Podcasts about mca records

Host Tiokasin Ghosthorse's thoughts on "sustainability" with a mix of music that fits the theme. "How is your heart? How is your mind? How is your body and how is your body treating you? How is life treating you? Or are you treating your life? I wonder about this word "sustainability." To me it's "sustain-ability" to live with earth. Our mind is, of course, gathering information from all points and not one linear beginning and ending." - Tiokasin GhosthorseProduction Credits:Tiokasin Ghosthorse (Lakota), Host and Executive ProducerLiz Hill (Red Lake Ojibwe), ProducerOrlando DuPont, Radio Kingston Studio EngineerMusic Selections:1. Song Title: Tahi Roots Mix (First Voices Radio Theme Song)Artist: Moana and the Moa HuntersAlbum: Tahi (1993)Label: Southside Records (Australia and New Zealand)2. Song Title: Wander This WorldArtist: Jonny LangAlbum: Wander This World (1998)Label: A&M Records3. Song Title: Strength to SurviveArtist: Toronzo CannonAlbum: The Chicago Way (2016)Label: Alligator Records4. Song Title: Blue CollarArtist: Bachman-Turner OverdriveAlbum: Bachman-Turner Overdrive (1973)Labels: Mercury Records, MCA Records, Curb Records5. Song Title: What About MeArtist: Quicksilver Messenger ServiceAlbum: What About Me (1970)Label: Capitol Records6. Song Title: SuavecitoArtist: Malo with Jorge Santana (and this version feat.Tiokasin Ghosthorse)Album: Malo (1972)Label: Warner Bros. Records7. Song Title: Butterfly (Beaivelottáš)Artist: Mari BoineAlbum: Eight Seasons (Gávcci Jahkejuogu) (2002)Label: NorthsideAbout First Voices Radio:"First Voices Radio," now in its 32nd year on the air, is an internationally syndicated one-hour radio program originating from and heard weekly on Radio Kingston WKNY 1490 AM and 107.9 FM in Kingston, New York. Hosted by Tiokasin Ghosthorse (Lakota), who is the show's Founder and Executive Producer, "First Voices Radio" explores global topics and issues of critical importance to the preservation and protection of Mother Earth presented in the voices and from the perspective of the original peoples of the world.Akantu Intelligence:Visit Akantu Intelligence, an institute that Tiokasin founded with a mission of contextualizing original wisdom for troubled times. Go to https://akantuintelligence.org to find out more and consider joining his Patreon page at https://www.patreon.com/Ghosthorse

Let Us Know What You Think of the Show!Date: April 30, 2025Name of podcast: Backstage Pass RadioS8: E5: Lorraine Lewis - (Femme Fatale / Vixen) - Sunset Strip SurvivorSHOW SUMMARY:From jumping out of classroom windows in Albuquerque to commanding stages worldwide, Lorraine Lewis embodies the fearless spirit of rock 'n' roll in its purest form. In this candid, high-energy conversation, the former Femme Fatale and Vixen vocalist pulls back the curtain on her remarkable musical journey that began with Linda Ronstadt covers in local bands and led to the glitz and mayhem of the Sunset Strip during hair metal's heyday.  With disarming honesty, Lorraine recounts how she assembled Femme Fatale through sheer force of will, sharing both the exhilaration of being signed to MCA Records and the frustrations of never quite reaching the platinum-selling status she envisioned. Her reflections on why some bands exploded while others stalled reveal the complex interplay of talent, timing, and industry support that defined the era.  The conversation takes unexpected turns as Lorraine discusses her recent collaboration with Foreigner's Lou Graham (a dream thirty years in the making), her successful career as a television casting director, and her latest venture into OnlyFans, which she approaches with the same unapologetic authenticity that's defined her entire career. At 66, she dismisses conventional limitations, declaring, "The older I get, the more fearless I am."  What emerges is the portrait of an artist who has weathered industry upheavals without losing her passion or perspective. Lorraine's infectious laugh punctuates stories of rock star encounters and personal reinventions, offering wisdom on survival and self-reinvention in an industry notorious for chewing people up. "I've had the most fascinating life/career ever," she reflects, with the conviction of someone who's still writing exciting new chapters.  Subscribe to hear more unfiltered conversations with the personalities who've shaped rock history, and follow Lorraine's current projects at LorraineLewisRocks across all platforms.Sponsor Link:WWW.ECOTRIC.COMWWW.SIGNAD.COMWWW.RUNWAYAUDIO.COMBackstage Pass Radio Social Media Handles:Facebook - @backstagepassradiopodcast @randyhulseymusicInstagram - @Backstagepassradio @randyhulseymusicTwitter - @backstagepassPC @rhulseymusicWebsite - backstagepassradio.com and randyhulsey.comArtist(s) Web PageLorraine Lewis - FacebookCall to actionWe ask our listeners to like, share, and subscribe to the show and the artist's social media pages. This enables us to continue pushing great content to the consumer.  Thank you for being a part of Backstage Pass Radio Your Host,Randy Hulsey 

My guest this week is a legend of American string band music.When David Grisman raised his middle finger to MCA Records, after being  dropped for failing to meet arbitrary sales targets, he couldn't have known it would spark a 35-year musical revolution. As one of America's foremost, and best loved, mandolin virtuosos turns 80 this year, he offers a fascinating glimpse into the birth, evolution, and future of Acoustic Disc, the independent label he founded in 1990 that became a vital archive of American string band traditions, as well as home to over three decades of his own music.Grisman's journey from frustrated artist to label founder came at a pivotal moment in music history, as CDs were eclipsing vinyl and the digital revolution loomed on the horizon. He built his own studio, using gear he bought from the iconic 1750 Arch Studios, and Acoustic Disc was born. The label's early success—including Grammy nominations for its first two releases—established a blueprint combining Grisman's new compositions, collaborations with luminaries like Jerry Garcia and Tony Rice, and carefully chosen historical recordings.The switch from physical media to digital distribution liberated both Grisman's creative vision and business model."It's just too beautiful a concept to make one product and sell an infinite number without manufacturing anything," he explains. This shift allows him to release an album every month, including expanded versions of classic recordings with Tony Rice, Jerry Garcia, and others. These "deluxe editions" offer fascinating insights into the creative process behind influential albums like Tone Poems, capturing not just the music but the conversations between master musicians at work.Whether you're a huge Grisman fan, dedicated bluegrass lover or just a fan of acoustic music at its best, Acoustic Disc's extraordinary catalog offers a gateway into America's rich string band traditions. Find out more at acousticdisc.com and, while you're there, sign up for their weekly newsletter to receive a free "Treat of the Week".For updates, follow David on Instagram and FacebookHappy picking.MattSend a message to Bluegrass Jam Along! (Don't forget to include your name so I know who you are!) Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

This week we continue our journey to the Great White North! This is the triumphant finale of our celebration of an amazing power trio from Toronto that has been largely forgotten in the pantheon of rock n' roll: TRIUMPH! From classic hard rock & metal to proggy AOR, this is a band that rarely gets the praise they deserve! This episode is rooted in our Should Have Been category. This is a band that Captain Content has mentioned before as a band he would love to dive into deeper. While not the most obscure band we've ever covered (they have multiple platinum and gold albums in the US and Canada), they have been largely forgotten as the rock giants they once were. We think they should be remembered as titans or rock and thus: Huge-er-er!!! Eh?Songs this week include:Triumph - “Time Goes By” from Thunder Seven (1984)Triumph - “When The Lights Go Down” from Stages (1985)Triumph - “Mind Games” from Stages (1985)Triumph - “Play With Fire” from The Sport Of Kings (1986)Triumph - “Carry On The Flame” from Surveillance (1987)Triumph - “Edge Of Excess” from Edge Of Excess (1992)Triumph - “I Live For The Weekend” from Live At Sweden Rock Festival (2008)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

This week we took it to the people, and the people agreed! Not just the people; we got the ok from The Chairman, Mighty K, and the entire 51st state of Canada! Therefore, we give you “Grave Mistake: TRIUMPH Shoulda Been Huge-er!!!”. This is part one of our celebration of an amazing power trio from Toronto that has been largely forgotten in the rock n' roll pantheon. They also happen to have Bonafide Guitar God in the band that rarely gets the praise he deserves! This episode is rooted in our Should Have Been category. This is a band that Captain Content has mentioned before as a band he would love to dive into deeper. While not the most obscure band we've ever covered (they have multiple platinum and gold albums in the US and Canada), they have been largely forgotten as the rock giants they once were. We think they should be remembered as Titans or Rock and thus: Huge-er!!! Eh?Songs this week include:Triumph - “Street Fighter / Street Fighter Reprise” from Triumph (1976)Triumph - “Little Texas Shaker” from Rock & Roll Machine (1977)Triumph - “American Girls” from Just A Game (1979)Triumph - “Tear The Roof Off” from Progressions Of Power (1980)Triumph - “Allied Forces” from Allied Forces (1981)Triumph - “All The Way” from Never Surrender (1982)Triumph - “Fight The Good Fight” from Live At The US Festival (1983)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

