Podcasts about godox

In today's episode Sigma rolls out new cinema lenses and adjusts their pricing, Godox has a new Speedlite the V480C and PhotoVogue is opening up more possibilities for female creators. You can find the show notes here. https://liamphotographypodcast.com/episodes/episode-457-sigmas-aizu-sigma-pricing-godox-v480c-more

En el episodio de hoy: Godox lanza el MG2400R, un monolight RGB LED de 2650W pensado para grandes producciones; ARRI vende Claypaky para enfocarse en cine; Sennheiser presenta su Profile Wireless de un canal con grabación en 32-bit float; DJI rediseña por completo el Mavic 4 Pro con triple cámara, gimbal 360° y visión nocturna; y Eddie AI llega a DaVinci Resolve con funciones de edición automatizada.Además, te contamos la oferta del día en tarjetas Lexar CFexpress.Todo lo que necesitas saber, en menos de 5 minutos.

En el episodio de hoy, Marco te presenta las novedades más destacadas del mundo audiovisual:Godox lanza la potente luz LED Knowled MG6K, superando los 6kW HMI con solo 4300W de consumo.DZOFILM ofrece sus lentes Vespid Prime desde $799 USD por tiempo limitado.Blackmagic Design actualiza su software a la versión 9.5.1, mejorando grabaciones en 65mm y la respuesta del enfoque.SmallRig presenta su Mobile Video Cage Kit para el Samsung S25 Ultra, facilitando la producción profesional desde tu smartphone.

Seguimos transmitiendo desde Las Vegas para traerte lo mejor de la NAB Show 2025. En este episodio exploramos el nuevo PavoTube II 6XR de NANLITE, el sistema de audio profesional K9 Digital Duo de Saramonic junto con el sincronizador NEO, la potente luminaria MG6K de Godox, el lente Moonlit 50mm f/1.2 de SongRaw, el renovado sistema de enfoque inalámbrico Nucleus-M II de Tilta y el innovador Waves Curves AQ, el primer ecualizador autónomo potenciado por inteligencia artificial.Todo en español, pensado para cineastas, creadores y técnicos que quieren estar un paso adelante.⠀

El tema de las monturas para modificadores de luz en flashes o luz continua es un lío. Hay demasiadas: Profoto, Godox, Elinchrom, Bowens, Mini Bowens... En este podcast te explico cada una de ellas, sus adaptadores, cómo convertir una en otra mediante anillos... y cuál es, a mi modo de ver, la mejor de todas. Un podcast que vas a querer escuchar varias veces para ponerte al día. Puedes adquirir mi libro sobre fotografía y vídeo con tu iPhone desde: https://www.amazon.es/dp/B0DBLPN8QB Únete a nuestra comunidad gratuita de WhatsApp desde: http://clubfoto.org Grupo de WhatsApp dedicado a la fotografía http://fotografos.pics Grupo de WhatsApp dedicado a la videografía http://videografos.pics Grupo de WhatsApp para compartir fotos http://fotos.pics Grupo de WhatsApp para cursos, talleres y aprendizaje http://fotografias.pics Nuestros cursos de fotografía https://www.cursosfotografiabarcelona.com/

En el primer episodio de Wrap It Up! Daily, Marco te presenta cuatro innovaciones imprescindibles que están transformando el mundo audiovisual. Descubre cómo SmallRig redefine la precisión en movimientos de cámara con sus nuevas ruedas de control, explora los límites creativos con los revolucionarios lentes ultra angulares VistaVision de Laowa, conoce la potencia y versatilidad de las nuevas luces LED de Godox, y aprende sobre la solución definitiva en almacenamiento para cámaras RED presentada por CINELUX. ¡Dale play y potencia tu creatividad audiovisual!

Sígueme en: https://www.patreon.com/estudiolumina https://www.estudiolumina.com https://www.instagram.com/estudiolumina https://www.tiktok.com/@iamedulopez

Get ready to say goodbye to airplane boredom (and maybe your privacy) as Elon Musk's Starlink promises internet EVERYWHERE!

Kev and Neale get a proper ai roasting, though all is okay, as Mullins has received a windfall thanks to being a Pic-Time customer! Also today, the joy of using Godox on tour, is autofocus a reason to swap camera systems, GAS, brand loyalty, keeping your pictures safe on tour and shooting through prisms! We also have a book of the week, one close to Mullins' heart: Great Bars of New York City by James and Karla Murray.  Email the show with your questions: click@fujicast.co.uk  Pic Time: https://www.pic-time.com/ - use FUJICAST when creating an account for discount offers to apply For links go to the showpage.

