elvis" Rossi and Ethan UllmanTheme song performed by the Grammy Award-Winning Jim "Kimo" WestPodcast logo designed by Heather Malone COPYRIGHT© 2019-2024 | Dave & Ethan's 2000" Weird Al Podcast

Lover Me continues with a song about being horny for someone who is either oblivious or doesn't care! That still qualifies as a love song, right? Covers by: Toni Basil, Weird Al Yankovic, John B, zebrahead, Olivia Newton-John, Permahorn Tidal playlist here Olivia newton-John version here

This week we cover Toni Basil, Cliffs, Cliffsnotes, Godzilla, James Bond, Blondie, diss tracks, and shingles. Please help our friend and Jortscentrist Laura if you can. https://gofund.me/92e54c8e https://podvoices.help https://donations4abortion.com Please help support our friend Tim! https://www.gofundme.com/f/tims-head-trauma-and-living-expenses Join our Peloton!   https://www.patreon.com/JortsCenter Facebook group  https://www.facebook.com/groups/342135897580300 Subreddit  https://www.reddit.com/r/jortscenter Follow us on Twitter at @JortsCenterPod  Will is @wapplehouse  Josh  is @otherjrobbins  Ryan is @ryhanbeard  Vic is @Dokktorvikktor  Dan  is @motleycruedetat

A concert was held at the Santa Monica Civic Auditorium on October 28th and 29th, 1964 which would be released as a concert film called the T.A.M.I. Show.  Free tickets were provided for local high school students to provide the audience.  T.A.M.I. stands for either “Teenage Awards Music International” or “Teen Age Music International,” as both were used by the show's publicity team.  The show included many of the top rock and roll and R&B musicians of the time, including the Beach Boys, the Rolling Stones, James Brown, Chuck Berry, and The Miracles.  Jan and Dean were the emcees for the event.  Motown Records was represented by three of its biggest acts in the Miracles, Marvin Gay, and the Supremes.  The Rolling Stones were featured as the grand finale.  However, the performance by James Brown and the Famous Flames is perhaps the highlight of the show, as it features his dance moves at the height of his career.  Steve Binder and his personnel from The Steve Allen Show shot the film, and the legendary session musicians of The Wrecking Crew provided most of the instrumentation.  The go-go dancers in the background were choreographed by David Winters and his assistant, a young Toni Basil.This is a difficult film to locate due to copyright disputes on the show over the years.  You'll need to go to YouTube to find the performances.Wayne takes us through this concert footage of the early days of rock and roll. (Here They Come) from All Over the World by Jan and DeanThe film starts with a song from Jan and Dean which is played over the credits.  Jan and Dean co-hosted the concert and contributed this anthem written for the show.  It has a surfing vibe and is easily confused for The Beach Boys who also participated in the concert.Hey Little Bird by The BarbariansThe Barbarians were a precursor to the Punk movement, and their style was called garage rock in the day.  The Barbarians had a one-handed drummer who utilized a drum stick in his left arm with a hook prosthetic.  The group sported a pirate look with leather sandals, open necked shirts, and bloused sleeves.Out of Sight by James Brown and the Famous FlamesMany consider the highlight of the show to be James Brown's performance, as it showcases his dance moves.  The energy shown by Brown and his backing singers clearly influenced future acts like Michael Jackson and Prince.Around and Around by The Rolling StonesWhile the Rolling Stones were the final act, Keith Richards claims that choosing to follow James Brown on stages was the worst decision of their careers, because no matter how well they performed, they couldn't top him.  They performed a cover of Chuck Berry's song - an interesting choice since Berry was also a performer for the concert. ENTERTAINMENT TRACK:Do the Clam by Elvis Presley (from the motion picture “Girl Happy”)Elvis was making movies at the time, and would almost always be expected to sing songs in the picture. STAFF PICKS:Nowhere to Run by Martha & the VandellasBruce leads off the staff picks with a group which would see a name change to Martha Reeves & the Vandellas later on.  This Motown hit written by the legendary team called Holland-Dozier-Holland went to number 8 on the US charts.  The song is about a woman trapped in a downward spiraling love affair that she just can't give up.Land of 1000 Dances by Cannibal and the HeadhuntersRob features an iteration of a frequently covered song.  Chris Kenner originally recorded it in 1962, but it was more successful as a cover by Cannibal & the Headhunters, going to number 30 on the Billboard chart.  They also added the "na na na na na" hook to the original when front man Frankie Garcia forgot the lyrics.  Sixteen dances are mentioned in the lyrics of the song.Eight Days a Week by The Beatles Lynch brings us an early hit penned by John Lennon and Paul McCartney.  It would be the seventh number one single for the Fab Four in the United States, despite Lennon's feeling that it was a failed attempt at writing a single.  The title is attributed to a statement Ringo Starr made regarding how busy the Beatles were at the time.Satisfied by Lulu and the LuvversWayne wraps up the staff picks with a high energy party song from a Scottish band.  Lulu would go on to a successful solo career that included film songs like "To Sir With Love," and the title song for "The Man with the Golden Gun."  Lulu was 17 at the time this song came out.  She would go on to marry Maurice Gibb of the Bee Gees.   INSTRUMENTAL TRACK:Cast Your Fate to the Wind by Sounds OrchestralThis week's podcast ends with an instrumental song

