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The Proper Way on Van Sessions! Sponsor the program: https://t.ly/KsrVL Van Sessions is Recorded at The Monarch in Ogden, Utah. ARTIST | The Proper Way FULL SET LIST Song 1 - Good Love, Mike Clark & the Sugar Sounds COVER Song 2 - Ophelia, The Band COVER Song 3 - When I Paint My Masterpiece, Bob Dylan COVER Song 4 - Brokedown Palace, Grateful Dead COVER Song 5 - A Song for You, Leon Russell COVER ARTIST LINKS INSTAGRAM: https://www.instagram.com/theproperwayband/ FACEBOOK: https://www.facebook.com/theproperwayband/ WEBSITE: https://theproperwayband.com/ TIP: https://account.venmo.com/u/theproperwayband?catchAll=u&catchAll=theproperwayband CONTACT/BOOK: https://theproperwayband.com/contact SHOWS: https://www.bandsintown.com/a/13337733-the-proper-way?came_from=242&utm_medium=web&utm_source=artist_event_page&utm_campaign=artist LISTEN: https://songwhip.com/theproperway WATCH: https://www.youtube.com/c/theproperway BUY: https://theproperwayband.com/merchandise STUDIO: https://theproperwayband.com/studio SUPPORTERS The Monarch Building: https://themonarchogden.com/ Ogden City Arts: https://ogdencity.com/707/Arts CREDITS Producer / Host: R. Brandon Long, The Banyan Collective Bookings: Todd Oberndorfer, todd@thebanyancollective.com Audio Mix: Scott Rogers, The Proper Way https://theproperwayband.com/studio DOP: Dixon Stoddard, https://www.instagram.com/studios_d21/ Photography: Avery Atkinson: https://www.instagram.com/avery_atkinson_/ FOLLOW // SUBSCRIBE Van Sessions Instagram: https://www.instagram.com/vansessions/ Van Sessions Facebook: https://www.facebook.com/thevansessions Van Sessions YouTube: https://www.youtube.com/@vansessionspod Tip Jar: https://www.buymeacoffee.com/banyanmedia The drive behind Van Sessions is to create a music discovery community for Northern Utah musicians to share their work, refine their craft, and network with other artists. Van Sessions helps support local musicians, photographers, and videographers through our project. Show your support for local artists by subscribing to Van Sessions on YouTube @vansessionspod or search "Van Sessions Podcast" on your favorite podcast platform. Join us live at the Monarch in Ogden every First Friday to be a part of the free concert and video podcast recording. Bookings: todd@thebanyancollective.com
The Proper Way on Van Sessions! Sponsor the program: https://t.ly/KsrVL Van Sessions is Recorded at The Monarch in Ogden, Utah. ARTIST | The Proper Way FULL SET LIST Song 1 - Good Love, Mike Clark & the Sugar Sounds COVER Song 2 - Ophelia, The Band COVER Song 3 - When I Paint My Masterpiece, Bob Dylan COVER Song 4 - Brokedown Palace, Grateful Dead COVER Song 5 - A Song for You, Leon Russell COVER ARTIST LINKS INSTAGRAM: https://www.instagram.com/theproperwayband/ FACEBOOK: https://www.facebook.com/theproperwayband/ WEBSITE: https://theproperwayband.com/ TIP: https://account.venmo.com/u/theproperwayband?catchAll=u&catchAll=theproperwayband CONTACT/BOOK: https://theproperwayband.com/contact SHOWS: https://www.bandsintown.com/a/13337733-the-proper-way?came_from=242&utm_medium=web&utm_source=artist_event_page&utm_campaign=artist LISTEN: https://songwhip.com/theproperway WATCH: https://www.youtube.com/c/theproperway BUY: https://theproperwayband.com/merchandise STUDIO: https://theproperwayband.com/studio SUPPORTERS The Monarch Building: https://themonarchogden.com/ Ogden City Arts: https://ogdencity.com/707/Arts CREDITS Producer / Host: R. Brandon Long, The Banyan Collective Bookings: Todd Oberndorfer, todd@thebanyancollective.com Audio Mix: Scott Rogers, The Proper Way https://theproperwayband.com/studio DOP: Dixon Stoddard, https://www.instagram.com/studios_d21/ Photography: Avery Atkinson: https://www.instagram.com/avery_atkinson_/ FOLLOW // SUBSCRIBE Van Sessions Instagram: https://www.instagram.com/vansessions/ Van Sessions Facebook: https://www.facebook.com/thevansessions Van Sessions YouTube: https://www.youtube.com/@vansessionspod Tip Jar: https://www.buymeacoffee.com/banyanmedia The drive behind Van Sessions is to create a music discovery community for Northern Utah musicians to share their work, refine their craft, and network with other artists. Van Sessions helps support local musicians, photographers, and videographers through our project. Show your support for local artists by subscribing to Van Sessions on YouTube @vansessionspod or search "Van Sessions Podcast" on your favorite podcast platform. Join us live at the Monarch in Ogden every First Friday to be a part of the free concert and video podcast recording. Bookings: todd@thebanyancollective.com
We're going to Oakland, eh? This week, our host Game is heading to Oakland, California. It's September 12th, 1985 and the Grateful Dead are playing at the Henry J. Kaiser Convention Center. Along the way discussions abound about DogFish Head's new Grateful Dead pale ale. Greatest Story Ever Told > Bertha It's All Over Now Row Jimmy My Brother Esau > Big Railroad Blues > Looks Like Rain > Might As Well Help On The Way > Slipknot! > Franklin's Tower > Playin' In The Band > Drums > The Other One > Black Peter > Throwing Stones > Not Fade Away Not Fade Away > Brokedown Palace
Happy Thanksgiving As is the custom here on the Deadpod, this Thanksgiving we feature an acoustic set and I think we are especially fortunate this year as this set is one of the very best such sets from 1970. From September 20, 1970 this set from the Fillmore East features both David Grisman and David Nelson on mandolin for much of the set, including a very unusual 'Big Railroad Blues' and an acoustic 'Truckin'. Jerry is in particular fine voice throughout, especially on 'To Lay Me Down'. If you are a fan of acoustic Dead this is a set to savor .. I hope you enjoy.. Grateful Dead Fillmore East New York, NY 9/20/1970 - Sunday One Uncle John's Band [6:47] Deep Elem Blues [5:51] Friend Of The Devil [3:32] Big Railroad Blues [3:14] Dark Hollow [2:56] Ripple [4:20] To Lay Me Down [5:12] Truckin' [5:35][0:12] Rosalie McFall [2:24] Cumberland Blues [5:04] New Speedway Boogie [9:31] Brokedown Palace [5:13] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod112824.mp3 I have far more to be thankful for than I can express here.. first of all to all of you who reached out with your well wishes and concern during my recent surgery and recovery.. to my doctors and nurses who did such a wonderful job helping to get me back home.. and of course to my beautiful wife without which I never would have been able to see this through...
Music News: Pink Floyd and Joni MitchellIn this episode of the Deadhead Cannabis Show, Larry Mishkin reflects on the intersection of music and cannabis in the wake of the recent elections. He delves into the Grateful Dead's legacy, highlighting a notable performance from 1973, and explores the lyrical depth of 'To Lay Me Down.' The conversation also touches on music news, including Pink Floyd's 'Dark Side of the Moon' and Joni Mitchell's recent birthday. The episode concludes with a discussion on recent research indicating that cannabis may serve as a substitute for more dangerous substances. This conversation explores the complex relationship between cannabis use and substance consumption among young adults, the implications of Florida's failed marijuana legalization initiative, and the potential of cannabis as a harm reduction tool for opioid use. It also highlights popular cannabis strains and their effects, alongside a cultural reflection on the Grateful Dead's music. Chapters00:00 Post-Election Reflections: Music and Cannabis08:29 The Grateful Dead's Musical Legacy14:48 Exploring the Lyrics: To Lay Me Down21:59 Music News: Pink Floyd and Joni Mitchell37:06 Weather Report Suite: A Musical Journey43:10 Second Set Highlights: Mississippi Half-Step and Beyond49:36 Marijuana Research: Substitution Effects51:24 Cannabis Use Among Young Adults56:13 Florida's Marijuana Legalization Initiative01:05:01 Cannabis as a Tool for Opioid Harm Reduction01:11:10 Strains of the Week and Cannabis Culture Larry's Notes:Grateful DeadNovember 11, 1973 (51 years ago)Winterland ArenaSan Francisco, CAGrateful Dead Live at Winterland Arena on 1973-11-11 : Free Borrow & Streaming : Internet Archive Happy Veteran's Day A very famous show from a very famous year. Many feel 1973 was the peak of the band's post psychedelic era. Certainly right up there with 1977 as top years for the band, even by November they were still in full stride during a three night run at Winterland, this being the third and final night of the run. In 2008 the Dead released the box set: “Winterland 1973: The complete recordings” featuring shows from Nov. 9, 10 and 11, 1973. This was the Dead's second “complete recordings” release featuring all of the nights of a single run. The first was “Fillmore West, 1969, the Complete Recordings” from Feb. 27, 28 and March 1 and 2 (IMHO the best collection of live music ever released by the band). The band later released a follow up, Winterland 1977: The Complete Recordings a three night run June 7, 8 and 9, 1977 that is also an outstanding box set. Today's show has a 16 song first set, a six song second set and a three song encore, a true rarity for a Dead show of any era (other than NYE shows). The second set consists of ½ Step, Big River, Dark Star with MLBJ, Eyes of the World, China Doll and Sugar Magnolia and is as well played as any set ever played by the band. They were on fire for these three days. A great collection of music and killer three night run for those lucky enough to have snagged a ticket for any or all of the nights. Patrick Carr wrote in the NY Times that: “The Dead had learned how to conceive and perform a music which often induced something closely akin to the psychedelic experience; they were and are experts in the art and science of showing people another world, or a temporary altering (raising) of world consciousness. It sounds pseudomystical pretentious perhaps, but the fact is that it happens and it is intentional.” INTRO: Promised Land (show opener into Bertha/Greatest Story/Sugaree/Black Throated Wind) Track #1 0 – 2:10 "Promised Land" is a song lyric written by Chuck Berry to the melody of "Wabash Cannonball", an American folk song. The song was first recorded in this version by Berry in 1964 for his album St. Louis to Liverpool. Released in December 1964, it was Berry's fourth single issued following his prison term for a Mann Act conviction. The record peaked at #41 in the Billboard charts on January 16, 1965. Berry wrote the song while in prison, and borrowed an atlas from the prison library to plot the itinerary. In the lyrics, the singer (who refers to himself as "the poor boy") tells of his journey from Norfolk, Virginia, to the "Promised Land", Los Angeles, California, mentioning various cities in Southern states that he passes through on his journey. Describing himself as a "poor boy," the protagonist boards a Greyhound bus in Norfolk, Virginia that passes Raleigh, N.C., stops in Charlotte, North Carolina, and bypasses Rock Hill, South Carolina. The bus rolls out of Atlanta but breaks down, leaving him stranded in downtown Birmingham, Alabama. He then takes a train "across Mississippi clean" to New Orleans. From there, he goes to Houston, where "the people there who care a bit about me" buy him a silk suit, luggage and a plane ticket to Los Angeles. Upon landing in Los Angeles, he calls Norfolk, Virginia ("Tidewater four, ten-oh-nine") to tell the folks back home he made it to the "promised land." The lyric: "Swing low, sweet chariot, come down easy/Taxi to the terminal zone" refers to the gospel lyric: "Swing low, sweet Chariot, coming for to carry me Home" since both refer to a common destination, "The Promised Land," which in this case is California, reportedly a heaven on earth. Billboard called the song a "true blue Berry rocker with plenty of get up and go," adding that "rinky piano and wailing Berry electric guitar fills all in neatly."[2]Cash Box described it as "a 'pull-out-all-the-stops' rocker that Chuck pounds out solid sales authority" and "a real mover that should head out for hit territory in no time flat."[3] In 2021, it was listed at No. 342 on Rolling Stone's "Top 500 Greatest Songs of All Time". Apparently played by the Warlocks and the Grateful Dead in their earliest days, Bob Weir started playing this with the Dead in 1971, and it remained a regular right through to the band's last show ever in 1995. Among those deeply touched by Chuck's genius were Jerry Garcia and the Grateful Dead. They often paid homage to Chuck by weaving his songs into their performances, breathing new life into his timeless melodies. "Promised Land," with its relentless drive, became an anthem of journey and aspiration. Their electrifying renditions of "Johnny B. Goode" were not mere covers but jubilant celebrations of a narrative that resonated with the dreamer in all of us. The Grateful Dead's performances of "Around and Around" echoed Chuck's mastery of capturing life's cyclical rhythms—a dance of beginnings and endings, joy and sorrow. And when they took on "Run Rudolph Run," they infused the festive classic with their own psychedelic flair, bridging the gap between tradition and innovation. A moment etched in musical history was when Chuck Berry shared the stage with the Grateful Dead during their induction into the Rock and Roll Hall of Fame in 1994. The air was thick with reverence and electricity—a meeting of titans where the past, present, and future of rock converged in harmonious resonance. Again, in May 1995, Chuck opened for the Grateful Dead in Portland, Oregon. It was a night where legends collided, and the music swirled like a tempest, leaving a lasting impression on all who were fortunate enough to witness it. This version really rocks out. I especially love Keith's piano which is featured prominently in this clip. Played: 430 timesFirst: May 28, 1971 at Winterland Arena, San Francisco, CA, USALast: July 9, 1995 at Soldier Field, Chicago, IL, USA SHOW No. 1: To Lay Me Down (out of Black Throated Wind/into El Paso/Ramble On Rose/Me and Bobby McGee Track #6 2:21 – 4:20 David Dodd: “To Lay Me Down” is one of the magical trio of lyrics composed in a single afternoon in 1970 in London, “over a half-bottle of retsina,” according to Robert Hunter. The other two were “Ripple” and “Brokedown Palace.” Well, first—wouldn't we all like to have a day like that! And, second—what unites these three lyrics, aside from the fact that they were all written on the same day? Hunter wrote, in his foreword to The Complete Annotated Grateful Dead Lyrics:”And I wrote reams of bad songs, bitching about everything under the sun, which I kept to myself: Cast not thy swines before pearls. And once in a while something would sort of pop out of nowhere. The sunny London afternoon I wrote ‘Brokedown Palace,' ‘To Lay Me Down,' and ‘Ripple,' all keepers, was in no way typical, but it remains in my mind as the personal quintessence of the union between writer and Muse, a promising past and bright future prospects melding into one great glowing apocatastasis.” “‘To Lay me Down' was written a while before the others [on the Garcia album], on the same day as the lyrics to ‘Brokedown Palace' and ‘Ripple'—the second day of my first visit to England. I found myself left alone in Alan Trists's flat on Devonshire Terrace in West Kensington, with a supply of very nice thick linen paper, sun shining brightly through the window, a bottle of Greek Retsina wine at my elbow. The songs flowed like molten gold onto the page and stand as written. The images for ‘To Lay Me Down' were inspired at Hampstead Heath (the original title to the song) the day before—lying on the grass and clover on a day of swallowtailed clouds, across from Jack Straw's Castle [a pub, now closed and converted into flats--dd], reunited with the girlfriend of my youth, after a long separation.” Garcia's setting for the words is, like his music for those other two songs, perfect. The three-quarter time (notated as having a nine-eight feel), coupled with the gospel style of the melody and chords, makes for a dreamy, beauty-soaked song. I heard it on the radio today (yes, on the radio, yes, today—and no, not on a Grateful Dead Hour, but just in the course of regular programming), and it struck me that it was a gorgeous vehicle for Garcia's voice. By which I mean: for that strongly emotive, sweet but not sappy, rough but not unschooled instrument that was Garcia's alone. I have started to think that my usual recitation of where a song was first played, where it was last played, and where it was recorded by the band borders on pointless. All that info is readily available. What's interesting about the performance history of “To Lay Me Down” is that it was dropped from the rotation for more than 200 shows three times, and that its final performance, in 1992, came 125 shows after the penultimate one. The reappearance of the song, in the 1980 acoustic shows, came nearly six years after the previous performances in 1974. “Ripple” had a similar pattern, reappearing in those 1980 acoustic sets after 550 performances, or nearly ten years. Of the magical trio from that day of molten gold in West Kensington, “Brokedown Palace” had the most solid place in the Dead's performance rotation, with only one huge gap in its appearances—165 shows between 1977 and 1979. So, in terms of story, what can be discerned? The short version, for me: even if it's just for a day, even if it's just once more, even if it's just one last time—it's worth it. It's golden. It's home. This version is really great to listen to. Jerry's voice is still so young and strong. And the group singing works really well. Jerry's also kills it with his lead guitar jamming. Released on “Garcia” in 1972 Played: 64 timesFirst: July 30, 1970 at The Matrix, San Francisco, CA, USALast: June 28, 1992 at Deer Creek Music Center, Noblesville, IN, USA MUSIC NEWS: Music Intro: Brain Damage Pink Floyd Pink Floyd - Brain Damage (2023 Remaster) 0:00 – 1:47 "Brain Damage" is the ninth track[nb 1] from English rock band Pink Floyd's 1973 album The Dark Side of the Moon.[2][3] It was sung on record by Roger Waters (with harmonies by David Gilmour), who would continue to sing it on his solo tours. Gilmour sang the lead vocal when Pink Floyd performed it live on their 1994 tour (as can be heard on Pulse). The band originally called this track "Lunatic" during live performances and recording sessions. "Brain Damage" was released as a digital single on 19 January 2023 to promote The Dark Side of the Moon 50th Anniversary box set.[4] The uncredited manic laughter is that of Pink Floyd's then-road manager, Peter Watts. The Dark Side of the Moon is the eighth studio album by the English rock band Pink Floyd, released on 1 March 1973, by Harvest Records in the UK and Capitol Records in the US. Developed during live performances before recording began, it was conceived as a concept album that would focus on the pressures faced by the band during their arduous lifestyle, and also deal with the mental health problems of the former band member Syd Barrett, who had departed the group in 1968. New material was recorded in two sessions in 1972 and 1973 at EMI Studios (now Abbey Road Studios) in London. The Dark Side of the Moon is among the most critically acclaimed albums and often features in professional listings of the greatest of all time. It brought Pink Floyd international fame, wealth and plaudits to all four band members. A blockbuster release of the album era, it also propelled record sales throughout the music industry during the 1970s. The Dark Side of the Moon is certified 14x platinum in the United Kingdom, and topped the US Billboard Top LPs & Tape chart, where it has charted for 990 weeks. By 2013, The Dark Side of the Moon had sold over 45 million copies worldwide, making it the band's best-selling release, the best-selling album of the 1970s, and the fourth-best-selling album in history.