Podcast appearances and mentions of Peter Rowan

The town of Elkin, NC, boasts only 4000 residents, but its downtown seems to resemble a town much larger than that. What looks to me like a downtown about half the size of my home town of Shelby, NC, turns out to be a good bit less populated than its footprint suggests. But making a bigger impression than expected is in keeping with everything I have experienced in this foothills town in the northwest part of the state — Elkin likes to punch above its weight. My first trip to Elkin was for the Reevestock Music Festival, created by the band Time Sawyer, whose members largely grew up there. It is a festival that garners national artists as well as regional favorites, and every time I returned, it came up a winner: well balanced, with enough star power but also plenty of pleasant surprises and new discoveries, plus it was almost intimate with its crowd of hundreds rather than thousands in attendance. Elkin remains a favorite destination for that festival alone, and now I can add to that list, with The Martha Bassett Show producing live events at the Reeves Theater for eight years running. Martha Bassett celebrates with guests and house band at the finale of The Martha Bassett Show 04/03/25Photo: Steel String Photography The Martha Bassett Show put on its 100th episode in April of this year, which seemed like the perfect time to trek up and take it all in. The show featured guests Liz Longley from Nashville, Hank Pattie & the Current from the Triangle region of NC, and a VA music artist who is best known for building guitars for stars like Eric Clapton, Gillian Welch, Vince Gill, Peter Rowan (and hundreds of others, famous or not), Wayne Henderson. I spoke with both Martha Bassett and Wayne Henderson while there, where we talked with Martha about the extraordinary nature of the show with collaboration amongst its guests a built-in feature, the ever-changing and now perhaps especially challenging landscape for the arts, and with Wayne about his world famous instruments as well as memories of Doc Watson, and current Grand Ole Opry member and client Marty Stuart. All of that and a lot more is here, including musical excerpts from The Martha Bassett Show on this episode of Southern Songs and Stories. Songs heard in this episode:Wayne Henderson and Friends “Sweet Georgia Brown” from The Martha Bassett Show 04/03/25Wayne Henderson and Friends intro from Martha Bassett into “Panhandle Rag” from The Martha Bassett Show 04/03/25, excerpt“I'll Fly Away” Martha Bassett with Liz Longley, Hank Pattie & the Current, Wayne Henderson and Friends and house band from The Martha Bassett Show 04/03/25Thanks for dropping by! We hope you can help spread awareness of what we are doing. It is as easy as telling a friend and following this podcast on your platform of choice. You can find us on Apple here, Spotify here and YouTube here — hundreds more episodes await, filled with artists you may know by name, or musicians and bands that are ready to become your next favorites. This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes on Bluegrass Planet Radio here. Thanks to Jaclyn Anthony for producing the radio adaptations of this series on WNCW, where we worked with Joshua Meng, who wrote and performed our theme songs. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick

Episode Notes Did you know you can support my podcast for as little as $1 a month? You can do that by heading over to my Patreon HERE!!  Here is part 2 of my conversation with Jody Stecher. Jody Stecher has been teaching and sharing his love for music since his days in the 1960s as a budding folklorist and influential picker in New York City's old-time and bluegrass scene. Stecher has played virtually every stringed instrument, delving deeply into traditional music forms from blues to Bahamain and even Hindustani classical. A musician of constant aesthetic integrity, Jody is regarded as one of America's leading traditional folk artists. You might know him from his work with Peter Rowan as well. These days, he lives in the Bay Area and enjoys singing and performing songs with his wife, Kate Brislin.  To keep up with Jody you can head over to his website here where you can contact him for lessons or purchase some of his music! Songs featured in this episode: “Perfik” by Jody Stecher (Dreams from the Overlook) “The Overlook” by Jody Stecher (Dreams from the Overlook) “Kenny in Kansas City” by Jody Stecher (Wonders and Signs) “Curtains of the Night” by Jody Stecher and Kate Brislin (Our Town) “Dreadful Morning” by Jody Stecher with Mile Twelve (Instant Lonesome) Youtube video links: Jerry Wicentowski Pretty - Pretty Little Indian - 2019 Sonoma County Bluegrass & Folk Festival Jerry Wicentowski - I Saw Your Face In The Moon - 2019 Sonoma County Bluegrass & Folk Festival DLaw Coffee Company Website and Instagram As Always a HUGE thank you to all of my sponsor's that make this podcast possible each week! Mandolin Cafe Peghead Nation promo code mandolinbeer Northfiled Mandolins Ear Trumpet Labs Ellis Mandolins Pava Mandolins Tone Slabs Elderly Instruments String Joy Strings promo code mandolinbeer

Episode Notes Did you know you can support my podcast for as little as $1 a month? You can do that by heading over to my Patreon HERE!!  My guest week is another absolute legend in the mandolin world, Jody Stecher. Jody Stecher has been teaching and sharing his love for music since his days in the 1960s as a budding folklorist and influential picker in New York City's old-time and bluegrass scene. Stecher has played virtually every stringed instrument, delving deeply into traditional music forms from blues to Bahamain and even Hindustani classical. A musician of constant aesthetic integrity, Jody is regarded as one of America's leading traditional folk artists. You might know him from his work with Peter Rowan as well. These days, he lives in the Bay Area and enjoys singing and performing songs with his wife, Kate Brislin.  To keep up with Jody you can head over to his website here where you can contact him for lessons or purchase some of his music! Songs featured in this episode: “Bread and Texas / Katy in the Kitchen” by Jody Stecher (Dreams from the Overlook” “Lord Hamilton's Yearling” by Peter Rowan Bluegrass Band (Legacy) “John Detroy” by Jody Stecher (Oh the Wind and Rain) As Always a HUGE thank you to all of my sponsor's that make this podcast possible each week! Mandolin Cafe Peghead Nation promo code mandolinbeer Northfiled Mandolins Ear Trumpet Labs Ellis Mandolins Pava Mandolins Tone Slabs Elderly Instruments String Joy Strings promo code mandolinbeer

Send us a textSamson “Sam” Grisman has been surrounded by music his entire life. From a young age, he fell in love with the music played around him by family, friends, and especially his father, David.David, a multi-instrumentalist, has performed for decades with and/or alongside Peter Rowan, Red Allen, Maria Muldaur, Darol Anger, Doc Watson, Mike Marshall, Tony Rice, and Andy Statman.David has called his particular stylings “Dawg music,” embracing his nickname, “Dawg.” That nickname was first given to him by close friend and frequent collaborator Jerry Garcia.Music has been so prevalent in Sam's life that from a young age, he assumed everyone played music. He saw people's instruments as part of their personality, and he thought everyone was born with a proclivity towards their instruments.Though he has since realized that learning an instrument comes with time and practice, he has never lost what he considers a sense of duty to perform, and he wholeheartedly embraces the music he grew up around.David always encouraged his children to learn instruments, practice playing other people's songs, and work on original compositions to build their musical experience. Thank you for listening to The Mountain-Ear Podcast, featuring the news and culture from peak to peak!If you want to be featured in the podcast, contact the host at media@themountainear.com!SUBSCRIBE ONLINE and use the coupon code PODCAST for A 10% DISCOUNT for ALL NEW SUBSCRIBERS! Subscribe at https://www.themtnear.com/subscribe!You can find us online by visiting https://www.themtnear.com!Find us on Facebook @mtnear!Share this podcast around!! Scroll near the bottom of our website's homepage or visit the podcast's main hub at https://themtnearpodcast.buzzsprout.com!You can contact our editor at info@themountainear.com!Thank you for listening!

 This episode features 15-year-old Mandolin phenom Wyatt Ellis. We talk to him about his debut album “Happy Valley,” doing two Tennessee Folk Life Apprenticeshipsand what's coming up next for him!   Wyatt Ellis has reached more milestones in just 15 years than most musicians achieve in a lifetime. The teen multi-instrumentalist from East Tennessee, is rapidly emerging as one of bluegrass music's brightest stars. With a fiery passion and a profound respect for the genre's traditions, he skillfully blends the influences of bluegrass pioneers with youthful energy.Known for his virtuosic mandolin playing, soulful vocals, and original songwriting, Wyatt has built a dedicated fanbase across social media. His band performances, marked by raw energy and tight harmonies, breathe new life into traditional bluegrass, seamlessly fusing the rich traditions of Appalachia with an energetic, modern edge.  Wyatt's talent has earned him notable recognition in 2024, including the title ofInternational Bluegrass Music Association Momentum Instrumentalist of the Year.He has collaborated with bluegrass legends like Peter Rowan, Marty Stuart, andBobby Osborne, and his rise to prominence has been featured in Rolling Stone,cementing his place in the spotlight. His innovative approach to traditionalbluegrass has already begun to influence the next generation of musicians,furthering his impact on the genre.  Check Wyatt out here—  Website: Wyattellis.com  Facebook: Wyatt Ellis  IG: Wyattellismandolin  TikTok:Wyattellismandolin 

Discover the fascinating journey of musician Max Wareham as he transitions from jazz to bluegrass, uncovering a serendipitous family connection with legendary bluegrass artist Peter Rowan. Max's tale is not just about finding lineage but also about the dedication and persistence required to learn from a master. We explore how Max's musical understanding transformed under Peter's mentorship, and why live performances became an essential element of his growth, teaching him the true essence of music. Max shares his unique relationship with the banjo and how an unexpected gift of this instrument led him to embrace its ethereal sound. Through a summer filled with bluegrass festivals and communal music-making, he experienced the joy of playing not to impress, but to share and connect with others. His story paints a vivid picture of the vibrant bluegrass community and the profound impact it had on his creativity and musical direction. Max has assembled a team of top-tier musicians for his debut album, 'Daggommit', due out February 21st. Uncover the exhilaration and challenges of recording fresh takes, and the excitement of documenting the contributions of lesser-known bluegrass musicians like Rudy Lyle. Max also talks about the beauty of imperfection and authenticity in live performances, a lesson crystallized by a compliment from banjo legend Béla Fleck. Throughout our conversation, we celebrate the unscripted magic of music and life, and the invaluable support from mentors and family that Max describes so vividly. Head over to https://www.maxwareham.com/ for tour info, lessons, and more! -FREE SHIPPING from Shop Tour Bus Use The PROMO CODE: nosimpleroad -20% OFF & FREE SHIPPING IN THE US from The Grateful Mountain with the PROMO CODE: NSR20 INTRO MUSIC PROVIDED BY - Young & Sick MUSIC IN THE COMMERCIALS BY AND USED WITH PERMISSION OF: CIRCLES AROUND THE SUN OUTRO MUSIC BY AND USED WITH PERMISSION OF: CHILLDREN OF INDIGO No Simple Road is part of OSIRIS MEDIA. Osiris Media is the leading storyteller in music, combining the intimacy of podcasts with the power of music

The Appalachian Sunday Morning is a two hour all Gospel Music Radio program with radio station & program host Danny Hensley. The program is recorded live each Sunday morning while being broadcast on 91.7 FM Community radio and streamed world wide on www.sbbradio.org and/or www.sbbradio.net On this episode we feature a lot of brand new tunes including songs from The Triumphant Quartet, Peter Rowan, Mark Lowry, Daryl Mosely, The Perrys, Ashby Frank, The Taylors, The Mark Dubbeld Family and much more. This program is uploaded to SoundCloud, RSS.com, radio4all, Podbean and iTunes to mention a few.