We are reviewing the 80s songs bracket. Please let us know what song should be number one. Here's the bracket: Party All the Time by Eddie Murphy (1985)Never Too Much by Luther Vandross (1981)Purple Rain by Prince (1984)Thriller by Michael Jackson (1982)Working for the Weekend by Loverboy (1981)Livin' On A Prayer by Bon Jovi (1986)Everybody Have Fun Tonight by Wang Chung (1986)Pour Some Sugar on Me by Def Leppard (1987)My Prerogative by Bobby Brown (1988)Hungry Like the Wolf by Duran Duran (1982)What I Like About You By The Romantics (1980)Billie Jean By Michael Jackson (1984)Down Under by Men at Work (1982)"When Doves Cry" by Prince (1984)"Only in My Dreams" by Debbie Gibson (1987)"I Can't Go For That (No Can Do)" by Hall & Oates (1981)"Start Me Up" by The Rolling Stones (1981)"Sweet Child O' Mine" by Guns N' Roses (1987)"Cars" by Gary Numan (1980)"Like a Virgin" by Madonna (1984)"You Got It (The Right Stuff" by New Kids on the Block (1988)"Walk This Way" by Run-D.M.C. (1986)"Walking on Sunshine" by Katrina and the Waves (1983)"You Shook Me All Night Long" by AC/DC (1980)"Wild Thing" by Tone Loc (1989)"Don't Stop Believing" by Journey (1981)"Brass in Pocket" by The Pretenders (1980)"How Will I Know" by Whitney Houston (1985)"Ain't Nobody" by Chaka Khan (1989)"With or Without You" by U2 (1987)"Rock Me Amadeus" by Falco (1986)"Walk Like an Egyptian" by The Bangles (1986)"I Want Candy" by Bow Wow Wow (1982)"Jump" by Van Halen (1984)"Addicted to Love" by Robert Palmer (1985)"Need You Tonight" by INXS (1987)"All Night Long (All Night) by Lionel Richie (1983)"Here I Go Again" by Whitesnake (1982)"Kiss" by Prince (1986)"Come on Eileen" by Dexy's Midnight Runners (1982)"Tempted" by Squeeze (1981)"Time After Time" by Cyndi Lauper (1984)"Word Up!" by Cameo (1986)"Jessie's Girl" by Rick Springfield (1981)"It Takes Two" by Rob Base & DJ E-Z Rock (1986)"Beat It" by Michael Jackson (1982)"Don't You Want Me?" by Human League (1981)"Just Like Heaven" by The Cure (1987)"Call Me" by Blondie (1980)"Girls Just Want to Have Fun" by Cyndi Lauper (1984)"Candy Girl" by New Edition (1983)"Take on Me" by A-Ha (1985)"She Blinded Me With Science" by Thomas Dolby (1982)"Our Lips Are Sealed" by The Go-Go's"Little Red Corvette" by Prince (1983)"Welcome to the Jungle" by Guns-N-Roses (1987)"Faith" by George Michael (1987)"Too Shy" by Kajagoogoo (1984)"99 Luftballons" by Nena (1983)"Wake Me Up Before You Go-Go" by Wham! (1984)One Thing Leads to Another" by The Fixx (1983)"Burning Down the House" by Talking Heads (1983)"Super Freak" by Rick James (1981)"Love Is a Battlefield" by Pat Benatar (1983)"I Love Rock N' Roll" by Joan Jett and The Black Hearts (1981)"Under Pressure" by Queen and David Bowie (1981)"It's the End of the World as We Know It (And I Feel Fine)" by R.E.M (1987)"Sister Christian" by Night Ranger (1983)"Fight the Power" by Public Enemy (1988)"Tainted Love" by Soft Cell (1981)"Keep on Loving You" by REO Speedwagon (1980)"Every Rose Has Its Thorn" by Poison (1988) "Just Can't Get Enough" by Depeche Mode (1981)"In the Air Tonight" by Phil Collins (1981)"I Want to Know What Love Is" by Foreigner (1984)"867-5309/Jenny" by Tommy Tutone (1981)"Straight Up" by Paula Abdul (1988)"Janie's Got a Gun" by Aerosmith (1989)"Whip It" by Devo (1980)She a beauty by the tubes"Take My Breath Away" by Berlin (1986)"I Melt With You" by Modern English (1982)"Mr. Roboto" by Styx (1983)"Love Shack" by The B-52's (1989)"Bust a Move" by Young M.C (1989)"Dr. Feelgood" by Mötley Crüe (1989)"Jack & Diane" by John Mellencamp (1982)"London Calling" by The Clash (1982)"Do You Really Want to Hurt Me" by Culture Club (1982)Look of Love by ABC (1982)"Mickey" by Toni Basil (1981)"Cruel Summer" by Bananarama (1984)"Total Eclipse of the Heart" by Bonnie Tyler (1983)"Nasty" by Janet Jackson (1986)"I Ran (So Far Away)" by A Flock of Seagulls (1982)"Every Breath You Take" by The Police (1983)"Push It" by Salt-N- Pepa (1986)"We're Not Gonna Take It" by Twisted Sister (1984) --- Send in a voice message: https://podcasters.spotify.com/pod/show/mass-debaters/message Support this podcast: https://podcasters.spotify.com/pod/show/mass-debaters/support

National ice cream cone day. Entertainment from 2012. Last 8 hung in salem witch trials, Patriot Nathan Hale hung by Britian, President Ford unhurt in assassination attempt. Todays birthdays - Ellen Church, Martha Scott, Junko Tabei, Toni Basil, David Coverdale, Richard Fairbrass, Debby Boone, Joan Jett, Scott Baio, Bonnie Hunt. Yogi Berra died.Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Ice cream cone - The Laurie Berkner BandWe are never getting back together - Taylor SwiftPontoon - Little Big TownBirthdays - In da club - 50 Cent http://50cent.com/Mickey - Toni BasilStill of the night - WhitesnakeI'm too sexy - Right Said FredYou light up my life - Debby BooneI love rock and roll - Joan Jett & the BlackheartsCharles in charge TV themeExit - It's not love - Dokken http://dokken.net/https://www.coolcasts.cooolmedia.com/show/history-factoids-about-today/

This week on The Metro, Rev. Jeff Ivins brings you the following bands for your weekly time travel to the 1980s: Air Supply, M, Toni Basil, The Style Council, Yazoo, Tom Tom Club, Mental As Anything, Bad Manners, Falco, Pat Benatar, Kenny Loggins, Glass Tiger, Sigue Sigue Sputnik, Joboxers, The Police, and finishing up with Phil Seymour.