[3] In 2012, the album was selected for preservation in the United States National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It was inducted into the Grammy Hall of Fame in 1999. David Gilmour Addresses Synchronicity Theory Between ‘The Dark Side of the Moon' and ‘Wizard of Oz'On Thursday, November 7, 2024, Pink Floyd's David Gilmour appeared on The Tonight Show Starring Jimmy Fallon amid his extensive run at New York's Madison Square Garden, where he is supporting his latest solo release, Luck and Strange. During the music industry legend's stop by the late-night talk show, he spoke with the program's host, who questioned the theory of synchronicity between TheDark Side of the Moon and The Wizard of Oz, commonly referred to as the Dark Side of the Rainbow.“You said that you think it's your best work since Dark Side of the Moon,” Fallon questioned at the top of the segment, comparing Gilmour's comments regarding his latest release, and the Pink Floyd classic. “When we finished Dark Side, there was a lot of crossfades and stuff between all the tracks. They had all to be done separately and then they all have to be edited in the old days before Pro Tools. When we finally finished, we sat down in the control room at Abbey Road and listened to it all the way through. And, wow. I–I guess all of us–have the feeling that it was something quite amazing–that we got it, and at the same point on this album, I had a very similar feeling, which is why I said that.” Fallon stewed on Luck and Strange during a series of follow-up questions that assisted in painting a portrait of familial involvement during the making of Gilmour's 2024 release–harnessing the conversation to the artist's preferred homebred approach before they segued into the realm of the Emerald City. Fallon landed on the topic of Oz during a bit aimed at busting rumors that have populated throughout the musician's 60-year tenure in the spotlight.“The Pink Floyd album, Dark Side of the Moon, was written to synchronize with the movie Wizard of Oz,” Fallon suggested. Prompting Gilmour's humor-tinged response, “Well, of course it was.” Fallon threw his hands up in response, acting on the comedic angle, before the musician clarified, “No, no. We listened to it, Polly and I, years ago–” Fallon stopped the artist to ask, “There's no planning that out?” Gilmour continued, “No. No, I mean, I only heard about it years later. Somebody said you put the needle on–vinyl that is– and on the third–you know you got the film running somehow–and on the third roar of the MGM lion, you put the needle on for the beginning of Dark Side, and there's these strange synchronicities that happen.” Fallon asked if Gilmour had ever tested the theory, to which he exclaimed, “Yeah!” He went on to admit, “And there are these strange coincidences–I'll call them coincidences.” Joni Mitchell turns 81 - Joni Mitchell was born on Nov. 7th in 1943, making her 81 this past Thursday. Mitchell began her career in small nightclubs in Saskatoon, Saskatchewan, Canada, and grew to become one of the most influential singer-songwriters in modern music history. Rising to fame during the 1960s, Mitchell became a key narrator in the folk music movement, alongside others like Bob Dylan. Over the decades, she has released 19 studio albums, including the seminal “Blue,” which was rated the third best album ever made in Rolling Stone's 2020 list of the "500 Greatest Albums of All Time.” In 2023, Joni Mitchell at Newport was released, a live album of her 2022 performance at the Newport Folk Festival. More recently she was the featured performer at the Joni Jam at the Gorge in George, WA in June, 2023 3. Dan “Lebo” Lebowitz to Celebrate 50th Birthday at Sweetwater Music Hall with Members of ALO, Tea Leaf Green and More Sweetwater Music Hall (in Mill Valley, CA) has announced details pertaining to Dan “Lebo” Lebowitz's 50th Birthday Bash. The event is slated to take place on Saturday, November 23, 2024, and functions as a celebratory occasion to honor the jam stalwart and beloved member of the Bay Area music scene's five decade ride. The six-string virtuoso, known for his work with Animal Liberation Orchestra (ALO), Phil Lesh & Friends, and his own self-titled Friends project, has tapped an all-star group of regional talent to assist during the live show. Appearing on the birthday lineup, in addition to the bandleader are Vicki Randle (percussion, vocals; The Tonight Show Band), Steve Adams (bass; ALO), Trevor Garrod (keys; Tea Leaf Green) and Scott Rager (drums; Tea Leaf Green). “Possessing a signature tone, the vehicle for his fluid, buttery sound is a flat top acoustic guitar that he has personally sliced and diced into an electric flat top, with a vintage style humbucker pickup. Inherently committed to an improvisational approach, Lebo embodies the realm of melodic and soulful sounds,” the press release includes, drawing on the unique factors which have made Lebo a standout amongst his musical contemporaries. As an added distinction, and play into the birthday angle of event's surprise and celebration, special guest appearances are slated to occur, as referenced via press release and the artist's post on Instagram, where he noted additional inclusions as TBA. SHOW No. 2: Weather Report Suite Prelude (out of China >Rider/Me & My Uncle/Loose Lucy Track #14 3:10 – end INTO Weather Report Suite Part I (out of WRS Prelude/ into WRS Part II (Let It Grow)/Set break - 16 songs Track #15 0:00 – 1:03 David Dodd: This week, by request, we're looking at “Weather Report Suite,” (Prelude, Part 1, and Part 2). For a short time, the three pieces that comprise the Suite were played as such, but that was relatively short-lived by Grateful Dead standards. The Prelude debuted in November 1972, originally as a separate piece from its eventual companions. The Dead played it, according to DeadBase, four more times in the spring of 1973 before it was first matched up with Weather Report Suite Parts 1 & 2, in September of that year. It was played regularly through October of 1974, and then dropped from the repertoire. The instrumental “Prelude,” composed by Weir, sets the stage for the two pieces to follow. I think it's one of the most beautiful little pieces of music I know—I have never once skipped through it over years of listening. I just let it wash over me and know that its simplicity and beauty are preparing me for the melancholy of Part 1, and the sometimes epic grandeur of Part 2. Part 1 is a song co-written with Eric Andersen, a well-known singer-songwriter who wrote the classic “Thirsty Boots.” He was on the Festival Express Tour (of “Might As Well” fame) across Canada along with the Dead, and I'm guessing that's where Weir and he met and concocted this piece. Happy to be corrected on that by anyone who knows better. Andersen and Weir share the lyric credit, and the music is credited to Weir. Once it appeared in the rotation, in September 1973, it stayed in the repertoire only as long as the Prelude did, dropping entirely in October 1974. The song addresses the seasons, and their changing mirrors the the singer's state of mind as he reflects on the coming of love, and maybe its going, too: a circle of seasons, and the blooming and fading of roses. I particularly like the line “And seasons will end in tumbled rhyme and little change, the wind and rain.” There's something very hopeful buried in the song's melancholy. Is that melancholy just a projection of mine? I think there's something about Weir's singing that gets at that emotion. Loss, and the hope that there might be new love. Weather Report Suite, Part 2 (“Let It Grow”) is a very different beast. It remained steadily in the rotation for the next 21 years after its debut, and the band played it 276 times. Its season of rarity was 1979, when it was played only three times, but otherwise, it was not far from the rotation. It could be stretched into a lengthy jamming tune (clocking at over 15 minutes several times), building to a thundering crescendo. And the “Weather Report” aspect of the song is what was really the most fun many times. Released on Wake of The Flood in 1973. WRS Prelude and Part I:Played: 46 timesFirst: September 8, 1973 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USALast: October 18, 1974 at Winterland Arena, San Francisco, CA, USA SHOW No. 3: Mississippi Half Step Uptown Toodeloo (Second Set Opener/into Big River/Dark Star) Track #17 3:17 – 4:55 Released on Wake of the Flood in 1973. Mississippi Half-Step Uptown Toodeloo was first performed live by the Grateful Dead on July 16, 1972. It was a frequent part of the repertoire through to 1974. From 1976 onward it was played less frequently with usually between 5 and 15 performances each year. It was not played at all in 1983 and 1984. The last performance was in July 1995. In total it was performed around 236 times. The majority of performances from 1978 onward were as the opening song of a show. Huner/Garcia special. Great story. Great lyrics: “what's the point of calling shots, this cue ain't straight in line. Cue ball is made of Styrofoam and no one's got the time” Always one of my favorite songs to hear in concert. ½ Step>Franklin's were especially fun as a one two show opener punch. Played: 236 timesFirst: July 16, 1972 at Dillon Stadium, Hartford, CT, USALast: July 6, 1995 at the Riverport Amphitheatre in Maryland Heights (St. Louis), MO MJ NEWS: INTRO MUSIC: Willin' Little Feat Little Feat - Willin' sung by Lowell George Live 1977. HQ Video. 0:10 – 1:32 1977 "Willin'" is a song written by American musician Lowell George, and first recorded with his group Little Feat on their 1971 debut album. The song has since been performed by a variety of artists. George wrote the song while he was a member of the Mothers of Invention. When George sang an early version of the song for bandleader Frank Zappa, Zappa suggested that the guitarist form his own band rather than continue under Zappa's tutelage.[1] He did just that, and the song was subsequently recorded by Lowell's band Little Feat. The song was included on Little Feat's 1971 self-titled debut album. The band re-recorded the song at a slower tempo to much greater success on their 1972 Sailin' Shoes album. A live version recorded in 1977 appears on their 1978 album Waiting for Columbus. The lyrics are from the point of view of a truck driver who has driven from Tucson to Tucumcari (NM), Tehachapi (CA) to Tonopah (AZ)" and "smuggled some smokes and folks from Mexico"; the song has become a trucker anthem. And of course, he asks for “weed, whites (speed) and wine” to get him through his drive. 1. Using Marijuana Is Tied To Lower Consumption Of Alcohol, Opioids And Other Drugs, New Study Reveals 2. Why Florida's Marijuana Legalization Ballot Initiative Failed Despite Trump Endorsement, Historic Funding And Majority Voter Support 3. Marijuana Has ‘Great Deal Of Potential' To Treat Opioid Use Disorder, Study Finds, Predicting It'll Become More Common In Treatment 4. Colorado Springs Voters Approve Two Contradictory Marijuana Ballot Measures To Both Allow And Ban Recreational Sales Strains of the week: Sub Zero - Sub Zero is a potent Indica-dominanthybrid cannabis strain that combines the robust genetics of Afghan, Colombian, and Mexican origins. This marijuana strain offers a complex flavor profile with notes of apple, menthol, chestnut, lime, and berry, providing a unique and refreshing sensory experience. The aroma of Sub Zero is as intriguing as its flavor, characterized by a rich combination of woody, earthy, and citrus notes, thanks to a terpene profile rich in Humulene, Limonene, Linalool, and Carene. These terpenes not only enhance the flavor but also contribute to the strain's therapeutic properties. Apple Fritter - Apple Fritter, also known as “Apple Fritters,” is a rare evenly balanced hybrid strain (50% indica/50% sativa) created through crossing the classic Sour Apple X Animal Cookies strains. Best known for making the High Times' 2016 “World's Strongest Strains” List, this baby brings on a hard-hitting high and super delicious flavor that will have you begging for more after just one taste. Extract: Dulce Limon – hyrbrid sativa dominant Pineapple Fizz – slightly indica dominant hybrid strain SHOW No. 4: Dark Star (Mind Left Body Jam) Track #18 34:45 – end This is the name given to a 4-chord sequence played as a jam by the Grateful Dead. It is thought by some to be related to the Paul Kantner song "Your Mind Has Left Your Body." The title "Mind Left Body Jam" was originally used by DeadBase. The first Grateful Dead CD to include a version was "Dozin' At The Knick", where the title was "Mud Love Buddy Jam" in a humorous reference to the DeadBase/taper title. But subsequent releases have adopted the "Mind Left Body Jam" title.Here, it comes out of a 36 minute Dark Star that many say is one of the best ever and links it to an excellent Eyes of the World.Fun to feature one of the band's thematic jams every now and then. The truly improvisational side of the Dead and their live performances. Played: 9 timesFirst: October 19, 1973 at Jim Norick Arena, Oklahoma City, OK, USALast: March 24, 1990 at Knickerbocker Arena, Albany, NY, USA INTO Eyes of the World (into China Doll/Sugar Mag as second set closer) Track #19 0:00 – 2:25 David Dodd: “Eyes of the World” is a Robert Hunter lyric set by Jerry Garcia. It appeared in concert for the first time in that same show on February 9, 1973, at the Maples Pavilion at Stanford University, along with “They Love Each Other,” “China Doll,” “Here Comes Sunshine,” “Loose Lucy,” “Row Jimmy,” and “Wave That Flag.” Its final performance by the Dead was on July 6, 1995, at Riverport Amphitheatre, in Maryland Heights, Missouri, when it opened the second set, and led into “Unbroken Chain.” It was performed 381 times, with 49 of those performances occurring in 1973. It was released on “Wake of the Flood” in November, 1973. (I have begun to notice something I never saw before in the song statistics in Deadbase—the 49 performances in 1973 made me look twice at the song-by-song table of performances broken out by year in DeadBase X, which clearly shows the pattern of new songs being played in heavy rotation when they are first broken out, and then either falling away entirely, or settling into a more steady, less frequent pattern as the years go by. Makes absolute sense!) Sometimes criticized, lyrically, as being a bit too hippy-dippy for its own good, “Eyes of the World” might be heard as conveying a message of hope, viewing human consciousness as having value for the planet as a whole. There are echoes in the song of a wide range of literary and musical influences, from Blaise Pascal to (perhaps) Ken Kesey; from talk of a redeemer to the title of the song itself. In an interview, Hunter made an interesting statement about the “songs of our own,” which appear twice in “Eyes of the World.” He said that he thinks it's possible each of us may have some tune, or song, that we hum or sing to ourselves, nothing particularly amazing or fine, necessarily, that is our own song. Our song. The song leaves plenty of room for our own interpretation of certain lines and sections. The verse about the redeemer fading away, being followed by a clay-laden wagon. The myriad of images of birds, beeches, flowers, seeds, horses.... One of my all time favorite songs, Dead or otherwise. A perfect jam tune. Great lyrics, fun sing along chorus and some of the finest music you will ever hear between the verses. First really fell for it while at a small show one night my junior year at Michigan in the Michigan Union, a Cleveland based dead cover band call Oroboros. We were all dancing and this tune just seemed to go on forever, it might have been whatever we were on at the time, but regardless, this tune really caught my attention. I then did the standard Dead dive to find as many versions of the song as I could on the limited live Dead releases at that time and via show tapes. Often followed Estimated Prophet in the first part of the second set, china/rider/estimated/eyes or scarlet/fire/estimated/eyes and sometimes even Help/Slip/Frank/Estimated/Eyes. Regardless of where it appeared, hearing the opening notes was magical because you knew that for the next 10 – 12 minutes Jerry had you in the palm of his hand. This is just a great version, coming out of the Dark Star/Mind Left Body Jam and then continuing on into China Doll (two great Jerry tunes in a row!) and a standout Sugar Mag to close out the second set. Any '73 Eyes will leave you in awe and this one is one of the best. Played: 382 timesFirst: February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast: July 6, 1995 at Riverport Amphitheatre, Maryland Heights (St. Louis), MO OUTRO: And We Bid You Goodnight (encore out of Uncle John's Band/Johnny B. Goode) 3 song encore!! Track #25 :40 – 3:03 The Grateful Dead performed the song a number of times in the 1968-1970 and 1989-1990 periods but infrequently during the rest of their performing career. On Grateful Dead recordings the title used is either And We Bid You Goodnight or We Bid You Goodnight. The Grateful Dead version of this traditional 'lowering down' funeral song originates from a recording by Joseph Spence and the Pindar Family which was released in 1965. The title used on that recording, as on many others, is I Bid You Good Night. This song appears to share a common ancestry with the song Sleep On Beloved from North East England. I got to see it the first night at Alpine Valley in 1989 (the Dead's last year at Alpine) and it really caught the crowd off guard. Great reaction from the Deadheads. Kind of a chills down your spine thing. I was with One armed Lary and Alex, both had been with us at Deer Creek right before. Lary stayed for all three nights but Alex had to take off after the first show. Great times. Played: 69 timesFirst: January 26, 1968 at Eagles Auditorium, Seattle, WA, USALast: September 26, 1991 at Boston Garden, Boston, MA, USA Thank you for listening. Join us again next week for more music news, marijuana news and another featured Grateful Dead show. Have a great week, have fun, be safe and as always, enjoy your cannabis responsibly. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
As we come to the end of the Days Between, and reflect on what Jerry gave us I thought it appropriate to present a classic show from when the band was young and ferocious. This comes to us from August 6, 1971 at the Hollywood Palladium. Long considered a classic, I'm sure you'll agree if you haven't yet been fortunate enough to hear this performance. This first set contains no clunkers.. I think each of these songs is a top-notch rendition, but for sure I have to point out 'Mr. Charlie' and 'Cumberland Blues'.. but the highlight here is clearly the great version of 'Hard to Handle'.. Pigpen is at his finest ... Grateful Dead Hollywood Palladium Hollywood, CA 8/6/1971 - Friday One Bertha [5:52] Playing In The Band [4:34] Loser [6:29] Mr. Charlie [3:27] El Paso [7:07] Cumberland Blues [5:03] Brokedown Palace [4:57] Me And Bobby McGee [5:47] Hard To Handle [7:16] Casey Jones [4:55] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod080924.mp3 Our love is real, not fade away....
