POPULARITY
16 episodes with mca records
15 episodes with mca records
4 episodes with mca records
5 episodes with mca records
7 episodes with mca records
6 episodes with mca records
3 episodes with mca records
3 episodes with mca records
2 episodes with mca records
Liza Gardner's lawsuit, filed in November 2023 under New York's Adult Survivors Act, alleges that in 1990 she was sexually assaulted by Sean “Diddy” Combs and singer Aaron Hall when she was 16 years old. According to her complaint, Gardner attended an event hosted by MCA Records, where she and a friend were given drinks and then invited to an after-party at Hall's apartment. She claims Combs coerced her into having sex with him, then as she was dressing, Hall entered the room, pinned her down, and forced her to have sex with him too. She also asserts that in the days following the assault, Combs came to her home, beat and choked her until she lost consciousness.In her amended complaint, Gardner emphasizes that she was a minor at the time—under New York's age of consent in 1990—and contends that she could not legally consent to drinking alcohol with the accused. She further alleges that the sexual assault left her with lasting psychological harm, including depression, post-traumatic stress disorder, and difficulty forming relationships.to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.njd.551633.42.0.pdf
Liza Gardner's lawsuit, filed in November 2023 under New York's Adult Survivors Act, alleges that in 1990 she was sexually assaulted by Sean “Diddy” Combs and singer Aaron Hall when she was 16 years old. According to her complaint, Gardner attended an event hosted by MCA Records, where she and a friend were given drinks and then invited to an after-party at Hall's apartment. She claims Combs coerced her into having sex with him, then as she was dressing, Hall entered the room, pinned her down, and forced her to have sex with him too. She also asserts that in the days following the assault, Combs came to her home, beat and choked her until she lost consciousness.In her amended complaint, Gardner emphasizes that she was a minor at the time—under New York's age of consent in 1990—and contends that she could not legally consent to drinking alcohol with the accused. She further alleges that the sexual assault left her with lasting psychological harm, including depression, post-traumatic stress disorder, and difficulty forming relationships.to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.njd.551633.42.0.pdf
Liza Gardner's lawsuit, filed in November 2023 under New York's Adult Survivors Act, alleges that in 1990 she was sexually assaulted by Sean “Diddy” Combs and singer Aaron Hall when she was 16 years old. According to her complaint, Gardner attended an event hosted by MCA Records, where she and a friend were given drinks and then invited to an after-party at Hall's apartment. She claims Combs coerced her into having sex with him, then as she was dressing, Hall entered the room, pinned her down, and forced her to have sex with him too. She also asserts that in the days following the assault, Combs came to her home, beat and choked her until she lost consciousness.In her amended complaint, Gardner emphasizes that she was a minor at the time—under New York's age of consent in 1990—and contends that she could not legally consent to drinking alcohol with the accused. She further alleges that the sexual assault left her with lasting psychological harm, including depression, post-traumatic stress disorder, and difficulty forming relationships.to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.njd.551633.42.0.pdf
Liza Gardner's lawsuit, filed in November 2023 under New York's Adult Survivors Act, alleges that in 1990 she was sexually assaulted by Sean “Diddy” Combs and singer Aaron Hall when she was 16 years old. According to her complaint, Gardner attended an event hosted by MCA Records, where she and a friend were given drinks and then invited to an after-party at Hall's apartment. She claims Combs coerced her into having sex with him, then as she was dressing, Hall entered the room, pinned her down, and forced her to have sex with him too. She also asserts that in the days following the assault, Combs came to her home, beat and choked her until she lost consciousness.In her amended complaint, Gardner emphasizes that she was a minor at the time—under New York's age of consent in 1990—and contends that she could not legally consent to drinking alcohol with the accused. She further alleges that the sexual assault left her with lasting psychological harm, including depression, post-traumatic stress disorder, and difficulty forming relationships.to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.njd.551633.42.0.pdfBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.
Liza Gardner's lawsuit, filed in November 2023 under New York's Adult Survivors Act, alleges that in 1990 she was sexually assaulted by Sean “Diddy” Combs and singer Aaron Hall when she was 16 years old. According to her complaint, Gardner attended an event hosted by MCA Records, where she and a friend were given drinks and then invited to an after-party at Hall's apartment. She claims Combs coerced her into having sex with him, then as she was dressing, Hall entered the room, pinned her down, and forced her to have sex with him too. She also asserts that in the days following the assault, Combs came to her home, beat and choked her until she lost consciousness.In her amended complaint, Gardner emphasizes that she was a minor at the time—under New York's age of consent in 1990—and contends that she could not legally consent to drinking alcohol with the accused. She further alleges that the sexual assault left her with lasting psychological harm, including depression, post-traumatic stress disorder, and difficulty forming relationships.to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.njd.551633.42.0.pdf
Liza Gardner's lawsuit, filed in November 2023 under New York's Adult Survivors Act, alleges that in 1990 she was sexually assaulted by Sean “Diddy” Combs and singer Aaron Hall when she was 16 years old. According to her complaint, Gardner attended an event hosted by MCA Records, where she and a friend were given drinks and then invited to an after-party at Hall's apartment. She claims Combs coerced her into having sex with him, then as she was dressing, Hall entered the room, pinned her down, and forced her to have sex with him too. She also asserts that in the days following the assault, Combs came to her home, beat and choked her until she lost consciousness.In her amended complaint, Gardner emphasizes that she was a minor at the time—under New York's age of consent in 1990—and contends that she could not legally consent to drinking alcohol with the accused. She further alleges that the sexual assault left her with lasting psychological harm, including depression, post-traumatic stress disorder, and difficulty forming relationships.to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.njd.551633.42.0.pdf
Liza Gardner's lawsuit, filed in November 2023 under New York's Adult Survivors Act, alleges that in 1990 she was sexually assaulted by Sean “Diddy” Combs and singer Aaron Hall when she was 16 years old. According to her complaint, Gardner attended an event hosted by MCA Records, where she and a friend were given drinks and then invited to an after-party at Hall's apartment. She claims Combs coerced her into having sex with him, then as she was dressing, Hall entered the room, pinned her down, and forced her to have sex with him too. She also asserts that in the days following the assault, Combs came to her home, beat and choked her until she lost consciousness.In her amended complaint, Gardner emphasizes that she was a minor at the time—under New York's age of consent in 1990—and contends that she could not legally consent to drinking alcohol with the accused. She further alleges that the sexual assault left her with lasting psychological harm, including depression, post-traumatic stress disorder, and difficulty forming relationships.to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.njd.551633.42.0.pdfBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.
Liza Gardner's lawsuit, filed in November 2023 under New York's Adult Survivors Act, alleges that in 1990 she was sexually assaulted by Sean “Diddy” Combs and singer Aaron Hall when she was 16 years old. According to her complaint, Gardner attended an event hosted by MCA Records, where she and a friend were given drinks and then invited to an after-party at Hall's apartment. She claims Combs coerced her into having sex with him, then as she was dressing, Hall entered the room, pinned her down, and forced her to have sex with him too. She also asserts that in the days following the assault, Combs came to her home, beat and choked her until she lost consciousness.In her amended complaint, Gardner emphasizes that she was a minor at the time—under New York's age of consent in 1990—and contends that she could not legally consent to drinking alcohol with the accused. She further alleges that the sexual assault left her with lasting psychological harm, including depression, post-traumatic stress disorder, and difficulty forming relationships.to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.njd.551633.42.0.pdfBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.
