Podcasts about divine hand

Tools Needed For Emunah | Torat HaChassidut (20)https://youtu.be/SXfINmWTBLIDifficulties are part of everyone's life, yet the stories of tzadikim make it look easy. What do they do in order to accept the Heavenly judgement with a smile despite the pain? Rebbe Elimelech of Lezhenk's Tzetel Katan continues to open our eyes to see the small the details that can make the greatest differences in our outlook in life. Perhaps even a review of the Purim story can help us see the Divine Hand from above that we missed when we heard it in the past few days. Back from the Surgery and unwilling to miss out on this opportunity to learn the needed tools of Emunah with you today. Learn, Enjoy and Implement because it will help you Be Holy.

Tools Needed For Emunah | Torat HaChassidut (20)https://youtu.be/SXfINmWTBLIDifficulties are part of everyone's life, yet the stories of tzadikim make it look easy. What do they do in order to accept the Heavenly judgement with a smile despite the pain? Rebbe Elimelech of Lezhenk's Tzetel Katan continues to open our eyes to see the small the details that can make the greatest differences in our outlook in life. Perhaps even a review of the Purim story can help us see the Divine Hand from above that we missed when we heard it in the past few days. Back from the Surgery and unwilling to miss out on this opportunity to learn the needed tools of Emunah with you today. Learn, Enjoy and Implement because it will help you Be Holy.

Parshas Vayeishev contains two intersecting, seemingly scandalous, storylines, that after all the dust has settled we can see are harbingers of the Messiah and Redemption: Joseph is hated by his brothers, and is eventually sold by them as a slave after they nearly killed him. By Parsha end, Joseph is languishing in an Egyptian prison after being falsely accused of attempted rape. Judah is also humbled in this week's Parsha, after cohabiting with his daughter in law who masqueraded as a prostitute. In the moment, these scandals brought shame; but ultimately we can see the Divine Hand manipulating events to effectuate the salvation of the Jewish family and people.– – – – – – – – – – – – – – – – – – – – – –DONATE to TORCH: Please consider supporting the podcasts by making a donation to help fund our Jewish outreach and educational efforts at https://www.torchweb.org/support.php. Thank you!– – – – – – – – – – – – – – – – – – – – – –Email me with questions, comments, and feedback: rabbiwolbe@gmail.com– – – – – – – – – – – – – – – – – – – – – –SUBSCRIBE to my Newsletterrabbiwolbe.com/newsletter– – – – – – – – – – – – – – – – – – – – – –SUBSCRIBE to Rabbi Yaakov Wolbe's PodcastsThe Parsha PodcastThe Jewish History PodcastThe Mitzvah Podcast This Jewish LifeThe Ethics PodcastTORAH 101 ★ Support this podcast ★

The post Secure in the Shepherd’s Divine Hand appeared first on Calvary Community Church.

Sermon Title: Divine Hand in a World of Delusion and Defiance Sermon Passage: Daniel 5:13-31 Speaker: Jin Lee

Parshas Vayeishev contains two intersecting, seemingly scandalous, storylines, that after all the dust has settled we can see are harbingers of the Messiah and Redemption: Joseph is hated by his brothers, and is eventually sold by them as a slave after they nearly killed him. By Parsha end, Joseph is languishing in an Egyptian prison after being falsely accused of attempted rape. Judah is also humbled in this week's Parsha, after cohabiting with his daughter in law who masqueraded as a prostitute. In the moment, these scandals brought shame; but ultimately we can see the Divine Hand manipulating events to effectuate the salvation of the Jewish family and people.– – – – – – – – – – – – – – – – – – – – – –DONATE: Please consider supporting the podcasts by making a donation to help fund our Jewish outreach and educational efforts at https://www.torchweb.org/support.php. Thank you!– – – – – – – – – – – – – – – – – – – – – –Email me with questions, comments, and feedback: rabbiwolbe@gmail.com– – – – – – – – – – – – – – – – – – – – – –SUBSCRIBE to my Newsletterrabbiwolbe.com/newsletter– – – – – – – – – – – – – – – – – – – – – –SUBSCRIBE to Rabbi Yaakov Wolbe's PodcastsThe Parsha PodcastThe Jewish History PodcastThe Mitzvah Podcast This Jewish LifeThe Ethics PodcastTORAH 101 ★ Support this podcast ★

