Podcast appearances and mentions of Prince regent

In this week's episode I am speaking with Adam Crymble and Rachel Rich about a really exciting piece of research looking at the complexities of feeding the households of King George III and his eldest son George who was Prince Regent whilst George III suffered from his “madness”, and eventually succeeded him as George IV. The focus of the research is the ledgers that still exist, listing the ingredients ordered, foods that were prepared and the people who ate them. Over 40,000 dishes were counted.They have analysed the ledgers from two royal palaces – George III's Kew Palace and the Prince Regent's Carlton House – with two other food historians Sarah Fox and Lisa Smith, and assimilated them to produce a book called The King's Dinner: Family, nation, and identity on the British table, 1760-1820, which was published by UCL Press on 11 June 2026. The book is available from wherever you buy your books, but it is also available open access as a free PDF. So is the data they used in their analysis.We talk about the differing characters of the two Georges and how these were expressed in the foods they ate, Georgian food identity, the concept of oeconomy, the exotic food cultures NOT appearing on royal dinner tables, French cuisine and famous French chef Careme's tenure in the Prince Regent's kitchens, as well as their fruit and veg suppliers, one of whom was called Savage Bear, amongst many other thingsThose listening to the secret podcast get some bonus material where we discuss the upper servant's fancy foods, the huge amounts of meat consumed, and the politics of wine.The King's Dinner: Family, nation, and identity on the British table, 1760-1820(open access)3000 dishes on a Georgian tableAdam's bio on the UCL websiteFollow Adam on social media: @adamcrymble.bsky.social (Bluesky); @dradamcrymble (Insta)Rachel's bio on Leeds Beckett University websiteFollow Rachel Rich on social media: @drrachelrich (Insta)Season 10 of the podcast is sponsored by Netherton Foundry, makers of high-quality kitchen and outdoor cookware. Netherton Foundry ships to several countries outside of the UK, including the USA and Canada. Visit www.netherton-foundry.co.uk to find out more about their wonderful products – approved not just by me but by folk such as Tom Parker-Bowles, Diana Henry and Nigella Lawson.The mixing and sound engineering were done by Thomas Ntinas of The Delicious Legacy podcastIf you can, support the podcast and blogs by becoming a £3 monthly subscriber, and unlock lots of premium content, including bonus blog posts and recipes, access to the easter eggs and the secret podcast, or treat me to a one-off virtual pint or coffee: click here. Things mentioned in today's episodeRachel's articles on The Recipes ProjectHugh Laurie playing the Prince Regent on Blackadder the Third Previous pertinent podcast episodesEating Out in Georgian London with Peter Ross18th Century Tavern Cookery with Marc Meltonville18th Century Dining with Ivan DayThe Philosophy of Curry with Sejal Sukhadwala Neil's blogs and YouTube channel:‘British Food: a History'The British Food History Channel‘Neil Cooks Grigson' Neil's books:Before Mrs Beeton: Elizabeth Raffald, England's Most Influential HousekeeperA Dark History of SugarKnead to Know: a History of BakingThe Philosophy of PuddingsDon't forget, there will be postbag episodes in the future, so if you have any questions or queries about today's episode, or indeed any episode, or have a question about the history of British food please email me at neil@britishfoodhistory.com, or on twitter and BlueSky @neilbuttery, or Instagram and Threads dr_neil_buttery. My DMs are open.You can also join the British Food: a History Facebook discussion page: https://www.facebook.com/groups/britishfoodhistoryThis podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

The Story of Fabulous French Chefs Part Four brings together five extraordinary figures in French gastronomy — François Vatel, Marie Antoine Carême, Alexis Benoit Soyer, Urbain Dubois and Raymond Oliver. Five centuries of French culinary history, from a seventeenth century maître d'hôtel whose story became one of the most dramatic in the history of French food, to the pioneering television chef who brought French gastronomy into living rooms across France in the 1950s.We begin with François Vatel — responsible for feeding two thousand guests over three days at one of the most elaborate banquets in French history, whose story ends in tragedy. From there we move to Marie Antoine Carême — born into poverty, abandoned at ten, who went on to cook for Napoleon, Tsar Alexander I and the Prince Regent of England, invented the chef's toque and codified French cuisine into a system professional kitchens still use today. The king of chefs and the chef of kings.The second half covers Alexis Benoit Soyer — the Frenchman who redesigned the Reform Club kitchen, fed thousands during the Irish Famine and followed Florence Nightingale to the Crimean War. Urbain Dubois — who developed the style of service most of the world still uses today. And Raymond Oliver — the chef who brought French gastronomy to television before anyone knew what a television chef was supposed to look like.Part Four is the most varied and most surprising instalment of the series yet. Go back and find Parts One, Two and Three for more — and search Fabulously Delicious on Spotify and Apple Podcasts for the full catalogue.Send us Fan MailSupport the showMy book Paris: A Fabulous Food Guide to the World's Most Delicious City is your ultimate companion. This is a new 2026 update for the book and you'll find hand-picked recommendations for the best boulangeries, patisseries, wine bars, cafés, and restaurants that truly capture the flavor of Paris. You can order it online at andrewpriorfabulously.com For those who want to take things further, why not come cook with me here in Montmorillon, in the heart of France's Vienne region? Combine hands-on French cooking classes with exploring charming markets, tasting regional specialties, and soaking up the slow, beautiful pace of French countryside life. Find all the details at andrewpriorfabulously.comYou can help keep the show thriving by becoming a paid subscriber on substack where you'll also get fabulous extra content. Every contribution makes a huge difference. Join here at Substack , Merci beaucoup!Newsletter Youtube Instagram Facebook ...

In episode 151 of the London History Podcast, host Hazel Baker is joined by Caroline Jane Knight, who is Jane Austen's fifth great-niece. Caroline discusses her unique perspective growing up at Chawton House, the family estate, and her deep connection to Austen's legacy. She shares anecdotes about Jane Austen's life, her literary works, and her connection to London. Caroline also talks about her efforts to preserve Austen's heritage through her memoir 'Jane and Me,' her role in the Jane Austen Literacy Foundation, and her upcoming project to create a family archive. The conversation covers Austen's experiences in London, including her theatre visits and her correspondence with the Prince Regent, as well as her modern cultural significance.