A dope mix from Sydney's Jazz Funk Bootleg Don, DJ CMAN, one of the original selectors from our musical family since 2009. CMAN takes us on a journey through funk, soul, jazz, hip-hop party recorded live at the Soul of Sydney 13th Birthday Party, this set is a celebration of everything that has made these iconic parties legendary. From dance-floor jazz grooves to modern edits and bootlegs. DJ CMAN take you on a journey through the sounds that define Soul of Sydney. This is more than music—it's a movement. SOUL OF SYDNEY's resident vibe creator DJ CMAN laying down a dope 1-hour selection of heavy FUNK, SOUL & JAZZY HIP HOP REMIXEs, EDITS & BOOTLEGS to close out the 13th Birthday celebration last month for podcast episode #418. Be sure to check out DJ CMAN's for dope mixes, remixes and edits which he has become so well known for around the world. Check out more of his stuff here. https://soundcloud.com/djcmanmusic Track List / 1. War - Galaxy 2000** (1977, MCA Records) 2. Arrested Development - Mama's Always On Stage** (1992, Chrysalis Records) 3. Junior Wells X CMAN - Mama's Finally Off Stage ... Junior's Bluebreak (CMAN Edit)** (Edit, Release Details Unknown) 4. p-rallel, Jords - One Time** (2023, PLATOON) 5. dialE - AOT** (Details Unknown) 6. Common X George Benson - Go** (Mashup, Common's "Go" (2005, Geffen Records), George Benson Track Uncredited) 7. George Benson - On Broadway (Mikeandtess Edit 4 Mix)** (Original: 1978, Warner Bros.; Edit, Unofficial Release) 8. Jodie Abacus - Good Feeling (CMAN Edit)** (Edit, Original: 2017, Label Unknown) 9. Hidden Jazz Quartett Feat. Omar - High Heels (Lack Of Afro Remix)** (2014, Agogo Records) 10. Nina Simone - See Line Woman** (1964, Philips Records) 11. Theophilus London - Calypso Blues (Nat King Cole Cover)** (2011, Reprise Records) 12. The Bamboos - Ride On Time** (2006, Tru Thoughts) 13. DJ Nu-Mark, The Traffic - Hot In Herre** (2019, Hot Plate Records) 14. Nat King Cole - Day In - Day Out (Cut Chemist Mix)** (2005, Capitol Records – Verve Remixed 3) 15. Big Daddy Kane X Chic - Good Times** (Mashup, Details Unknown) 16. Michael Jackson x James Brown - Wanna Get Up And Start Being A Sex Machine** (Mashup, Details Unknown) 17. Legacy - I'm So Glad (CMAN Edit)** (Edit, Release Details Unknown) 18. Stevie Wonder - Happy Birthday** (1980, Motown) 19. Harry Belafonte - Jump In The Line** (1961, RCA Victor) 20.James Brown - Feel Good (Pays Bass Disco Mix)** (Edit, Original: 1972, Polydor) 21. Janet - All For You (Remix)** (2001, Virgin Records; Remix, Unofficial Release) 22. Blackstreet X Cameo - No Diggity (Word!)** (Mashup, Original Tracks: 1996 Interscope & 1986 Atlanta Artists/PolyGram) 23. Cameo - Candy** (1986, Atlanta Artists/PolyGram) 24. Monie Love - Don't Funk Wid The Mo** (1990, Warner Bros. Records) 25. Robson Jorge & Lincoln Olivetti - Aleluia** (1982, Som Livre) 26. Sharon Redd - Can You Handle It** (1980, Prelude Records) 27. Salif Keita - Madan (Petko Afrobeat Edit)** (Edit, Original: 2002, Universal Music) 28. Kanye West - Gold Digger** (2005, Roc-A-Fella Records) 29. Tems + Foxy Brown ft. Blackstreet - Free Mind** (Mashup, Original Tems: 2020, Leading Vibes LLC) 30. Black Thought, Juls, Worlasi, Kofi Mole - Focus** (2023, Details Unknown) 31. Big Pun - Still Not A Player** (1998, Loud Records) 32. Gospel Gods Got A Blend (Big Pun "Playa" Sample)** (Blend/Mashup, Details Unknown) 33. Black Men United - U Will Know** (1994, MCA Records) 34. Billy Stewart - Summertime** (1966, Chess Records) 35. Louis Prima - Buono Sera** (1956, Capitol Records)

Collin and guest host Doug continue the ‘Scoops Ahoy' Influence series with a look at how 1980's 'The Empire Strikes Back' (and the Star Wars universe in general) helped shape Stranger Things. From force-pushing train cars to name-dropping Lando, there's so much to talk about that not even the Millennium Falcon could hold it all. Grab your trusty lightsaber, embrace the Dark Side, and join us! Videos referenced: “Every Stranger Things Movie Reference Revealed by the Duffer Brothers (Seasons 1-3) | WIRED - YouTube” (WIRED): https://www.youtube.com/watch?v=qGGc1wGmgbM&t=715s "The Empire Strikes Back" trailer copyright 20th Century Fox / Lucasfilm "Stranger Things" copyright Netflix "Twist of Fate" copyright MCA Records

Ron Keel's RFK Media label digs deep to release Cold Sweat - “Unburied Alive” in conjunction with the band's appearance at the 2024 M3 Festival May 5th.The foundation of this album consists of four unreleased studio tracks from the early 90's, which showcase the band (Marc Ferrari & Erik Gamans, guitar – Chris McLernon, bass – Anthony White, drums – and Roy Cathey, vocals) delivering powerful heavy melodic rock at its finest. The lead track “Rain Down” is a classic-style arena rock working class anthem; “Unburied Alive” also features vintage concert cuts from their 1990 appearance at the Super Rock Festival in Mannheim, Germany supporting Whitesnake, Aerosmith, Dio and Poison, plus recent modern-era live recordings from their triumphant reunion at the 2020 Monsters Of Rock Cruise pre-party. Ferrari founded Cold Sweat after departing the band Keel in 1989. The band released their acclaimed cult classic “Break Out” on MCA Records and toured the US and Europe before falling victim to the changing musical landscape of the 90's. This collection of recordings proves that the music has stood the test of time, and the men behind that music plan to drive that point home when they hit the stage May 5th in Columbia, Maryland at this year's M3 Festival, on the bill with Bret Michaels, Night Ranger, Y&T and Stryper.“We [RFK Media] heard these unreleased studio tracks and realized immediately, we have to get this music out there,” explains RFK chief Ron Keel. “Then we found out there were unreleased live tracks, not just from the 2020 reunion but from the 1990 festival appearance in Germany. It was like an uppercut to the jaw, a right cross and a body blow in quick succession, and we're ready to deliver the knockout punch with this very special Cold Sweat release.”Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

#469 Patsy Cline & Jim Reeves - Remembering - MCA Records - MCA-5319 - Year 1982 - Side A + B by Jim Reeves

The foundation of this album consists of four unreleased studio tracks from the early 90's, which showcase the band (Marc Ferrari & Erik Gamans, guitar – Chris McLernon, bass – Anthony White, drums – and Roy Cathey, vocals) delivering powerful heavy melodic rock at its finest. The lead track “Rain Down” is a classic-style arena rock working class anthem; “Unburied Alive” also features vintage concert cuts from their 1990 appearance at the Super Rock Festival in Mannheim, Germany supporting Whitesnake, Aerosmith, Dio and Poison, plus recent modern-era live recordings from their triumphant reunion at the 2020 Monsters Of Rock Cruise pre-party. Ferrari founded Cold Sweat after departing the band Keel in 1989. The band released their acclaimed cult classic “Break Out” on MCA Records and toured the US and Europe before falling victim to the changing musical landscape of the 90's. This collection of recordings proves that the music has stood the test of time, and the men behind that music plan to drive that point home when they hit the stage May 5th in Columbia, Maryland at this year's M3 Festival, on the bill with Bret Michaels, Night Ranger, Y&T and Stryper.“We [RFK Media] heard these unreleased studio tracks and realized immediately, we have to get this music out there,” explains RFK chief Ron Keel. “Then we found out there were unreleased live tracks, not just from the 2020 reunion but from the 1990 festival appearance in Germany. It was like an uppercut to the jaw, a right cross and a body blow in quick succession, and we're ready to deliver the knockout punch with this very special Cold Sweat release.”Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

En MetalProgPop Cast nos juntamos 4 amigos para hablar y discutir sobre música. Guido Vilariño (el Rey Tut) es el fanático del Metal, Angel Appiani es el fanático del Rock Progresivo, Gonzalo Ares (El Colo, El Colorado, ex-Bombi) es el fanático del Pop, y Santi Grillo es el fanático del podcast. Nosotros la pasamos muy bien, y esperamos que Uds también. En el día de hoy analizamos.... Full Moon Fever es el primer álbum de estudio en solitario por el músico estadounidense Tom Petty, publicado el 24 de abril de 1989 por MCA Records. Presenta contribuciones hechas por los miembros de su banda The Heartbreakers, notablemente por Mike Campbell, así como también por Jeff Lynne, Roy Orbison (quien murió antes de su lanzamiento) y George Harrison. los compañeros de banda de Petty en los Traveling Wilburys.​ El álbum muestra a Petty explorando sus raíces musicales con guiños a sus influencias.​ La composición es principalmente colaboraciones entre Petty y Lynne, quien también fue productor del álbum. Full Moon Fever se convirtió en un éxito comercial y de crítica, alcanzando el puesto #3 en el Billboard 200 de los Estados Unidos y siendo certificado con 5 discos platinos en los Estados Unidos y 6 discos platinos en Canadá

Legends celebrates Billy Thomas, incredible drummer of McBride and The Ride with the debut of their new EP Amarillo Sky. Billy was the drummer for The Hudson Brothers Band, then with Ricky Nelson. Next, he played behind the one and only Mac Davis for his shows in Vegas. Mac Davis was Billy's first taste of Urban Country. The Cinderella story continued. After moving to Nashville in 1987, he got his first job within the first few days after auditioning with Vince Gill.  And then he performed on Emily Lou Harris' album Blue, followed by work with Marty Stuart.  Hear Billy's inside story on Tony Brown, the kingpin for MCA Records, his music producer, and former pianist for Elvis. Tony brought Terry McBride and Ray Herdon together for the three part harmony of McBride and The Ride. They produced five albums from 1989 through 1995. And the rest is history for this SINGING DRUMMER. Become a supporter of this podcast: https://www.spreaker.com/podcast/success-made-to-last-legends--4302039/support.