Dr. Peter Rowan explores the city and a theme in Revelation and how it can inform mission practice today. Audio from OMF Billions Magazine September - December 2024: Imagining the Eternal City. Read more at ⁠⁠⁠billions.omf.org⁠⁠⁠.

In this episode, Janet Michael hosts Dave Van Deventer from Shepherd's Ford Productions to discuss the upcoming 20th Annual Watermelon Pickers Fest 2024, which is set to take place from September 5 - 7, 2024 at the Clarke County Fairgrounds in Berryville. The conversation highlights the festival's return after a hiatus and dives into the event's rich history, logistics, and lineup. Dave shares the festival's origin story, starting at Watermelon Park and its evolution over two decades, including challenges like almost canceling due to rain in 2018. He emphasizes the sense of community and the fun of taking a break and coming back refreshed and inspired. The festival offers a diverse array of bluegrass acts and other activities. This year's headliner is Peter Rowan, along with other notable performers like Wyatt Ellis, Della Mae, and John McEuen. The event also features workshops, kids' activities, vendor stalls, and, of course, plenty of opportunities for impromptu jam sessions. Dave talks about the detailed schedule for both days, starting in the evening on September 5, with early arrival music camps with the official kickoff on September 6 with yoga, workshops, and dance sessions, and continuing with performances and other activities. Campers are encouraged to arrive on the 5th to grab prime camping spots - there is no additional fee to camp.  For families, the festival offers a great environment with various kids' activities like recycled instrument making, a parachute and pinata event, and even a festival parade. Besides music, there will be craft vendors and a variety of food stalls. Janet and Dave also discuss the practical aspects such as ticket prices, camping options, and additional amenities like showers. They assure listeners that the festival is designed to be family-friendly and inclusive, with special half-price tickets for teens and free admission for kids under 12. Dave encourages listeners to attend, whether they're camping for the whole weekend or just visiting for the day. Learn more on their website: https://watermelonpickersfest.com/ and join their Facebook group.

Send us a Text Message.The River Arkansas initially formed when frontman Mike Clark (guitar, banjo, and singer-songwriter) and Macon Terry (bass) met as members of other bands in 2014, and realized soon after that they both lived in Colorado Springs. Clark and Terry ended up performing in the studio together and releasing the band's debut album, Golden Light.Terry then brought players from his own band Clouds and Mountains, Robin Chestnut (drums) and Rachel Sliker (violin), and toured the West Coast for a month before releasing the second River Arkansas album, You Animal. They've since released a third album, Any Kind of Weather, and three EPs, “Damn Good Dog,” “Waiting on the Rain,” and “Green Bridge”.Before Clark became a musician, he started as a semi-professional trials bike rider, taking his first big road trip across the West Coast at the age of 27 with a friend of his to ride their bikes and meet other riders to compete with. Clark's friend, Patrick, would play his guitar many times throughout the trip (Clark didn't know he had a guitar before this trip), and Patrick's playing inspired Clark enough that he bought a harmonica during a stop at a Seattle music shop. He practiced during the rest of the trip, and that was his first venture into music.Jack Cloonan's grandfather and father played accordion, and his father also played tenor banjo. Cloonan started playing accordion at seven years old and violin at nine, focusing on traditional Irish jigs. Around the age of fourteen, he picked up a guitar and started playing more contemporary rock tunes, such as those by Led Zeppelin. He picked up a mandolin for the first time during high school, and eventually, he found bands such as Leftover Salmon and String Cheese Incident, who took Irish tunes and fused them with American stylings. At around nineteen, he started writing his own songs, with some of his guitar influences including Doc Watson, Clarence White, Tony Rice, Larry Keel, and Jake Workman.Cloonan has also been able to spend time with banjo influence Andy Thorn from Leftover Salmon, as well as perform many times with Silas Herman, son of Vince Herman, founding member of the iconic band. Silas Herman, while also performing many times with his dad, has performed in dozens of music festivals and has shared the stage and recorded with groups and individuals such as Drunken Hearts, Terrapin Family Band with Peter Rowan, Sam Bush, Chris Thile of Nickel Creek and Punch Brothers, and The Kitchen Dwellers (just within the last couple of months). Thank you for listening to The Mountain-Ear podcast featuring the news and culture from peak to peak. If you would like to be featured in the podcast, contact the host at media@themountainear.com!SUBSCRIBE ONLINE and use the COUPON CODE PODCAST FOR A 10% Discount for ALL NEW SUBSCRIBERS https://www.themtnear.com/subscribe/ You can find us online by visiting https://www.themtnear.com/Find us on Facebook @mtnearShare this podcast around wherever you've found it or by sharing the link https://themtnearpodcast.buzzsprout.com/ or https://www.themtnear.com/the-mountain-ear-podcast/You can contact our editor at info@themountainear.com.Thank you for listening.

On today's show is Missy Raines, one of the great bluegrass bassists out there, not to mention a fabulous singer and songwriter. Bluegrass bass playing is a funny thing - on the surface it seems simple. But there's a whole other level to it, and when you hear someone like Junior Huskey do it, or Mike Bub, or Dennis Crouch, or Missy Raines, they all play at that level. There's a way the really good players place their notes, there's the tone, and it all comes down to the bed that the bass players lay for the other players in the band to live in. And that's the hard part. Once you get a chance to play with someone of that calibre it becomes much clearer what great bassist brings to the table, and Missy is one of the best. She's been releasing albums under her own name since 1998, and her latest recording just came out a couple months ago - it's called “Highlander” and it's a killer record that features her band Allegheny as well as guests like Kathy Mattea, Michael Cleveland, Darol Anger, and Rob Ickes. Missy is from West Virginia, and she was lucky enough to grow up in an area that had a strong bluegrass scene that she got to experience first hand. She's lived in Nashville for a long time now, and is on the road alot these days. She's won multiple IBMA awards for Bass Player of the Year, and has performed with legends like Mac Wiseman, Peter Rowan and Josh Graves. Aside from her accomplishments in the bluegrass world, Missy swerved over into more experimental territory a few years back and had a band going called The New Hip, who made a couple of incredible records well worth checking out as well that feature her songwriting in a less traditional context. But these days she's pretty focussed on traditional bluegrass and has one of the best bands on the scene, so make sure you go see them if they come through your area. You can get all the latest news and her tour dates over at missyraines.com - Enjoy my conversation with Missy Raines!This season is brought to you by our sponsors Larivée Guitars and Fishman AmplificationYou can join our Patreon here to get all episodes ad-free, as well as access to all early episodesThe show's website can be found at www.makersandshakerspodcast.com Get ad-free episodes and access to all early episodes by subscribing to Patreon. Hosted on Acast. See acast.com/privacy for more information.

This week we feature multi-instrumentalist and singer Keith Little.  We talk with Keith about his long career in bluegrass starting on the west coast playing with Vern and Ray and various other California bands, then working with the Country Gentlemen, going to Nashville to work with Ricky Skaggs and Dolly Parton and then back out west to work with David Grisman and Peter Rowan. 

In this episode of The Bandwich Tapes, I am thrilled and honored to sit down with the incredible Luke Bulla, one of my all-time favorite instrumentalists and vocalists. Our conversation is a deep dive into his remarkable musical journey and the experiences that have shaped his illustrious career.Luke's life has been steeped in music from an early age. At age four, he began touring and singing with his family band and took up the fiddle at seven. His prodigious talent quickly became evident as he went on to win the National Fiddle Contest in Weiser, Idaho, six times in his respective age categories. At sixteen, he made history by becoming the youngest winner of the Grand Champion division. By age ten, Luke had already made a mark at Nashville's Grand Master Fiddle Championship as the youngest top-ten finalist.In the spring of 1999, Luke moved to Nashville, diving headfirst into a full-time music career. His early years in Tennessee were marked by his stint with Ricky Skaggs' band, Kentucky Thunder, where his exceptional fiddle playing earned him his first Grammy Award. Following this, he joined the John Cowan Band. He performed and recorded with a host of renowned artists including Brandi Carlile, Jim Lauderdale, Darrell Scott, Alison Krauss, Jerry Douglas, Sam Bush, Edgar Meyer, Bela Fleck, and many more. His collaborations read like a who's who of the music industry, featuring names such as Bryan Sutton, Kevin Costner & Modern West, Shawn Colvin, Tony Rice, Chris Thile, Peter Rowan, Patty Griffin, Glen Phillips, Rodney Crowell, and Earl Scruggs.Luke was a perennial instructor at Mark O'Connor's fiddle camps during his early years in Nashville. Alongside his long-time friend Casey Driessen, Luke founded the band Wisechild, which toured briefly with John Mayer and Counting Crows. He also played a pivotal role in the band W.P.A. (Works Progress Administration), a collaboration that included notable members like Sean Watkins, Glen Phillips, Sara Watkins, Benmont Tench, Pete Thomas, Greg Leisz, and Davey Faragher.In 2009, Luke released a solo EP featuring a stellar lineup of musicians, including Jerry Douglas, Sam Bush, Bela Fleck, and Aoife O'Donovan. That same year, he joined Lyle Lovett's Large Band and toured full-time with them until 2023.In 2015, Luke co-founded the Bluegrass/Americana record label, Pure Music | Nashville, with music and business executive John L. Heithaus. The label released his LP, Who Loves You Better, in May 2016. Recorded at Zac Brown's Southern Ground Nashville studio and produced by Grammy winner Bryan Sutton, the LP showcases Luke's extraordinary musical talent.Join us for an enriching discussion as we explore Luke's diverse musical influences, his approach to songwriting, and the incredible journey that has led him to where he is today. This episode is a celebration of his enduring contribution to music and his unwavering passion for his craft.Music from the Episode:Luke Bulla - Temperance Reel (Luke Bulla/Guy Clark/J.R.Stuart)Luke Bulla - Who Loves You Better (Feat: Sarah Jarosz) (Lyle Lovett)Luke Bulla - On the Turning Away (David Gilmour and Anthony Moore)Luke Bulla - Tie Me Down and Set Me Free (Luke Bulla/J.R.Stuart)Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com. Please tell your friends about the show.The theme song, "Playcation", was written by Mark Mundy.