George IV's impressive Library included all the novels of Jane Austen, for whom he had a particular fondness. But what was not known (until a receipt was discovered in the Royal Archives in 2018) was that the Prince Regent had almost certainly been Austen's very first customer - buying a copy of ‘Sense and Sensibility' for 15 shillings on 28th October, 1811. His admiration for the anonymous 35 year-old author's work lead to an awkward moment later in her career, when she felt obligated to dedicate ‘Emma' to His Royal Highness - a task she clearly wished to avoid. In this episode, Arion, Olly and Rebecca explain why Austen detested her royal patron; reveal the dry first draft of her dedication to him; and consider how the famously promiscuous, indulgent monarch could have so badly misread Austen's manifesto for moderation… Further Reading • ‘One of Jane Austen's earliest buyers revealed as Prince Regent – who she 'hated'' (The Guardian, 2018): https://www.theguardian.com/books/2018/jul/25/jane-austen-buyer-hated-prince-regent-sense-and-sensibility • ‘Jane Austen's First Buyer? Probably a Prince She Hated' (The New York Times, 2018): https://www.nytimes.com/2018/07/24/books/jane-austen-prince-regent.html • ‘JANE AUSTEN, PRINCE REGENT & SANDITON' - excerpt from “Elegance and Decadence: The Age of the Regency” (BBC, 2011): https://www.youtube.com/watch?v=FzrlpIjwKv0 This episode first aired in 2021 Love the show? Support us!  Join 

Welcome to our Royal Romance season.On this episode, we'll be talking about Georgian Couples that didn't have a happy ending. Please welcome Catherine Curzon back as we learn more about the Georgian couples whose Happily Ever After seemed to have an expiration date.We'll talking about George III of Great Britain & Queen Charlotte of Mecklenburg-Strelitz andPrincess Charlotte of Wales and Prince Leopold of Saxe Coburg Saalfeld.Our Favourite Books by Catherine: The Crown: https://www.pen-and-sword.co.uk/The-Royal-Family-vs-The-Crown-Hardback/p/51893/aid/1238Georgian Queens: https://www.pen-and-sword.co.uk/Queens-of-Georgian-Britain-Hardback/p/14066/aid/1238Georgian Kings: https://www.pen-and-sword.co.uk/Kings-of-Georgian-Britain-Hardback/p/12904/aid/1238Wives of Prince Regent: https://www.pen-and-sword.co.uk/The-Wives-of-George-IV-Hardback/p/20127/aid/1238Life in the Georgian Court: https://www.pen-and-sword.co.uk/Life-in-the-Georgian-Court-Hardback/p/12109/aid/1238The Real Bridgerton: https://www.pen-and-sword.co.uk/The-Real-Bridgerton-Hardback/p/23199/aid/1238Our fangirling over Catherine's first book:https://www.ifitaintbaroquepodcast.art/post/life-in-the-georgian-court-the-long-18th-centuryFind Baroque:https://www.ifitaintbaroquepodcast.art/https://www.reignoflondon.com/https://substack.com/@ifitaintbaroquepodcastSupport Baroque:https://www.patreon.com/c/Ifitaintbaroquepodcast/https://buymeacoffee.com/ifitaintbaroqueJoin Natalie on her Georgian London walking tour:https://www.getyourguide.com/london-l57/royal-london-georgian-and-windsor-monarchs-walking-tour-t481355 Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Though Robert Stewart, Viscount Castlereagh remains well known today for his role in shaping the post-Napoleonic peace settlement in Europe, his half-brother Sir Charles Stewart has received far less attention despite his own prominent part in the politics and diplomacy of those years. In War and Diplomacy in the Napoleonic Era: Sir Charles Stewart, Castlereagh and the Balance of Power in Europe (Bloomsbury Academic, 2019), Reider Payne describes the adventurous life of the third Marquess of Londonderry and the roles he played in the events of his time. As a young man Charles Stewart initially pursued a career in the military rather than one in politics, and served in the cavalry during Great Britain's war against revolutionary France in the 1790s. After a brief period in the War Office he resumed his military career and served with the Duke of Wellington in the Peninsular War. His record as an officer and his relationship with his half-brother led to his appointment as an ambassador – first to Prussia, then to Austria – in which roles he represented Britain at the courts of her most prominent allies during the final stages of the Napoleonic Wars. Though Charles was often better known for his social escapades, he served ably as Britain's ambassador to Austria until his brother's suicide in 1822, during which time he was active in both post-Napoleonic diplomacy and the efforts to collect incriminating evidence against Princess Caroline of Brunswick in aid of the Prince Regent's effort to divorce her. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Though Robert Stewart, Viscount Castlereagh remains well known today for his role in shaping the post-Napoleonic peace settlement in Europe, his half-brother Sir Charles Stewart has received far less attention despite his own prominent part in the politics and diplomacy of those years. In War and Diplomacy in the Napoleonic Era: Sir Charles Stewart, Castlereagh and the Balance of Power in Europe (Bloomsbury Academic, 2019), Reider Payne describes the adventurous life of the third Marquess of Londonderry and the roles he played in the events of his time. As a young man Charles Stewart initially pursued a career in the military rather than one in politics, and served in the cavalry during Great Britain's war against revolutionary France in the 1790s. After a brief period in the War Office he resumed his military career and served with the Duke of Wellington in the Peninsular War. His record as an officer and his relationship with his half-brother led to his appointment as an ambassador – first to Prussia, then to Austria – in which roles he represented Britain at the courts of her most prominent allies during the final stages of the Napoleonic Wars. Though Charles was often better known for his social escapades, he served ably as Britain's ambassador to Austria until his brother's suicide in 1822, during which time he was active in both post-Napoleonic diplomacy and the efforts to collect incriminating evidence against Princess Caroline of Brunswick in aid of the Prince Regent's effort to divorce her. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Though Robert Stewart, Viscount Castlereagh remains well known today for his role in shaping the post-Napoleonic peace settlement in Europe, his half-brother Sir Charles Stewart has received far less attention despite his own prominent part in the politics and diplomacy of those years. In War and Diplomacy in the Napoleonic Era: Sir Charles Stewart, Castlereagh and the Balance of Power in Europe (Bloomsbury Academic, 2019), Reider Payne describes the adventurous life of the third Marquess of Londonderry and the roles he played in the events of his time. As a young man Charles Stewart initially pursued a career in the military rather than one in politics, and served in the cavalry during Great Britain's war against revolutionary France in the 1790s. After a brief period in the War Office he resumed his military career and served with the Duke of Wellington in the Peninsular War. His record as an officer and his relationship with his half-brother led to his appointment as an ambassador – first to Prussia, then to Austria – in which roles he represented Britain at the courts of her most prominent allies during the final stages of the Napoleonic Wars. Though Charles was often better known for his social escapades, he served ably as Britain's ambassador to Austria until his brother's suicide in 1822, during which time he was active in both post-Napoleonic diplomacy and the efforts to collect incriminating evidence against Princess Caroline of Brunswick in aid of the Prince Regent's effort to divorce her. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Though Robert Stewart, Viscount Castlereagh remains well known today for his role in shaping the post-Napoleonic peace settlement in Europe, his half-brother Sir Charles Stewart has received far less attention despite his own prominent part in the politics and diplomacy of those years. In War and Diplomacy in the Napoleonic Era: Sir Charles Stewart, Castlereagh and the Balance of Power in Europe (Bloomsbury Academic, 2019), Reider Payne describes the adventurous life of the third Marquess of Londonderry and the roles he played in the events of his time. As a young man Charles Stewart initially pursued a career in the military rather than one in politics, and served in the cavalry during Great Britain's war against revolutionary France in the 1790s. After a brief period in the War Office he resumed his military career and served with the Duke of Wellington in the Peninsular War. His record as an officer and his relationship with his half-brother led to his appointment as an ambassador – first to Prussia, then to Austria – in which roles he represented Britain at the courts of her most prominent allies during the final stages of the Napoleonic Wars. Though Charles was often better known for his social escapades, he served ably as Britain's ambassador to Austria until his brother's suicide in 1822, during which time he was active in both post-Napoleonic diplomacy and the efforts to collect incriminating evidence against Princess Caroline of Brunswick in aid of the Prince Regent's effort to divorce her. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Though Robert Stewart, Viscount Castlereagh remains well known today for his role in shaping the post-Napoleonic peace settlement in Europe, his half-brother Sir Charles Stewart has received far less attention despite his own prominent part in the politics and diplomacy of those years. In War and Diplomacy in the Napoleonic Era: Sir Charles Stewart, Castlereagh and the Balance of Power in Europe (Bloomsbury Academic, 2019), Reider Payne describes the adventurous life of the third Marquess of Londonderry and the roles he played in the events of his time. As a young man Charles Stewart initially pursued a career in the military rather than one in politics, and served in the cavalry during Great Britain's war against revolutionary France in the 1790s. After a brief period in the War Office he resumed his military career and served with the Duke of Wellington in the Peninsular War. His record as an officer and his relationship with his half-brother led to his appointment as an ambassador – first to Prussia, then to Austria – in which roles he represented Britain at the courts of her most prominent allies during the final stages of the Napoleonic Wars. Though Charles was often better known for his social escapades, he served ably as Britain's ambassador to Austria until his brother's suicide in 1822, during which time he was active in both post-Napoleonic diplomacy and the efforts to collect incriminating evidence against Princess Caroline of Brunswick in aid of the Prince Regent's effort to divorce her. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Though Robert Stewart, Viscount Castlereagh remains well known today for his role in shaping the post-Napoleonic peace settlement in Europe, his half-brother Sir Charles Stewart has received far less attention despite his own prominent part in the politics and diplomacy of those years. In War and Diplomacy in the Napoleonic Era: Sir Charles Stewart, Castlereagh and the Balance of Power in Europe (Bloomsbury Academic, 2019), Reider Payne describes the adventurous life of the third Marquess of Londonderry and the roles he played in the events of his time. As a young man Charles Stewart initially pursued a career in the military rather than one in politics, and served in the cavalry during Great Britain's war against revolutionary France in the 1790s. After a brief period in the War Office he resumed his military career and served with the Duke of Wellington in the Peninsular War. His record as an officer and his relationship with his half-brother led to his appointment as an ambassador – first to Prussia, then to Austria – in which roles he represented Britain at the courts of her most prominent allies during the final stages of the Napoleonic Wars. Though Charles was often better known for his social escapades, he served ably as Britain's ambassador to Austria until his brother's suicide in 1822, during which time he was active in both post-Napoleonic diplomacy and the efforts to collect incriminating evidence against Princess Caroline of Brunswick in aid of the Prince Regent's effort to divorce her. Learn more about your ad choices. Visit megaphone.fm/adchoices