21-Day Mantra Experiences. Give a Life-Changing Transformational Experience. Gift Yourself. Give a Friend. Gift giver picks when the delivery date of the e-gift. Receiver picks the date to begin their 21-Day Mantra Experience (Any of the 21-Days Mantra Experiences are a fabulous way to begin 2023)21-Day Prosperity Pathway21-Day Nourishing Worthiness21-Day Miracle Stream21-Day Manifesting Money>>> https://bit.ly/ShopMantraStore

BESHALACH Your Place Your Mission As the Jews leave their former enslavers behind, taking along their wealth and their pride, we find an interesting injunction by the Torah to the newly liberated people. They must never again live in Egypt. What's the Torah's issue with Egypt? Is Egyptian soil any more soaked with Jewish blood than Poland, medieval Spain, or Germany? If the Egyptians were the first to enslave and oppress the Jews, they surely weren't the last. So why the ban? We are where we are because that's where we are needed, and that's where the Divine Hand has brought us. Our geographic location is an indicator of a mission waiting for us, and an invitation to fulfill it. You don't happen to be where you are. You are there for a purpose, now go and carry out that purpose. --- Support this podcast: https://anchor.fm/mendy-goldberg/support

In one dramatic moment, Joseph suddenly sees the events that brought him to Egypt in a new light. He realizes that his agony of slavery and incarceration was an amazing "act one" of the same drama that catapulted him to the pinnacle of power in Egypt. He sees the Divine Hand that wrote the script. He discovers the exquisite and very intricately-detailed picture of Divine Direction. Joseph gains a rare glimpse of Hashem's engineering of events that is beyond the grasp of the wildest imagination.

Understanding Divine Judgement, BOOK OF ENOCH, Baby Names, ARTSCROLL TALMUD -STUMP THE RABBI (144) The Book of Genesis (Sefer Beresheit) is full of mussar teachings from the lives of our holy Patriarchs & Matriarchs. BeEzrat HaShem in this shiur we will dig a bit further to learn more about the rationale behind the Divine Judgement that led to the events in their lives. This will certainly shed light on tests all of us get in our lives, and perhaps will remove the anxiety that comes from lack of understanding of the Divine Hand of HaShem that is behind it all. Enjoy. Very Informative Shiur by Rabbi Yaron Reuven https://youtu.be/3VD9R96FOWI

Understanding Divine Judgement, BOOK OF ENOCH, Baby Names, ARTSCROLL TALMUD -STUMP THE RABBI (144) The Book of Genesis (Sefer Beresheit) is full of mussar teachings from the lives of our holy Patriarchs & Matriarchs. BeEzrat HaShem in this shiur we will dig a bit further to learn more about the rationale behind the Divine Judgement that led to the events in their lives. This will certainly shed light on tests all of us get in our lives, and perhaps will remove the anxiety that comes from lack of understanding of the Divine Hand of HaShem that is behind it all. Enjoy. Very Informative Shiur by Rabbi Yaron Reuven https://youtu.be/3VD9R96FOWI

Join in for a discussion on Palmistry with Palm Reader and Creator of The Divine Hand Method, James Divine, on Seattle's Love From The Hyp on James will share how his method of palm reading is unique and more beneficial than others. We will talk about how past lives, karma, and ancestors can show up in our hands. How you can find out your compatibility with your partner through a palm reading and what different symbols like stars and crosses mean that can appear in your hands. You won't want to miss it!

Join in for a discussion on Palmistry with Palm Reader and Creator of The Divine Hand Method, James Divine, on Seattle's Love From The Hyp on James will share how his method of palm reading is unique and more beneficial than others. We will talk about how past lives, karma, and ancestors can show up in our hands. How you can find out your compatibility with your partner through a palm reading and what different symbols like stars and crosses mean that can appear in your hands. You won't want to miss it!