www.LeRoyBell.com is an American singer and songwriter. He and friend Casey James formed the duo Bell and James, composing songs that were hits for other artists most notably two charting hit singles for Elton John. Later Bell with bassist Terry Morgan formed the group, LeRoy Bell & his Only Friends. In 2011, Bell auditioned for the American The X Factor and was chosen for the Final 16 and went on to the live shows being mentored by Nicole Scherzinger. He was eliminated after the fifth live show finishing 8th overall in the inaugural season of the American The X Factor. BELL AND JAMES Bell and James was a duo soul group formed by LeRoy Bell (on drums and guitar) and Casey James (on guitar, bass and keyboards). They both had played in other bands together before they decided to team up as Bell & James. The duo released three albums: Bell & James (1978), Only Make Believe (1979) and In Black and White (1980), and had a number of singles, the most successful and well-known being “Livin' It Up (Friday Night)” released on A&M Records. It reached #15 on the U.S. Hot 100. SONGWRITING LeRoy Bell also co-wrote many songs for others in partnership with Casey James. They were encouraged by LeRoy's uncle Thom Bell who owned Mighty Three Music, a music publishing and production company along with Kenny Gamble and Leon Huff. The latter were a famous composing duo collaboration Gamble and Huff to whom Bell and James provided some of their compositions. Their songs were recorded by a number of groups including: The Spinners The O'Jays (notably in “This Time Baby”) The Temptations Rita Marley Gladys Knight & the Pips Freda Payne The Three Degrees WITH ELTON JOHN Most notably, two of the LeRoy Bell songs were recorded by Elton John. One was “Mama Can't Buy You Love” and the other “Are You Ready for Love”. The songs, a LeRoy Bell-Casey James co-composition appeared in the The Thom Bell Sessions in 1977. Elton John's song version of “Mama Can't Buy You Love” went to the Top 10 in the general charts and #1 the Adult/Contemporary chart and in the fall of 1979, earning Elton a Grammy Nomination for “Best Male R&B Vocal Performance”. His song “Are You Ready for Love” was even a bigger hit. Tracklist of Elton John singles: Side 1: “Are You Ready for Love” (LeRoy Bell, Thom Bell, Casey James) (8:31) Side 2.1: “Three Way Love Affair” (LeRoy Bell, Casey James) (5:31) Side 2.2: “Mama Can't Buy You Love” (LeRoy Bell, Casey James) (4:03) In February 1989, The Complete Thom Bell Sessions was released by MCA Records, although it had been recorded in 1977. In addition to “Mama Can't Buy You Love” and “Are You Ready for Love”, it featured three additional songs, including “Country Love Song” also co-written by LeRoy Bell. 1. “Nice and Slow” (Elton John, Bernie Taupin, Thom Bell) 2. “Country Love Song” (LeRoy Bell, Casey James) 3. “Shine on Through” (Elton John, G. Osborne) 4. “Mama Can't Buy You Love” (LeRoy Bell, Casey James) 5. “Are You Ready for Love” (LeRoy Bell, Casey James) 6. “Three Way Love Affair” (LeRoy Bell, Casey James) In 2003, Fat Boy Slim mixed Elton John's single version making it to the British Singles Chart. The song also charted in many European charts. WITH TEDDY PENDERGRASS LeRoy Bell had a long-running cooperation with Teddy Pendergrass for whom he wrote 5 songs in three different albums: 1979: “I'll Never See Heaven Again” on the album Teddy 1979: “Set Me Free”, also on album Teddy 1982: “Loving You Was Good” on album This One's for You 1983: “Heaven Only Knows” from the album Heaven Only Knows (lead song) Pendergrass album 1990: “Glad to Be Alive” from the album Truly Blessed OTHERS 1979: Lou Rawls: “Bark, Bite (Fight All Night)” on the album Let Me Be Good to You 1980: Lou Rawls: “Heartache (Just When You Think You're Loved)” and “You Are” on album Sit Down and Talk to Me 1988: Kimiko Kasai: “Love Talk” from album Love Talk (lead song) 2001: Me and You: “You Never Know What You Got (Til It's Gone)” 2002: Jennifer Lopez: “Still” cowritten with James and Jennifer Lopez herself in the latter's album This Is Me… Then 2005: The Freemasons: “Love on My Mind” that appears on albums Shakedown, Unmixed and Shakedown 2 He has also written for Phyllis Hyman SOLO CAREER Starting in the 2000s, he worked solo and toured extensively. In the process, he released various albums including his debut solo EP Spending Time (on his own  

Send us a Text Message.Tracy Byrd burst onto the Country Music Scene in 1993 with his self-titled debut album under MCA Records, quickly becoming a household name. The album's third single, "Holdin' Heaven," soared to #1 on the Billboard Country Charts, while his remake of Johnny Paycheck's "Someone to Give my Love to" further solidified Byrd's status as a Traditional Country Troubadour. The debut album achieved Gold certification, indicating sales surpassing 500,000 copies.Following the success of his debut, Byrd's sophomore effort, "No Ordinary Man," maintained the momentum with hits like "Lifestyle's of the Not so Rich and Famous" and the chart-topping "Watermelon Crawl," propelling the album to Double Platinum status. The album's fourth single, "The Keeper of the Star's," clinched the #1 spot on both the Billboard Album and Singles charts, earning Byrd an Academy of Country Music's "Song of the Year" award in 1995.Byrd's subsequent albums, including "Love Lessons," "Big Love," and "I'm From the Country," continued to garner critical acclaim and commercial success, with multiple singles reaching the top of the charts. His transition to RCA Records led to the release of "It's About Time," which showcased his affinity for traditional country music.In the new millennium, Byrd's album "10 Rounds" brought further success with hits like "A Good Way to get on my Bad Side" and "10 Rounds with Jose Cuervo," both reaching #1 on the charts. Despite label changes, Byrd's popularity remained steadfast, evident in the success of his subsequent projects and his ability to draw crowds with over 4000 live performances.Taking a hiatus from 2010 to 2013 to prioritize family, Byrd returned to music with newfound sobriety and passion. His album "Different Things" may not have achieved commercial success, but it earned critical acclaim, highlighting Byrd's versatility and depth as an artist.In 2016, Byrd released "All American Texan," marking his return to the studio after a decade. Recorded in Tyler, Texas, the album showcases Byrd's songwriting prowess with eight original tracks. Embracing his roots, Byrd continues to captivate audiences with his authentic Texan charm and unwavering dedication to his craft.www.betterhelp.com/TheBarnhttp://www.betterhelp.com/TheBarn http://www.betterhelp.com/TheBarnThis episode is sponsored by www.betterhelp.com/TheBarn and presented to you by The Barn Media Group.

Label: MCA 52856Year: 1986Condition: MLast Price: $8.00. Not currently available for sale.Yeah, I know this is a Country song, but it's also retro-Rockabilly in my book. Whatever you call it, it's so perfect it just cries out for an mp3 "snippet" in our jukebox... so here is one: Have a listen! Note: This beautiful copy comes in a vintage MCA Records factory sleeve. It has Mint labels and pristine sound.

When Maroon 5 came up with their smash hit “Moves Like Jagger,” they knew Jagger was a name that would resonate with listeners. And in 2011, Maroon 5 definitely knew what their fans wanted to hear. But it wasn't always that way. Have you ever heard of the ‘90s alt-rock band Kara's Flowers? If you haven't you're not alone. They were one of the more forgettable bands of their time. Kara's Flowers did catch the attention of Rob Cavallo, who you may remember as the guy who produced Green Day's American Idiot. He saw a lot of potential in Kara's Flowers and produced their second album, the power-pop-tinged The Fourth World. Upon its release in August 1997, the album only sold 5,000 copies. In 2001 Kara's Flowers resumed band activity, changing up their sound by trying a number of different styles, including country and folk, before settling on becoming what they deemed "a soul band, but with five white dudes.” They cut a demo for MCA Records, but the label rejected it. However, they did find an interested label in Octone Records, whose co-founder Ben Berkman had worked at Warner Music and knew of the band from their time with Reprise.  In a 2004 interview with Hit Quarters, Berkman said he loved what he heard in a song called “Sunday Morning” but couldn't believe it was the same band because they had such a completely different sound. It was clear to Berkman that the band was ready to take off. All they needed now was another guitarist and a brand new name. Eventually the band decided on the name Maroon 5. Why “5” and not, say, Maroon Moon? Well, the answer remains to be a secret between band members… and Billy Joel. Wait, Billy Joel? Now with a record deal and a brand new name, Maroon 5 were a whole new band. Their first single, “Harder To Breathe” was a slow-mover on the charts, but eventually earned the band some airplay. Once it caught on the band decided to re-release the album one year later, and at the beginning of 2004 they issued a second single, “This Love,” a song influenced by Stevie Wonder and written about Jane moving out after the breakup. As you may already know, “This Love” became a smash hit, followed by “She Will Be Loved” and “Sunday Morning.” You know them all. And just like that Maroon 5 were now a household name. Their second album "It Won't Be Soon Before Long" was an instant hit - thanks to lead single “Makes Me Wonder,” which became the band's first song to hit #1 on the Billboard Hot 100. It actually broke a record by jumping from #64 to #1 based purely on its first week of iTunes sales.  Maroon 5 wanted a different experience when it came to making album number three. Luckily they received a phone call from Mutt Lange, the famous South African producer, who asked if he could make their next record with them.  Mutt has quite the résumé. He got his start in the late ‘70s, by producing both AC/DC's Highway To Hell and Back In Black. From there he would produce classic records by Def Leppard, The Cars, Michael Bolton, and Canada's own Bryan Adams. Maroon 5 released their third album, Hands All Over, on September 2010. It would debut at #2 on Billboard's album chart and receive mixed reviews, but got some love from Rolling Stone, which called it “the band's brightest-sounding and poppiest yet.”  The upbeat, funky pop on singles like “Misery” and “Give A Little More” demonstrated a punchier sound. Although the album sold well enough and kept them on the road, something was missing.Up until this point, Maroon 5 had only ever written songs themselves. They had never worked with anyone outside of their circle. But they felt it was time to open the door to other songwriters and see what could happen.Luckily for Maroon 5, two up-and-coming producers were working on a song that would become not just the year's biggest hit, but the band's biggest hit ever.  This is the true story of Maroon 5's 'Moves' Like Jagger' ft. Christina Aguilera - with newly unearthed audio. Also features audio from: Adam Levine Revealed the Secret Behind Maroon 5's Band Name to Billy Joel 'Moves Like Jagger': The Making Of Maroon 5's Megahit Adam Levine Reacts to Mick Jagger Dancing to "Moves Like Jagger," Teases New Maroon 5 Music Maroon 5 "Moves Like Jagger" Q&A Maroon 5 Get 'Overexposed' to Fans  

