Podcast appearances and mentions of Lee Krasner

At the Tang Museum at Skidmore College, ‘Kathy Butterly: Assume Yes' surveys more than thirty years of work by one of the most inventive artists working in ceramics today. Butterly is known for small-scale sculptures that are technically daring, expressive, and often witty. At the Schick Art Gallery in Skidmore's art building, ‘Earthbound' brings together work by eleven contemporary ceramic artists. Their work ranges in techniques and aesthetic approaches from figurative to abstract, and from functional to fantastical.And opening Saturday at The Hyde Collection is ‘Toshiko Takaezu: Voices of Abstraction.' Takaezu was known for her ceramic forms and expressive glazes, and the exhibition places her work in dialogue with painters including Sam Gilliam, Adolph Gottlieb, and Lee Krasner.

Learn more at TheCityLife.org

Llega un nuevo fin de semana a Rpa y con él llega Un buen día para viajar, en plenas fiestas navideñas y ya dando inicio a este nuevo año 2026 recién estrenado, para empezar hoy 3 de enero de las horas de radio, historia y viaje más intensas…abre el programa y el año Sara Moro que en la sección de arte por el mundo nos hablará de la vida y obra de Lee Krasner, la importante artista del expresionismo abstracto…a continuación Víctor Guerra en la sección de caminería, sendas y veredas nos lleva por el Camin Real del Nalon desde Laviana hasta Oviedo por las sierra de La Paranza…y Francisco Borge en la sección de Reino de Asturias y arte prerrománico nos continúa hablando de la figura más que trascendental de Ramiro I…gran segunda hora con un tándem impresionante el geoquímico y especialista en paleoclimatología Francisco Jiménez Espejo con el historiador José Soto Chica para uniendo conocimiento darnos una visión muy curiosa e innovadora, como el clima ha venido determinando la delgada línea que separa la prosperidad del colapso, la muerte y la desaparición. Un desafío al que hubieron de hacer frente los neandertales en la época glacial, los nómadas pastores del Sáhara verde, los egipcios constructores de pirámides, ante el cambiante curso del Nilo o los visigodos y bizantinos en la Alta Edad Media, cuando los volcanes taparon el cielo, sin duda apasionante…y cerramos con la Doctora en Arquitectura, en Lingüística General y Licenciada en Filosofia y Letras Carmen Oliva Menéndez que nos hablará del estudio que ella desarrolló de las construcciones tradicionales con cubierta vegetal tomando como centro de mira los teitos de Asturias, ampliado al entorno de los Ancares cercanos. Pero también analizando los cottages del Reino Unido e Irlanda y las tipologías y técnicas en Alemania, Países Bajos y Escandinavia, incluyendo Islandia y las Islas Feroe, y llegando a Francia o Italia…dos grandes horas de radio y viaje en Rpa!!

In dieser TACHELES-Folge verrate ich dir, warum es mich doch auch auch freut, wenn jemand meine Arbeit scheiße findet. Ablehnung ist kein Grund, klein beizugeben – sie ist ein Filter, ein Mutbeweis und oft der Startschuss für echten Erfolg. Ich erzähle dir, wie Kritik mein Profil schärft, welche Chancen darin stecken und wie J.K. Rowling, Lee Krasner und Nick Drake aus Ablehnung Stärke gemacht haben. Kurz: Nach dieser Folge wirst du Kritik mit ganz anderen Augen sehen – und sie hoffentlich sogar feiern! 00:00 Intro 00:20 Warum ich es gut finde, wenn du meine Arbeit Scheisse findest! 14:00 Shoutout für Steady-Supporter 15:09 Outro —— Shownotes: 1. Unterstütze «Der kreative Flow» bei Steady mit einer VIP-Mitgliedschaft und erhalte exklusive Boni, https://steady.de/derkreativeflow/ 2. YouTube-Kanal, https://www.youtube.com/c/derkreativeflow 3. Sprachnachricht für den Podcast schicken, https://www.speakpipe.com/derkreativeflow 4. Flow-Letter, Jetzt abonnieren 5. Shop Bücher, https://robertabergmann.shop 6. Der Kreativ-Stammtisch, für Steady-Supporter kostenlos, offen für alle Kreative! https://shop.derkreativeflow.de/s/robertabergmann/kreativ-stammtisch-online 7. Buch «Kopf frei für den kreativen Flow» direkt bei mir bestellen! 8. Buch «Kreative Identität & Selbsterkenntnis» direkt bei mir bestellen! 9. Flow-Blog, https://www.derkreativeflowblog.de 10. Shop Kurse & Tickets: https://shop.derkreativeflow.de Credits Podcast: Der kreative Flow, 2025 Idee, Design, Schnitt & Host: Roberta Bergmann, https://www.robertabergmann.de Sounds: Peter M. Glantz, https://www.glantz.info Alle Infos unter: https://www.derkreativeflow.de Folge direkt herunterladen -- Credits Podcast: Der kreative Flow, 2025 Idee, Design & Host: Roberta Bergmann, https://www.robertabergmann.de Tonmischung & Sounds: Peter M. Glantz, https://www.glantz.info Alle Infos unter: https://www.derkreativeflow.de

This week the American contemporary mixed-media artist Anna Carll who began her painting career with very colorful figurative work, which slowly evolved into non-representational abstract work that's based on the concept of urban expansion and erosion. Anna was born in Charleston, WV in 1960. Her mother Maggie Schettler, a career nurse and teacher, and father James Carll, who worked in the auto industry, divorced when Anna was just 12 years of age. She is the youngest of six children.  Anna reflects on a troubled childhood and how she became a truant, eventually dropping out of high school and becoming a juvenile delinquent. She describes herself as a having been a sickly child who suffered from dyslexia while becoming introspective and private.  At the age of 17, she ran away from home. When she returned home six months later to her mother she went back to school and achieved her General Equivalency Diploma (GED) at 18. It was then she decided to focus on a vocation in graphic art and design by attending the Sarasota County Vocational Technical Center for 12 months. This was followed by six months at the Venice Sun Newspaper where Anna realized she still needed further training so she attended the University of Florida, graduating with a BA in Art & Graphic Design in 1984. Her career began as an illustrator and graphic artist and for 16 years she worked in Atlanta. Anna subsequently spent 12 years honing her craft as an painter in the North Georgia Mountains under the shadow of the Appalachian Mountains in the Blue Ridge area. From 1992-4 she studied with the artist Ouida Canaday before leaving her career as a graphic artist to become a full-time fine artist in 1999. Anna's first gallery representation came in 1997 with Bender Fine Art Gallery in Atlanta and she is now represented by a number of galleries in the US. Anna's work is collected by a diverse group of both private individuals and corporations in the US, South America, Europe and Asia. Anna now lives in Chattanooga, TN with her cat Sadie Mei. Anna's links:https://www.annacarll.com/https://www.instagram.com/annacarllart Anna's favorite female artists in visual arts:Current artists: Marjorie Thompson, Galen Chaney, Karen Stamper, Lynn Alker, Nicola Bennett, Cat Tesla, Bethany Kohrt, Helen Ward, Julia Bland, Jackie Mulder, Jackie Leishman, Rebecca Crowell, Patricia Kelly, Jill Stoll, Nina TichavaLate artists: Lee Krasner, Joan Mitchell, Helen Frankenthaler, Louise Nevelson Eva Hesse, Ruth Asawa, Georgia O'Kieffe, Frida Kahlo Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on Facebook Email: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