"Cannabis, COVID, and Concerts: A Grateful Dead Fan's Journey"Larry Mishkin is back from a break spent in South Carolina with his granddaughter he shares his experience of contracting a mild case of COVID, attributing his quick recovery to his cannabis use. He references studies suggesting that certain strains of sativa marijuana may mitigate COVID symptoms.The episode features a detailed discussion of a special Grateful Dead concert from July 15, 1989, at Deer Creek Music Theater in Noblesville, Indiana. Larry reminisces about the venue, the band's setlist, and the memorable experience shared with friends. He highlights key performances from the show, including "Bertha," "Greatest Story Ever Told," "Candyman," "Walkin' Blues," and others.Larry also covers recent music news, mentioning Melissa Etheridge's performance in Colorado and her upcoming summer tour. He shares updates on the String Cheese Incident's New Orleans-themed show at Red Rocks and Phish's recent appearance on The Tonight Show with Jimmy Fallon, where they performed "Evolve" from their new album. Grateful DeadDeer Creek Music Theater CenterNoblesville, INGrateful Dead Live at Deer Creek Music Center on 1989-07-15 : Free Borrow & Streaming : Internet Archive With: Judy, Andy K., Lary V., AWell and others First Dead show ever at Deer Creek which had just opened that year. Became a regular stop on the Dead's summer tour thereafter and one of the favorite places for the Deadheads given its relatively small size as compared to the stadium venues that soon became the norm for summer tours. Ironically, two days after this one-off Dead played their final 3 shows at Alpine Valley, switched to Tinley Park in 1990 and then starting in 1991 Chicago summer tour shows were confined to Soldier Field with 60,000 attendees. INTRO: Bertha Track #2 1:20 – 3:00 Garcia/Hunter – first appeared on Grateful Dead (live) aka Skull and Roses or Skullfuck (1971)Played: 401First: February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast: June 27, 1995 at the Palace of Auburn Hills, Detroit, MI SHOW No. 1: Walkin Blues Track #5 1:38 – 3:20 "Walkin' Blues" or "Walking Blues" is a blues standard written and recorded by American Delta blues musician Son House in 1930. Although unissued at the time, it was part of House's repertoire and other musicians, including Robert Johnson and Muddy Waters, adapted the song and recorded their own versions. "Walkin' Blues" was not a commercial success when it was issued as a "race record" marketed to black listeners. However, the song was received with great enthusiasm by a small group of white jazz record collectors and critics. Producer John Hammond chose "Walkin' Blues" and "Preachin' Blues" as the records to be played at his 1938 From Spirituals to Swing concert, when Johnson himself could not appear (Johnson had died a few months earlier).[15] The 1961 Johnson compilation album King of the Delta Blues Singers was marketed to white enthusiasts. According to most sources, John Hammond was involved in the production and the selection of tracks. The album included the two House-style songs and a song with House-style guitar figures ("Cross Road Blues" and excluded songs in the commercial style of the late 1930s. Notable exclusions were Johnson's one commercial hit, "Terraplane Blues", and two songs which he passed on to the mainstream of blues recording, "Sweet Home Chicago" and "Dust My Broom". Dead first played it in 1966, once in 1982 and 4 times in 1985. Then, beginning in 1987 it became a standard part of Dead song lists, peaking in 1988 when it was played 23 times. Became one of Bobby's early first set blues numbers with Minglewood Blues, CC Rider and Little Red Rooster. Played: 141First: October 7, 1966 at Fillmore Auditorium, San Francisco, CA, USALast: July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA SHOW No. 2: Crazy Fingers Track #12 4:30 – 6:12 Pretty standard second set song, usually pre-drums. Fist played in 1975, a few times in 1976 and then dropped until 1982 at Ventura County Fairgrounds (day after my first show). Played 7 times that year, dropped until 1985 (10 times), then dropped until 1987 and then played regularly until the end. Great tune, Jerry often forgot the lyrics and this version is great because Bobby saves him on the lyrics when Jerry starts to go astray. Good fun considering how many times Bobby would forget the words to his songs. But one of those things you remember if you see it happen Garcia/Hunter, released on Blues For Allah (Sept. 1, 1975)Played: 145 timesFirst: June 17, 1975 at Winterland Arena, San Francisco, CA, USALast: July 5, 1995 at Riverport Amphitheatre in Maryland Heights, MO (St. Louis) SHOW No. 3: Truckin Track #13 7:00 – end Hunter/Garcia/Weir/Lesh/Kreutzman (Pigpen went inside to take a nap) by the side of a pool.Released on American Beauty (November, 1970) final tune on the albumPlayed: 532 timesFirst: August 17, 1970 at Fillmore West, San Francisco, CA, USALast: July 6, 1995 at Riverport Amphitheatre in Maryland Heights, MO INTO Smokestack Lightning Track #14 0:00 – 0:36 "Smokestack Lightning" (also "Smoke Stack Lightning" or "Smokestack Lightnin'") is a blues song recorded by Howlin' Wolf (Chester Burnett) in 1956. It became one of his most popular and influential songs. It is based on earlier blues songs, and numerous artists later interpreted it. Recorded at Chess Records in Chicago and released in March, 1956 with You Can't Be Beat on the B side. Wolf had performed "Smokestack Lightning" in one form or another at least by the early 1930s,[1] when he was performing with Charley Patton in small Delta communities.[1] The song, described as "a hypnotic one-chord drone piece",[2] draws on earlier blues, such as Tommy Johnson's "Big Road Blues",[3] the Mississippi Sheiks' "Stop and Listen Blues",[4] and Charley Patton's "Moon Going Down".[5][6] Wolf said the song was inspired by watching trains in the night: "We used to sit out in the country and see the trains go by, watch the sparks come out of the smokestack. That was smokestack lightning." In a song review for AllMusic, Bill Janovitz described "Smokestack Lightning" as "almost like a distillation of the essence of the blues... a pleasingly primitive and raw representation of the blues, pure and chant-like. Wolf truly sounds like a man in otherwise inexpressible agony, flailing for words."[8] In 1999, the song received a Grammy Hall of Fame Award, honoring its lasting historical significance.[13]Rolling Stone magazine ranked it at number 291 in its list of the "500 Greatest Songs of All Time"[7] and the Rock and Roll Hall of Fame included it in its list of the "500 Songs that Shaped Rock and Roll".[14] In 1985, the song was inducted into the Blues Foundation Hall of Fame in the "Classics of Blues Recordings" category[15] and, in 2009, it was selected for permanent preservation in the National Recording Registry of the U.S. Library of Congress. Janovitz also identifies "Smokestack Lightning" as a blues standard "open to varied interpretation, covered by artists ranging from the Yardbirds to Soundgarden, all stamping their personal imprint on the song".[8] Clapton identifies the Yardbirds' performances of the song as the group's most popular live number.[17] They played it almost every show, and sometimes it could last up to 30 minutes. Dead often played it out of Truckin, would also play the blues tune Spoonful out of Truckin. Played: 63 timesFirst: November 19, 1966 at Fillmore Auditorium, San Francisco, CA, USALast: October 18, 1994 at Madison Square Garden, New York, NY, USA SHOW No. 4: Space Track #17 7:45 – 9:20 On November 28, 1973, Grateful Dead guitarist Jerry Garcia and drummer Mickey Hart staged a performance at San Francisco's Palace Of Fine Arts. At the time, Hart – whose 80th birthday is today – was on a sabbatical from the Dead, having last performed in public with Garcia and the band in February 1971. Hart would rejoin the Dead for good in October 1974.A poster promoting the concert shows a clean-shaven Garcia dressed in black beside an equally freshly shaven Hart wearing all white. At the bottom of the advertisement was printed “An Experiment in Quadrophonic Sound.”Hart recalled his experience at the duo concert with Garcia in 1973 that was not only a Seastones precursor but also planted the seeds for the band's mind-bending “Space” jams.“There were so many exciting that we've done together. Adventurous musical things. He was also into adventure and creating new spaces, so we had that in common. We got together many times out of the ring – where he first discovered synthesizers, being able to synthesize his guitar, which led to MIDI.“The first concert we did was in 1973. It was just a duo. He got an Arp [Odyssey], an electric instrument, a keyboard, and he plugged his guitar into it and that was the first time I had heard his guitar I had heard his guitar running through sophisticated synthesizers.“I just thought of that concert, which kind of was the beginning of ‘Space' – ‘Drums' and ‘Space' actually – it might have been the very beginning of it. And I think of that on his birthday, the seminal things we did together.” After the November 28, 1973 concert, the Grateful Dead began to occasionally incorporate elements of a “Space” jam into their shows. In January 1978, Dead shows almost always included a nightly “Drums” jam paired with a freeform “Space” jam, consistently showing up mid-second set throughout the rest of their career. Played: 1086First: March 19, 1966 at Carthay Studios, Los Angeles, CA, USALast: July 9, 1995 at Soldier Field, Chicago, IL OUTRO: Brokedown Palace Track #22 5:04 – 6:43 The lyric to “Brokedown Palace” was written by Robert Hunter as part of a suite of songs that arrived via his pen during a stay in London in 1970. He entitled it “Broke-Down Palace,” and now that it exists as a piece of writing, it seems to have always existed. It was composed on the same afternoon as “Ripple” and “To Lay Me Down,” with the aid of a half bottle of retsina.Its first performance was on August 18, 1970, at the Fillmore West in San Francisco, and became a staple of the live repertoire. After the 1975 hiatus, “Brokedown Palace” appeared almost exclusively as the closing song of the show, as an encore. It had the effect of sending us out of the show on a gentle pillow of sound, the band bidding us “Fare you well, fare you well…”Garcia/HunterReleased on American Beauty (Nov. 1970) Played: 219 timesFirst: August 18, 1970 at Fillmore West, San Francisco, CA, USALast: June 25, 1995 at RFK Stadium in Washington, D.C. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
"Grateful Dead's Night Amidst Ann Arbor's Championship Riot: A 1989 Michigan Celebration"Larry Mishkin reflects on his experience in 2024, discussing the success of the Michigan Wolverines in football and their celebration. He reminisces about the Michigan men's basketball team's 1989 championship and the Grateful Dead's subsequent concerts in Ann Arbor. The podcast features excerpts from the Grateful Dead's performances and shares anecdotes, including a story about Jerry Garcia and Bobby Weir getting stuck in an Ann Arbor celebration after a national championship win, highlighting the connection between the Grateful Dead and Michigan celebrations. The episode also pays tribute to a late friend and celebrates the recent success of the University of Michigan..Produced by PodConx Larry's Notes:Ann Arbor timeline for the first week of April, 1989:April 1, 1989 – Hash BashApril 3, 1989 – Michigan beats Seton Hall in Seattle to win NCAA Men's Division I Basketball TournamentApril 5, 1989 – Grateful Dead play in Crisler Arena, home of the champion basketball team (first show in Ann Arbor since 1979)April 6, 1989 – Grateful Dead play in Crisler Arena When Michigan won the football national championship last week by beating Washington in Houston, made me think there is a history here – M wins a Natty and we play/go see live the Grateful Dead. Can't break the chain now. Links:April 5, 1989: Grateful Dead Live at Crisler Arena on 1989-04-05 : Free Borrow & Streaming : Internet Archive For Intro, Show No. 1 and Show No. 2 April 6, 1989: Grateful Dead Live at Crisler Arena on 1989-04-06 : Free Borrow & Streaming : Internet Archive For Show No. 3, Show No. 4 and Outro INTRO: Feel Like A Stranger 4/5/89 Track #1 2:02 – 3:32 Album: Go To Heaven Total: 208 First: March 31, 1980 at Capitol Theatre, Passaic, NJ, USA Last: July 5, 1995, Riverport Amphitheatre, Maryland Heights (St. Louis), MO Love this version, late ‘80's, when Bobby sings, “Yes and it feels, most like runnin' a red light”, love that “most like” Also sings, “bout like running a red light”; “just like running a red light”; SHOW No. 1: Franklin's Tower 4/5/89 Track #2 3:24 – 4:38 Album: Blues For Allah Total: 222 First: June 17, 1975 at Winterland Arena, San Francisco, CA, USA, (next on Aug. 13th, Great American Music Hall, S.F. – One From The Vault) Last: June 22, 1995, Knickerbocker Arena, Albany, NY During the Help/Slip/Frank hiatus (until Oct at Hampton), Stranger>Franklin's a very common opener) SHOW No. 2: Not Fade Away 4/5/89 Track # 19 5:29 – 6:59 "Not Fade Away" is a song credited to Buddy Holly (originally under his first and middle names, Charles Hardin) and Norman Petty (although Petty's co-writing credit is likely to have been a formality[3]) and first recorded by Holly and his band, the Crickets. Holly and the Crickets recorded the song in Clovis, New Mexico, on May 27, 1957, the same day the song "Everyday" was recorded.[1] The rhythmic pattern of "Not Fade Away" is a variant of the Bo Diddley beat, with the second stress occurring on the second rather than third beat of the first measure, which was an update of the "hambone" rhythm, or patted juba from West Africa. Jerry Allison, the drummer for the Crickets, pounded out the beat on a cardboard box.[3] Allison, Holly's best friend, wrote some of the lyrics, though his name never appeared in the songwriting credits. Joe Mauldin played the double bass on this recording. It is likely that the backing vocalists were Holly, Allison, and Niki Sullivan, but this is not known for certain.[1]"Not Fade Away" was originally released as the B-side of the hit single "Oh, Boy!" and was included on the album The "Chirping" Crickets (1957). The Crickets' recording never charted as a single. In 2004, this song was ranked number 107 on Rolling Stone's list of "The 500 Greatest Songs of All Time"Covered by: Rolling Stones (1964, their first big hit) The Rolling Stones' version of "Not Fade Away" was one of their first hits. Recorded in January 1964 and released by Decca Records on February 21, 1964, with "Little by Little" as the B-side, it was their first Top 10 hit in the United Kingdom, reaching number three.[5]London Records released the song in the US on March 6, 1964, as the band's first single there, with "I Wanna Be Your Man" as the B-side.[6] The single reached number 48 on the U.S. BillboardHot 100 singles chart. Rush Tanya Tucker John Scofield Florence and the Machine Dead No album (on 1971 Grateful Dead (band's second live album) Total: 560 First: February 19, 1969 at Fillmore West, San Francisco, CA, Last: July 5, 1995 Riverport Amphitheatre, Maryland Heights (St. Louis), MO SHOW No. 3: Althea 4/6/89 Track No. 6 3:47 – 5:20 Album: Go To Heaven Total: 272 First: August 4, 1979 at Oakland Civic Auditorium, Oakland, CA, USA Last: July 8, 1995 at Soldier Field, Chicago SHOW No. 4: Scarlet Begonias 4/6/89 Track No. 10 4:00 – 5:30 Album: From The Mars Hotel (June 27, 1974) Total: 317 First: March 23, 1974 at Cow Palace, Daly City, CA, USA Last: July 2, 1995, Deer Creek Music Theater, Noblesville (Indianapolis) IN Most often paired with Fire On The Mountain OUTRO: Brokedown Palace 4/6/89 Track No. 21 3:00 – 4:43 Album: American Beauty Total: 218 First: August 18, 1970 at Fillmore West, San Francisco, CA, USA Last: June 25, 1995 at RFK Stadium, Washington, D.C. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
"Marijuana Dispensaries and Predictive Football: A Quirky Comparison"Larry is excited about Michigan's win over Alabama and in tribute to their upcoming January 8th college football championship game against Washington he features a Grateful Dead concert from January 8th, 1978. He detail the song "Jack Straw" and its history, especially focusing on the singer distribution due to Jerry Garcia's laryngitis during the San Diego show.The conversation veers into the significance of the songs "Lazy Lightning" and "Supplication" within the Grateful Dead's repertoire, reminiscing about experiencing these songs live. It briefly touches on personal events, birthdays, and music preferences.The host humorously correlates the predicted football game winner to the number of Grateful Dead performances and marijuana dispensaries in Michigan and Washington. They discuss cannabis-related legislation and the market dynamics in these states, concluding with light-hearted references to personal travels and cannabis availability across regions.Produced by PodConx Grateful DeadJanuary 8, 1978Golden Hall Community ConcourseSan Diego, CAGrateful Dead Live at Golden Hall, Community Concourse on 1978-01-08 : Free Borrow & Streaming : Internet Archive Jerry has laryngitis so he did not singDonna filled in for him INTRO: Jack Straw Track #2 0:07 – 1:38 Not on any studio album. Featured on Europe ‘72 First time played: October 19, 1971, Minneapolis (Keith Godchaux's first show) Last played: July 8, 1995, Soldier Field, Chicago Total times played = 476 (No. 11 on list of all time songs played) SHOW No. 1: Lazy Lightning>Supplication Track #8: 3:00 – end and then straight intoTrack #9: 0:00 – 1:15 DAVID DODD: The pair of songs was recorded on the Kingfish album, with Bob Weir as a member of the band. Barlow notes that he wrote the song in Mill Valley in October 1975. The two tracks opened the album, which was released in March 1976. The Grateful Dead first played the pair in concert on June 3, 1976, at the Paramount Theater in Portland, Oregon. That show also included the first performances of “Might As Well,” “Samson and Delilah,” and “The Wheel.” “Lazy Lightning” was always followed in concert by “Supplication,” and the final performance of the two songs took place on Halloween, 1984, at the Berkeley Community Theater. “Supplication” was played by itself, according to DeadBase X, on one occasion subsequently, although it was also played as an instrumental jam more frequently over the years. The final “Supplication” was played 597 shows after the last “Lazy Lightning>Supplication,” on May 22, 1993 at the Shoreline Amphitheatre in Mountain View, California. Interestingly, “Supplication” was played one other time separately from “Lazy Lightning,” on September 24, 1976, when it was sandwiched in the middle of a “Playing in the Band.” a very strong case could be made that “Supplication” is no more a separate song from “Lazy Lightning” than “Sunshine Daydream” is from “Sugar Magnolia.” It's a coda, carrying forward the same themes—only the form of the verse has changed. Lazy Lightning – 111 total times playedSupplication – 123 total times played SHOW No. 2: Estimated Prophet Track #14 2:35 – 4:15 Weir/BarlowReleased on Terrapin Station released on July 27, 1977 (first studio album released by the band after it returned to live touring after its 1975 hiatus. DAVID DODD: “Estimated Prophet” was first performed by the Grateful Dead on February 26, 1977, at the Swing Auditorium in San Bernardino, California. The Dead also premiered “Terrapin Station” at that show. They played it 390 times in the years that followed, with the longest time between performances being 15 shows—mostly it stayed at the every third or fourth show rank. Its final performance was on June 28, 1995, at The Palace in Auburn Hills, Michigan. It appeared on Terrapin Station, released July 27, 1977. Blair Jackson quotes Weir, discussing the song, in his biography of the band: “According to Weir, he and Barlow wrote the song from the perspective of a crazy, messianic zealot, a type which one invariably encounters in Deadhead crowds now and again. As Weir explains: ‘The basis of it is this guy I see at nearly every backstage door. There's always some guy who's taken a lot of dope and he's really bug-eyed, and he's having some kind of vision. He's got a rave he's got to deliver.' “ This is one of those songs, and there are quite a number of them in the Dead's repertoire, in which a not-entirely-sympathetic character is brought to life, and, in the course of being brought to life, is made more sympathetic. I've always thought this was a big strong suit of theire songs, whether in “Wharf Rat” or in “Jack Straw”; whether in “Candyman” or “Friend of the Devil.” Not only is it a recurring trope in the lyrics, but I think it is key to understanding the whole body of the songs, and perhaps literature generally. SHOW No. 3: The Other One Track # 16 13:30 – 15:07 The imagery conjured up by Bob Weir, in his portion of the suite, “That's It for the Other One,” on Anthem of the Sun, is clearly and intentionally a psychedelic ode to the Pranksters and all that entailed. Whether the singer was “escapin' through the lily fields,” or “tripping through the lily fields,” or “skipping through the lily fields” (all versions of the line sung by Weir at various points, according to several extremely careful listeners), the fact is that it was akin to Alice's rabbit hole, because of where it led. “The bus came by and I got on...that's when it all began.”That line captures so much, in so many different ways, in so few words, that it is a model of what poetry can do—over time, and in a wide variety of circumstances, the line takes on a wide spectrum of association and meaning. The Dead, of course, were quite literally on THE bus, along with Cowboy Neal (see earlier blog entry on “Cassidy”) and Ken Kesey and Ken Babbs and Mountain Girl and many others whose names are legend among our tribe. What must that have been like? Surely, worthy of a song or two. And Weir came up with a couple of winners, between “The Other One” and “Cassidy.” There is something wonderfully cartoonish about the scenes described in the lyrics. A “Spanish lady” hands the singer a rose, which then starts swirling around and explodes—kind of like Yosemite Sam left holding a lit firecracker, leaving a smoking crater of his mind. The police arrest him for having a smile on his face despite the bad weather—clearly, this kid is doing something illegal. Weir's interview with David Gans (along with Phil Lesh) cited in The Complete Annotated Grateful Dead Lyrics refers to a particular incident:Gans: Now, I remember a version from a little bit earlier, maybe late in '67, you had a different set of lyrics; the first verse is “the heat come ‘round and busted me”...and then there was a second verse that was about “the heat in the jail weren't very smart,” or somethin' like that...Weir: Yeah, that was after my little...Lesh: Water balloon episode?Weir: I got him good. I was on the third floor of our place in the Haight-Ashbury. And there was this cop who was illegally searching a car belonging to a friend of ours, down on the street—the cops used to harass us every chance they got. They didn't care for the hippies back then. And so I had a water balloon, and what was I gonna do with this water balloon? Come on.Lesh: Just happened to have a water balloon, in his hand... Ladies and gentlemen...Weir: And so I got him right square on the head, and...Lesh: A prettier shot you never saw.Weir: ...and he couldn't tell where it was comin' from, but then I had to go and go downstairs and walk across the street and just grin at him...and sorta rub it in a little bit.Gans: Smilin' on a cloudy day. I understand now.Weir: And at that point, he decided to hell with due process of law, this kid's goin' to jail. So, as to the debut. If we take Weir and Lesh at their word, that the first performance of the song as it now stands coincided with the night Neal Cassady died, in the early morning hours of February 4, 1968. And sure enough, there is a performance of “The Other One” on February 3, 1968, whose verses correspond to the verses as we all know them, for the first time, at the Crystal Ballroom in Portland, Oregon. The song was a fixture in the repertoire from then on, performed at least 586 times that we know of. The only year in which it was not listed as being performed was 1975, the hiatus year. Part of the suite of songs, That's It For The Other One from Anthem of the Sun. Made up of four sections: "Cryptical Envelopment", "Quadlibet for Tenderfeet", "The Faster We Go, the Rounder We Get" (the part everyone knows as “the other one”), and "We Leave the Castle". Like other tracks on the album, is a combination of studio and live performances mixed together to create the final product. appears that way on Anthem of the Sun, bracketed by Garcia's “Cryptical Envelopment.” But it stands alone most of the time in performance—“Cryptical” was dropped completely from 1973 through 1984, reappeared for five performances in 1985 (the 20th anniversary period—it was broken out following a lapse of 791 shows at the June 16, 1985 Greek Theater show (I WAS THERE!!) in Berkeley), then disappeared again for the remainder of the band's careerI. "Cryptical Envelopment" (Garcia)[edit]"Cryptical Envelopment" is one of the few Grateful Dead songs with lyrics written by Garcia. It was performed from 1967 to 1971 (when it was then dropped), and brought back for a few performances in 1985. Post-Grateful Dead bands such as Dead & Company have returned to performing the song, sometimes as a standalone track separate from the rest of the suite.II. "Quadlibet for Tenderfeet" (Garcia, Kreutzmann, Lesh, McKernan, Weir)[edit]"Quadlibet for Tenderfeet" is a short jam section linking "Cryptical Envelopment" and "The Faster We Go, the Rounder We Get". Transitions between studio and live performances are very audible during this section.III. "The Faster We Go, the Rounder We Get" (Kreutzmann, Weir)[edit]One of the few Grateful Dead songs to have lyrics written by Weir, "The Faster We Go, the Rounder We Get" became one of the Dead's most-played songs (being performed a known 586 times[2]) and most popular vehicles for improvisation, with some performances reaching 30+ minutes in length. The song's lyrics reference the influence of the Merry Pranksters and in particular Neal Cassady.