Ron Keel's RFK Media label digs deep to release Cold Sweat - “Unburied Alive” in conjunction with the band's appearance at the 2024 M3 Festival May 5th.The foundation of this album consists of four unreleased studio tracks from the early 90's, which showcase the band (Marc Ferrari & Erik Gamans, guitar – Chris McLernon, bass – Anthony White, drums – and Roy Cathey, vocals) delivering powerful heavy melodic rock at its finest. The lead track “Rain Down” is a classic-style arena rock working class anthem; “Unburied Alive” also features vintage concert cuts from their 1990 appearance at the Super Rock Festival in Mannheim, Germany supporting Whitesnake, Aerosmith, Dio and Poison, plus recent modern-era live recordings from their triumphant reunion at the 2020 Monsters Of Rock Cruise pre-party. Ferrari founded Cold Sweat after departing the band Keel in 1989. The band released their acclaimed cult classic “Break Out” on MCA Records and toured the US and Europe before falling victim to the changing musical landscape of the 90's. This collection of recordings proves that the music has stood the test of time, and the men behind that music plan to drive that point home when they hit the stage May 5th in Columbia, Maryland at this year's M3 Festival, on the bill with Bret Michaels, Night Ranger, Y&T and Stryper.“We [RFK Media] heard these unreleased studio tracks and realized immediately, we have to get this music out there,” explains RFK chief Ron Keel. “Then we found out there were unreleased live tracks, not just from the 2020 reunion but from the 1990 festival appearance in Germany. It was like an uppercut to the jaw, a right cross and a body blow in quick succession, and we're ready to deliver the knockout punch with this very special Cold Sweat release.”Pre-order CDs will ship March 29th, simultaneously with the digital/streaming release on all platforms, with the CD available worldwide via Amazon and other outlets April 19th.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Episode Notes S5E15-- Join us as we dive into the mind of legendary musician Ron Keel. He'll take us on his journey through being a musicain, author, actor & much much more. Ron Keel (born March 25, 1961) is an American rock singer. He is known as the singer for Ron Keel Band, Keel, Steeler, and Saber Tiger, and has also fronted IronHorse, Fair Game, and The Rat'lers, in addition to being a solo artist. He is also an author, radio show host, actor and owner/manager of RFK Media LLC. In 1984, he was briefly the lead singer of Black Sabbath. He recorded some demos with the band, but soon parted ways when the band had a falling out with producer Spencer Proffer over creative differences NEWS FLASH: You can now purchase Toking with the Dead full novel here https://a.co/d/7uypgZo https://www.barnesandnoble.com/.../toking.../1143414656... You can see all your past favorite episodes now streaming on https://redcoraluniverse.com/ OR Show your support by purchasing FB stars. Send stars to the stars fb.com/stars Toking with the Dead: https://www.stilltoking.com/ https://www.facebook.com/TokingwiththeDead?tn=-]C-R https://www.instagram.com/stilltokingwith/?hl=en https://twitter.com/thetoking?lang=en https://pinecast.com/feed/still-toking-with Check out Toking with the Dead Episode 1 https://www.youtube.com/watch?v=awhL5FyW_j4 Check out Toking with the Dead Episode 2 https://www.youtube.com/watch?v=SaUai58ua6o Buy awesome Merchandise! https://www.stilltoking.com/toking-with-the-dead-train https://teespring.com/stores/still-toking-with Our booking agent: https://www.facebook.com/AmyMakepeace https://www.facebook.com/groups/3770117099673924 Sponsorship Opportunities: https://www.stilltoking.com/become-a-sponsor or email us at bartlett52108@gmail.com thetokingdead@gmail.com ————————————— Follow our guest https://ronkeel.com/ https://en.wikipedia.org/wiki/Ron_Keel https://twitter.com/ronkeel... https://www.facebook.com/ronkeel/ https://www.instagram.com/ronkeel/ https://www.youtube.com/@RonKeelOfficial https://open.spotify.com/artist/46iwOGtEZfDicWyjWBsYy8 ———————— Follow Still Toking With and their friends! https://smartpa.ge/5zv1 https://thedorkeningpodcastnetwork.com/ ————————————— Produced by Leo Pond and The Dorkening Podcast Network https://TheDorkening.com Facebook.com/TheDorkening Youtube.com/TheDorkening Twitter.com/TheDorkening Dead Dork Radio https://live365.com/station/Dead-Dork-Radio-a68071 MORE ABOUT THE GUEST: Following Steeler, Keel formed a new band and simply called it Keel. The band secured a record deal with Gold Mountain/A&M Records. From 1984 to 1989, Keel toured the world and sold 2 million records. KISS vocalist/bassist Gene Simmons produced two of Keel's albums: The Right to Rock and The Final Frontier. Both charted on Billboard's Hot 100, as did their third self-titled major label album on MCA Records which was produced by Michael Wagener. In 1987, their cover of "Rock N Roll Outlaw" was featured in the movie "Dudes." A sixth album Back In Action (1998) consisted of unreleased demos; the band reunited in 2008 and toured to celebrate their 25th anniversary. In 1990, Ron Keel formed the band Fair Game, a project Keel fronted with four female backup musicians. Two of the songs recorded by the band were featured on the soundtrack to the movie Bad Channels. Their complete recording sessions finally emerged in 2000 on the Metal Mayhem label billed as Beauty & The Beast. Find out more at https://still-toking-with.pinecast.co Send us your feedback online: https://pinecast.com/feedback/still-toking-with/aa567da9-2970-45d5-a9cd-1b1491cacacc

Ron Keel's RFK Media label digs deep to release Cold Sweat - “Unburied Alive” in conjunction with the band's appearance at the 2024 M3 Festival May 5th.The foundation of this album consists of four unreleased studio tracks from the early 90's, which showcase the band (Marc Ferrari & Erik Gamans, guitar – Chris McLernon, bass – Anthony White, drums – and Roy Cathey, vocals) delivering powerful heavy melodic rock at its finest. The lead track “Rain Down” is a classic-style arena rock working class anthem; “Unburied Alive” also features vintage concert cuts from their 1990 appearance at the Super Rock Festival in Mannheim, Germany supporting Whitesnake, Aerosmith, Dio and Poison, plus recent modern-era live recordings from their triumphant reunion at the 2020 Monsters Of Rock Cruise pre-party. Ferrari founded Cold Sweat after departing the band Keel in 1989. The band released their acclaimed cult classic “Break Out” on MCA Records and toured the US and Europe before falling victim to the changing musical landscape of the 90's. This collection of recordings proves that the music has stood the test of time, and the men behind that music plan to drive that point home when they hit the stage May 5th in Columbia, Maryland at this year's M3 Festival, on the bill with Bret Michaels, Night Ranger, Y&T and Stryper.“We [RFK Media] heard these unreleased studio tracks and realized immediately, we have to get this music out there,” explains RFK chief Ron Keel. “Then we found out there were unreleased live tracks, not just from the 2020 reunion but from the 1990 festival appearance in Germany. It was like an uppercut to the jaw, a right cross and a body blow in quick succession, and we're ready to deliver the knockout punch with this very special Cold Sweat release.”Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Sublime with Rome is touring this year, as is Sublime without him. In his first interview about the drama in Rolling Stone Magazine, Rome Ramirez — who has a new solo single — tells his side of the story. BY BRIAN HIATT FRUMESS is POWERED by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.riotstickers.com/frumess⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ GET 200 DIECUT STICKERS FOR $69  RIGHT HERE - NO PROMO CODE NEED JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Frumess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Eric Wilson of Sublime speaks on his status in Sublime with Rome after reuniting with Bud Gaugh and bringing Jakob Nowell on as frontman. FRUMESS is POWERED by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.riotstickers.com/frumess⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ GET 200 DIECUT STICKERS FOR $69  RIGHT HERE - NO PROMO CODE NEED JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Frumess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

More on Jakob Nowell and original Sublime drummer Bud Gaugh discussing the band's unexpected reformation. The No Values Punk Rock Festival from Goldenvoice is also discussed. FRUMESS is POWERED by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.riotstickers.com/frumess⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ GET 200 DIECUT STICKERS FOR $69  RIGHT HERE - NO PROMO CODE NEED JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Frumess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