Liza Gardner's lawsuit, filed in November 2023 under New York's Adult Survivors Act, alleges that in 1990 she was sexually assaulted by Sean “Diddy” Combs and singer Aaron Hall when she was 16 years old. According to her complaint, Gardner attended an event hosted by MCA Records, where she and a friend were given drinks and then invited to an after-party at Hall's apartment. She claims Combs coerced her into having sex with him, then as she was dressing, Hall entered the room, pinned her down, and forced her to have sex with him too. She also asserts that in the days following the assault, Combs came to her home, beat and choked her until she lost consciousness.In her amended complaint, Gardner emphasizes that she was a minor at the time—under New York's age of consent in 1990—and contends that she could not legally consent to drinking alcohol with the accused. She further alleges that the sexual assault left her with lasting psychological harm, including depression, post-traumatic stress disorder, and difficulty forming relationships.to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.njd.551633.42.0.pdfBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.
Liza Gardner's lawsuit, filed in November 2023 under New York's Adult Survivors Act, alleges that in 1990 she was sexually assaulted by Sean “Diddy” Combs and singer Aaron Hall when she was 16 years old. According to her complaint, Gardner attended an event hosted by MCA Records, where she and a friend were given drinks and then invited to an after-party at Hall's apartment. She claims Combs coerced her into having sex with him, then as she was dressing, Hall entered the room, pinned her down, and forced her to have sex with him too. She also asserts that in the days following the assault, Combs came to her home, beat and choked her until she lost consciousness.In her amended complaint, Gardner emphasizes that she was a minor at the time—under New York's age of consent in 1990—and contends that she could not legally consent to drinking alcohol with the accused. She further alleges that the sexual assault left her with lasting psychological harm, including depression, post-traumatic stress disorder, and difficulty forming relationships.to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.njd.551633.42.0.pdfBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.
Liza Gardner's lawsuit, filed in November 2023 under New York's Adult Survivors Act, alleges that in 1990 she was sexually assaulted by Sean “Diddy” Combs and singer Aaron Hall when she was 16 years old. According to her complaint, Gardner attended an event hosted by MCA Records, where she and a friend were given drinks and then invited to an after-party at Hall's apartment. She claims Combs coerced her into having sex with him, then as she was dressing, Hall entered the room, pinned her down, and forced her to have sex with him too. She also asserts that in the days following the assault, Combs came to her home, beat and choked her until she lost consciousness.In her amended complaint, Gardner emphasizes that she was a minor at the time—under New York's age of consent in 1990—and contends that she could not legally consent to drinking alcohol with the accused. She further alleges that the sexual assault left her with lasting psychological harm, including depression, post-traumatic stress disorder, and difficulty forming relationships.to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.njd.551633.42.0.pdfBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.
Liza Gardner's lawsuit, filed in November 2023 under New York's Adult Survivors Act, alleges that in 1990 she was sexually assaulted by Sean “Diddy” Combs and singer Aaron Hall when she was 16 years old. According to her complaint, Gardner attended an event hosted by MCA Records, where she and a friend were given drinks and then invited to an after-party at Hall's apartment. She claims Combs coerced her into having sex with him, then as she was dressing, Hall entered the room, pinned her down, and forced her to have sex with him too. She also asserts that in the days following the assault, Combs came to her home, beat and choked her until she lost consciousness.In her amended complaint, Gardner emphasizes that she was a minor at the time—under New York's age of consent in 1990—and contends that she could not legally consent to drinking alcohol with the accused. She further alleges that the sexual assault left her with lasting psychological harm, including depression, post-traumatic stress disorder, and difficulty forming relationships.to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.njd.551633.42.0.pdfBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.
Liza Gardner's lawsuit, filed in November 2023 under New York's Adult Survivors Act, alleges that in 1990 she was sexually assaulted by Sean “Diddy” Combs and singer Aaron Hall when she was 16 years old. According to her complaint, Gardner attended an event hosted by MCA Records, where she and a friend were given drinks and then invited to an after-party at Hall's apartment. She claims Combs coerced her into having sex with him, then as she was dressing, Hall entered the room, pinned her down, and forced her to have sex with him too. She also asserts that in the days following the assault, Combs came to her home, beat and choked her until she lost consciousness.In her amended complaint, Gardner emphasizes that she was a minor at the time—under New York's age of consent in 1990—and contends that she could not legally consent to drinking alcohol with the accused. She further alleges that the sexual assault left her with lasting psychological harm, including depression, post-traumatic stress disorder, and difficulty forming relationships.to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.njd.551633.42.0.pdf
Liza Gardner's lawsuit, filed in November 2023 under New York's Adult Survivors Act, alleges that in 1990 she was sexually assaulted by Sean “Diddy” Combs and singer Aaron Hall when she was 16 years old. According to her complaint, Gardner attended an event hosted by MCA Records, where she and a friend were given drinks and then invited to an after-party at Hall's apartment. She claims Combs coerced her into having sex with him, then as she was dressing, Hall entered the room, pinned her down, and forced her to have sex with him too. She also asserts that in the days following the assault, Combs came to her home, beat and choked her until she lost consciousness.In her amended complaint, Gardner emphasizes that she was a minor at the time—under New York's age of consent in 1990—and contends that she could not legally consent to drinking alcohol with the accused. She further alleges that the sexual assault left her with lasting psychological harm, including depression, post-traumatic stress disorder, and difficulty forming relationships.to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.njd.551633.42.0.pdf
Liza Gardner's lawsuit, filed in November 2023 under New York's Adult Survivors Act, alleges that in 1990 she was sexually assaulted by Sean “Diddy” Combs and singer Aaron Hall when she was 16 years old. According to her complaint, Gardner attended an event hosted by MCA Records, where she and a friend were given drinks and then invited to an after-party at Hall's apartment. She claims Combs coerced her into having sex with him, then as she was dressing, Hall entered the room, pinned her down, and forced her to have sex with him too. She also asserts that in the days following the assault, Combs came to her home, beat and choked her until she lost consciousness.In her amended complaint, Gardner emphasizes that she was a minor at the time—under New York's age of consent in 1990—and contends that she could not legally consent to drinking alcohol with the accused. She further alleges that the sexual assault left her with lasting psychological harm, including depression, post-traumatic stress disorder, and difficulty forming relationships.to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.njd.551633.42.0.pdf
Liza Gardner's lawsuit, filed in November 2023 under New York's Adult Survivors Act, alleges that in 1990 she was sexually assaulted by Sean “Diddy” Combs and singer Aaron Hall when she was 16 years old. According to her complaint, Gardner attended an event hosted by MCA Records, where she and a friend were given drinks and then invited to an after-party at Hall's apartment. She claims Combs coerced her into having sex with him, then as she was dressing, Hall entered the room, pinned her down, and forced her to have sex with him too. She also asserts that in the days following the assault, Combs came to her home, beat and choked her until she lost consciousness.In her amended complaint, Gardner emphasizes that she was a minor at the time—under New York's age of consent in 1990—and contends that she could not legally consent to drinking alcohol with the accused. She further alleges that the sexual assault left her with lasting psychological harm, including depression, post-traumatic stress disorder, and difficulty forming relationships.to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.njd.551633.42.0.pdfBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.
Liza Gardner's lawsuit, filed in November 2023 under New York's Adult Survivors Act, alleges that in 1990 she was sexually assaulted by Sean “Diddy” Combs and singer Aaron Hall when she was 16 years old. According to her complaint, Gardner attended an event hosted by MCA Records, where she and a friend were given drinks and then invited to an after-party at Hall's apartment. She claims Combs coerced her into having sex with him, then as she was dressing, Hall entered the room, pinned her down, and forced her to have sex with him too. She also asserts that in the days following the assault, Combs came to her home, beat and choked her until she lost consciousness.In her amended complaint, Gardner emphasizes that she was a minor at the time—under New York's age of consent in 1990—and contends that she could not legally consent to drinking alcohol with the accused. She further alleges that the sexual assault left her with lasting psychological harm, including depression, post-traumatic stress disorder, and difficulty forming relationships.to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.njd.551633.42.0.pdfBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.