This week the American contemporary mixed-media artist Anna Carll who began her painting career with very colorful figurative work, which slowly evolved into non-representational abstract work that's based on the concept of urban expansion and erosion. Anna was born in Charleston, WV in 1960. Her mother Maggie Schettler, a career nurse and teacher, and father James Carll, who worked in the auto industry, divorced when Anna was just 12 years of age. She is the youngest of six children.  Anna reflects on a troubled childhood and how she became a truant, eventually dropping out of high school and becoming a juvenile delinquent. She describes herself as a having been a sickly child who suffered from dyslexia while becoming introspective and private.  At the age of 17, she ran away from home. When she returned home six months later to her mother she went back to school and achieved her General Equivalency Diploma (GED) at 18. It was then she decided to focus on a vocation in graphic art and design by attending the Sarasota County Vocational Technical Center for 12 months. This was followed by six months at the Venice Sun Newspaper where Anna realized she still needed further training so she attended the University of Florida, graduating with a BA in Art & Graphic Design in 1984. Her career began as an illustrator and graphic artist and for 16 years she worked in Atlanta. Anna subsequently spent 12 years honing her craft as an painter in the North Georgia Mountains under the shadow of the Appalachian Mountains in the Blue Ridge area. From 1992-4 she studied with the artist Ouida Canaday before leaving her career as a graphic artist to become a full-time fine artist in 1999. Anna's first gallery representation came in 1997 with Bender Fine Art Gallery in Atlanta and she is now represented by a number of galleries in the US. Anna's work is collected by a diverse group of both private individuals and corporations in the US, South America, Europe and Asia. Anna now lives in Chattanooga, TN with her cat Sadie Mei. Anna's links:https://www.annacarll.com/https://www.instagram.com/annacarllart Anna's favorite female artists in visual arts:Current artists: Marjorie Thompson, Galen Chaney, Karen Stamper, Lynn Alker, Nicola Bennett, Cat Tesla, Bethany Kohrt, Helen Ward, Julia Bland, Jackie Mulder, Jackie Leishman, Rebecca Crowell, Patricia Kelly, Jill Stoll, Nina TichavaLate artists: Lee Krasner, Joan Mitchell, Helen Frankenthaler, Louise Nevelson Eva Hesse, Ruth Asawa, Georgia O'Kieffe, Frida Kahlo Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on Facebook Email: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.

Klaire continues Personal Change month with an abstract painter whose legacy personally effects one of our Gal Pals. Learn about Lee Krasner on this week's episode. Joined by Leah, Katie and Bonnie. 

Nous sommes en décembre 1936, à New York. C'est au cour d'une soirée dansante que la peintre Lee Krasner rencontre celui qui deviendra l'une des figures majeurs de l'abstraction au vingtième siècle : Jackson Pollock. Plus tard, la jeune femme se souviendra d'un piètre danseur lui ayant écraser les pieds. Cette rencontre, apparemment sans conséquence, sera, heureusement, suivie d'une autre plus fructueuse faisant entrer celui et celle qui allait unir leur vie sentimentale et professionnelle, dans l'histoire de l'art. Pollock est devenu une légende de son vivant, c'est un fait entendu. Mais qu'en est-il pour Lee Krasner ? Une femme artiste dans la puritaine Amérique ? Une femme d'artiste singeant l'art de son homme ?En 1949, tous deux sont présents dans une exposition intitulée "Artistes: homme et femme". Un critique du magazine ARTnews écrit: "Il y a une tendance chez certaines de ces femmes à se "ranger aux styles de leur mari. Lee Krasner (Mme Jackson Pollock) prend la peinture et les émaux de son mari et transforme ses lignes effilées et balayées en petits carrés et triangles soignés." Plus tard, elle déclarera : «Tout mon travail va comme un pendule; il semble retourner vers une chose dans laquelle j'étais engagée auparavant, ou bien il oscille entre l'horizontalité et la verticalité, la circularité ou un composé d'entre elles. » Alors, Lee Krasner ne vaut-elle pas mieux que l'ombre de Jackson Pollock ? Ne perdons rien pour attendre… Invitée : Anne Hustache, historienne de l'art. Sujets traités : Lee Krasner, Jackson Pollock, art, artiste, peinture, abstraction, Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Through her sharp and biting political commentary—whether as host of the podcast Fast Politics, as a special correspondent for Vanity Fair, or as a political analyst on MSNBC—Molly Jong-Fast has, over the past decade, become something of a household name. But, as the daughter of the once-famous author and second-wave feminist Erica Jong—whose 1973 novel Fear of Flying catapulted her into the literary limelight—she has actually been in the public eye for much longer, decades before this more recent notoriety of her own making. Jong-Fast's latest book, the searing, heartbreaking (but also, at times, hilarious) memoir How to Lose Your Mother, is in some sense an effort to take her story back after being in the shadow of her narcissistic, too often out-of-reach mother for so long. It's also a book about aging and frailty, and an extremely difficult, gut-wrenching year: In 2023, Erica was diagnosed with dementia, right around the same time that Molly's husband learned he had a rare cancer.On the episode, Jong-Fast talks about her own actual fear of flying, in addition to her mother's book of the same name; 27 years of sobriety and how her time in A.A. has transformed her life; and the importance of confronting the vicissitudes of aging and one's passage through time.Special thanks to our Season 11 presenting sponsor, Van Cleef & Arpels.Show notes:Molly Jong-Fast[4:28] “Fear of Flying” (1973)[4:28] Erica Jong[4:49] “How to Lose Your Mother: A Daughter's Memoir”[7:53] “Spartacus” (1951)[7:53] “April Morning” (1961)[7:53] “The Immigrants” (1977)[9:15] Lee Krasner[10:04] Susan Faludi[10:04] “Backlash” (1991)[12:09] “Fear and Flying Erica & Erotica in Connecticut” (1980)[12:09] “Fanny” (1980)[14:57] Marty Seif[18:26] Special Guest: Erica Jong (2023)[19:39] Pan Am Flight 001[21:11] “The Year of Magical Thinking” (2005)[21:11] “Notes to John” (2025)[26:54] “The Sex Doctors in the Basement” (2005)[36:46] “Normal Girl” (2000)[38:52] Jacob Bernstein[38:52] Carl Bernstein[38:52] Stalin Peace Prize[46:05] Michael Tomasky[48:55] Hazelden[49:57] “How Molly Jong-Fast Tweeted Her Way to Liberal Media Stardom”

Anna Muller, curator of East Hampton Historical Society's summer exhibit Artists in Residence: Historic Artists' Homes and Studios of the East End, opening June 12 between 5 and 7 p.m. at Clinton Academy joins Heart of The East End Gianna Volpe on WLIW-FM to talk about the show featuring original artworks and artifacts from some of America's most acclaimed artists, including Mabel & Victor D'Amico, Robert Dash, Elaine de Kooning, Lee Krasner, Jack Lenor Larsen, John Little, Thomas & Mary Nimmo Moran, as well as Jackson Pollock.Listen to the playlist on Apple Music