In their first interviews, Jakob Nowell and original drummer Bud Gaugh explain why they're bringing Sublime onstage again, and how they're planning on recording lost Bradley Nowell compositions FRUMESS is POWERED by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.riotstickers.com/frumess⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ GET 200 DIECUT STICKERS FOR $69  RIGHT HERE - NO PROMO CODE NEED JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Frumess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Michael "Miguel" Happoldt and Skunk Records were synonymous with the band Sublime. Today we look at a contract between Miguel and the band and the nature of their partnership. FRUMESS is POWERED by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.riotstickers.com/frumess⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ GET 200 DIECUT STICKERS FOR $69  RIGHT HERE - NO PROMO CODE NEED! JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Frumess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Do you believe in miracles? Tonight's episode has two: In the Fall of 2022, John Reign overcame a vicious case of Covid that "felt like I was breathing razor blades".  John made an unbelievable recovery through the power of prayer which had health care workers dubbing him "The Miracle Man".  In the summer of 2023, after celebrating a birthday dinner for his wife with his family, John suffered a heart attack. He survived, but had a near death experience (NDE) that changed his belief in his purpose and the existence of the Afterlife.You can watch a 6-minute video documenting John's NDE called "Beyond the Veil" on YouTube.ABOUT JOHN REIGNPOLESTAR  founder, John Reign, has a rich history in the entertainment industry that spans four decades. A true veteran, his expertise lies both as a performer and an award-winning filmmaker. This skill set allows him to communicate efficiently and effectively to both his cast and crew.For those Elvis fans out there, John first broke out under the MCA Records banner, as one of the very first Elvis impersonators, where he toured the west coast of the United States with the backing of a full band, singers, and dancers.He was also one of the youngest magicians of the prestigious Magic Castle here in Los Angeles, California. He is an expert in close-up and stage magic and was a world-renowned escape artist performing nationwide for many years while designing illusions for Doug Henning. These skills also translate to the silver screen allowing him to be a cutting-edge filmmaker.He has directed for FOX TV and PBS, all while promoting large-scale concert events with Azula Rocks and Nightlife Promotions.In addition, John has directed and written dozens of feature films, TV productions, and children's programming, such as Grimmet's Magic Forest. Grimmet's Magic Forest is based on the children's book, What's a Grimmet, authored by John.A true pioneer, master model maker, and effects talent, John brings these skills and displays them on screen, making him a stand-alone in the low-cost magic of filmmaking and takes great pride and pleasure in entertaining his audiences domestically and abroad.WebsitesPolestar PicturesVampire PenanceIndieGoGo (Vampire Penance - Audition for a Role)Jewelry by Reign Support the showSUPPORT THE PODCAST FOLLOW/SUBSCRIBE/REVIEW...On our website at afraidofnothingpodcast.com.SUBSCRIBE...Your gracious donation here helps defray production costs. Beyond my undying gratitude, you will also will be shouted out in an upcoming episode.WATCH ON YOUTUBE...We are uploading past episodes on our Youtube channel. WATCH THE DOC… VIMEO ON DEMAND: Rent the Afraid of Nothing documentary here: https://vimeo.com/ondemand/aondoc. TUBI: watch for free with ads on tubitv.com. REVIEW OUR FILM ON ROTTEN TOMATOES...Write your five-star review here.

Sublime lives as Sublime with Rome dies. Rome has announced he is leaving and has done so in the worst possible way from a PR standpoint, in my opinion. I will explain why. This is on the heels of Jakob Nowell joined Eric Wilson and Bud Gaugh for at Positive Mental Attitude: A Benefit For HR of Bad Brains! put on by Norwood Fisher of Fishbone and Kentyah Fraser featuring Angelo Moore, Dave Lombardo, Fred Armisen, Mad Lion, Israel Joseph I, and more. FRUMESS is POWERED by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.riotstickers.com/frumess⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ GET 1000 STICKERS FOR $69  RIGHT HERE - NO PROMO CODE NEED! JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Frumess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Sublime LIVES! Jakob Nowell joined Eric Wilson and Bud Gaugh for at Positive Mental Attitude: A Benefit For HR of Bad Brains! put on by Norwood Fisher of Fishbone and Kentyah Fraser featuring Angelo Moore, Dave Lombardo, Fred Armisen, Mad Lion, Israel Joseph I, and more. Having now watched the footage I have SO MANY thoughts, feelings, and opinions. FRUMESS is POWERED by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.riotstickers.com/frumess⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ GET 1000 STICKERS FOR $69  RIGHT HERE - NO PROMO CODE NEED! JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Frumess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Rob Chapman likes The Rolling Stones. Wait…check that. Rob Chapman loooooves The Rolling Stones. Not only that, but he regularly corresponds with a couple of the guys in the band. Several years ago Rob wrote a book about a very interesting period in the band's history, Ron Wood and Keith Richards' side project The New Barbarians. Rob went deep on this project and the result is the book “New Barbarians: Outlaws, Gunslingers and Guitars”. So what does this have to do with Tower Records, you're asking?It just so happens that Rob Chapman called on many of the Sacramento  and South Bay area stores as a rep for Navarre and then MCA Records from 1993-1997. Rob quickly learned to pop into Sacramento's main office to get to know the players there and to make himself known to the people who can help rally support behind a project. This week's episode covers alot of the daily goings on of working the Sacramento market, the feeling of coming into Sacramento as an outsider, being taken in by Watt Avenue's Mike Jerrick only to experience his passing away as Rob was leaving the area and the many trials and tribulations of being a Sales Rep calling on the Tower accounts. Rob also takes behind us behind the scenes and into the world of Ron Wood and Keith Richards while he worked on his New Barbarians book. We discuss actual riots in the midwest when suggested “friends” like Bob Dylan and Mick Jagger didn't show up to play with Ron & Keith. The book comes with a live CD of New Barbarians performances from the 70's. Rob explains why some songs made the cut and others didn't. We loved talking to Rob and think that you'll enjoy this episode immensely. 

In episode #53 we celebrate the album "Matita Perê" by Tom Jobim, released in May 1973 by Philips. Considered one of the inventors of bossa-nova, Jobim had astronomical success in Brazil and abroad (especially the USA), so for this album, he decided to explore new territories. Produced and arranged by German composer Claus Ogerman, he came up with a complex mix of nature-inspired sounds, Brazilian roots, and erudite music, all encapsulated by the poetry of Guimarães Rosa, although the opening is quite literally a bossa-nova classic: "Águas de Março". The album was released as "Jobim" for the international market, by MCA Records, and also with a different cover. Follow our playlist on Spotify: "Soundtrack: Brazuca Sounds". Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Show #1012 Without Your Host It's long and good, but without your host. So check this playlist to see what's playing. 01. Coco Montoya - Beyond The Blues (4:27) (Suspicion, Alligator Records, 2000) 02. Ann Rabson - Gonna Stop You From Giving Me The Blues (4:45) (Music Makin' Mama, Alligator Records, 1997) 03. Ray Bonneville - Gust Of Wind (4:40) (Gust Of Wind, Stony Plain Records, 1999) 04. Clarence 'Gatemouth' Brown - Sometimes I Slip (6:32) (Alright Again!, Rounder Records, 1987) 05. Magic Sam - I Feel So Good (I Wanna Boogie) (4:47) (West Side Soul, Delmark Records, 1967) 06. Paula Lockheart - Sweet Marijuana Brown (2:35) (It Ain't The End Of The World, Flying Fish Records, 1979) 07. Lonnie Brooks - Evil Twin (3:56) (Roadhouse Rules, Alligator Records, 1996) 08. Chicken Shack - The Road Of Love (3:30) (100 Ton Chicken, Blue Horizon Records, 1969) 09. Charlie Musselwhite - Little Star (5:21) (Continental Drifter, PointBlank Records, 1999) 10. Beaucoup Blue - Desert Spring (4:52) (Free To Fall, self-rlease, 2009) 11. Lisa Cee - Bright Shiny World (5:28) (My Turn, Rip Cat Records, 2012) 12. Cream - Born Under A Bad Sign (3:13) (Wheels Of Fire, Polydor Records, 1968) 13. Geoff Muldaur - The World Is Not My Home (4:44) (The Secret Handshake, Hightone Records, 1998) 14. San Pedro Slim - Having A Hard Time (5:59) (Another Night On The Town, Tramp Records, 1997) 15. Angela Strehli - Go On (3:11) (Blonde & Blue, Zensor/Rounder Records, 1992) 16. Jean-Jacques Milteau - Beale Street (3:46) (Merci d'Être Venus, Odeon Records, 1996) 17. BB King (ft. Joe Cocker) - Dangerous Mood (4:54) (Deuces Wild, MCA Records, 1997) 18. Eric Clapton - Kind Hearted Woman Blues (4:06) (Me And Mr. Johnson, Reprise Records, 2004) 19. Kay Kay & the Rays - Big Bad Girl (3:47) (Big Bad Girl, Topcat Records, 2004) 20. Jason Ricci & New Blood - The Eternal Is (5:29) (Rocket Number 9, Eclecto Groove Records, 2007) 21. Delbert McClinton & Dick 50 - Do It (2:48) (Acquired Taste, New West Records, 2009) 22. Ruby Turner - You Can't Do That (3:16) (Guilty, Indigo Records, 1996) 23. Harpface And The Heat - You Will Never Know (5:39) (Harpface And The Heat, Rockwerk Records, 1996) 24. Amazing Rhythm Aces - Sensual Woman (4:18) (Nothin' But The Blues, self-release, 2004) 25. Julien Kasper Band - Trash Day (4:49) (Trance Groove, Toulcat Records, 2009) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Greetings to all you Barbies and Kens! In honor of the release of the much hyped Barbie movie, Tony and Evan decided to bring the “Kenergy” and devote episode 21 to all things Barbie! Mattel, the parent company that owns Barbie, has had their fair share of lawsuits involving Barbie, especially the use of the Barbie trademark. Evan and Tony lead things off with a lawsuit between Greiner & Hauser gMBH and Mattel (04:06) and how Mattel was originally accused of ripping off Barbie from a German doll called Bild Lilli. G&H and Mattel ended up settling but 50 years later, G&H gMBH pursued a lawsuit against Mattel, alleging their 1964 settlement agreement was no longer enforceable. Then, Tony and Evan talk about the iconic Mattel v. MCA Records case (14:55) and how a song called "Barbie Girl" was afforded protection under the First Amendment by way of the Rogers v. Grimaldi test. Tony and Evan then talk about Mattel's very brief trademark infringement lawsuit against Rap Snacks after the snack brand created a line of BBQ chips featuring Nicki Minaj but used the word "Barbie" in pink cursive on the front of the chip packaging (23:30). Finally, Evan and Tony share their favorite Barbie marketing collabs in connection with the new Barbie movie (31:43). We're on Shayk! You can download Shayk on the ⁠⁠⁠⁠Apple App Store⁠⁠⁠⁠ and use referral code endscene for exclusive access to bonus End Scene content! You can find Tony on Shayk at @theipprof and Evan at @evannaar3. Many thanks to our partners at Shayk! Special thanks to P&T Knitwear Bookstore, Coffee, and Podcast Studio (located at 180 Orchard Street, New York, NY 10002) for allowing us to host our podcast in their incredible studio! You can check them out at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.ptknitwear.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Additional thanks to Hunter Zarin for creating our intro/outro song! You can check out all his music on Spotify at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/artist/4A44z4SsaOKgSVDjS1jFEK⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. ------- Follow End Scene on all social media platforms: Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/endscenepod/ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/endscenepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@endscenepod ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Evan Naar: Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/evannaar3/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/naarandthestars/ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/evannaar3 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@naarly ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Tony Iliakostas: Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/theipprofessor/ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/theipprofessor ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@theipprofessor ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@theipprofessor/⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/endscenepod/message