Though Robert Stewart, Viscount Castlereagh remains well known today for his role in shaping the post-Napoleonic peace settlement in Europe, his half-brother Sir Charles Stewart has received far less attention despite his own prominent part in the politics and diplomacy of those years. In War and Diplomacy in the Napoleonic Era: Sir Charles Stewart, Castlereagh and the Balance of Power in Europe (Bloomsbury Academic, 2019), Reider Payne describes the adventurous life of the third Marquess of Londonderry and the roles he played in the events of his time. As a young man Charles Stewart initially pursued a career in the military rather than one in politics, and served in the cavalry during Great Britain's war against revolutionary France in the 1790s. After a brief period in the War Office he resumed his military career and served with the Duke of Wellington in the Peninsular War. His record as an officer and his relationship with his half-brother led to his appointment as an ambassador – first to Prussia, then to Austria – in which roles he represented Britain at the courts of her most prominent allies during the final stages of the Napoleonic Wars. Though Charles was often better known for his social escapades, he served ably as Britain's ambassador to Austria until his brother's suicide in 1822, during which time he was active in both post-Napoleonic diplomacy and the efforts to collect incriminating evidence against Princess Caroline of Brunswick in aid of the Prince Regent's effort to divorce her. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Brighton – the regency city by the sea, which grew from a sleepy fishing town into a centre of Georgian leisure, initially as a spa town, but later as a centre for entertainment favoured by the Prince Regent himself.  As train loads of tourists replaced royalty, Brighton grew into one of England's largest Victorian seaside resorts. In part 2 we discuss Arts & Culture and Urban LandscapeFollowing from part 1, where we learned how Brighton became a top seaside resort, we talk about its cultural influence: a place of music, film, LGBT culture and food.  We then discuss the architecture of Brighton including the Royal Pavilion and piers and the regency estates.Visit yeoldeguide.com to find out more about the podcast and hear other episodesSend us a text

Join us as we explore the love stories of the past.Swiped Left: Strange Royal Bedfellows... On this episode, we'll be talking about the many royal couples that didn't take to each other and thus the union weren't ultimately successful.Sharon Bennett Connolly kicks us off with the story of Philip II of France and Ingeborg of Denmark, and we'll continue with Henry III of Navarre/  IV of France & Marguerite de Valois (Mark Turnbull)George I of Great Britain & Sophia Dorothea of Celle (Catherine Curzon)Christian VII of Denmark & Norway & Caroline Matilda of Great BritainGeorge IV of Great Britain & Caroline of BrunswickFind Sharon here:@sharonbennettconnolly on Instagramhttps://historytheinterestingbits.com/silk-and-the-sword-the-women-of-the-norman-conquest/Sharon's Books:https://www.amberley-books.com/silk-and-the-sword.htmlhttps://www.amberley-books.com/discover-books/women-of-the-anarchy.htmlhttps://www.amberley-books.com/heroines-of-the-tudor-world.htmlhttps://www.amberley-books.com/heroines-of-the-medieval-world-9781445689449.htmlhttps://www.pen-and-sword.co.uk/Sharon-Bennett-Connolly/a/3883Sharon's New BookScotland's Medieval Queens:https://www.pen-and-sword.co.uk/Scotlands-Medieval-Queens-Hardback/p/51759/aid/1238Get Mark's Book:https://www.pen-and-sword.co.uk/Charles-Is-Private-Life-Hardback/p/23661/aid/1238https://www.pen-and-sword.co.uk/Prince-Rupert-of-the-Rhine-Hardback/p/52608/aid/1238Find Mark:https://www.allegianceofblood.com/https://www.instagram.com/1642author/www.1642author.comhttps://podcasts.apple.com/gb/podcast/cavaliercast-the-civil-war-in-words/id1521758820Our Favourite Books by Catherine: The Crown: https://www.pen-and-sword.co.uk/The-Royal-Family-vs-The-Crown-Hardback/p/51893/aid/1238Georgian Queens: https://www.pen-and-sword.co.uk/Queens-of-Georgian-Britain-Hardback/p/14066/aid/1238Georgian Kings: https://www.pen-and-sword.co.uk/Kings-of-Georgian-Britain-Hardback/p/12904/aid/1238Wives of Prince Regent: https://www.pen-and-sword.co.uk/The-Wives-of-George-IV-Hardback/p/20127/aid/1238Life in the Georgian Court: https://www.pen-and-sword.co.uk/Life-in-the-Georgian-Court-Hardback/p/12109/aid/1238Join Natalie on her London walking tours:Monarchy Anglo-Saxons to Stuarts: https://www.getyourguide.com/london-l57/london-the-royal-british-kings-and-queens-walking-tour-t426011/Monarchy Stuarts to Windsors: https://www.getyourguide.com/london-l57/royal-london-georgian-and-windsor-monarchs-walking-tour-t481355Naughty London: https://www.getyourguide.com/london-l57/london-unsavory-history-guided-walking-tour-t428452/and a new one on British Monarchy:https://www.getyourguide.com/london-l57/british-monarchy-walking-tour-saxons-to-windsors-t481358/https://www.ifitaintbaroquepodcast.art/ Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Brighton – the regency city by the sea, which grew from a sleepy fishing town into a centre of Georgian leisure, initially as a spa town, but later as a centre for entertainment favoured by the Prince Regent himself.  As train loads of tourists replaced royalty, Brighton grew into one of England's largest Victorian seaside resorts. In part 1 we discuss Politics and War, and Science and Industry. In this episode we explore the royal connections, and the sometimes dubious medicinal industry that attracted visitors in the 18th century.  Perhaps less well known, is Brighton's connection with an earlier King and one of the greatest escapes of all time.   The second episode will cover Culture and the Urban Landscape of Brighton, and will be released in two weeks.Visit yeoldeguide.com to find out more about the podcast and hear other episodesSend us a text

Please welcome James Tejani on the show.We're talking about his book A Machine to Move Ocean and Earth:The Making of the Port of Los Angeles and America.Published last year with WW Norton and Company.Let's find out more about the San Pedro Bay and how it transformed into one of the most imPORTant locations in the world. Pun intended.What was the significance of this spot, why was it chosen, how did it develop? Which of America's famous sons were behind it? By the end of the episode we'll also find out if Edward Ord, a pivotal character in this book, was a grandson of Prince Regent, i.e. George IV. But we're getting ahead of ourselves…Welcome, James! Find James:https://jamestejani.com/Get James' Book:https://wwnorton.com/books/9781324093558https://www.barnesandnoble.com/w/a-machine-to-move-ocean-and-earth-james-tejani/1144065520https://bookshop.org/p/books/a-machine-to-move-ocean-and-earth-the-making-of-the-port-of-los-angeles-and-america-james-tejani/20615589?ean=9781324093565&digital=thttps://books.apple.com/us/book/a-machine-to-move-ocean-and-earth-the-making/id6467292818 (USA)http://bit.ly/41NSVaE (UK)Get Catherine's Books on the Georgians:Georgian Kings: https://www.pen-and-sword.co.uk/Kings-of-Georgian-Britain-Hardback/p/12904/aid/1238 Wives of Prince Regent: https://www.pen-and-sword.co.uk/The-Wives-of-George-IV-Hardback/p/20127/aid/1238 Life in the Georgian Court: https://www.pen-and-sword.co.uk/Life-in-the-Georgian-Court-Hardback/p/12109/aid/1238 For more history fodder please visit https://www.ifitaintbaroquepodcast.art/ and https://www.reignoflondon.com/Join Natalie on her London Walking Tour Tudors to Windsors:https://www.getyourguide.com/london-l57/royal-london-from-tudors-stuarts-to-windsors-walking-tour-t481355/?ranking_uuid=b140b9f7-5b9a-4f24-a398-43be9b622724 Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Requested by Hanuman to visit Kishkindha, Sri Rama declines to do so on the ground of his having been prohibited by his father to enter the limits of a village or town and, directing that Sugriva may be installed on the throne of Kishkindha and Angada may assume the office of Prince Regent, he himself takes a vow to live in a cave till the end of the monsoon and leaves instructions to initiate a search for Sita after the monsoon.Recitation: 00:00 - 06:57Translation: 07:00 - 16:45

