Podcast appearances and mentions of ellen mirojnick

CHRISTOPHER LAWRENCE (Costume Designer) drew inspiration for his design career while putting together looks for he and his dance partner on the beloved “American Bandstand.” He then started working at the trendy boutique Camp Beverly Hills where he began cultivating a clientele of actors, directors and, most importantly, Costume Designers. Christopher caught his first break in the wardrobe department on two iconic television series, “Moonlighting” and “Pee Wee's Playhouse.” He then decided that designing feature films was his true passion, and he quickly developed relationships with some of the world's most celebrated Designers such as Ellen Mirojnick and Albert Wolsky. Before he knew it, Christopher had created his path in features, working on such films as “City Slickers,” “Beaches” and “Bugsy,” the latter of which garnered the Academy Award® for Best Costume Design. Christopher came up through the ranks in the wardrobe department and quickly became one of the industry's top Costume Supervisors. In 1999, Michael Mann recognized Christopher's talent and promoted him to Associate Costume Designer on “The Insider” (Al Pacino, Russell Crowe), and Christopher has been designing films ever since. Some of the credits that followed were “The Anniversary Party” (Gwyneth Paltrow, Kevin Kline), “Showtime” (Robert De Niro, Eddie Murphy) and “S.W.A.T.” (Colin Farrell, Samuel L. Jackson). Christopher has become a favorite of Jason Statham, having designed “The Mechanic,” “Cellular” and “Crank” and is a longtime collaborator with film director Simon West, most notably on the Capital One “What's In Your Wallet?” Viking campaign, which won the Costume Designers Guild Award - Best Commercial Costume Design. Christopher teamed up yet again with Michael Mann on two additional projects, including the feature film “Texas Killing Fields” (starring Sam Worthington, Jessica Chastain and Chloe Grace Moretz). Christopher served as costume designer on the Jennifer Aniston film, “Management,” and from sketch to fabric he designed all of Miley Cyrus' Hannah Montana costumes for “Hannah Montana: The Movie,” from which dolls, Halloween costumes and sportswear were created for the tween market. “The Space Between Us” reunites Christopher with director Peter Chelsom who directed the Hannah Montana movie. Christopher was the costume designer for the first three seasons of the popular Showtime series “Ray Donovan,” for which he was twice nominated for a Costume Designers Guild award. It was his fifth nomination, having won twice for his commercial work. Recently, he was the Costume Designer for Bill Burr's OLD DADS.

This week on The Treatment, Elvis sits down with actress, comedian, and Curb Your Enthusiasm star Susie Essman. The acclaimed HBO comedy ended its 12-season run earlier this year and Essman's here to reflect. Next, actor John Leguizamo stops by to talk about his new series The Green Veil — available via the new (free) streaming service, The Network. And for The Treat, Oscar nominated costume designer Ellen Mirojnick talks about an incredibly stylish movie  that captivated her as a child. 

SEASON 2 - EPISODE 89 - ELLEN MIROJNICK - COSTUME DESIGNER Costume designer Ellen Mirojnick (OPPENHEIMER, WALL STREET, FATAL ATTRACTION) joins us on this episode of the Team Deakins Podcast. A born and bred New Yorker, Ellen jumped right into costume design on a low-budget feature in New Orleans where she quickly (and easily) took to the role as the department head. She later spent two films working and studying under famed costume designer Sandy Powell before being recruited by director Adrian Lyne to work on FATAL ATTRACTION (one of many films in which she would work with actor Michael Douglass). During our discussion of OPPENHEIMER, Ellen shares the notes she received from director Christopher Nolan that informed her approach to the design of the film's costumes and reflects on the challenge posed by needing to design costumes that could be shot in black-and-white in one setup and in colour in the next. Ellen also reflects on the challenge of designing the film's costumes to seamlessly reflect changes in time without losing the characters across numerous decades of story. Towards the end, we discuss the importance of creating costumes that are not only right for the period, but right for the actors who need to wear them. - This episode is sponsored by Godox

Lorraine Nicholson talks playdates at Playboy Mansion, Oscar-nominee Ellen Mirojnick talks costuming “Oppenheimer,” and Sir Patrick Stewart has The Treat.