Dobro master Rob Ickes joins me on the show this week. Rob was kind enough to drop in to the Henhouse to hang for a while, talk and even play a little bit. Rob is one of those players that is so good on one particular instrument that he's managed to carve out a really impressive career being dedicated to just one thing. And that one thing is the dobro, which is kind of a specific instrument - It's somewhat married to bluegrass music, but a very few players, and that list includes Rob and Jerry Douglas (and maybe one or two others), have managed to bring it to wider audiences through sessions and performances outside of that genre, while maintaining their standing at the highest level within it. Rob grew up in California, but moved to Nashville in the early 90's and really established himself as a pre-eminent player with a long stint in the acclaimed bluegrass band Blue Highway. He left the band in 2015 to focus on his duo with the incredible singer and guitarist Trey Hensley, who was on this show a couple of years ago. Rob's impressive session history includes working with artists like Merle Haggard, Taj Mahal, Willie Nelson, Peter Rowan, Tony Rice, Charlie Haden, Dolly Parton, Allison Krauss, Little Feat, Patty Loveless and many more. And while the session world keeps calling, Rob has never wanted to solely become a studio player, so he keeps busy on the road as much as he can, and the duo with Trey is incredibly busy now. Their latest release as Rob and Trey is called “Living In A Song”. On top of all that, Rob continues to teach and run his successful “Resosummit” each year here in Nashville.You can get info on all of Rob's activities as well as his tour dates with Trey Hensley over at robickes.com - Enjoy my conversation with Rob Ickes!This season is brought to you by our sponsors Larivée Guitars and Fishman AmplificationYou can join our Patreon here to get all episodes ad-free, as well as access to all early episodesThe show's website can be found at www.makersandshakerspodcast.com Get ad-free episodes and access to all early episodes by subscribing to Patreon. Hosted on Acast. See acast.com/privacy for more information.

Bluegrass legend Peter Rowan joins Nick, Helen, and the Etones at eTown this week to play some classic tunes as well as more recent originals. Also on stage are the young, and super-talented, AJ Lee & Blue Summit who represent the healthy and vibrant future of Bluegrass Music. In addition, Nick spends some extra time chatting with Peter as he shares stories from his nearly sixty years in the business and on the road.   That's all this week on eTown!   Visit our Youtube Channel to see artist interviews, live recordings, studio sessions, and more!

My guests this week are Ruth Oxenberg and Rob Schumer.They join me to talk about a very special series of concerts they've curated called Bluegrass on Hudson, which are happening at The Fisher Center for the Performing Arts at Bard College, in New York's Hudson Valley.But we start by talking about a wonderful documentary they directed and produced called Bluegrass Journey. It's a movie I've watched multiple times and really love. We chat about how they got into bluegrass in the first place (including how the Del McCoury Band almost became their wedding band!), how a TV news segment on bluegrass turned into a feature length documentary, their experience of filming the movie at Gray Fox Bluegrass Festival and some of the legends of bluegrass who feature in the movie, including the Del McCoury Band, Peter Rowan, Tim O'Brien, Jerry Douglas, Chris Thile and an iconic performance of Shenandoah by Tony Rice.If you haven't seen Bluegrass Journey I'd urge you to check it out. This was a wonderful conversation. I hope you enjoy it!Happy picking,MattWatch Bluegrass Journey on Amazon PrimeBluegrass on Hudson info and tickets Support the Show.===- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

Bluegrass legend Peter Rowan talks about his lifelong fascination with the West, amateur historians, and making the album High Lonesome Cowboy with Don Edwards.        Learn more about Peter Rowan at www.peter-rowan.com       This episode was sponsored by B2 Trading Company. Learn more about them at www.b2tradingcompany.com       Learn more about Cowboy Crossroads at www.andyhedges.com       Become a patron at www.patreon.com/cowboycrossroads  