Reciban un cordial saludo. Desde Cali (Colombia), les habla Sergio Luis López, compartiéndoles un nuevo episodio de "Así la escuché yo..." La intérprete estadounidense Antonia Basilotta, conocida artísticamente simplemente como Toni Basil lanzó en 1981 el álbum "Word of mouth" con el cual se anotó un “One-hit wonder” como se llama a los cantantes de un único éxito, al alcanzar la cima de las listas musicales con la canción “Mickey”. Así la escuché yo… Fue tal el éxito de la canción de Toni Basil que inmediatamente se produjeron otras versiones, como la parodia realizada por el artista cómico musical Weird Al Yankovic bajo el título “Ricky”. El grupo infantil mexicano La Banda Timbiriche grabó en 1983 una versión en castellano titulada “Micky”. Este éxito musical de Toni Basil es en realidad una nueva versión de la canción grabada originalmente por la agrupación británica Racey publicada en su álbum "Smash and grab" de 1979, es decir, dos años antes que la versión de Toni Basil y cuyo título original no es “Mickey” sino “Kitty”. ¿Y tú, conocías la versión original de Racey titulada “Kitty”? Autores: Mike Chapman (australiano) & Nicky Chinn (británico) - Versión nueva al inglés Weird Al Yankovic (nombre real Alfred Matthew Yankovic, estadounidense) - Versión al español Rosalía Valdés (nombre real Rosalía Gómez Valdés, mexicana) Mickey - Toni Basil (1981) "Word of mouth" álbum (1981) Toni Basil (nombre real Antonia Christina Basilotta, estadounidense) Ricky - Weird Al Yankovic (1983) single video "Ricky" (1983) - Versión al inglés Weird Al" Yankovic (nombre real Alfred Matthew Yankovic, estadounidense) Micky - La Banda Timbiriche (1983) "La Banda Timbiriche en concierto" álbum (1983) Timbiriche (banda mexicana) Kitty - Racey (1979) "Smash and grab" álbum (1979) Racey (banda británica) ___________________ “Así la escuché yo…” Temporada: 7 Episodio: 14 Sergio Productions Cali – Colombia Sergio Luis López Mora

Wild Rebels are crunchy and punchy, but Chris and Charlotte are in to talk about symbols that were popular in Germany in the late 30s/early 40s, Florida film scenes, sad boy singers, pretty boy bikers, and driving around Florida for kicks.SHOW NOTES.Wild Rebels: MST3K Wiki. IMDb. Trailer.See you at MST3Kon!Welcome, Waystar Corncob!The critic Chris mentions is Peter Stanfield in his book Hoodlum Movies: Seriality and the Outlaw Biker Film Cycle, 1966-1972, which was useful reading for these episodes.Wikipedia has pretty informative articles about the history of the swastika and using it for shock value, and about one-percenters.An article on bikers and this kind of iconography, and another on why punks used it.The Santa Claus scene.She-Man.The Naked Zoo.A recent interview with director William Grefé.Steve Alaimo: Every Day I Have To Cry.The Wham! documentary.Joan Didion on bike movies.The Wild One.The late Kenneth Anger's Scorpio Rising.Why the Hell's Angels Make Out with Fellow Male Bikers.The Wild Angels.Easy Rider.Obligatory link to Todd in the Shadows on Toni Basil.An interview with Channel J's Tracey.Genesis: Abacab.The Birdwatchers: I'm Gonna Love You Anyway.Shane Fenton & the Fentones: Cindy's Birthday.Alvin Stardust: My Coo Ca Choo.The Spahn Ranch and its filmography.New Christy Minstrels: Green, Green.Up with People at the Superbowl.Museo della Merda.Scenic A1A.The interactive map.The Jupiter Inlet Lighthouse (is not our lighthouse).The Cape Florida Light in Key Biscayne (is our lighthouse). An older photo.Follow Chris on Bluesky.Support us on Patreon and listen to superfan bonus bits!

This week I am joined by Kevin and Erin of THE PODCAST THAT WOULDN'T DIE to talk about the Cult Musical ROCKULA starring Dean Cameron and Toni Basil! Do we kill it, or let it live?? Listen and find out!Visit THECULTWORTHY.COMThe Podcast That Wouldn't Die: https://podcasts.apple.com/us/podcast/the-podcast-that-wouldnt-die/id1477564319SPONSORED AD: Try Blendjet2 today at https://zen.ai/cult12! PROMO CODE: CULT12

In June Tales of History and Imagination is on holiday… Well, technically I'm writing new scripts for the second half of the year. In the meantime I've recorded a couple of minisodes, starting with the Tale of Frau Troffea and Medieval Dancing Plagues.    Support the show on Patreon for just $2 US a month and get access to exclusive content. Not sure if you want to invest? Try our 7 Day Free Trial.  Please leave Tales a like and review wherever you listen. The best way you can help support the show is to share an episode with a friend - Creative works grow best by word of mouth. I post episodes fortnightly, Wednesdays. Tales of History and Imagination is on  | Facebook | Twitter | Pinterest | Instagram | YouTube |  Music, writing, narration, mixing normally all yours truly. This week I heavily borrowed from Toni Basil's Mickey (M. Chapman, N. Chinn, (T. Basil should have a co-write for the cheerleading bit) )       Visit Simone's  | About Me | Twitter |     

This week on The Metro, Warlock Jeff Ivins brings you the following bands for your weekly time trip to the 1980s: Mr. Mister, Pat Benatar, Toni Basil, Wham!, Irene Cara, Squeeze, A-Ha, Bus Boys, Madness, Billy Idol, Romeo Void, Til Tuesday, Sting, and finishing off with some Marilyn.