Happy Spring, Collective Wisdom listeners! In this episode, Lucy is joined by Chelsea Madeline, the brilliant author of In Her Own Right.Chelsea shares her journey as a writer and community builder — telling us the stories of the women she's gathered, the family she's tended, and the words she's written.This conversation is about all the ways women can support each other as we create tangible manifestations of our dreams. Chelsea also shares a few poignant passages from her book to draw us deeper into our soul's work.Tune in for inspiration to go deeper together. Then join us in Spain this May to meet more women who can change your life. Use the code CREATE20 for 20% off.Jump into the conversation:[03:00] Why Chelsea created Boss Ladies Magazine[07:00] The importance of connecting deeper with women[10:30] Chelsea's greatest fear & how it inspires her creative process[13:00] How to create tangible manifestations of our lives[19:00] Simple ways to gather communities of women[23:25] The questions Chelsea asks to deepen relationships[25:00] The beautiful story behind In Her Own Right[28:00] Cultivating self-trust & overcoming doubt[39:00] The stories of Toni Morrison & Lee Krasner[42:30] Finding space to create[45:00] How Chelsea wrote her book in stolen moments of time[49:30] The moment of great repairMore about our guest: Chelsea Madeline is a writer, editor, and a mother exploring the world through a kaleidoscope of philosophy and poetry. She grew up in a fishing town in Maine, spent a decade in Santa Monica and currently lives with her family on a finca in Puerto Rico covered in mango trees and roaming chickens. Chelsea's editorial projects include Boss Ladies Magazine, Paper Airplanes, a newspaper of the poetry and art created during quarantine, and the Love Calendar. She is committed to creating contexts that evoke our brightest, softest selves.Stay connected:Check out The Murmuration CollectiveConnect with us on Instagram & LinkedInSubscribe to our monthly newsletterBuy Chelsea's book In Her Own RightFollow Chelsea on Instagram @chelsea.k.madelineMentioned in the episode: Reshma Khan, Sofia Sprechmann     ⌾ Take one week for yourself and join us in beautiful Trujillo, Spain from May 11 - 16. We'll co-create your clear path forward professionally and personally. Deadline to register for this immersive is April 1st. Learn more here.

Zihin Koleksiyoncusu Aslı Kotaman'ın Kara Karga Yayınları'ndan çıkan Sanatın Erkeksiz Tarihi, kadın sanatçıların tarih boyunca karşılaştığı engelleri, erkek egemen yapının onları nasıl gölgede bıraktığını ve bu görünmezliği aşma mücadelelerini anlatıyor. Kotaman'la sohbet ederken en çok aklımda kalan cümlesi şu oldu: “Sanat tarihine bakarken sadece ‘Kadın sanatçılar nerede?' diye sormak yetmez, ‘Neden yok sayıldılar?' sorusunu da sormalıyız.”Linda Nochlin'in o meşhur sorusu, “Sanatta büyük kadın sanatçı yok mu?” da temel tartışmalarından biri. Kitapta Mihri Müşfik, Hale Asaf, Artemisia Gentileschi, Frida Kahlo, Georgia O'Keeffe, Lee Krasner, Louise Bourgeois, Barbara Kruger ve Tracey Emin gibi pek çok güçlü kadın sanatçının hikâyesini okuyorsunuz. Ama itiraf etmeliyim ki tüm bu etkileyici anlatıya rağmen, daha derin bir içerik beklentim tam olarak karşılanmadı. Kotaman da bu eleştirime hak veriyor ve kitabın daha kapsamlı olabileceğini kabul ediyor. Yine de onun bilgisi, donanımı ve samimi anlatımı, sanatın eksik yazılmış tarihini sorgulamak için çok önemli bir kapı aralıyor. Aslı Kotaman ile sanatın erkeksiz tarihini tüm detaylarıyla ve en gerçekçi haliyle konuştuk...Söyleşi: Ebru D. DedeoğluVideo

Remembering the great Audrey Flack (1931–2024). Earlier this year, I interviewed Flack over a series of interviews before she passed away on 28 June 2024. Audrey was a force, and I hope you enjoy listening to her powerful and moving words. If you want to learn more, I highly recommend her memoir: With Darkness Came Stars: A Memoir (https://www.psupress.org/books/titles/978-0-271-09674-2.html) -- I couldn't be more excited to say that my guest on the GWA Podcast is the esteemed American artist, sculptor, photo-realist painter, and native New Yorker, Audrey Flack. Hailed for her sculptures of divine goddesses and Biblical characters; her paintings evocative of Old Masters that explore the historic subjects but with pop imagery; and abstract canvases, made in the 1940s and 50s, filled with swathes of movement, colour, and vigour – Audrey Flack, has been at the forefront of the art world. Brought up in New York City, Flack studied at Cooper Union and then Yale, where she was one of the only women and was taught under Josef Albers – in the early 1950s Flack found herself amongst the burgeoning downtown art scene, where she frequented the Abstract Expressionist haunt, the Cedar Bar, and hung out with her friends who included Lee Krasner, Joan Mitchell, Grace Hartigan. Audrey Flack knew them all. At the onset of Pop, she turned to photorealist painting, capturing in it distinctively feminist subjects, such as traditional objects associated with femininity and beauty, and then it was to sculpting female archetypes, taking back ancient-old stories steeped in misogynism, and reworking them for a 20th and 21st century audience. Whilst she paints and sculpts – and is in the collections of museums such as the Met and MoMA, – Audrey also takes the role of lead vocals and banjo with her band “Audrey Flack and the History of Art Band”, where she centres her songs around female injustice, the most recent being about the French sculptor, Camille Claudel. At 93 years old, you can often find her wearing t-shirts emblazoned with slogans such as Feminist AF, posing in front of her large-scale works, and wearing sunglasses inside. Flack has written it all down in a memoir – With Darkness Came Stars, one of the most moving, extraordinary books I've ever read. Not just for her artistic insights and incredible first-hand analogies of those who she knew in the 20th Century New York artworld, but, for writing, in such genuine words, the truth of what it's like being a mother, a mother and an artist, and a mother to an autistic child. I was moved to tears a number of times. It made me realise, so acutely, how women and mothers have been treated with such injustice, yet had so much resilience to fight for their voice, their art, their children, and their path. I couldn't recommend it highly enough. -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

Join Zak and Lianne as they delve into the chaotic life and art of abstract expressionist Jackson Pollock, the pioneer of drip painting. We'll explore his struggles with alcoholism, volatile relationship with fellow artist Lee Krasner, and the rise of his unique artistic style. Today In Art will bring us to the 2024 Paris Olympics opening ceremony! Follow us on Instagram: @notarthistorians Sources: https://www.jackson-pollock.com/biography.html https://web.archive.org/web/20100615044835/http://serdar-hizli-art.com/abstract_art/jackson_pollock_psychoanalytic_drawings.htm https://beatmuseum.org/pollock/jacksonpollock.html https://books.google.com/books?id=DYZQAAAAMAAJ https://www.artistsnetwork.com/art-history/thomas-hart-benton-jackson-pollock/ https://news.uoregon.edu/oq/the-curse-of-jackson-pollock-the-truth-behind-the-world-s-greatest-art-scandal https://www.nytimes.com/2010/03/06/arts/design/06kligman.html?ref=obituaries https://www.artnews.com/art-news/news/paris-olympics-drag-queen-performance-the-last-supper-controversy-1234713050/ "Danse Macabre" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Discover the transformative journey of Helen Frankenthaler (in her own words), a pioneering artist whose mantra "Let Her Rip" symbolizes a fearless approach to creativity. In this episode, we unpack Frankenthaler's innovative philosophy, where she blends the past and present to achieve a fluid, emotionally rich conversation with her art. From her early encounters with Jackson Pollock's radical drip paintings to her evolution within the Color Field movement, we explore the monumental influences that shaped her six-decade-long career.Find out how achieving a flow state can revolutionize your creative process, guided by insights from Steven Kotler's "The Rise of Superman." We'll discuss how fear can stifle artistic expression and share techniques for letting go of control to engage in a genuine dialogue with your work. Through personal stories and practical advice, we tackle common challenges like overcoming perfectionism, balancing spontaneity with intentionality, and learning to embrace mistakes as opportunities for growth.The episode also highlights the importance of artistic competition and influence in fostering creativity. From Frankenthaler's rebellious use of unconventional materials to the dynamic environment she shared with contemporaries like Grace Hartigan, we shed light on how healthy rivalry and shared inspiration can propel artists to new heights. Join us as we celebrate the courage it takes to push boundaries and the enduring impact of Frankenthaler's legacy on future generations of artists.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

Thanks for listening to The Professor. If you're looking for a podcast to dive into next, we have something that you might like. It's a called Death of an Artist: Krasner and Pollock, from Pushkin Industries. You've heard of Jackson Pollock, but you may have never heard of Lee Krasner. Krasner was an artist, Pollock's wife, and the woman who made him famous. She also changed everything about the landscape of modern art.Death of an Artist: Krasner and Pollock is a story about love, power, alcoholism and an ill-timed death. Hosted by curator, author, and broadcaster Katy Hessel, this 6-episode series from Pushkin Industries and Samizdat Audio offers an inside look into two of the greatest artists of the 20th century, and how their vision impacts ours. To listen to the show, search for Death of an Artist in your favorite podcast player.