"Behind the Scenes with Rob Bleetstein: Archiving the Legacy of the NRPS"Larry's guest, Rob Bleetstein, is known for his role as the host of the live concerts on the Sirius XM Grateful Dead station and as the voice of Pearl Jam Radio. In today's episode, he discusses the recently released live album "Hempsteader" by the New Riders Of The Purple Sage (NRPS), where he serves as the archivist and producer.The New Riders of the Purple Sage is an American country rock band that emerged from the psychedelic rock scene in San Francisco in 1969, with original members including some from the Grateful Dead. Their roots trace back to the early 1960s folk and beatnik scene around Stanford University, where Jerry Garcia and David Nelson played gigs together. Influenced by American folk music and rock and roll, the band formed, including Garcia on pedal steel guitar initially.The discussion delves into the background of the NRPS, their albums, and notable tracks like "Panama Red," written by Peter Rowan and popularized by the band. The album "New Riders of the Purple Sage" features Garcia on pedal steel guitar and includes tracks like "Henry," a humorous tale of marijuana smuggling.Throughout the show, various NRPS tracks are highlighted, showcasing the band's eclectic style and songwriting. Additionally, news segments cover topics such as the DEA's agreement to reschedule marijuana and updates from the music industry, including rare concert appearances and tour plans.Overall, the episode provides insights into the NRPS's music, their influence on the country rock genre, and relevant news in the marijuana and music industries. Larry's Notes Rob Bleetstein who many folks know as the host of the three live concerts played every day on the Sirius XM Grateful Dead station.  Also the voice of Pearl Jam Radio. And, most importantly for today's episode, the archivist for the New Riders Of The Purple Sage and the producer of the Hempsteader album. Today, featuring recently released NRPS live album, “Hempsteader” from the band's performance at the Calderone Concert Hall in Hempstead, NY on June 25, 1976, just shy of 48 years ago.New Riders of the Purple Sage is an American country rock band. The group emerged from the psychedelic rock scene in San Francisco in 1969 and its original lineup included several members of the Grateful Dead.[2] The band is sometimes referred to as the New Riders or as NRPS.The roots of the New Riders can be traced back to the early 1960s Peninsulafolk/beatnikscene centered on Stanford University's now-defunct Perry Lane housing complex in Menlo Park, California where future Grateful Dead guitarist Jerry Garcia often played gigs with like-minded guitarist David Nelson. The young John Dawson (also known as "Marmaduke") also played some concerts with Garcia, Nelson, and their compatriots while visiting relatives on summer vacation. Enamored of the sounds of Bakersfield-style country music, Dawson would turn his older friends on to the work of Merle Haggard and Buck Owens and provided a vital link between Timothy Leary's International Federation for Internal Freedom in Millbrook, New York (Dawson having boarded at the Millbrook School) and the Menlo Park bohemian coterie nurtured by Ken Kesey.Inspired by American folk music, rock and roll, and blues, Garcia formed the Grateful Dead (initially known as The Warlocks) with blues singer Ron "Pigpen" McKernan, while Nelson joined the similarly inclined New Delhi River Band (which would eventually come to include bassist Dave Torbert) shortly thereafter.  The group came to enjoy a cult following in Santa Clara and Santa Cruz Counties through the Summer of Love until their dissolution in early 1968.In 1969, Nelson contributed to the Dead's Aoxomoxoa album in 1969.  During this period Nelson and Garcia played intermittently in an early iteration of High Country, a traditional bluegrass ensemble formed by the remnants of the Peninsula folk scene.By early 1969, Dawson had returned to Los Altos Hills and also contributed to Aoxomoxoa.  After a mescaline experience at Pinnacles National Park with Torbert and Matthew Kelly, he began to compose songs on a regular basis working in a psychedelic country fusion genre not unlike Gram Parsons' Flying Burrito Brothers.Dawson's vision was prescient, as 1969 marked the emergence of country rock via Bob Dylan, The Band, The Flying Burrito Brothers, Poco, the Dillard & Clark Band, and the Clarence White-era Byrds. Around this time, Garcia was similarly inspired to take up the pedal steel guitar, and an informal line-up including Dawson, Garcia, and Peninsula folk veteran Peter Grant (on banjo) began playing coffeehouse and hofbrau concerts together when the Grateful Dead were not touring. Their repertoire included country standards, traditional bluegrass, Dawson originals, and a few Dylan covers ("Lay Lady Lay", "You Ain't Goin' Nowhere", "Mighty Quinn"). By the summer of 1969 it was decided that a full band would be formed and David Nelson was recruited to play lead guitar.In addition to Nelson, Dawson (on acoustic guitar), and Garcia (continuing to play pedal steel), the original line-up of the band that came to be known as the New Riders of the Purple Sage (a nod to the Foy Willing-led Western swing combo from the 1940s, Riders of the Purple Sage, which borrowed its name from the Zane Grey novel) consisted of Alembic Studio engineer Bob Matthews on electric bass and Mickey Hart of the Grateful Dead on drums; bassist Phil Lesh also played sporadically with the ensemble in lieu of Matthews through the end of the year, as documented by the late 1969 demos later included on the Before Time Began archival release. Lyricist Robert Hunter briefly rehearsed with the band on bass in early 1970 before the permanent hiring of Torbert in April of that year.[8] The most commercially successful configuration of the New Riders would come to encompass Dawson, Nelson, Torbert, Spencer Dryden (of Jefferson Airplane fame), and Buddy Cage.After a few warmup gigs throughout the Bay Area in 1969, Dawson, Nelson, and Torbert began to tour in May 1970 as part of a tripartite bill advertised as "An Evening with the Grateful Dead". An acoustic Grateful Dead set that often included contributions from Dawson and Nelson would then segue into New Riders and electric Dead sets, obviating the need to hire external opening acts. With the New Riders desiring to become more of a self-sufficient group and Garcia needing to focus on his other responsibilities, the musician parted ways with the group in November 1971. Seasoned pedal steel player Buddy Cage was recruited from Ian and Sylvia's Great Speckled Bird to replace Garcia. In 1977 and 1978, NRPS did open several Dead and JGB shows, including the final concert preceding the closure of Winterland on December 31, 1978.In 1974, Torbert left NRPS; he and Matthew Kelly co-founded the band Kingfish (best known for Bob Weir's membership during the Grateful Dead's late-1974 to mid-1976 touring hiatus) the year before. In 1997, the New Riders of the Purple Sage split up. Dawson retired from music and moved to Mexico to become an English teacher. By this time, Nelson had started his own David Nelson Band. There was a reunion performance in 2001. In 2002, the New Riders accepted a Lifetime Achievement Award from High Times magazine. Allen Kemp died on June 25, 2009.[13][14] John "Marmaduke" Dawson died in Mexico on July 21, 2009, at the age of 64.[15][16]Pedal steel guitarist Buddy Cage died on February 5, 2020, at age 73. (Rob – this is mostly notes for me today so I can sound like I know what I'm talking about.  I'll go through some of it to set some background for the band, but feel free to take the lead on talking about those aspects of the band, and its musicians, that you enjoy most or find most interesting – keeping in mind that our target audience presumably are fans of marijuana and the Dead.)   INTRO:                Panama Red                                Track #1                                Start – 1:49 Written by Peter Rowan “Panama Red” is well known in the jam-grass scene, but it's perhaps not as widely known that Peter Rowan wrote the song.It was originally a 1973 hit for the New Riders of the Purple Sage, and the first popular version with Rowan singing and playing it came when the supergroup Old & In the Way, released their eponymous album in 1975, two years after their seminal time, in 1973, and a year after they disbanded. Jerry Garcia was the connective tissue between the two projects, playing pedal steel in the early New Riders and banjo in Old & In the Way. “I wrote ‘Panama Red' after leaving my first project with David Grisman, Earth Opera, around the summer of the Woodstock music festival [1969],” Rowan explains. “It's a fun song because it captures the vibe of the time. I was from the East Coast, but I found there to be more creativity on the West Coast during that time period.“Nobody wanted to do ‘Panama Red' on the East Coast. I took it to Seatrain [the roots fusion band in which Rowan played from 1969 to 1972], and when it eventually became a hit, the manager of Seatrain claimed it. I never saw any money, even though it became the title of an album for the New Riders of the Purple Sage [1973's The Adventures of Panama Red]. “The subject was "taboo" in those days. You did jail time for pot. So that might have scared commercial interests. But Garcia was a green light all the way! "Oh sure" was his motto, both ironically and straight but always with a twinkle in his eye! After Seatrain management kept all the money, Jerry suggested I bring the song to Marmaduke and Nelson!" “When David Grisman and I got back together for Old & In the Way in 1973 with Jerry Garcia, Vassar Clements and John Khan, we started playing it.”From the NRPS album “The Adventures of Panama Red”, their fourth country rock album released in October 1973. It is widely regarded as one of the group's best efforts, and reached number 55 on the Billboard charts.The album includes two songs written by Peter Rowan — "Panama Red", which became a radio hit, and "Lonesome L.A. Cowboy". Another song, "Kick in the Head", was written by Robert Hunter. Donna Jean Godchaux and Buffy Sainte-Marie contribute background vocals on several tracks.  SHOW No. 1:   Fifteen Days Under The Hood                                Track #41:55 – 3:13 Written by Jack Tempchin and Warren Hughey.  Jack Tempchin is an American musician and singer-songwriter who wrote the Eagles song "Peaceful Easy Feeling"[1] and co-wrote "Already Gone",[2] "The Girl from Yesterday",[3]"Somebody"[4]and "It's Your World Now".[5] Released as the opening song on the NRPS album, “New Riders”, their seventh studio album, released in 1976 SHOW No. 2:   Henry                                Track #6                                1:19 – 3:05 "Henry", written by John Dawson, a traditional shuffle with contemporary lyrics about marijuana smuggling.  From the band's debut album, “New Riders of the Purple Sage”, released by Columbia Records in August, 1971.  New Riders of the Purple Sage is the only studio album by the New Riders to feature co-founder Jerry Garcia of the Grateful Dead on pedal steel guitar. He is also featured on the live albums Vintage NRPS and Bear's Sonic Journals: Dawn of the New Riders of the Purple Sage.Mickey Hart and Commander Cody play drums and piano, respectively, on two tracks—"Dirty Business" and "Last Lonely Eagle".Then, there's a swerving left turn away from romance tunes on this album with ‘Henry‘, whose titular hero has stepped right out of a Gilbert Shelton underground comic.  At a frenetic pace the story of Henry's run to Mexico to fetch twenty kilos of (Acapulco?) gold unravels, with Henry driving home after sampling the wares “Henry tasted, he got wasted couldn't even see – how he's going to drive like that is not too clear to me.”  It's a joke, but a joke that sounds pretty good even after repeat listens.SHOW No. 3:   Portland Woman                                Track #9                                :34 – 2:00 Another Marmaduke tune from the NRPS album released in August, 1971.A bittersweet love song progressing from touring boredom to be relieved by a casual hook-up with the pay-off with the realization that the Portland Woman who “treats you right” has actually made a deeper connection “I'm going back to my Portland woman, I don't want to be alone tonight.”   SHOW No. 4:   You Never Can Tell                                Track #15                                :51 – 2:26 You Never Can Tell", also known as "C'est La Vie" or "Teenage Wedding", is a song written by Chuck Berry. It was composed in the early 1960s while Berry was in federal prison for violating the Mann Act.[2] Released in 1964 on the album St. Louis to Liverpool and the follow-up single to Berry's final Top Ten hit of the 1960s: "No Particular Place to Go", "You Never Can Tell" reached number 14, becoming Berry's final Top 40 hit until "My Ding-a-Ling", a number 1 in October 1972.  Berry's recording features an iconic piano hook played by Johnnie Johnson.  The piano melody was influenced by Mitchell Torok's 1953 hit "Caribbean". The song has also been recorded or performed by Chely Wright, New Riders of the Purple Sage, the Jerry Garcia Band, Bruce Springsteen, the Mavericks, and Buster Shuffle.  JGB performed it almost 40 times in the early ‘90's. The song became popular again after the 1994 release of the film Pulp Fiction, directed and co-written by Quentin Tarantino. The music was played for a "Twist contest" in which Vincent Vega (John Travolta) and Mia Wallace (Uma Thurman) competed (and were the only contestants shown in the film). The music added an evocative element of sound to the narrative and Tarantino said that the song's lyrics of "Pierre" and "Mademoiselle" gave the scene a "uniquely '50s French New Wave dance sequence feel".  OUTRO:              Glendale Train                                Track #17                                1:30 – 3:14 Still another Marmaduke tune from the “New Riders of the Purple Sage” album released in late summer 1971.   MJ News:Just one MJ News story today important enough to take a few minutes to talk MJ:  DEA's agreement to reschedule MJ to Schedule 3 from Schedule 1.DEA Agrees To Reschedule Marijuana Under Federal Law In Historic Move Following Biden-Directed Health Agency's Recommendation - Marijuana Moment Benefits:  banking services, no 280(e) restrictions on what expenses retailers can deduct and allows for full medical research of MJ. Negatives:  Still illegal, all drugs on Schedules I, II and III must be prescribed by a licensed health care provider with prescription privileges and can only be dispenses by licensed pharmacists.  Music News:A few quick hits re Music (no real need to get into any of these but I like to see what's going on so I don't miss anything interesting, these are the first things that get cut when we decide we want to keep talking): Jaimoe makes rare public concert appearance with Friends of the Brothers in Fairfield CN, plays ABB hitsJaimoe Takes Part in Rare Public Concert Appearance, Revisits Allman Brothers Band Classics (relix.com) Mike Gordon sits in at the Dodd's Dead Residency at Nectar's in Burlingtron, VT as part of “Grateful Dead Tuesday”.  Plays He's Gone and Scarlet (we have some Phish fans as listeners so try to toss a few bones to them)Listen: Mike Gordon Offers Grateful Dead Classics at Nectar's (A Gallery + Recap) (relix.com) David Gilmour may be planning first tour since 2016, won't play any Pink Floyd songs from the ‘70's – like the old Doonesbury strip where Elvis comes back from the Dead, Trump hires him to play in one of his casinos and at the start of the show, Elvis announces that he is only playing the songs of the late great John Denver.David Gilmour Plots First Tour Since 2016 (relix.com) Roy Carter, founder of High Sierra Music Festival passes away.Roy Carter, High Sierra Music Festival Founder, Passes Away at 68 (relix.com) .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Today, we're beyond thrilled to share our conversation with the legendary Reverend Jeff Mosier. A pioneering force in the jam band and bluegrass scenes, Jeff's journey through music is nothing short of inspirational. Our bond with Jeff dates back to the late 80s when we lived together and explored the depths of bluegrass. It was Jeff who opened our eyes to the African roots of the banjo and the rich cultural tapestry of bluegrass music. He's not just a musician; he's a storyteller, weaving the history and soul of bluegrass into every note he plays. In this episode, we dive deep into Jeff's incredible musical career. From his early days with Colonel Bruce Hampton and the Aquarium Rescue Unit to his groundbreaking work with Blueground Undergrass, Jeff's journey is a testament to his pioneering spirit. He's shared stages with icons like Bela Fleck, Peter Rowan, Vassar Clements, and even taught the legendary band Phish a thing or two about bluegrass. But Jeff's impact goes beyond his musical collaborations. Our conversations reveal a man deeply connected to the spiritual and philosophical aspects of music, making this one of our favorite and most profound episodes yet. Tune in for a journey through the life of a musician who's not just played history but lived it. Don't miss this incredible episode – it's a deep dive into the soul of music and life itself! Comes A Time Podcast and content posted by Comes A Time is presented solely for general informational, educational, and entertainment purposes. The use of information on this podcast or materials linked from this podcast is at the user's own risk. It is not intended as a substitute for the advice of a physician, professional coach, psychotherapist, or other qualified professional, diagnosis, or treatment. Users should not disregard or delay in obtaining medical advice for any medical or mental health condition they may have and should seek the assistance of their healthcare professionals for any such conditions. Learn more about your ad choices. Visit megaphone.fm/adchoices