[2] Additionally, the line "the heat came 'round and busted me for smilin' on a cloudy day" refers to a time Weir was arrested for throwing a water balloon at a cop.[2] This section ends with a reprise of "Cryptical Envelopment".IV. "We Leave the Castle" (Constanten)[edit]The only Grateful Dead composition written by Tom Constanten, "We Leave the Castle" is an avant-garde piece featuring prepared piano and other studio trickery.[While the "We Leave the Castle" portion of the song was never performed live by the band, the first three sections were all featured in concert to differing extents. "Cryptical Envelopment", written and sung by Jerry Garcia, was performed from 1967 to 1971, when it was then dropped aside from a select few performances in 1985. "The Faster We Go, the Rounder We Get", written by Bill Kreutzmann and Bob Weir and sung by Weir, became one of the band's most frequently performed songs in concert (usually denoted as simply "The Other One"). The Other one– performed 549 times First played: Oct. 31, 1967 at Winterland, S.F. Last played: July 8, 1995, Soldier Field, Chicago That's It For The Other One – performed 79 times First played: October 22, 1967 at Winterland, S.F. Last played: Cryptical Envelopment – performed 73 times First played: Oct. 21, 1967 at Winterland, S.F. Last played: Sept. 3, 1985 – Starlight Theater, K.C. SHOW No. 4: Truckin' Track # 17 4:22 – 6:03 The lyrics were written under pressure, in the studio, during the recording of American Beauty (Nov. 1970) (released as a single backed by Ripple in Jan. 1971), with Hunter running back and forth with hastily-written verses that somehow, despite the fact that were purpose-written on the spot, seem to have some pretty good staying power. There are rumors that he originally wrote “Garlands of neon and flashing marquees out on Main Street” as an intentionally hard-to-sing line, just to enjoy watching Weir try to wrap his mouth around them, eventually relenting and substituting “arrows of neon,” just to make it possible to sing.The music credit is shared by Jerry Garcia, Bob Weir, and Phil Lesh. Hunter gets the credit for the lyrics. And Hunter took the bare bones outline of some of the band's adventures and misadventures and fleshed them out with memorable features, highlighting their trips around the country with specific references to places and occurrences. In the process, he came up with a chorus consisting of a couple of phrases that are now, eternally, in the cultural psyche: “Sometimes the light's all shining on me / Other times I can barely see. Lately it occurs to me / What a long strange trip it's been.”At some point, Hunter was accused of using a cliché in that final phrase of the chorus. When something you make up becomes such a commonly-used turn of phrase that your own invention of it is accused of being cliché, that's some measure of wordsmithing success, I would say. Truckin'” was first performed on August 18, 1970, at the Fillmore West. The show opened with an acoustic set, and “Truckin'” was the first song. Other firsts that night included “Ripple,” “Brokedown Palace,” and “Operator.” The song was performed 532 times, placing it at number 8 in the list of most-played songs, with the final performance on July 6, 1995, at Riverport Amphitheatre in Maryland Heights, Missouri. OUTRO: Johnny B. Goode Track #19 1:10 – 2:51 Johnny B. Goode" is a song by American musician Chuck Berry, written and sung by Berry in 1958. Released as a single in 1958, it peaked at number two on the Hot R&B Sides chart and number eight on its pre-Hot 100 chart.[1] The song remains a staple of early and later rock music."Johnny B. Goode" is considered one of the most recognizable songs in the history of popular music. Credited as "the first rock & roll hit about rock & roll stardom",[2] it has been covered by various other artists and has received several honors and accolades. These include being ranked 33rd on Rolling Stones's 2021 version[3] and 7th on the 2004 version of the "500 Greatest Songs of All Time"[2][4] and included as one of the 27 songs on the Voyager Golden Record, a collection of music, images, and sounds designed to serve as a record of humanity.Written by Berry in 1955, the song is about a semi-literate "country boy" from the New Orleans area, who plays a guitar "just like ringing a bell", and who might one day have his "name in lights".[5] Berry acknowledged that the song is partly autobiographical and that the original lyrics referred to Johnny as a "colored boy", but he changed it to "country boy" to ensure radio play.[6] As well as suggesting that the guitar player is good, the title hints at autobiographic elements, because Berry was born at 2520 Goode Avenue, in St. Louis.[5]The song was initially inspired by Johnnie Johnson, the regular piano player in Berry's band,[7] but developed into a song mainly about Berry himself. Johnson played on many recordings by Berry, but for the Chess recording session Lafayette Leake played the piano, along with Willie Dixon on bass and Fred Below on drums.[5][8] The session was produced by Leonard and Phil Chess.[8] The guitarist Keith Richards later suggested that the song's chords are more typical of compositions written for piano than for guitar.[9]The opening guitar riff of "Johnny B. Goode" borrows from the opening single-note solo on Louis Jordan's "Ain't That Just Like a Woman" (1946), played by guitarist Carl HoganA cover version is featured in the film Back to the Future (1985), when the lead character Marty McFly, played by actor Michael J. Fox, performs it at a high school dance.Played 283 times, almost always as an encore or show closer (back in the days where there were no encores)First played on Sept. 7, 1969 at Family Dog on the Great Highway, S.F.Last played on April 5, 1995 at Birmingham-Jefferson Civic Center Coliseum in Birmingham, AL .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
"Tunes of the Season: Phish, Grateful Dead, and Merry Jams"Larry Mishkin discusses Christmas-themed songs performed by various artists, including The Who and Grateful Dead. Larry delves into The Who's rock opera "Tommy," particularly focusing on the song "Christmas" and its critical reception. He transitions to discussing Grateful Dead's rendition of Chuck Berry's "Run, Rudolph, Run" performed at the Felt Forum in 1971 and analyzes its significance in the band's repertoire.Larry further explores the potential residency of bands like Dead & Company at the Sphere in Las Vegas, following U2's shows there. He touches on Phish's upcoming performances at the same venue and discusses the difficulty in acquiring tickets for these highly anticipated shows.Later, Larry reminisces about New Year's Eve shows by various bands, specifically mentioning Grateful Dead's memorable performances during the countdown. He also features unconventional Christmas renditions by Phish and Jerry Garcia with David Grisman..Produced by PodConx Theme – Rock n Roll ChristmasIf you were in the Mishkin household earlier this morning, you might have heard this blasting out of the speakers:INTRO: ChristmasThe WhoFebruary 14, 1970University of Leeds, Leeds, England aka “Live At Leeds”The Who - Christmas - Live At Leeds (with Footage) (youtube.com)2:00 – 3:17 "Christmas" is a song written by Pete Townshend and is the seventh song on The Who's rock opera Tommy. On the original LP, it opens the second side of the album. Tommy is the fourth studio album by the English rock band the Who, first released on 19 May 1969.[2] Primarily written by guitarist Pete Townshend, Tommy is a double album and an early rock opera that tells the story of Tommy Walker and his experiences through life. The song tells how on Christmas morning, Tommy's father is worried about Tommy's future, and soul. His future is jeopardized due to being deaf, dumb, and blind.[2] The lyrics contrast religious themes such as Christmas and Jesus Christ with Tommy's ignorance of such matters. The rhetorical question, "How can he be saved from the eternal grave?" is asked about Tommy's condition and adds speculation as to the nature of original sin and eternal salvation. In the middle of the song, "Tommy can you hear me?" is repeated, with Tommy responding, "See me, feel me, touch me, heal me." "Christmas" was praised by critics. Richie Unterberger of AllMusic called it an "excellent song."[5]Rolling Stone's Mac Randall said it was one of several "prime Pete Townshend songs" on the album.[6] A review in Life by Albert Goldman considered it beautiful and highlighted the song's "croaking chorus".[7] James Perone said it was "perhaps one of the best sleeper tracks of the collection." Townshend came up with the concept of Tommy after being introduced to the work of Meher Baba, and he attempted to translate Baba's teachings into music. Recording on the album began in September 1968, but took six months to complete as material needed to be arranged and re-recorded in the studio. Tommy was acclaimed upon its release by critics, who hailed it as the Who's breakthrough. Its critical standing diminished slightly in later years; nonetheless, several writers view it as an important and influential album in the history of rock music. The Who promoted the album's release with an extensive tour, including a live version of Tommy, which lasted throughout 1969 and 1970. Key gigs from the tour included appearances at Woodstock, the 1969 Isle of Wight Festival, the University of Leeds, the Metropolitan Opera House, and the 1970 Isle of Wight Festival. The live performances of Tommy drew critical praise and revitalised the band's career. Live at Leeds is the first live album by English rock band the Who. It was recorded at the University of Leeds Refectory on 14 February 1970, and is their only live album that was released while the group were still actively recording and performing with their best-known line-up of Roger Daltrey, Pete Townshend, John Entwistle and Keith Moon. The album was released on 11 May 1970 by Decca and MCA in the United States,[2] and by Track and Polydor in the United Kingdom. It has been reissued on several occasions and in several different formats. Since its release, Live at Leeds has been ranked by several music critics as the best live rock recording of all time SHOW No. 1: Run Rudolph RunGrateful DeadFelt Forum at MSG, NYCDecember 7, 1971Track No. 10Grateful Dead Live at Felt Forum, Madison Square Garden on 1971-12-07 : Free Borrow & Streaming : Internet Archive0:11 – 1:54 Run Rudolph Run"[2][3][4] is a Christmas song written by Chuck Berry but credited to Johnny Marks and M. Brodie due to Marks' trademark on the character of Rudolph the Red-Nosed Reindeer.[5][note 1] It was published by St. Nicholas Music (ASCAP) and was first recorded by Berry in 1958, released as a single on Chess Records.It has since been covered by numerous other artists, sometimes with the title "Run Run Rudolph".[16] The song is a 12-bar blues, musically similar to Berry's popular and recognizable song "Johnny B. Goode", and melodically similar to his song "Little Queenie", the latter of which was released shortly after, in 1959.During its initial chart run, Berry's 1958 recording peaked at number 69 on the Billboard Hot 100 chart in December 1958.[22] Sixty years later, the single re-entered the Hot 100 chart at number 45 (on the week ending January 5, 2019), reaching an overall peak position of number 10 on the week ending January 2, 2021, following its third chart re-entry, becoming Berry's third top-ten hit and his first since 1972's "My Ding-a-Ling". In doing so, it broke the record for the longest climb to the top 10 since its first entry in December 1958, at 62 years and two weeks.This Ciip:Out of Brokedown Palace and into You Win AgainPlayed a total of 7 times.This was the first timeLast: December 15, 1971 Hill Auditorium, Ann Arbor, MI SHOW No. 2: Little Drummer BoyPhishJuly 3, 1999Coca Cola Lakewood Amphitheatre, Atlanta, GAPhish - The Little Drummer Boy - 7/3/1999 - Atlanta, GA (youtube.com)Start to 1:30 Out of Contact to close the second set. Played it again as the first encore (into, Won't You Come Home Bill Bailery starring Page's dad, Jack, on vocals and kazoo. "The Little Drummer Boy" (originally known as "Carol of the Drum") is a Czechoslovakian popular Christmas song written by American composer Katherine Kennicott Davis in 1941.[1] First recorded in 1951 by the Austrian Trapp Family, the song was further popularized by a 1958 recording by the Harry Simeone Chorale; the Simeone version was re-released successfully for several years, and the song has been recorded many times since.[2] In the lyrics, the singer relates how, as a poor young boy, he was summoned by the Magi to the Nativity of Jesus. Without a gift for the Infant, the little drummer boy played his drum with approval from Jesus' mother, Mary, recalling, "I played my best for him" and "He smiled at me". Phish has only performed the song three times during the month of December – the debut performance segueing out of “Mike's Song” and into “Whipping Post,” a tease during the 12/28/94 “Weekapaug Groove,” and jammed out of the “YEM” vocal jam (12/2/99) (which melted down until Jon was left singing it to close the set). But the song was jammed out of season during “My Friend, My Friend” (3/18/93) and “Stash” (7/15/93), and teased during “Weekapaug Groove” and “Big Ball Jam” (4/9/94), “Wilson” (8/13/97), “Silent in the Morning” (7/4/99), and "Wilson" (4/16/04). This version is generally considered to be Fishman's most memorable version. SHOW No. 3: God Rest Ye Merry GentlemenJerry Garcia and David GrismanNovember 9, 1991Warfield Theater, S.F.God Rest Ye Merry Gentlemen - Jerry Garcia - Bing videoStart – 1:37Out of The Two Sisters to close second set "God Rest You Merry, Gentlemen" is an English traditional Christmas carol. It is in the Roxburghe Collection (iii. 452), and is listed as no. 394 in the Roud Folk Song Index. It is also known as "Tidings of Comfort and Joy", and by other variant incipits. An early version of this carol is found in an anonymous manuscript, dating from the 1650s it appeared in a parody published in 1820 by William Hone. Story here is the way Jerry and David play so tight, trading off leads and filling in gaps. A great sound for a traditional tune. There are many sides of Jerry and we don't get to see all of them. Nice to take a break from the traditional Dead stuff and take a look in at what else Garcia was doing during that creative period of his life. SHOW No. 4: Stagger LeeGrateful DeadDecember 30, 1985Track No. 6Grateful Dead Live at Oakland Coliseum on 1985-12-30 : Free Borrow & Streaming : Internet ArchiveStart – 1:32 As is made clear by the opening lyrics, this is a tale about events that unfolded and played out on Christmas: “1940 Xmas Eve with a full moon over town”. On some occasions, Jerry was known to substitute in “Christmas” Eve. "Stagger Lee", also known as "Stagolee" and other variants, is a popular American folk song about the murder of Billy Lyons by "Stag" Lee Shelton, in St. Louis, Missouri, at Christmas 1895. The song was first published in 1911 and first recorded in 1923, by Fred Waring's Pennsylvanians, titled "Stack O' Lee Blues". A version by Lloyd Price reached number one on the Billboard Hot 100 in 1959. The historical Stagger Lee was Lee Shelton, an African-American pimp living in St. Louis, Missouri, in the late 19th century. He was nicknamed Stag Lee or Stack Lee, with a variety of explanations being given: he was given the nickname because he "went stag" (went to social events unaccompanied by a person of the opposite sex); he took the nickname from a well-known riverboat captain called Stack Lee; or, according to John and Alan Lomax, he took the name from a riverboat owned by the Lee family of Memphis called the Stack Lee, which was known for its on-board prostitution.[2] Shelton was well known locally as one of the Macks, a group of pimps who demanded attention through their flashy clothing and appearance.[3] In addition to those activities, he was the captain of a black Four Hundred Club, a social club with a dubious reputation. On Christmas night in 1895, Shelton and his acquaintance William "Billy" Lyons were drinking in the Bill Curtis Saloon. Lyons was also a member of St. Louis' underworld, and may have been a political and business rival to Shelton. Eventually, the two men got into a dispute, during which Lyons took Shelton's Stetson hat.[5]Subsequently, Shelton shot Lyons, recovered his hat, and left.[6] Lyons died of his injuries, and Shelton was charged, tried, and convicted of the murder in 1897. He was paroled in 1909, but returned to prison in 1911 for assault and robbery. He died in incarceration in 1912. The Grateful Dead frequently played and eventually recorded a version of the tale which focuses on the fictionalized hours after the death of "Billy DeLyon", when Billy's wife Delia tracks down Stagger Lee in a local saloon and "she shot him in the balls" in revenge for Billy's death. Based on the traditional song "Stagger Lee", "Stagolee" or "Stack O'Lee." Robert Hunter wrote a version that he performed solo, and Jerry Garcia subsequently re-ordered the lyrics and rewrote the music for the Grateful Dead's version. More recently Bob Weir has also been performing some of the older traditional versions with Ratdog. Dead released it on Shakedown Street, Nov. 8, 1978 Played 146 times by the Dead1st: August 30, 1978Last: June 18, 1995 Giants Stadium OUTRO: Santa Clause Is Coming To TownBruce Springsteen and the E Street BandCW Post University, Greenvale, NYDecember, 19756Santa Claus Is Comin' to Town (Live at C.W. Post College, Greenvale, NY - December 1975) - Bing video2:15 - 4:00 Santa Claus Is Comin' to Town" is a Christmas song featuring Santa Claus, written by J. Fred Coots and Haven Gillespie and first recorded by Harry Reser and His Band.[1] When it was covered by Eddie Cantor on his radio show in November 1934 it became a hit; within 24 hours, 500,000 copies of sheet music and more than 30,000 records were sold.[2][3] The version for Bluebird Records by George Hall and His Orchestra (vocal by Sonny Schuyler) was very popular in 1934 and reached the various charts of the day.[4] The song has been recorded by over 200 artists including Bing Crosby and the Andrews Sisters, the Crystals, Neil Diamond, Fred Astaire, Bruce Springsteen, Frank Sinatra, Bill Evans, Chris Isaak, the Temptations, The Pointer Sisters, the Carpenters, Michael Bublé, Luis Miguel, and the Jackson 5 A rock version by Bruce Springsteen & the E Street Band was recorded on December 12, 1975, at C. W. Post College in Brookville, New York, by Record Plant engineers Jimmy Iovine and Thom Panunzio.[14][15] This version borrows the chorus refrain from the 1963 recording by the Crystals.[16] It was first released as a track on the 1981 Sesame Street compilation album, In Harmony 2, as well as on a 1981 promotional, radio-only, 7-inch single (Columbia AE7 1332).[17][18] Four years later, it was released as the B-side to "My Hometown," a single off the Born in the U.S.A. album.[19] Springsteen's rendition of the song has received radio airplay perennially at Christmastime for years; it appeared on Billboard magazine's Hot Singles Recurrents chart each year from 2002 to 2009 due to seasonal air play. Live performances of the song often saw the band encouraging the audience to sing some of the lyrics with—or in place of—the band's vocalists (usually the line "you'd better be good for goodness sake", and occasionally the key line "Santa Claus is Comin' to Town" as well). Sometimes, concert crowds would sing along with the entire song, and the band, who were known to encourage this behavior for the song, would do nothing to dissuade those audiences from doing so, instead welcoming the crowds' enthusiasm. This version remains a Springsteen concert favorite during the months of November and December (often concluding the show), and the band is among the few that keep it in their roster of songs during the holidays. Dead & Co at the Sphere?Phish – sold out fast Merry ChristmasHappy Holidays .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
Casey and Jack are back to talk about Jack seeing Saltburn, Casey's Corner including Taylor Swift with Time Magazine, their IMC (Brokedown Palace + Man in The Moon), and 10 actors and actresses who had a hot start in the public eye. Brokedown Palace- 16:03 Man in the Moon- 25:03 Burst on the Scene- 31:16 Follow/Subscribe Instagram- @dionfamilynetwork, @jack.dion, @caseysdion, @megdionart Ask a question/comment: popinions.mailbag@gmail.com https://jack-dion99.blogspot.com https://www.youtube.com/channel/UCmcJq3QquE0dd5agmz9e74g
We should all have courage like David Zaslav (；￣Д￣）. Lord Gaben has been required to return to the US for court, more layoffs hit the game development world, and CD Projekt Red is really gearing up for the Witcher 4. Meanwhile The Hunger Games prequel is just wrapping up the box office, Taika wants to make sure his Star Wars will be good, and Chris Evans is totally unware of the return of Cap. Also I give my top 10 90s Drama films.