Costume designer Ellen Mirojnick has been working in the industry for decades, and has now finally been nominated for an Oscar for her work in "Oppenheimer." She joins us to discuss her work bringing this period to life, finding the right hat for Oppenheimer, and more, as part of our series "The Big Picture," which spotlights Oscar-nominated creatives working behind the camera.  

Costume designer Ellen Mirojnick has been working in the industry for decades, and has now finally been nominated for an Oscar for her work in "Oppenheimer." She joins us to discuss her work bringing this period to life, finding the right hat for Oppenheimer, and more, as part of our series "The Big Picture," which spotlights Oscar-nominated creatives working behind the camera.  

Costume designer Ellen Mirojnick has been working in the industry for decades, and has now finally been nominated for an Oscar for her work in "Oppenheimer." She joins us to discuss her work bringing this period to life, finding the right hat for Oppenheimer, and more, as part of our series "The Big Picture," which spotlights Oscar-nominated creatives working behind the camera.  

"Oppenheimer" has been the toast of the 2023-2024 awards season, receiving a leading total of thirteen Academy Award nominations and winning (as of this writing) the Critics Choice and Golden Globe Awards for Best Picture. Christopher Nolan's latest masterpiece is a technical behemoth where every department worked at the top of their game to bring J. Robert Oppenheimer's story to life on the largest scale possible, impressively shot in IMAX. The Next Best Picture team was fortunate to speak with many of the Oscar-nominated craft members throughout this awards season. First, we have my interview with cinematographer Hoyte van Hoytema, followed by Brendan Hodges' interview with the film's editor, Jennifer Lame, and sound designer, Richard King. Then we have Will Mavity's interview with makeup and hairstylist Luisa Abel. We then go back to Brendan for his talk with production designer Ruth De Jong, and we finally end with Will again speaking with costume designer Ellen Mirojnick. Each has a story to tell; each gave this movie everything they had. We hope you enjoy this behind-the-scenes look at the film, which is now available to stream on Peacock and is up for your consideration in all eligible categories at this year's Academy Awards. Thank you! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

Ellen is an Oscar nominated, Emmy winning, costume designer to the stars. There isn't an A lister she hasn't worked with, in a career spanning three decades. As a top Hollywood Costume Designer, Ellen's passion for contemporary design has had an impact on motion picture style. Mirojnick's film work has exhibited a sophisticated, timeless approach to modern storytelling and has yielded iconic characters that have become cultural references. She has a long history of working with Michael Douglas and designed that infamous white dress for Sharon Stone in Basic Instinct…think iconic leg crossing scene!The list of prominent filmmakers Ellen has designed for is extensive: Steven Soderberg, Steven Spielberg, Oliver Stone, both Tony and Ridley Scott and J.J.Abrams. The talent she has costumed reads like a Who's Who of Hollywood: Angelina Jolie, Diane Keaton, Glenn Close, Sharon Stone, Paula Patton, Catherine Zeta Jones, Susan Sarandon, Gwyneth Paltrow, Sarah Jessica Parker, Sienna Miller, Sandra Bullock, Diane Lane, Michael Douglas, Matt Damon, Tom Cruise, Channing Tatum, Ashton Kutcher, Robert Downey Jr, Denzel Washington, Aaron Paul and Dakota Johnson. Her recent Oscar nod is for Oppenheimer and has received critical acclaim for the TV series Bridgeton, with all those corsets and daring prints.We talk about just what it takes to have such a career in the entertainment industry and that endless search for body perfect!