In this episode of the Profitable Musician Podcast, host Bree Noble interviews Ralph Tashjian of Intercept Music to explore the evolving music industry and opportunities for artists today. Ralph brings his extensive experience in the music business to discuss the modern landscape and how artists can thrive.http://interceptmusic.comRalph's journey in the music industry, from MCA Records to founding Intercept Music.The shift from traditional record labels to today's digital platforms and independent opportunities.The importance of artist development and bringing unique songs to stand out.Strategies for utilizing technology, AI, and marketing tools to build a music career.Insights into the role of passion and tenacity in sustaining a successful music career.Become more profitable in just 5 minutes per week with the Profitable Musician Newsletter. Sign up at http://profitablemusician.com/join Become more Profitable in just 3 minutes per day. http://profitablemusician.com/join
CONTENT WARNING: Discussion of homophobia, sexual assault, spousal abuse. This week's movie may not be the gayest movie ever but it's certainly one of the most famous. The star power here is off the charts, with two absolute bona fide movie stars and a perfect up and comer as our three gorgeous, fabulous, out of this world drag queens. Unfortunately the movie seems to think that ultimately we need less time with the queens and more time with a small town looking for help. It's a mistake, and one that keeps the movie from being in the ultimate pantheon. But my, what a magic fairy-dust ride it is. We're headed to Hollywood as we watch 1995's To Wong Foo, Thanks for Everything! Julie Newmar on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from "I Am The Body Beautiful", written by Bernadette Cooper and Cheryl "Salt" James, and performed by Salt-N-Pepa. Copyright 1995 MCA Records. Excerpt taken from "Remembering Munich" from the soundtrack to Munich, written and composed by John Williams. Copyright 2005 Universal Classics Group, a Division of UMG Recordings Inc.
CONTENT WARNING: Discussion of suicide and suicidal ideation. While presented in a lighthearted manner, listener discretion is advised. If you are experiencing a mental health crisis or experiencing suicidal thoughts, please call or text 988 for help. Savage Steve Holland probably never contemplated his cartoons and wacky sense of humor would result in him making a true cult teen classic, but that's exactly what happened. John Cusack is just starting to find his path to the ultra-awkward teen of our dreams, and his supporting cast is pretty fun to boot. But mostly, the bits just keep on coming and just when you think a joke is overdone, a new one pops up in its place. We want our two dollars as we watch 1985's Better Off Dead on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from "Better Off Dub (Title Music)" from the soundtrack to Better Off Dead, written and composed by Rupert Hine. Copyright 1985 CBS Inc. Excerpts taken from the film Better Off Dead, copyright 1985 CBS Inc. All Rights Reserved. Excerpt taken from "I Am The Body Beautiful", written by Bernadette Cooper and Cheryl "Salt" James, and performed by Salt-N-Pepa. Copyright 1995 MCA Records.
In November 2023, Liza Gardner filed a civil lawsuit against Sean "Diddy" Combs and singer Aaron Hall, accusing both men of violently raping her in 1990 when she was just 16 years old. According to Gardner, she met Combs—then an up-and-coming figure in the music industry—and Hall through a mutual contact at MCA Records. She alleges she was invited to Hall's apartment under the impression that it was for a social gathering. Instead, Gardner claims that Combs sexually assaulted her in one of the bedrooms, and as she was getting dressed afterward, Aaron Hall entered and raped her as well. The lawsuit details that neither man obtained her consent, and she was physically overpowered and traumatized by the experience. Gardner states she was a virgin at the time and made clear that she was underage.to contact me:bobbycapucci@protonmail.comsource:Complaint against Diddy and Aaron Hall - DocumentCloudBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
Host Tiokasin Ghosthorse's thoughts on "sustainability" with a mix of music that fits the theme. "How is your heart? How is your mind? How is your body and how is your body treating you? How is life treating you? Or are you treating your life? I wonder about this word "sustainability." To me it's "sustain-ability" to live with earth. Our mind is, of course, gathering information from all points and not one linear beginning and ending." - Tiokasin GhosthorseProduction Credits:Tiokasin Ghosthorse (Lakota), Host and Executive ProducerLiz Hill (Red Lake Ojibwe), ProducerOrlando DuPont, Radio Kingston Studio EngineerMusic Selections:1. Song Title: Tahi Roots Mix (First Voices Radio Theme Song)Artist: Moana and the Moa HuntersAlbum: Tahi (1993)Label: Southside Records (Australia and New Zealand)2. Song Title: Wander This WorldArtist: Jonny LangAlbum: Wander This World (1998)Label: A&M Records3. Song Title: Strength to SurviveArtist: Toronzo CannonAlbum: The Chicago Way (2016)Label: Alligator Records4. Song Title: Blue CollarArtist: Bachman-Turner OverdriveAlbum: Bachman-Turner Overdrive (1973)Labels: Mercury Records, MCA Records, Curb Records5. Song Title: What About MeArtist: Quicksilver Messenger ServiceAlbum: What About Me (1970)Label: Capitol Records6. Song Title: SuavecitoArtist: Malo with Jorge Santana (and this version feat.Tiokasin Ghosthorse)Album: Malo (1972)Label: Warner Bros. Records7. Song Title: Butterfly (Beaivelottáš)Artist: Mari BoineAlbum: Eight Seasons (Gávcci Jahkejuogu) (2002)Label: NorthsideAbout First Voices Radio:"First Voices Radio," now in its 32nd year on the air, is an internationally syndicated one-hour radio program originating from and heard weekly on Radio Kingston WKNY 1490 AM and 107.9 FM in Kingston, New York. Hosted by Tiokasin Ghosthorse (Lakota), who is the show's Founder and Executive Producer, "First Voices Radio" explores global topics and issues of critical importance to the preservation and protection of Mother Earth presented in the voices and from the perspective of the original peoples of the world.Akantu Intelligence:Visit Akantu Intelligence, an institute that Tiokasin founded with a mission of contextualizing original wisdom for troubled times. Go to https://akantuintelligence.org to find out more and consider joining his Patreon page at https://www.patreon.com/Ghosthorse
Let Us Know What You Think of the Show!Date: April 30, 2025Name of podcast: Backstage Pass RadioS8: E5: Lorraine Lewis - (Femme Fatale / Vixen) - Sunset Strip SurvivorSHOW SUMMARY:From jumping out of classroom windows in Albuquerque to commanding stages worldwide, Lorraine Lewis embodies the fearless spirit of rock 'n' roll in its purest form. In this candid, high-energy conversation, the former Femme Fatale and Vixen vocalist pulls back the curtain on her remarkable musical journey that began with Linda Ronstadt covers in local bands and led to the glitz and mayhem of the Sunset Strip during hair metal's heyday. With disarming honesty, Lorraine recounts how she assembled Femme Fatale through sheer force of will, sharing both the exhilaration of being signed to MCA Records and the frustrations of never quite reaching the platinum-selling status she envisioned. Her reflections on why some bands exploded while others stalled reveal the complex interplay of talent, timing, and industry support that defined the era. The conversation takes unexpected turns as Lorraine discusses her recent collaboration with Foreigner's Lou Graham (a dream thirty years in the making), her successful career as a television casting director, and her latest venture into OnlyFans, which she approaches with the same unapologetic authenticity that's defined her entire career. At 66, she dismisses conventional limitations, declaring, "The older I get, the more fearless I am." What emerges is the portrait of an artist who has weathered industry upheavals without losing her passion or perspective. Lorraine's infectious laugh punctuates stories of rock star encounters and personal reinventions, offering wisdom on survival and self-reinvention in an industry notorious for chewing people up. "I've had the most fascinating life/career ever," she reflects, with the conviction of someone who's still writing exciting new chapters. Subscribe to hear more unfiltered conversations with the personalities who've shaped rock history, and follow Lorraine's current projects at LorraineLewisRocks across all platforms.Sponsor Link:WWW.ECOTRIC.COMWWW.SIGNAD.COMWWW.RUNWAYAUDIO.COMBackstage Pass Radio Social Media Handles:Facebook - @backstagepassradiopodcast @randyhulseymusicInstagram - @Backstagepassradio @randyhulseymusicTwitter - @backstagepassPC @rhulseymusicWebsite - backstagepassradio.com and randyhulsey.comArtist(s) Web PageLorraine Lewis - FacebookCall to actionWe ask our listeners to like, share, and subscribe to the show and the artist's social media pages. This enables us to continue pushing great content to the consumer. Thank you for being a part of Backstage Pass Radio Your Host,Randy Hulsey