Episode 10 marks the first of 10(!)  times the incomparable Buck Henry hosts NBC's Saturday Night.  It also marks the first time on the podcast that we welcome a guest!  Jon Schneider, Host & Creator of The Saturday Night Network, joins us to talk about this very fun & historic episode!We get an all-time classic sketch with the Samurai and Buck (the first in their run together) to kick off the show, a Gary Weis film that is a lot of fun, and also a Muppets...thing.  Most importantly though, this episode is also the first time we see any iteration of the Blues Brothers!!! This is an interesting episode with some lesser known sketches that really stand the test of time and some others that, well, maybe don't.  So join us in a fun discussion with a very knowledgeable guest as we get into episode 10!Also, check out the Saturday Night Network for a lot of really great content on all things SNL:  https://linktr.ee/saturdaynightnetworkSubscribe today! And follow us on social media on X (Twitter), Instagram, and Facebook.

This week, we take a look back at a movie celebrating the fortieth anniversary of its theatrical release this coming Saturday, a movie that made a star of its unconventional lead actor, and helped make its director one of a number of exciting female filmmakers to break through in the early part of the decade. The movie Martha Coolidge's 1983 comedy Valley Girl, starring Nicolas Cage and Deborah Foreman. ----more---- TRANSCRIPT   From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   On this episode, we're going to be looking back at a movie that will be celebrating the fortieth anniversary of its original theatrical release. A movie that would turn one of its leads into a star, and thrust its director into the mainstream, at least for a short time.   We're talking about the 1983 Martha Coolidge film Valley Girl, which is celebrating the 40th anniversary of its release this Saturday, with a special screening tonight, Thursday, April 27th 2023, at the Chinese Theatre in Hollywood with its director, doing a Q&A session after the show.   But, as always, before we get to Valley Girl, we head back in time.    A whole eleven months, in fact. To May 1982.   That month, the avant-garde musical genius known as Frank Zappa released his 35th album, Ship Arriving Too Late to Save a Drowning Witch. Released on Zappa's own Barking Pumpkin record label, Drowning Witch would feature a song he co-wrote with his fourteen year old daughter Moon Unit Zappa. Frank would regularly hear his daughter make fun of the young female mallrats she would encounter throughout her days, and one night, Frank would be noodling around in his home recording studio when inspiration struck. He would head up to Moon's room, wake her up and bring her down to the studio, asking her to just repeat in that silly Valspeak voice she did all the crazy things she heard being said at parties, bar mitzvahs and the Sherman Oaks Galleria shopping center, which would become famous just a couple months later as the mall where many of the kids from Ridgemont High worked in Amy Heckerling's breakthrough movie, Fast Times at Ridgemont High. For about an hour, Frank would record Moon spouting off typical valley girl phrases, before he sent her back up to her room to go back to sleep.   In a couple days, Frank Zappa would bring his band, which at the time included guitar virtuoso Steve Vai in his first major musical gig, into the home studio to lay down the music to this weird little song he wrote around his daughter's vocals.   “Valley Girl” wold not be a celebration of the San Fernando Valley, an area Zappa described as “a most depressing place,” or the way these young ladies presented themselves. Zappa in general hated boring generic repetitive music, but “Valley Girl” would be one of the few songs Zappa would ever write or record that followed a traditional 4/4 time signature.   In the spring of 1982, the influential Los Angeles radio station KROQ would obtain an acetate disc of the song, several weeks before Drowning Witch was to be released on an unsuspecting public. Zappa himself thought it was a hoot the station that had broken such bands as The Cars, Duran Duran, The Police, Talking Heads and U2 was even considering playing his song, but KROQ was his daughter's favorite radio station, and she was able to persuade the station to play the song during an on-air interview with her.   The kids at home went nuts for the song, demanding the station play it again. And again. And again. Other radio stations across the country started to get calls from their listeners, wanting to hear this song that hadn't been officially released yet, and Zappa's record label would rush to get copies out to any radio station that asked for it.   The song would prove to be very popular, become the only single of the forty plus he released during his recording career to become a Top 40 radio hit, peaking at number 32. Ironically, the song would popularize the very cadence it was mocking with teenagers around the country, and the next time Zappa and his band The Mothers of Invention would tour, he would apologize to the Zappa faithful for having created a hit record. "The sad truth,” he would say before going into the song, “is that if one continues to make music year after year, eventually something will be popular. I spent my career fighting against creating marketable art, but this one slipped through the cracks. I promise to do my best never to have this happen again."   As the song was becoming popular in Los Angeles, actor Wayne Crawford and producer Andrew Lane had been working on a screenplay about star-crossed lovers that was meant to be a cheap quickie exploitation film not unlike Zapped! or Porky's. But after hearing Zappa's song, the pair would quickly rewrite the lead character, Julie, into a valley girl, and retitle their screenplay, Bad Boyz… yes, Boyz, with a Z… as Valley Girl.   Atlantic Entertainment Company, an independent film production company, had recently started their own distribution company, and were looking for movies that could be made quickly, cheaply, and might be able to become some kind of small hit. One of the scripts that would cross their desk were Crawford and Lane's Valley Girl. Within a week, Atlantic would already have a $350,000 budget set aside to make the film.   The first thing they needed was a director.   Enter Martha Coolidge.   A graduate of the same New York University film program that would give us Joel Coen, Amy Heckerling, Ang Lee, Spike Lee and Todd Phillips, Coolidge had been working under the tutelage of Academy Award-winner Francis Ford Coppola at the filmmaker's Zoetrope Studios. She had made her directorial debut, Not a Pretty Picture in 1976, but the film, a docu-drama based on Coolidge's own date rape she suffered at the age of 16, would not find a big audience. She had made another movie, City Girl, with Peter Riegert and Colleen Camp, in 1982, with Peter Bogdanovich as a producer, but the film's potential release was cancelled when Bogdanovich's company Moon Pictures went bankrupt after the release of his 1981 movie They All Laughed, which we covered last year. She knew she needed to get on a film with a good chance of getting released, and with Coppola's encouragement, Coolidge would throw her proverbial hat into the ring, and she would get the job, in part because she had some directing experience, but also because she was willing to accept the $5,000 Atlantic was offering for the position.   Now that she had the job, it was time for Coolidge to get to casting. It was her goal to show an authentic teenage experience in Los Angeles in the early 1980s, absent of stereotypes. As someone whose background was in documentary filmmaking, Coolidge wanted Valley Girl to feel as real as possible.   