Ellen Mirojnick (born 7 July 1949 in New York City) is an American costume designer. She is a frequent collaborator of actor Michael Douglas, having overseen the costume design for the films Fatal Attraction(1987), Wall Street (1987), Basic Instinct (1992), A Perfect Murder (1998), Wall Street: Money Never Sleeps (2010) and Behind the Candelabra (2013). The wardrobe which she created for the character of Gordon Gekko inspired a fashion trend in the late 1980s and early 1990s for boldly patterned ties, sleek suits, crisp white shirts, and colorful suspenders in men's business wear. She has also been a frequent collaborator of directors Jan de Bont and Paul Verhoeven, acting as costume designer on de Bont's films Speed (1994), Twister (1996) and The Haunting (1999), as well as Verhoeven's films Basic Instinct (1992), Showgirls (1995), Starship Troopers (1997) and Hollow Man (2000). She won an Emmy and a Costume Designers Guild Award in 2013 for her work on the Liberace biopic Behind the Candelabra. In 2016 she was given the Career Achievement Award by the Costume Designers Guild. In 2017 she gained further praise for her work on The Greatest Showman, which garnered her a further nomination for Excellence in Period Film with the Costume Designers Guild. Sharon Stone has praised her experience with Mirojnick on Basic Instinct: “I don't think I had any idea, really, that I could look so great. Then I was like, "‘Oh, I could look like that all the time. Maybe I should get with it.'" Ellen really taught me how to feel empowered like the character I was playing.”

Brace yourself! This week's fiery episode of The Art of Costume Podcast explores one of the world's most talked about films, Oppenheimer. Listen along as Spencer talks with costume designer Ellen Mirojnick about her work on the film, collaborating with director Christopher Nolan, Oppenheimer's style and silhouette, research, designing costumes for black and white film, and the profound experience that came along with designing this monumental film. Podcast Merch Store: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheArtOfCostume.com/PodStore⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Follow Us on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theartofcostumepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  --- Send in a voice message: https://podcasters.spotify.com/pod/show/theartofcostume/message Support this podcast: https://podcasters.spotify.com/pod/show/theartofcostume/support

Brace yourself! This week's fiery episode of The Art of Costume Podcast explores one of the world's most talked about films, Oppenheimer. Listen along as Spencer talks with costume designer Ellen Mirojnick about her work on the film, collaborating with director Christopher Nolan, Oppenheimer's style and silhouette, research, designing costumes for black and white film, and the profound experience that came along with designing this monumental film. Podcast Merch Store: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheArtOfCostume.com/PodStore⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Follow Us on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theartofcostumepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  --- Send in a voice message: https://podcasters.spotify.com/pod/show/theartofcostume/message Support this podcast: https://podcasters.spotify.com/pod/show/theartofcostume/support

Oppenheimer (2023) is one of the biggest films of last year. Two days ago, it won 5 Golden Globes, including Best Drama, Best Director, Best Actor, Best Supporting Actor, and Best Original Score. And this is why today, we treat you with our epic feature-length Oppenheimer-episode: our hosts Giles Alderson and Dom Lenoir sat down with editor Jennifer Lame, costume designer Ellen Mirojnick, Make-Up and Prosthetics Designer Luisa Abel, and hair designer Jaime Leigh McIntosh to talk about The creative process behind Oppenheimer. Working with Christopher Nolan. What they want from a director. tips & tricks We had a lot of fun recording this one. So we hope, you enjoy it too! Sit back, relax and ...! OPPENHEIMER is out now!   PODCAST MERCH Get your very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/ COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/ PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on film-making? Join our Patreon for bonus episodes, industry survival guides and feedback on your film projects! SUPPORT THE PODCAST Check out our full episode archive at TheFilmmakersPodcast.com CREDITS The Filmmakers Podcast is hosted, produced, and written by Giles Alderson @gilesalderson Edited by @tobiasvees Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey CONTACT THE PODCAST email us: thefilmmakerspodcast@gmail.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