MIGHTY BABY - "I'M FROM THE COUNTRY" ("MIGHTY BABY", 1969) / FAIRPORT CONVENTION - "TALE IN HARD TIME" ("WHAT WE DID IN OUR HOLIDAYS", 1969) / LOVE - "WILLOW WILLOW" ("OUT HERE", 1969) / GRATEFUL DEAD - "BROKEDOWN PALACE" ("AMERICAN BEAUTY", 1970) / BRINSLEY SCHWARZ - "HYMN TO ME" ("BRINSLEY SCHWARZ", 1970) / BADFINGER - "I DON'T MIND" ("NO DICE", 1970) / GARY FARR - "TAKE SOMETHING WITH YOU" ("TAKE SOMETHING WITH YOU", 1969) / TREES - "THE GREAT SILKIE" ("THE GARDEN OF JANE DELAWNEY", 1970) / FAIRPORT CONVENTION - "AUTOPSY" ("UNHALFBRICKING", 1969) / FAMILY - "LIVES AND LADIES" ("ANYWAY", 1970) / TRAFFIC - "WITHERING TREE" ("LAST EXIT", 1969) / JEFFERSON AIRPLANE - "TURN MY LIFE DOWN" ("VOLUNTEERS", 1969) /JEFFERSON AIRPLANE Escuchar audio
"Jamming at Borderland: Goose, Trey Anastasio, and More Shine Bright"Larry Mishkin welcomes the Deadhead Cannabis Show's sound editor, Jamie Humiston to discuss his experience at the Borderland Music and Arts Festival. Jamie highlights various bands that performed, including Goose, Trey Anastasio's Classic Tab, and The Infamous Stringdusters. Jamie shares their impressions of the festival's atmosphere, mentions a cannabis-infused hot sauce that he discovered, and provides insights into the different musical acts. The conversation touches on the evolving jam band scene and the unique charm of festivals..Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast Going with a hot one, September 25, 1980Grateful Dead Live at Warfield Theater on 1980-09-25 : Free Borrow & Streaming : Internet Archive Opening night of the Grateful Dead's Warfield/Radio City acoustic/electric runs, recorded every night and best wound up on Reckoning (acoustic) and Dead Set (electric) Warfield Run – September 25, 1980 – October 14, 1980Radio City Run – October 22, 1980 – October 31, 1980 Prior to these shows, had not played a full acoustic set in concert since 1970 or maybe early 1971. As a result, a good number of songs that the Dead liked to play acoustic had not been heard in a number of years before this show. first "Ain't No Lie" - last "All Around This World": 02-14-70 [706] - last "Bird Song": 09-15-73 [382] - last "Dark Hollow": 04-29-71 [550] - last "Monkey & Engineer": 12-31-70 [589] - last "Ripple": 04-29-71 [550] - last "Rosalie McFall": 11-08-70 [609] - last "Roses": 01-12-79 [118] INTRO: Birdsong Track No. 1 1:00 – 2:13 From Jerry's first solo album, “Garcia” released Jan 20, 1972. Robert Hunter lyrics: Robert Hunter originally wrote the song as a tribute for Janis Joplin. Phil Lesh now sings "All I know is something like a bird within him sang", transfering it Jerry Garcia instead. First played Feb. 19, 1971 Capitol Theater Port Chester Last played June 30, 1995 Three Rivers Stadium, Pittsburgh Played by the Dead 300 times in concert This was the first time played since 9.15.73 (382 shows) This version is amazing both because it is acoustic and Jerry's voice is so strong. Makes you fall in love with the song all over again, or, as One Armed Lary would say, “taste it again for the first time” although I don't think he was talking about this song, or any song, when he said it (Deer Creek 1989). SHOW #1: I've Been All Around This World Track No. 2 1:23 – 2:16 The origins of I've Been All Around This World are not easy to trace. It possibly derives from a number of different songs. The 'Hang Me, Oh Hang Me' verse is thought to derive from the traditional song My Father Was A Gambler, a US ballad, which is thought to be about a murderer who was hanged in 1870. The song has also been collected under such titles as "Diggin' on the New Railroad", “The Gambler, ” “My Father Was a Gambler,” “The New Railroad,” “The Hobo's Lament,” “The Hobo's Blues” and "Hang Me, Oh Hang Me". In 1930, George Milburn published a book entitled the Hobo's Hornbook that included a version of “I've Been All Round this World”. It was also found in Henry Marvin Belden's "Ballads and Songs Collected by the Missouri Folk-Lore Society". The book was printed in 1940 but the song was "secured by Miss Frances Barbour in 1917 from the singing of Minnie Doyle of Arlington, Phelps County [MO]". Dead's version is “Traditional, arranged by the Grateful Dead and they all get credit (Pig Pen days)Released on History of the Grateful Dead, Vol. ! Bear's Choice (a live album by the Grateful Dead. It is their fourth live album and their ninth album overall. Released in July 1973 on Warner Bros. Records, it offers concert highlights recorded February 13 and 14, 1970 at the Fillmore East in New York City. Often known simply as Bear's Choice, the title references band soundman Owsley "Bear" Stanley. It was originally intended to be the first volume of a series.) First played by the Dead on December 19, 1969 at the Fillmore West Last played by the Dead on December 31, 1980 Oakland Civic Auditorium Played a total of 19 times in concert This was the first time played by the Dead since Feb. 14, 1970 (706 shows) I really love the acoustic guitar in this version. Jerry can pick with the best of them. BORDERLAND SEPT. 15, 16 AND 17EAST AURORA, NY (JUST OUTSIDE OF BUFFALO)5th year The Borderland Music + Arts Festival celebrates the rich history and renaissance of the region with a three-day music and cultural festival set in one of the most scenic and storied grounds in all of New York State, Knox Farm State Park. Great lineup with headliners: Goose TAB Moe.Also featuring: Infamous String Dusters Dawes Sammy Rae and Friends Neal Francis Not Fade Awa Band (Dead and Zeppelin covers) Eric Krasno Brandford Marsalis Anders Osborne Etc. Jamie Humiston was there.Jamie – discuss festival, highs, favorite acts, etc. SHOW #2: SONG FROM BORDERLAND GOOSE SHOW #3: SONG FROM BORDERLAND TREY AND DAWES Back to the Dead from 9.25.1980 SHOW #4: Oh Babe It Ain't No Lie Track No. 8 :10 – 1:35 By Elizabeth “Libba” Cotton January 5, 1893 – June 29, 1987)[1][2][3] was an American folk and bluesmusician. She was a self-taught left-handed guitarist who played a guitar strung for a right-handed player, but played it upside down.[4] This position meant that she would play the bass lines with her fingers and the melody with her thumb. Her signature alternating bass style has become known as "Cotten picking".[5]NPR stated "her influence has reverberated through the generations, permeating every genre of music."[6]Her album Folksongs and Instrumentals with Guitar (1958), was placed into the National Recording Registry by the Library of Congress, and was deemed as "culturally, historically, or aesthetically significant". The album included her signature recording "Freight Train", a song she wrote in her early teens.[7] In 1984, her live album Elizabeth Cotten Live!, won her a Grammy Award for Best Ethnic or Traditional Folk Recording, at the age of 90.[8] That same year, Cotten was recognized as a National Heritage Fellow by the National Endowment for the Arts.[9] In 2022, she was posthumously inducted into the Rock and Roll Hall of Fame, as an early influence.[10] David Dodd: The song debuted in the Dead's repertoire during their Warfield run on September 25, 1980, and was then played ten times over the course of the acoustic shows at the Warfield and Radio City Music Hall runs. After that, it made three more appearances, in one-off situations such as an acoustic set at the Mill Valley Recreation Center, or in the Netherlands for an acoustic set, and finally at Marin Vets, on March 28, 1984, in a performance that kicked off the second set, without Weir and Mydland onstage.However, I know the song had been “around” for much longer than that. It appears on the studio outtakes from Garcia's Reflections album, as released in the All Good Things box set. And personal interviews with Garcia's circle of acquaintances in Palo Alto in the early 1960s make it explicitly clear that he was familiar with the work of Libba Cotten. So I expect Garcia had performed the song many times during his folkie period, and it may have been in the Jug Band repertoire. Dodd: An avid Grateful Dead concertgoer for more than two decades, David Dodd is a librarian who brings to the work a detective's love of following a clue as far as it will take him. Author of:The Annotated Grateful Dead Lyrics OUTRO: Ripple Track No. 9 3:04 – 4:30 From American Beauty (Released Nov. 1970) Robert Hunter wrote this song in 1970 in London on the same afternoon he wrote "Brokedown Palace" and "To Lay Me Down" (reputedly drinking half a bottle of retsina in the process [3]). The song debuted August 18, 1970 at Fillmore West in San Francisco. Jerry Garcia wrote the music to this song.[3] Between 1970 and 1971 the Grateful Dead played the gorgeous Garcia/Hunter tune “Ripple” a number of times both electric and acoustic before putting the song in mothballs until 1980. Though the Dead performed “Ripple” a whopping 27 times acoustically in 1980 and then once again unplugged in 1981, it disappeared from the repertoire for the final 14 years of the band's career with one exception. On September 3, 1988 the Grateful Dead busted out an electric “Ripple” for the first time in 17 years for what would be the final performance of the tune.As the story goes, which is unconfirmed, the band was approached by the Make-A-Wish Foundation with a request from a young fan dying of cancer. The Grateful Dead were asked to perform “Ripple” at their September 3, 1988 show in Landover, Maryland. Jerry Garcia & Co. honored the request by ending the evening with the tender ballad. “Ripple” hadn't been played in any form in 459 shows and it had been 1,113 performances since the last electric version of the American Beauty stunner which took place at New York City's Fillmore East. As you can imagine, the crowd went absolutely ape shit the moment the “Ripple” bust out begins.That was also the night of the rehearsal dinner for my wedding weekend in Chicago. A number of my good Deadhead friends were in town celebrating with my wife and me and much later that night (remember, no cell phones or internet or on-line set lists. Had to wait for the 800 RUN DEAD line to be updated and then be able to get through. Somehow even by those standares word got around very fast and my buddies were not at all pleased since many of them would have undoubtedly been at that show (although, since it was a second encore a number of fans had already walked out of the Cap Center and then desperately tried to get back in.No better way to end any show, including this one. Music Stories:Neil Young & Crazy Horse Deliver ‘Tonight's The Night' and ‘Everybody Knows This is Nowhere' in Full Bobby Weir & Wolf Bros Announces Three-Night New Year's Eve Stand in Fort Lauderdale Phish to Bring Four-Night New Year's Run Back to Madison Square Garden
We discuss our 1-0 win at Crystal Palace and how much more comfortable it was viewed 2nd time around. From Eddies chances to Tomy's sending off we delve in to what happened. Then in the second half we discuss the brilliance of Declan Rice, how our season has gone so far, If we'd mind selling Balogun to Chelsea and if we can sell anyone, well, anywhere. Hosted on Acast. See acast.com/privacy for more information.
Wo ist die Terminal Rate, der Hochpunkt im Zinszyklus? Das fragt sich Andreas Scholz in der neuen Euro Finance Weekly und schwört die Zuhörer zugleich auf den Euro Finance Summit am 3. Juli in Frankfurt ein. Wie ist die Situation in den USA? Powell ist als "rockiger Falke" on tour: "Brokedown Palace" oder "Bis zum bitteren Ende"? Ein Königreich für eine bessere Wirtschaftslage - so das Motto in England. "Die verdammte Kernrate geht auch weiter hoch. Viele Briten sind verschuldet." Ist die Insel auf Rezessionskurs? "Downward Spiral" für die türkische Lira - 650 Basispunkte als Antwort. Eine Verzweiflungstat? Die Schweizer dagegen auf einer "Joyride": "Die sind in Sachen Inflationskontrolle sehr gut unterwegs."
This week we continue listening to the second set of the band's performance at Memorial Auditorium in Uttica New York on March 21, 1973. As was the case last week, we have a very long set this week, around an hour and 43 minutes. This set features more jamming of course, including a jazzy 'Dark Star' marked with some fine drum rolls by Mr. Kreutzmann, a lovely 'Eyes of the World' and several classic songs from the period including 'Me & Bobby McGee'. Grateful Dead Utica Memorial Auditorium Utica, NY 3/21/1973 - Wednesday Two [1:45:34] Greatest Story Ever Told [4:43] They Love Each Other [5:21] Mexicali Blues [3:09] Brown Eyed Women [4:49] Big River [3:58] Brokedown Palace [5:14] Me And Bobby McGee [5:12] Weather Report Suite Prelude [0:57] > Dark Star [21:00] > Eyes Of The World [15:48] > Wharf Rat [9:25] Sugar Magnolia [9:17] Casey Jones [6:00] Comments {Dark Star 0:00 > First Verse 9:20 to 10:30 > end 21:00} Is Casey Jones perhaps an encore? You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod051223.mp3 "Wake now, discover that you are the song that the morning brings But the heart has it's seasons, it's evenings and songs of it's own" thanks..
The Bangkok Podcast | Conversations on Life in Thailand's Buzzing Capital
Ed interviews Sahajak “Poo” Boonthakit, Thai actor and entertainer. K. Poo begins by explaining his unusual childhood: his father was a Thai diplomat and when Poo was a young boy his family moved to Nairobi, Kenya, where Poo would spend the next 11 years. Poo discusses life in Kenya among Africans and Indians and white ‘colonialists,' but also the incredible natural phenomena of the African savannah. However, in high school, Poo's family would move to New York, where he at first became more American but then later learned ‘how to be Thai' from the tight knit community of Thai expats in the city. Ed asks Poo about his history as an entertainer, and Poo explains that in Nairobi his brothers formed an acting troupe that performed on stage at school and in the city. In New York, Poo continued by becoming a singer and guitar player at local Thai restaurants. In the late 1990s, Poo returned to Thailand with his Filipino wife, and they started The Garage, one of the first American burger joints in Bangkok. Through a stroke of luck, their young son was cast in a commercial and Poo landed the role of the father (he was a natural at it). :) This led to a fascinating career acting in films, from “The Beach” with Leonardo DiCaprio to “Brokedown Palace” with Claire Danes, up until the very recent “Thirteen Lives” directed by Ron Howard. Poo tells the story of his amazing three month shoot in Australia with the famous director and luminaries such as Viggo Mortenson and Colin Farrell. And The Garage is still going strong after twenty plus years! Poo invites all podcast listeners to join him for some American grub at the corner of Sukumvit 32 and Sukumvit Road. Don't forget that Patrons get the ad-free version of the show as well as swag and other perks. And we'll keep our Facebook, Twitter, and LINE accounts active so you can send us comments, questions, or whatever you want to share.
We've got a holiday weekend worth of fun, fresh content to dive into (once Nick finishes watching Twilight). The new show Fleishman is in Trouble brings us a surprisingly mysterious stroll through NYC, White Lotus is about to descend into delicious chaos, Dan Levy and the impeccable Sohla El-Waylly guide chefs through a heartwarming brunch competition and Mindy Kaling's College Girls are back. Hope everyone has an amazing weekend, we're super grateful for you!! Show Notes: @1:00 - Hot takes | Twilight party, phone addiction, Fleishman, Brokedown Palace, White Lotus, Sex Lives of College Girls, Disenchanted, Maya Rudolph, Survivor 43, Amazing Race/The Challenge @28:30 - Tweets of the Week | Oh no, noodles! @50:00 - Game | Taboo! Want to support us and get fun extras? Join our Patreon! At takespod.com or Patreon.com/takespod Like 30 Rock? Like Nick and Julie? Listen to them on their 30 Rock rewatch podcast: Blerg! (@blergpodcast) wherever you listen to Takes.
Wherein Bilal blames his demise on postpartum depression, we save the manatees and Angela didn't watch Brokedown Palace on the way to Africa.
This Labor Day weekend the Deadpod brings you the 2nd set from the band's performance at the Shoreline Amphitheater on August 18, 1991. There's alot of joy in this set, I think, as the band seems to be enjoying themselves throughout. A fine 'Deal' opens things up - Hornsby is evident here and throughout. The band delivers a topnotch version of 'Samson and Delilah' to follow. A somewhat sloppy 'Mississippi Half-Step' leads into a rather funky 'Feel Like a Stranger'. Out of the Rhythm Devils we get a favorite of mine, 'China Doll', then the band closes with a rocking trifecta of 'Goin' Down the Road', 'Throwin' Stones' and 'Not Fade Away'. One of the highlights is the perfectly executed 'Brokedown Palace' encore. Grateful Dead Shoreline Amphitheater Mountain View, CA 8/18/1991 - Sunday Two Deal [8:41] Samson And Delilah [8:40] Mississippi Half-Step Uptown Toodeloo [8:15] Feel Like A Stranger [8:20] > Drums > Space > China Doll > Goin' Down The Road Feeling Bad > Throwing Stones > Not Fade Away Encore Brokedown Palace You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod090222.mp3 Have a safe and happy Labor Day!! thank you for listening and of course for you kind support.
Edition 77: A Digest of Michigan Women's Music and Arts Festivals 2022. Both Thistle and Jenna got to gather with women in the woods of Michigan this Summer 2022. Both give their reports from a variety of women's lands and festivals in the great State of Michigan. Hear Emiliann Lorenzen's world news headlines after Liz Miller's segment "Getting Organized" wherein she interviews Dawn Smith, founder and organizer of Michigan Framily Reunion (MFR). Then, stay tuned for Thistle's interviews with Jori Costello and Emily Faye, two women artists and musicians on women's lands and at women's gatherings this Summer in Michigan. Jori Costello is a member of the band Big Bad Gina and instructor at WWTLC.org's festival called Women's Performance Initiative or WIPI Band Camp. Thistle met her on the Land where the original MichFest took place and they talked about WIPI and the mythos of Michigan in general as the rain pitter patters in the background, deep in the woods. Emily Faye is a cross country traveler spreading love and cheer with her unique yoni art and booth she sets up on Women's lands. You might know her by the tick tick tocking of her old fashioned type writer where she furiously writes secret pages of unknown content. You can find her on the interwebs here: www.radicallybedazzled.com. Finally, stay tuned for Thistle's commentary about the two Michigan gatherings she got to go to this Summer, one by bike! Her rendition of the classic Grateful Dead song "Brokedown Palace" is woven in with her words describing highlights and moments on the Land. Enjoy and thanks, as always, dear listeners, for staying tuned to WLRN. To donate to the cause of feminist community powered radio WLRN, click here: https://www.paypal.com/donate/?cmd=_s-xclick&hosted_button_id=ULAE4ZHPARLFE
The guys start off discussing the Brittany Griner saga (3:32) Hollywood gives a halfway review of the movie Brokedown Palace (9:33). The sentencing of Derek Chauvin (11:30) and receives the lucrative Jada Pinkett I hate you award. Hollywoods thing I hate segment (15:00). Christopher Columbus vs Bin Ladin (17:10), the guys address the outpouring of hate Mayor Cantrell receives (28:10) and finally get into the topic of being a side dude (38:00)
We were warned. Teachers taught us about the oppression of communist rule. Pop culture gave us “Midnight Express” and “Brokedown Palace.” We knew committing crime on foreign soil was a bad idea. WBNA star Brittney Griner isn't the first to learn this lesson the hard way. Griner sits in a Russian prison accused of a crime she may be innocent of, but she is guilty of the offense of being an American in the wrong place at the wrong time. Rather than blame Griner, or even Russia, some members of the media and sports world have indicted America's racism as the culprit of her incarceration. Jason explores how they reach that conclusion. “Russia locks up a 6-foot-8 black woman for a tiny amount of hash, and it's America's fault. Really? What's the matter with us? Are we really filled with this much self-hate?” Jason believes if you really want to blame this country for the imprisonment of political adversaries, look to the Jan. 6 protesters. They deserve the sympathy that's being rained down on Griner. “Fearless” contributor Royce White weighs in on the situation and shares why he's never played overseas, even after being blackballed by the NBA. Delano Squires drops in to share his thoughts on ESPN's Elle Duncan's attack on #GirlDad in the Roe v. Wade aftermath. Plus, Maj Toure explains how red-flag laws failed in the Highland Park shooting, Shemeka Michelle has words for "Saturday Night Live's" Leslie Jones, and in Tennessee Harmony, Pastor Anthony Walker answers the question: To tithe, or not to tithe? Today's Sponsor: Make gatherings at the table common again with Good Ranchers. Right now, get $30 off your order! Plus, FREE shipping is a huge cost covered for customers. Use my code, “FEARLESS”, or visit https://GoodRanchers.com/FEARLESS. Get 10% off Blaze swag by using code Fearless10 at https://shop.blazemedia.com/fearless Make yourself an official member of the “Fearless Army!” Support Conservative Voices! Subscribe to BlazeTV at https://get.blazetv.com/FEARLESS and get $10 off your yearly subscription. Learn more about your ad choices. Visit megaphone.fm/adchoices
Let's talk about a movie none of us have seen in a while! Alice and Darlene are best friends, just graduating from high school when they take a trip to Thailand. Things don't go well and they end up in a Thai prison. Samantha and Tristan talk about whether or not they would make it through this together (probably), if this ever would have happened to them in the first place (absolutely not), and if they look at each other as lovingly as Alice looks at Darlene (ew, no). Besties, never agree to take drugs across the border for a man, even if he's hot.
Miami-based collage artist, Jon Davis, presents his most recent body of work as an homage to the city he calls home. Throughout “Brokedown Palace” images capturing ‘moments' of Miami are fractured, stratified, and presented through a renewed understanding of not only the space they represent, but as they currently exist within each seamless rendering. After undergoing a year-long distillation period, this most recent body of work can be expressed as the culmination of Davis's practice over the past 30 years. In previous iterations of his work, Davis has used found photographs to curate narratives that express the nuanced, often untranslatable, realities that exist within the human experience. In this tangential vein of new work, “Brokedown Palace” brings this concept closer to come featuring photographs taken by the artist throughout the tropical metropolis, placed in conversation with imagery pertinent to the larger story of Art History, and translated through Davis's conceptually based process. Davis's work is comprised of synthesized realities, dissolving the gap between past and present. He merges each selected image to question a conventional understanding of reality while simultaneously highlighting their similarities. He flattens the chronological distance between each facet within each collage as they are flush, mounted on canvas or wood. Davis's work shows that regardless of the technological changes that develop with the passing of time, the symbiotic relationship between art and life never ceases. Through the duration of his artistic career, Davis's self-taught practice creates his distinctly unique visual language, pulling inspiration from the philosophical, and ensuing formal, evolution of the arts in the late twentieth century. Davis's work can be understood as a personal rendition of ready-mades, as he transforms present happenings provided by his surroundings through each synthesized reality contained within panes of glass. In this, Davis uses skills of everyday life to reflect a higher creative culture. He is currently reading Once Upon a Time in Hollywood by Quentin Tarrantino.
Welcome back to the Help on the Way podcast. This week, our hosts Game and Fig find themselves in one hell of a town. It's May 9th, 1981 and the Grateful Dead are playing at Nassau Coliseum in Uniondale, NY. Much discussions of the contributions of women in the music of the Grateful Dead, teases from Brent and Jerry, and the gorgeous gorgeous Brokedown Palace. And enjoy a nice preview of the second set. Mississippi Half Step Franklin's Tower-> Feel Like A Stranger Bird Song-> Little Red Rooster Candyman Mama Tried-> Mexicali Blues Looks Like Rain-> China Cat Sunflower-> I Know You Rider Lost Sailor-> Saint Of Circumstance-> Ship of Fools Estimated Prophet-> Eyes Of The World-> Drums-> Space-> Truckin'-> Black Peter-> Around & Around-> One More Saturday Night E: Brokedown Palace
This week we go back to some good ol' Grateful Dead from December 1970. The boys are young and full of spunk on this one as they run through some of their early numbers. Pigpen is in fine form here and the 'Hard to Handle' is classic. The 'Deep Elem' has a unique and very pleasant arrangement to my ears. 'Cumberland Blues' showcases Phil's talents as always and a great China>Rider could be the highlight of the set. For a tape from 1970 this one sounds really good, I hope you enjoy it! Grateful Dead Legion Stadium El Monte, CA 12/27/70 - Sunday One - 1:15:14 Tuning [0:24] Truckin' [8:30][0:24] Mama Tried [2:44][0:59] Hard To Handle [8:44][0:28] Deep Elem Blues [7:21][0:24] Sugar Magnolia [5:21][0:27] Brokedown Palace [6:04][0:33] Cumberland Blues [5:10][0:07]%[0:07] It Hurts Me Too [5:10#][0:06] Me And My Uncle [3:11][0:51] China Cat Sunflower [3:20] > Jam [3:28] > I Know You Rider [3:28][0:18]%[0:40] Casey Jones [5:20][0:11] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod121721.mp3 I hope everyone is healthy and doing well as we head into Christmas week! thank you so much for your kind support!