Still finding treasures in my deepest shelves of bluegrass LP's. This week's show has music from Billy Baker (fiddler), Mac Wiseman & the Osborne Brothers, and Merle Haggard singing a Jimmie Rodgers favourite. There's a brand-new release from Missy Raines & Allegheny, and songs from Peter Rowan, the Bluegrass Album Band, the HCBB and others; and some fine resonator playing from Kathy Barwick.

My guest this week is fiddle player George Jackson.George, originally from New Zealand,  now living in Nashville, won the 2022 IBMA Instrumentalist Of The Year Momentum Award.He's played with a wide range of artists with artists such as The Jacob Jolliff Band, Jake Blount, Tall Poppy String Band, The Local Trio, Front Country, Peter Rowan and Missy Raines.He joins me to chat about a fascinating project he's working on with Tristan Scroggins, called The Old Time 100. George and Tristan recorded 100 fiddle tunes in a day. Our conversation starts off with the obvious question ('Why?') and spreads from there into a wide ranging chat about how they chose the tunes, which versions they went for, how the tracks were recorded, why their key purpose is educational (although they sound great to listen to as well!)  and the differences (and similarities) between old time and bluegrass.I really enjoyed this one.To find out more about The Old Time 100, including transcriptions, videos and more, follow the links below.  InstagramTristan's InstagramGeorge's InstagramPatreonTristan's PatreonGeorge's PatreonHappy picking!Matt Support the show===- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

An in-demand keyboardist outside his own projects, Adam Bodine, has racked up thousands of performances with hundreds of groups, playing alongside some of the best in the biz. A go-to studio session musician to boot, Bodine is regularly recruited for all sorts of recording work. He has also accompanied various theatrical productions, including musicals, silent films, improv comedy, dance troupes, and various cultural arts and social justice presentations. Extra cool, Adam currently plays in the house band at eTown, the illustrious and nationally syndicated radio show and multimedia organization out of Boulder. In recent times with eTown, Adam has accompanied a myriad of popular artists including Rufus Wainwright, Madison Cunningham, City and Colour, Shovels and Rope, The Milk Carton Kids, The Secret Sisters, Bruce Cockburn, Ron Sexsmith, Peter Rowan, Daniel Rodriguez, Abraham Alexander, S.G. Goodman, Allison Russell, Calexico, Buffalo Nichols, Jake Blount, Parker Millsap, The Ballroom Thieves, Mmeadows, Dom Flemons, and The War and Treaty. Bodine will appear at Dazzle on Wed, December 27, 2023. --- Send in a voice message: https://podcasters.spotify.com/pod/show/backstagejazz/message

Monday, December 11th/23 Join Me tonight as I welcome my Special Guest Mike Fiorito. Mike is an independent freelance journalist, associate editor for Mad Swirl magazine & an author of multiple books. Tonight, we're chatting about Mike's latest release “Mescalito Riding His White Horse”, a book inspired by Bluegrass musician Peter Rowan; his musical & spiritual journeys; including chatting about Buddhism, Mike's upcoming science fiction book about UFOs & so much more!!

Monday, December 11th/23 Join Me tonight as I welcome my Special Guest Mike Fiorito. Mike is an independent freelance journalist, associate editor for Mad Swirl magazine & an author of multiple books. Tonight, we're chatting about Mike's latest release “Mescalito Riding His White Horse”, a book inspired by Bluegrass musician Peter Rowan; his musical & spiritual journeys; including chatting about Buddhism, Mike's upcoming science fiction book about UFOs & so much more!!

This week I talk to Mike Fiorito, author of several books, including The Hated Ones, Falling from Trees, Sleeping with Fishes, Call Me Guido, Freud's Haberdashery Habits and Hallucinating Huxley. Falling from Trees received the 2022 Independent Press Distinguished Book Award in the short story category. Mike's latest book, Mescalito Riding His White Horse, is inspired by the music of bluegrass legend Peter Rowan. He has a novel in production, slated to come out in 2024, called For All We Know, which examines the phenomena and the liminality that always seems to be associated with it. I saw Mike's book, Mescalito Riding His White Horse, pop up on my Instagram feed, and the name and cover caught my eye.  I didn't know anything about Mike, or Peter Rowan, for that matter, but I kept feeling drawn to reach out.  I know better, at this point, than to ignore those little sparks of connection. When I did reach out I discovered that we inhabit unexpected overlapping landscapes, including Tibetan Buddhism, wisdom traditions, ufology, profound dreams and visions, and a fascination with the phenomena. Mike sent me a copy of Mescalito, and when I began reading, I was astonished at the flurry of synchronicities with my own writing that emerged in the very first paragraph.  Those of you who have listened to or read my book will catch it right away, I'm sure. Mike Fiorito The Flip by Jeffrey Kripal Metrocard art by Juan Carlos Pinto Tibetan singer Yungchen Lhamo My book is out!! Earth: A Love Story exists as a physical object in the world. Deep forever gratitude to those of you who have purchased the book and left reviews on Amazon. Thank you, thank you, thank you. Our beautiful musical soundscapes are provided by Morgan Jenks. You can support ⁠⁠his new album on bandcamp⁠⁠, or find out more at ⁠⁠morganjenks.com⁠⁠ Find me on instagram ⁠⁠@robin_lassiter_honeyheart⁠⁠ and ⁠⁠@earth_a_love_story⁠⁠ To join my mailing list or book a 1:1 session with me, visit ⁠⁠honeyheart.org⁠⁠ If you'd like to support our work, please consider becoming a ⁠⁠Patron

Bluegrass legend Peter Rowan joins Nick, Helen, and the Etones at eTown this week to play some classic tunes as well as more recent originals. Also on stage are the young, and super-talented, AJ Lee and Blue Summit who represent the healthy and vibrant future of Bluegrass Music. In addition, Nick spends some extra time chatting with Peter as he shares stories from his nearly sixty years in the business and on the road. That's all this week on eTown!   Visit our Youtube Channel to see artist interviews, live recordings, studio sessions, and more!   Be a part of the audience at our next recording: https://www.etown.org/etown-hall/all-events/

Today we are setting the table with a visit with a tremendously talented 14-year-old musician who makes his home in East Tennessee, Wyatt Ellis. He sings in that high lonesome sound and plays in a style all his own, heavily influenced by the sounds of the father of Bluegrass, Bill Monroe, along with Peter Rowan and Bobby Osborne.

While sitting through COVID lockdowns Chris Castino of Minnesota-based rock'n'roll jam band The Big Wu teamed up with Milwaukee-based bluegrass band Chicken Wire Empire to reimagine some of his catalog into impeccably fitting bluegrass tunes. These songs were transformed and resulted in their collaborative album Fresh Pickles. Fresh Pickles is just the beginning of a heartfelt and fulfilling voyage into bluegrass— it features stomping rippers and sweet, harmonic ballads, as well as a taste of genre-shifting psychedelic rides. Always true to the tradition and authentic in presentation, this collaboration is packed with great pickin' excitement and most importantly joy. Fresh Pickels is a triumphant musical collaboration that was pulled right out of the ground by its Midwestern roots, from traditional folk to blends of contemporary bluegrass and jammy deliciousness. The joyous album-making process produced many special guest appearances from several GRAMMY-winning artists in the bluegrass and Americana world including Sam Bush, Peter Rowan, Tim O'Brien, Jerry Douglas, Andy Hall, Vince Herman, Nick Forster, Keller Williams, and Adam Greuel. With the help of many of Chris's lifelong musical heroes, the record has that classic 70's and 80's alt-bluegrass sound, while never too far from the traditional bluegrass style that defines the genre. This episode features recordings from Chris Castino & Chicken Wire Empire's July 2022 performance under the tent and serves as a special experience for audiences of bluegrass purists and all lovers of great tunes.     First broadcast in 1994, Tent Show Radio is a weekly one-hour radio program showcasing the best live recordings from acclaimed music acts and entertainers who grace the Big Top Chautauqua stage each summer in beautiful Bayfield, WI. In the program's nearly 30-year history it has featured artists like Johnny Cash, B.B King, Brandi Carlile, Willie Nelson, Don McLean, and many more. Hosted by celebrated New York Times best-selling author Michael Perry-who weaves stories and humor throughout each episode - Tent Show Radio features performances from renowned national & regional artists, with regular appearances featuring Big Top's own unique brand of shows that feature songs and stories performed by its acclaimed house band, The Blue Canvas Orchestra. Tent Show Radio is independently produced by Big Top Chautauqua, a non-profit performing arts organization, with a mission to present performances and events that celebrate history and the environment - along with their annual summer concert series - nestled in the woods on the shores of Lake Superior and the Apostle Islands.   EPISODE CREDITSMichael Perry - Host Phillip Anich - Announcer Matt Jugenheimer - Engineer & Producer Gina Nagro - Marketing Support FOLLOW BIG TOP CHAUTAUQUA https://www.facebook.com/bigtopchautauqua/ https://www.instagram.com/bigtopchautauqua/ https://www.tiktok.com/@bigtopchautauqua https://twitter.com/BigBlueTent FOLLOW MICHAEL PERRYhttps://sneezingcow.com/ https://www.facebook.com/sneezingcow https://www.instagram.com/sneezingcow/ https://twitter.com/sneezingcow/ 2023 TENT SHOW RADIO SPONSORSAshland Area Chamber of Commerce - https://www.visitashland.com/  Bayfield Chamber and Visitor Bureau - https://www.bayfield.org/  Bayfield County Tourism - https://www.bayfieldcounty.wi.gov/150/Tourism  The Bayfield Inn - https://bayfieldinn.com/  Cable Area Chamber of Commerce - https://www.cable4fun.com/  Washburn Area Chamber of Commerce - https://washburnchamber.com/ SPECIAL THANKSWisconsin Public Radio - https://www.wpr.org/ 