Her first choice for the role of Randy, the proto-punk Romeo to Julie's… well, Juliet… Coolidge was keen on a twenty-three year old unknown who had not yet acted in anything in movies, on television, or even a music video. Judd Nelson had been studying with Stella Adler in New York City, and there was something about his look that Coolidge really liked. But when she offered the role to Nelson, he had just booked an acting gig that would make him unavailable when the film would be shooting. So it was back to the pile of headshots that had been sent to the production office. And in that pile, she would find the headshot of eighteen year old Nicolas Cage, who at the time only had one movie credit, as one of Judge Reinhold's co-workers in Fast Times. Coolidge would show the photo to her casting director, telling them they needed to find someone like him, someone who wasn't a conventionally handsome movie actor.   So the casting director did just that. Went out and got someone like Nicolas Cage. Specifically, Nicolas Cage.   What Coolidge didn't know was that Cage's real name was Nicolas Coppola, and that his uncle was Coolidge's boss. She would only learn this when she called the actor to offer him the role, and he mentioned he would need to check his schedule on the Coppola movie he was about to start shooting on, Rumble Fish. Francis Coppola made sure the shooting schedule was re-arranged so his nephew could accept his first leading role.   For Julie, Coolidge wanted only one person: Deborah Foreman, a twenty-year-old former model who had only done commercials for McDonalds at this point in her career. Although she was born in Montebello CA, mere miles from the epicenter of the San Fernando Valley, Foreman had spent her formative years in Texas, and knew nothing about the whole Valley Girl phenomenon until she was cast in the film.   Supporting roles would be filled by a number of up and coming young actors, including Elizabeth Daily and Michelle Mayrink as Julie's friends, Cameron Dye as Randy's best friend, and Michael Bowen as Julie's ex-boyfriend, while Julie's parents would be played by Frederic Forrest and Colleen Camp, two industry veterans who had briefly worked together on Apocalypse Now.   As the scheduled start date of October 25th, 1982, rolled closer, Martha Coolidge would be the first director to really learn just how far Nicolas Cage was willing to go for a role. He would start sleeping in his car, to better understand Randy, and he would, as Randy, write Foreman's character Julie a poem that, according to a May 2020 New York Times oral history about the film, Foreman still has to this day. In a 2018 IMDb talk with director Kevin Smith, Cage would say that it was easy for his performance to happen in the film because he had a massive crush on Foreman during the making of the film.   Because of the film's extremely low budget, the filmmakers would often shoot on locations throughout Los Angeles they did not have permits for, stealing shots wherever they could. But one place they would spend money on was the movie's soundtrack, punctuated by live performances by Los Angeles band The Plimsouls and singer Josie Cotton, which were filmed at the Sunset Strip club now known as The Viper Room.   The film would only have a twenty day shooting schedule, which meant scenes would have to be shot quickly and efficiently, with as few hiccups as possible. But this wouldn't stop Cage from occasionally improvising little bits that Coolidge loved so much, she would keep them in the film, such as Randy spitting his gum at Julie's ex, and the breakup scene, where Randy digs into Julie by using Valspeak.   In early January 1983, while the film was still being edited, Frank Zappa would file a lawsuit against the film, seeking $100,000 in damages and an injunction to stop the film from being released, saying the film would unfairly dilute the trademark of his song. The lawsuit would force Coolidge to have a cut of her movie ready to screen for the judge before she was fully done with it. But when Coolidge screened this rushed cut to Atlantic and its lawyers, the distributor was pleasantly surprised to see the director hadn't just made a quickie exploitation film but something with genuine heart and soul that could probably have a much longer lifespan. They were originally planning on releasing the film during the later part of the summer movie season, but now knowing what they had on their hands, Atlantic would set an April 29th release date… pending, of course, on the outcome of the Zappa lawsuit.   In March, the judge would issue their ruling, in favor of the film, saying there would be no confusion in the public's mind between the song and the film, and Atlantic would continue to prepare for the late April release.   One of the things Coolidge really fought for was to have a wall of great new wave songs throughout the film, something Atlantic was hesitant to pay for, until they saw Coolidge's cut. They would spend another $250k on top of the $350k production budget to secure songs from The Psychedelic Furs, The Payolas, Men at Work, Toni Basil, The Flirts and Sparks, on top of the songs played by The Plimsouls and Josie Cotton in the film.   Valley Girl would be one of three new movies opening on April 29th, alongside Disney's adaptation of the Ray Bradbury story Something Wicked This Way Comes, and The Hunger, the directorial debut of filmmaker Tony Scott. Opening on only 442 screens, Valley Girl would come in fourth place for the weekend, grossing $1.86m in its first three days. However, its $4200 per screen average would be better than every movie in the top 15, including the #1 film in the nation that weekend, Flashdance. Not bad for a film that was only playing in one third of the country.   In its second weekend, Valley Girl would fall to seventh place, with $1.33m worth of ticket sold, but its per screen average would be second only to the new Cheech and Chong movie, Still Smokin'. Over the next three months, the film would continue to perform well, never playing in more screens than it did in its opening weekend, but never falling out of the top 15 while Atlantic was tracking it. When all was said and done, Valley Girl would have grossed $17.34m in the United States, not a bad return on a $600k production and music clearance budget.   There was supposed to be an accompanying soundtrack album for the film that, according to the movie's poster, would be released on Epic Records, a subsidiary of Columbia Records whose eclectic roster of artists included Michael Jackson, The Clash and Liza Minnelli, but it turns out the filmmakers only ended up only getting music clearances for the movie, so that release would get cancelled and a six-song mini-LP would be created through a label Atlantic Pictures created called Roadshow Records. But then that album got cancelled, even though some copies had been printed, so it wouldn't be until 1994 that an actual soundtrack for the film would be released by Rhino Records. That release would do so well, Rhino released a second soundtrack album the following year.   The lawsuit from Zappa would not be the only court proceeding concerning the film. In July 1984, Martha Coolidge, her cinematographer, Frederick Elmes, and two of the actresses, Colleen Camp and Lee Purcell, sued Atlantic Releasing for $5m, saying they were owed a portion of the film's profits based on agreements in their contracts. The two sides would later settle out of court.   Nicolas Cage would, of course, becomes one of the biggest movie stars in the world, winning an Oscar in 1996 for his portrayal of an alcoholic Hollywood screenwriter who goes to Las Vegas to drink himself to death.   Deborah Foreman would not have as successful a career. After Valley Girl, it would be another two years before she was seen on screen again, in what basically amounts to an extended cameo in a movie I'll get to in a moment. She would have a decent 1986, starring in two semi-successful films, the sexy comedy My Chauffeur and the black comedy April Fool's Day, but after that, the roles would be less frequent and, often, not the lead. By 1991, she would retire from acting, appearing only in a 2011 music video for the She Wants Revenge song Must Be the One, and a cameo in the 2020 remake of Valley Girl starring Jessica Rothe of the Happy Death Day movies.   After Valley Girl, Martha Coolidge would go on a tear, directing four more movies over the next seven years. And we'll talk about that first movie, Joy of Sex, on our next episode.   Thank you for joining us.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about Valley Girl.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