Join us in this episode as we bring you an exciting update on Project X, where we gear up to launch a new product on Amazon. We walk you through our meticulous process for keyword research, listing optimization, and advanced photography techniques, essential for any Amazon seller looking to boost their e-commerce game. Utilizing tools like Helium 10's Xray and Cerebro, we identify top-performing competitors and extract valuable keywords to build a successful product listing. This episode is packed with actionable insights, including expert advice from Lailama Hasan, Helium 10's marketing content manager, and Tayyaba Hasan, project manager at AMZ Onestep. Next, we explore the significance of competitor analysis in optimizing your Amazon listings. Using Helium 10 Listing Builder's Competitor Performance Score (CPS), we highlight the importance of identifying high-performing keywords that competitors are ranking for, such as "coffin letterboard" and "coffin decor." We also discuss how to enhance product descriptions by addressing common customer pain points and incorporating unique product characteristics. By reviewing competitor images and customer use cases, we gather valuable insights to improve our own product's features and marketing strategies. Finally, we dive into the art of creating impactful product images to boost conversions. With expert guidance from our expert guests, we explore the three main types of images required by Amazon: main images, infographic images, and lifestyle images. Practical tips on lighting, equipment, and setting up backgrounds are shared to help you capture high-resolution, detailed images. Additionally, Tayyaba Hasan explains our four-step approach to creative image development, from research to optimization, and the importance of A-B testing and updating creatives based on customer feedback. Stay tuned as we wrap up with a sneak peek into next week's webinar about TikTok Shop. In episode 570 of the Serious Sellers Podcast, Bradley, Lailama, and Tayyaba discuss: 00:00 - Listing Optimization Workshop for Amazon Sellers 02:12 - Amazon Product Keyword Analysis Strategy 09:06 - Optimizing Amazon Listings With Competitor Analysis 11:09 - Using AI to Write Product Listings 20:21 - Optimizing Amazon Listing Images for Conversions 21:16 - Product Photography 32:51 - Listing Image Optimization for Amazon 33:04 - Optimizing Listing Images for Conversions 36:24 - Image Concept for Pre-Cut Letter Boards 41:23 - Product Sizing and Reviews 43:38 - Stay Tuned For Our TikTok Shop Webinar Transcript   Bradley Sutton: Today's a deep dive update into Project X, where we're going to launch a new product soon and together we're going to go over how I found the keywords and how I make the listing for this product plus get guest expert advice on photography, A+ Content and more. How cool is that? Pretty cool. I think   Bradley Sutton: Hello everybody and welcome to another episode of the Serious Sellers Podcast by Helium 10. I'm your host, Bradley Sutton, and this is the show that's a completely BS-free, unscripted and unrehearsed organic conversation about serious strategies for serious sellers of any level in the e-commerce world. And you guys can see that I've got all my Project X gear on today because this is a Project X update where you know for those of you who don't know Project X was this case study we did where we found coffin shelves and a whole bunch of other products that we started selling on a real Amazon account and we've kept it going throughout the years. And so I decided to launch a new product, a coffin letter board and I'm going to open up my strategies into how I find the keywords a little bit of a generalization on it, but how I find the keywords, how I put together my listing, and then we're going to talk about some advanced strategies for photography, like when you should use a agency, when you can do it on your own, and how you should tackle things like A+ Content, and how you can look at competitors to get ideas, et cetera. So we're going to go deep into this. This is a recording of a live training that we actually did a few days ago, and so we've cut it up so that you guy s can get the best of those strategies and hopefully you can take some of this and apply it to your next product launch or maybe your first product launch out there. So hope you enjoy this listing optimization workshop.   Bradley Sutton: And I'm going to take you from ground zero, getting the keywords first. So here is on Amazon. First of all, let's go to the main keyword for this product coffin letter board. All right, and this is just a easy way in which we can get the main keywords. Okay, once I get to this page, I like to run Xray on the page to see who are the top sellers. All right, so who is really making the most money in this coffin letter board niche? And this is a niche that you know. I've been watching this for a while. You know like I wish I would have been one of the first ones to sell this, like I was for the coffin shelf, but unfortunately, I wasn't. All right. But that's all right. I wanted to show you guys hey, you don't always have to be the very first to the market.   Bradley Sutton: Now, when you're running Cerebro on a product that you don't even have yet. Like me, I don't have a coffin letter board yet. I need to choose another product to be the baseline product, all right. So I'm just going to pick one here from like around the bottom of the page. It's not selling. Well, let's go ahead and pick this. So that's the first one that you click on. Needs to be a product that is not going to be one of the main competitors. And now what I want to do is I want to select the like five, six, seven or eight top competitors for this product. All right, that are very similar to my product informant function. So this is the number one guy. This, this nom new coffin letter board. All right, believe it or not, this guy is selling 500 of these coffin letter boards a month. Kind of crazy. Uh, here's another one. They're only selling about 29, but we'll go ahead and throw them in, uh in there as well. Here's another one. They're selling 119 units a month. So I definitely want to see what's going on with them. I'm not going to choose this LED one, all right. So this is interesting. This is a. Is this a coffin letter board? Yes, but because it's got this LED like and it's very small, I can tell because of the price is $12. I am not going to look at the keywords for this product, all right, because I don't think that it's going to be super relevant, uh, to me. I want to get hyper relevant products to my product. All right, let's go ahead and choose a couple more here. This one's selling 65 units a month. Here's another one that's selling 29 units a month. All right, this is good. Let's go ahead and enroll with this, all right, so we're going to hit run Cerebro.   Bradley Sutton: What am I doing? What did I just do? Why is this an important step? I want to analyze the competition right. That's where I'm going to get my keywords. What are the keywords that are driving sales, and some of them are doing incredible sales, and these are the keywords that are going to form the base of my listing. And now what I'm looking for is I want to get like the top 10, 15 keywords and make sure those are in phrase form in my listing. All right, and listing builder is going to help with that. But then I don't only want to be relative or indexed for 15 keywords, these uh products. There might be 50, there might be a hundred, there might be more than that of keywords that they might be getting sales from, uh, or that they might be ranking on page one for, and that means that I probably should be able to rank on page one for these, for these keywords. So this is going to be what I'm looking for what are all of the relevant keywords to all of the products, or at least some of the products that I want to be indexed for or searchable for? Okay, so let's go ahead and see the results here. All right, so 8,000 keywords. I know there's a lot better way to find this in 8,000 keywords. Now what I'm going to just do is I'm just going to show you a quick one that I can do, but again, this should take like about an hour by itself. I'm going to do this in five minutes. I'm going to say minimum search volume 200. And then I'm going to go to these advanced rank filters and the number of competitors. I'm going to say minimum one is between rank one and 30 under competitor rank. So basically, what I'm saying is show me all of the keywords Helium 10, where this product, these products, one of these letter boards is ranked between one and 30. That means they're on page one.   Bradley Sutton: Okay, and so I have a whole bunch of keywords that have come up here. You can see some of these coffin letter board sign. Here's a keyword that's a brand name. I always delete those. I don't want to have a brand names on here. I don't want to. You know that's against Amazon terms of service to put brand names in your listing. Okay, um, so I probably should take a lot more time to see if there's any other brand names, but let's just go with this as is. Again, we have videos that have very detailed a strategy on keyword research, but you guys can watch that. We're just going to pretend that we already vetted all of these keywords.   Bradley Sutton: So now, what I'm going to do is I'm going to export this to the clipboard, okay, and then, the next thing I'm going to do is I'm actually going to go into listing builder and I am going to put these keywords in. Now, this is the. This is where listing builder comes in. I could just have this list of keywords, right, and you know, have it in a Google doc or an Excel file or something, right? But I want to be able to make sure that I'm indexed for my important phrases. Plus, I want to make sure that I'm indexed for the phrases that maybe I don't have room for. But I need those individual keywords, and if you're trying to do that just with a naked eye, you know, like that, that's almost impossible to make sure. All right, I'm going to show you how Listing Builder is going to help with that.   Bradley Sutton: So, here in listing builder, um, I'm going to add a new, a new listing. All right, I'm going to say create from scratch and let's just start building. Okay, the very first thing is I need to put in my keywords. So I'm going to hit manually add keywords and I'm just going to paste all of those 114 phrases. Now there's a lot. I know I probably don't want to see like I already see another one that has that brand name. I'll just go ahead and delete that. But again, we're just kind of like fast forwarding this process. But whatever tools that you use to get all of your keywords that you want to rank for, go ahead and make sure that they are all here in your keyword bank and then hit the word add to bank. Ok, now it's going to show me all of these keywords plus their search volume, and now I'm pretty much ready to start going with my listing.   Bradley Sutton: So I'm going to go ahead and hit next and now you can see here that I've got all my 112 keyword phrases and I've got all of the one word roots that come from it, the two word roots, et cetera. So this is the important thing because, as you see, if I were just to write my listing right now, if I were to type in Halloween decor, okay, do you see what happened here on the left-hand side, Halloween decor as a phrase got checked off because I just put it in my listing, and then those individual words of Halloween and decor both got checked off, and so this is important, because this is how you're able to make your listing and know that you have used all of the keywords that you want. So, at the end of the day, my top keywords, I want to make sure I've got in the phrase form. There's no way I can get 112 phrases right into my listing in phrase form, but at least my top 10 or 15, plus every single one of these individual ones that and these are the words that make up these phrases here.   Bradley Sutton: Okay, so let's go ahead and go to the next step. You'll notice that this CPS is blank. Okay, so CPS is blank. This is very important. This is what tells me which of my keywords are the most important, because they're getting sales for most of my competitors. So what do I have to do? What do you guys have to do when you're making your listing like this? I have to go down here and I click keyword performance rank, okay, and now I have to hit add competitors. And so what competitors am I going to put in here? I'm going to put the same, the same competitors that I had in Cerebro, okay, now I want to. I want you guys to see what's going to happen when I do that. What's going to happen now is this competitor performance score, which actually is the same thing that was from Cerebro. If you look in Cerebro, the very last column in Cerebro, guys, is competitor performance score. This is not new to Helium 10. This has been in Helium 10 for years. This is what tells you the strength of the keywords compared to the competitors. All right, so this really helps you understand which are the keywords that most of the competitors are ranking for. Okay, and there, I did it there.   Bradley Sutton: Now everybody's got a score. All right, I got to take away this because it was still giving me a score, even though I only had one keyword in there. But look at these scores. All right, so this is the number one, uh, one, and sure enough, they're the number one seller. You look at that, guys. The number one seller happens to have the number one listing SEO score. All right, so this is based on all of the keywords, how many of the keywords they're using, how many in phrase form, and how they have it optimized throughout the listing. All right, right now, what is my score? My score is seventh out of seventh, I have a zero because I haven't put anything in my listing, all right, so now I can sort this, my keyword phrases, by competitor performance score. All right, now I can see some of the top keywords here. Coffin letter board is a 10 out of 10. Coffin letter board sign. All right, uh. Coffin decoration, coffin decor All right. So these are some of the keywords that I know I have to have in phrase for my listing. So what's the next step? I'm actually going to do this, where I'm going to get some help from AI to actually write some of this listing. And again, these steps, you guys should take at least 30 to 45 minutes. I'm going to try and do it in like less than five minutes here.   Bradley Sutton: So, right, here I want to start putting in some of the characteristics of this product. So let me go ahead and do that here. Let's go ahead and say hey, this is 17 inches by 10.5 inches. This product, our product, actually includes a special coffin-shaped um chalkboard as well, includes mini coffin shaped chalkboard. So I'm going to write that as a characteristic. That's something that's I chose so that I can differentiate it. So  that I can differentiate it from what's uh, what's going on. Let's uh with the competition. All right, what else do we see? Well, can I put includes wooden stand. Can hang on wall. What are some other places that I can get ideas on what to put here? Let me show you really quick. Let's say, I go into that top selling coffin letterboard right here I'm going to run Helium 10 review insights. Now, the first thing I'm just going to look, though. I want to look at the images. This is important for all of you guys. Look at the images of what people are leaving reviews for. Take a look here at some of these. This really gives you a good idea about what's going on, about how people are using this product. So you should do this for your competitors.   Bradley Sutton: Okay, so I'm going to look here at the review images that people have been doing. So now, look at this. I can see that people are using. Guys, this is a crazy product. Like I cannot believe how many people are buying this and how many people love this kind of product. It's kind of crazy. But you can see here this is something that I identified early on in the process that I didn't want to do. Do you guys see these letters and how you have to, like, twist them to take them off. So our product is going to have pre-cut and pre-sorted letters. So you know what? That's a good thing to put right here. So let's go ahead and do that. Includes 500 character or letters and spooky emojis. Letters are pre-cut and pre-sorted, all right. So that's like a definitely a key feature, because these images people are complaining about this how you know, like, like this is like impossible to one by one take away these letters. But now I can see, um, you know some, somebody did one for like a divorce party. It says 99 problems, but a husband ain't, one is one. So there there's a little like humor I can find to do here. I see some people have this for coffee shops. Some people, a lot of people, have it for looks like a wedding and birthday party. So there's all of a sudden, just in seconds here I'm getting tons of use cases and guess what, guys, we're going to talk about this later. This is also the kind of thing you should be looking at when you're trying to plan your images that you're going to take. Don't just look at the images that the other sellers made, but now go ahead and take some cues from what customers, actual customers of this product, are using this as use cases, you know, because there's tons of stuff I never would have thought about, you know, like I wouldn't have thought about a divorce party having it. Look at this. Somebody has says on their coffin letter board tips appreciated, normal is boring, stay weird. I mean, some of these are pretty ingenious, right. So this is some great ideas.   Bradley Sutton: Now the other thing that I can do is I want to run review insights here. Okay, and this is going to tell me what are some of the two, three, four word phrases that people are mentioning a lot in the reviews. All right, so the way you can do that is you click here on keywords once it loads all these reviews, and now I'm going to get some instant insight into what are people concerned about with this product and hit keywords, and then here we go. So look at this, a lot of people are saying so many letters. So maybe I want to see what are people saying when they say so many letters. Oh, it comes with so many letters. Perfect size comes with so many letters. So this one had 500 letters, and so this is. This is again something I should have looked at before, which I did, which is why I wanted to make sure mine had 500 letters, because I could see that a lot of people like that it had a lot of letters, right. But now I want to see what else that people are complaining about letters off, what is that? All right. I recommend use a sharp scissor to cut the letters off. This person says it's pretty easy to pull the letters up, but a lot of people are concerned about their having to pull the letters off or cut the letters off. That's why I made sure to call out in my listing that, hey, our letters are pre-cut and pre sorted, all right. I'm going to go ahead and analyze these and get even more points that I can put in my listing. All right, uh, let's say here good for parties and weddings, all right.   Bradley Sutton: So now let's go ahead and put our brand name, Manny's Mysterious Oddities, and I want to put that at the beginning of the title. What is the product name? I'm going to say coffin letter board sign. Now, this is really important because I saw here that two of my most important keywords are coffin letter board and coffin letter board sign. Now, if I just put coffin letter board sign in the title, that means I get two keywords for the price of one in my title and it's going to help me on my bang for my buck, for my SEO, my SEO title. All right, let's go ahead and pick a tone here. Let's pick humorous. This is a humorous product, right? Um and again, I? I should be filling this completely up with a whole bunch of information. I only filled up 200 out of 500 characters, but you guys get the uh, the picture. Now I'm just going to hit hey, write it, write it for me. But look at this in seconds. Now I have a title that says Manny's Mysterious Oddities coffin letter board sign. There it is. That was exactly I wanted to get two keywords in one. Beetlejuice decor, Halloween party decorations with mini coffin chalkboard. You see, the AI knew what I had in here 500 pre-cut letters and spooky emojis, perfect for parties and weddings. It got so much of my stuff just in the title. All we have done here is the title, and now I can see that once I say use suggestion, look at this. I was able to knock out a lot of my individual keywords and keywords, and that's basically how I do the rest of the listing, guys, what I'm going to do is just say, write it for me, and now AI is going to give me some suggestions. And then the point is I want to try and use up all of these individual keywords as much as possible so I can be indexed for all of these phrases. And then anything that has a high competitor performance score I definitely want to make sure that I have in phrase form in my listing.   Bradley Sutton: Okay, so that's how you make a listing. Again, this this took me 20 minutes to explain. It should probably take you an hour or two hours because you should be doing a lot more work on this. I would probably go in here and I'm going to just I'm not going to just go with the AI um, suggestion for it. The AI can really give me a good start with using the keywords and having like a certain theme or vibe to it. Like I, in this case, I put a, um, you know, humorous vibe, right, and now I just finished writing my listing up and I make sure that I use these uh keywords, uh, make sure that I use these keywords up. So this is important, guys. This is just a simple way of doing your listing.   Bradley Sutton: Now, speaking of SEO, what if English is not your first language and you're trying to write a listing here in Amazon USA or me? I don't speak perfect Japanese and I want to write a listing for Amazon Japan. I'm not going to use my own knowledge of Japanese to try and write that. No, you can write these prompts here in Listing Builder in whatever is your native tongue, and then you tell Helium 10, hey, this listing is going to be for Amazon Japan. This listing is going to be for Amazon Spain, and it will write the listing in a common language of where that marketplace is, and when I say common language, I mean, like common grammar. Right, it's not, like you know, Google Translate, which is all weird and everything right. So this is really a great way to make your listing and, like I said, I did this in 20 minutes and I almost have a better listing than most of these competitors already. Imagine how good I can make it if I just spent an hour or two hours, and this is the beauty about listing builder right. So that is how you can go from keyword research to actually making the structure of your listing and then making sure that you are optimized for it based on the score.   Bradley Sutton: One last thing I just want to quickly show you is, as you write your listing, you want to see how your score is going on, right? So here is my listing. Let's go ahead and rewrite these bullet points. My score is going to start changing as I start utilizing this, and the goal is hey, I want to be more optimized for the main keywords than my competitors. I want to be number one here, and so that's what you kind of shoot for when you are doing this. Image copy is just one aspect, right, it's just one aspect of the listing. The rest of it is what images? It's A+ Content. So I brought in some experts to talk a little bit about the photography aspect of things and some other listing optimization aspects. So let's go ahead and invite our first guest up here is Lailama Hasan. Welcome, how's it going?   