On this edition of Love From The Hyp presents Go Beyond The Veil - Palm Reader & Creator of the Divine Hand Method, James Divine joins us to share his wisdom with us all! We'll dive deep into Palmistry, its methods, how and why it works, and how we can use it to bring more clarity into our lives. James will also do a mini palm reading for the hosts, Sakura Sutter & Rory Reich, which you too can join in on! You won't want to miss it!

Message from Adrian Quinlivan on July 17, 2022

PM Service

Join Roger and Michelle with special guest James Divine. He has been studying palmistry for over 34 years, and is the creator of the Divine Hand method, blending modern observations of body language and gestures with traditional metaphysical correspondences. James' mission is to transform palmistry from a shadowy, occult practice to an enlightened method of revealing our greatest potential.James is also speaking at TIDE! He'll have something to say about his talk on learning palmistry, as well as the after-hours party he's throwing with Madame Pamita!Learn more at TheDivineHand.comIf you have questions, feel free to ask. Roger & Michelle will also give a prize if there are a certain number of active listeners...so invite your friends. They will also offer live readings.Watch live on our SoulWhat page for giveaways and readings!You can also listen to SoulWhat on @MichelleSoulTopia YouTube, iHeart Radio, iTunes, Spotify and Google Podcast.

Matt Oxley

How is aging a programme? Can we undo certain programs that may be impairing our aging and how can we slow our aging through psychological and spiritual development? What role do our belief systems play in "dis-ease" / health? How can contact with our Higher Self help us achieve self-mastery and self-actualisation? In Sentience, today's guest Kristin Gillespie explores these questions as she examines the phenomenon of self-mastery and self-actualisation. In doing so, she challenges the often-accepted notion that we must wait for a "Divine Hand" or a "higher power" to intervene in order for us to achieve well-being within our lifetime.Watch the episode here!https://youtu.be/OJHy1j0KjIQDo you have a question about which options may be right for you?BOOK YOUR ONE ON ONE Virtual Skin and Aging Consultation with Rachel Varga here: https://RachelVarga.ca/get-started and use promocode PODCAST15 for 15% off!SHOP my top skin care products, dermal rollers, supplements and more at https://rachelvarga.ca/storeSAVE on my top at-home and in-office biohacking tools like red light therapy, emf mitigation, air purifiers and SO MUCH MORE to help you age impossibly well at https://RachelVarga.ca/favoritesRegister for my next SkinCamp Group Program at https://RachelVarga.ca and learn about all of the things I can't share for free online that can help you age impossibly well for many years and how to navigate skin health throughout the seasons!Pick up a copy of my eBook Unlocking Your Vitality! Get more free resources on the SCIENCE of BEAUTY at https://rachelvarga.caDOWNLOAD my FREE Treatment Planning Guide and Sophisticated Skin Cheat Sheet at https://rachelvarga.ca/As a Double Board Certified Aesthetic Nurse Specialist since 2011 with over 20,000 rejuvenation treatments performed on thousands of patients. I offer guidance through education on skin, rejuvenation practices/treatments, and achieving overall wellness in the areas of spirit, mind, body and beauty.I would love to hear from YOU!Rachel Varga, BScN, RN, CANSEmail: info@rachelvarga.caDISCLAIMER: Information in this podcast and interview is not to be taken as medical advice, and always consult with your Physician before making any lifestyle changes. The material shared by guests in this podcast is not the opinion of Rachel Varga, and disclaims any responsibility of inaccurate credentials of guests or information used that may cause harm. Always consult with your licensed Physician before any lifestyle modifications.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Light from the Land of the Sphinx H. Forbes WitherbyPublished 1896 by Elliot Stock. If you don't want to read this long description, I have it in the Preface to this writing in the first recording. This volume was originally intended to offer the Bible student, who may not have the opportunity of referring to expensive works on modern discoveries in Egypt, references from such works, together with illustrations from the monuments, which would assist in following the writings of Moses; but the materials accumulated with the work, and it was found to be impossible not to enlarge the scope of the book. The reader who loves the writings of Moses will find in the notes contained in this volume important and reliable information, which has been obtained from works of the greatest value; and in the illustrations from the monuments, he will have before him authorities which cannot be disputed. The index should be consulted before the book is read, for it outlines a variety of subjects that must ever fire the mind of the Bible student with enthusiasm and fill it with suggestions. It directs attention to the works of learned authorities, upon whose profound research the arrangement of facts found in this volume is built up. Taking the Bible narrative of Israel's exodus from Egypt to their establishment before Jehovah at Horeb, as it stands — which is the only honest way for the first reading of any book — a plain though marvelous tale unfolds itself. By the aid of such side-lights as the ancient monuments and writings of Egypt afford, much of that which appears to be mysterious shapes itself into the everyday life of the past, and the movements of the Divine Hand in relation to that life are made clearly visible. The structure of the story forbids the removal of any one of its parts. To eliminate portions here and there is to criticize the masterpiece of the sculptor by lopping off its limbs or mutilating its face. The energetic hand of the writer delineates that which he actually saw and describes that which he himself and the men around him felt. The eye-witness is continually present in the story; none but he could describe the manner of Pharaoh in his might and pride; or the route taken by Israel from Egypt to Horeb. That the writer was a man of the day of which he writes is shown by his words, for he occasionally uses Egyptian words, which formed Israel's only means of conveying ideas that pertained to Egypt, before they became a nation. Again, none but a worker from nature could with a few rapid touches portray scenes and characters as does Moses. The work is living and energetic, painted on the spot, done from life; yet the scheme of the whole story — its grandeur and its simplicity, it's the unveiling of man and its revealing of God, its moral teachings and its eternal principles, it's the painting of the past and its picturing of the future — is to be attributed to a greater than Moses: it is the production of the Divine Mind, for its author is God. The present writer has selected certain portions from the inspired records and has woven around them some of the more general facts which science has given over to the general reader, and he has also introduced, here and there, broad principles which are afforded by the Scriptures, and particularly those of the New Testament.