The “Voice of Costume” is the first podcast created between working costume designers sharing stories, inspiration, struggles, and insights into the creative career of costume design. Listen in on this fun, one-on-one conversation between Ellen Mirojnick and Catherine Baumgardner. Topics Include: Painting at 3 years old Art school at 5 years of age Leaping from fashion to film Memorable film experiences: Fatal Attraction, Wall Street, Chaplin Seeing the story first Her focus on 'contemporary design' Creating history versus interpreting history The rise of costume designers in the press Having a ‘classical eye' First Meeting with Christopher Nolan Steven Soderbergh reigniting her love for costume design How to handle big meetings Solving the problems of the job Creating the design for Oppenheimer Tackling the limitation of ‘no hats' Making a “fat free” film Working with Chris Nolan is like being on a super bowl winning team Costume details when shooting in IMAX The importance of the silhouette  Costume ‘arc' of Oppenheimer  Oppenheimer's personally created signature look Ellen's definition of ‘success' Ellen's motivation to keep going Letting creativity soar The Inspiration of museums Ellen Mirojnick IMDB Ellen's IG Please leave a 5 Star Review to help get the voices of these Costume Designers into the world! Voice of Costume IG - Comment and let us know what you thought of the episode!

On this episode, I spoke to costume designer Ellen Mirojnick and production designer Ruth De Jong from Oppenheimer. Mirojnick is an Emmy winner for Outstanding Costumes for a Miniseries, Movie or a Special for Behind the Candelabra and a 2x Costume Designers Guild Award winner for Maleficent: Mistress of Evil and The Knick. She also won the Career Achievement Award in 2016. She De Jong is an Emmy nominee and an 8x Art Directors Guild Award nominee. De Jong also garnered a Critics Choice Award nomination for her work on Oppenheimer.

On today's episode of Girls On Film, Anna Smith talks to four of the women Heads of Department who helped create Oppenheimer. Anna speaks to its editor Jennifer Lame (Midsommar, Don't Worry Darling) about her career, which led her to edit one of the biggest films of 2023. Jennifer shares her instinct-driven approach to her work and reflects on her position as a woman editor. Next up Anna has a conversation with legendary costume designer Ellen Mirojnick, whose credits include Basic Instinct, Showgirls and Bridgerton. Ellen speaks about her first foray into costume design, hunting for the perfect hat for Oppenheimer, and the joys of putting together costumes for the film's women characters. Finally, Anna speaks with Head of Hair Jaime Leigh McIntosh (Blonde, Babylon) and Head of Makeup and Prosthetics Luisa Abel (Knives Out, Interstellar) about the extraordinary attention to detail required when working in IMAX format, and about the role of the women characters in the Oppenheimer story. Oppenheimer is based on the 2006 Pulitzer Prize-winning book 'American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer' by Kai Bird and Martin J. Sherwin. It stars Cillian Murphy with an all star supporting cast including Emily Blunt, Florence Pugh and Robert Downey Jr. At the time of writing it was announced that Oppenheimer, written and directed by Christopher Nolan, is up for eight Golden Globes at the 2024 awards. Oppenheimer is available on demand now. Other films mentioned in this episode include: Before the Devil Knows You're Dead (Sidney Lumet, 2007) Fatal Attraction (Adrian Lyne, 1988) Basic Instinct (Paul Verhoeven, 1992) The Wiz (Sidney Lumet, 1978) Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI's YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Archbold Producer: Lydia Scott Assistant Producer: Charlotte Matheson Audio editor: Jack Howard House band: MX Tyrants This episode is in partnership with Universal Pictures. © HLA Agency

Following on from our first two chats with costume designer Ellen Mirojnick, talks to us more about her filmography. Today we touch upon Behind The Candelabra, Speed, Oppenheimer and a few things between. You can shoot Ellen a message on her Instagram page. https://www.instagram.com/byellenm/ And Ken Stauffer can be found over at :  https://www.instagram.com/oceansographer/ This month's giveaway from Wilde & Harte Explore the ‘Line of Kings' Collection and take advantage of the From Tailors With Love razor offer at: https://wildeandharte.co.uk/tailors DISCOUNT CODE: TAILORS20 (Valid until DEC 31st) From Tailors With Love is not represented, endorsed, sponsored or supported by EON, MGM, Danjaq or any other 3rd party. More giveaways and info can be found on my blog: https://fromtailorswithlove.co.uk/about From Tailors With Love is not represented, endorsed, sponsored or supported by EON, MGM, Danjaq or any other 3rd party.