In this convervsation, Steven Brust (@StevenBrust on twitter) and I speak about writing—how plot is like a magic trick—how the the imagination and blind luck builds worlds, and then we speak about his parent's involvement in Minneapolis unionization politics over the course of the 20th century. Steven has so, so many books. I suggest the Vlad Taltos series, but a couple great one-offs are Agyar and Brokedown Palace. Here's a link to his amazon page: https://amzn.to/3BamRza Support this channel: https://www.paypal.me/benjaminboyce Read my writing: http://bit.ly/aliastodream https://www.patreon.com/benjaminboyce --- Send in a voice message: https://anchor.fm/calmversations/message
This week's Deadpod features the fine recording of the second set of the band's performance on September 20, 1974 in Paris France. This one is pretty sweet all the way through, starting with 'China Cat>I Know You Rider'. The 'Big River' that follows is nicely up tempo. Another highlight for me is the 'Brokedown Palace' which is placed right in the center of the set and features some great closing vocals. 'Truckin' is the most exploratory moment of the set, with Billy alternating with Phil and Jerry, to get out to some deep space, before returning back to Earth as they enter in a somewhat shorter 'Eyes of the World'. Straight ahead rocking Dead closes the set which I hope you'll find as enjoyable as I did. Grateful Dead Palais des Sports Paris, France 9/20/74 - Friday Two China Cat Sunflower [9:42] > I Know You Rider [5:01] ; Big River [5:10] ; Brown Eyed Women ; Greatest Story Ever Told [4:30] ; Brokedown Palace ; Truckin' [17:45] > Eyes Of The World [16:04] > Not Fade Away [11:#10] > Goin' Down The Road Feeling Bad [7:00] > One More Saturday Night [2:40#] Encore U.S. Blues You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod091721.mp3 thanks for listening and for your kind support of the Deadpod!
The Alan Cox Show
Here is the second set of the band's performance at the 'In Concert Against AIDS' event that took place on May 27, 1989 at Oakland California. Clarence Clemmons sits in on the first four songs of set 2 and the closing Lovelight, and I think to particularly nice effect on the 'Fire On the Mountain' and 'Lovelight'. There are two very nice Brent tunes here - a good version of 'Blow Away' and a sweet 'I Will Take You Home' out of space. Jerry delivers a perfect version of 'Wharf Rat' out of 'The Other One' and the 'Lovelight' provides a great rocking ending to the set. The pretty 'Brokedown Palace' encore is a nice way to end the set... Grateful Dead Oakland-Alameda County Coliseum Stadium Oakland, CA 5/27/89 - Saturday Two Hell In A Bucket (1) ; Fire On The Mountain (1) ; Blow Away (1) ; Truckin' (1) ; Drums ; Space ; I Will Take You Home ; The Other One ; Wharf Rat ; Turn On Your Love Light (1) Encore Brokedown Palace (1) In Concert Against AIDS. (1) with Clarence Clemons on saxophone. You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod060421.mp3
This is the best of some mellow Dead, and if you watch on YouTube it will be accompanied by a black screen for less light to keep you awake. Enjoy the sweet sounds, and we bid you goodnight. 1. Been all around this world 10.1.80 New Orleans 2. Crazy Fingers 9.30.76 Columbus OH 3. Peggy-O 4.22.78 Nashville 4. Looks Like Rain 10.31.85 Columbia SC 5. I will take you home 5.6.89 Frost Amph. CA 6. Lost Sailor 8.13.79 Denver CO 7. Stella Blue 7.18.76 San Francisco 8. Hes Gone 7.2.89 Foxboro MA 9. Candyman 12.15.86 Oakland CA 10. Birdsong 3.16.73 Nassau Col NY 11. FOTD 5.7.77 Boston Garden 12. Brokedown Palace 12.7.71 Felt Forum NYC 13. Black muddy 6.13.87 Ventura CA 14. To lay me down 9.20.70 Fillmore East NYC 15. We bid you goodnight 6.24.69 Hollywood FL
A rare but lovely third set is up on this week's Deadpod.. from Winterland in San Francisco, the first show the band played in 1974 on February 22, 1974. 'Hello baby I'm gone goodbye'... as the band opens this set with a beautiful 'Mississippi Half-Step'... love Garcia's silkly guitar on this one.. Bobby revs it up with a smokin' 'Promised Land', nice work by Keith on the piano here. They switch gears completely with a slow, soulful 'Brokedown Palace', but follow up with a great 'Jack Straw'. The heart of this set follows however with a beautiful 'Eyes', then 'China Doll' and 'Wharf Rat'.. 'Sugar Mag' brings this monster show to a close, but they follow with a 'Uncle John's Band' encore.. Enjoy. Grateful Dead Winterland Arena San Francisco, CA 2/22/74 - Friday Three Mississippi Half-Step Uptown Toodeloo [7:50] ; The Promised Land [3:37] ; Brokedown Palace [5:28] ; Jack Straw [4:10#] ; Eyes Of The World > China Doll > Wharf Rat > Sugar Magnolia Encore Uncle John's Band You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod031221.mp3 thanks to all
Featured Songs: 1. 00:38 - Bird Song - 01-24-19 - The Bluebird - Bloomington, IN 2. 12:25 - Brokedown Palace - 12-31-19 - The Intersection - Grand Rapids, MI 3. 16:12 - Wharf Rat - 01-18-20 - The Capitol Theatre - Port Chester, NY 4. 23:42 - Cold Rain And Snow - 07-18-20 - Brooklyn Bowl - Nashville, TN (with Molly Tuttle) 5. 29:39 - Mr. Charlie - 09-26-20 - Red Rocks Amphitheatre - Morrison, CO See omnystudio.com/listener for privacy information.
For this week's episode, we travel to Thailand to discuss the Jonathan Kaplan-directed drama Brokedown Palace. We talk about why this film couldn't actually be filmed in Thailand, how this film ended up producing its own craft beer, and why Claire Danes was banned from ever setting foot in the Phillippines. It's a wild one this week, and we're looking forward to bringing you along on this journey! Next episode: the sci-fi comedy epic Galaxy Quest! Follow The Podcast: Twitter: @The1999Podcast Instagram: @the_1999_podcast Follow Jared Stossel Twitter: @JaredShameless Instagram: @heymynameisjared Follow Andrew Tucker Twitter: @TUCKmeinatnight Instagram: @craftdrew --- Support this podcast: https://anchor.fm/1999-podcast/support
Welcome to Monday Morning Critic Podcast! Episode 217! David Louis Newman is an American composer and conductor known particularly for his film scores. In a career spanning more than thirty years, he has composed music for nearly 100 feature films. His films include: Hoffa, The Sandlot, Brokedown Palace, Galaxy Quest, Tommy Boy and many, many more. Welcome the very talented and kind, David Newman. Monday Morning Critic. Instagram: Monday Morning Critic Twitter: @mdmcritic Facebook: Monday Morning Critic Podcast Email: MondayMorningCritic@gmail.com Website: www.mmcpodcast.com
We are back this week, and oh boy do we have a film for you. This week, we're talking about Garry Marshall's The Other Sister, an unconventional romantic comedy starring Juliette Lewis, Diane Keaton, Tom Skerritt, and Giovanni Ribisi. We discuss the representation of intellectually disabled people throughout the history of Hollywood, why this movie ended up being filmed in San Francisco instead of Chicago, and why this movie was able to get made in the first place. Next week: we talk about Brokedown Palace, starring Kate Beckinsale and Claire Danes. Follow The Podcast: Twitter: @The1999Podcast Instagram: @the_1999_podcast Follow Jared Stossel Twitter: @JaredShameless Instagram: @heymynameisjared Follow Andrew Tucker Twitter: @TUCKmeinatnight Instagram: @craftdrew --- Support this podcast: https://anchor.fm/1999-podcast/support
Merry Christmas! I hope that this edition of the Deadpod finds you safe and warm with those you love. I hope the music brings a smile and a memory of happier times and places.. It is my reward to think that it makes someone a little happier.. this week the second set form the Fabulous Fox in St. Louis Missouri on December 12, 1971. This one starts with a fabulous Pigpen 'Good Lovin', followed by a sweet 'Brokedown Palace'. It includes, just for Christmas, a fun 'Run Rudolph Run', and a beautiful 'Comes a Time'. The most interesting segment is probably post-drums, when we get a unique 'Other One>Sitting On Top of the World>Other One'. I hope you enjoy the music. Grateful Dead Fox Theatre St. Louis, MO 12/10/71 - Friday Two Good Lovin' [18:50] ; Brokedown Palace [5:28] ; Playing In The Band [6:30] ; Run Rudolph Run [3:10] ; Deal [5:20] ; Sugar Magnolia [7:21] ; Comes A Time [7:34] ; Truckin' [7:59] > Drums [3:26] > The Other One [13:35] > Sittin' On Top Of The World [2:53] > The Other One [6:02] > Not Fade Away [6:01] > Goin' Down The Road Feeling Bad [6:18] > Not Fade Away [1:00#] Encore One More Saturday Night [4:47] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod122520.mp3 Thanks for listening, and of course for your kind support.
Submit and application, get rejected, litigate, repeat.As new cannabis states develop their licensing procedures they should study other states to help avoid litigation setbacks. Rob Hunt, filling in for Jim Marty, and Larry Mishkin discuss how the design of many states licensing processes leads to litigation. Produced By MJBullsPhoto Courtesy of Jay BlakesbergDeadHead Cyclist: Are we living in a Brokedown Palace?
We examine how the Grateful Dead classic “Brokedown Palace” forms a hidden but powerful song suite with “Ripple,” the preceding song on American Beauty, with guests Bob Weir, pianist Howard Wales, longtime Dead publisher Alan Trist, historian Nicholas Meriwether, and musicologist Mike Hamad, plus a search for Pigpen’s cat.Bob Weir, Howard Wales, Alan Trist, Nicholas Meriwether, Mike Hamad, Nick Paumgarten, David Lemeiux, Gary Lambert
Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones they made in between. Today, Conor and Dan dish on our movie crushes. More specifically, the movie crush from Dan's life as a young cinephile: Kate Beckinsale. The B-Sides in the pipeline are: Laurel Canyon, Tiptoes, Nothing but the Truth, Whiteout, and Everybody's Fine. The sheer diversity of these five pictures cannot be overstated. Beckinsale, while known by most Americans for her role in the Underworld franchise, comes from a comedy lineage in the U.K., the daughter of sitcom legend Richard Beckinsale. Soon enough, period pieces like Much Ado About Nothing gave way to Hollywood dramas like Brokedown Palace and indie spotlights like The Last Days of Disco for Kate Beckinsale. And then...Pearl Harbor! All of these B-Sides are what happened after the Michael Bay epic and the spark-plug start that was Underworld. We discuss how exactly Tiptoes got made, Beckinsale's refreshing honesty in interviews, the sad failure of Nothing but the Truth (a take on the Judith Miller/Valerie Plame Affair) and the brilliance of late-period, understated Robert De Niro. We don't bring up Van Helsing once! But we do bring up Gabriel Macht. Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. We are also now on Spotify and Stitcher. Enjoy!
Happy Labor Day Weekend! This week we bring you the second set from the band's performance on August 23, 1987 at the Calavaras County Fairgrounds in Angel's Camp CA. It's a nice setlist, and opens with a Scarlet>Fire. Playin' in the Band leads into Drums and Space and we get a 'Dear Mr. Fantasy' post drums.. The highlight of this set however is the 'Morning Dew' where you feel like they really woke up and took the plane off the runway.. Always nice to have a double encore, with the 'Brokedown Palace' to send us home.. Grateful Dead Calavaras County Fairgrounds Angel's Camp, CA 8/23/87 - Sunday Two Scarlet Begonias [8:01] > Fire On The Mountain [9:22] ; Playing In The Band [8:00] > Drums [7:55] > Space [4:#56] > I Need A Miracle [3:19] > Dear Mr. Fantasy [4:44] > Playing In The Band Reprise [2:24] > Morning Dew [9:40] Encore Not Fade Away [7:43] > Brokedown Palace [4:50] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod089420.mp3 Thank you for your kind support. I hope you all have a wonderful holiday - let's hope the end of summer signals the beginning of the end of this terrible pandem
From the early 1980s to 2007, Maggie Dubris worked as an EMT out of the Hell's Kitchen hospital, St. Clare's. Her new book, "Brokedown Palace" chronicles those years in a very personal, and present, honest way. She talks about some of the stories from those years, including the impact of AIDS on communities throughout NYC, and, of course, 9-11. During the interview, Maggie reads a few of her poems from the book. We end the podcast with new music from Maggie, and Lisa Gutkin from the Klezmatics (klezmatics.com). The song is called "Rise". Along with Maggie and Lisa, Sara Wendt does vocals on this recording. Check out the video for "Rise" on YouTube at https://youtu.be/qBEVJ2qlxLE Learn more about Maggie's work at https://www.maggiedubris.com/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/tom-jackson2/support
This week we end the 'weekend at the beach' .. and the Days Between... with the second set from the band's performance at the Ventura County Fairgrounds on July 22, 1984. The boys break out a rockin' Samson and Delilah in honor of the Sunday, then make a sharp turn into 'Ship of Fools'. Following that, Brent breaks out 'I Just Want to Make Love To You' for the first time the band has played it since 1966. The heart of this second set goes to the Terrapin>Drumz>Space>Morning Dew that follows.. strong and out there! A nice Throwing Stones> Not Fade Away follows and the band treats the fans to a double encore of 'In the Midnight Hour' and 'Brokedown Palace'. A nice way to end the Summer Tour of 1984.. I hope you agree. Grateful Dead Ventura County Fairgrounds Ventura, CA 7/22/84 - Sunday Two Samson And Delilah [7:20] ; Ship Of Fools [7:10] ; I Just Want To Make Love To You [4:57] > Man Smart (Woman Smarter) [5:54] ; Terrapin Station [12:50] > Drums [9:27] > Space [11:07] > Morning Dew [10:36] > Throwing Stones [8:29] > Not Fade Away [9:46] Encore In The Midnight Hour [4:17] > Brokedown Palace [5:24] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod080720.mp3 'Love is Real .. Not Fade Away'.. .
Welcome back to The ARK of E Podcast. This week my brother (Gavin) & I (Noah) kick things off by discussing the current state of the entertainment world, and of course What We've Been Quarantining. Then we move on to our 2X2 Retro Reviews! First up we take a quick trip to the Brokedown Palace (00:58:00) and then we take on a true classic of our childhood that remarkably gets better almost every time we watch it, you know it, you love it, and if you don't what the hell were you doing back in '93?! it's Surf Ninjas (01:26:40) We'll be back soon to discuss something...Stay Tuned... Intro/Outro ("From Now On" by Neal Sundet) Send Feedback : thearkofe@gmail.com Listen to EXCLUSIVE Episodes Series & Bonus Content : www.patreon.com/thearkofe Follow more from The Ark of E Network : On Instagram @thearkofenetwork , Twitter @thearkofe , Facebook : The Ark of E
Welcome back to The ARK of E Podcast. This week my brother (Gavin) & I (Noah) kick things off by catching up with each other for the first time in almost 3 weeks. We discuss the current state of the world, our recent phantom episode of 2X2 Retro Reviews, and of course What We've Been Quarantining. Then we move on to our 2X2 New Reviews! We discuss the latest from Judd Apatow and Pete Davidson, The King of Staten Island (Available Now on VOD) (00:37:30) Next up is the latest Spike Lee Joint, one of our shared favorite films of 2020, Da 5 Bloods (Available Now on Netflix) (01:17:10) SPOILERS ABOUND (they're clearly delineated in the cast, but definitely watch before you listen in both cases*) We'll be back soon w/ the last 2X2 Retro Reviews for a while, where we'll be discussing Surf Ninjas and Brokedown Palace...Stay Tuned... Intro/Outro ("yankee and the brave (ep.4)" by Run The Jewels) Send Feedback : thearkofe@gmail.com Listen to EXCLUSIVE Episodes Series & Bonus Content : www.patreon.com/thearkofe Follow more from The Ark of E Network : On Instagram @thearkofenetwork , Twitter @thearkofe , Facebook : The Ark of E
Career Q&A with Kate Beckinsale from September 22, 2016. Moderated by Dave Karger. Kate Beckinsale early established herself playing in classic and literary adaptations, some with an Austen pedigree. While still a student at Oxford she played opposite Robert Sean Leonard as “Hero” in Kenneth Branagh’s version of Much Ado About Nothing. She also won the title role in the widely admired British mini-series adaptation of Jane Austen’s Emma and particular notice for her performance in John Schlesinger’s version of the Emma update, Cold Comfort Farm. “It was from Cold Comfort Farm that I thought Kate would be perfect for the Charlotte character in The Last Days of Disco,” Stillman says, “and her role in the Schlesinger film was essentially Austen-derived. It was the first time I wrote a part with a particular actor in mind. The Last Days of Disco would be Kate’s first American role, winning her the London Film Critics’ “Best Supporting Actress” award, and leading to stardom in America in a series of notable films including Michael Bay’s epic Pearl Harbor, the hit romantic comedy Serendipity opposite John Cusack, and the ensemble drama, Laurel Canyon, with Christian Bale and Frances McDormand. Then began her remarkable run as the iconic action hero ‘Selene’ in the Underworld series for which she has recently completed the shoot for a fifth installment, focusing its story on the next generation of Vampires and Lycans and the war that continues to wage between the two species. Her additional film credits include her early British film Shooting Fish, Martin Scorsese’s The Aviator, Contraband, Total Recall, Everybody’s Fine, the thriller Vacancy, Click, Jonathan Kaplan’s Brokedown Palace, Van Helsing, Absolutely Anything, and the independent dramas Nothing But The Truth, Stonehearst Asylum, The Face of an Angel, Snow Angels, and Fragments (aka Winged Creatures). Beckinsale’s television appearances include playing in One Against the Wind for Hallmark Films. On the stage, Beckinsale has appeared in ‘Clocks & Whistles’, ‘Sweetheart’, and the National Theatre’s touring production of ‘The Seagull.’ Beckinsale, who was born and raised in London before going on to Oxford, has for some years been based in Los Angeles.
Welcome back to 36 from the Vault! In Episode 5 we explore Dick’s Picks Vol. 5, from the Oakland Auditorium Arena in Oakland, CA on December 26, 1979. We find the Dead at yet another transitional period in their career, as they continue rolling out the Brent era. This show features a number of significant bustouts in “Uncle John’s Band” & “Brokedown Palace” while being highlighted by a phenomenal second set. Featuring an uninterrupted run of jams in “Uncle John’s Band -> Estimated Prophet -> Jam -> He’s Gone - > The Other One -> Drums -> Space -> Not Fade Away> Brokedown Palace,” it showcased the new tones and sonic approach that came with Brent Myland joining earlier that year.Steven and Rob focus on the fascinating run of shows The Dead played in the last week of the 1970’s, their transition to perhaps the fascinating & much-maligned 1980’s period, their Talking Heads jams of the era, The Dead’s appeal to pop music, and much more. 36 from the Vault is production of Osiris Media. It is edited and produced by Brian Brinkman, and mastered by Matt Dwyer. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick’s Picks Vol. 6 in anticipation of our next episode on March 25. See acast.com/privacy for privacy and opt-out information.
We've entered into a new season at the Skillman Church of Christ where we are offering a set of new, exciting, engaging classes during the Sunday Bible hour. One of the classes is the Gospel According to the Avett Brothers led by Lee Branch. We put the call in the class to send in and submit songs that they resonate with or that move them in the ways of spirituality. In this podcast, Grant Williams talks about the Grateful Dead song, "Brokedown Palace." He is particularly fond of the cover down by the Shinyribs. Listen to the song and to Grant's thoughts about this incredible piece of music. Click below for the link to the YouTube video and support these artists anyway you can through the watching of their content or visiting them in concert next time they are in your area. Peace, love and enjoy the music.https://www.youtube.com/watch?v=eoKRfr_DhGA
This week we are excited to have a dynamic duo of dames to talk about a dynamic duo with Danes. We bring on returning guests and stars of STATION 19, Danielle Savre and Barrett Doss to talk about BROKEDOWN PALACE, the Kate Beckinsale/Claire Danes thriller about a pair of high school grads getting into some trouble. We talk to them about acting, female dynamics on screen and what they thought about the movie then and now.This week we are excited to have a dynamic duo of dames to talk about a dynamic duo with Danes. We bring on returning guests and stars of STATION 19, Danielle Savre and Barrett Doss to talk about BROKEDOWN PALACE, the Kate Beckinsale/Claire Danes thriller about a pair of high school grads getting into some trouble. We talk to them about acting, female dynamics on screen and what they thought about the movie then and now.