You've heard of artist Jackson Pollock, but you may have never heard of Lee Krasner. Krasner was an artist, Pollock's wife, and the woman who made him famous. She also changed everything about the landscape of modern art. Death of an Artist: Krasner and Pollock is a story about love, power, alcoholism and an ill-timed death. Hosted by curator, author, and broadcaster Katy Hessel, this 6-episode series from Pushkin Industries and Samizdat Audio offers an inside look into two of the greatest artists of the 20th century, and how their vision impacts ours. Listen in your favorite podcast player.See omnystudio.com/listener for privacy information.

We were so full of Marcia Gay Pride from last week's episode that it was time to break a decades long blacklisting of “Pollock” to discuss her dark horse Oscar win as Lee Krasner in Ed Harris's punch drunk biopic of Jackson Pollock. We also get Amy Madigan going full Ullman, Jennifer Connelly as Worst Supporting Ruth, John Heard from "The Sopranos", a wacky cameo from Val Kilmer that takes us down a plastic surgery rabbit hole, to say nothing of the "Uncle Buck" digression we eventually get to, as well as our thoughts on what makes biopics work or not work and a requisite celebration of Kathleen Quinlan, who is not in this movie. Join us for The Best Supporting Aftershow and early access to main episodes on Patreon: www.patreon.com/bsapod Email: thebsapod@gmail.com Instagram: @bsapod Colin Drucker - Instagram: @colindrucker_ Nick Kochanov - Instagram: @nickkochanov

#diepodcastin Jahresrückblick 2023: Isabel Rohner & Regula Stämpfli mit einem wirklichkeitsnahen, d.h. weiblichen Jahresrückblick. Lee Krasner, Martine Potsma, Gerda Lerner, Silke Burmester, Gesine Cukrowski, Hannah Höch, Hannah Arendt, Hedwig Dohm u.v.a. mehr.

Artistic education takes many shapes, as artists pass down skills and traditions to see them transformed by new hands. In this episode, hear how the classroom shaped artists, both as learners and teachers. Stories include Anni Albers's descriptions of lessons with Paul Klee at the Bauhaus and her own teaching at Black Mountain College, Carmen Lomas Garza on the activism that shaped her time as a student teacher, and Lee Krasner's memorable training moments along her artistic journey among others. Show Notes and Transcript available at www.aaa.si.edu/articulated

Mrs. Jackson Pollock? Wenn ich Fotos und Videos mit Lee Krasner (1908 - 1984) sehe, kann ich es kaum fassen, dass man eine so stark wirkende Künstlerin und ihr ganz eigenes, besonderes Werk mit dem Namen ihres Mannes zudecken wollte. Schon mit 14 Jahren stand für Lena Krassner fest, dass ihr Weg ein künstlerischer sein wird. Lee Krasner ließ sich nicht beirren, setzte sich immer wieder mit ihren Ausdrucksmitteln auseinander und wurde so zu einer der einflussreichsten KünstlerInnen des Abstrakten Expressionismus. „Palingenesis“ heißt eines ihrer Bilder, das mich besonders in den Bann gezogen hat. Hier ist es zu sehen: https://www.artsy.net/artwork/lee-krasner-palingenesis Mehr über Lee Krasner kannst Du z. B. hier finden: https://www.youtube.com/watch?v=5sn_Wd1cbg8 Wenn dieser Podcast Dein Leben bereichert und Du meine Arbeit unterstützen möchtest, kannst Du das hier tun: https://www.paypal.me/astridblohme. Ich freue mich über Deinen Beitrag! Musik: 4 am von noxz Ages ago von Brock Hewitt Peach fizz von noxz

THIS WEEK on the GWA Podcast, we interview the acclaimed novelist, essayist and author of 18 books, SIRI HUSTVEDT! From memoir to poetry, non-fiction to fiction, Hustvedt's writing has touched on the topics of psychoanalysis, philosophy, neuroscience, literature, and art. Long-listed for the Booker Prize and winner of the Los Angeles Times Book Prize for Fiction, Hustvedt's The Blazing World is a provocative novel about an artist, Harriet Burden, who after years of being ignored attempts to reveal the misogyny in art by asking three male friends to exhibit her work under their name. It is of course a triumph, and other bestsellers include What I Loved and The Summer Without Men. Born in Northfield, Minnesota to a Norwegian mother and an American father, and based in NYC since 1978, it wasn't until 1995 that Hustvedt began writing about art. Since then, her art writing oeuvre has expanded enormously with numerous books and essays published to acclaim – which often focus on the fate of female artists in history, the biases of history making, and discuss the likes of Louise Bourgeois, Alice Neel, Adrian Piper, Lee Krasner, Betye Saar, Joan Mitchell, Dora Maar, among others – which I can't wait to get into later on in this episode… Hustvedt's writing is both eye-opening and groundbreaking. She has questioned how we measure greatness, if art has a gender, the effect of art and literature existing in our memory and the future of fiction. She has looked at the masculine traits of the mind and the female traits of emotion, the domestic vs the intellectual, and analysed how historians have not just told the narrative of art, but the narrative of the world. She has asked why absence is so prevalent and explored how women have reconfigured the body after years of what she calls ‘fictive' spaces… I love her writing and it's allowed me to unlock elements (and see things differently) in books, art, and more that exist in my memory. Favourite books include A Woman Looking at Men Looking At Women: Essays on Art, Sex and the Mind and, more recently, Mothers, Fathers and Others – which is part memoir, part psychological study. So I couldn't be more delighted to have her on the podcast today. Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Mikaela Carmichael Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/ THIS EPISODE IS GENEROUSLY SUPPORTED BY OCULA: https://ocula.com/

In this podcast, we got to know who Jackson Pollock was and how his art has contributed to his debatable fame. We talked about whether it was right for Dr. Henderson, if it even was him, to publicly reveal Jackson's painting even though his widow, Lee Krasner, wanted it to be private. We were also able to discuss our viewpoints and whether we would agree if his painting should've been publicized. 

In this Podcast, we will inquire a little about the life and work of this phenomenal artist known in the art world for his unique skill in his bold and gestural brushstrokes and drops, Jackson Pollock. Moreover, we talked about who was Dr. Henderson and Lee Krasner. How did these characters influence the life of Jackson Pollock? Certainly, at the time of this American artist, given the situation of conflict and battle they were going through, mental health experts designed people's behavior to help them and address any psychological problem.

 Jackson Pollock was a highly influential American painter who played a significant role in the abstract expressionist movement. His unique painting style, which involved pouring or dripping paint onto a canvas placed on the floor, created dynamic and energetic works of art that invited viewers to immerse themselves in the painting's movement and texture. Pollock's relationship with Dr. Joseph Henderson and his marriage to Lee Krasner were also essential parts of his artistic journey. Despite his struggles with alcohol addiction, Pollock's artistic output was prolific, and his influence can still be seen in contemporary art today. Music: "Minimal Ambient" Audio Source: MusicRevolution Adobe Stick Asset ID: #582093489

On todays episode, we tackle Jackson Pollock and his artwork done for therapy with Dr. Henderson, his analyst. We discuss the rights and wrongs of what happened to his 43 pieces of art done for therapy as well as his life, work, and wife, Lee Krasner. Did Jackson Pollock's analyst have a right to do what he did with his work, or should he have listened to Lee Krasner? Find out what we think on today's podcast.