Lailama: Hello, thank you for having me on. I'm just going to quickly introduce myself. I'm Lailama and I'm currently working as a Marketing Content Manager at Helium 10, where I plan and execute social media strategies. I have a background in Amazon selling and as a commercial photographer specializing mostly in Amazon brands. I've also consulted these brands on optimizing their listings with the goal to boost conversions optimizing their listings with the goal to boost conversions. So here I am, back on this webinar with Bradley talking some more about product photography, how to do it yourself, and then whether it makes sense for you to outsource to an agency or not. And if it does not make sense for you to outsource, then how do you go about conducting research for those images that you will create out of the pictures that you've taken?   Lailama: Now, a lot of people are overwhelmed by photography, right? A lot of people say I don't have the creativity to take my own pictures. Well, where do you begin? I just want to start by saying simplify, you know, let's break it down into the three image types that are required by Amazon. So every listing has three types of images and each image requires a different photography approach. So we'll go over each image separately to understand, like what is the goal of these images and how to go about photographing them? The first one is your main image. It's going to be a white background image. You need bright lighting. The main purpose is to bring people onto your listing, so you want to give them all the information possible about your product. Maybe there's a USP that you want to highlight, so make sure you put it in bright white lighting. People are able to see the color, the textures so they can make an informed decision and go on to your listing.   Lailama: And then the next one we have is infographic images. So these are usually the second type of image that you see in the middle. These are going to be like your hero shots. These are really functionality or USP focused shots. You might need to throw in some reference items for sizing or explain to people how to use these products. So that's the goal you want to keep in mind. And so take pictures from every angle. Explain how to use it. If it's not a simple product, what benefits and features it's going to give you. So you want to. When you're doing the photography, you want to keep these goals in mind.   Lailama: And then, lastly, you have the lifestyle images. So here you're selling your brand a lifestyle. You want to have models in it. You want to have the models that are representative of your target audience and so usually like have the product you know, show the use case of your product here. And then you know, just before when you're taking the pictures, you just want to, again, keep the goal of the image in mind. So once you have that, it's gonna make the task of photography a lot easier for you. Now the next question that comes up is okay, there's so many options out there. What equipment do I use? You just need a few items to get started. So I'll break it down again by image types just to make it easier for you to. You know, pick out your equipment. The first one for main image, you simply need a camera. This can be your phone. If you have a good quality camera or you, you could also rent out a DSLR and put it on auto setting. Again, there's no really preference here, but if you want a higher quality image, then I would recommend renting a DSLR camera. And then the second thing you want to have is two sets of lighting. These can be, you know, any lights around the house. Make sure that it has a white hue to it and then you can mix it with natural lighting. If you can photograph next to a window or outdoors, that's going to, you know, really bring up the quality of your image.   Lailama: I do recommend again renting out Godox lights just for that professional look, so that you can have a higher quality of image. The reason I talk about higher quality is because when you're uploading these images to Amazon and finally when people come to your listing, they're going to have that zoom in feature and so if your image quality is high, they'll be able to see the details. But if the quality isn't high enough, then your image can look a bit blurry. So just to like mitigate that risk, I would say rent out equipment, and just for the DSLR camera and for the two lights, the rentals might be $150 max if you're not going for anything new or fancy. But again, phone and regular lighting will do as well. Next, you, for your main image, you want a solid white background, so for that I'd recommend going for like a sturdy piece of paper. This could be a construction paper that you can find at any stationery shop, and then, if you have a bigger product, I would say, go for like a white cloth. The only reason I wouldn't take, you know, pick that as my first choice is because that'll need to be ironed out and that's more work. We want to make things easier, so, you know, a piece of paper might just work better.   Lailama: Okay, and now for infographics. Of course you're going to need the same camera, the same lights, but for backgrounds, you know, these are your hero shots, so you want to show your product and its functionality, and so these are going to be like really clear images of your product, but also looking aesthetic. So you want to pick out a background that might be like a solid color that is a part of your branding palette. Or you can pick out like a linen cloth, a wooden textured, you know, paper or something. So let's say it's a kitchen product like this example here. You can go for a marble background, a wooden texture, you know, switch it up whatever looks aesthetically pleasing but also like doesn't take away from your product. And if you don't want to go through any of this hassle, then you can also just take a picture on a white background, just like you would for your main image, and then overlay it on top of an artificial background with apps like Canva. And then, lastly, we have our lifestyle images. For this, you're really just gonna need your product put onto like a relevant lifestyle setup. So in this case, we have a yoga mat, and they've literally this could have literally been shot in your living room. Um, if you have like an outdoor sport product, let's say it's like um, soccer ball or something, then you might want to go to a park. So there's like lots of options for like free locations where you can do your photo shoot. And so, once you've done your photography, you figured it out.   Lailama: A lot of people are also thinking, okay, well, should I do it myself? Is it worth it, or should I simply outsource it? Like, what is it gonna? How do you decide that? How do you make that decision? I think it's all a matter of time, money and effort. So you know, these are all three of them are resources, because time and effort is also a big resource when you have to move fast, when you're launching your product, and it really just a lot of the times boils down to what your budget is. So if you have a low budget, then you're going to have to pay with more time and effort, and that's when you go the DIY photography route. But you know again, the question is okay, are there any other factors that I should consider outsourcing to an agency? Well, you are going to be a one man army versus the agency is a whole team. So you're going to need the expertise of a photographer, videographer if you're making a video a creative director, an Amazon specialist editor. You're going to need models. So it's a lot of moving pieces and this can take a lot of time and effort on your part, and maybe even some freelancers to put all this together. The agency has it all figured out. They have a blueprint, a process of how they're going to go about executing this project for you.   Lailama: So you can save time and effort. Um, by outsourcing. And that's why I say outsourcing isn't just a cost-saving measure, the cost being your time and effort. It's also a strategic move that empowers you to focus on your core competencies. And so, let's say you've decided against outsourcing to an agency. Well, you're going to have to create these photos into listing images. And how do you go about that? There's a lot of research that goes behind it to make sure that these images actually convert, because it's not just a matter of putting these images up. They need to resonate with the buyer, they need to give the buyer the information that they need in order to convert them from a view to a sale, right? So how do you turn these images photos, into listing images? Well, it's usually you know it is a time consuming process, but you can use something like it's one of my favorite tools. It's called Listing Analyzer by Helium 10. And they have this feature called media comparison where you get a holistic view of all of the pictures that your competitors have put up, and so you can really see, okay, what are the best ways that I can showcase the features of my product? And, you know, make a decision once you've looked at all the visuals and you pick out the maybe seven best images out of that. So, now that you know how to showcase each features, but which features should really take priority, and that's where your customer comes in.   Lailama: And so you're going to have to do review analysis, the Q&A analysis, go on to your, you know, trying to figure out like what are the burning questions, what are the common misconceptions within your product niche? So pick out your top 10 competitors five might be the best, five might be average and run Review Insights which is again a Helium 10 tool on each listing and dive into the one star, the two star, the three star rated reviews and find out what these misconceptions are and incorporate that information into your image. And then, another thing that I like to do when running research for images is outside marketplace analysis and this is your external inspiration. Um, that'll help you elevate your brand because you're looking at the best players in your niche, but outside of the Amazon marketplace. This could be Pinterest, you know, and you'll see, like a mood board, like this, or it could simply be a Google search and you go on to like the best companies that are in your niche. These companies will usually have strong branding, so you can really learn how to present your brand and its messaging from these top brands.   Lailama: And lastly, you can never predict what image will perform better, which one's going to resonate with your audience, and that is why I recommend doing split testing, so you can showcase the same information in multiple ways, but you'll never know which image is going to communicate your message the best, and this is especially true for main images like here you know it's the same dog leash, but is it better to use a model? Is it better to use to showcase your variations? If yes, then do you show all of them in one picture or do you focus on the main variation? So these are the questions you'll have answered through a split test. I really like using Helium 10's audience, which will allow you to split test your images and make that decision pre-launch, which is the biggest advantage here. So run the split test and see which one will convert the best.   Bradley Sutton: All right, let's go ahead and go into our next speaker, who's going to talk a little bit about something. Some other aspects that you need to be thinking about when you're doing your listing optimization. All right, well, take it away, Tayyaba.   Tayyaba: Sure. Well, hi guys, how's it all going? I am Tayyaba Hasan and I'm going to be talking about the creatives and the image aspect of Listing Optimization. And we're a Canadian company, so that is optimization with an S I'm going to be giving you some insight into how we created the listing images for the coffin letter board. I'll discuss a little bit about our approach and get into the process and maybe you can take some tips and tricks and apply it for your own business.   Tayyaba: So a little bit more about myself. So I work as a Creative Director. I worked as a Creative Director at AMZ One Step and now I work as a Project Manager. So we work with Amazon sellers to scale their business with data-driven creatives that convert, and we do all things creative. So images storefront everything in between.   Tayyaba: Now I do want to talk a little bit about our process and kind of how we approach creating some images and these creatives that convert. So there's a few steps, four steps that we typically take. So the first one, of course, is that research. Lailama and Bradley went into some good detail about how to do that research, but the main part, the main takeaway, is really just to identify the unique features and benefits of your product. This can be done using all of the tools and the strategies that were discussed. And then the next plan. The next step would be just to create that plan. So gather all of your ideas together and put yourself in the shopper's mind and really create like a storyboard outline for the images. This is really just a fine balance of knowing you know what sets my product apart, what questions would the shopper have, and then how can we just show the two visually. Now, after that's all done and you've got a really good idea of what you want each of the images to kind of portray and what the text is gonna say, you're gonna get into production. So, of course, that is just the shooting and executing the design. Whether you do that yourself or you outsource it to an agency, that's up to you. And the fourth step would, of course, be that optimization. So Lailama did touch a little bit on A-B testing. So if your creatives are done by a professional agency, ideally there's less chance of misrepresentation and negative reviews, but every so years, in any case, if you decide to upgrade your product, change something about the features, improve it, you're going to need to update the creatives, and a few years. Even if you don't update your product, a few years will give you enough data to really spot any trends in your customer reviews and adjust accordingly.   Tayyaba: The research aspect, like I mentioned, is pretty much dependent on understanding the difference between a feature and a benefit. So a feature is very straightforward it's that specific attribute or the functionality of the product. But the benefit is actually the value that that feature is going to offer the customer. This is the part where we're going to address their needs or, you know, solve a problem. We're going to tell them that this is how this product is going to optimize their life in any way, or how it can play a role. So how does this apply to that coffin letter board? Well, when Bradley came to us, he let us know that there was a very key feature and that, of course, was that 500 plus, you know, pre-cut and sorted letters. That's an amazing feature, but the benefit to the customer is really what you want to relay. So what is the benefit? It's going to be the fact that it's that hassle-free. It's that hassle-free message creating and you have uniform and polished letters every time, as opposed to where you had to cut them. It saves you time and, of course, it reduces mess.   Tayyaba: So first we sort of came up with the image concept to tackle the image that's going to portray this feature. So we wanted to show the polished look of the pre-cut letters with someone using our product and maybe show that versus a competitor. We want to show this in a way where it shows also a common use. So in this case, the header very straightforward. You can even ask ChatGPT give me a header for an image like this, give me 10 headers and they'll do that. So pre-cut for hassle free decorating very straightforward, and some icons or text that really are going to drive the benefit home is the fact that there is a uniform and a polished look and it's mess free. And then we also have to consider the common uses. So, if you recall, one common use was that these coffin letter boards are used in Halloween themed parties, kind of like a welcome board with a punny or a clever text. So this was sort of a screenshot and we just sort of analyzed all of the images of the competitors so we can see if you were to zoom in, you'd be able to see that a lot of them have that punny text and a lot of them you can see actually have they're not pre-cut, they're all just you've got to cut those letters out. So these images that you see in between, that's all showing you the letters that don't arrive pre-cut.   Tayyaba: So the common uses we want to consider this and then apply that to our products. So we want to look at these trends. We see that there's, you know, messages written on the board. They're all sort of a play on words. It's either Gothic or Halloween themed. We see the we want to show how the polished look of the pre-cut letters is better than, as opposed to just the mess of dealing with competitor products which are not pre-cut. And then we sort of applied that into a rough kind of a sketch. So we created a plan. Now this plan, we knew that we wanted to use the relevant setting right. So this is sort of like a Halloween gothic themed party. We know that we want to showcase the coffin letter with something punny, and so I just wanted to chatGPT and said you know, give me a quirky, punny message for a Halloween party letter board. And then I know that I wanted to showcase the competitor image as well. So if, ideally, you can order the product of the competitors, but if not, you can use some Photoshop magic to manipulate it. So this is the actual image that we came up with in the end, so to give you a little bit of an idea. So, tying all of those together, this is a Halloween theme. The chatGPT said something very cute like eat, drink and be scary. So we let our production team know to write that message on the board.   Tayyaba: And this is actually white background photography. So, just for the sake of simplicity, I'm just showing you what it looks like when you do white background photography and you Photoshop that into a Halloween sort of a background and it's not really, you know, necessary. You could recreate this in a real life setting. You could get the props, but this is just a more budget friendly option. So if you look at the text, it really drives that point home and we were not actually able to order the competitor product. So what we did was we just took a close up of the existing one and if you look at that. It's a bit torn, which is pretty accurate as to how it might look when you know when you're removing it yourself from a competitor product. So we just sort of fake the fact that the competitor's product is not nearly as polished or uniform as ours is, and then those icons, like we mentioned, really drive that point home. So uniform and polished look and mess free. So that's what that image looked like. Tayyaba: Now it's not all about just the features and the benefits and manipulating the visuals. Sometimes it can be just a lot more simple, and so you have to put yourself in the headspace of a shopper. You know what questions would the shopper have, and so the other approach is just to sort of tackle, tackle, that kind of um question. So Bradley did mention that while most of the competitors are selling coffin letter boards with a stand um, you know, for for a niche like this there's not that many like bundled items. So maybe the shopper is just a little bit going to be curious as to what exactly am I getting? I see there's a letter, I see there's a smaller chopper, what does this mean? And so we want to just answer that question for them. You know exactly how big is each item? How much space is it going to take up in my home, especially the fact that these are bundled items and one is bigger, one is smaller? So the review insights tool is a pretty good way just to get like an idea as to exactly what questions do they have.   Tayyaba: If you don't have the access to look at all of these you know three thousand reviews, two hundred and seventy nine reviews, nine thousand reviews and just really analyze them and look for the trends. That's where AI comes in, so you can use the review insights tool, export all of those, copy the Excel sheet into ChatGPT and ask it to analyze the questions so you can say something as simple as, like you know, look at the negative reviews, what trends do you see? What are customers complaining about? Where does this product fall short of expectations? And that's really where you want to address something. Or you could take a much more sort of simpler approach and even just look at the very quickly, just look at the tags. So this is actually something that I saw off of the competitors. So one thing that they were talking about was sizing. Now there are overall positive reviews, but if you look at what I've highlighted here, Amazon has sort of summarized that it fits. You know it's good, but it's larger than they thought that it would be. So that is something you know you could ignore it because it's such a positive overall review 57 positive and five negative but it's really important to just catch that and then use that to your advantage.   Tayyaba: So when we look at the competitor images and I look at the way that they've approached the dimensions image, it's pretty easy to see why there might be confusion. You know, yes, the numbers are right there. In fact, some of them even go into two decimal places. But the reality is shoppers are not going to pull out a measuring tape and you can't really rely on that. So I'm going to give you a little bit of insight into how we approach creating the dimensions image and how we can went about maybe mitigating these negative reviews. So, instead of just giving them the numbers, what we did was we threw in hands in there and so immediately you can sort of picture just how big the bigger one is and how big the smaller one is. And hopefully I can already imagine that shoppers without an image like this and just going back and you know if we should show the chalkboard like this, I can imagine already negative reviews saying you know, the chalkboard is way too small, it's a lot smaller than I expected. Which it is it's about? You know, three inches wide and that's about the length of my pinky. So what this does is it really gives them the idea of they can picture it basically in their home. So this is just one way that we approach creating images to avoid negative reviews. And that brings me to the end of my presentation. I hope this has provided you guys with a little bit of insight and thank you guys so much.   Bradley Sutton: Tayyaba for you. If anybody wants to reach out to you for more information or to get more help or to utilize your services, like I contracted you guys out to do this coffin letter board, how can they find you on the interwebs out there?   Tayyaba: Absolutely amzonestep.com, and if you've got any inquiries, any sort of creatives that you'd like to get done, feel free to reach out.   Bradley Sutton: Okay, and then also you can. If some of you have different plans, I suggest contacting them through hubhelium10.com and look for AMZOneStep, because they sometimes give different coupons for different members out there as well. All right, guys. That's all the time we have for today. Thanks for staying here to the end. Thank you to Leilama and Tayyaba. We will see you later next month with another new topic that's going to be in Freedom Ticket. Actually, next week it's all going to be about TikTok Shop. So look out for an invite for special training on TikTok shop and until then, we'll see you guys later. Bye-bye now.