Listen to our archived episodes: RadioPublic|LibSyn|YouTube Support the show: Patreon|PayPal: 1x or monthly|Square Cash * Bomb cyclones and Omicron pandemics are potential natural disasters, but which would you pick to cuddle up with under a blanket to listen to David Waldman and KITM? Cuddling with Steve Doocy is never a good choice, especially so, as he and his entire family now have Omicron. If only the most ironic subjects caught the stuff, it might be fine, but unfortunately both the CDC and life insurance companies are describing a 40% increase in death rates from 18 through 64 years of age. Time to fire anyone helping maintain that death toll. You'd go through a lot of contenders for a “profile in courage” before you picked Mike Pence, but then the Divine Hand of Providence, or what not, ended up selecting him on January 6. That Hand might be the only plausible reason for his survival on the day as well. Many wanted to hang Mike Pence that day, but many wanted Mike Pence hanged. There is a difference, with many fine people on both sides. It just depends on who's counting. Also — 5 myths about the filibuster that ignorant listeners of other podcasts probably believe.

#DoreenQUOTES1. Recognition. Every award is another reminder of God's hand upon my life. I am always grateful to God and don't take them for granted.2. Staying Motivated. After 26 years of hosting the same show, I still spend loads of time on preparation, reading and research.3. Greatest Lessons. In August 2010 on Springboard, my top three career lessons were humility, creativity and respect. Today, they are patience, understanding and people skills.4. Serendipity. God used my personal tragedy and a combination of events in my life to navigate me from my pharmaceutical dreams into broadcasting.5. Curiosity. If I didn't become a broadcaster, I would probably have become an investigator. I love watching CSI and trying to unravel mysteries.6. Motherhood. I feel truly blessed to be a mother to my twins. An effective support system is a priceless requirement for any mother who is a career professional.7. Divine Hand. God literally sent a relay of angels or Good Samaritans to support me at a crucial time in my life. When you pray God listens. And when He talks, we must listen.8. Greatest Asset. My greatest asset in life is my family and the blessing of knowing that we are all there for each other.9. Mentoring. My life was positively influenced in St. Roses by Father Andrew Campbell. Over the years, my big mentor and confidante has been Phyllis Marie Christian.10. Hobbies. I love reading, listening to music and dancing. I consistently do all three in my work