This week on The Metro, Warlock Jeff Ivins brings you the following bands for your 80s time warp: Annie Lennox, Madness, The English Beat, Toni Basil, Village People, Depeche Mode, Kim Wilde, Roxy Music, Heaven 17, A Flock Of Seagulls, Fools, Blondie, The Motels, Wham!, and finishing with Classix Nouveaux.

Dust off your  dancing shoes and grab your pom-poms, this  week's episode is going to make you shake your bon-bon. We play some of T&G's favorite tunes from Toni Basil, Beyoncé and OutKast . Plus we have a spirited interview from one of the most iconic Dallas Cowboy Cheerleaders, Brooke Alexander! Are you ready?!

House music at its best! Let Dave Baker take you on a journey of discovery and aural pleasure as he brings you the hottest and freshest funky, deep and tech house releases every week. As you would expect, it's another HUGE week of new tunes and, as usual, you're kept one step ahead with a selection of the best upcoming releases. This week we have the masked magician(s) Claptone to kick us off with a nice one with Alison Goldfrapp; we have a couple each from Defected and Toolroom; a little DB mashup featuring new releases from Dimitri Vegas, Steve Aoki and Lowdown (a bit risky but you decide if it works!); 80's legend Toni Basil goes tech house; and a bit of nostalgia from Todd Terry / Steve Mac and Nik Denton / Mark Armitage. You lucky people! All tracks released on January 20 unless shown below. Win an Apple or Spotify gift card : https://www.djdavebaker.com/competitions Instagram: https://www.instagram.com/djdavebaker Facebook: https://www.facebook.com/hothousehours Mixcloud: https://www.mixcloud.com/djdavebaker/ 1. Digging Deeper (Extended Mix) - Claptone, Alison Goldfrapp [Skint Records]

This week we're talking about those people, often behind the scenes, who wrote the sonic hits of the 1980's: The Songwriters. Joining host Lyndsey Parker (Yahoo Music Entertainment Editor) for this epic discussion are two superstar songwriters who probably have written your favorite songs from this current decade, Sam Hollander and Justin Tranter.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week on The Metro, Warlock Jeff Ivins brings you the following bands: Orchestral Manoeuvres in the Dark, The Cars, Romeo Void, Jim Carroll Band, Frankie Goes To Hollywood, Toni Basil, Pet Shop Boys, Corey Hart, Heaven Seventeen, Glass Tiger, Kajagoogoo, Marillion, Sigue Sigue Sputnik, and finishing off with Tin Tin.