Following on from our first chat with costume designer Ellen Mirojnick, talks to us more about her filmography. Today we touch upon Cocktail, Basic Instinct, Jacobs Ladder, What Women Want, Perfect Murder and a few things between. You can shoot Ellen a message on her Instagram page. https://www.instagram.com/byellenm/ And Ken Stauffer can be found over at : https://www.instagram.com/oceansographer/ More giveaways and info can be found on my blog: https://fromtailorswithlove.co.uk/about This month's giveaway from Wilde & Harte Explore the ‘Line of Kings' Collection and take advantage of the From Tailors With Love razor offer at: https://wildeandharte.co.uk/tailors DISCOUNT CODE: TAILORS20 (Valid until DEC 31st) From Tailors With Love is not represented, endorsed, sponsored or supported by EON, MGM, Danjaq or any other 3rd party.

Today we're talking to legendary costume designer Ellen Mirojnick about her filmography. This will be part one of a trilogy. Films include Fatal Attraction, Wall Street, Face Off and Unfaithful. Be sure to check her instagram page here. https://www.instagram.com/byellenm/ Also joined by Ken Stauffer, his insta page is here. https://www.instagram.com/oceansographer/ Our Giveaway this month as mentioned at the start of the podcast is a ‘Line of Kings' Razor worth £150.  DISCOUNT CODE: TAILORS20 (Valid until DEC 31st) Explore the ‘Line of Kings' Collection and take advantage of the From Tailors With Love razor offer at: https://wildeandharte.co.uk/tailors More info on this and future giveaways:  https://fromtailorswithlove.co.uk/category/newsletter  

Designing Hollywood is delighted to present this in-depth conversation with Award-Winning Costume Designer Ellen Mirojnick! Ellen Mirojnick is an American costume designer. She is a frequent collaborator of actor Michael Douglas, having overseen the costume design for the films Fatal Attraction (1987), Wall Street (1987), Basic Instinct (1992), A Perfect Murder (1998), Wall Street: Money Never Sleeps (2010) and Behind the Candelabra (2013). The wardrobe which she created for the character of Gordon Gekko inspired a fashion trend in the late 1980s and early 1990s for boldly patterned ties, sleek suits, crisp white shirts, and colorful suspenders in men's business wear. She has also been a frequent collaborator of directors Jan de Bont and Paul Verhoeven, acting as costume designer on de Bont's films Speed (1994), Twister (1996) and The Haunting (1999), as well as Verhoeven's films Basic Instinct (1992), Showgirls (1995), Starship Troopers (1997) and Hollow Man (2000). She won an Emmy and a Costume Designers Guild Award in 2013 for her work on the Liberace biopic Behind the Candelabra. In 2016 she was given the Career Achievement Award by the Costume Designers Guild. In 2017 she gained further praise for her work on The Greatest Showman, which garnered her a further nomination for Excellence in Period Film with the Costume Designers Guild.

To celebrate the second season of Bridgerton kicking off, Carol talks about her recent visit to the Bridgerton set and jewellery workshop, just outside London. Plus: another chance to hear her interview with the show's original costume designer Ellen Mirojnick, and master jewellery craftsman Lorenzo Mancianti. This episode is brought to you by @fuligemstones For more information, please see: www.carolwoolton.com Follow Carol Woolton: @carolwoolton Produced by Natasha Cowan @tashonfash Music and editing by Tim Thornton @timwthornton Creative direction by Scott Bentley @bentleycreative Illustrations Jordi Labanda @jordilabanda Read Carol Woolton in Vogue magazine – vogue.co.uk/fashion/jewellery and carolwoolton.com See acast.com/privacy for privacy and opt-out information.