SEASON 2 - EPISODE 92 - DON BURGESS - CINEMATOGRAPHER On this episode of the Team Deakins Podcast, we speak with cinematographer Don Burgess (AQUAMAN, CONTACT, FORREST GUMP). Always the outdoorsman, Don spent much of his youth and young adulthood filming sports movies and learning the ropes while hanging off them on the side of a mountain. We learn how he fell in with director Robert Zemeckis in a pivotal meeting to shoot FORREST GUMP and how they typically prepare and work together through production. We also discuss Don's night work on CAST AWAY and the difficulties of working on a tropical island. We reflect on deriving strength from longtime crew members, and Don reveals how, after the introduction of film incentives, he's since developed local crews around the world. Later, Don gives us a recent example of when he was able to remotely DP a shot across the Pacific Ocean with his trusted New Zealand crew. Among his many illustrious credits, Don can also boast of surviving the 2nd unit on the arduous production of director William Friedkin's SORCERER. - This episode is sponsored by Godox

SEASON 2 - EPISODE 91 - LIZA BAMBENEK - 1ST AC 1st assistant cameraperson Liza Bambenek (THE CURSE, THE BALLAD OF BUSTER SCRUGGS, SICARIO) joins us on this episode of the Team Deakins Podcast. We get a full breakdown of the camera department in this episode, and we discuss the duties and responsibilities of the different positions with Liza. We had the pleasure of working with her on SICARIO and NO COUNTRY FOR OLD MEN, and we can attest to her expertise. From small town Minnesota down a winding path to Santa Fe, Liza reflects on her life and career throughout the episode, and we consider the qualities we find most helpful in a member of the team and the characteristics commonly found in the world of filmmaking that inspire us to keep creating. We also discuss the importance of mentorship and the strength and responsibility of admitting that you don't know something to your teammates. Liza later reflects on the evolution of female representation in the camera department and in crews overall, and she shares how the Santa Fe film market has matured since its implementation of film incentives.  - This episode is sponsored by Godox

Te doy respuestas a tres preguntas que nos han formulado.1. Cómo usar el flash en simpatía y modo esclavo de un Godox TT350 con flashes integrados.2. Cómo actualizar el Godox Nano X3 y qué hacer cuando se queda colgado y saltan todas las alarmas del miedo a haber hecho algo mal.3. Cómo enfocar correctamente con el proyector de diapositivas Godox AK-R21 y el modo estroboscópico del flash.

SEASON 2 - EPISODE 90 - DENNIS MUREN - VFX SUPERVISOR Visual effects supervisor Dennis Muren (JURASSIC PARK, TERMINATOR 2: JUDGEMENT DAY, STAR WARS: RETURN OF THE JEDI) joins us on this episode of the Team Deakins Podcast to discuss his lifelong craft. From playing with stop motion to working on the original STAR WARS, Dennis was interested in visual effects at an early age, and throughout the episode he reflects on the evolution of the field following the advent of computer generated imagery. We learn how Dennis prioritizes emotionality when building VFX into a shot and how he consults with a director and the crew  to come up with the best shots for the film. We also learn about the shift away from using models towards computer generated imagery and about the loss of certain aspects of reality that came with transition. We discuss the focusing power of deadlines, and Dennis later shares some advice for young filmmakers looking to breaking the field of VFX. Also included: how Dennis set up a prehistoric video call to coordinate the VFX of JURASSIC PARK across the globe with director Steven Spielberg in 1993. - This episode is sponsored by Godox

SEASON 2 - EPISODE 89 - ELLEN MIROJNICK - COSTUME DESIGNER Costume designer Ellen Mirojnick (OPPENHEIMER, WALL STREET, FATAL ATTRACTION) joins us on this episode of the Team Deakins Podcast. A born and bred New Yorker, Ellen jumped right into costume design on a low-budget feature in New Orleans where she quickly (and easily) took to the role as the department head. She later spent two films working and studying under famed costume designer Sandy Powell before being recruited by director Adrian Lyne to work on FATAL ATTRACTION (one of many films in which she would work with actor Michael Douglass). During our discussion of OPPENHEIMER, Ellen shares the notes she received from director Christopher Nolan that informed her approach to the design of the film's costumes and reflects on the challenge posed by needing to design costumes that could be shot in black-and-white in one setup and in colour in the next. Ellen also reflects on the challenge of designing the film's costumes to seamlessly reflect changes in time without losing the characters across numerous decades of story. Towards the end, we discuss the importance of creating costumes that are not only right for the period, but right for the actors who need to wear them. - This episode is sponsored by Godox

SEASON 2 - EPISODE 88 - JOHN KNOLL - VFX SUPERVISOR On this episode of the Team Deakins Podcast, VFX supervisor John Knoll (THE BATMAN, ROGUE ONE, PIRATES OF THE CARIBBEAN) joins us to talk about his career and his craft. Despite growing up among an academic family of engineers, scientists, and medical professionals, John fell in love with the fantastic imagery of cinema and television, and he saw miniature work as his way into filmmaking. From cold-calling Industrial Light & Magic at 15 to later working for them, John reflects on his life as one who turns hobbies into professions, and we learn how John fuses technology with art in his work. John reveals, with great clarity, how slit-scans are actually composed and shares how he used the effect to generate the illusion of the Starship Enterprise entering and exiting warp speed. We later discuss the leadership responsibilities of being a supervisor, including giving negative feedback in such a way that elevates a collaborator's work. Towards the end, we also discuss the enduring appeal of miniatures for audiences and filmmakers alike. In addition to his work in VFX, John (alongside his brother Thomas) invented Photoshop, the popular photo-editing software used around the world. - This episode is sponsored by Godox

SEASON 2 - EPISODE 87 - STEFAN DECHANT - PRODUCTION DESIGNER Production designer Stefan Dechant (REBEL MOON, THE TRAGEDY OF MACBETH, WELCOME TO MARWEN) joins us on this episode of the Team Deakins Podcast. We worked with Stefan on TRUE GRIT and JARHEAD, and it was great catching up with him. Like many other young boys of the 70s, Stefan became enchanted with STAR WARS, and (while attending school in Cincinnati, Ohio) lied his way to a gig working on JURASSIC PARK. His first love was storyboards, but he soon found his design and illustration skills best suited a career in art direction and production design. Stefan shares how his time drafting storyboards informs his approach to production design, and we also discuss the integration of emerging technologies in filmmaking today and tomorrow. We also hear about Stefan's experience working with director Joel Coen and cinematographer Bruno Delbonnel on THE TRAGEDY OF MACBETH and learn how they carved the film's expressionistic and abstract sets out of light. - Recommended Viewing: THE TRAGEDY OF MACBETH - This episode is sponsored by Godox

Die Grenzen sind offen. Zumindest so ein bisschen bei Canon. Was Tamron und Sigma jetzt machen, welcher Hersteller eigentlich keinen Design Award gewonnen hat und warum Godox schon wieder neue Blitzdinger rausbringt, klären wir alles in dieser Folge. Was könnte eigentlich Thilo das Traveln angenehmer machen und ist Dominik stressig? Aber ruhig? ------------------------ Grainoverpixel - Analog Camera Store: https://bit.ly/3YOkmzg * 10% off mit Rabattcode "DOEF10" Krützberg Kameragurte: https://bit.ly/3P9bK2W * 10€ off mit Rabattcode "DOEF10" (ab 50€ Einkaufswert) Wenn man uns ein Bier/Film/Kaffee spendieren möchte: ko-fi.com/doefpod www.instagram.com/doefcast | www.doefpodcast.de Dominik Pfeifer @hiiamdominik dominikpfeifer.com Thilo Vorderbrück @tvau thilovorderbrueck.de ------------------------ Die mit Sternchen (*) gekennzeichneten Links sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommen wir von dem betreffenden Online-Shop bzw. Anbieter eine Provision. Für dich verändert sich der Preis nicht.

SEASON 2 - EPISODE 86 - DIANNA FREAS - SET DECORATOR On this episode of the Team Deakins Podcast, we're joined by set decorator Dianna Freas (FOR ALL MANKIND, LONE STAR, THUNDERHEART). Studying illustration and fine arts at Syracuse and Parsons, she later attended NYU and found her skills well suited to set design. After an early career period working as a co-production designer alongside husband and production designer Dan Bishop, Dianna transitioned to set decoration full time. Throughout the episode, Dianna defines some of the myriad of roles within the art and set decoration departments. What are lead men? How does she work with a buyer? What does the set decoration coordinator typically oversee? Who keeps the books? Who's responsible for that lamp? The demarcations are many, the responsibilities are numerous, and Dianna maps it all out for us with clarity. We later extoll the virtue of flexibility, and Dianna gives advice to anyone looking to break into the art department. - This episode is sponsored by Godox & the Dallas Film Commission

SEASON 2 - EPISODE 84 - WIM WENDERS - WRITER / DIRECTOR Writer and director Wim Wenders (PERFECT DAYS; WINGS OF DESIRE; PARIS, TEXAS) joins us on this episode of the Team Deakins Podcast. Early on in the conversation, Wim recounts waiting in the toilet stalls as a student in Paris and watching over 1000 movies in a year before realizing working in film was his way forward. Wim walks us through his first three features, including a disastrous visit to the Venice Film Festival, and reveals how those experiences led to the genesis of his first road movie: ALICE IN THE CITIES. After a winding trip through the American West, Wim was wooed by colour photography and reveals how he and late, great Sam Shepard willed PARIS, TEXAS into existence. Wim later reflects on wrestling with expectations on its followup, WINGS OF DESIRE, and the welcoming invitation to study toilets in Japan that led to the wonderful PERFECT DAYS, which he likens to a documentary about a fictional character. We also learn which of Wim's many films is his favourite, and we venture a guess at the future of filmmaking and filmgoing. - This episode is sponsored by Godox & the Dallas Film Commission

En este directo te explico cómo los vendedores están muy alejados de la realidad en el mundo de la fotografía y el vídeo digital, orientando sus productos a la profesionalización, cuando lo que prima es el mercado de consumo. Repaso contigo cómo todavía quedan demasiadas cámaras con espejo como sector de entrada y cuál es mi recomendación si tuviera que iniciarme. Hago lo mismo con los teléfonos móviles y smartphone. Y, finalmente, con la iluminación continua o flash, te recomiendo marcas como Godox, Neewer o Andoer.