Lauren is building a cult following for Rockula (1990) one friend at a time.The Basics Director: Luca Bercovici (Ghoulies) Writers: Luca Bercovici, Jefery Levy (director of at least one episode of every 90's sci fi drama tv show), Chris Ver Wiel (Who is Cletis Tout) Stars: Dean Cameron, Toni Basil, Thomas Dolby, Tawny Feré Ellis, Bo Diddley, Susan Tyrell Trigger Warnings Vampires Gaslighting Singing Recommendations: Lauren - Scream Queens (2015 and 2008) Emily - Brian David Gilbert Ben - "Werewolf Bar Mitzvah", 30 Rock (2010); Interview with a Vampire (2022) Jeremy - Sissy (2022) Find them Online:Lauren: @HitzhusenLauren on TwitterEmily: @megamoth on Twitter, @mega_moth on Instagram, and at Megamoth.netBen: @benthekahn on Twitter, and at BenKahnComics.comJeremy: @jrome58 on Twitter and IG, and at JeremyWhitley.com ★ Support this podcast on Patreon ★

Bill McClintock -My World Is Empty Without You, Maneater (The Supremes v Hall & Oates) n4hte - I'm Still Maneating (Elton John v Hall & Oates) Magik Mike - Part Time Maneater (Hall & Oates v Stevie Wonder) DJ Cutt - Shake It Off, Mickey (Taylor Swift v Toni Basil) lobsterdust - Walkin' Out Yo Girlfriend (Unk v Avril Lavigne v Toni Basil) Oliver Norton - Turn It Up, Gloria! (Prince v Laura Branigan) Static Symphony - Physically Locked Out of Heaven (Dua Lipa v Bruno Mars) iWillBattle - You're Gonna Go Bad, Romance (Lady Gaga v The Offspring) Titus Jones - Survive The Dance (Ghost v Metric v Gloria Gaynor) William Maranci - Another Confession (Celine Dion v Foo Fighters) ah! - Blurry Me Now (Ouddle of Mudd v Johnny Logan) Happy Cat Disco - Jump Around the Line (House of Pain v Harry Belafonte)

This week on The Metro, Warlock Jeff Ivins brings you the following bands for your weekly time trip: Janet Jackson, Bonnie Tyler, Cyndi Lauper, Yaz, Toni Basil, Sheena Easton, Marilyn Martin, Berlin, Blondie, Chaka Khan, Irene Cara, Marilyn, Nena, and finishing off with Kim Wilde.

A transcript of this episode is available here: thedanceedit.com/transcript-episode-132Information about the Palm Desert Choreography Festival: mccallumtheatre.com/index.php/shows/2022-2023-season/palm-desert-choreography-festival Basil's website: tonibasil.netBasil's social accounts:youtube.com/channel/UCLDiLz79uHGkK4KyIMl7Ljginstagram.com/officialtonibasilMSA Agency website: msaagency.comMSA Instagram account: instagram.com/msaagencyVisit/add to the Dance Media Events Calendar: dancemediacalendar.com/Get the latest dance news direct by subscribing to our free newsletters. Find the ones that match your interests: dancemagazine.com/subscribe

Horror! Medo! Desespero! Pânico! Sofrimento! Vaga-lume! No episódio desta semana nos reunimos para falar sobre o Demônios de Alcatraz (Slaughterhouse Rock) lançado em 1987 com a Toni Basil no elenco! Então aumentem seus iPods porque mais um Podtrash está no ar! Duração: 75minMédia TD1P: 3,3 ELENCO Almighty, o Estagiário de Chinelos!Bruno "Gunfree" GunterDemétrius "Anjo Negro" Santos Douglas Fricke, o ExumadorEdson OliveiraShin Koheo, o Maratonista nu! ARTE DO BANNER Shin KoheoMarcelo Damm EXTRAS DESTE PODTRASH IMDB de Demônios de AlcatrazTrailer do Filme Escute esta playlist no Spotify! FEEDS E LINKS DO PODTRASH Podtrash na iTunes StorePodtrash no SpotifyFeed completo do PodtrashFeed sem os Lado BFeed do Lado BCanal do Podtrash no YoutunerParticipe do Grupo “Esse Merece um Podtrash” lá no Facebook!Participe do grupo do Telegram dos Ouvintes do PodtrashConheça a Loja de Camisetas As Baratas! CONTATOS DO PODTRASH podtrash@td1p.com@podtrashFacebook do Podtrash CAPA DESTE PODTRASH

Guest Interview: Eartha Robinson-MKM Cultural Arts Topics: Booking jobs based on amount of followers, Grace Gaustad, Johnny's, Dancing with the Stars, Popstars, David Foster, Nicole Scherzinger, Michael Peters, Michael Jackson, Janet Jackson, Toni Basil, When should a dancer turn choreographer? TheRealTravisandStacy on I Coach Dance app Dance Heroes: Derek & Julianne HoughSee omnystudio.com/listener for privacy information.

Guest Interview: Eartha Robinson-MKM Cultural Arts Topics: Booking jobs based on amount of followers, Grace Gaustad, Johnny's, Dancing with the Stars, Popstars, David Foster, Nicole Scherzinger, Michael Peters, Michael Jackson, Janet Jackson, Toni Basil, When should a dancer turn choreographer? TheRealTravisandStacy on I Coach Dance app Dance Heroes: Derek & Julianne HoughSee omnystudio.com/listener for privacy information.