Knit A Spell - Episode 9: Grounding & CenteringIn Episode 9 of Knit A Spell, Katie Rempe and James Divine talk about grounding and centering. Just in time for the re-opening of the world and increase in-person social settings, this episode encompasses tips and techniques that you can use in knitting, making, and magical practices alongside your everyday actives to reclaim your new normal.As a bonus for our listeners and viewers, Jim is offering two FREE meditations which can be accessed by signing up for his e-newsletter from The Divine Hand, linked below:• Star Grounding Meditation:https://james-divine.mykajabi.com/pl/75431• Tree Grounding Meditation:https://james-divine.mykajabi.com/pl/74532-----ABOUT KNIT A SPELL: Magical Maker Katie Rempe (@lightfromlantern) & Maker of Magic James Divine (@divinehandjim) team up to bring you Knit A Spell - a weekly podcast for magical makers, makers of magic, and curious minds! -----PREFER VIDEO PODCASTS? Find & follow Knit A Spell on the Light From Lantern YouTube Channel.-----New episodes will be uploaded every Wednesday. Subscribe and never miss an episode update! Follow Along on Instagram• Knit A Spell @KnitASpell• Follow Katie @LightFromLantern• Follow Jim @DivineHandJim    About Katie Rempe / Light From Lantern• Website: Light From LanternAbout James Divine / Divine Hand Palmistry• Website: The Divine HandKnit A Spell is produced by Light From Lantern LLCSupport the show (https://lightfromlantern.com/support-knit-a-spell)

The text for today’s sermon is Luke 1:5-17 READ  CLICK to Read Sermon Transcript Podcast Episode

You may recall we did a couple of episodes about topics we were interested in But knew NOTHING about. We put out a call to see if anyone DID know and would be willing to be a guest on the show and share. Well, Detta met Jim, Detta asked Jim, Jim said yes, Jim listened to our episode... And was very kind about what we got wrong lol. But now you are in for a treat! Learn about Palmistry from an expert - hear some spine-tingling stories - and hopefully - have as much fun as we did! Our Program :30 Some listener shout-outs! 1:00 Some news and a call for questions 1:46 - The episode!!! SPARKS! Corey Meet A Mystic on Instagram every Tuesday at 11:00 am PST Detta Jim's classes! Find out more at The Divine Hand Palmistry Website Land Acknowledgment Bonfire Babble Podcast recognizes that we live and record on the traditional lands of the Duwamish Tribe. We Honor Their past and present stewardship of the beautiful land and the life-giving energy they provide. To learn more about the Duwamish People and Real Rent visit their site!  How To Reach Us You can find us on Instagram Twitter  Facebook at Bonfire Babble Podcast TIK TOK!! @bonfirebabblepodcast Email bonfirebabblepodcast@gmail.com If you like us – and you are on Apple Podcast – we would love it if you gave us a 5-star rating and if you have time – a short review! Thanks so much for listening!  

Join Roger & Michelle with special guest James Divine. James has been studying palmistry for over 30 years, and is the creator of the Divine Hand method of palmistry, a unique method of hand analysis that blends modern observations of body language and gestures with traditional palmistry. His mission is to transform the practice of palmistry from common "fortune telling" to a powerful way to seek hidden truths.Learn more at TheDivineHand.com or follow James on social media:Facebook: DivineHandInstagram: divinehandjim If you have questions, feel free to ask. Roger & Michelle will also give a prize if there are a certain number of active listeners...so invite your friends. They will also offer live readings.Watch live on our SoulWhat page for giveaways and readings!You can also listen to SoulWhat on @MichelleSoulTopia YouTube, iHeart Radio, iTunes, Spotify and Google Podcast.