In this episode, I get to very briefly chat with Louis Wahl, CEO of WEX Photo Video. Turns out he is a really nice guy (and with luck, I'll get to chat to him in a full-length interview at some point in the future.) It's the great thing about the photography show - I get to meet loads of people! As well as the short chat, the episode is primarily a response to an email I received from 'Steve' asking what first strobe he should choose.  Having sat and pieced together an answer, I thought it would be useful to make a podcast out of the answer.  I guess you can be the judge of that! Cheers P. If you enjoy this podcast, please head over to Mastering Portrait Photography, for more articles and videos about this beautiful industry. You can also read a full transcript of this episode. PLEASE also subscribe and leave us a review - we'd love to hear what you think! If there are any topics, you would like to hear, have questions we could answer or would like to come and be interviewed on the podcast, please contact me at paul@paulwilkinsonphotography.co.uk.    Transcript [00:00:00] My name is Lewis Wall, and I'm the CEO of Wexphoto Video. Okay. So maybe this needs just a little explanation at the photography show last week, which was a blast. I took my little handheld recorder and just grabbed a few people as I wanted ran the show. And I had a vision of creating one big podcast episode where multiple photographers could answer the same question. [00:00:25] Just questions about the industry, how they felt and why they were, where they're at the show. But when I played them back for a couple of reasons, I didn't think that that was going to work mostly. And you'll hear this in this little snippet. I get quite excited and an hour of that. Well, nobody needs that in their life. [00:00:42] So instead I'm going to sprinkle these little clips. Through some upcoming podcasts just for interest. And so you can hear the views. I have some really interesting people in our industry. [00:00:53] And I started with this guy. Now I bumped into him. And by accident. I was buying a memory card for the recorder. Actually. I needed additional memory card. And so I went and queued at warehouse express, WEX photo and video. Standing there quietly in the queue and the next chapter at the till waved his arm at me, I went over and while I was there, I noticed that it was Louis. It said on his badge CEO. Of WEX photo video. And do you know what I thought I chance, my arm and see if he would be willing to do a short interview. Well, you couldn't have met a nicer guy. And he was very willing to give me a few, a little bit of a viewpoint. And so we grabbed just five minutes and this is that interview. [00:01:33] And I start the conversation with why. Do you come to the photography show? This is where our customers are, uh, and they expect to get the service that we provide to them all the time in the stores, and we provide to them online, as well as our institutional customers, a lot of our professional customers, so, yeah, I mean, this has got to be the place to be. [00:01:52] Where else wouldn't you be at a time like this? This is a brilliant place for us to meet our customers. And, of course, I have to ask you, well, I guess it's an obvious question, but you're a supplier to this incredible industry. Why do you love the photography industry so much? Well, the one thing is that I don't come from a photographic background myself. [00:02:10] I actually come from a kind of a radio television production background. But it's all about the intrinsic desire that our customers have to accomplish something. There's an artistic need, so We've got a mission, which is to help our customers get the perfect shot every time and anytime. People come to us not to buy a black box with a camera in it. [00:02:31] They come to us because they've got a problem, and that's brilliant. So they've got a project, they've got a creative spark, they want to achieve something. And all of the people who work with us, they're all photographers as well. So they've all started with some kind of imaging or background, a creative background. [00:02:46] My last question, this is just a very short set of snippets, but my last question is if you could change just one thing about this beautiful industry of ours, what would it be? That's a tough one. I wouldn't necessarily say it was a perfect industry. I wouldn't say it was problematic. [00:03:02] It's, what would I change? I'd probably make it a bit easier for us to understand how people work. Product is flowing through from the developers, the people who are originally designing it all the way through the end user. 'cause that's often a very translucent, it's almost opaque, so you don't quite understand what's happening there. [00:03:21] Sometimes the big brands will tell you a little bit more about where their thinking is, how they want to develop their technology. But I think what happens is you get a lot of customers who they want to see that they actually wanna see that where, where the technology's going. Because again, they've got these objectives and often it. [00:03:37] You know, it's kind of cased in a little bit of secrecy. I kind of understand that. If you're developing technology, you want to protect it. You want to protect your intellectual property. But that's probably the only thing I would say that's a little bit problematic, yeah? I mean, we went through such a long period of difficulty in terms of production supply. [00:03:56] People were very difficult to find stuff. Um, we're kind of through that now. We can get pretty much what we need. Um, but, uh, you kind of feel this, probably me as not a terribly, um, technologically, uh, kind of genius sort of person. You kind of, well, where does it go next? And I think a lot of people kind of think in that way too. [00:04:15] They want to compete, they want to, they want to grow, they want to develop. So, yeah, I'd say that's probably one area. It's like, what does it look like? You know, what does the future look like? That's probably one question everybody's got. What does the future look like? It's funny, in the last episode I did, one of my laments was, I wish more of the kit was designed with the photographers that are going to use it in mind, as opposed to the guys developing it with their, you know, various bits of interfaces and the way the software, it's all software driven now, everything is software. [00:04:44] Um, and I wish there were more people who are photographers involved in the design phase. But listen, what an absolute pleasure, thank you both for your good service, I've just bought, A very small memory card from you, but over the years, I've spent many thousands with you, but thank you for it. It's my pleasure. [00:04:59] Thank you so much. So, like I said, you can hear me getting very excited, but what a thoroughly decent guy and of course, warehouse express WEX photo video. Is one of those bastions of the industry. It's huge. And it's ultra reliable. I've bought a ton of kit. From them over the years and I'm sure I will continue to do so. [00:05:19] And it was a real pleasure to meet Louis a genuinely nice guy. At least he was in the few minutes I got to chat to him. And hopefully I did leave with a seed that I'll go over and maybe get a chance to record a full length interview with him. Cause I think the insights. From some of our trade suppliers. Would be fascinating for all of us because they've seen the trends and they've got the data on it. [00:05:41] Whereas each of us. Our, in our little silos. So one after the other, I will introduce these little interviews into each of the upcoming podcasts. I'm Paul. And this is the mastering portrait photography podcast. [00:05:56] So hello. One and all, I hope you well on this, I see quite bright and sunny Sunday evening. It's not particularly warm, but at least for a moment, it isn't. raining yesterday, dance the showers quite a bit. It was a good day yesterday. I've had a good week, lots and lots going on. As you can imagine, we had a training workshop here on Monday, which was an absolute blast. [00:06:33] It was so much fun. We called it a mastering extraordinary to sorry, mastery can't even get my own titles right. Mastering Ordinary To Extraordinary Studio Photography, which is basically about shooting in reasonably confined spaces. [00:06:47] And the guys that came in the workshop with just brilliant. We laughed all day the models big shout out to Kinga and to Libby who were brilliant. The two guys who modeled for us and the whole thing about having a good time, enjoying being creative learning as we go Was just the whole, the whole workshop the whole day. It was fantastic. [00:07:09] So thank you to everyone who came. Also this week. I had two shoots yesterday. You forgive me for telling this story. It was that. It was a good day. Lovely clients, but I did that thing that I do so often, which is to get people's names muddled. And this is yet another one of those extreme examples. Sophie and Matt were the couple and Bertie was their dog. So as we're heading out into the garden to take some pictures in daylight, I'm just double checking their names. [00:07:38] I've got, my phone it's got the appointment on it. I'm just very quickly scanning it to make sure I've got everything I need. It's Sophie and Matt, Sophie and Matt, Sophie and Matt. I've literally, as I put my phone in my pocket. I turned to them and say, right, so Alice and Sam, what are we going to do? And the two of them just look at me. Are you absolutely out of your mind? And the minute they looked at me, I knew I'd got it wrong. [00:08:05] How, how, how can your brain ditch what you've just been reading. I mean, literally, as I said, it. It was seconds after I'd read it. The only name I remembered it was Bertie the dog. It was just, oh, come on. Anyway. Saturday was interesting in as much as, although we've had the alien crumb kit in now for a week or so, saturday was the first day when I've had two full shoots going at my normal pace. [00:08:34] But with all of this new equipment on the upside, let's talk about the upside. The light that they give off is beautiful. And I remember now why I originally chose Elinchrom and why, even when I was using Profoto kit, I would still put Elinchrom modifiers back in to the mix. The light we're getting is just beautiful. [00:08:55] And it, it seems to play really well in our studio. Now, every studio is different. Every photographer's tastes and color profiles, are different. For me, for what I do in the space. I do it, there was a proper magic in the studio and it was, it's hard to describe, but I actually felt quite emotional. That said none of the kids did what I expected to when I expected it. One light turned itself off, eventually found the off timer. [00:09:27] There's a little timer in the settings. So I turned the two backlights off cause I needed to turn the two back lights off, which is fine. But when I powdered them back up again, they wouldn't register on the controller. The controller would trigger them. But it wouldn't read them. [00:09:40] So I had no idea. I. I've got literally thousands of pounds worth of kit in the studio and I'm doing what I used to do, which is to walk up to them and turn the dials on the back. Talk about old school. Maybe just, maybe I need to spend the day with the manual because I'm sure none of this is to do with the kit. [00:10:00] It's all to do with the operator. Again, thank you for putting up with the sound quality on that interview. I've got a load of those coming. It was a lot of fun. To do it and a huge amount of fun, lots of questions, or the same questions to lots of people. And there are some really quite interesting insights in there, but today's podcast. [00:10:19] I was going to talk about something different, but I had this email. That came in during the week and it just simply says the following. [00:10:26] Hi, Paul. I have just listened to the latest podcast. Congratulations on becoming an Elinchrom ambassador. I enjoyed hearing the story of you buying your first strobe and how it has led to you becoming a brand ambassador all these years later. I am probably in a very similar situation to where you were in 2003 i.e. Just thinking of buying my first strobe and I wondered which light you would recommend now. I've been looking at the Godox AD200 as I'm on a limited budget, but we'd love to hear your thoughts. [00:10:57] So there you go. Nice email from Steve and in the process of sitting and tapping a pencil on my teeth as I do. I have actually emailed him back and so this is in some senses a transcript of that email, but I thought it'd be an interesting podcast too. Chew on why you choose the kit. You do. So obviously when I'm going back to someone who asks a question like that, and we get these kinds of questions all the time, what camera, what lighting, what software. In the end. You have to make these decisions and they're all arbitrary, but you live with them for quite a long time. [00:11:33] So how would I go about today, choosing my first strobe? So I have to caveat all of this conversation, as you now know. With the fact that as a brand ambassador for it puts me in an interesting position. Of course, I want to recommend nothing but 'Chroms. Why would I do anything else? But of course, That doesn't suit everybody. [00:11:57] The budgets don't suit everybody. And even in my bag, my camera bag right now. I have a Nikon SB800. I have two Godox V1's. And coincidentally, two Godox AD200's. Because they're small, they do their job. The SB800 is then there because occasionally I want to have on-camera flash. Nikon, well, it plays better with Nikon the than it does with Godox. [00:12:21] So I've got that in there. Um, permanently with it's AA batteries, for those moments when I want to do an on-camera flash very often a direct flash, old school photo journalist style. Whether I'm doing a wedding or without doing something a little bit more commercial either way, but it's a very versatile rig. [00:12:38] And I, at the moment, I don't have an answer to how I'm going to change that. To step a little bit more into line with the Elinchroms. Now don't get me wrong at all. It was a proper emotional moment when I fired up the 'Chroms. Uh, for the first time in an, in anger, I suppose, as the expression, for two paying clients, as opposed to doing junior workshop. We're in a workshop, you have time to think. [00:13:01] So I have time to reset. I have time, to adapt when I'm working with a client, of course, it's quick fire. I had a two year old and a four year old in in the afternoon. And I had a dog in the morning, the knee, none of these are patient. You don't have time. So actually working them was app was brilliant, even if I'll be honest, I haven't quite got my arms around it. [00:13:24] So to answer the question, the AD200 is a really good light. So instead of saying, here's what, here's the right answer. Here's the kit you want? I posed some questions and here's the question list I went back to Steve with for him to answer. [00:13:41] Firstly, and most importantly, what is your budget? And then add 25%, possibly 50%. cause no matter what you think you needed, you're going to need more, whether it's spare batteries, whether it's modifiers to put on the front, whether it's a bracket, that'll put it onto a normal light stand, whatever it may be. You're going to need to add that on the AD200's very good, they're a little bit fiddly. But they are exceptionally. Good for what they do. [00:14:04] And even if, and even, sorry, not with, when I'm out there using my Elinchroms, I am sure that the AD200's will never be far away for little bits of fill light or effects lighting, when I need it. [00:14:16] Do the triggers. This is an important one about studio lighting in particular off-camera flashlight ING. Do the triggers for that system feel right to you? All too often, the bit that is missing from any money fractures lineup is the trigger. They're, they're made, they do their job, but they're not user-friendly. [00:14:34] And I have to say, even after however many years I was using the Profoto. synchro Air TTL. It was never my favorite trigger. I get frustrated with Godox as well is nine times out of 10 when I'm using a strobe, I'm using it in the dark. So what's the one thing I want to be lit up. [00:14:51] It's the buttons on the triggers. I. I know what I'm doing is really, I don't get how for a device that by definition, I'm going to use when the light levels are low. It really is difficult to use in low light levels. I just, yeah, just one of those things and it comes back a little bit. To what Lewis was saying about having the designers of these systems a little bit more transparent. [00:15:14] I'd love to have more designers, more designer input. Sorry, more photographers input into the design processes of some of this kit. Because actually we use it. We know where its weaknesses are. We know what is frustrating when we're down there in the dirt. Trying to get things sorted. [00:15:30] Next question. [00:15:31] What adapters will you need to get a modifier onto the light or will you always use a bare head flash? I asked this because if you're using an AD200 nothing fits it until he put a modifier, a bracket on it that will take. Whether it's Elinchrom, whether it's Profoto, whether it's Godox themselves. Any S- type for instance, an S- type modifier on to the front, but you are going to have to buy some additional brackets. To make that possible. [00:15:59] Are you going to expand the system? [00:16:01] So Steve's email asked. W I'm buying or stated I'm buying my first strobe. What would you recommend? And part of the puzzle is what are you going to do in the future? Is this just one strobe, in which case an AD200 is perfectly fine. Is it going to be part of a set and will it all be the same style? They're big for speed lights, but they're little for strobes AD200's of, I don't know if you've seen them. They sort of look. Sort of rectangular, like, I dunno. Couple of bars of chocolate. taped together. They're not very big. They're very rectangular and they're very good. [00:16:37] But will you always stay with this manufacturer? Are you going to buy into their system? Will you have a Godox controller? And then you'll add Godox studio lights Godox led lights Godox, more Speedlights what are you going to do? Because if you're going to stick with a system. Start with the system that ultimately you want to use. [00:16:57] What modifiers ultimately do you want to use? [00:17:00] Will it be umbrellas or boxes? Are they readily available and affordable. Of course, anything that clips onto an S type adapter, that's the old Bowens adapter, is really relatively speaking available and it's going to be not too expensive, because the manufacturers like good docs and picks was it picks a pro and a few of the others. [00:17:20] They're all adult. Adapting and adopting the S type. And it means you get access to really good quality budget kit. To bolt onto the front. Or, you know, like me, are you fascinated with really beautiful light? And it's not that those modifies don't create beautiful light, but for me, just using a kit, I want to feel good about it. So I've stayed. I've had, I've stayed pretty much with Elinchrom, um, throughout, even though. I was using pro photo strobes. [00:17:47] I was still using my old Elinchrom modifiers because they just lovely. Um, Is it. An additional question who inspires you? Maybe that's an obtuse question. But it's not a bad shout to have a look around. Photographers whose work you really like. And then it doesn't take long to go through their social feeds and figure out what they use. [00:18:10] Because if there's a look you're trying to create, there's a lighting quality it's going to try and create. I mean, in the end, you'll form your own lighting, your own designs, your own style. And that's absolutely right. But more often than not, when you're starting out you're using ideas from other people, you're looking at social feeds, you're looking at websites, you're looking in magazines as much as magazines. It's still a thing. [00:18:35] And you, you, the curiosity is peaked when you see a picture, you really like, and you're thinking, okay, how did they do that? It's never a bad idea to have a look at the kit they've used. And for us here in the studio, for instance, I will constantly look at images and try and figure out what lighting they've used. [00:18:52] But of course then actually our studio isn't that big, so I have to figure out a way round that. The good news is if you can figure out a way around it, you can use pretty much any kit. The bad news is there are some things I can't do. There's some lighting patterns. I simply don't have the space typically overhead to be able to do. But either way go and have a look at the people you really, really admire and are inspired by and have a look at their kit and see if that's something that might feed in to the conversation. [00:19:21] This is one of those techie dweeby things, but what is the battery life? And are you going to exceed it? And by battery life, I don't mean it, the total lifespan of the battery, I mean, is it going to go flat at the moment you really want to take a photograph and as such. How much are the spare batteries. [00:19:38] Some of these manufacturers that, you know, in additional batteries, 500, 600, 700 quid. And it's fine if you've got the money. But. You know, maybe that's just too much. Or would you, for instance, if you're only going to work in a studio, will mains power do you? Now here at the studio, I've taken a view to move away from mains, but for no, not because I want to take the strobes out on location necessarily, but because we have children running around, we have dogs running around and having mains cables is not ideal. [00:20:10] My Profoto B1's We're brilliant for that could keep them out of the way the kids, the tripods are all weighted down. There's no cables. The only downside is if I use the modeling lights, batteries are going to go flat pretty quickly. So have a look at the batteries and what strategy you're going to have for keeping things charged up during a day of shooting. [00:20:29] And then the final one I think was do you need modeling lights? If you're like me a photographer that uses modeling lights as your guide, how are you going to do that with something like the AD200 and although the manufacturer Godox do claim that it has a modeling light on it, it's really small. [00:20:45] It's not going to do you an all flood a good it's. Okay. If you're in a really dark space. And you just need to see what you're doing. It does. Okay. But it's not great. In my opinion from that, but if you don't need it, then that's absolutely, brilliant. So it's instead of answering really for Steve. [00:21:03] I don't know what he was expecting: buy that one. that'll be fine. What could go wrong? [00:21:07] I've opposed yet more questions. But I think this is how you choose your kit. And this goes across all types of kit. These are the types of questions. You need to ask yourself. And for me, I think the really important ones, the fundamental one. Is what is your budget? [00:21:23] Because in the end, particularly if like me, you, when you're living from it, You have to show a return on that investment for every bit of kit you buy over its lifespan. What is your budget? [00:21:36] The next thing you have to ask yourself is going to, is it going to do the job? I need it to do. Because as always, there's a thousand ways of doing everything. And every manufacturer will tell you their way is the right way. [00:21:50] And every manufacturer is absolutely right. But what do you do? You got to pick one in the end. [00:21:56] And that's the final question. [00:22:00] Do you want to pick it up and do you want to use it? And that's the most important question of all when it comes to being creative. Because if you don't utterly love using the kit, it land. In a box and that is a proper waste of money. You have to buy the kit that you love and that makes you want to create images. That, that there's no getting around that because if you don't buy something that makes you smile and makes you want to pick up your camera and create a picture, then you'll never use it. [00:22:31] And that really is, a waste of money. [00:22:35] So on that happy note, this is a shorter episode. I'm hoping to go back to my weekly recordings, but we'll see how we go. So far so good. I hope the little interview snippet with Louis at the beginning, was interesting is only short, but I thought he had a really nice way about him and a really intriguing Viewpoint on the industry and it's always interesting to talk to these guys. [00:22:55] As a thank you for him being recorded. I'm giving warehouse express a free plug. There's no arrangement here at all. I buy stuff from them. Much as I buy it from other suppliers too, but I really, I really rate warehouse expresses customer service. I have had. I'm sure if you troll around, you'll find people with different stories. But the story I have is they've always been exceptional. They've always delivered on time. They've always been good value. They are one of those companies where their customer service is rock solid and their stock levels also a pretty high. So if you want it, you can get it and you're going to get it when they say it will arrive. [00:23:33] So you can't say much better than that. So on that happy note, thank you for listening. Thank you for getting into the end of this particular episode and as always, please do subscribe to the podcast, wherever it is that you get your podcasts. Please also leave us a review. Oh, I'm one of the main platforms. [00:23:50] We love it when we see ratings and reviews on iTunes, because of course it is the biggest platform for podcasts of them all but wherever it is that you listen to your podcasts, please do leave us a review. Of course, if you ever have any questions, just like Steve did, please drop me a line. [00:24:06] It's paul@paulwilkinsonphotography.co.uk. That's paul@paulwilkinsonphotography.co.uk. Um, I did mention the workshops we're running. We're ramping those up just at the moment, having a blast. It's so much fun. We've had the nicest models and more importantly, the nicest attendees on our workshops, they're very friendly. [00:24:28] They're very funny. We have a really, just a good time laughing and taking or laughing and creating beautiful images. If you fancy one of our workshops, please head over to Paul Wilkinson photography and look for the coaching section or just Google paul Wilkinson photography workshops and you will land on them. Without a shadow of a doubt and head over to masteringportraitphotography.com, the spiritual home of this podcast. Which has a ton of resources for portrait photographers, whether it's about the creativity. The artistry, the enjoyment or the business of this wonderful art. [00:25:02] And until next time when I should be presenting yet another snippet from the photography show. , thank you for listening and be kind to yourself. Take care.