In this episode Suzie examines the Chase vault and Trevor finds out how a Claire Danes ban came about. WHAT THE HISTORY? Don’t forget to subscribe to the podcast, or… Continue reading "One From The Vaults and The Dastardly Danes"
In this episode Suzie examines the Chase vault and Trevor finds out how a Claire Danes ban came about. WHAT THE HISTORY? Don’t forget to subscribe to the podcast, or… Continue reading "One From The Vaults and The Dastardly Danes"
This week's Deadpod features the band's performance at the Rainbow Theater in London England on Saturday October 3rd, 1981. This second set contains some wonderful improvisational music and both a fabulous pre-drums setlist and a spectacular Morning Dew. I think you'll agree that the music here flows beyond the structure of these songs to explore some unexpected places before settling back into familiar terrain. There's some great sound in Drums and Space as well. Grateful Dead Rainbow Theatre London, England 10/3/81 - Saturday Two Feel Like A Stranger [8:47] > Franklin's Tower [11:23] > Estimated Prophet [13:23] > Terrapin Station [10:54#] > Drums > Space [6:54] > Not Fade Away [8:05] > Morning Dew [11:17] > Around And Around [3:54] > One More Saturday Night [4:24] Encore Brokedown Palace [5:27] http://traffic.libsyn.com/deadshow/deadpod101119.mp3 Your support of the Deadpod is greatly appreciated! Enjoy
We love you more than words can tell ❤️ Song List: Hunter performing Terrapin Station (1:36); To Lay Me Down (16:36) from 9/20/70 with Jerry on piano; Happiness is Drumming (Fire on the Mountain) (23:00) by Mickey Hart 1976; Brokedown Palace (26:17) from 10/3/80; China Doll (31:48) from 5/7/77; Liberty (39:18) from 3/30/94. Fortunately, I […]
This episode is dedicated to the memory of Neal Casal. Here's a link to our original interview with Neal on The Drop. And the people we hear from in this episode are: Joe Kendrick from Southern Songs & Stories Amar Sastry, creator of Anatomy of a Jam Rob and Seth, from Inside Out wTnS Jonathan Hart from Brokedown Podcast And here's the link to the video of JRAD performing Brokedown Palace last Friday at Red Rocks. Thanks for tuning in, see you next week. See acast.com/privacy for privacy and opt-out information.
This week we follow up last week's Deadpod with the second set from the band's performance on August 16, 197 in Telluride Colorado. I have to admit to scratching my head at this 'Push' opener, but the 'Samson and Delilah' that follows is always on point for a Sunday show :) 'He's Gone' leads into a mildly interesting Drums and Space, but the highlight for me is the quite good 'Other One' for the time period. 'Truckin' leads into 'Black Peter' and a closing 'Good Lovin'. They return for a double encore - 'Touch' into the wierdest 'Brokedown' you'll ever hear. Grateful Dead Town Park Telluride, CO 8/16/87 - Sunday Two When Push Comes To Shove [4:25]> Samson And Delilah [6:58]> He's Gone [10:28]> Drums [9:48]> Space [5:40]> The Other One [6:47]> Truckin' [6:18]> Black Peter [8:56]> Good Lovin' [8:17] Encore Touch Of Grey [6:01]> Brokedown Palace You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod082319.mp3 thank you my friends for your kind support "Summer flies and August dies the world grows dark and mean"
We’re big fans of Holly since her debut of Tahoe Tweezer piano composition. For the uninitiated, Holly takes songs by both Phish and The Grateful Dead, transcribes each members parts and then builds out a new composition where she plays everyone’s parts. It’s phenomenal stuff. Aside from her solo work, Holly plays keyboards in Ghost Light another band we love, and is always around for guest spots. To say she’s busy doesn’t do her calendar justice. So we're delighted that she made time to chat about Live at the Old Church and much more. Our conversation started when I asked Holly how she keeps up with everything she’s up to. You can learn more about Holly’s solo work at hollybowling.com and for Ghost Light info visit ghostlightband.com. Show Notes: First Song: 00:14 - Slipknot > Franklin's Tower Interview Begins: 09:36 Extro Song: 46:58 - Brokedown Palace See omnystudio.com/listener for privacy information.
Featured Songs: First Song: 00:39 - Dark Star Orchestra - 08-02-18 - Eyes of the World - Canal Side - Buffalo, New York Second Song: 13:48 - Spafford - 02-09-19 - Red’s Jam - Buffalo Iron Works - Buffalo, New York Third Song: 29:08 - Aqueous - 12-30-19 - King for a Day - Aqueous - Nietzsche’s - Buffalo, New York Fourth Song: 39:08 - Tauk - 11-17-18 - Tom Sawyer - Buffalo Iron Works - Buffalo, New York Fifth Song: 47:18 - Bob Weir with Wolf Bros. - Brokedown Palace - 03-15-19 - Shae’s Performing Arts Center - Buffalo, New York See omnystudio.com/listener for privacy information.
This week I have the pleasure of presenting the second set from the band's performance on April 23rd, 1983 at the New Haven Coliseum in New Haven Connecticut. A fine set, as most that start with a smoking Scarlet>Fire, this set features some wonderful Garcia licks, especially in Space, combined with some excellent effects from Mr. Hart. A fine recording I'm a fan of the Saint of Circumstance, even if Weir gets a bit cheezy.. The Other One Wharf Rat is excellent as always. The double encore is an excellent touch. Grateful Dead New Haven Coliseum New Haven, CT 4/23/83 - Saturday Two Scarlet Begonias [12:47]> Fire On The Mountain [13:34] ; Lost Sailor [7:25] > Saint Of Circumstance [6:57] > Space [0:28] > Drums > Space [19:03] > The Other One [7:20] > Wharf Rat [9:28] > Throwing Stones [9:17]> Not Fade Away [#8:25] Encore One More Saturday Night [4:26] > Brokedown Palace [5:22] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod041919.mp3 This one again goes out to Mike W. thanks for your support of the Deadpod. I hope you like our new look!! big thanks to Royce K for all his work on this!! If you have need of a great graphic designer contact Royce at: instagram: @infinite_jelly or http://www.infinitejelly.com
This week's Deadpod features the 2nd set of the band's performance on October 14th, 1977 from the Hofheinz Pavilion at the University of Houston in Houston Texas. They really come out rocking here with a great Bertha into a sweet Good Lovin'. Candyman follows, with Garcia in fine voice. Then they move out into space with a fine, long 'Playin In the Band'... some great explorations here. They transition seamlessly into a short but interesting Drums, then back out quickly into that beautiful introduction to the Wheel.. ahhhhhhh.. I'm always taken back to sweeping vistas of beautiful open spaces when I hear this tune, one of my all-time favorites, and Donna's contributions here are on key and for me, enjoyable. It dissolves, slowly and beautifully into the Wharf Rat.. Garcia here is a such a emotive storyteller, both with his vocals and his playing.. simply lose yourself here.. Garcia's jam before the last verse is stunning. Around and Around follows, and builds to a rockin' crescendo. They end a beautiful evening with Brokedown Palace, then back into a pretty, spacey, Playin' reprise.. Grateful Dead Hofheinz Pavilion - University of Houston Houston, TX 10/14/77 - Friday Two Bertha [7:08] > Good Lovin' [5:59] ; Candyman [7:28] ; Playing In The Band [16:#56] > Drums [3:35] > The Wheel [7:15] > Wharf Rat [13:49] > Around And Around [8:23] Encores Brokedown Palace [5:51] > Playing In The Band [4:13#] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod101317.mp3 I hope you enjoy this week's Deadpod as much as I did.. Thanks so much for your support.. love one another !
August marks Jerry Garcia's 75th birthday and so, on the Brokedown Podcast, we're celebrating. This month we've put together to mixed sets of music spanning the 60's, 70's, and the 80's. Tracks run from acoustic to very electric and all points in between. So open up the windows and crank the speakers. Light a candle and crack a smile because Jerry's Birthday is a time to celebrate, not mourn. We hope you enjoy this little sampler of the treasures Jerry and the Grateful Dead gave to us over the years. Set I Reuben & Cherise (Garcia/Kahn) 1982-05-05, Dupree’s Diamond Blues 1985-11-02, Valerie (Garcia solo) 1982-04-10, Crazy Fingers 1982-10-10, Me & Bobby McGee 1971-04-05, Bird Song > Looks Like Rain > Deal 1981-03-07 Set II Hand To Handle 1969-07-11, Dark Star > Attics Of My Life > Dark Star > Sugar Magnolia > Dark Star > St Stephen > China Cat Sunflower > I Know You Rider 1970-06-24, Brokedown Palace 1971-12-07 We hope you enjoy this sixth episode and tell a friend to check us out. Please follow us on Twitter: @BrokedownPod, or on Facebook and let us know your thoughts. You can also e-mail us at BrokedownPodATgmailDOTcom.
A somewhat uneven second set from April 8th 1985 is featured on this week's Deadpod. The set starts out with a cover of the Beatles' 'Revolution' which to my mind is one of those songs they never should have tried to cover. Luckily things pick up after that, they follow with a 'Hell In a Bucket' and 'Touch of Gray' are played quite energetically (they were working on those In the Dark album songs even though the album wouldn't be released until 1987). I quite enjoy the 'Estimated Prophet' that follows, Jerry has some nice licks and Bob has the spirit. Of course, we've heard 'Eyes of the World' follow out of this many times, still its nicely played with an unusual jam out of Estimaed. Although Jerry's voice does seem a little more tired now, and the pace is a bit rushed, I always enjoy it. After an interesting Drums and Space, it takes Jerry and Bob a bit to settle on that 'Goin' Down the Road Feelin' Bad', but that just makes for an interesting intro. 'Stella Blue' follows, and Jerry gives it a fine treatment. They follow with 'Around and Around' which then goes into a fine high-energy 'Lovelight'. They return for a 'Brokedown Palace' encore. The Spectrum, Philadelphia, PA (4/8/85) Two Revolution Hell in a Bucket Touch of Grey Estimated Prophet Eyes of the World drums Goin' Down the Road Feelin' Bad Stella Blue Around and Around Turn on Your Love Light Brokedown Palace You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod042117.mp3 Thank you so much for your support of the Deadpod. Turn on your light.. .. and leave it on!
This week we have the second set from the band's performance on March 10th, 1981 at Madison Square Garden in New York City, NY. A fine set from an underrated tour, this one opens with a nice long Scarlet->Fire, which leads into a surprisingly powerful 'Sailor->Saint'. Drums and space follow, serving as an extended prelude into a sweet 'Wheel'. 'China Doll' is a welcome addition to any second set, followed by a rousing 'Truckin'. |See if you hear the Smokestack tease as Truckin' heads into the Sugar Mag closer. They return for one of their very best versions of 'Satisfaction' followed by a great Brokedown to send the folks home happy. Grateful Dead Madison Square Garden New York , NY 3/10/81 - Tuesday Two Scarlet Begonias [11:08] > Fire On The Mountain [15:23] > Lost Sailor [6:06] > Saint Of Circumstance [6:41] > Space [2:58] > Drums [10:13] > Space [2:18] > The Wheel [5:59] > China Doll [6:57] > Truckin' [8:37] > Sugar Magnolia [8:48] Encore (I Can't Get No) Satisfaction [6:20] > Brokedown Palace [5:52] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod031017.mp3 Thank you to my friends whose kind donations keep the Deadpod alive! peace.
Happy New Year! As we look to put 2016 behind us, I decided to bring you a fine New Year's Eve performance from December 31st, 1989. With a show like this I couldn't just bring you a first set so we have the entire performance this week. Naturally this performance has some special moments, as well as some quirks. They open wiht Sugar Magnolia - instead of saving it for the first sone of the new year. Touch follows, then a bouncy 'Man Smart'.. Bonnie Raitt joins the boys for 'Big Boss Man', very nicely done. Weir does a nice version of 'Memphis Blues Again' and the first set ends with a great 'Shakedown Street'. Bill Graham makes his entrance at midnight as a chicken ..and after the countdown the boys do a great Iko, Iko to usher in the new decade. They move the proceedings in a more psychedelic direction with 'Victim or the Crime'. Victim then dissolves into the swirl of Dark Star, which was still a huge rarity and while short, certainly was sweet. Drums and Space follows, then they go into the 'Dear Mr. Fantasy -Hey Jude' combo. They then turn to some rocking tunes to end the set with a 'Goin' Down the Road Feelin' Bad' into 'Throwing Stones' and then 'Not Fade Away'.. They return for a very nice set of encores.. Brokedown Palace leading into the closing Sunshine Daydream.. then return for a second encore with 'In The Midnight Hour' to close a long and happy show.. Oakland Coliseum, Oakland CA (12/31/89) Sugar Magnolia Touch of Grey Man Smart/Woman Smarter Big Boss Man Stuck Inside of Mobile Shakedown Street Iko Iko Victim or the Crime Dark Star drums Dear Mr. Fantasy Hey Jude Reprise Goin' Down the Road Feelin' Bad Throwin' Stones Not Fade Away Brokedown Palace Sunshine Daydream Midnight Hour You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod123016.mp3 I hope the music brings you some joy and light, as it does me, no matter what life throws at us. Thanks for your support and have a safe and very happy New Year!
Merry Christmas .. Happy Hanukkah This year's holiday edition of the Deadpod features one of the best acoustic performances of 1970. This takes place at the Fillmore East in New York City on September 20th, 1970. The acoustic set, which we present today, is not only a fine performance but also a fine recording. David Grisman plays mandolin on 'Friend of the Devil' and David Nelson joins with another mandolin on a slow soulful, 'Big Railroad Blues', both continue through Ripple. There is some speculation that Jerry plays piano on 'To Lay Me Down', clearly a wonderful highlight here. Nelson and Grisman are back with mandolins on a fine Rosalie McFall, following a rare acoustic 'Truckin'. I love 'Cumberland Blues' here.. but then again I usually love this song.. Jerry plays an electic during 'New Speedway' but the vibe is very acoustic. 'Brokedown Palace' provides a fitting conclusion to the set.. Following, I decided to feature one more cut from Holly Bowling's beautiful work 'Better Left Unsung'.. this is 'Eyes of the World (Louieville KY 61874).. it speaks for itself.. Grateful Dead Fillmore East New York, NY 9/20/70 - Sunday One - 1:02:46 Intro [0:03] ; Uncle John's Band [6:47] % Deep Elem Blues [5:51] % Friend Of The Devil [3:32] % Big Railroad Blues [3:14] % Dark Hollow [2:56] % Ripple [4:20] % To Lay Me Down [5:12] % Truckin' [5:35]%[0:12] ; Rosalie McFall [2:24] % Cumberland Blues [5:04] % New Speedway Boogie [9:31] % Brokedown Palace [5:13] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod122316.mp3 My most sincere hope that all of my friends here have a very healthy and happy Holiday... thanks for your support........... the professor
As we head into December I decided to bring you one of the classic December '71 shows from the Felt Forum, Madison Square Garden, New York City, NY. This week's show comes from 12/7/71 ... While I featured the classic from 12/5 a few years back I think you'll enjoy this one as well. This is an early Keith show, but Pigpen is here as well and does a fine rendition of 'Run Rudolph, Run' to get you in that Holiday spirit :) While none of these songs may go off into extended jams I am certain you'll appreciate the musicianship they show in each and every one.. Grateful Dead Felt Forum - Madison Square Garden New York, NY 12/7/71 - Tuesday One Cold Rain And Snow ; Beat It On Down The Line ; Mr. Charlie ; Sugaree ; Jack Straw ; Next Time You See Me ; Tennessee Jed ; El Paso ; Brokedown Palace ; Run Rudolph Run ; You Win Again ; Cumberland Blues ; Casey Jones You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod120916.mp3 Finally I decided to play a wonderful piece from a brand new release that just came out from Holly Bowling. Enjoy her version of 'Unbroken Chain'.. her CD or Album is available from Royal Potato Family records here: http://royalpotatofamily.com/product/holly-bowling-better-left-unsung/ or from Amazon Thanks so much for your support of the Deadpod!!!
Happy Halloween! Always a favorite among Deadheads, while Halloween doesn't happen until Monday I thought it only appropriate to share one of the classic Halloween performances with you this week. This set is one of two the band played on Halloween, 1970 from the gym at the State University of New York at Stoney Brook. A fine show, as most are from this era, it starts with quite a rare treat - 'Till the Morning Comes' - sadly they don't do the very best with this, but then we get a great 'Hard To Handle'. The China->Rider is especially enjoyable (although marred with a nasty cut at the end ). Some of the other highlights include an electric 'Dark Hollow', a nicely done 'Brokedown Palace' and the very last performance of 'Viola Lee Blues'. This is far from the best version of this, but it is interesting to see them go into 'Cumberland Blues' out of it. This is raw Dead, not polished, not the best performance of this classic year, and probably not the best recording of this year that one can find, yet I think its great fun to hear and hope you do as well... Grateful Dead University Gymnasium - State University of New York Stony Brook, NY 10/31/70a - Saturday Early Show Till The Morning Comes [3:24];[0:31] ; Hard To Handle [7:53];[0:45] ; Mama Tried [2:28];[0:35] ; China Cat Sunflower [2:55] > Jam [1:56] > I Know You Rider [3:11#] % Dire Wolf [3:47];[0:39] ; Cold Rain And Snow [6:06];[0:33] ; Me And My Uncle [3:19];[0:35] ; Dark Hollow [2:53];[0:41] ; Brokedown Palace [5:11];[0:29] ; Viola Lee Blues [9:00] > Cumberland Blues [4:16] > Uncle John's Band [5:48] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod102816.mp3 Have a fun and safe holiday!! My heartfelt thanks to my friends whose contributions make the Deadpod possible!!
Episode 048 - October 2016 Set 2Estimated Prophet-> Eyes Of The World-> Why Don't We Do It In The Road[1] (1984-06-27)I Fought The Law[1] (1993-03-14)Good Lovin'-> La Bamba-> Good Lovin' (1987-09-23)Louie Louie[1]-> Samson and Delilah (1988-04-05)Get Back[1] (1987-01-28)Greatest Story Ever Told-> Devil With The Blue Dress[1]-> Good Golly Miss Molly[1]-> Devil With The Blue Dress (1987-09-09)Foolish Heart-> I Want to Tell You[1] (1994-07-01)It's All Too Much[1] (1995-03-18)Take Me To The River[1] (1995-04-01)Let The Good Times Roll-> Feel Like A Stranger (1988-04-30)The Weight (1990-03-28)Satisfaction[1] (1980-11-26)Blackbird[1]-> Brokedown Palace (1988-06-23)[1] Dead Fantasy Debut
Maggie Dubris is a writer and composer in New York. She has published and performed widely. On Sholem's Bias, I talked to her about her new book, Brokedown Palace. I'll let her describe it: "For 24 years, I was a 911 paramedic at St. Clare’s, a small hospital in Hell’s Kitchen. I worked during the dawn of AIDS, the influx of crack, and the most violent years the city has experienced. My hospital had the highest percentage of homeless patients in the city in the 1980s. In 1985 we established the first AIDS unit on the east coast. Broke-Down Palace is the story of the city as seen through the lens of one poor, unsupervised institution. It begins in 1934 with the founding of the hospital by a penniless Irish nun in the depths of the Great Depression, and follows the course of its existence until 2007, when it was shut down, flipped a few times, and turned into luxury condos. The book is structured as a series of linked poems; a memory palace. In addition to exploring the story of the hospital, I am interested in what happens to memories. What becomes a part of history, and what doesn't? If I took part in historical events, e.g. the AIDS plague, the attack on the World Trade Center, can I turn the historical narrative into one that actually reflects my experiences?"
Episode 039 - June 2016 Set 2Arabia[1] (1991-12-08)Dark Star (1989-10-09)Cassidy-> Uncle John's Band-> Cassidy (1993-05-27)How Sweet It Is (To Be Loved by You)[1] (1973-07-11)Peggy-O (1978-04-16)Jack-A-Roe (1977-05-18)Run for the Roses (1982-04-10)It Must Have Been The Roses (1975-09-28)Rubin and Cherise (1991-04-07)Looks Like Rain (1977-06-07)Bird Song (1990-07-21)Till The Morning Comes (1970-10-31)Eyes Of The World (1974-08-06)Sugar Magnolia (1972-08-27)Brown Eyed Women (1977-05-28)Tangled Up In Blue (1990)That's What Love Will Make You Do (1980-03-01)They Love Each Other (1975-12-31)When I Paint My Masterpiece (1985-10-16)Standing On The Moon (1990-03-30)Ramble On Rose (1977-05-19)Midnight Moonlight (1978-03-28)Shining Star (1993)To Lay Me Down (1974-06-24)Brokedown Palace (1971-12-07)The Stranger (Two Souls in Communion) (1972-05-10)If I Had The World To Give (1978-08-01)Attics of My Life (1970-06-06)Scarlet Begonias-> Fire On The Mountain (1985-07-01)Not Fade Away-> St Stephen (1977-03-18)And We Bid You Goodnight (1989-10-26)[1] Dead Fantasy DebutMuch love Silas+Ava!