On today's episode of Exploring Art Podcast myself, Yvette, and Markus discussed the life and legacy of the great American Artist, Jackson Pollock. The creator of the Drip Technique in art, a role model to many, one who struggled with many hardships throughout his life. We talked about how his widow, Lee Krasner, had wishes of destroying his work following his passing and how she did not agree with selling the work to galleries around the states.

Anyone familiar with Abstract Expressionism will tell you that this art movement was one where all the insiders or practitioners were more closely involved than many other art movements. Such close confines also made for some serious rivalries, too. But there were other artists who were more intimately involved with one another and their artistic process-- they were married, or were lovers. Such is the case with both Jackson Pollock and Willem de Kooning --both of whom married women who were incredible artists in their own right. Interestingly, and sadly, when these two spouses are mentioned, it's very rare that we are treated to sincere commentary just about their works of art. More often than not, we are, instead, given explanations of how these women measure up to their (admittedly more famous) husbands, and are relegated either to a supporting role, or just plain seen as not good enough in comparison. Why is it that such talented women continue to have their posthumous careers and stories marked and shaped by their husbands?  Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify Sponsor ArtCurious for as little as $4 on Patreon Instagram / Facebook / YouTube SPONSORS: Lomi: Enjoy $50 off a Lomi Composter by visiting our link and using promo code ARTCURIOUS  Mau: Upgrade your cat furniture stylishly and sustainably at maupets.com.  To advertise on our podcast, please reach out to sales@advertisecast.com or visit https://www.advertisecast.com/ArtCuriousPodcast Learn more about your ad choices. Visit podcastchoices.com/adchoices

21st Century Radio® host Dr. Bob Hieronimus discusses the life and wide-ranging artwork of abstract expressionist painter Lee Krasner. Often overshadowed in art history by husband Jackson Pollock, biographer Gail Levin rights the record of this iconic painter. Conversation originally recorded in 2011. Produced by Hieronimus & Co. for 21st Century Radio®.  Edited version provided to Nightlight Radio with permission. To purchase Lee Krasner: A Biography, head to http://www.amazon.com/exec/obidos/tg/detail/-/0061845256/hierco0f

Join us in today's case study of Jackson Pollock and the sale of his art posthumously. We discuss how Dr. Joseph Henderson sold 43 paintings given to him as part of Pollock's therapy. This sale caused controversy as Pollock's widow, Lee Krasner, objected to the sale, as she felt she had a more substantial claim to the art and didn't feel he should profit off his patient's work.

21st Century Radio® host Dr. Bob Hieronimus discusses the life and wide-ranging artwork of abstract expressionist painter Lee Krasner. Often overshadowed in art history by husband Jackson Pollock, biographer Gail Levin rights the record of this iconic painter. Conversation originally recorded in 2011. Produced by Hieronimus & Co. for 21st Century Radio®.  Edited version provided to Nightlight Radio with permission. To purchase Lee Krasner: A Biography, head to http://www.amazon.com/exec/obidos/tg/detail/-/0061845256/hierco0f

21st Century Radio® host Dr. Bob Hieronimus discusses the life and wide-ranging artwork of abstract expressionist painter Lee Krasner. Often overshadowed in art history by husband Jackson Pollock, biographer Gail Levin rights the record of this iconic painter.Conversation originally recorded in 2011. Produced by Hieronimus & Co. for 21st Century Radio®.  Edited version provided to Nightlight Radio with permission.To purchase Lee Krasner: A Biography, head to http://www.amazon.com/exec/obidos/tg/detail/-/0061845256/hierco0f

In this episode, the first page of three books will be read:Uncommon Measure: A Journey Through Music, Performance, and the Science of Time by Natalie HodgesNinth Street Women, Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement That Changed Modern Art by Mary GabrielPOPS: A Life of Louis Armstrong by Terry Teachout

The day after Halloween, AOEU writer Josh Chrosniak makes his first appearance on the podcast to talk about his article on his favorite eerie artists. He and Tim discuss a plethora of artists, including Lee Krasner, Ivan Albright, Goya, and van Gogh. Listen as they chat about why eerie artwork appeals to us, how it can inspire us, and how to appropriately share those artworks with our students. Resources and Links Read Josh's Article on Eerie Artists Learn more about The Picture of Dorian Gray Check out Lee Krasner's Umber Paintings View the work of Henry Fuseli

Vamos pra rua? | Ponto De Partida https://youtu.be/iv6GHoxaMDE Uma Agenda Inadiável para o Brasil I Derrubando Muros https://youtu.be/Oo2_1PtCyP4 Papo Raríssimo #5 com… Zeca Martins! https://radinhodepilha.com/2021/04/16/papo-rarissimo-6-com-zeca-martins/ Great Art Cities: New York: Helen Frankenthaler, Lee Krasner and Elaine de Kooning https://youtu.be/8liuFWolR88 Livro retrata a cultura de judeus que deixaram o Marrocos a partir do século XIX em ... Read more

In 1945, when World War II finally ended and while Europe's artistic centres smouldered, in New York City an artistic renaissance, in music, painting, theatre, and literature, burst forth out of the city's bohemia. Most of this work was generated in a single neighbourhood of Manhattan: Greenwich Village. World War II in America was a time of national unity, a singleness of purpose where non-conformity had no place in military or civilian life. Yet somehow as soon as the war ended, a full-blown non-conformist bohemia exploded in New York. Membership of this bohemia, for men at least, was signified by wearing an undergarment – the T-shirt – in public. Today that means nothing. In 1945, in a society that was still mobilized with military single-mindedness, it was shocking. In this series for The Essay, Michael Goldfarb explores the how and why of this extraordinary eruption through the stories of some of T-shirt Bohemia's key figures: Marlon Brando, Jackson Pollock, James Baldwin, Charlie Parker and Jack Kerouac. In this episode, the story of Jackson Pollock, a keen T-shirt wearer, as he struggles towards his abstract vision and the role of Pollock's wife, Lee Krasner, an artist in her own right, in his success.

Denna månad har vi valt ett verk utifrån läget i världen, där många av oss betungas av bilderna som möter oss överallt i bildflödet runtomkring oss och som visar krigets fasor med förstörda städer och människor som har skadats, dödats eller lever under obegripliga omständigheter. Under en sådan tid, som präglades av krigets efterdyningar och socialt misär, skapade den amerikanska actionpaintern Jackson Pollock 1950 sitt abstrakta konstverk ”Höstrytm (Nummer 30)”, på engelska ”Autumn rhythm (Number 30)”, som nuförtiden finns på The Metropolitan Museum of Art i New York. Bildens metaforiska hösttitel tillkom dock senare. Pollock kallade sitt verk enbart för ”Nummer 30”. I månadens poddavsnitt ska vi utforska den amerikanska abstrakta expressionismens framväxt och följer Jacksons Pollocks väg från landsbygden i Wyoming till berömmelsen i New York City. Vi pratar om betydelsen av hans äktenskap med konstnären Lee Krasner och stödet av mecenaten Peggy Guggenheim för Pollocks konstnärskap. Och inte minst ska vi berätta om de oortodoxa metoderna med vilka Jackson Pollock skapade sina stora dukar i den lilla ladan som var hans ateljé, innan han omkom bara 44 år ung i en bilolycka. Följ med oss in i abstraktionen som kan upplevas som vilsam för oss, när vi kan förlora oss i de rytmiska linjerna efter Pollocks rörelser, som saknar början och slut och kan leda oss in på andra tankar.Support till showen http://supporter.acast.com/konsthistoriepodden. See acast.com/privacy for privacy and opt-out information.