My guest this week is a legend of American string band music.When David Grisman raised his middle finger to MCA Records, after being dropped for failing to meet arbitrary sales targets, he couldn't have known it would spark a 35-year musical revolution. As one of America's foremost, and best loved, mandolin virtuosos turns 80 this year, he offers a fascinating glimpse into the birth, evolution, and future of Acoustic Disc, the independent label he founded in 1990 that became a vital archive of American string band traditions, as well as home to over three decades of his own music.Grisman's journey from frustrated artist to label founder came at a pivotal moment in music history, as CDs were eclipsing vinyl and the digital revolution loomed on the horizon. He built his own studio, using gear he bought from the iconic 1750 Arch Studios, and Acoustic Disc was born. The label's early success—including Grammy nominations for its first two releases—established a blueprint combining Grisman's new compositions, collaborations with luminaries like Jerry Garcia and Tony Rice, and carefully chosen historical recordings.The switch from physical media to digital distribution liberated both Grisman's creative vision and business model."It's just too beautiful a concept to make one product and sell an infinite number without manufacturing anything," he explains. This shift allows him to release an album every month, including expanded versions of classic recordings with Tony Rice, Jerry Garcia, and others. These "deluxe editions" offer fascinating insights into the creative process behind influential albums like Tone Poems, capturing not just the music but the conversations between master musicians at work.Whether you're a huge Grisman fan, dedicated bluegrass lover or just a fan of acoustic music at its best, Acoustic Disc's extraordinary catalog offers a gateway into America's rich string band traditions. Find out more at acousticdisc.com and, while you're there, sign up for their weekly newsletter to receive a free "Treat of the Week".For updates, follow David on Instagram and FacebookHappy picking.MattSend a message to Bluegrass Jam Along! (Don't forget to include your name so I know who you are!) Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts
This week we continue our journey to the Great White North! This is the triumphant finale of our celebration of an amazing power trio from Toronto that has been largely forgotten in the pantheon of rock n' roll: TRIUMPH! From classic hard rock & metal to proggy AOR, this is a band that rarely gets the praise they deserve! This episode is rooted in our Should Have Been category. This is a band that Captain Content has mentioned before as a band he would love to dive into deeper. While not the most obscure band we've ever covered (they have multiple platinum and gold albums in the US and Canada), they have been largely forgotten as the rock giants they once were. We think they should be remembered as titans or rock and thus: Huge-er-er!!! Eh?Songs this week include:Triumph - “Time Goes By” from Thunder Seven (1984)Triumph - “When The Lights Go Down” from Stages (1985)Triumph - “Mind Games” from Stages (1985)Triumph - “Play With Fire” from The Sport Of Kings (1986)Triumph - “Carry On The Flame” from Surveillance (1987)Triumph - “Edge Of Excess” from Edge Of Excess (1992)Triumph - “I Live For The Weekend” from Live At Sweden Rock Festival (2008)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/
This week we took it to the people, and the people agreed! Not just the people; we got the ok from The Chairman, Mighty K, and the entire 51st state of Canada! Therefore, we give you “Grave Mistake: TRIUMPH Shoulda Been Huge-er!!!”. This is part one of our celebration of an amazing power trio from Toronto that has been largely forgotten in the rock n' roll pantheon. They also happen to have Bonafide Guitar God in the band that rarely gets the praise he deserves! This episode is rooted in our Should Have Been category. This is a band that Captain Content has mentioned before as a band he would love to dive into deeper. While not the most obscure band we've ever covered (they have multiple platinum and gold albums in the US and Canada), they have been largely forgotten as the rock giants they once were. We think they should be remembered as Titans or Rock and thus: Huge-er!!! Eh?Songs this week include:Triumph - “Street Fighter / Street Fighter Reprise” from Triumph (1976)Triumph - “Little Texas Shaker” from Rock & Roll Machine (1977)Triumph - “American Girls” from Just A Game (1979)Triumph - “Tear The Roof Off” from Progressions Of Power (1980)Triumph - “Allied Forces” from Allied Forces (1981)Triumph - “All The Way” from Never Surrender (1982)Triumph - “Fight The Good Fight” from Live At The US Festival (1983)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/
A dope mix from Sydney's Jazz Funk Bootleg Don, DJ CMAN, one of the original selectors from our musical family since 2009. CMAN takes us on a journey through funk, soul, jazz, hip-hop party recorded live at the Soul of Sydney 13th Birthday Party, this set is a celebration of everything that has made these iconic parties legendary. From dance-floor jazz grooves to modern edits and bootlegs. DJ CMAN take you on a journey through the sounds that define Soul of Sydney. This is more than music—it's a movement. SOUL OF SYDNEY's resident vibe creator DJ CMAN laying down a dope 1-hour selection of heavy FUNK, SOUL & JAZZY HIP HOP REMIXEs, EDITS & BOOTLEGS to close out the 13th Birthday celebration last month for podcast episode #418. Be sure to check out DJ CMAN's for dope mixes, remixes and edits which he has become so well known for around the world. Check out more of his stuff here. https://soundcloud.com/djcmanmusic Track List / 1. War - Galaxy 2000** (1977, MCA Records) 2. Arrested Development - Mama's Always On Stage** (1992, Chrysalis Records) 3. Junior Wells X CMAN - Mama's Finally Off Stage ... Junior's Bluebreak (CMAN Edit)** (Edit, Release Details Unknown) 4. p-rallel, Jords - One Time** (2023, PLATOON) 5. dialE - AOT** (Details Unknown) 6. Common X George Benson - Go** (Mashup, Common's "Go" (2005, Geffen Records), George Benson Track Uncredited) 7. George Benson - On Broadway (Mikeandtess Edit 4 Mix)** (Original: 1978, Warner Bros.; Edit, Unofficial Release) 8. Jodie Abacus - Good Feeling (CMAN Edit)** (Edit, Original: 2017, Label Unknown) 9. Hidden Jazz Quartett Feat. Omar - High Heels (Lack Of Afro Remix)** (2014, Agogo Records) 10. Nina Simone - See Line Woman** (1964, Philips Records) 11. Theophilus London - Calypso Blues (Nat King Cole Cover)** (2011, Reprise Records) 12. The Bamboos - Ride On Time** (2006, Tru Thoughts) 13. DJ Nu-Mark, The Traffic - Hot In Herre** (2019, Hot Plate Records) 14. Nat King Cole - Day In - Day Out (Cut Chemist Mix)** (2005, Capitol Records – Verve Remixed 3) 15. Big Daddy Kane X Chic - Good Times** (Mashup, Details Unknown) 16. Michael Jackson x James Brown - Wanna Get Up And Start Being A Sex Machine** (Mashup, Details Unknown) 17. Legacy - I'm So Glad (CMAN Edit)** (Edit, Release Details Unknown) 18. Stevie Wonder - Happy Birthday** (1980, Motown) 19. Harry Belafonte - Jump In The Line** (1961, RCA Victor) 20.James Brown - Feel Good (Pays Bass Disco Mix)** (Edit, Original: 1972, Polydor) 21. Janet - All For You (Remix)** (2001, Virgin Records; Remix, Unofficial Release) 22. Blackstreet X Cameo - No Diggity (Word!)