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Misogyny, murder, STDs. 1985's movie is perhaps the role Chevy Chase was born to play. Imagine a man with a shoestring disguise budget, the affable charm of the mediocre white man, and an absolute disdain for everyone around him. That's Irwin Fletcher, and Chevy is absolutely fantastic in the role. Unfortunately, Hollywood couldn't escape the thought that they needed to make a silly comedy and not a sarcastic send-up of noir. This movie needed to let Chevy be Chevy and turn on all of his sarcastic charm. Instead, it relies a bit too much on bits, ignoring the mystery structure, and the one-liners outshine the fun of the characters. Splurge on some 49-cent fake teeth as we talk about Fletch this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Fletch Theme” from the soundtrack to the movie Fletch, written and composed by Harold Faltermeyer. Copyright 1985 Universal City Studios, Inc.; MCA Records, Inc. Excerpts taken from the movie Fletch, copyright 1985 Universal Studios. All Rights Reserved. Excerpt taken from “Opening Title Theme” from the soundtrack to the movie Crocodile Dundee, written and composed by Peter Best. Copyright 1986 Paramount Pictures Corporation; Best Results Pty. Ltd.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Child abuse, physical abuse, mental abuse, manipulation, gaslighting, childhood trauma. We step into 1984 with a true children's classic that was bound to scar so many young minds. Because this week's movie is a meditation on grief, loss, and how we intertwine with stories to help heal, and it's also full of really cool practical special effects. But while our director may have made the greatest submarine movie of all time, his ability to sort through the nuances of a really beautiful story was kind of a mess. For a 90 minute movie, this drags, and it's not only because the story is lost in translation. Yet the real travesty is missing the second half of the story, which pulls everything full circle in a truly beautiful, wonderful way. Grab a hold of Falcor and get ready to ride as we talk about The NeverEnding Story this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “The Never Ending Story” from the soundtrack to the movie The NeverEnding Story, written by Giorgio Moroder and Keith Forsey. Copyright 1984 Neue Constantin Film Productions GmbH; EMI Records, Ltd. Excerpt taken from “Fletch Theme” from the soundtrack to the movie Fletch, written and composed by Harold Faltermeyer. Copyright 1985 Universal City Studios, Inc.; MCA Records, Inc.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Child abuse, physical abuse, mental abuse, manipulation, gaslighting, childhood trauma. We continue our 80's Grab Bag with the true grandfather of all high fantasy movies, or at least the ultra-violent ones. Before Game of Thrones, before The Witcher, there was one man, bigger than 5 combined and able to crush his enemies, see them driven before him, and listen to the lamentations of their women. His name was Arnold Schwarzenegger, and before he become a bona fide movie star, he took on a cult classic role in this week's movie. No, the movie's not what you'd call “good,” but it's also doing more with what it has than a lot of similar movies of its time. Director John Milius didn't have the resources to hire ILM or call up the artists behind Alien and Blade Runner - he had to find a way to make it all work. And even though there's stretches where the movie's laughable, there's also some true badassery hidden within. Grab your broadsword and study the way of its steel as we talk about Conan the Barbarian this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Anvil of Crom” from the soundtrack to the movie Conan the Barbarian, written and composed by Basil Poledouris. Copyright 1982 Universal City Studios, Inc.; MCA Records, Inc. Excerpt taken from the film Mommie Dearest, copyright 1981 Paramount Pictures Corporation. All Rights Reserved. Excerpt taken from “Love on a Real Train (Risky Business)” from the soundtrack to the movie Risky Business, written and composed by Tangerine Dream. Copyright 1983 The David Geffen Company.

By the time Tom Petty & The Heartbreakers set out to record their third album, Damn The Torpedoes, they were in a legal mess with MCA Records over a contract sale which resulted in Petty losing all of his publishing rights, among other issues. In a drastic strategy to get the label off his back, he filed for bankruptcy and hid the master tapes of the material he, the band, and co-producer Jimmy Iovine were working on every day. That strategy worked, which resulted in a rare triumph for artists in the music business. When Damn The Torpedoes was released, it became their breakthrough, led by “Refugee,” a song Petty crafted the lyrics for in about 10 minutes. Dig in to the incredible story in this episode of the Behind The Song podcast. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

By the time Tom Petty & The Heartbreakers set out to record their third album, Damn The Torpedoes, they were in a legal mess with MCA Records over a contract sale which resulted in Petty losing all of his publishing rights, among other issues. In a drastic strategy to get the label off his back, he filed for bankruptcy and hid the master tapes of the material he, the band, and co-producer Jimmy Iovine were working on every day. That strategy worked, which resulted in a rare triumph for artists in the music business. When Damn The Torpedoes was released, it became their breakthrough, led by “Refugee,” a song Petty crafted the lyrics for in about 10 minutes. Dig in to the incredible story in this episode of the Behind The Song podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Child abuse, physical abuse, mental abuse, manipulation, gaslighting, childhood trauma. Our next film in the 80's Grab Bag series centers on a controversial story around a major public figure. Namely, why Faye Dunaway was ever given a chance at stardom. Because this film is a disaster of the most epic proportions. The writing? It's god-awful, making an incredibly complex and difficult story of childhood trauma into a laughable soap opera. The directing? It is truly, ineffably bad, bouncing from moment to moment with editing that would be side-eyed by z-movie directors from the 60's. And the cast? Never let it be said they're not committed (except you, Steve Forrest, no excuses), but literally nobody is able to figure out what the hell is going on. Forget about the tell-all aspect; this movie is a trainwreck of the highest order. Hide all your wire hangers as we talk about Mommie Dearest this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “End Credits” from the soundtrack to the movie Mommie Dearest, written and composed by Henry Mancini. Copyright 1981 Paramount Pictures Corporation. Excerpt taken from the film Mommie Dearest, copyright 1981 Paramount Pictures Corporation. All Rights Reserved. Excerpt taken from “Anvil of Crom” from the soundtrack to the movie Conan the Barbarian, written and composed by Basil Poledouris. Copyright 1982 Universal City Studios, Inc.; MCA Records, Inc.