Welcome to our Royal Romance season.On this episode, we'll be talking about Royal Pairs that never got together. The couples in question were considered by the powers that be, or they took a fancy to each other, but they either weren't allowed to follow through with their plans, or fate decided otherwise. We're looking at four such couples today, Richard III & Isabella of Castile,George I & Queen Anne, Emperor Alexander II of Russia and Queen Victoria,And finally, Prince Eddy a.k.a. Prince Albert Victor, Duke of Clarence and Avondale & Empress Alexandra.It is always curious to ponder how different history would be if certain events had developed differently. To talk of these would-be couples, as well as touch upon the alternative history that we never got to know, we have historians Chris Riley and Catherine Curzon.Our Favourite Books by Catherine: The Crown: https://www.pen-and-sword.co.uk/The-Royal-Family-vs-The-Crown-Hardback/p/51893/aid/1238Georgian Queens: https://www.pen-and-sword.co.uk/Queens-of-Georgian-Britain-Hardback/p/14066/aid/1238Georgian Kings: https://www.pen-and-sword.co.uk/Kings-of-Georgian-Britain-Hardback/p/12904/aid/1238Wives of Prince Regent: https://www.pen-and-sword.co.uk/The-Wives-of-George-IV-Hardback/p/20127/aid/1238Life in the Georgian Court: https://www.pen-and-sword.co.uk/Life-in-the-Georgian-Court-Hardback/p/12109/aid/1238The Real Bridgerton: https://www.pen-and-sword.co.uk/The-Real-Bridgerton-Hardback/p/23199/aid/1238Our fangirling over Catherine's first book:https://www.ifitaintbaroquepodcast.art/post/life-in-the-georgian-court-the-long-18th-centuryWe are now on Patreon!Join our Baroque Kingdom and become a peer of the realm:https://patreon.com/Ifitaintbaroquepodcast?utm_medium=social&utm_source=twitter&utm_campaign=creatorshare_creator&utm_content=join_link Join Natalie on her London walking tours:Monarchy Anglo-Saxons to Stuarts: https://www.getyourguide.com/london-l57/london-the-royal-british-kings-and-queens-walking-tour-t426011/Monarchy Stuarts to Windsors: https://www.getyourguide.com/london-l57/royal-london-georgian-and-windsor-monarchs-walking-tour-t481355Naughty London: https://www.getyourguide.com/london-l57/london-unsavory-history-guided-walking-tour-t428452/and a new one Royal Love Stories:https://www.getyourguide.com/london-l57/royal-love-stories-walking-tour-t481358/https://www.ifitaintbaroquepodcast.art/https://www.reignoflondon.com/ Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This month please join us in exploring the love stories of the past.Over the next few weeks we'll be sharing with you our chats to various historians and we'll be covering all the ways that Royals can come together, be it through arranged marriage, secret engagements or chance meetings. On this episode, we'll be talking about Royal Couples who faced revolutions and regime changes in their countries.Did love survive the turmoil? Was the throne lost forever? If they didn't love each other, could the outcome have been different? We're looking at three such couples today, Charles I and Henrietta Maria, Louis XVI and Marie Antoinette and of course, Nicholas II and Alexandra. To make sense of their romantic and political shenanigans, we have historians Mark Turnbull and Catherine Curzon. Get Mark's Books:https://www.pen-and-sword.co.uk/Charles-Is-Private-Life-Hardback/p/23661/aid/1238https://www.pen-and-sword.co.uk/Prince-Rupert-of-the-Rhine-Hardback/p/52608/aid/1238Find Mark:https://www.allegianceofblood.com/Our Favourite Books by Catherine: The Crown: https://www.pen-and-sword.co.uk/The-Royal-Family-vs-The-Crown-Hardback/p/51893/aid/1238 Georgian Queens: https://www.pen-and-sword.co.uk/Queens-of-Georgian-Britain-Hardback/p/14066/aid/1238 Georgian Kings: https://www.pen-and-sword.co.uk/Kings-of-Georgian-Britain-Hardback/p/12904/aid/1238 Wives of Prince Regent: https://www.pen-and-sword.co.uk/The-Wives-of-George-IV-Hardback/p/20127/aid/1238 Life in the Georgian Court: https://www.pen-and-sword.co.uk/Life-in-the-Georgian-Court-Hardback/p/12109/aid/1238 The Real Bridgerton: https://www.pen-and-sword.co.uk/The-Real-Bridgerton-Hardback/p/23199/aid/1238 Our fangirling over Catherine's first book: https://www.ifitaintbaroquepodcast.art/post/life-in-the-georgian-court-the-long-18th-century For more history fodder please visit https://www.ifitaintbaroquepodcast.art/ and https://www.reignoflondon.com/To book a walking tour with Natalie https://www.getyourguide.com/s/?q=supplier:252243 Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Spoiler note: This House of the Dragon Season 2 Episode 7 review discusses “The Red Sowing” in full, including the dragonseeds, Hugh, Ulf, Vermithor, Silverwing, Addam, Jace, Alicent, Daemon at Harrenhal, Oscar Tully, Aemond, and the ending. Mary & Blake are TV-first viewers and avoid future Fire & Blood spoilers. In our House Of The Dragon Season 2 Episode 7 review, we break down “The Red Sowing,” the penultimate episode where Rhaenyra finally gets the dragon army she needs — and maybe creates the next giant problem she cannot control. This is a huge episode for Team Black. Addam bends the knee, Hugh claims Vermithor, Ulf claims Silverwing, and Aemond suddenly realizes that Vhagar may not be enough anymore. But the episode also asks the obvious question: is giving dragon power to barely trained strangers a brilliant wartime gamble or the worst HR onboarding process in Westeros? Mary gave the episode 4.9 flames, while Blake gave it 4.85 flames. The dragon spectacle is massive, Alicent continues to get some of the show's strongest interior scenes, Oscar Tully finally gives the Riverlands plot real life, and the ending gives the season genuine momentum heading into the finale. Below, you can listen to our full podcast breakdown, watch the video version, read the recap, and follow our related House of the Dragon Season 2 coverage. Listen To Our House Of The Dragon Season 2 Episode 7 Recap And Reaction Mary & Blake discuss House of the Dragon Season 2 Episode 7, “The Red Sowing,” including why the dragon selection scene is compelling but light on tension, why Alicent continues to