Episode 427 of the Lens Shark Photography Podcast In This Episode If you subscribe to the Lens Shark Photography Podcast, please take a moment to rate and review us to help make it easier for others to discover the show. Sponsors: - Build Your Legacy with Fujifilm - Shop with the legends at RobertsCamera.com, and unload your gear with UsedPhotoPro.com - More mostly 20% OFF codes at LensShark.com/deals. Stories: Godox's new V1Pro. (#) Fujifilm's X-Summit and other announcements. (#) Yongnuo's 50mm f/1.8 for APS-C in Z-mount. (#) The new Xnano flash trigger by Godox. (#) ProGrade Digital's new CFexpress Type A Gold Series cards. (#) AstrHori's new 25mm f/2.8 2x-5x ultra macro. (#)   Connect With Us Thank you for listening to the Lens Shark Photography Podcast! Connect with me, Sharky James on Twitter, Instagram Vero, and Facebook (all @LensShark).

How do you build your own photography studio at home or in your backyard? Join me and Memphis portrait and real estate photographer BOB PIERCE as Bob talks me through his portrait studio built, the advantages of having your own home studio and the gear needed to create portraits in your backyard.******************************************************************SUPPORT THE PODCAST: www.buymeacoffee.com/camerashake******************************************************************JOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights:  www.camerashakepodcast.com******************************************************************Check out our sponsor: www.platypod.com******************************************************************THIS WEEK'S LINKS:INTERESTED IN THE LOFOTEN VIKING PHOTOGRAPHY WORKSHOP?https://www.idavewilliams.com/trainingTHIS WEEK'S LINKS:JOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights:  www.camerashakepodcast.comBob Pierce on the web:https://www.bobpiercephotography.comBob Pierce on Social Media:Instagram: https://www.instagram.com/bobpiercephotographyFacebook: https://www.facebook.com/bobpiercephotographypage======================================Camera Shake Photography Podcast on YouTubehttps://www.youtube.com/camerashakeFULL EPISODE 190 ‘Build your own Studio - with BOB PIERCE' IS ALSO AVAILABLE ON: YouTube: https://youtu.be/qUag2SUxEYAApple Podcasts - https://apple.co/2Y2LmfmSpotify - https://spoti.fi/304sm2G====================================== FOLLOW US ONInstagram: https://www.instagram.com/camerashakepodcast/Facebook: https://www.facebook.com/camerashakepodcastTwitter: https://twitter.com/ShakeCameraKersten's website:www.kerstenluts.comKersten on Instagram:https://www.instagram.com/kerstenluts/https://www.instagram.com/threeheadsinarow/

Lee Miller may have been best known in life as a beautiful muse of the legendary Surrealist Man Ray yet, shortly after her passing, a lucky accident led her family to an attic treasure trove, which made her a photography legend in her own right. During this week's podcast, we unpack the details of this extraordinary tale, and hear many other anecdotes from Miller's adventurous life, in a chat with her son and biographer, Antony Penrose. From her swift ascent as a '20s-era Vogue fashion model—and the ad campaign that sidelined her appeal—to her audacious exploits as an accredited war correspondent for the very same magazine, Penrose sheds light on a woman who lived many lives, as exemplified in the title of his first book. Miller's remarkable bravery as a World War II combat photographer was recently immortalized in the feature film “Lee,” starring Kate Winslet, which is another facet of our chat. Penrose describes what it was like to work with the actress as she plumbed Miller's archive for her character development, how she mastered the operation of a custom-made Rolleiflex, and how the camera became a personality in itself as part of the film. Penrose had a troubled relationship with his mother during much of her life, as she struggled with PTSD and the enduring effects wartime atrocities had on her psyche. His reflections on her struggles and her accomplishments reveal the very human core of a creative powerhouse who lived in the moment, in true Surrealist fashion. “This person who I had dismissed as being a useless drunk, now had other dimensions to her, which I was totally astonished by,” recounts Penrose about the treasures she left behind in the attic. “… it had never occurred to me that her career was so distinguished, and so varied, and so absolutely groundbreaking in terms of being a woman war correspondent. And so, that's how it began.”  So, pop in your earbuds and listen in… this is an episode you won't want to miss! Above photograph © 2023 Lee Miller Archives, England. All rights reserved. www.leemiller.co.uk Guests: Antony Penrose For more information on our guest and the gear he uses, see: https://www.bhphotovideo.com/explora/podcasts/photography/lee-miller-combat-photographer-fashion-model-muse-with-antony-penrose Stay Connected: Lee Miller Archives at Farleys House: https://www.leemiller.co.uk/ Lee Miller: Photographs book:  https://www.thamesandhudsonusa.com/books/lee-miller-photographs-hardcover The Lives of Lee Miller biography:  https://www.thamesandhudsonusa.com/books/the-lives-of-lee-miller-softcover The film “Lee” on IMDB: https://www.imdb.com/title/tt5112584/ “Surrealist Lee Miller”” exhibit in Melbourne, Australia: https://www.heide.com.au/exhibitions/surrealist-lee-miller/ “Lee Miller in Print” exhibit in Rotterdam: https://www.boijmans.nl/en/exhibitions/lee-miller-in-print “Seeing is Believing: Lee Miller & Friends” exhibit at Gagosian Gallery: https://gagosian.com/exhibitions/2023/seeing-is-believing-lee-miller-and-friends/

Episode 31- Ask ME ANYTHING! This podcast features Jason speaking with a group of photographers online at the conclusion of one of his livestream sessions where he opens the forum for them to ask him anything related to the world of photography. The answers are raw, true and there's a lot of fun thrown in there as well.Topics include:*How To NOT burn out*When to shoot for yourself vs. for a client*How to Handle Picky Clients*How to Control and Direct a Shoot*How to Choose the Right Gear for the Right Job*Global Shutters vs. High Speed Sync*LED's vs. StrobesAnd MORE!Thanks for listening and don't forget to subscribe and SHARE!