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Matt KersnerLynyrd Skynyrd “Tuesday's Gone" from the 1973 album "(Pronounced Leh-nerd 'Skin-nerd)" released on MCA Records. Written by Ronnie Van Zant and Allen Collins and produced by Al Kooper.Personel:Ronnie Van Zant – lead vocals, lyricsGary Rossington – lead guitarAllen Collins – rhythm guitarEd King – guitar fillsBilly Powell – keyboardsRobert Nix – drums (Atlanta Rhythm Section)Al Kooper (Roosevelt Gook) – bass, backing vocals, MellotronCover:Performed by Josh Bond and Neal MarshIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Jimi Hendrix "Axis Bold As Love"Dave Matthews Band "Jimi Thing"

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Matt KersnerLynyrd Skynyrd “Tuesday's Gone" from the 1973 album "(Pronounced Leh-nerd 'Skin-ner)" released on MCA Records. Written by Ronnie Van Zant and Allen Collins and produced by Al Kooper.Personel:Ronnie Van Zant – lead vocals, lyricsGary Rossington – lead guitarAllen Collins – rhythm guitarEd King – guitar fillsBilly Powell – keyboardsRobert Nix – drums (Atlanta Rhythm Section)Al Kooper (Roosevelt Gook) – bass, backing vocals, MellotronCover:Performed by Josh Bond and Neal MarshIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Lucky Charms   Mario BrothersUniversal StudiosPatch AdamsSturgill SimpsonEddie VedderBob Dylan “Visions of Johanna”Duane AllmanJim MorrisonJerry GarciaMuddy Waters “Champagne and Reefer”LeBron JamesKevin DurantDillon BrooksDraymond GreenKlay ThompsonJaylen BrunsonLuka DoncicJames HardenPink FloydThe Allman Brothers “Blue Sky”The Allman Brothers “In Memory of Elizabeth Reed”The Grateful Dead “One More Saturday Night”Bob MarleyThe Cure “Firiday I'm in Love”Lynyrd Skynyrd “Saturday Night Special”The Velvet Underground and Nico “Sunday Morning”Mamas and the Papas “Monday, Monday”Lionel Richie “Easy Like Sunday Morning”Bob WeirElvisDazed and ConfusedLynyrd Skynyrd “Freebird”The Rolling Stones “Ruby Tuesday”The Moody Blues “Tuesday Afternoon”Paul Simon “Wednesday 3am”Led ZeppelinAtlanta Rhythm SectionStrawberry Alarm Clock “Incense and Peppermints”Lynyrd Skynyrd “Sweet Home Alabama”Blood, Sweat, and TearsBob Dylan “Like a Rolling Stone”The Rolling Stones “Can't Always Get Waht You Want”Mike Bloomfield “Super Sessions”Stephen StillsLynyrd Skynyrd “Gimme Three Steps”Lynyrd Skynyrd “Simple Man”Lynyrd Skynyrd “Ohh, That Smell”Aerosmith “Full Circle”Happy GilmoreRockin' LullabyMick JaggerKeith RichardsThe Black Crowes “She Talks To Angels”RHCP “Under the Bridge”Kings of Leon “Trani”Foreigner “I Want to Know What Love Is”Cheap Trick “The Flame”Stevie Ray Vaughn “Life By the Drop”Eric Clapton “Wonderful Tonight”SteppenwolfAerosmith “Full Circle”Steven TylerBehind the MusicAerosmith “Love in an Elevator”Yeah Yeah Yeahs “Maps”Vitamin String QuartetMetallicaJohn PopperBlues TravelerGregg AllmanWarren HaynesHank Williams, Jr.Lynyrd Skynyrd “1976/One More From the Road”

Claire Risoli is a bilingual, bicultural, native Angelina. Her mother is from Sonora, Mexico and her father, of Eastern European descent from Brooklyn, NY. Claire grew up in the entertainment business, she was a signed recording artist with MCA Records at 19 years old and has appeared in many national commercials, TV shows and films in both English & Spanish. In her adult years, she was a freelance producer in Latino Marketing when she discovered an opportunity with a health & wellness, network marketing company called, Arbonne International. For the last 12 years she climbed up the ranks to the top 1% and parlayed her success to pursue yet ANOTHER dream. Claire is a serial entrepreneur. Although the timing was not ideal, her entrepreneurial spirit led her to boldly open the doors of her own Modern Mexicana restaurant brand called, Pocha LA in Highland Park, CA on April 10th, 2020. She loves cooking with her 13 year old son, Rocco who you also might see at the restaurant working alongside her and answering phones.  Links of your social media platforms: @pocha_losangeles,  @claire_risoli, facebook.com/claire.risoli Chicana & Latina Moms Instagram: @chicana_latinamomspodcast

“This is the worst handwriting I've ever seen” is a pretty common refrain this week's guest has heard throughout his career in the music business. His standard reply was “Are you hiring me for my handwriting or are you hiring me for my music knowledge?” After you listen to this episode, you'll agree that Carl Michelakos was continually hired for his dizzyingly precise music expertise. His recall of songs, artists, dates and chart positions is downright academic.Carl started with Tower Records in 1968, but was shopping in the record department of Tower Drug Store in 1957. Though he always bought 45 rpm singles at other stores around town (“If I could afford it, I bought it"), on his first visit to Tower he bought Elvis Presley's debut album, his first purchase of an LP. He got the job at Tower after spending a year meeting weekly with KXOA DJ Tony King. King was recording Carl's extensive 45 collection to have a better playlist than the other radio stations in town. Tony King told him he had an interview with Rick Briare at 16th & Broadway in Sacramento because “You belong in the music business”.Seven years with Tower, Carl considered himself a “lifer”. Until an opportunity he had been promised was pulled at the last minute. Shortly thereafter MCA Records came calling. Carl spent 25 years with MCA first servicing all the Tower stores in Northern California where they let him write his own orders. Gigs and promotions in Denver and Atlanta followed.After MCA and Polygram merged, Carl got a call from Stan Goman and Mark Viducich, telling him “We want you to come back home”. Soon after Carl returned to Bayside, the Tower-owned distribution company. Carl headed up Bayside Special Products and later worked on cultivating outside accounts to grow Bayside's business until the end in 2006.Carl also talks to us about the genius of Russ Solomon, having Stan Goman work for him on assignment for a short while, using his position & influence as Singles Buyer to manipulate the charts, the “Dutch Boy” who kept asking him for a job and why Ral Donner (who?) was his favorite rock & roll act of all time. Throughout you will be amazed at Carl's recall of names, dates, chart positions, song titles and the many people he hired and fired.

Show #989 With A Sorrowful Vinyl Trio Spinner pays tribute to Gary Rossington of Lynyrd Skynyrd fame, who passed away at age 71. 01. Ben Hemming - Holy For A Day (3:38) (Single, self-release, 2023) 02. Lucky 757 - I'm Gonna Miss Her (2:24) (Rockabilly Revival, Scad Records, 2023) 03. John Primer - Ain't Doing Too Bad (5:58) (Live At Rosa's Lounge-Teardrops For Magic Slim, Blues House Productions, 2023) 04. Johnny Wheels & The Swamp Donkeys - Light Me Up (Hold Me In) (4:12) (Keep On Pushin', Lightning In A Bottle Records, 2022) 05. Julie July Band - Til The Sun Goes Down (4:09) (Wonderland, Thoroughbred Music, 2023) 06. Cash Box Kings - She Dropped The Axe On Me (3:43) (Oscar's Motel, Alligator Records, 2023) 07. Sister Lucille - My Name Is Lucille (5:08) (Tell The World, Blue Heart Records, 2023) 08. Dallas Moore - Halo Too Tight (3:16) (No God In Juarez, Sol Records, 2023) 09. Starlite & Campbell - Our Lips Are Sealed (2:59) (Single, Supertone Records, 2023) 10. miXendorp - SwingStraight (3:59) (Bluestronica EP nr 1, Black and Tan Records, 2023) 11. Lynyrd Skynyrd - Things Goin' On (5:02) ((Pronounced 'Leh-'nérd 'Skin-'nérd), MCA Records, 1973) 12. Lynyrd Skynyrd - Don't Ask Me No Questions (3:28) (Second Helping, MCA Records, 1974) 13. Lynyrd Skynyrd - Down South Jukin' (2:13) (Skynyrd's First And...Last, MCA Records, 1978) 14. Jeff Pitchell - Unsung Hero Of The Blues (4:44) (Playing With My Friends, Deguello Records, 2023) 15. A.L. James Project - Jump, Jive & Swing (3:27) (Single, self-release, 2023) 16. Layla Zoe - Dark Heart (6:00) (The World Could Change, Cable Car Records, 2022) 17. Mike Zito & Albert Castiglia - No Good Woman (4:52) (Blood Brothers, Gulf Coast Records, 2023) 18. Skylar Rogers - Step It Up (3:29) (Among The Insanity, Blue Heart Records, 2023) 19. Blues Arcadia - Now Or Never (3:38) (Now Or Never, self-release, 2023) 20. Danny Liston - Old Friends (4:17) (Everybody, Blue House Records, 2023) 21. Misty Blues - Been A Long Time Coming (4:21) (Outside The Lines, Guitar One Records, 2023) 22. Big Harp George - Behind The Eight Ball (4:18) (Cut My Spirit Loose, Blues Mountain Records, 2023) 23. The Maple Blues Band - Sumlin Around (4:02) (Let's Go, Cordova Bay Records, 2023) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