** (Mashup, Original Tracks: 1996 Interscope & 1986 Atlanta Artists/PolyGram) 23. Cameo - Candy** (1986, Atlanta Artists/PolyGram) 24. Monie Love - Don't Funk Wid The Mo** (1990, Warner Bros. Records) 25. Robson Jorge & Lincoln Olivetti - Aleluia** (1982, Som Livre) 26. Sharon Redd - Can You Handle It** (1980, Prelude Records) 27. Salif Keita - Madan (Petko Afrobeat Edit)** (Edit, Original: 2002, Universal Music) 28. Kanye West - Gold Digger** (2005, Roc-A-Fella Records) 29. Tems + Foxy Brown ft. Blackstreet - Free Mind** (Mashup, Original Tems: 2020, Leading Vibes LLC) 30. Black Thought, Juls, Worlasi, Kofi Mole - Focus** (2023, Details Unknown) 31. Big Pun - Still Not A Player** (1998, Loud Records) 32. Gospel Gods Got A Blend (Big Pun "Playa" Sample)** (Blend/Mashup, Details Unknown) 33. Black Men United - U Will Know** (1994, MCA Records) 34. Billy Stewart - Summertime** (1966, Chess Records) 35. Louis Prima - Buono Sera** (1956, Capitol Records)
Collin and guest host Doug continue the ‘Scoops Ahoy' Influence series with a look at how 1980's 'The Empire Strikes Back' (and the Star Wars universe in general) helped shape Stranger Things. From force-pushing train cars to name-dropping Lando, there's so much to talk about that not even the Millennium Falcon could hold it all. Grab your trusty lightsaber, embrace the Dark Side, and join us! Videos referenced: “Every Stranger Things Movie Reference Revealed by the Duffer Brothers (Seasons 1-3) | WIRED - YouTube” (WIRED): https://www.youtube.com/watch?v=qGGc1wGmgbM&t=715s "The Empire Strikes Back" trailer copyright 20th Century Fox / Lucasfilm "Stranger Things" copyright Netflix "Twist of Fate" copyright MCA Records
Ron Keel's RFK Media label digs deep to release Cold Sweat - “Unburied Alive” in conjunction with the band's appearance at the 2024 M3 Festival May 5th.The foundation of this album consists of four unreleased studio tracks from the early 90's, which showcase the band (Marc Ferrari & Erik Gamans, guitar – Chris McLernon, bass – Anthony White, drums – and Roy Cathey, vocals) delivering powerful heavy melodic rock at its finest. The lead track “Rain Down” is a classic-style arena rock working class anthem; “Unburied Alive” also features vintage concert cuts from their 1990 appearance at the Super Rock Festival in Mannheim, Germany supporting Whitesnake, Aerosmith, Dio and Poison, plus recent modern-era live recordings from their triumphant reunion at the 2020 Monsters Of Rock Cruise pre-party. Ferrari founded Cold Sweat after departing the band Keel in 1989. The band released their acclaimed cult classic “Break Out” on MCA Records and toured the US and Europe before falling victim to the changing musical landscape of the 90's. This collection of recordings proves that the music has stood the test of time, and the men behind that music plan to drive that point home when they hit the stage May 5th in Columbia, Maryland at this year's M3 Festival, on the bill with Bret Michaels, Night Ranger, Y&T and Stryper.“We [RFK Media] heard these unreleased studio tracks and realized immediately, we have to get this music out there,” explains RFK chief Ron Keel. “Then we found out there were unreleased live tracks, not just from the 2020 reunion but from the 1990 festival appearance in Germany. It was like an uppercut to the jaw, a right cross and a body blow in quick succession, and we're ready to deliver the knockout punch with this very special Cold Sweat release.”Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.
The foundation of this album consists of four unreleased studio tracks from the early 90's, which showcase the band (Marc Ferrari & Erik Gamans, guitar – Chris McLernon, bass – Anthony White, drums – and Roy Cathey, vocals) delivering powerful heavy melodic rock at its finest. The lead track “Rain Down” is a classic-style arena rock working class anthem; “Unburied Alive” also features vintage concert cuts from their 1990 appearance at the Super Rock Festival in Mannheim, Germany supporting Whitesnake, Aerosmith, Dio and Poison, plus recent modern-era live recordings from their triumphant reunion at the 2020 Monsters Of Rock Cruise pre-party. Ferrari founded Cold Sweat after departing the band Keel in 1989. The band released their acclaimed cult classic “Break Out” on MCA Records and toured the US and Europe before falling victim to the changing musical landscape of the 90's. This collection of recordings proves that the music has stood the test of time, and the men behind that music plan to drive that point home when they hit the stage May 5th in Columbia, Maryland at this year's M3 Festival, on the bill with Bret Michaels, Night Ranger, Y&T and Stryper.“We [RFK Media] heard these unreleased studio tracks and realized immediately, we have to get this music out there,” explains RFK chief Ron Keel. “Then we found out there were unreleased live tracks, not just from the 2020 reunion but from the 1990 festival appearance in Germany. It was like an uppercut to the jaw, a right cross and a body blow in quick succession, and we're ready to deliver the knockout punch with this very special Cold Sweat release.”Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.
En MetalProgPop Cast nos juntamos 4 amigos para hablar y discutir sobre música. Guido Vilariño (el Rey Tut) es el fanático del Metal, Angel Appiani es el fanático del Rock Progresivo, Gonzalo Ares (El Colo, El Colorado, ex-Bombi) es el fanático del Pop, y Santi Grillo es el fanático del podcast. Nosotros la pasamos muy bien, y esperamos que Uds también. En el día de hoy analizamos.... Full Moon Fever es el primer álbum de estudio en solitario por el músico estadounidense Tom Petty, publicado el 24 de abril de 1989 por MCA Records. Presenta contribuciones hechas por los miembros de su banda The Heartbreakers, notablemente por Mike Campbell, así como también por Jeff Lynne, Roy Orbison (quien murió antes de su lanzamiento) y George Harrison. los compañeros de banda de Petty en los Traveling Wilburys. El álbum muestra a Petty explorando sus raíces musicales con guiños a sus influencias. La composición es principalmente colaboraciones entre Petty y Lynne, quien también fue productor del álbum. Full Moon Fever se convirtió en un éxito comercial y de crítica, alcanzando el puesto #3 en el Billboard 200 de los Estados Unidos y siendo certificado con 5 discos platinos en los Estados Unidos y 6 discos platinos en Canadá
Legends celebrates Billy Thomas, incredible drummer of McBride and The Ride with the debut of their new EP Amarillo Sky. Billy was the drummer for The Hudson Brothers Band, then with Ricky Nelson. Next, he played behind the one and only Mac Davis for his shows in Vegas. Mac Davis was Billy's first taste of Urban Country. The Cinderella story continued. After moving to Nashville in 1987, he got his first job within the first few days after auditioning with Vince Gill. And then he performed on Emily Lou Harris' album Blue, followed by work with Marty Stuart. Hear Billy's inside story on Tony Brown, the kingpin for MCA Records, his music producer, and former pianist for Elvis. Tony brought Terry McBride and Ray Herdon together for the three part harmony of McBride and The Ride. They produced five albums from 1989 through 1995. And the rest is history for this SINGING DRUMMER. Become a supporter of this podcast: https://www.spreaker.com/podcast/success-made-to-last-legends--4302039/support.