have some of the best scenes in the show, why Team Black needs a much better HR team, and why Hugh, Ulf, Addam, Vermithor, Silverwing, and Seasmoke change the war. Subscribe To Get New House Of The Dragon Episodes APPLE PODCASTS YOUTUBE SPOTIFY House Of The Dragon Season 2 Episode 7 Recap: What Happens In “The Red Sowing”? “The Red Sowing” begins with Rhaenyra meeting Addam of Hull after Seasmoke chooses him as a rider. Addam immediately bends the knee and declares himself loyal to her, even though his parentage and connection to Corlys remain publicly unspoken. At Driftmark, Corlys continues awkwardly circling the truth about Addam and Alyn. Everyone who matters seems to know what is happening, but no one is saying the full thing out loud. Addam has just had a life-changing event, yet Corlys still struggles to acknowledge him plainly as his son. In King's Landing, Larys continues helping Aegon recover while Aemond rules as Prince Regent. Aegon is badly wounded, but he is not useless. Larys understands that better than almost anyone, and he keeps pushing Aegon's body and mind back toward survival. Alicent removes herself from King's Landing and goes into the woods with Ser Rickard. She is not exactly roughing it, but she is away from the Red Keep, away from the council, and away from the system that has swallowed her power. Her lake scene becomes one of the episode's most haunting images. At Harrenhal, Daemon finally gets movement in the Riverlands. Oscar Tully arrives as the new Lord Paramount and forces Daemon to face the consequences of the violence committed in Rhaenyra's name. To win the Riverlords, Daemon has to let Willem Blackwood die. On Dragonstone, Rhaenyra follows Mysaria's idea and summons people with possible Targaryen blood from King's Landing. The dragonkeepers object and walk away, calling the plan blasphemy. Rhaenyra proceeds anyway, bringing a crowd of would-be dragonriders before Vermithor. The attempt becomes a massacre. Vermithor burns and eats many of them before Hugh steps forward and survives the encounter. Ulf, meanwhile, stumbles into Silverwing and accidentally becomes her rider. By the end of the episode, Team Black has three new riders: Addam on Seasmoke, Hugh on Vermithor, and Ulf on Silverwing. The episode ends with Ulf flying over King's Landing on Silverwing, drawing Aemond and Vhagar toward Dragonstone. But when Aemond sees Rhaenyra standing with multiple dragons and riders, he turns back. For the first time in a long time, Vhagar is not the only answer. House Of The Dragon Season 2 Episode 7 Review “The Red Sowing” is exactly what a penultimate episode should be in this season: not necessarily the biggest battle, but the episode that changes the math before the finale. The strongest thing the episode does is make dragon power feel both miraculous and horrifying. Vermithor is spectacular. Silverwing is joyful. Seasmoke has personality. The final image of Rhaenyra with her dragons is powerful. But the process of getting there is ugly, reckless, and full of dead people who were treated more like applicants than human beings. That is the tension at the center of the episode. Rhaenyra needs riders. Vhagar has changed the entire war. Rook's Rest proved that Team Black cannot keep pretending restraint will save them. But Rhaenyra's solution is not clean. It is desperate, dangerous, and morally compromised. Blake's biggest critique is that the Vermithor sequence is incredible spectacle but not especially tense. The show has already spent too much time pointing at Hugh and Ulf for us to believe they are truly in danger. Once the crowd enters the dragon pit, the scene becomes less “who will survive?” and more “how long until the plot catches up to what we already know?” Mary responds more to the feeling of the dragon-bonding imagery: Rhaenyra reaching out, Hugh touching Vermithor, Ulf's chaotic joy, and the way the dragons finally seem to be choosing their people. The sequence may lack surprise, but it does not lack scale, awe, or personality. The episode also works because it is not only about dragons. Alicent's scenes are quiet but excellent. Oscar Tully gives Harrenhal the kick it badly needed. Jace finally says the thing that has been sitting underneath his story for years. And Aemond's retreat at the end gives the whole season a new tactical shape. Why Is The Episode Called “The Red Sowing”? The title “The Red Sowing” refers to Rhaenyra's attempt to find new dragonriders among people with possible Targaryen blood. She is not planting crops. She is planting power into people the old order never intended to elevate. The “red” part matters because this is not a clean recruitment drive. It is bloody. Many of the people who answer the call are burned, eaten, or trapped inside a ritual they do not fully understand. Rhaenyra gets what she wants, but the cost is enormous. The title also points toward the dragonseeds themselves: people scattered through bloodlines, secrets, brothels, bastardy, and forgotten branches of Targaryen history. Rhaenyra is harvesting that hidden inheritance because the war has made the old rules less useful. That is why “The Red Sowing” is such a strong title. It is about bloodline, bloodshed, and the terrifying idea that dragon power can move outside the royal family's clean little story about itself. The Dragonseeds Explained: Who Claims Dragons In Episode 7? The dragonseeds are people with possible Targaryen or Valyrian blood who may be able to bond with dragons, even if they are not part of the official royal line. In “The Red Sowing,” three riders matter most: Addam of Hull is chosen by Seasmoke before the mass claiming attempt begins. His connection to Corlys and Laenor gives the moment deeper family weight. Hugh Hammer survives Vermithor after stepping forward during the chaos. His Targaryen connection, grief, anger, and physical courage make him the most dramatically serious new rider. Ulf White stumbles into Silverwing almost by accident. His claiming scene is much lighter, stranger, and funnier, but it may also be the most worrying because Ulf is exactly the kind of person Blake does not want handed a dragon. The dragonseeds change the war because they solve Rhaenyra's immediate numbers problem. But they also create a much bigger question: if dragons can choose people outside the royal line, then what actually makes the ruling family special? Vermithor, Hugh, And The Dragon Selection Scene The Vermithor scene is the centerpiece of the episode. It is huge, loud, terrifying, and visually clear. The dragon is enormous. The crowd is completely outmatched. The sound design makes every scrape, breath, and movement feel dangerous. But the scene also has a tension problem. We already