EPISODE 2: Yohance begins to investigate the beating for a neighborhood newspaper, when his reporting gets some unwanted attention.CreditsHost: Yohance LacourProducers: Bill Healy, Dana Brozost-Kelleher, Erisa Apantaku, Sarah GeisSound Design/Mixing and Music Supervision: Steven Jackson and Phil Dmochowski at the Audio Non-Visual CompanyOriginal Music: Taka YasuzawaExecutive Producers: Alison Flowers and Jamie Kalven (Invisible Institute) and Josh Bloch (USG Audio)Production Support: Jennifer Sears and Josh LaolagiFact-checking: Angely MercadoKey Art: Kenneth L. Copeland, Jr.Special Thanks: Stacy Nzingha Hill Archival audio in this episode include (in order of appearance): CBS Evening News; NPR/All Things Considered; YouTube; CNN; WMAQ; Sounds of Blackness; Twista, Faith Evans and Capitol Records; Mary J. Blige and MCA Records; The President's Weekly Radio Address, WTTW, Dateline, NBC News, Fox Chicago, and Universal Pictures. For more information, go to usgaudio.com. To learn about the Invisible Institute's human rights reporting, visit invisible.institute.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of murder, grief, trauma, loss, catatonia, mental illness, delusion, guilt, shame, AIDS, homelessness, misogyny, depression. This week we're discussing a film that's one of the most beautiful messes you'll ever see. Beautiful, because it revels in medieval mythology while telling a story of redemption in our modern lives. Messy, because our director didn't seem to care about creating a consistent, thorough world for his characters to live in. It's a movie that doesn't hold up as well on deeper scrutiny, and yet also hits you right in the heart with a truly lovely story and incredibly strong performances from some of the best actors in the business. If only Terry Gilliam had reigned himself in just a little bit, this would have been absolutely perfect. Grab your armor and weapons from the scrap heap as we watch The Fisher King on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “How About You (Swing Version)” from the soundtrack to the motion picture The Fisher King, written by Burton Lane and arranged by George Fenton. Copyright 1991 Tri-Star Pictures, Inc.; MCA Records, Inc. Excerpts taken from the film The Fisher King, © 1991 TriStar Pictures, Inc. All Rights Reserved. Excerpt taken from “Max” from the soundtrack to the motion picture Cape Fear. Written and composed by Bernard Hermann, and arranged and composed by George Fenton. Copyright 1991 Universal City Studios, Inc. and Amblin Entertainment, Inc.; MCA Records, Inc.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of sexual assault, rape, and sexual advances toward a minor. Also, assault, violence, misogyny, attempted murder. This week, we're talking about a thriller that's a remake of a classic thriller by one of the most famous directors in American movies. And it's all because of Steven Spielberg. Well, OK, it's also because Martin Scorsese saw the chance to make a hit movie, and wow does he deliver. There's nothing particularly special about this week's movie on paper - it's a well-thought, taut thriller. But it's Marty's flourishes and powerhouse performances from Robert DeNiro and Juliette Lewis that propelled this film to Oscar status. At the end of it all, it's a gripping, scary, and fun ride of a movie - and sometimes that's just all you need.. Get the fishing line tied around your teddy bear as we watch Cape Fear on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Max” from the soundtrack to the motion picture Cape Fear. Written and composed by Bernard Hermann, and arranged and composed by George Fenton. Copyright 1991 Universal City Studios, Inc. and Amblin Entertainment, Inc.; MCA Records, Inc. Excerpts taken from the film Cape Fear (1991), © 1991 Universal Studios. All Rights Reserved. Excerpt taken from “Bugsy (Act of Faith #2)” from the soundtrack to the motion picture Bugsy. Written and composed by Ennio Morricone. Copyright 1991 Sony Music Entertainment Inc.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of murder, alcohol, drinking, racism, antisemitism, fascism, Nazis, gunshots. We continue our Oscars ‘91 series this week with yet another dark movie about Hollywood. Though this version has a twist: it's the Coen brothers, and they're making things incredibly weird, as they're known to do. For a movie written about writer's block by two writers dealing with writer's block, it happens to be a fairly decent movie. It's just that the Coens hadn't struck that balance of digging up obscure references and making them instantly relatable. John Turturro and John Goodman give truly incredibly performances, but the Coens seem to have internalized the story a bit too much. Roll in some paper and get to typing as we watch Barton Fink on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Fade Out - The End” from the soundtrack to the motion picture Barton Fink, composed by Carter Burwell. Copyright 1991, 1996 TVT Records. Excerpts taken from the film Barton Fink, © 1991 Circle Films, Inc. Excerpt taken from “The Red Knight Suite” from the soundtrack to the motion picture The Fisher King, composed by George Fenton. Copyright 1991 Tri-Star Pictures, Inc.; MCA Records, Inc.

From Destiny's Child to Raising Kanan, Letoya Luckett discusses her career journey and the new season of the STARZ Powerbook III: Raising Kanan. Among the most successful, innovative business leaders in the music industry, veteran music executive and DVERSE Media CEO, Benny Pough, has shaped the sound and culture of music worldwide.About LeToya LuckettOn the acting front, LeToya previously recurred on OWN's “Greenleaf” for three seasons. She has also appeared in recurring roles in Fox's “Rosewood” and HBO's “Ballers”. As a singer-songwriter, LeToya's debut solo album on Capitol Records topped the Billboard 200 chart and was certified platinum. Her most recent album “Back 2 Life” was released in May 2017 on eOne. Prior to that, she was a founding member of the iconic girl group Destiny's Child.ABOUT BENNY POUGHBenny Pough is a respected entertainment industry veteran with decades of experience propelling the careers of some of today's leading superstars including Jay-Z, Rihanna, Mary J. Blige, Kanye West, Travis Scott, Future, DJ Khaled, Yo Gotti, and 21 Savage. Pough has left an indelible mark on the music industry holding executive roles at labels Motown, Def Jam, Epic Records and MCA Records, culminating in his role as President of Roc Nation Music before ultimately deciding to pivot to entrepreneurship. Over two years later, Pough's multi-tiered entertainment company DVERSE Media is home to record labels, distribution platforms, publishing, management and more. This powerhouse entity comes in addition to Al J. Britt Enterprises, Pough's real estate management company that has garnered over 100 doors as part of his portfolio. For more information on Benny Pough, visit www.BennyPough.com.Support the show: https://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.

Among the most successful, innovative business leaders in the music industry, veteran music executive and DVERSE Media CEO, Benny Pough, has shaped the sound and culture of music worldwide.Topics CoveredTHE KEY TO BUILDING MENTOR RELATIONSHIPSTHE VALUE OF PERSONAL BRANDINGREAL ESTATE INVESTINGENTREPRENEURSHIPWORKING IN THE MUSIC INDUSTRYABOUT BENNY POUGHBenny Pough is a respected entertainment industry veteran with decades of experience propelling the careers of some of today's leading superstars including Jay-Z, Rihanna, Mary J. Blige, Kanye West, Travis Scott, Future, DJ Khaled, Yo Gotti, and 21 Savage. Pough has left an indelible mark on the music industry holding executive roles at labels Motown, Def Jam, Epic Records and MCA Records, culminating in his role as President of Roc Nation Music before ultimately deciding to pivot to entrepreneurship. Over two years later, Pough's multi-tiered entertainment company DVERSE Media is home to record labels, distribution platforms, publishing, management and more. This powerhouse entity comes in addition to Al J. Britt Enterprises, Pough's real estate management company that has garnered over 100 doors as part of his portfolio. For more information on Benny Pough, visit www.BennyPough.com.Support the show: https://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.

On this episode of Money Making Conversations Master Class we have former Music Industry executive turned author, serial entrepreneur and real estate investor, Benny Pough. Benny Pough has propelled the careers of Jay -Z, Rihanna, Kanye West and more. We discuss the nearly fatal accident that changed his life and inspired his book On Impact.Topics covered with Benny Pough:Pivoting towards your purpose.Benefits of working in a minority run companyKnowing Your valueReal Estate InvestingMusic industry 101DVERSEMore on Benny PoughBenny Pough is a respected entertainment industry veteran with decades of experience propelling the careers of some of today's leading superstars includingJay-Z, Rihanna, Kanye West, Travis Scott, Future, DJ Khaled and 21 Savage. Pough has left an indelible mark on the music industry holding executive roles at labels Motown, Def Jam, Epic Records and MCA Records, culminating in his role as President of RocNation Music before ultimately deciding to pivot to entrepreneurship. Over two years later, Pough's multi-tiered entertainment company DVERSE Media is home to record labels, distribution platforms, publishing, management and more. This power house entity comes in addition to Al J. Britt Enterprises, Pough's real estate management company that has garnered over 100 doors as part of his portfolio.More on DVERSEEstablished in 2019, DVERSE Media is a global music and media distribution platform where talent is nurtured and provided the tools for global and cultural expansion. DVERSE leverages its extensive experience, industry connections and fresh perspective to identify emerging talent who are shifting underground culture with their singular style and global vision. We work with artists who instinctively sidestep expectations and captivate audiences across all genres and borders and provide them the resources to build their careers in entertainment, fashion, hospitality, sports and beyond. Our offerings include distribution, marketing and social media strategy, A&R, radio promotion, publishing and playlisting. We're strictly unique. Support the show: https://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.

On this episode of Money Making Conversations Master Class we have Adam Richman, host of the History Channel series "Adam Eats The 80s," & "The Food That Built America"; Food Author and Culinary Entrepreneur. We also have Benny Pough. Benny Pough is a former Music Industry executive turned entrepreneur. He has propelled the careers of Jay -Z, Rihanna, Kanye West and more.Topics covered with Adam Richman:"Adam Eats the 80s," the idea behind it and the stories of revisiting beloved food.Season 3 of hosting "The Food That Built America"Why certain brands have more success over time.Topics covered with Benny Pough:Pivoting towards your purpose.Knowing you valueReal Estate InvestingMusic industry 101DVERSEMore on Adam RichmanAdam Richman, TV personality, culinary traveler, cook and author, was born and raised in Brooklyn, New York. With the diverse culinary mecca of New York City at his fingertips, Adam's love affair with—and intense interest in—food and food culture developed at an early age.More on Benny PoughBenny Pough is a respected entertainment industry veteran with decades of experience propelling the careers of some of today's leading superstars includingJay-Z, Rihanna, Kanye West, Travis Scott, Future, DJ Khaled and 21 Savage. Pough hasleft an indelible mark on the music industry holding executive roles at labels MotownDef Jam, Epic Records and MCA Records, culminating in his role as President of RocNation Music before ultimately deciding to pivot to entrepreneurship. Over two yearslater, Pough's multi-tiered entertainment company DVERSE Media is home to recordlabels, distribution platforms, publishing, management and more. This powerhouseentity comes in addition to Al J. Britt Enterprises, Pough's real estate managementcompany that has garnered over 100 doors as part of his portfolio.Support the show: https://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.