Ed Harris's passion project POLLOCK (2000) chronicles the life of the abstract expressionist painter Jackson Pollock. Underneath the fascinating character study of an alcoholic, bi-polar artistic genius, this is a love story at its core. Pollock's wife, an influential artist in her own right Lee Krasner, was instrumental in establishing his genius motivated by a recognition of his dazzling talent but more importantly because she knows that is when Pollock is at his most fulfilled. At times vibrant, at times depressing and dark and a story that ends in tragedy, this is an Oscar winning movie on a fascinating subject that we all had managed somehow to miss. Don't make the same mistake as us and check this out. 

Emma and Christy discuss surgical and cultural ideas embedded in Andy Warhol's series of Before and After paintings (1961/62) of a nose job. In this episode we talk plastic surgery and big egos, the before-and-after image trope, racial typification, criminology, connoisseurship, and American consumerism and capitalism. CLICK HERE TO VIEW THE IMAGES WE DISCUSS, as well as complete show notes, references, and suggestions for further reading. IMAGES DISCUSSED: Andy Warhol, Before and After [1] (1961) Old Lady / Young Lady Optical Illusion (See also: William Ely Hill, My Wife and My Mother-in-Law (1915)) National Enquirer Ad (recurring ad; ran at least in 1961 and 1962) Andy Warhol, Campbell's Soup Cans (1962) Andy Warhol, Marilyn Monroe (1967) Andy Warhol, Before and After [2] (1961) Andy Warhol, Before and After [4] (1962) Example of: Jackson Pollock (1948) Example of: Lee Krasner (1964) Example of: Roy Lichtenstein (1964) (note his use of Ben Day dots for the girl's skin) Andy Warhol, Coca-Cola [3] (1962) Andy Warhol, Bonwit Teller window with paintings (1961) Margaret Bourke White, The Louisville Flood (1937) Leonardo da Vinci, Salvator Mundi (c. 1500) Giovanni Morelli, Ears Illustration from Italian Painters (1892) Alphonse Bertillon, Ear Photographs from Identification of Persons (1893) Examples of Francis Galton's composite images: The Jewish Type (c. 1877–c. 1890) and Composite Portraits of Criminal Types (1877) H. Stickland Constable, illustration showing an alleged similarity between ‘Irish Iberian' and ‘Negro' features in contrast to the higher ‘Anglo-Teutonic' (late 19th c.) Photograph by Mark Peckmezian for The New Yorker, Recreation of colouring Roman busts: the Treu Head (second century AD); see also marble bust showing traces of red pigment on lips, eyes, and the fillet (first century AD) Andy Warhol, 13 Most Wanted Men (example from the most wanted men series of works) (1967) CREDITS: ‘Drawing Blood' was made possible with funding from the Experimental Humanities Collaborative Network. Follow our Twitter @drawingblood_ Audio postproduction by Sias Merkling ‘Drawing Blood' cover art © Emma Merkling All audio and content © Emma Merkling and Christy Slobogin Intro music: ‘There Will Be Blood' by Kim Petras, © BunHead Records 2019. We're still trying to get hold of permissions for this song – Kim Petras text us back!!

In this episode of Accessible Art History: The Podcast (and the Season 11 finale!), I discuss the life and works of Lee Krasner. Often known as Jackson Pollock's wife, she was actually an incredible Abstract Expressionist who paved the way for future female artists. For images and sources: https://www.accessiblearthistory.com/post/podcast-episode-60-lee-krasner Bridget Quinn's book*: https://bookshop.org/a/17007/9781452152363 *affiliate link --- Support this podcast: https://anchor.fm/accessiblearthistory/support

Lee Krasner war eine Pionierin des abstrakten Expressionismus in den 40er Jahren in den USA und eine der wichtigsten Malerinnen der us-amerikanischen Nachkriegsmoderne, trotzdem hat ihr Werk lange nicht die verdiente Aufmerksamkeit bekommen. Jahrzehntelang stand ihr Ruf im Schatten ihres Mannes, einem sehr berühmten Künstler, dessen Bekanntheit oft von ihrer eigenen Karriere ablenkt. . Triggerwarnung: Alkoholismus, Tod Hilfetelefon Suchtgefährdete: 01805/98 28 55 . . . . . Instagram (hier bekommt ihr auch einiges an Zusatzmaterial zu den Folgen, Erklärungen zu Epochen, Gattungen und Stilen und kleine Kunstquizze zum Mitmachen): https://www.instagram.com/artefaktenpodcast/ E-Mail: artefakten-podcast@outlook.de

THE INTERVIEWJournalist, author and biographer and Mary Gabriel discusses Ninth Street Women, published by Little, Brown, a five part biography of painters from the Abstract Expressionist era: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell and Helen Frankenthaler. This door-stopper is essential reading for anyone who wants to understand American art. THE READINGFor the reading this episode, painter Celia Paul reads from her memoir Self-Portrait, published by NYRB Classics, which recounts the period after WWII to today, including her relationship with fellow painter Lucian Freud. Music by Dorothy Ashby