know Hugh has been built for something. We already know Ulf has been built for something. The anonymous people around them feel marked for death almost immediately. That means the scene works more as spectacle than suspense. Still, Hugh's moment lands because it tells us something about him. He does not simply hide. He steps forward. He protects someone else. He faces Vermithor with fear, anger, and need all moving through him at once. That is why Hugh feels like the right match for Vermithor. He is not polished. He is not noble in the traditional courtly way. He is wounded, furious, and desperate. Vermithor is not a gentle little symbol of legitimacy. He is raw power. Hugh meeting that power makes sense. Ulf And Silverwing: The Funniest Dragon Claiming Ulf's claiming of Silverwing plays like an accidental miracle. He is not noble. He is not prepared. He is not impressive in the way the dragonkeepers would want. He is terrified, scrambling, and very lucky. That is part of why the scene works. Silverwing feels different from Vermithor. Where Vermithor is all danger and domination, Silverwing feels curious and strangely gentle. Ulf becomes a rider almost by stumbling into the right place at the right time. The joy of Ulf flying over King's Landing matters because it gives the episode a burst of pure dragon fantasy. He is having the time of his life. The problem is that this is exactly why Blake is horrified. Ulf is the HR problem in human form. He gets a dragon and immediately turns into “Ulf the Dragonlord.” That may be fun for one episode. It may be a disaster for everyone later. Team Black Needs A Better HR And Onboarding System Rhaenyra's plan works, but the process is an absolute nightmare. Team Black gathers a bunch of people with possible Targaryen blood, ships them to Dragonstone, gives them almost no meaningful training, watches the dragonkeepers quit in protest, and then sends the whole group into a cave with one of the most dangerous creatures alive. Yes, the war is desperate. Yes, Vhagar is a massive problem. Yes, Rhaenyra needs riders. But this is still an onboarding disaster. The better version of this plan probably involves screening, training, smaller groups, clearer expectations, and maybe not throwing dozens of people into a dragon pit at once. Instead, Rhaenyra creates a “survive the dragon” workplace culture with a very poor benefits package. That is funny, but it also gets to the moral core of the episode. Rhaenyra is becoming more decisive. She is also becoming more willing to spend lives for the cause. That may make her more effective. It may also make her more dangerous. Jace Is Right To Be Worried Jace's frustration with Rhaenyra is not just whining. It is one of the smartest objections in the episode. Jace understands that his claim already depends on people accepting a story. Everyone knows the rumors about his father. Everyone knows he does not look like the old Valyrian ideal. His dragon has always been part of what makes him visibly Targaryen enough to survive the politics around him. Now Rhaenyra is handing that same symbol to common-born riders and unacknowledged bastards. From a wartime perspective, that may be necessary. From Jace's perspective, it undermines one of the few things protecting his future. That is why his question matters: what is he supposed to be after Rhaenyra dies? If dragonriding is no longer exclusive, then his legitimacy problem gets worse, not better. Jace is not wrong to see the generational consequence. Rhaenyra is trying to win the current war. Jace is thinking about the next reign. Alicent At The Lake Alicent's lake scene is one of the best quiet sequences of the episode. She leaves King's Landing, steps away from the Red Keep, and enters a space where she has no council table, no sons demanding power, no father answering her, and no clear role left to play. The image of Alicent floating in the water is beautiful because it is also frightening. For a moment, the show lets us wonder whether she is surrendering, cleansing herself, disappearing, or deciding what comes next. That ambiguity is what makes Alicent so strong this season. She is guilty. She is trapped. She is responsible for much of what happened. But she is also a woman who has watched the system she served strip her of usefulness the moment she became inconvenient. When she sees the bird and moves back toward shore, the scene feels less like an ending and more like a reset. Alicent may not know what she is yet, but she is not finished. Oscar Tully Finally Makes Harrenhal Matter Harrenhal has been weird, atmospheric, and full of strong images all season. But “The Red Sowing” finally gives that storyline a political jolt through Oscar Tully. Oscar arrives as a young lord everyone might underestimate, then immediately proves he understands the room better than Daemon does. He knows the Riverlords hate Daemon. He knows they are bound by oath but disgusted by what has been done in Rhaenyra's name. He knows Daemon needs them more than they need to like him. That is why the scene works. Oscar does not beat Daemon with strength. He beats him with leverage. Daemon has to let Willem Blackwood die because the Riverlords need proof that there will be consequences. It is a brutal public concession. It also may be the first useful thing Daemon has done at Harrenhal in weeks. Sir Simon Strong's reaction makes the whole thing even better. He looks like a man who dressed for a party and accidentally hosted a political execution. Daemon And Viserys: Does He Still Want The Crown? Daemon's vision of Viserys gives the Harrenhal story its emotional point. Viserys appears near the end of his life, broken down by the crown and by the burden of rule. He asks Daemon whether he still wants it. That question is the center of Daemon's whole story. He has spent so much of his life wanting recognition, power, love, and proximity to the throne that he may not know the difference between wanting the crown and wanting to be seen by his brother. Seeing Viserys in that state matters because it strips the crown of romance. The throne is not a prize. It is a burden that eats the person who carries it. The big question is whether Daemon has actually learned anything yet. The episode gives him insight, but insight only matters if it changes what he does next. Aemond Retreats From Rhaenyra's Dragons The ending of “The Red Sowing” is the episode's biggest power shift. Ulf flies Silverwing over King's Landing, and Aemond immediately reacts. He gets on Vhagar and chases the threat back toward Dragonstone. That reaction tells us something important: Aemond is still dangerous, but he is also impulsive enough to chase a provocation. Then he sees what Rhaenyra has