Edited highlights of our full conversation. This week's guest is Ellen Mirojnick, the award winning costume designer. During her career she's worked with directing greats, from Steven Soderbergh, to Ridley and Tony Scott to Oliver Stone. She's the reason the name Gordon Gekko immediately conjures an image in our mind, and why Bridgerton swept millions of viewers off their feet. Ellen turns costumes into characters. How she does that is worth thinking about for every leader. Over the last few months on this podcast, we've been talking a lot about empathetic, sensitive leadership. About building trust and displaying vulnerability. Not any of which are words to attach to Gordon Gekko, the anti-hero of Oliver Stone's Wall Street. Gordon Gekko was greedy, immoral, self-obsessed. Labels that fit some of today's leaders but are probably not descriptions that you aspire to if you're listening to this podcast. Which brings up the all important question. How do you want to be described? Each of us play multiple roles in our lives. In every relationship, we have to decide which parts of ourselves we bring center stage and which we move into the wings. Which personality traits, which characteristics, which areas of expertise should be prominent and which should take a back seat in that moment. In our private lives, there's - usually - more forgiveness and more latitude. But in our leadership roles, when we are confused or inconsistent about how we show up, we run the risk of being misunderstood or worse misrepresented. And the consequence of that inconsistency is an erosion of trust and confidence from everyone around you. The best leaders are clear about the attributes they want to be known for and then turn them into a character that shows up, consistently, every day. Strategic, empathetic, ambitious, risk-taking, disruptive, loyal, creative, sensitive, rule-breaking. The choices are yours. And as long as they are true to who you really are, you'll have the foundations of a leadership character that can draw people with you on the journey and will have people remember the impact you made long after the final credits have rolled.

This week's guest is Ellen Mirojnick, the award winning costume designer. During her career she's worked with directing greats, from Steven Soderbergh, to Ridley and Tony Scott to Oliver Stone. She's the reason the name Gordon Gekko immediately conjures an image in our mind, and why Bridgerton swept millions of viewers off their feet. Ellen turns costumes into characters. How she does that is worth thinking about for every leader. Over the last few months on this podcast, we've been talking a lot about empathetic, sensitive leadership. About building trust and displaying vulnerability. Not any of which are words to attach to Gordon Gekko, the anti-hero of Oliver Stone's Wall Street. Gordon Gekko was greedy, immoral, self-obsessed. Labels that fit some of today's leaders but are probably not descriptions that you aspire to if you're listening to this podcast. Which brings up the all important question. How do you want to be described? Each of us play multiple roles in our lives. In every relationship, we have to decide which parts of ourselves we bring center stage and which we move into the wings. Which personality traits, which characteristics, which areas of expertise should be prominent and which should take a back seat in that moment. In our private lives, there's - usually - more forgiveness and more latitude. But in our leadership roles, when we are confused or inconsistent about how we show up, we run the risk of being misunderstood or worse misrepresented. And the consequence of that inconsistency is an erosion of trust and confidence from everyone around you. The best leaders are clear about the attributes they want to be known for and then turn them into a character that shows up, consistently, every day. Strategic, empathetic, ambitious, risk-taking, disruptive, loyal, creative, sensitive, rule-breaking. The choices are yours. And as long as they are true to who you really are, you'll have the foundations of a leadership character that can draw people with you on the journey and will have people remember the impact you made long after the final credits have rolled.

We're uncrossing our legs and welcoming you all to join us for this week's Erotic Thriller month episode on Basic Instinct! We have special guest, the writer, SSENSE editor, and author of the forthcoming No Fault, Haley Mlotek, who is THEE Basic Instinct expert and  Sharon Stone super fan. We discuss Stone's KILLER Neutrals (for the second time this month, she is seriously the queen of newd-hued clothing!), and all the crazy behind-the-scenes info from the film.  Costume design by the legend Ellen Mirojnick, who did everything from Bridgerton, to Showgirls, to the Brandy Cinderella, to Face/Off and so much more! Tune in now! Follow Haley on Instagram and Twitter and at haleymlotek.com. For visuals of the costumes, follow us on Instagram at @fishnetflixpod  DM or email your movie requests at info@fishnetflix.com! Don't forget to rate, subscribe, and leave a review on iTunes!