Legendary Dinners: From Grace Kelly to Jackson PollockBy Anne Petersen Intro: Welcome to the number one cookbook podcast, Cookery by the Book with Suzy Chase. She's just a home cook in New York City, sitting at her dining room table, talking to cookbook authorsAnne Petersen: I'm Anne Petersen and I'm the author of the book, Legendary Dinners from Grace Kelly to Jackson Pollock.Suzy Chase: You are the woman behind Salon a spectacular German lifestyle and design magazine that I definitely want to talk with you about a little later, but for now it's about Legendary Dinners. For me, a great dinner party is a break from the ordinary and a chance to connect with what really matters connection and inspiration. Do you think dinners are going to be different post pandemic? Like will they be more grand or maybe smaller and more intimate?Anne Petersen: I think post-pandemic parties will definitely be more intensive and I'm sure that we will all remember how easy it is to have people over, to meet, to share a table and have a good evening. And as you said, connection and inspiration, I think we are all interested in other humans. We are social beings and I think there's no substitute to real social context.Suzy Chase: What makes a great dinner party?Anne Petersen: What makes a great dinner party? I think everything is important. Like food location, decorations, fashion, the music and I think the party is always a big exaggeration, it's an exception, it's a special moment and it is something that follows very specific rules. Like it is allowed to be overdressed. It is allowed to be drunken. It is allowed to address the stranger. It is allowed to make a speech. It is allowed to take your shoes off and dance on the table because it's a party. And we celebrate who we are. HumansSuzy Chase: I'd love to hear about the research process for these 20 menus and how they made the cut.Anne Petersen: The book brings together a number of stories that we have all printed already in Salon. And we tried to choose iconic events, parties that became historic like the wedding of Grace Kelly or Prince Rainier of Monaco, which is still an inspiration for brides all over the world today, or Truman Capote's spectacular black and white ball also copied thousands of times or the most luxurious state dinner ever, the feast that Richard Nixon gave to the astronauts after the moon landing, Apollo 11. So I think what we did in the book is we really collected from Coco Chanel to Claude Monet or Karen Blixen to Thomas Mann, even Goethe's 66th birthday or Napoleon's wedding. So a big, a wide variety of different dinners and events. We tell the stories and we cooked all the recipes again. And of course it's easier if you have the old menu card or the invitation, but some of the recipes we did adjust interpretations because for example, of Coco Chanel at the Côte d'Azur, we had no recipe, but you get hints in different books about her. And we did not cook everything historically correct, but we found a modern version for today. Most of the time.Suzy Chase: I like that you combined both archival images with contemporary photography of the food, because so often with books like this you have to look at old grainy photos of the dishes that they served.Anne Petersen: Yes. I think that's the fun of the book. And, and, and this is why it's, it stands also for the whole magazine Salon and all its contributors for the whole team, because it is chefs on the, on the one hand side, put it the recipes, stylist, the very excellent authors, the photographers. I think the book has so many different levels, the recipes, the stories, the food, the table tops, the porcelain and the flowers and I think you read about an event and you dive really into it with all the details and also all the gossip of the time, which is also very nice. I think like with Truman Capote's black and white ball and all the hysteria in New York who was invited and who was not. Yeah, I think it's a coffee table book and eye candy, but also an historical book and definitely a very good cookbook with reliable, good recipes.Suzy Chase: With modern dinner parties we could just text people or ask them to join us, but there's something special about receiving a dinner party invitation. In the book you give examples of wildly creative invitations. Do you have a favorite invitation?Anne Petersen: Yes. I really liked the Bauhaus invitations because they were a university for graphic design and art in the twenties. And in general I love paper invitations and I think that the dinner party is really an occasion where you can still send paper invitations. I think it's more uncommon to write long letters or even postcards from holidays, but I think dinner invitation is something different. And if it's a really beautiful one, I think it's nice because people can hang them up and pin them on their board. And then they know maybe in two weeks time, three weeks time, they will attend this party. I think that's, that's very nice.Suzy Chase: You just brought up the Bauhaus parties. They were so creative and wild and it looked like a ton of fun. And do you have a photo of their sandwiches and it very much fits with the geometric art style. Every recipe in the book is something on whole wheat bread. Can you talk a little bit about that?Anne Petersen: Yeah. I think this whole wheat bread, that is a typical German thing, maybe also from Denmark, but that you just put a lot of different things like carrots and walnuts, pesto, marinades with beans on bread in this case. Yeah, well, they, they cut it in very geometric forms and this is also just the fun they make. They also bake this gingerbread figures. There was an artist she was called Gunta Stölzl and she founded that those gingerbread figures, the Bauhaus was famous for it. You can still find these real figures in the Bauhaus archive in Berlin and I think it's a nice inspiration to create all kinds of crazy elephants and whatever you can imagine, not only for Christmas and decorate them also wildly.Speaker 3: Marie-Hélène de Rothschild believed those who are in small spirit who are mean narrow-minded or timid should leave entertaining with others. And I agree. I'd love for you to chat a bit about her invitations and her elaborate parties.Anne Petersen: Yeah. I think she was really legendary and especially her surrealist ball in 1972. So every detail was planned exactly. For example, also for this costume party at her castle was decorated in Alice, in Wonderland. So 150 guests were invited, press was not allowed and everybody had to come in costumes. The special thing about it that you wore evening dresses, but your head had to be costume. So it was just the heads. So Audrey Hepburn put a birdcage on her head. And the only one who came without a mask was Salvador Dali because he said his face was disgusting enough.Suzy Chase: I mean, when I think about her, I think they had more money than they knew what to do with.Anne Petersen: I think so too. Yeah. If I think about this costume ball, I sometimes think about the FIT costume ball in New York but also, uh, let's say about these I think very ridiculous costumes that for example, Heidi Klum is wearing for Halloween. You know what I mean? Now you can buy everything at Plastic Fantastic. You know, and that was another time, like she had a real head of a gilded deer head with diamond tears. They really had to make an effort like Audrey Hepburn with the bird cage on her head. It's different. And of course I think she was able to throw a lot of money out of the window. Definitely the big windows of her big castle but I think, yeah, I think it was a lot of fun. Like the guests arrived at the party. There were, on both sides of the stairs and on their way to the ballroom the whole service people and the stuff that were dressed as cats and they were lying there and sleeping and just moving around. It had a lot of humor. What's interesting about Madame de Rothschild is also, she had stage fright before each of her parties. And also, at this time at the surrealist ball, she just started to relax a little bit when most of the guests were gone or as she put it, the guests were reduced like a good sauce.Suzy Chase: So Prince Philip, the Duke of Edinburgh who just passed away at the age of 99 was a Greek, Danish, German, Prince who married Princess Elizabeth. Now Queen November 20th, 1947. I was interested to see that the menu was in French and on the menu was Filet de Sole Mountbatten. I thought it was curious that they added Phillip's last name onto the name of the dish. Do you know why they did that?Anne Petersen: That was to welcome him in, into the family because that was a sign of recognition and acceptance for Phillip. I mean, he was a very handsome guy, a lot of aristocratic titles, but no money, five years older than her. And I don't think that everybody was so thrilled about this marriage in the beginning, especially in the Royal family. This wedding is also interesting because it was two years after the war. They were not sure if it was appropriate to have this big wedding. And that's also why the menu was quite simple, just three dishes, fish, poultry, and then ice cream. And it was in French. But why? Well, because French is the preferred language of gourmets and that even at Buckingham Palace.Suzy Chase: Jackson Pollock and Lee Krasner live the Bohemian life in my neighborhood in Greenwich village, it was the hub of the city's artist colony. And that's one of the reasons why we live in this neighborhood today. It's retained much of its already residents and artistic feel. So they left Manhattan for a big place in the Hamptons where they could host dinner parties for the movers and shakers of the New York City art scene. His art was so complicated and abstract, but I found it interesting that they entertained with simple dishes like borscht and roast chicken stuffed with herbs. Can you talk a little bit about that?Anne Petersen: Yeah. I think both loved good, simple food, but there were no good cooks and they apartment in Manhattan even had no kitchen. And when they moved to the countryside in 1945, they bought the house and build the kitchen and started to host dinner also to not lose the contact to the Manhattan bohemian society. And Krasner learned to cook took charge of the baking. And I think together they were great hosts and yeah, borscht, it seems to be something that they have cooked very often because Krasner she's a child of Russian Jewish immigrants.Suzy Chase: Coco Chanel, whom I would assume would host elaborate high style dinner parties was very toned down, dress was informal as were the meals. Lunch was served buffet style with food service and antique silver dishes from England on a long table at the end of the dining room, like salad nicoise with tuna steaks and fried chicken with asparagus artichokes and fava beans and crispy fans of grapefruit with pine nuts, the juxtaposition of fancy fashion and informal meals intrigues me.Anne Petersen: I think the interesting thing about Coco Chanel is actually at which state of her life she was when we did this menu because she just turned 40 years and she met the Duke of Westminster. And the Duke of Westminster was at that time, the richest man of Great Britain and she met him on his big sailing ship. And so in this period of her life, she bought the piece of land at the Côte d'Azur and had the La Pausa built on it. And this became a swanky relaxed retreat for herself and all her friends. And for her love the Duke of Westminster, there was not a strict menu guests themselves from a large poofy eating as much as they wanted or as little, I think, I guess Coco Chanel probably did not eat a lot. And that was also something the buffet style for her was also a possibility to be not forced to eat so much because you cannot see how much she would eat.Suzy Chase: That's interesting. Huh?Anne Petersen: That's for example, one of the menus that we had no exact menu card for that. And we wanted to do a dinner with Coco Chanel and contacted the Chanel archive in Paris. And we also thought about maybe do something was the Ritz in Paris. What we didn't do, because that is the period where she was really collaborating with the Nazis. And it was also the time when in Paris, a lot of people, they were really starving. And I think in the Ritz, they were still partying with champagne and had everything. So that is all, it's not the nice part of Coco Chanel. So this is a little earlier.Suzy Chase: You're the editor in chief of Salon, a beautiful lifestyle magazine. And I collect vintage interior design coffee table books, and must have over 50 in my small collection here in my small New York city apartment. I was talking to India Hicks on this podcast about her brother, Ashley, who you mentioned on your Instagram, I think yesterday or the day before. Yeah, they're related to Prince Philip. So he got me through the pandemic, locked down with his wonderful Instagram Lives of him flipping through interior design books, discussing the background and history of interiors. What are some interior design styles or interior designers that influence you?Anne Petersen: I also love Beata Heuman. I don't know if you know her. She just released the book Every Room Should Sing. And in the last issue we did a big story with François Halard who is a very famous European, interior photographer. And I think another favorite book that I recently bought is The Life of Others by Simon Watson. It's also an interior photographer that I really like.Suzy Chase: What is your favorite style of interior design?Anne Petersen: Very eclectic. So it's a mix of old and new and very colorful, um, yeah. To use a lot of color to use even wallpaper. And I think it's important to have some old furniture because it gives the room a soul and makes it warmer. It gives more atmosphere. Yeah. I think that that's my style.Suzy Chase: Now to my segment called Last Night's Dinner where I ask you what you had last night for dinner.Anne Petersen: Yeah. I had asparagus with butter sauce and caramelized breadcrumbs and chopped eggs. And that altogether was potatoes and ham, which is typical German.Suzy Chase: Where can we find you on the web and social media on Instagram?Anne Petersen: You will find Salon @Salon_Magazin. And you'll find myself at @Anne_Petersen.Suzy Chase: I'm thrilled to celebrate the return of the dinner party with this book. Thank you so much. And for coming on Cookery by the Book podcast!Anne Petersen: Thank you Suzy. For having me. It was great fun.Outro: Follow Cookery by the Book on Instagram. And thanks for listening to the number one cookbook podcast, Cookery by the Book.