www.LeRoyBell.com is an American singer and songwriter. He and friend Casey James formed the duo Bell and James, composing songs that were hits for other artists most notably two charting hit singles for Elton John. Later Bell with bassist Terry Morgan formed the group, LeRoy Bell & his Only Friends. In 2011, Bell auditioned for the American The X Factor and was chosen for the Final 16 and went on to the live shows being mentored by Nicole Scherzinger. He was eliminated after the fifth live show finishing 8th overall in the inaugural season of the American The X Factor. BELL AND JAMES Bell and James was a duo soul group formed by LeRoy Bell (on drums and guitar) and Casey James (on guitar, bass and keyboards). They both had played in other bands together before they decided to team up as Bell & James. The duo released three albums: Bell & James (1978), Only Make Believe (1979) and In Black and White (1980), and had a number of singles, the most successful and well-known being “Livin' It Up (Friday Night)” released on A&M Records. It reached #15 on the U.S. Hot 100. SONGWRITING LeRoy Bell also co-wrote many songs for others in partnership with Casey James. They were encouraged by LeRoy's uncle Thom Bell who owned Mighty Three Music, a music publishing and production company along with Kenny Gamble and Leon Huff. The latter were a famous composing duo collaboration Gamble and Huff to whom Bell and James provided some of their compositions. Their songs were recorded by a number of groups including: The Spinners The O'Jays (notably in “This Time Baby”) The Temptations Rita Marley Gladys Knight & the Pips Freda Payne The Three Degrees WITH ELTON JOHN Most notably, two of the LeRoy Bell songs were recorded by Elton John. One was “Mama Can't Buy You Love” and the other “Are You Ready for Love”. The songs, a LeRoy Bell-Casey James co-composition appeared in the The Thom Bell Sessions in 1977. Elton John's song version of “Mama Can't Buy You Love” went to the Top 10 in the general charts and #1 the Adult/Contemporary chart and in the fall of 1979, earning Elton a Grammy Nomination for “Best Male R&B Vocal Performance”. His song “Are You Ready for Love” was even a bigger hit. Tracklist of Elton John singles: Side 1: “Are You Ready for Love” (LeRoy Bell, Thom Bell, Casey James) (8:31) Side 2.1: “Three Way Love Affair” (LeRoy Bell, Casey James) (5:31) Side 2.2: “Mama Can't Buy You Love” (LeRoy Bell, Casey James) (4:03) In February 1989, The Complete Thom Bell Sessions was released by MCA Records, although it had been recorded in 1977. In addition to “Mama Can't Buy You Love” and “Are You Ready for Love”, it featured three additional songs, including “Country Love Song” also co-written by LeRoy Bell. 1. “Nice and Slow” (Elton John, Bernie Taupin, Thom Bell) 2. “Country Love Song” (LeRoy Bell, Casey James) 3. “Shine on Through” (Elton John, G. Osborne) 4. “Mama Can't Buy You Love” (LeRoy Bell, Casey James) 5. “Are You Ready for Love” (LeRoy Bell, Casey James) 6. “Three Way Love Affair” (LeRoy Bell, Casey James) In 2003, Fat Boy Slim mixed Elton John's single version making it to the British Singles Chart. The song also charted in many European charts. WITH TEDDY PENDERGRASS LeRoy Bell had a long-running cooperation with Teddy Pendergrass for whom he wrote 5 songs in three different albums: 1979: “I'll Never See Heaven Again” on the album Teddy 1979: “Set Me Free”, also on album Teddy 1982: “Loving You Was Good” on album This One's for You 1983: “Heaven Only Knows” from the album Heaven Only Knows (lead song) Pendergrass album 1990: “Glad to Be Alive” from the album Truly Blessed OTHERS 1979: Lou Rawls: “Bark, Bite (Fight All Night)” on the album Let Me Be Good to You 1980: Lou Rawls: “Heartache (Just When You Think You're Loved)” and “You Are” on album Sit Down and Talk to Me 1988: Kimiko Kasai: “Love Talk” from album Love Talk (lead song) 2001: Me and You: “You Never Know What You Got (Til It's Gone)” 2002: Jennifer Lopez: “Still” cowritten with James and Jennifer Lopez herself in the latter's album This Is Me… Then 2005: The Freemasons: “Love on My Mind” that appears on albums Shakedown, Unmixed and Shakedown 2 He has also written for Phyllis Hyman SOLO CAREER Starting in the 2000s, he worked solo and toured extensively. In the process, he released various albums including his debut solo EP Spending Time (on his own
Send us a Text Message.Tracy Byrd burst onto the Country Music Scene in 1993 with his self-titled debut album under MCA Records, quickly becoming a household name. The album's third single, "Holdin' Heaven," soared to #1 on the Billboard Country Charts, while his remake of Johnny Paycheck's "Someone to Give my Love to" further solidified Byrd's status as a Traditional Country Troubadour. The debut album achieved Gold certification, indicating sales surpassing 500,000 copies.Following the success of his debut, Byrd's sophomore effort, "No Ordinary Man," maintained the momentum with hits like "Lifestyle's of the Not so Rich and Famous" and the chart-topping "Watermelon Crawl," propelling the album to Double Platinum status. The album's fourth single, "The Keeper of the Star's," clinched the #1 spot on both the Billboard Album and Singles charts, earning Byrd an Academy of Country Music's "Song of the Year" award in 1995.Byrd's subsequent albums, including "Love Lessons," "Big Love," and "I'm From the Country," continued to garner critical acclaim and commercial success, with multiple singles reaching the top of the charts. His transition to RCA Records led to the release of "It's About Time," which showcased his affinity for traditional country music.In the new millennium, Byrd's album "10 Rounds" brought further success with hits like "A Good Way to get on my Bad Side" and "10 Rounds with Jose Cuervo," both reaching #1 on the charts. Despite label changes, Byrd's popularity remained steadfast, evident in the success of his subsequent projects and his ability to draw crowds with over 4000 live performances.Taking a hiatus from 2010 to 2013 to prioritize family, Byrd returned to music with newfound sobriety and passion. His album "Different Things" may not have achieved commercial success, but it earned critical acclaim, highlighting Byrd's versatility and depth as an artist.In 2016, Byrd released "All American Texan," marking his return to the studio after a decade. Recorded in Tyler, Texas, the album showcases Byrd's songwriting prowess with eight original tracks. Embracing his roots, Byrd continues to captivate audiences with his authentic Texan charm and unwavering dedication to his craft.www.betterhelp.com/TheBarnhttp://www.betterhelp.com/TheBarn http://www.betterhelp.com/TheBarnThis episode is sponsored by www.betterhelp.com/TheBarn and presented to you by The Barn Media Group.
Label: MCA 52856Year: 1986Condition: MLast Price: $8.00. Not currently available for sale.Yeah, I know this is a Country song, but it's also retro-Rockabilly in my book. Whatever you call it, it's so perfect it just cries out for an mp3 "snippet" in our jukebox... so here is one: Have a listen! Note: This beautiful copy comes in a vintage MCA Records factory sleeve. It has Mint labels and pristine sound.