Minds will be blown by this latest episode, with Toni Basil, a true show business Zelig. Sure, we all remember Basil's 1981 hit, “Mickey.” But it turns out this might be the least interesting part of her long career as a dancer, singer, and choreographer. Hear Toni's tales of: dancing with Frank Sinatra in 1964's Rat Pack vehicle Robin and the Seven Hoods, boogying in and helping choreograph Elvis' movie, Viva Las Vegas, that time she watched Mick Jagger nearly faint when he realized he had to follow James Brown on stage. She played a hooker in Easy Rider and sat across the diner booth from Jack Nicholson for his famous toast ordering scene in Five Easy Pieces. Oh, and did we mention that she taught Leonardo DiCaprio how to do the twist for Once Upon A Time In Hollywood? Plus, she basically introduced hip hop dance to America back in the Seventies when she founded the street dance troupe The Lockers. You'll never use the term "one hit wonder" again.  Stuff to check out: Toni Basil's House, on youtube, home to the mother lode of clips.  https://www.youtube.com/channel/UCLDiLz79uHGkK4KyIMl7Ljg Toni, Sinatra, and Bing Crosby on set of Robin and The Seven Hoods, 1964 https://www.youtube.com/watch?v=iUZXOdsEPJo Toni does "the dog" for Elvis in Viva Las Vegas, 1964 https://www.youtube.com/watch?v=hLi5PNasbvA Toni in Bruce Conner's "Breakaway" short https://www.youtube.com/watch?v=5CHtEASlzG8 Peter Fonda (and Toni) in Easy Rider, 1969 https://www.youtube.com/watch?v=iamsdf-VSQI Jack Nicholson (and Toni) in Five Easy Pieces, 1970 https://www.youtube.com/watch?v=hdIXrF34Bz0 Toni and The Lockers on Soul Train, 1975 https://www.youtube.com/watch?v=NwAZoce7QHY Toni dancing a few years ago (at 74) https://www.youtube.com/watch?v=Xcpjta4q7lc

This week on Post Punk New Wave Wednesday's Danny plays an eclectic mix of early and rare post punk and some classics we haven't heard in quite awhile featuring Cyndi Lauper, Wang Chung, Madonna, The Pretenders, The Waitresses, The B-52's, Billy Idol, Kate Bush, John Foxx, Thomas Dolby, General Public, Tom Tom Club, Kim Wilde, Berlin, M, The Only Ones, Fad Gadget, Zero Vision, Modern English, Blue Kremlin, Toni Basil and more. Original Airdate 6/22/22.© Copyright Danny Diess 2022.

Topics off the leash this week include … The Talent v Charisma pie chart you can apply to any act. “Double-concentrated Liam” versus “diluted Noel”, an update on the Oasis land-grab. A second helping of the “Pete Doherty swaps crack for Camembert” story. Liverpool taxi-driver, 25, claims to have never heard of the Rolling Stones: could this be possible? Pop stars infinitely older (or younger) than you imagined. Learning to speak fluent tabloid – “the Here Comes The Sun hit-makers”, “the Paint It Black chart-busters” etc …Marc Bolan is a “thin” concept. Bolan + Pies/Booze doesn't work. Plus Petula Clark, Andy Summers, Japan, Michael Owen and Toni Basil.----------------Tickets for Word In The Park in London on June 18th here: https://www.eventbrite.co.uk/e/were-throwing-a-party-for-paul-mccartneys-80th-and-youre-invited-tickets-259008229587  Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

Come and hear us discuss Mickey and its super rad music video, at least according to @sliiiiip. Hosted by @sliiiiip and @megamixdotcom, the Super Hits Podcast reviews a different retro single each episode! We're on all of the usual podcast platforms, so come find us. Come and give us a 5-star review! To correct us if we miss a fact or get something wrong, or to request a single, or to just say hello, hit us up at superhitspodcast@gmail.com Here's the song: https://open.spotify.com/track/3CVDronuSnhguSUguPoseM?si=d0e91bd5cb354960 Here's the music video: https://youtu.be/0aqLwHP4y6Q Here's our website: https://megamixdotcom.com/super-hits/ Here's our Twitter: @SuperHitsCast Here's our Instagram: @SuperHitsPodcast --- Send in a voice message: https://podcasters.spotify.com/pod/show/superhitspodcast/message

A first this week as all three of us recorded the pod whilst on the same body of land. We put our slurries to the back of our minds and had a go at the following:• Vince's solar system: Panel-beating David into submission.• Ruairi's tales from the crypto seem to be a little sugar-coated.• Adil Shah: Worst hotel guest ever.• Freddie and Josh: More bizarre bunny toiling.• Plus some Toni Basil confessions from one of the hosts. Happy Easter!Email us at: hello@thecidershed.comMessage us on Twitter: https://twitter.com/TheCiderShedPodJoin the Facebook Group: www.facebook.com/groups/357567078923256/?ref=shareFind us on: https://www.instagram.com/thecidershedpod/?hl=en See acast.com/privacy for privacy and opt-out information.

Holmberg's Morning Sickness - Brady Report - Wednesday April 6, 2022

Holmberg's Morning Sickness - Brady Report - Wednesday April 6, 2022 Learn more about your ad choices. Visit megaphone.fm/adchoices

This show is brought to you be www.gubbarum.com Miles To Nowhere is a catchy pop punk trio from Tempe Arizona. They play a brand of music they like to call Galaxy Punk. It is a big simplistic sound, with slightly dark undertones. The songs are fun and will get stuck in your head. Kristen, Katie, and Rich are sure to make you move!   Please visit www.gubbarum.com

This week on The Metro, Warlock Jeff Ivins brings you some of the hits from the year 1982 with: Don Henley, Frida, Yazoo, The Clash, The J. Geils Band, Duran Duran, Steve Miller Band, Asia, Toni Basil, ABC, Men at Work, Joe Jackson, Billy Idol, and finishing off with Survivor.