Noah introduces a conversation between Lee Krasner and Barbara Lee Diamonstein from 1978. Lenore "Lee" Krasner (born Lena Krassner on October 27, 1908 – June 19, 1984) was an American abstract expressionist painter, with a strong speciality in collage, who was married to Jackson Pollock. Although there was much cross-pollination between their two styles, the relationship somewhat overshadowed her contribution for some time. Krasner's training, influenced by George Bridgman and Hans Hofmann, was the more formalized, especially in the depiction of human anatomy, and this enriched Pollock's more intuitive and unstructured output. --- Support this podcast: https://anchor.fm/noah-becker4/support

RIP Ruth Bader Ginsburg. Von den Gerichten zur Kunst: Frauenwerke verdienen bei den Auktionen, laut einer Studie aus dem Jahr 2017, die Hälfte, die Männerwerke erzielen. Dabei ist klar: In dreissig Jahren werden all diese grossen Männer-Millionensammlungen kaum mehr Wert haben, da wir alle Frauenkunst gesammelt haben, die die Welt verändert. Doch hier die Lieblinge von der Rohnerin und laStaempfli.

“I start with a blank and there’s nothing more horrifying than a blank canvas” — artist Lee Krasner. New York City, December 1990: thieves stole four paintings in a span of five days. Nearly thirty years later, one of the recovered paintings made history at a Sotheby’s auction. This is the story of those thefts—and one artist’s revival.

Got them back to school blues? Not us, we love September and we've got some tasty art treats to placate you with this autumn: Lee Krasner at the Barbican, Olafur Eliasson at the Tate Modern, and the BP Portrait Award. We then get into the nitty gritty of who is Super-Curator HUO (Hans Ulrich Obrist) and his insane work ethic and distaste for sleep. We ponder if creatives are now expected to be working to such extreme levels of productivity, and what do we lose because of this? Our September artist focus is the queen of the line, Bridget Riley. Now in her 88th year, this British artist hasn't stopped teasing our optic nerves since the 1960s. Ahead of a major retrospective exhibition coming to the Hayward Gallery this autumn, we've taken a moment to reflect on her epic career. SHOW NOTESLee Krasner at the Barbican (sadly now closed): https://www.barbican.org.uk/whats-on/2019/event/lee-krasner-living-colour Olafur Eliasson 'In Real Life' until 5 January 2020 at the Tate Modern: https://www.tate.org.uk/whats-on/tate-modern/exhibition/olafur-eliasson Will Gompertz's review of 'In Real Life': https://www.bbc.co.uk/news/entertainment-arts-48965313 Olafur Eliasson and Minik Rosing 'Ice Watch': https://www.tate.org.uk/whats-on/tate-modern/exhibition/olafur-eliasson-and-minik-rosing-ice-watchVisit the Art Newspaper podcast episode on 26 July 2019 that includes an interview with Eliasson. Instagram recommendations: @campbell.hectorSky Ladder: The Art of Cai Guo-qiang: https://www.netflix.com/title/80097472 Bauhaus 100: https://www.bbc.co.uk/programmes/m0007trf Bauhaus Rules with Vic Reeves: https://www.bbc.co.uk/programmes/m0007tqs 'Curationism: How Curating Took Over the Art World and Everything Else' by David Balzer: https://www.amazon.co.uk/Curationism-Curating-Took-World-Everything/dp/0745335977Hans Ulrich Obrist's morning ritual on Nowness: https://www.nowness.com/story/hans-ulrich-obrist-morning-ritual and via the Guardian: https://www.theguardian.com/culture/2016/aug/28/hans-ulrich-obrist-tastemakers-maria-balshaw-fabien-riggall-inspirations BP Portrait Award until 20 October 2019 at the National Portrait Gallery: https://www.npg.org.uk/whatson/bp-portrait-award-2019/exhibition/Vanessa Garwood: http://www.vanessagarwood.com/about/ 'Messengers' by Bridget Riley at the National Gallery: https://www.nationalgallery.org.uk/whats-on/messengers-by-bridget-riley-a-new-work-at-the-national-galleryBridget Riley's exhibition coming to Hayward Gallery 23 October 2019 - 26 January 2020: https://www.southbankcentre.co.uk/whats-on/exhibitions/hayward-gallery-art/bridget-rileyBridget Riley: Learning from Seurat: https://courtauld.ac.uk/gallery/what-on/exhibitions-displays/archive/bridget-riley-learning-from-seurat London Sinfonietta are commissioning a piece of music inspired by Bridget Riley: https://www.londonsinfonietta.org.uk/homage-bridget-riley A Financial Times interview with Riley: https://www.ft.com/content/aac6af02-deb4-11e8-b173-ebef6ab1374a

In this episode of Someone Lived Here, Kendra brings you to the Pollock-Krasner House in Easthampton, Long Island. The home and studio of Jackson Pollock and Lee Krasner are explored and their lives uncovered. We also learn more about the other key characters in Easthampton, like Alfonso Ossorio and Ted Dragon. While we walk through the home and studio, we learn more about Lee and Jackson's work, their relationship, and Jackson Pollock's death. The episode ends in the studio Jackson used for 11 years, and Lee used for nearly 30. If you have any suggestions or ideas for the show please reach out to someonelivedhere@gmail.com. Thanks to Tim Cahill for music and Ben Kirk for artwork.

Singer/songwriter/composer Sarah Aument lays bare the emotional skeletons that comprise her band TMBOY's new album and explains how being in a romantic partnership with another artist can feed one's work in unexpected ways. Plus: the challenges of gender binary bathrooms, a touching glimpse into Ireland's abortion debate, justice for Lee Krasner, and chivalry: do we still GAF? Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

With a recurring emphasis on Jackson Pollock (including a ‘50s interview with the man) and his wife, Lee Krasner, we also move through art museum architecture, designing products, other painter interviews, dueling painting descriptions, and a robot bassoonist.   The post Over the Edge appeared first on KPFA.