In just four years, 14-year-old Wyatt Ellis has gone from discovering bluegrass music for the first time to becoming one of its rising stars. This is the story of a prodigy who taught himself how to play the mandolin (and guitar and fiddle) through the pandemic and has already graced stages with Peter Rowan and Billy Strings. He has a Grand Ole Opry appearance under his belt, a new single with Sierra Hull (and an album in the works), and he's the proud new owner of one of Marty Stuart's old Gibson Lloyd Loar-signed mandolins. During our chat, we hear how he did it, what it's like to play with your music heroes, and where he's headed. https://wyattellis.com/ Wyatt Ellis & Sierra Hull - "Grassy Cove" - https://www.youtube.com/watch?v=9TgNSPKCsX8 Love our podcast and want to support it? Join our Patreon and get episodes ad-free: https://www.patreon.com/Fretboard_Journal Subscribe to the Fretboard Journal and start with our new, 52nd issue:  https://shop.fretboardjournal.com/products/fretboard-journal-annual-subscription Get a discounted digital subscription and get our 52nd issue immediately:  https://shop.fretboardjournal.com/collections/downloads/products/fretboard-journal-digital-subscription-offer Our Fretboard Summit is taking place August 24-26, 2023 in Chicago. https://fretboardsummit.org/ Our podcast is sponsored by Mike & Mike's Guitar Bar, Peghead Nation (use the promo code FRETBOARD and get your first month free or $20 off any annual subscription); and Stringjoy Strings (get 10% off your order with the FRETBOARD discount code). This episode is also sponsored by iZotope. Use the discount code FRET10 to save 10% off your Izotope order.

WAYNE C. HENDERSON is a stunning steel-string player, and he's equally known for the amazing guitars he builds. Highly sought after instruments, Wayne's handmade guitars (and mandolins) have been ordered by everyone from Vince Gill and Eric Clapton to Brad Paisley, Peter Rowan and Doc Watson. To make a Henderson, Wayne says he just gets out his pocketknife and carves away "anything that doesn't look like a guitar." Last but not least, Wayne is known for the spectacular one-day music gathering he and his friends hold on a mountain in Virginia each year — the Wayne C. Henderson Music Festival and Guitar Competition, which raises scholarship money to help children learn to play instruments and love music. I attended the festival this year and had such a great time, two days later I brought some mics and stands over to Wayne's shop and convinced him to play some solo pieces, jam with me and do an interview, and you are about to hear it all here. This episode is presented by GUITAR PLAYER magazine and GUITARPLAYER.COM. Thanks for listening! ——Jude Gold, Host and creator, No Guitar Is Safe.

Today we are setting the table with a visit with a tremendously talented 14-year-old musician who makes his home in East Tennessee, Wyatt Ellis. He sings in that high lonesome sound and plays in a style all his own, heavily influenced by the sounds of the father of Bluegrass, Bill Monroe, along with Peter Rowan and Bobby Osborne. Wyatt has had quite a year in his 13th year, in 2022, with highlights including a full-circle Woodsongs Old-Time Radio Hour with his mentor Sierra Hull, receiving a scholarship to work with Bobby Osborne from the KY School of Bluegrass, kicking off the CMA fest with David Harvey at the Gibson Garage, playing mandolin at Peter Rowan's induction to the Bluegrass Hall of Fame, performing at Marty Stuart's Grand-reopening of the Ellis Theatre in Philadelphia MS. He also performed on the Grand ole Opry. All of this at the age of 13. Wyatt has recently played music with Billy Strings, Molly Tuttle, Bryan Sutton, and more in Winston-Salem, NC, to celebrate what would have been Doc Watson's 100th Birthday. And he played on stage at Merlefest this past April.⁣ Wyatt made his own dream come true with the help of Dailey and Vincent - playing on the stage of the Grand Ole Opry at the age of 13. Sierra Hull has also been an enormous part of Wyatt's road along learning this Appalachian music.

Our stadium-sized season finale visits the Dead's June 1973 mega-gigs with the Allman Brothers Band in Washington DC, featuring the Allmans family, legendary tapers, searing heat, super jams, backstage brawls, & the manifestation of the Ouroboros. Guests: Bunky Odom, Buddy Thornton, Ron Wickersham, Alan Trist, Ben Haller, Peter Rowan, Richard Loren, Allan Arkush, Merl Saunders Jr., Steve White, Jim Cooper, Laurie Oliver, Dan Henklein, Howie Levine, Ihor Slabicky, Jay Kerley, Brian Schiff, David Lemieux, Alan PaulSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We talked for an hour and a half and could have easily talked for much longer, although even in this relatively short time, it felt like our conversation was far greater than the time it occupied, almost like seeing the whole world in a grain of sand. Collaboration was the main topic we discussed, and as you will hear, collaboration for Peter Rowan comes naturally, and goes a lot deeper than just the songs themselves. Sixty years ago, he set foot on a path that would lead to one of his most noteworthy collaborations with Bill Monroe, joining the Blue Grass Boys in 1963. It was with Bill that he wrote the song “The Walls Of Time”, and in our conversation he details its genesis in a fateful sunrise experience with an enduring impact on him all those years ago. Following his years with Monroe, Peter Rowan collaborated with Jerry Garcia, Tony Rice, Flaco Jimenez, David Grisman and more recently, Molly Tuttle, to name just a few. Peter and I talk about those collaborations; about standing close to the fire of the great Bill Monroe; which roots music artists from younger generations have that fire today; we dive into a bit of music theory as well as Buddhist concepts that can also apply to music, and much more in this easy going and far reaching conversation. Peter Rowan Songs heard in this episode:“The Walls Of Time” by Peter Rowan, from Crucial Country“Doc Watson Morning” by Peter Rowan, from The Old School, excerpt“Midnight On The Stormy Deep” by Bill Monroe, excerpt“Midnight Moonlight” by Old & In The Way, from Old & In The Way, excerpt“Squeeze Box Man” by Peter Rowan, from Texican BadmanThank you for visiting, and are even more grateful whenever you share this with someone. Please follow us on your podcast platform of choice, and then it will only take a minute to give it a good rating and, where it is an option, a review. Great ratings, and reviews especially, will make Southern Songs and Stories and the artists it profiles more likely to be found by more people just like you. This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes of this podcast on Bluegrass Planet Radio here. Thanks to Corrie Askew for producing the radio adaptations of this series on public radio WNCW, where we worked with Joshua Meng who wrote and performed our theme songs. Thanks also to our guests, and we encourage you to check out their work. This is Southern Songs and Stories: the music of the South and the artists who make it. — Joe Kendrick

To celebrate 100 years of Arthel Lane “Doc” Watson, we invited 11 distinguished guests to share their stories and reflect on his legacy. You'll hear from a range of talented musicians, producers, and makers—including bluegrass titan Peter Rowan, monumental mandolinist Sierra Hull, flatpicking ace David Grier, and more. From poignant memories to laugh-out-loud moments, we explore this great guitarist's far-reaching and enduring influence on roots music and our lives.Support the show:Join our community on PatreonMake a one-time donation on PayPalLeave a review on Apple Podcasts (This helps other guitarists find the show and helps us. We really appreciate it!)Thanks to our guests: Alan Barnosky; B Townes; Beppe Gambetta; David Grier; David Mathis; John Leventhal; Lindsay Craven; Mitch Greenhill; Peter Rowan; Sierra Hull; Tommy Emmanuel.Additional Resources:Read this 1993 interview with Doc Watson from the Acoustic Guitar archives.Take a flatpicking master class with Alan Barnosky, where you'll learn to think and play like the greats, including Watson.Learn more about Merlefest.Learn more about the Doc Watson Signature Model from Gallagher Guitar.Recommended Listening:I Am a Pilgrim: Doc Watson at 100The Best Of Doc Watson, 1964-1968Doc & Merle Watson's Guitar AlbumTrouble in Mind: The Doc Watson Country Blues CollectionFoundation: The Doc Watson Guitar Instrumental CollectionThe Acoustic Guitar Podcast theme music is composed by Adam Perlmutter and performed for this episode by Alan Barnosky.This episode is hosted by Nick Grizzle, produced by Tanya Gonzalez, and directed and edited by Joey Lusterman. Executive producers are Lyzy Lusterman and Stephanie Campos Dal Broi.The Acoustic Guitar Podcast is produced by the team at Acoustic Guitar magazine, including:Publisher: Lyzy LustermanEditorial Director: Adam PerlmutterManaging Editor: Kevin OwensCreative Director: Joey LustermanDigital Content Director: Stephanie Campos Dal BroiDigital Content Manager: Nick GrizzleMarketing Services Manager: Tanya GonzalezSpecial thanks to our listeners who support the show on Patreon.Support the show