Episode 005 - March 2015 Set 1Jack-A-RoeFriend of the DevilCandymanCasey JonesThe Race Is OnDon't Ease Me InBlack PeterMonkey And The EngineerCassidyMe and My UncleDeep Elem BluesCumberland BluesI've Been All Around This WorldGommorahChina DollRubin and CheriseKnockin' on Heaven's DoorSitting Here In LimboDark HollowDire WolfRun For The RosesTo Lay Me DownRippleBrokedown PalaceUncle John's Band
Episode 019 - September 2015 Set 1Good Lovin'-> Caution (Do Not Stop on Tracks)-> Who Do You Love-> Caution (Do Not Stop on Tracks)-> Good Lovin'New Minglewood BluesTell It To MeBerthaJack StrawSamson and DelilahBlack Throated WindBrokedown PalaceChildhood's EndDays BetweenBox Of Rain-> Visions Of JohannaLost Sailor-> Saint Of CircumstanceWharf Rat
A request from one of my supporters, as well as the fact that this past week marked Pigpen's 70th birthday inspired this week's Deadpod selection from the Berkeley Community Theater on August 14th, 1971. This is a great tape that showcases the early versions of many classics like 'Sugaree' and 'Playin' In the Band' as well as some outstanding Pigpen performances. Highlights include the opening 'Bertha', 'El Paso' played nice and slowly, 'Big Railroad Blues' (a personal favorite), and of course Pigpen on 'Big Boss Man' and 'Hard To Handle'. I'm always a fan of this period of the Dead's history and of course it helps that there are such great sounding tapes that we are lucky enough to be able to enjoy. Grateful Dead Berkeley Community Theatre Berkeley, CA 8/14/71 - Saturday One Bertha [5:43] ; Me And My Uncle [3:09] ; Mr. Charlie [3:13] ; Sugaree [6:08] ; El Paso [5:03] ; Big Railroad Blues [3:26] ; Big Boss Man [4:58] ; Brokedown Palace [5:20] ; Playing In The Band [4:28] ; Hard To Handle [7:16] ; Cumberland Blues [5:29] ; Loser [6:31] ; The Promised Land [2:53] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod091115.mp3 My sincere thanks to all of you whose support helps to keep the Deadpod alive... Be kind.
This week's Deadpod continues with the second set from the band's performance on September 6th, 1980 at Lewiston Maine. Wildly praised by those in attendance, I think you'll enjoy this recording even though it has its share of flaws, and several of the songs are only from an audience recording. The set starts with one of those funky 80's Shakedown Streets.. always a great way to get the crowd on their feet and moving! A fairly standard Sailor->Saint leads into a nice Althea, but the magic starts to happen after that with a great Playin->Uncle John's->Space->Drums->Space..this recording, being a matrix, really captures the energy of the crowd when that Uncle John's starts up.. they follow with an excellent drums, then following space a really excellent NFA into the Wheel. I love how they come out of this and back into Uncle John's then into a Playin' reprise.. short but nicely done! A strong Sugar Magnolia closes the set, and the band returns for a double encore, featuring, of course, One More Saturday Night and a sweet Brokedown Palace.. State Fairgrounds, Lewiston, ME (9/6/80) set 2 Shakedown Street Lost Sailor Saint of Circumstance Althea Playin' in the Band Uncle John's Band drums Not Fade Away The Wheel Uncle John's Band Playin' in the Band Sugar Magnolia One More Saturday Night Brokedown Palace You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod090415.mp3 Have a GREAT and safe Labor Day Weekend!!
AFTERBUZZ TV -- Bar Rescue edition, is a weekly "after show" for fans of Spike's Bar Rescue. In this show, host Keven Undergaro discusses episode 25 from Season 4 with Mia Mastroianni. Bar Rescue is an American reality TV series that premiered on Spike on July 17, 2011. It stars Jon Taffer (a long-time food & beverage industry consultant specializing in nightclubs and pubs), who offers his professional expertise plus renovations and equipment —at no charge— to desperately failing bars in order to save them from closing. In the UK, the show airs on 5*, starting from January 8, 2014. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
AFTERBUZZ TV -- Bar Rescue edition, is a weekly "after show" for fans of Spike's Bar Rescue. In this show, host Keven Undergaro discusses episode 25 from Season 4 with Mia Mastroianni. Bar Rescue is an American reality TV series that premiered on Spike on July 17, 2011. It stars Jon Taffer (a long-time food & beverage industry consultant specializing in nightclubs and pubs), who offers his professional expertise plus renovations and equipment —at no charge— to desperately failing bars in order to save them from closing. In the UK, the show airs on 5*, starting from January 8, 2014. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
This week's Deadpod features the second set from the Dead's performance at the Carrier Dome in Syracuse NY on September 24th, 1982. This is quite a fine set, and opens with an unusual Brent opener - Far From Me.. always a song I enjoy hearing. They follow that up with a very well executed Playin' In The Band->Crazy Fingers, and Jerry does some fine work on that latter number. Weir's new song, Throwin' Stones, follows and leads into Drums and Space but they come out of that with an unusual Iko, Iko. Truckin' as always provides Garcia a nice jamming platform and he accelerates out of that into 'Goin' Down The Road Feelin' Bad' and then 'Black Peter'... the band then brings everyone back to earth with a nice Around and Around and a Sugar Magnolia to close the set. Phil pranks Weir by bringing out a woman from backstage and introducing her as Weir's wife of 5 years, before the Brokedown Palace encore, so you know they were loose and having fun! Carrier Dome (Syracuse U), Syracuse, NY (9/24/82) Set 2: Far From Me Playin' in the Band Crazy Fingers Throwin' Stones drums Iko Iko Truckin' Goin' Down the Road Feelin' Bad Black Peter Around and Around Sugar Magnolia Brokedown Palace You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod100314.mp3 Finally as always, my gratitude goes out to those of you able to support the Deadpod and keep us on track.. love and peace to all of you..
This week's Deadpod takes us back to Dijon France for the second set of the band's amazing performance which took place back on 9/18/74. I have however, taken some liberties with this presentation however, as I omitted the first two songs of set 2, Loose Lucy and Big River, because the vocals in these two are hopelessly lost and cannot be heard. In place of those, I decided to include the 3 songs done as a soundcheck for this show - something titled 'Jerry's Space', as well as Cumberland Blues and Brokedown Palace. I'm not always a fan of soundchecks but I do think you'll enjoy these. The remainder of the second set retains the audio clarity found in set 1, and while this set probably doesn't reach the musical heights of set 1 there is plenty here to enjoy. The Eyes->China Doll->He's Gone->Truckin' is as all those titles read, quite pleasing, if not mind-blowing. The most interesting jam of the set probably comes out of drums, when Phil leads them in a most interesting Caution jam. Johnny B. Goode to close the set is quite unusual and shows that the boys thought it had been a good days' work, I think. Grateful DeadSeptember 18th, 1974Parc des ExpositionsDijon, FranceWednesday soundcheck: Jerry's Space Cumberland Blues Brokedown Palace from set 2: Peggy-O Me and My Uncle Eyes of the World China Doll He's Gone Truckin' drums Caution Jam Ship of Fools Johnny B. Goode U.S. Blues you can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod091914.mp3 Finally, a quick fundraising word.. I've received several copies of the new Rhino/GD release: Wake Up To Find Out, the spectacular recording of the famous March 29th, 1990 show that featured the Dead's collaboration with jazz virtuoso Wynton Marsallis. I'd love to send out a copy of this 3CD set to anyone who could support the Deadpod with a $50 donation. Please consider clicking on our contribute button or drop me a note about how to receive this fine thank you gift for your support of the Deadpod!
Here's a show that was recently requested over on the Deadpod's Facebook page.. since this is an excellent recording, I decided this would be a good time to play it. It comes to us from October 29th, 1971 from teh old Allen Theater in Cleveland Ohio. While I never saw the Dead at this venue it was an old movie house that saw lots and lots of rock shows around this time. The band was going through a period of transition and I think you can hear that in the music and arrangements in some of these songs which are still growing and changing. Pigpen was missing as well and his absence is surely felt here. Nevertheless I enjoy early 70s Dead especially around this time of year for some reason so I hope you 'll enjoy this week's first set. As they often did around this time, they open with a nice Truckin' .. the Sugaree is quite good as well. While many of these songs are lacking in long jams, they are all well played and I hope you enjoy hearing them this week. Grateful Dead Allen Theatre Cleveland, OH 10/29/71 - Friday Set One Truckin' [8:54] ; Sugaree [6:27] ; El Paso [4:21] ; Loser [6:07] ; Playing In The Band [5:43] ; Brown Eyed Women [4:19] ; Beat It On Down The Line [3:19] ; Brokedown Palace [5:14] ; Jack Straw [4:56] ; Tennessee Jed [6:16] ; Mexicali Blues [3:00] ; Big Railroad Blues [2:55] ; Casey Jones [5:35] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod011014.mp3 I hope its warmed up a bit where you are, and that the New Year has started out well for you! As always, my most sincere thanks to those of you able to support the Deadpod - I really appreciate it!
This second set from 6/11/93 features the only Eyes of the World performed on the summer tour that year, as the opener. Its quite nicely done, and followed by another well-played Playin' In the Band... the band and Jerry in particular do a very credible job on these.. out of space, the Wheel and Watchtower are a pleasure to hear as well, but the Black Peter is a personal favorite and I think Jerry takes the time to do a decent version here.. the Sugar Mag had everyone dancing, and of course the Brokedown Palace leaves me smiling when I hear it..I hope it makes you smile as well... Buckeye Lake Music Center, Hebron, OH (Friday, 6/11/93) Eyes of the World Playing in the Band -> Uncle John's Band -> Corina -> Drums -> Space -> The Wheel -> Watchtower -> Black Peter -> Sugar Magnolia Brokedown Palace You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod021513.mp3 thank you so much for your kind support of the Deadpod! I really appreciate it my friends..
Sometimes we all need to be flexible, right? Well this week I hope you'll forgive a change of plans. I'm going to push back the second set of 3/11/93 for a week to bring you a show that was played 26 years ago on November 5th, 1985 at The Centrum in Worcester, MA. The entire first week of November 85 was marked by a number of wonderful shows and this one is no exception. I decided to bring you the *entire* show this week -in honor of the birthday of a friend of the Deadpod and because I hadn't done that in awhile.. This show has a wicked Shakedown Street, as well as a fabulous closing from Black Peter right through Brokedown Palace. I hope you enjoy it.. and happy birthday David... Grateful Dead 11-5-85 The CentrumWorchester MAOne:Hell In A Bucket ; They Love Each Other ; Kansas City ; Tennessee Jed ; It's All Over Now ; Bird Song ; Looks Like Rain > Don't Ease Me In ; Two: Shakedown Street ; Man Smart (Woman Smarter) ; Ship Of Fools > Supplication > Playing In The Band Reprise > Don't Need Love > Drums > Space > Just Like Tom Thumb's Blues > Goin' Down The Road Feeling Bad > Black Peter > Around And Around > Good Lovin' ; Encore: Brokedown Palace You can listen to this week's Deadpod http://traffic.libsyn.com/deadshow/deadpod110411.mp3">here:http://traffic.libsyn.com/deadshow/deadpod110411.mp3">http://traffic.libsyn.com/deadshow/deadpod110411.mp3 Thanks for your kind Support of the Deadpod - we can't keep producing wihtout you! Be so kind as to check out and support http://www.rkfx.com">Robert Keeley Electronics..
This week's Deadpod, I think, is not to be missed.. not only does it have one of the greatest Dark Stars you'll ever hear, but the transition from Morning Dew back into Playin' *HAS TO BE HEARD* :) , then they play BROKEDOWN PALACE! I highly recommend this one.... Grateful DeadFox Theater, St. Louis MO 10/18/72 - Wednesdayset 2: [85:46] Playing In The Band [15:50] > Drums [2:45] > Dark Star [28:25] > Morning Dew [11:07] > Playing In The Band [5:13] ; Deal [4:29] ; The Promised Land [2:59] ; Brokedown Palace [5:34] ; One More Saturday Night [4:33] ; Casey Jones [6:51]you can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod111210.mp3 thanks!
This week we get to listen to one of the best second sets that the band produced in 1983.. Each of these songs individually is played with a verve that will bring a smile to your face, but the totality, as is often the case with the Dead, is much more than the beauty of the individual songs.I could tell you how much I enjoy this particular china->rider, or the wonderful Space into the best St. Stephen of the last three the band played, but I'd rather you simply enjoy this set and the joy that I hope it brings you...Grateful DeadHartford Civic CenterHartford, CT.October 15, 1983set 2:China Cat-> 6:17.47I Know You Rider 7:26.39Playing in the Band-> 16:03.70China Doll-> 7:55.08Drums-> 8:44.38Space-> 9:44.16Saint Stephen-> 7:52.60Throwing Stones-> 9:02.12Saturday Night 4:43.08encore:Brokedown Palace 5:53.00You can listen to this week's Deadpod here:http://media.libsyn.com/media/deadshow/deadpod101609.mp3thanks for picking us up - and for your support my friends.PS Happy Birthday Bobby Weir!
Hello friends -this week we get to hear the second set of this great 1973 show from the Kiel Auditorium in St. Louis, Oct. 29th, 1973.I love these '73 shows and I am sure you'll love hearing the Brokedown Palace right in the middle of set 2, as well as the wonderful Truckin'->Drums->Other One->Wharf Rat! Whew! Grateful Dead Venue Kiel Auditorium Location St. Louis, MO Date 10/29/73 - Monday Two The Promised Land [#2:50] > Bertha [6:08] > Greatest Story Ever Told [4:10] ; Dead Air [0:06] % Loser [4:55] % Dead Air [0:09] ; Big River [5:25] ; Dead Air [2:35] ; Brokedown Palace [5:49] ; Dead Air [0:05] % Dead Air [0:10] ; Truckin' [7:09] > Jam [9:20] ; Drums [2:26] > The Other One [22:33] > Wharf Rat [10:25] > Sugar Magnolia [8:41] Have a great week my friends and thanks as always for your kind support..You can listen to this week's Deadpod here:http://media.libsyn.com/media/deadshow/deadpod050809.mp3
This week a newly released sbd from 1972! I can't resist playing this one, and I think you'll agree that its more than worth your attention this week.. This is from November 15th, 1972, Oklahoma City, OK. All we have is the second set - but its a beauty... Grateful Dead - November 15, 1972Oklahoma City Music Hall - Oklahoma City, OKPromised Land, Ramble on Rose, Mexicali Blues, Brokedown Palace, Playin In the Band, Big Railroad Blues, Me & Bobby McGee, Wharf Rat, Sugar Magnolia, Not Fade Away->Goin' Down the Road Feelin' Bad -> Not Fade AwayE: Johnny B. GoodeJerry's guitar work in Playin' was described as 'demonic' by one reviewer - I think you'll agree this is quite special.. I hope you enjoy it!! As always you can listen to the Deadpod here:http://media.libsyn.com/media/deadshow/deadpod051608.mp3I want to thank all of you who were able to contribute during our recent pledge drive - what a thrill it is having such a great group of listeners and friends!!Thanks and be well!
Hello Friends! This week we'll listen to the conclusion of the Dead's show at Alpine Valley on August 8th, 1982. I think you'll really enjoy the wonderful Scarlet Begonias, the crazy drums with guest Zakir Hussein, as well as John Cipollina's guest guitar work on "The Other One", "Wharf Rat" and "Not Fade Away". Check out the crazy version of Satisfaction as well.. Whew! :) Just a note, my computer that I usually use to put together the show fried its motherboard this week - I had to use a different one to get the Deadpod together - if you notice any problems please let me know. Grateful DeadVenue Alpine Valley Music Theatre East Troy, WI 8/8/82 - Sunday Scarlet Begonias [9:55] > Fire On The Mountain [13:48] > Estimated Prophet [14:27] > Jam (1) [3:27] > Drums [8:#02] > Space [4:14] > The Other One [6:51] > Not Fade Away [4:49] > Wharf Rat [9:01] > Good Lovin' [8:21]Encore (I Can't Get No) Satisfaction [7:15] > Brokedown Palace [5:05#]As always you can listen to the Deadpod here:http://media.libsyn.com/media/deadshow/deadpod032108.mp3Enjoy Spring! Thanks for listening and for your support!
This week we continue with this marvelous show from May 25th, 1972 in London. We get the last two songs of the first set - including a great Brokedown Palace, then we get what exists of the second set. I'm a sucker for a great Pigpen tune and Chinatown Shuffle sure sounds good to me... Lucky for all of us there's a fabulous Uncle John's->Wharf Rat->Dark Star that survived in tact.. I also wanted to thank everyone once again who contributed to the fall pledge drive.. You folks are SO great! thanks so much! Grateful Dead Strand Lyceum London, EnglandDate 5/25/72 - Thursdayfrom set one: Brokedown Palace ; Casey JonesTwo Me And My Uncle ; Big Railroad Blues [3:25] ; Chinatown Shuffle [2:37] ; Ramble On Rose [6:16] ; Uncle John's Band [8:00] > Jam [1:50] > Wharf Rat [9:#45] > Dark Star [29:#59] > Sugar Magnolia [7:33]As always you can listen to the Deadpod here:http://media.libsyn.com/media/deadshow/deadpod102607.mp3
One of my wonderful listeners wrote me to request this week's show and seeing as it is from the same great year for Dead music as the recently released Three from the Vault, I thought it would be a great listen for this week's deadpod. While I only have a portion of the show in good quality soundboard, I thought it was certainly worth sharing what I have. This show features a monster first set Dark Star as well as one of the all time great Not Fade Away->Goin' Down The Road Feelin' Bad->Not Fade Away jams. Grateful Dead Austin Municipal Auditorium Austin, TX 11/15/71 - MondayDark Star (1) [12:14] > El Paso [4:38] > Space [3:29] > Jam [3:59] ; Casey Jones [5:25] ;Ramble On Rose [5:56] ; Mexicali Blues [3:20] ; Brokedown Palace [5:13] ; Me And Bobby McGee [5:32] ; Cumberland Blues [5:18] ; Sugar Magnolia [6:54] ; You Win Again [2:18] ; Not Fade Away [3:57] > China Cat Sunflower Tease [0:37] > Jam [7:42] > Goin' Down The Road Feeling Bad [8:06] > Not Fade Away [3:05]You can listen to this week's Deadpod here:http://media.libsyn.com/media/deadshow/deadpod070607.mp3Enjoy and be well.. I always love hearing your comments and suggestions!
Harvey Brownstone conducts an in-depth Interview with Renowned Actor, Tom AmandesAbout Harvey's guest:Today's guest, Tom Amandes, is a renowned actor who is perhaps best remembered for his portrayal of “Elliot Ness” in the 1990's hit TV show “The Untouchables”, and as “Dr. Harold Abbott” in “Everwood”. But over the past 4 decades he's brought us dozens of other memorable roles. On the big screen, he played Geena Davis' boyfriend in “The Long Kiss Goodnight”, and he was Abraham Lincoln in the 2013 movie, “Saving Lincoln”. Some of his other movies include “Second Chances”, “Brokedown Palace”, “Dirty Deeds”, “Bonneville”, “Lucky”, “The Bachelors”, “A Million Little Pieces”, and the terrific short film “Imagine”, for which he was named Best Supporting Actor at the Filmed in Utah Awards, and he was nominated for the Award of Excellence at the Winter Film Awards. On television, he's had recurring roles in numerous shows including “The Pursuit of Happiness”, “The Guardian”, “Parenthood”, “Chicago Fire”, “Spin City”, “Scandal”, “Promised Land”, and “Perry Mason”. He's also starred in some great TV movies and miniseries like “Because Mommy Works”, “From the Earth to the Moon”, “Down Will Come Baby”, “If You Believe”, “When Good Ghouls Go Bad”, and “A Neighbour's Deception”. And he's guest starred in dozens of classic TV shows including “Murphy Brown”, “Roseanne”, “The Larry Sanders Show”, “ER”, “Family Law”, “NYPD Blue”, “Curb Your Enthusiasm”, “Grey's Anatomy”, and many more. Our guest has also starred in many theatrical productions including "Translations", "The Playboy of the Western World" "What the Butler Saw", "Candida" "The Courtship of Carl Sandburg", “At Home at the Zoo”, and many more. Over the years, our guest has received numerous accolades, including the 2011 Award for Excellence in the Arts, bestowed upon him by his alma mater, DePaul University in Chicago.For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/@harveybrownstone,#harveybrownstone,@harveybrownstoneinterviews,#harveybrownstoneinterviews,#TomAmandes,#TheUntouchables,#DrHaroldAbbott,#Everwood,#TheLongKissGoodnight,#AbrahamLincoln,#SavingLincoln,#SecondChances,#BrokedownPalace,#Imagine,#ThePursuitofHappiness,#TheGuardian,#Parenthood,#ChicagoFire,#SpinCity,#Scandal,#PromisedLand,#PerryMason,#FromtheEarthtotheMoon,#MurphyBrown,#Roseanne,#TheLarrySandersShow,#ER,#FamilyLaw,#NYPDBlue,#CurbYourEnthusiasm,#GreysAnatomy,#ElliotNess,#HarrisonSchmidt,#LarryDavid,#BigLove,#BillPaxton,#TreatWilliamsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
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