In Episode 30, join Jason to learn his tips and tricks for shooting with LED Lighting Outdoors During Daytime Hours for Optimal Results. This is a presentation that he livestreamed on Zoom and Youtube where he takes questions at the end of the presentation from the listening audience. Topics addressed in this episode include:Changes and Innonvations in LED TechnologyDifferences in using traditional strobe and LED for portraitsWHEN to use LED Lighting OutdoorsWHERE to use LED Lighting OutdoorsHOW TO Maximize ResultsLive Q&A SessionPlease make sure to share and leave a review and thanks for subscribing!

スノーさんのフォトスクランブル　406回　23.09.17 収録 □Godox社のスピードライトTT350cのファームウエアアップグレード大作戦 □カメラバッグ新調しました！ □スノーさんのフォトスクランブル専用SNS 無事ゴールド免許で更新出来たハンスケとここ数回はゴールド免許のスノーがお送りします、今回のテーマは「妥協した！」です？ □Godox社のスピードライトTT350cのファームウエアアップグレード大作戦まずはWindowPCを手に入れろ、話はそれからだ？ ・紆余曲折の末、無事アップグレード出来て動作確認もしたのですが、最近気がついたトホホなこととは？ □カメラバッグ新調しました！テンバ　Tenba DNA16Pro Messenger （妥協あり）その後？ ・タグに謳われた、NEVER COMPROMISE!　製品に妥協無しなんですが〜どうしても納得できない部分とは ・以前使っていたヴァンガード、アップライズより少し大きめで値段なりの質感なのですが、便利機能に思わぬ落としがあったり、あと少しという所も。 □番組内容についての写真はスノーさんのフォトスクランブル専用SNS　BANDで御覧ください ・BANDの登録はこちらから https://docs.google.com/forms/d/e/1FAIpQLSfOXOvNRDOlC1WbMLMAsv9kjYItbJBRWt9gmnHS5GhU1LEPkg/viewform p-scramble.jp

Episode 410 of the Lens Shark Photography Podcast In This Episode If you subscribe to the Lens Shark Photography Podcast, please take a moment to rate and review us to help make it easier for others to discover the show. Sponsors: - Build Your Legacy with Fujifilm - Shop with the legends at RobertsCamera.com, and unload your gear with UsedPhotoPro.com - Get $100 instant rebate off certain Benro  Aero S2 Pro trips at BenroUSA.com, RobertsCamera.com and elsewhere. - Check out the new PavoTurbe II XR with CRMX LumenRadio wireless DMX built-in at NanliteUS.com. - More mostly 20% OFF codes at LensShark.com/deals. Stories: Adobe experiences solid growth…and raises its prices. (#) Godox has a new stick flash head. (#) Canon patents an impressive super zoom. (#) Fujifilm unveils the GFX1100 II (#) Pergear updates it's 14mm f/2.8 in under a year. (#) ACDSee releases Photo Studio Ultimate 2024. (#) The first two tilt/shift lenses for the GFX system by Fujifilm. (#) Phillips unveils a surprisingly affordable monitor for creatives. (#)   Connect With Us Thank you for listening to the Lens Shark Photography Podcast! Connect with me, Sharky James on Twitter, Instagram Vero, and Facebook (all @LensShark).

In this week's episode I say 'Farewell' to an old friend and 'Hello' to the Godox AD400 Pro! Join me in this episode as I bid 'Farewell' to my trusty Interfit Honey Badger strobes and embark on an upgrade to the versatile Godox AD400 Pro series. Why does upgrading your gear matter and when is the right time to move on? Could this be a game-changer?******************************************************************SUPPORT THE PODCAST: www.buymeacoffee.com/camerashake******************************************************************JOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights:  www.camerashakepodcast.com******************************************************************Check out our sponsor: www.platypod.com******************************************************************THIS WEEK'S LINKS:INTERESTED IN THE LOFOTEN VIKING PHOTOGRAPHY WORKSHOP?https://www.idavewilliams.com/training******************************************************************CAMERA SHAKE PODCAST ON YOUTUBE:https://www.youtube.com/camerashakeFULL EPISODE 170 ‘Farewell, Old Friend: Upgrading Strobes with Godox AD400 Pro' IS ALSO AVAILABLE ON: YouTube - https://youtu.be/fQgMP7-a2CkApple Podcasts - https://apple.co/2Y2LmfmSpotify - https://spoti.fi/304sm2G******************************************************************FOLLOW US ONInstagram: https://www.instagram.com/camerashakepodcast/Facebook: https://www.facebook.com/camerashakepodcastTwitter: https://twitter.com/ShakeCameraKersten's website:www.kerstenluts.comKersten on Instagram:https://www.instagram.com/kerstenluts/https://www.instagram.com/threeheadsinarow/#photography #godox #godoxAD400

In this episode, we briefly cover some new DJI products, and then discuss some issues we had with the DJI wireless lav mics on a recent shoot. As a bonus, we complain about softboxes. Want to send us a question or comment, or just learn more about the show? Check out our website at https://cameragearpodcast.com, or email us directly at cameragearpodcast@gmail.com. Some links below to product sites are affiliate links and may result in a commission to the Camera Gear Podcast. Links: DJI Osmo Action 4 DJI Air 3 Fly More Combo DJI Mic Daniel's new softbox – Angler 48” Quick-Open Softbox Lucas' softbox – Godox 48” Softbox

Como ya sabréis, llevo unos meses trabajando con Profoto y también con Godox, es el momento que os diga mis impresiones sobre ambos sistemas. **COMPRA EN FOTOK desde este enlace y pon el cupón GABELLIFTK en tu carrito de la compra para llevarte un regalo. WEB FOTOK: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://fotok.es/?aff=y206⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ___________________ WEBS: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.rubengabelli.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://fotografodecomida.es⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YOUTUBE: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://cutt.ly/ft3QEHF ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ PATREON: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/RubenGabelli ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ INSTAGRAM: @rubengabelli

In this episode of the Beginner Photography Podcast, I chat with commercial, fashion, and personal branding photographer Dauss Miller. We delve into the creative use of light and motion in photography. Dauss shares his insights and experiences, offering valuable lessons for photographers of all levels. You'll discover the power of understanding artificial light, starting with reflectors and experimenting with different lighting sources outdoors. Dauss also emphasizes the importance of capturing the essence of a subject and their story, unlocking their true impact through photography. So, grab your camera and join us on this enlightening journey as we explore the art of photography and unleash our creativity. Get ready to learn, be inspired, and take your photography to new levels!The Big Idea with Timestamps:00:08:04 Photography challenges; instinctual understanding of light.00:11:11 Lost job due to identity theft; found purpose in photography and self-employment.00:24:40 Creatives create from within, without distractions.00:28:39 Understanding the creative process and technical capability.00:35:42 Understanding clients, their purpose, and creating visual impact.00:49:46 Finding balance: capturing self while being creative.00:51:59 Understanding artificial light: start with a reflector.00:00:30 Photography interview with Dos Miller, discussing creativity, light, and communication.00:08:04 Photography came naturally; instinctual understanding of light.00:11:11 Lost job due to identity theft; found purpose in photography and self-employment.00:18:24 Recently moved to Austin, discovered personal development.00:24:40 Creatives create from within, without distractions.00:28:39 Understanding the creative process and technical capability.00:35:42 Understanding clients, their purpose, and creating visual impact.00:39:14 Supportive coaching for high-level women in business00:49:46 Finding balance: capturing self while being creative.00:51:59 Understanding artificial light: start with a reflector.00:57:47 Dos said you need less input than you think; tailoring for clients can make you more creative; positive feedback is important. Links and Resources:Photographer Dauss Miller's WebsiteFollow Dauss on InstagramSign up for the All new Private Beginner Photography Podcast Community!https://beginnerphotopod.com/group Connect with the Beginner Photography Podcast! Email me at BeginnerPhotographyPodcast@gmail.com Send in your Photo Questions to get answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!

Slightly shorter episode as my surgery was moved up by a whole month. - Sharky   Episode 389 of the Lens Shark Photography Podcast   Featured: Maven Filters' Michael the Maven   In This Episode If you subscribe to the Lens Shark Photography Podcast, please take a moment to rate and review us to help make it easier for others to discover the show. Show Opener:Maven Filters' Michael the Maven. Thanks Michael! Sponsors: - Fujifilm's Create With Me program.  Build Your Legacy with Fujifilm - Unload your gear with UsedPhotoPro.com and get your new gear from the legends at RobertsCamera.com - Get 20% OFF with code SHARKY20 at KupoGrip.com- Get 20% OFF with no code needed at NanliteUS.com - More mostly 20% OFF codes at LensShark.com/deals. Stories: Sony's new ZV-E1. (#) Canon's EOS R3 can now remember faces. (#) Godox's new tube lights can be submerged. (#) Midjourney ends free trials and drops the ban hammer. (#) Canon's EOS R5 can shoot ginormous images now. (#) Insta360's Flow looks pretty smart. (#)   Connect With Us Thank you for listening to the Lens Shark Photography Podcast! Connect with me, Sharky James on Twitter, Instagram Vero, and Facebook (all @LensShark).

This is a re-upload of Ep. 384. There was apparently a glitch during the upload process and the original file (which is still in the feed) stops abruptly in the 27th minute despite being 50 or so minutes long. This is the episode to listen to. Ignore that other one.  :) - Sharky Episode 384 of the Lens Shark Photography Podcast   Featured: Bird photographer, Scott Keys   In This Episode If you subscribe to the Lens Shark Photography Podcast, please take a moment to rate and review us to help make it easier for others to discover the show. Show Opener:Bird photographer, Scott Keys. Thanks Scott! Sponsors: - Fujifilm's Create With Me program.  Build Your Legacy with Fujifilm - Get your gear from the legends since 1957, Roberts Camera at: RobertsCamera.com- Get 20% OFF with code SHARKY20 at KupoGrip.com - Get 20% OFF with code SHARKY20 at BenroUSA.com - More mostly 20% OFF codes at LensShark.com/deals. Stories: Why the Copyright Office reversed its decision. (#) Godox gets into the tube light game. (#) Cosina's new 50mm f/1. (#) Sirui's inflatable LED light may be cool. (#) Sony announces its 50mm f/1.4 GM. (#) Sigma basically says goodbye to Micro Four Thirds. (#) Photos gain traction again on Instagram. (#) Three new (but old) Sigma lenses for Nikon Z-mount. (#) Sony gets in on camera-to-cloud. (#)   Connect With Us Thank you for listening to the Lens Shark Photography Podcast! Connect with me, Sharky James on Twitter, Instagram Vero, and Facebook (all @LensShark).

Episode 384 of the Lens Shark Photography Podcast   Featured: Bird photographer, Scott Keys   In This Episode If you subscribe to the Lens Shark Photography Podcast, please take a moment to rate and review us to help make it easier for others to discover the show. Show Opener:Bird photographer, Scott Keys. Thanks Scott! Sponsors: - Fujifilm's Create With Me program.  Build Your Legacy with Fujifilm - Get your gear from the legends since 1957, Roberts Camera at: RobertsCamera.com- Get 20% OFF with code SHARKY20 at KupoGrip.com - Get 20% OFF with code SHARKY20 at BenroUSA.com - More mostly 20% OFF codes at LensShark.com/deals. Stories: Why the Copyright Office reversed its decision. (#) Godox gets into the tube light game. (#) Cosina's new 50mm f/1. (#) Sirui's inflatable LED light may be cool. (#) Sony announces its 50mm f/1.4 GM. (#) Sigma basically says goodbye to Micro Four Thirds. (#) Photos gain traction again on Instagram. (#) Three new (but old) Sigma lenses for Nikon Z-mount. (#) Sony gets in on camera-to-cloud. (#)   Connect With Us Thank you for listening to the Lens Shark Photography Podcast! Connect with me, Sharky James on Twitter, Instagram Vero, and Facebook (all @LensShark).