Hello and welcome to Southern Songs and Stories, with a favorite episode from 2021 here on this re-podcast of The Country Heart and Jazz Mind of Sierra Ferrell, published in late July of that year. Since then, Sierra Ferrell has enjoyed seeing the ranks of her fans swell on the heels of Long Time Coming, her album released later that summer. Currently, she is working on her next album with a bigger sound, including drums and pedal steel guitar, as well as fiddle tunes. Sierra Ferrell at the Albino Skunk Music Festival in May 2021 I interviewed Sierra Ferrell at the Albino Skunk Music Festival, which is happening again this week, May 11th through 13th in Greer SC, where I plan on interviewing more artists for future episodes here, so as we say in radio, stay tuned! Hopefully everything will line up for conversations with Miko Marks, Jake Xerxes Fussell and Eilen Jewell. Hope I am not jinxing things by saying that before I have the interviews in hand!And a big tip of the hat to the Albino Skunk Festival, which is always punching above its weight with getting such great artists. Sierra Ferrell has blown up after playing there, and in its decades long history, internationally known artists like Lake Street Dive, The War and Treaty and Billy Strings have played the festival many times. The War and Treaty talked with me at Albino Skunk in 2019, by the way, and that remains one of my favorite episodes here as well. Just two weeks ago I was at Merlefest where I interviewed Peter Rowan and Bella White, and you should be seeing episodes with their conversations here before too long. Lots going on as always in podcast land, and I hope to share another bit of positive news here soon, but nothing is set in stone so that will have to wait. What will not have to wait is for you to share Southern Songs and Stories with someone you know who likes music, or history and culture, and follow and give us a top rating on your podcast platform of choice. Oh, and speaking of history, thanks to one of my favorite podcasts, The Road to Now, for sharing a clip from my podcasts on The Shelton Laurel Massacre on one of their recent episodes. You can find The Road To Now on Osiris Media, and co-host and Avett Brothers bass player Bob Crawford recently published his podcast miniseries Founding Son, on America's sixth president John Quincy Adams, which is well worth a listen also. Thanks again, and I hope you enjoy our episode on Sierra Ferrell. Songs heard in this episode:“Lonesome Woman Blues” by Sierra Ferrell live at Albino Skunk Festival 05/14/21“I'd Do It Again” by Sierra Ferrell, live at Albino Skunk Festival 05/14/21, excerpt“T For Texas” by Sierra Ferrell, live at Albino Skunk Festival 05/14/21, excerpt“Whispering Waltz” by Sierra Ferrell, live at Albino Skunk Music Festival 05/14/21, excerpt“Why'd Ya Do It” by Sierra Ferrell, live at Albino Skunk Festival 05/14/21, excerpt“In Dreams” by Sierra Ferrell, live at Albino Skunk Music Festival 05/14/21

Mike Fiorito – Bluegrass, Buddhism, and Beyond: A Journey Through the Life and Work of Peter RowanAired Monday, May 8, 2023 at 11:00 AM PST / 2:00 PM EST / 7:00 PM GMT / 8:00 PM CETOMTimes Media is pleased to announce a captivating radio interview between Kara Johnstad, the Host of the show Voice Rising, and author Mike Fiorito. The discussion will revolve around Fiorito's new book release, “Mescalito Riding His White Horse,” which explores the unique blend of Buddhism and Bluegrass music. The book is inspired by the interviews Fiorito conducted with Peter Rowan, a legendary bluegrass and spiritual musician. “Mescalito Riding, His White Horse” is not just a biography of Rowan's life but also a personal journey of Fiorito himself. It combines autobiography, song lyric analysis, and explorations of Buddhism, among other themes.Fiorito's book offers a fascinating look into the themes that Rowan has covered in his songs, such as music history, climate change, eco-activism, social activism, and spirituality. It is rare to find Asian philosophy and bluegrass music woven together so seamlessly, and Fiorito manages to make it an entertaining and enlightening read. Join Kara Johnstad and Mike Fiorito on the Voice Rising show as they delve deeper into the world of bluegrass music, spirituality, and Buddhism. Tune in to this insightful interview on OMTimes Radio on May 8, 2023. Don't miss this unique blend of music, philosophy, and personal anecdotes.Mike Fiorito is an Associate Editor for Mad Swirl Magazine and a regular Red Hook Star Revue contributor. His other books are The Hated Ones, Sleeping with Fishes, Falling from Trees, Call Me Guido, Freud's Haberdashery Habits, and Hallucinating Huxley. He lives in Brooklyn, NY#MikeFiorito #VoiceRising #KaraJohnstadVisit Mike Fiorito at https://mikefiorito.com/To get in touch with Kara, go to http://www.karajohnstad.com/Visit the Voice Rising show page https://omtimes.com/iom/shows/voice-rising/Subscribe to our Newsletter https://omtimes.com/subscribe-omtimes-magazine/Connect with OMTimes on Facebook https://www.facebook.com/Omtimes.Magazine/ and OMTimes Radio https://www.facebook.com/ConsciousRadiowebtv.OMTimes/Twitter: https://twitter.com/OmTimes/Instagram: https://www.instagram.com/omtimes/Linkedin: https://www.linkedin.com/company/2798417/Pinterest: https://www.pinterest.com/omtimes/

  MIKE FIORITO is an accoomplished musician, writer and speaker whose new book, "Mescalito Riding His White Horse: Inspired by The Musical Adventures of Peter Rowan," explores the spiritual connections between Buddhism and bluegrass music. Mike shares excerpts from the book and discusses how this endeavor came about and how interconnectedness can be found everywhere, once one is in tune with the possibilites around us. We talk about the influence of Bill Monroe on American music and the spiritual underpinnings of of roots music aroung the world. Check out the book and other work by Mike at: www.mikefiorito.com

The Deadcast takes a special side trip into Jerry Garcia's extracurricular projects in 1973, exploring his partnerships with organist Merl Saunders & the legendary bluegrass group Old & In the Way with guests David Grisman & Peter Rowan, & how they impacted the Dead's music.Guests: David Grisman, Peter Rowan, Merl Saunders Jr., Richard Loren, Howard Wales, Hawk Semins, Joe JupilleSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Season Two, Episode Seven of 'The JamBase Podcast' presents the premiere of "Jerry Stories" featuring Peter Rowan sharing memories of Grateful Dead guitarist Jerry Garcia.

This episode was recorded on February 24th, 2023, at the Kennedy Center in Washington DC. The lineup includes David Bromberg Quintet, Peter Rowan, Larry Campbell & Teresa Williams, The High Hawks, and Nora Brown & Stephanie Coleman. https://bit.ly/3V9xU6z

This week, we're offering two episodes!  First up: We're talking to Simon Haycraft of Preston Thompson Guitars about their new Peter Rowan-signature model dreadnought. This uniquely appointed guitar is limited to just 15 instruments...and the second-ever guitar is our latest Fretboard Journal Exclusive instrument currently for sale on our site. It will be the cornerstone of some lucky FJ reader's acoustic guitar collection.    We talk to Simon about the design elements found in the Adi / Indian Rosewood guitar (with plenty of turquoise and koa touches), shooting sunbursts, and the custom inlay commissions he gets at Preston Thompson customers.    Learn more about this Peter Rowan signature guitar: https://shop.fretboardjournal.com/products/fj-exclusive-preston-thompson-peter-rowan-signature-model-serial-002   Watch our 2023 Wintergrass Vintage Instrument Workshop here: https://www.fretboardjournal.com/video/wintergrass-2023-vintage-instrument-workshop-with-darrell-scott-and-matt-flinner/   Get tickets to our forthcoming 2023 Fretboard Summit in Chicago: https://fretboardsummit.org/   Our podcast is sponsored by Retrofret Vintage Guitars; Deering Banjos; Peghead Nation (use the promo code FRETBOARD and get your first month free or $20 off any annual subscription); Izotope (use the coupon code FRET10 to save 10% off their plug-ins); and Stringjoy Strings.  

The transcendental pedal steel guitar virtuoso, composer, and singer is comfortable in just about any musical setting, be it jazz, blues, country, bluegrass, or pop. An in-demand session player, he’s recorded with Brian Blade, Joni Mitchell, Peter Rowan, Ruthie Foster, Papa Mali, and Coco Robicheaux. Releasing both the jazz record “Byways of the Moon” and the singer/songwriter project “Easley Rider” over the last couple of years, Dave is a busy guy. Tonight he makes time to join the Troubled Men for a trippy stroll through the canyons of their minds. Topics include gig recaps, an impending tour, a surgery, One Eyed Jacks, a fortune cookie, church, a potato ban, Tom Sizemore, Jack Nicholson’s daughter, sad banjo music, Steve Martin, Hawaiian music, Johnny Bonvillain, Spade Cooley, Aunt Marti, bee stings, a Japanese grandfather, internment camps, a political activist mother, a Methodist missionary, an anti-war protest, an acid trip, Jerry Garcia, the Grateful Dead, Col. Bruce Hampton, allergies, a dog bite, influences, the Portuguese, Howard Levy, Tim Green, Ben Keith, “Harvest Time,” Psychic Temple, remote recording, “Bloody Gold,” term limits, referendums, an Alaskan trip, and much more. Intro music: "Just Keeps Raining" by Styler/Coman Break and Outro Music: "Mockingbird" and "Weed Eater Wars" from "Easley Rider" by Dave Easley Support the podcast: Paypal or Venmo Join the Patreon page here. Shop for Troubled Men’s T-shirts & tanks here. Subscribe, review, and rate (5 stars) on Apple Podcasts or any podcast source. Follow on social media, share with friends, and spread the Troubled Word. Troubled Men Podcast Facebook Troubled Men Podcast Instagram Iguanas Tour Dates René Coman Facebook GR8 ESCAPE BAKING COMPANY Promo Code:TROUBLED15 Dave Easley Facebook Dave Easley Homepage