On this Episode of: “Magic Universe with Sharonah!” ….Host Sharonah Rapseik discusses the Divine Hand method of Palmistry with creator James Divine! Sponsored by: "The Tarot Guild" - the international organization for Tarot Lovers, Students, and Professional Readers, since 2004! www.TheTarotGuild.com More Upcoming Shows! >>>> PsychicTalk.net/Upcoming

Rabbi Shay Tahan is the Rosh Kollel of Kollel Shaarei Ezra located in the center of Flatbush. He is also […]

seeing the working of the Divine Hand in hindsight / Bhishma's perfect death scene / the motions and smiles of the Gopis / the progression of Vyasadeva's spiritual literature up to the Rasa Dance / the glory of the Gopis' love / mukti / aversion to service / 5 types of liberation / the “equal footing” of the Gopis

Tonight's episode features all four tracks off "The Divine hand - Winter's Coming" by Jk1 the Supernova. This project was a collaboration between Jk1, Fluent, Laws, Ken the Rapper and Red E. All SUPER talented artists. You can find more information about them here in the article on Nevernaire Stomping Ground blog. https://www.nevernaire.com/thd Are you an up and coming hip hop artist? Trying to make a name for yourself? Go to nevernaire.com/submit and submit your links for review for a feature!

In this episode of the TruthSeekah Podcast TruthSeekah speaks with Maimah Karmo about her story of holding on to the promises of God. When Maimah was only 8 years old she remembers having a dream where she spoke to God. God told Maimah in this dream that no matter what happens to her in life she would always be protected to carry out her divine will. After many death attempts and life altering situations that looked glim Maimah still held on to the promises she received from God as a child. Through much adversity and heartache Maimah recounts God's hand of provision upon her life and has persevered to share her story. After beating breast cancer Maimah has had the opportunity to reach thousands of people through her multiple appearances on the Oprah Winfrey show and also participating on her own TED Talk. Maimah now does private retreats and personal coaching where she speaks to men and women about fulfilling their destiny and embracing spirituality to connect with their creator. In the later half of the interview we speak about mediumship and connecting with the spirits of the deceased and how it is becoming more and more accepted within many christian circles. We see a picture of Jesus upon the mount of transfiguration meeting with elder champions of the faith Moses and Elijah. Jesus's garments and face transformed into their light form radiating with a bright white light and this was witnessed by not only by Saint Peter but also James and John. This was the first time that someone was privy to be a part of what Jesus practiced during his prayer time. We find that he wasn't simply praying for people or going over a prayer list but actually communing with the Father and and meeting the saints and prophets of old. Many people of recent years in christianity have reported their elders who have since passed into eternity meeting with them face to face as apparitions in hotel rooms as well as in dreams and visions in the night. In the closing words I speak about calling God Father and why that is important for me because during the show we referred to God as He or She. For me it is personal because I grew up without a father and God promises in the scriptures to be a Father to the fatherless. I believe the scripture and that particular promise and have seen God show up and be the Father that I never knew. Practically and supernaturally I have seen God step into my life and become a friend closer than a brother. I saw God begin to teach me through every situation and circumstance in my life. I've also experienced correction as a true father would correct his son or daughter, God began to correct me when I was wrong or in error. I would be led to jobs to work for a period of time long enough for God to instill a character trait or trade that wasn't imparted by a father. This included practice things such as landscaping, changing oil and sheer work ethic. Thequestion that I asked at the end of the discussion was that as much as I saw God as a Father in my life, I wonder if those out there raised by their father could relate more to the feminine aspects of God being more of a mother figure for them. I see God as the father reaching down and creating mankind out of the dust of the Earth and the Earth being represented as the mother Gaia becoming pregnant with new life and birthing mankind. But those qualities imparted only by a mother that the soul does not receive being raised only by a man does God show up in that aspect for them? SOCIAL CONNECT WITH TRUTHSEEKAH ON SOCIAL MEDIA iTunes - Facebook - YouTube - Twitter - Email - SUPPORT THE SHOW BECOME A MEMBER via PATREON AND GET REWARDS!!! We do not exist without the help of our Patrons! Running a professional podcast is very costly and has many monthly fees. If you enjoy the content please consider coming on board as a partner at any level. You enable me to continue to bring you content and you get tons of Patreon Only Rewards on the Patreon page. Choose Level...

Guests David Cross and Reel Big Fish. Gene and Jordan, minus Jesse and plus Brian, get to talk to David Cross until an alarm sound cuts off the interview. They finish up with an extended interview with ska band Reel Big Fish. But first, "The Divine Hand of Adam West"!