A raíz del video que he publicado en mi canal de YouTube, mostrando los nuevos modificadores de la serie Clic de Profoto, muchos de vosotros me habéis preguntado si ya no trabajo con Godox y ahora estoy con Profoto. Solucionamos estas inquietudes en este podcast

Looking for lights to use in your photography? Ant Pruitt shares a few lighting options for photographers looking to add external lighting to their photography kit. Host: Ant Pruitt Find Hands-On Photography on your favorite podcatcher. https://twit.tv/shows/hands-on-photography Follow Ant Pruitt on Instagram https://www.instagram.com/ant_pruitt/ Follow TWiT on Instagram https://www.instagram.com/twit.tv/ Join the TWiT forums https://www.twit.community/ Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsor: nureva.com/twit

Looking for lights to use in your photography? Ant Pruitt shares a few lighting options for photographers looking to add external lighting to their photography kit. Host: Ant Pruitt Find Hands-On Photography on your favorite podcatcher. https://twit.tv/shows/hands-on-photography Follow Ant Pruitt on Instagram https://www.instagram.com/ant_pruitt/ Follow TWiT on Instagram https://www.instagram.com/twit.tv/ Join the TWiT forums https://www.twit.community/ Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsor: nureva.com/twit

Looking for lights to use in your photography? Ant Pruitt shares a few lighting options for photographers looking to add external lighting to their photography kit. Host: Ant Pruitt Find Hands-On Photography on your favorite podcatcher. https://twit.tv/shows/hands-on-photography Follow Ant Pruitt on Instagram https://www.instagram.com/ant_pruitt/ Follow TWiT on Instagram https://www.instagram.com/twit.tv/ Join the TWiT forums https://www.twit.community/ Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsor: nureva.com/twit

Looking for lights to use in your photography? Ant Pruitt shares a few lighting options for photographers looking to add external lighting to their photography kit. Host: Ant Pruitt Find Hands-On Photography on your favorite podcatcher. https://twit.tv/shows/hands-on-photography Follow Ant Pruitt on Instagram https://www.instagram.com/ant_pruitt/ Follow TWiT on Instagram https://www.instagram.com/twit.tv/ Join the TWiT forums https://www.twit.community/ Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsor: nureva.com/twit

Looking for lights to use in your photography? Ant Pruitt shares a few lighting options for photographers looking to add external lighting to their photography kit. Host: Ant Pruitt Find Hands-On Photography on your favorite podcatcher. https://twit.tv/shows/hands-on-photography Follow Ant Pruitt on Instagram https://www.instagram.com/ant_pruitt/ Follow TWiT on Instagram https://www.instagram.com/twit.tv/ Join the TWiT forums https://www.twit.community/ Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsor: nureva.com/twit

Looking for lights to use in your photography? Ant Pruitt shares a few lighting options for photographers looking to add external lighting to their photography kit. Host: Ant Pruitt Find Hands-On Photography on your favorite podcatcher. https://twit.tv/shows/hands-on-photography Follow Ant Pruitt on Instagram https://www.instagram.com/ant_pruitt/ Follow TWiT on Instagram https://www.instagram.com/twit.tv/ Join the TWiT forums https://www.twit.community/ Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsor: nureva.com/twit

Episode 369 of the PetaPixel Photography Podcast. Download MP3 -  Subscribe via iTunes, Google Play, email or RSS! Featured: Photographer, Austen Hunter   In This Episode If you subscribe to the PetaPixel Photography Podcast in iTunes, please take a moment to rate and review us and help us move up in the rankings so others interested in photography may find us. Show Opener:Photographer, Austen Hunter. Thanks Austen! Sponsors: - Fujifilm's Create With Me program.  Build Your Legacy with Fujifilm - Get 20% off at KupoGrip.com with offer code PetaPixel20- Get 20% off at BenroUSA.com with offer code PetaPixel20- Get 20% off at Tenba.com with offer code PetaPixel20 - More at LensShark.com/deals. Stories: Nikon kills two more DSLRs. (#) Tamron shows Fuji more love. (#) Nik Collection 5 is released. (#) ProGrade Digital's new card. (#) Nikon's new 400. (#) Godox has a new ring flash. (#) Capture One 22 gets updated. (#) Meike has a new fast 50. (#) A major firmware update for Sony's Alpha 1. (#) Profoto's new A2. (#) Connect With Us Thank you for listening to the PetaPixel Photography Podcast! Connect with me, Sharky James on Twitter, Instagram and Facebook (all @LensShark) as we build this community. We'd love to answer your question on the show. Leave us an audio question through our voicemail widget, comment below or via social media. But audio questions are awesome! You can also cut a show opener for us to play on the show! As an example: “Hi, this is Matt Smith with Double Heart Photography in Chicago, Illinois, and you're listening to the PetaPixel Photography Podcast with Sharky James!”

Today, our hostess and Mastercraftsman Photographer Luci Dumas sits down with Michael Mowbray, master photographer, author, teacher, IPC juror and entrepreneur. He is deeply involved in all aspects of the photography industry.His DeForest, Wisconsin-based studio focuses on seniors, headshots, family, and commercial photography, while his MoLight brand of lighting equipment has quickly become a leading reseller of Godox flashes and MoLight's own unique lighting products.Michael is the author of the popular photography books Shoot to Thrill and The Speedlight Studio (Amherst Media).Listen in as Michael discusses how he was able to thrive as a photographer and business owner amid the most uncertain of times, beginning with the establishment of his company on 9/11.The photography biz ace also talks about the entrepreneurial spirit that has driven him from an early age, the importance of being capitalized, and how one can even tell whether or not owning a business is for them.Finally, Michael speaks on the advantages of off-camera flash in improving the quality of natural light photography.Key Topics:Navigating turbulent economic times as a photography business owner (7:56)Delegating tasks and knowing when to hire (13:33)Michael's thoughts on entrepreneurship (19:31)Knowing whether or not entrepreneurship is for you (26:22)Establishing your content pillars (29:41)Why it's important to be capitalized as an entrepreneur (35:09)Justifying higher prices (40:17)The advantages of off-camera flash (42:55)How to ensure your photos don't look “fake” when using off-camera flash (48:43)How to use a light meter with off-camera flash (52:25)How to get in touch with Michael (1:01:37)Resources:Get in touch with Michael Mowbray at:mmowbray.mm@gmail.comStudio: 608-846-5319MoLight: 833-466-5444www.beautifulportraits.comwww.gomolight.comMonday Morning Cup of Mo PodcastPhoto Happy Hour PodcastFacebook: MondayMorningCupofMoInstagram: michaelmowbrayInstagram: mmcupofmoInstagram: molight_storeLinkedIn: https://www.linkedin.com/company/sms-media-group-inc/Shoot to Thrill BookThe Speedlight Studio BookPhotography Business Coach Luci Dumas' Programs:lucidumascoaching.comhttps://www.instagram.com/theprofitablephotographer_pod/https://www.facebook.com/LuciDumasCoaching

¿Quieres saber cómo elegir el flash de mano perfecto? Vale, es una pregunta trampa. El flash de mano perfecto no existe porque depende de quien lo vaya a utilizar, que tipo de fotografía haga, que presupuesto tenga, la intensidad de uso... Pero por eso mismo hemos hecho este episodio del podcast para enseñarte a que u sepas elegir el flash de mano perfecto para ti. Y ya que hablamos de flashes de mano, te recuerdo que ya tienes disponible en la academia el curso de iluminación con flash de mano, junto con otros 32 cursos de técnica fotográfica y marketing por tan solo 10€ al mes. Marcas de flashes de mano Existen multitud de marcas que fabrican flashes de mano. Marcas de flashes específicos como Profoto, otras marcas que se dedican a la iluminación como Godox, marcas que fabrican todo tipo de herramientas fotográficas como Neweer e incluso las marcas de cámaras también fabrican sus propios flashes de mano. Esto al final determina el precio, la calidad de construcción y de materiales y una serie de características que quizás deberías tener en menor consideración. Es más, esto debería ser la última parte de tu elección, ya que principalmente esto depende de tu presupuesto. ¿Qué especificaciones debe tener tu flash de mano? En este episodio te damos una serie de puntos en los que debes fijarte para saber como elegir el flash de mano perfecto para ti. Estos puntos son clave dependiendo de tipo de fotografías que hagas, por eso solo tú puedes saber que necesitas, y para que no se te olvide ningún apartado aquí tienes el checklist y en el podcast lo desarrollamos: El número guía (la potencia)Si dispara en modo TTL o ManualSi va a pilas o con batería La tasa de refresco del flashDisparo en alta velocidadQue zoom tiene Después de escuchar el podcast y entender por qué son tan importantes estos puntos es cuando debes fijarte en otros puntos como el precio, la durabilidad, la estabilidad de la luz del flash y, por tanto, de la marca. Gracias por suscribirte a los cursos, por tus valoraciones en Apple Podcasts, comentarios y me gusta en Ivoox, por escucharnos y seguirnos en Spotify. Un saludo y hasta el próximo lunes a las 07:00.

Muchos de vosotros ya sabéis lo que opino de Profoto. Para mí es la mejor marca que hay en cuanto a luz de destello, no hay discusión alguna en que es un producto Top, Premium y muy profesional. Y alguno de vosotros se puede estar preguntando.... "Rubén, si es tan buena, porqué no trabajas con ella?" Pues siempre lo he dicho, actualmente tengo un equipo completísimo de Godox con el que trabajo a diario y cambiar a Profoto me ocasionaría un desembolso muuuuuy importante. Desembolso que tardaría muchísimo en amortizar, ya que el hecho de tener Profoto no implica que pueda cobrar más a mis clientes, lo que implica es que ganaría en tiempo de edición, fiabilidad, seguridad, etc... Pero esto sigue sin convencerme para realizar un desembolso de tanto dinero. Lo que nunca he negado y siempre he dicho también, es que si algún día los señores de Profoto llaman a mi puerta y me ofrecen algo interesante... ufff, será difícil resistirse a la tentación. ¿Habrá llegado ya el momento en que Profoto llama a mi puerta para tentarme? Veremos como acaba esto.... De momento lo que sí que sé, es que en este Podcast tenemos a Nico de Profoto, dispuesto a darnos respuesta a todas las dudas y preguntas que le planteo. WEB: https://www.rubengabelli.com YOUTUBE: https://cutt.ly/ft3QEHF PATREON: https://www.patreon.com/RubenGabelli INSTAGRAM: @rubengabelli CONTACTO: info@rubengabelli.com

My thoughts on the Godox AD100 / Flashpoint XPLOR100 - a tiny, super portable strobe unit. But what market is this light for? Support the Nerdy Photographer Podcast If you would like to support the Nerdy Photographer Podcast, that's great. You can find multiple ways to help on our support page, or go visit our merchandise page! Get More Nerdy Photographer Action! Get social on Instagram, Facebook, Twitter, or YouTube! Join the Nerdy Photographer Reddit Group Join the Nerdy Photographer Facebook Group The Nerdy Photographer podcast is a photography podcast discussing life, business, and pop culture with a little bit of useless information in each episode. This podcast is edited and produced by Casey Fatchett.

We discuss a touchy topic this week, also...Profoto is mad at Godox, and which camera would you recommend to a new photographer? The Moe and O show is a (mostly) photography podcast which features Moe Morales and Omar Gonzalez, two childhood buddies. They discuss photography, tech, movies, food, and nonsense in no particular order. Join them. And feel your brain cells melt away. Find our podcasts on the Anchor App: https://anchor.fm/themoeandoshow Itunes:https://itunes.apple.com/us/podcast/t... Our Instagram! https://www.instagram.com/themoeandos... Follow Omar Instagram: https://www.instagram.com/ogonzilla Follow Moe Instagram: https://www.instagram.com/moemorales_photography

The Godox V1 and the Profoto A1 are set to go head to head - not just in the photography world, but possibly in the legal world. Is Profoto trying to capture a new market of photographers? The Nerdy Photographer Podcast is a photography podcast discussing life, business, and pop culture with a little bit of useless information in each episode. You can find more Nerdy Photographer on Instagram, Facebook, and Twitter!