Ron Keel's RFK Media label digs deep to release Cold Sweat - “Unburied Alive” in conjunction with the band's appearance at the 2024 M3 Festival May 5th.The foundation of this album consists of four unreleased studio tracks from the early 90's, which showcase the band (Marc Ferrari & Erik Gamans, guitar – Chris McLernon, bass – Anthony White, drums – and Roy Cathey, vocals) delivering powerful heavy melodic rock at its finest. The lead track “Rain Down” is a classic-style arena rock working class anthem; “Unburied Alive” also features vintage concert cuts from their 1990 appearance at the Super Rock Festival in Mannheim, Germany supporting Whitesnake, Aerosmith, Dio and Poison, plus recent modern-era live recordings from their triumphant reunion at the 2020 Monsters Of Rock Cruise pre-party. Ferrari founded Cold Sweat after departing the band Keel in 1989. The band released their acclaimed cult classic “Break Out” on MCA Records and toured the US and Europe before falling victim to the changing musical landscape of the 90's. This collection of recordings proves that the music has stood the test of time, and the men behind that music plan to drive that point home when they hit the stage May 5th in Columbia, Maryland at this year's M3 Festival, on the bill with Bret Michaels, Night Ranger, Y&T and Stryper.“We [RFK Media] heard these unreleased studio tracks and realized immediately, we have to get this music out there,” explains RFK chief Ron Keel. “Then we found out there were unreleased live tracks, not just from the 2020 reunion but from the 1990 festival appearance in Germany. It was like an uppercut to the jaw, a right cross and a body blow in quick succession, and we're ready to deliver the knockout punch with this very special Cold Sweat release.”Pre-order CDs will ship March 29th, simultaneously with the digital/streaming release on all platforms, with the CD available worldwide via Amazon and other outlets April 19th.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.
Ron Keel's RFK Media label digs deep to release Cold Sweat - “Unburied Alive” in conjunction with the band's appearance at the 2024 M3 Festival May 5th.The foundation of this album consists of four unreleased studio tracks from the early 90's, which showcase the band (Marc Ferrari & Erik Gamans, guitar – Chris McLernon, bass – Anthony White, drums – and Roy Cathey, vocals) delivering powerful heavy melodic rock at its finest. The lead track “Rain Down” is a classic-style arena rock working class anthem; “Unburied Alive” also features vintage concert cuts from their 1990 appearance at the Super Rock Festival in Mannheim, Germany supporting Whitesnake, Aerosmith, Dio and Poison, plus recent modern-era live recordings from their triumphant reunion at the 2020 Monsters Of Rock Cruise pre-party. Ferrari founded Cold Sweat after departing the band Keel in 1989. The band released their acclaimed cult classic “Break Out” on MCA Records and toured the US and Europe before falling victim to the changing musical landscape of the 90's. This collection of recordings proves that the music has stood the test of time, and the men behind that music plan to drive that point home when they hit the stage May 5th in Columbia, Maryland at this year's M3 Festival, on the bill with Bret Michaels, Night Ranger, Y&T and Stryper.“We [RFK Media] heard these unreleased studio tracks and realized immediately, we have to get this music out there,” explains RFK chief Ron Keel. “Then we found out there were unreleased live tracks, not just from the 2020 reunion but from the 1990 festival appearance in Germany. It was like an uppercut to the jaw, a right cross and a body blow in quick succession, and we're ready to deliver the knockout punch with this very special Cold Sweat release.”Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.
Sublime with Rome is touring this year, as is Sublime without him. In his first interview about the drama in Rolling Stone Magazine, Rome Ramirez — who has a new solo single — tells his side of the story. BY BRIAN HIATT FRUMESS is POWERED by www.riotstickers.com/frumess GET 200 DIECUT STICKERS FOR $69 RIGHT HERE - NO PROMO CODE NEED JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! https://www.patreon.com/Frumess
Eric Wilson of Sublime speaks on his status in Sublime with Rome after reuniting with Bud Gaugh and bringing Jakob Nowell on as frontman. FRUMESS is POWERED by www.riotstickers.com/frumess GET 200 DIECUT STICKERS FOR $69 RIGHT HERE - NO PROMO CODE NEED JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! https://www.patreon.com/Frumess
More on Jakob Nowell and original Sublime drummer Bud Gaugh discussing the band's unexpected reformation. The No Values Punk Rock Festival from Goldenvoice is also discussed. FRUMESS is POWERED by www.riotstickers.com/frumess GET 200 DIECUT STICKERS FOR $69 RIGHT HERE - NO PROMO CODE NEED JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! https://www.patreon.com/Frumess
In their first interviews, Jakob Nowell and original drummer Bud Gaugh explain why they're bringing Sublime onstage again, and how they're planning on recording lost Bradley Nowell compositions FRUMESS is POWERED by www.riotstickers.com/frumess GET 200 DIECUT STICKERS FOR $69 RIGHT HERE - NO PROMO CODE NEED JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! https://www.patreon.com/Frumess
Michael "Miguel" Happoldt and Skunk Records were synonymous with the band Sublime. Today we look at a contract between Miguel and the band and the nature of their partnership. FRUMESS is POWERED by www.riotstickers.com/frumess GET 200 DIECUT STICKERS FOR $69 RIGHT HERE - NO PROMO CODE NEED! JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! https://www.patreon.com/Frumess
Do you believe in miracles? Tonight's episode has two: In the Fall of 2022, John Reign overcame a vicious case of Covid that "felt like I was breathing razor blades". John made an unbelievable recovery through the power of prayer which had health care workers dubbing him "The Miracle Man". In the summer of 2023, after celebrating a birthday dinner for his wife with his family, John suffered a heart attack. He survived, but had a near death experience (NDE) that changed his belief in his purpose and the existence of the Afterlife.You can watch a 6-minute video documenting John's NDE called "Beyond the Veil" on YouTube.ABOUT JOHN REIGNPOLESTAR founder, John Reign, has a rich history in the entertainment industry that spans four decades. A true veteran, his expertise lies both as a performer and an award-winning filmmaker. This skill set allows him to communicate efficiently and effectively to both his cast and crew.For those Elvis fans out there, John first broke out under the MCA Records banner, as one of the very first Elvis impersonators, where he toured the west coast of the United States with the backing of a full band, singers, and dancers.He was also one of the youngest magicians of the prestigious Magic Castle here in Los Angeles, California. He is an expert in close-up and stage magic and was a world-renowned escape artist performing nationwide for many years while designing illusions for Doug Henning. These skills also translate to the silver screen allowing him to be a cutting-edge filmmaker.He has directed for FOX TV and PBS, all while promoting large-scale concert events with Azula Rocks and Nightlife Promotions.In addition, John has directed and written dozens of feature films, TV productions, and children's programming, such as Grimmet's Magic Forest. Grimmet's Magic Forest is based on the children's book, What's a Grimmet, authored by John.A true pioneer, master model maker, and effects talent, John brings these skills and displays them on screen, making him a stand-alone in the low-cost magic of filmmaking and takes great pride and pleasure in entertaining his audiences domestically and abroad.WebsitesPolestar PicturesVampire PenanceIndieGoGo (Vampire Penance - Audition for a Role)Jewelry by Reign Support the showSUPPORT THE PODCAST FOLLOW/SUBSCRIBE/REVIEW...On our website at afraidofnothingpodcast.com.SUBSCRIBE...Your gracious donation here helps defray production costs. Beyond my undying gratitude, you will also will be shouted out in an upcoming episode.WATCH ON YOUTUBE...We are uploading past episodes on our Youtube channel. WATCH THE DOC… VIMEO ON DEMAND: Rent the Afraid of Nothing documentary here: https://vimeo.com/ondemand/aondoc. TUBI: watch for free with ads on tubitv.com. REVIEW OUR FILM ON ROTTEN TOMATOES...Write your five-star review here.