What do Basic Instinct and Bridgerton have in common? Costume designer Ellen Mirojnick joins us to discuss her incredible forty plus year career in fashion, film and television. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

On this week's episode, Hillary speaks with Bridgerton costume designer Ellen Mirojnick, who brings us behind the scenes of creating the fashion and sartorial world of Shondaland which—the series that broke Netflix streaming records (82 million watchers and counting). Tune in to hear about the symbolism behind the distinct color palettes, how she makes the period piece feel modern, and creating the lookbook that spawned it all. Plus take a look inside Ellen's latest project, the newly released Cinderella.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this week's episode, Hillary speaks with Bridgerton costume designer Ellen Mirojnick, who brings us behind the scenes of creating the fashion and sartorial world of Shondaland which—the series that broke Netflix streaming records (82 million watchers and counting). Tune in to hear about the symbolism behind the distinct color palettes, how she makes the period piece feel modern, and creating the lookbook that spawned it all. Plus take a look inside Ellen's latest project, the newly released Cinderella.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

No one on the planet can have missed the mass hysteria created over Bridgerton, Shonda Rhimes' Netflix show. If you're one of the rare people who haven't watched it, I urge you to do so, it's a sort of new Gossip Girl meets Jane Austen, offering visually compelling escapism set around a fictional high society in London's Regency era, dancing at ostentatious balls and dances, sipping tea in empire-waist gowns, and reading gossip about the night before, written by an anonymous columnist named Lady Whistledown. Now, there was a craving for jewellery during the Regency era, fuelled in part by the Prince Regent's insatiable appetite for jewels and the endless whirl of social events. The spectacular costumes in Bridgerton include royalty-worthy gems, which have set the sales of early 19th century style jewellery spiking - due to my guests today. I'm delighted to welcome Ellen Mirojnick, the legendary Emmy-winning American costume designer, and Lorenzo Mancianti, jewellery and prop designer, who was in the wardrobe department knocking up tiaras by the dozen. For more information, please see: www.carolwoolton.com Follow Carol Woolton: @carolwoolton Produced by Natasha Cowan @tashonfash Music and editing by Tim Thornton @timwthornton Creative direction by Scott Bentley @bentleycreative Illustrations Jordi Labanda @jordilabanda Read Carol Woolton in Vogue magazine – vogue.co.uk/fashion/jewellery See acast.com/privacy for privacy and opt-out information.

Emmy-award winner Ellen Mirojnick has designed film costumes since the 1980s and most recently is the lead costume designer for the Netflix series Bridgerton.

My guest this week is the amazing Ellen Mirojnick! Ellen is a costume designer whose credits include Bridgerton, Fatal Attraction, Wall Street, the Greatest Showman, Maleficent 2, and so so so much more! Ellen's resume truly blows me away. She's even worked on the pilot of How to Get Away with Murder, Speed, and Showgirl!Ellen never actually studied costume design and found her way in the industry by complete accident. She studied art and found out that she loved designing clothing and had a penchant for it. She was a fashion designer for about 8 years before she worked her way into the world of production, and the rest is history!This episode is a little bit different than the others. Today, Ellen shares the details of her remarkable career, her incredible stories of how her career has taken her all over the world, what it's like being a working, single mom, and why she still gets butterflies in her stomach with each new project.CONNECT WITH ELLEN:InstagramFOLLOW JESSICA:Instagram | Twitter | Facebook | LinkedInWEBSITE:TheProductAgent.com

Award-winning costume designer Ellen Mirojnick discusses taking hillbilly fashion seriously in Logan Lucky.