While sitting through COVID lockdowns Chris Castino of Minnesota-based rock'n'roll jam band The Big Wu teamed up with Milwaukee-based bluegrass band Chicken Wire Empire to reimagine some of his catalog into impeccably fitting bluegrass tunes. These songs were transformed and resulted in their collaborative album Fresh Pickles. Fresh Pickles is just the beginning of a heartfelt and fulfilling voyage into bluegrass— it features stomping rippers and sweet, harmonic ballads, as well as a taste of genre-shifting psychedelic rides. Always true to the tradition and authentic in presentation, this collaboration is packed with great pickin' excitement and most importantly joy. The album is a triumphant musical collaboration that was pulled right out of the ground by its Midwestern roots, from traditional folk to blends of contemporary bluegrass and jammy deliciousness. This joyous album-making process produced many special guest appearances from several GRAMMY-winning artists in the bluegrass and Americana world including Sam Bush, Peter Rowan, Tim O'Brien, Jerry Douglas, Andy Hall, Vince Herman, Nick Forster, Keller Williams, and Adam Greuel. With the help of many of Chris's lifelong musical heroes, the record has that classic 70's and 80's alt-bluegrass sound, while never too far from the traditional bluegrass style that defines the genre. This episode features recordings from Chris Castino & Chicken Wire Empire's July 2022 performance under the tent and serves as a special experience for audiences of bluegrass purists and all lovers of great tunes. First broadcast in 1994, Tent Show Radio is a weekly one-hour radio program showcasing the best live recordings from acclaimed music acts and entertainers who grace the Big Top Chautauqua stage each summer in beautiful Bayfield, WI. In the program's nearly 30-year history it has featured artists like Johnny Cash, B.B King, Brandi Carlile, Willie Nelson, Don McLean, and many more. Hosted by celebrated New York Times best-selling author Michael Perry-who weaves stories and humor throughout each episode - Tent Show Radio features performances from renowned national & regional artists, with regular appearances featuring Big Top's own unique brand of shows that feature songs and stories performed by its acclaimed house band, The Blue Canvas Orchestra. Tent Show Radio is independently produced by Big Top Chautauqua, a non-profit performing arts organization, with a mission to present performances and events that celebrate history and the environment - along with their annual summer concert series - nestled in the woods on the shores of Lake Superior and the Apostle Islands. EPISODE CREDITSMichael Perry - Host Phillip Anich - Announcer Matt Jugenheimer - Engineer & Producer Gina Nagro - Marketing Support FOLLOW BIG TOP CHAUTAUQUA https://www.facebook.com/bigtopchautauqua/ https://www.instagram.com/bigtopchautauqua/ https://www.tiktok.com/@bigtopchautauqua https://twitter.com/BigBlueTent FOLLOW MICHAEL PERRYhttps://sneezingcow.com/ https://www.facebook.com/sneezingcow https://www.instagram.com/sneezingcow/ https://twitter.com/sneezingcow/ 2023 TENT SHOW RADIO SPONSORSAshland Area Chamber of Commerce - https://www.visitashland.com/  Bayfield Chamber and Visitor Bureau - https://www.bayfield.org/  Bayfield County Tourism - https://www.bayfieldcounty.wi.gov/150/Tourism  The Bayfield Inn - https://bayfieldinn.com/  Cable Area Chamber of Commerce - https://www.cable4fun.com/  Washburn Area Chamber of Commerce - https://washburnchamber.com/ SPECIAL THANKSWisconsin Public Radio - https://www.wpr.org/ 

Episode Notes Support the Mandolins and Beer Podcast at my Patreon page! This week my guest, and final guest for the year, is the legendary Peter Rowan. A true Bluegrass Boy that has played with everyone from Bill Monroe up to Wyatt Ellis. We had a great conversation and there will be more to come! Keep up with Peter at his website HERE!   New Shirts on the website!!! As Always…..thank you to my sponsors! Peghead Nation Northfield Mandolins Pava Mandolins  Ellis Mandolins Siminoff Books Straight Up Strings Elderly Instruments Ear Trumpet Labs Grace Design Song clips featured in this episode are :  “Moonlight Midnight” by Peter Rowan and Tony Rice (Quartet) “Comin' On Strong” Joe Val & The New England Boys (One Morning in May) “Will you Meet Me Over Yonder” by The Lilly Brothers & Don “Sweetheart You Done Me Wrong” by Bill Monroe (The Early Years) “My Saviour is Callin Me” by Peter Rowan (The Old School) “Whose Red Wagon” by Buzz Busby ( “On the Old Kentucky Shore” by BIll Monroe (The 1950-51 Castle Studio Sessions) “The First Whippoorwill” by Bill Monroe (The 1950-51 Castle Studio Sessions) “Walkin By Myself” by Champion Jack Dupree (Lover's Lane) “Walls of Time” by Bill Monroe and Peter Rowan (Classic Bluegrass Vol 2) “Two Little Boys” by The Country Gentlemen (25 Years)

www.patreon.com/banjopodcast   This episode features Max Wareham, a fantastic banjo player who studied with Tony Trischka and Bill Keith. He currently performs with bluegrass legend Peter Rowan's bluegrass band. Max recently published a wonderful book titled "Rudy Lyle: the Unsung Hero of the Five-String Banjo" which thoroughly examines the life and playing style of one of Bill Monroe's early banjoists.   Sponsored by Peghead Nation, GHS Strings, and Elderly Instruments   Max on the web: www.maxwareham.com   Contact the show: pickyfingersbanjopodcast@gmail.com  

We live in the age of information. Today you can go online, search for how to play banjos in the style of the Northwest or in North Carolina, and learn it. Traditionally, you had to physically find the people playing and spend some time with them to learn, but not anymore. However, with so much information, it's easy to lose sight of the artists. So make sure you find the people who are actually playing and ensure whatever self-education you're doing is supplemented with actual relationships. There is so much that can be transmitted through the relationship that cannot be transmitted in any other way. In this episode, Max Wareham, a banjo player, shares his journey in music and the lessons he has learned in his mastery process. Your dream in music, banjo, or guitar mastery is valuable, and it's worth spending the time to make it happen.“It's easy to lose sight, but it all comes back to the people and relationships.”Snapshot of the Key Points from the Episode:[02:34] Max shares how he got started and where he is today. How Max shifted his career to become a professional musician.[05:25] Two greatest skillsets that have helped Max navigate his journey.[08:23] How Max incorporated archeology with what he was doing in music.[12:15] Max's most memorable performance/project that he has worked on. [15:46] Things that Max has been doing to engage his fan base.[17:47] How Max navigates the business side of his career.[20:12] Max's definition of working from his happy place. [23:25] Practices that Max does to continue with his learning journey. [25:38] Max's advice to someone who wants to master banjo or guitar.About Max Wareham - Wareham, who studied with banjo masters Tony Trischka and Bill Keith, was introduced as a significant voice on the instrument with the release of Peter Rowan's latest album, Calling You From My Mountain, on which he plays banjo and sings harmony.Prior to joining the Peter Rowan Bluegrass Band, Wareham taught music extensively, played bass with the psych-pop outfit Sun Parade, and wrote songs and produced several albums under various aliases. Much of his work in bluegrass and education is focused on early bluegrass banjo styles and how they can offer alternative paths to expression within the bluegrass idiom.Resources Mentioned -Rudy Lyle: The Unsung Hero of the Five-String Banjo: https://www.maxwareham.com/product-page/rudy-lyle-the-unsung-hero-of-the-five-string-banjoHow to connect with Max Wareham:Websites: https://www.maxwareham.com/ https://maxwareham.bandcamp.com/Listen to Max's music at: https://music.apple.com/us/artist/max-wareham/1290349278 / https://open.spotify.com/artist/30LXom98tWrl14BKI1xNUIAbout the Host -Belinda Ellsworth is a Speaker, Trainer, Best-Selling Author, and PodcasterShe has been a professional speaker, mover, and shaker for more than 25 years. Having built three successful companies, she has helped thousands of entrepreneurs make better decisions, create successful systems, and build business strategies using her "Four Pillars of Success" system.Belinda has always had a passion and zest for life with the skill for turning dreams into reality. Over the last 20 years, she has been expertly building her speaking and consulting business, Step Into Success. How to Connect with Belinda:Facebook - https://www.facebook.com/stepintosuccessLinkedIn - https://www.linkedin.com/in/belindaellsworthInstagram - https://www.instagram.com/stepintosuccess/Website - www.workfromyourhappyplace.com

Burlington, Vermont's Zach Nugent has made a successful career out of emulating the guitar playing of Jerry Garcia and the music of the Grateful Dead. To accomplish this feat, he amassed an incredible collection of vintage gear ... allowing him to access whatever gear Jerry was playing during a particular era. Zach's attention to detail is only matched by his work ethic: He takes the music of the Dead very seriously and, contrary to what one would assume about a Jerry Garcia disciple, he's never touched drugs or even alcohol.  On today's FJ Podcast, we talk to Zach about what it takes to be one of the most in-demand Dead-style guitarists, the gear that Jerry used over the years, why Zach hates 1/4" cables, and so much more. We also talk about his recently released album 'Good So Far,' which shows a completely different side of his playing and songwriting and features guest appearances by John Popper and Peter Rowan. It also boasts a rare appearance of Jerry Garcia's own Wolf guitar, built by Doug Irwin.    All told, it's a great chat with a fanatical guitarist and guitar historian. We think you'll love it.    https://www.zachnugent.com   Look for more on Zach and the guitar sounds of Jerry Garcia in our 51st issue, coming soon.    This Fretboard Journal Podcast is sponsored by Peghead Nation (use the promo code FRETBOARD and get your first month free or $20 off any annual subscription); Izotope (use the coupon code FRET10 to save 10% off their plug-ins); Retrofret Vintage Guitars; Izotope (use the discount code FRET10 to save 10% off your Izotope purchase); and Calton Cases. Order the Fretboard Journal here: http://fretboardjournal.com/subscribe and support this podcast and all that we do.

FTB podcast #519 is an all new release show with great music from Peter Rowan, Stacy Antonel, The Redhill Valleys, Arlo McKinley, Rod Picott, Wilco, The Local Honeys and more! Full playlist: http://ftbpodcasts.com/?p=8818

This episode was recorded in 2002 in Charleston, WV. The lineup includes Doc Watson, Tony Rice & Peter Rowan, Maura O'Connell, Blue Highway, Mike Seeger, and Blisard, Bing, & Judd. Podcast support is provided by Digital Relativity. https://bit.ly/3Mtd9gr