Sublime lives as Sublime with Rome dies. Rome has announced he is leaving and has done so in the worst possible way from a PR standpoint, in my opinion. I will explain why. This is on the heels of Jakob Nowell joined Eric Wilson and Bud Gaugh for at Positive Mental Attitude: A Benefit For HR of Bad Brains! put on by Norwood Fisher of Fishbone and Kentyah Fraser featuring Angelo Moore, Dave Lombardo, Fred Armisen, Mad Lion, Israel Joseph I, and more. FRUMESS is POWERED by www.riotstickers.com/frumess GET 1000 STICKERS FOR $69 RIGHT HERE - NO PROMO CODE NEED! JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! https://www.patreon.com/Frumess
Sublime LIVES! Jakob Nowell joined Eric Wilson and Bud Gaugh for at Positive Mental Attitude: A Benefit For HR of Bad Brains! put on by Norwood Fisher of Fishbone and Kentyah Fraser featuring Angelo Moore, Dave Lombardo, Fred Armisen, Mad Lion, Israel Joseph I, and more. Having now watched the footage I have SO MANY thoughts, feelings, and opinions. FRUMESS is POWERED by www.riotstickers.com/frumess GET 1000 STICKERS FOR $69 RIGHT HERE - NO PROMO CODE NEED! JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! https://www.patreon.com/Frumess
Rob Chapman likes The Rolling Stones. Wait…check that. Rob Chapman loooooves The Rolling Stones. Not only that, but he regularly corresponds with a couple of the guys in the band. Several years ago Rob wrote a book about a very interesting period in the band's history, Ron Wood and Keith Richards' side project The New Barbarians. Rob went deep on this project and the result is the book “New Barbarians: Outlaws, Gunslingers and Guitars”. So what does this have to do with Tower Records, you're asking?It just so happens that Rob Chapman called on many of the Sacramento and South Bay area stores as a rep for Navarre and then MCA Records from 1993-1997. Rob quickly learned to pop into Sacramento's main office to get to know the players there and to make himself known to the people who can help rally support behind a project. This week's episode covers alot of the daily goings on of working the Sacramento market, the feeling of coming into Sacramento as an outsider, being taken in by Watt Avenue's Mike Jerrick only to experience his passing away as Rob was leaving the area and the many trials and tribulations of being a Sales Rep calling on the Tower accounts. Rob also takes behind us behind the scenes and into the world of Ron Wood and Keith Richards while he worked on his New Barbarians book. We discuss actual riots in the midwest when suggested “friends” like Bob Dylan and Mick Jagger didn't show up to play with Ron & Keith. The book comes with a live CD of New Barbarians performances from the 70's. Rob explains why some songs made the cut and others didn't. We loved talking to Rob and think that you'll enjoy this episode immensely.
By the time Tom Petty & The Heartbreakers set out to record their third album, Damn The Torpedoes, they were in a legal mess with MCA Records over a contract sale which resulted in Petty losing all of his publishing rights, among other issues. In a drastic strategy to get the label off his back, he filed for bankruptcy and hid the master tapes of the material he, the band, and co-producer Jimmy Iovine were working on every day. That strategy worked, which resulted in a rare triumph for artists in the music business. When Damn The Torpedoes was released, it became their breakthrough, led by “Refugee,” a song Petty crafted the lyrics for in about 10 minutes. Dig in to the incredible story in this episode of the Behind The Song podcast. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
EPISODE 2: Yohance begins to investigate the beating for a neighborhood newspaper, when his reporting gets some unwanted attention.CreditsHost: Yohance LacourProducers: Bill Healy, Dana Brozost-Kelleher, Erisa Apantaku, Sarah GeisSound Design/Mixing and Music Supervision: Steven Jackson and Phil Dmochowski at the Audio Non-Visual CompanyOriginal Music: Taka YasuzawaExecutive Producers: Alison Flowers and Jamie Kalven (Invisible Institute) and Josh Bloch (USG Audio)Production Support: Jennifer Sears and Josh LaolagiFact-checking: Angely MercadoKey Art: Kenneth L. Copeland, Jr.Special Thanks: Stacy Nzingha Hill Archival audio in this episode include (in order of appearance): CBS Evening News; NPR/All Things Considered; YouTube; CNN; WMAQ; Sounds of Blackness; Twista, Faith Evans and Capitol Records; Mary J. Blige and MCA Records; The President's Weekly Radio Address, WTTW, Dateline, NBC News, Fox Chicago, and Universal Pictures. For more information, go to usgaudio.com. To learn about the Invisible Institute's human rights reporting, visit invisible.institute.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
From Destiny's Child to Raising Kanan, Letoya Luckett discusses her career journey and the new season of the STARZ Powerbook III: Raising Kanan. Among the most successful, innovative business leaders in the music industry, veteran music executive and DVERSE Media CEO, Benny Pough, has shaped the sound and culture of music worldwide.About LeToya LuckettOn the acting front, LeToya previously recurred on OWN's “Greenleaf” for three seasons. She has also appeared in recurring roles in Fox's “Rosewood” and HBO's “Ballers”. As a singer-songwriter, LeToya's debut solo album on Capitol Records topped the Billboard 200 chart and was certified platinum. Her most recent album “Back 2 Life” was released in May 2017 on eOne. Prior to that, she was a founding member of the iconic girl group Destiny's Child.ABOUT BENNY POUGHBenny Pough is a respected entertainment industry veteran with decades of experience propelling the careers of some of today's leading superstars including Jay-Z, Rihanna, Mary J. Blige, Kanye West, Travis Scott, Future, DJ Khaled, Yo Gotti, and 21 Savage. Pough has left an indelible mark on the music industry holding executive roles at labels Motown, Def Jam, Epic Records and MCA Records, culminating in his role as President of Roc Nation Music before ultimately deciding to pivot to entrepreneurship. Over two years later, Pough's multi-tiered entertainment company DVERSE Media is home to record labels, distribution platforms, publishing, management and more. This powerhouse entity comes in addition to Al J. Britt Enterprises, Pough's real estate management company that has garnered over 100 doors as part of his portfolio. For more information on Benny Pough, visit www.BennyPough.com.Support the show: https://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.
Among the most successful, innovative business leaders in the music industry, veteran music executive and DVERSE Media CEO, Benny Pough, has shaped the sound and culture of music worldwide.Topics CoveredTHE KEY TO BUILDING MENTOR RELATIONSHIPSTHE VALUE OF PERSONAL BRANDINGREAL ESTATE INVESTINGENTREPRENEURSHIPWORKING IN THE MUSIC INDUSTRYABOUT BENNY POUGHBenny Pough is a respected entertainment industry veteran with decades of experience propelling the careers of some of today's leading superstars including Jay-Z, Rihanna, Mary J. Blige, Kanye West, Travis Scott, Future, DJ Khaled, Yo Gotti, and 21 Savage. Pough has left an indelible mark on the music industry holding executive roles at labels Motown, Def Jam, Epic Records and MCA Records, culminating in his role as President of Roc Nation Music before ultimately deciding to pivot to entrepreneurship. Over two years later, Pough's multi-tiered entertainment company DVERSE Media is home to record labels, distribution platforms, publishing, management and more. This powerhouse entity comes in addition to Al J. Britt Enterprises, Pough's real estate management company that has garnered over 100 doors as part of his portfolio. For more information on Benny Pough, visit www.BennyPough.com.Support the show: https://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.
© 2020-2025 Ivy Podcast Discovery LLC