built. Multiple dragons. Multiple riders. Rhaenyra standing in ash and confidence. Suddenly, Vhagar does not feel like an automatic win. Aemond turning back is a massive moment because it is one of the first times this season he looks genuinely checked. Not defeated, not broken, but checked. He came looking for prey and found a formation. For Team Black, that image is the victory of the episode. Rhaenyra did something dangerous and costly, but it worked. For now. House Of The Dragon Season 2 Episode 7 Ending Explained The ending of “The Red Sowing” means Rhaenyra has changed the dragon math before the finale. Before this episode, Aemond and Vhagar were the overwhelming military problem. Team Black had dragons, but not enough effective riders to counter the largest dragon in the world. After the Red Sowing, Rhaenyra has Addam on Seasmoke, Hugh on Vermithor, Ulf on Silverwing, and her own Syrax in the field. That does not guarantee victory. It creates deterrence. Aemond sees the new reality and turns Vhagar around because the battlefield no longer belongs to him alone. But the ending also plants future danger. Rhaenyra has given enormous power to people she barely knows. Hugh and Ulf may be useful now, but loyalty, class resentment, legitimacy, and control are all still unresolved. The dragons may help her win the next move and complicate every move after that. What “The Red Sowing” Sets Up Next Episode 7 sets up the Season 2 finale by giving Team Black a dragon advantage and giving everyone else a reason to panic. Rhaenyra finally has the dragonriders she needs, but her methods are becoming more ruthless. Jace sees the long-term legitimacy danger in raising common-born dragonriders. Addam is now publicly tied to Seasmoke and privately tied to Corlys' family secret. Hugh becomes a serious new power by claiming Vermithor. Ulf becomes a chaotic new power by claiming Silverwing. Aemond learns that Vhagar can be deterred when Team Black has multiple dragons on the board. Aegon continues recovering with Larys close by, which may matter if Aemond overreaches. Alicent steps away from King's Landing, but her story clearly is not over. Daemon finally gains the Riverlands, though at the cost of another public compromise. Rhaena continues moving toward the wild dragon in the Vale. Related House Of The Dragon Coverage Continue through Mary & Blake's House of the Dragon Season 2 coverage: House Of The Dragon Season 2 Recap And Episode Guide House Of The Dragon With Mary & Blake Podcast Hub Previous Episode: House Of The Dragon Season 2 Episode 6 — “Smallfolk” Next Episode: House Of The Dragon Season 2 Episode 8 — “The Queen Who Ever Was” Season 3: House Of The Dragon Season 3 Teaser Reaction More From Mary & Blake Subscribe to House of the Dragon With Mary & Blake for every recap, reaction, listener feedback episode, and deeper discussion as we continue through the Dance of the Dragons. Want bonus podcasts, extended reactions, and community conversation about House of the Dragon, Outlander, The Rings of Power, and everything else Mary & Blake are covering? Join the Nerd Clan community at JoinTheNerdClan.com and support everything Mary & Blake are building. Mary & Blake Media is not affiliated with HBO, Max, Warner Bros. Discovery, George R. R. Martin, or the House of the Dragon production.

Hello and welcome to the Fantasy Rewind Podcast. We discuss fantasy news, shows, books, and all things nerdy. This week Mike and Dylan are breaking down EP. 5: Prince Regent, from The House of The Dragon season 2. A prequel of sorts to Game of Thrones on HBO Max. We discuss some of the major plot points, differences from the source material and overall impressions.    Let us know your thoughts or perspectives on our socials: twitter- @fantasyrewind. Instagram- @fantasyrewindpod and fantasyrewindpod@gmail.com. We look forward to hearing comments and reactions from you!  

Spoiler note: This House of the Dragon Season 2 Episode 6 review discusses “Smallfolk” in full, including Rhaenyra and Mysaria, Seasmoke choosing Addam, Aemond dismissing Alicent, Daemon's Harrenhal visions, Sir Steffon Darklyn, the King's Landing riot, and the ending. Mary & Blake are TV-first viewers and avoid future Fire & Blood spoilers. In our House Of The Dragon Season 2 Episode 6 review, we break down “Smallfolk,” an episode that shows what happens when the people under Targaryen rule stop being background noise and start becoming political power. The episode does what House of the Dragon does best: intimate character scenes, sharp emotional reversals, visual mirroring, and power shifting through small choices. But it also exposes one of Season 2's biggest problems: with only two episodes left, some storylines still feel like they are spinning wheels instead of moving with urgency. Mary gave the episode 4.7 flames, while Blake gave it 4.4 flames. The high points are Seasmoke choosing Addam, Aemond becoming more terrifying in power, the smallfolk turning against the Greens, and Daemon being forced to confront his past. The bigger question is whether all of this setup is moving fast enough. Below, you can listen to our full podcast breakdown, watch the video version, read the recap, and follow our related House of the Dragon Season 2 coverage. Listen To Our House Of The Dragon Season 2 Episode 6 Recap And Reaction Mary & Blake discuss House of the Dragon Season 2 Episode 6, “Smallfolk,” including why the show is great at character but shakier with plot, whether the Rhaenyra and Mysaria kiss works, Aemond's cold rise, Alicent's loss of power, Daemon's Harrenhal story, Seasmoke claiming Addam, and why Blake grew up thinking Tampax was candy. Subscribe To Get New House Of The Dragon Episodes APPLE PODCASTS YOUTUBE SPOTIFY House Of The Dragon Season 2 Episode 6 Recap: What Happens In “Smallfolk”? “Smallfolk” begins with the pressure inside King's Landing getting worse. The people are hungry, the blockade is working, food is scarce, and anger is beginning to point toward the royal family instead of only toward Rhaenyra. Aemond now rules as Prince Regent and immediately makes his authority felt. He orders Criston Cole toward Harrenhal, tells Alicent she no longer has a place on the council, and wants Otto Hightower brought back. The problem is that Aemond is not simply organized. He is cold, dangerous, and increasingly uninterested in anyone who cannot serve his purpose. At Dragonstone, Rhaenyra continues searching for new dragonriders. Sir Steffon Darklyn attempts to claim Seasmoke because of his distant Targaryen blood, but the ceremony ends in fire. Seasmoke rejects him and later finds Addam, choosing his own rider instead of waiting for one to be presented. Mysaria helps Rhaenyra attack the Greens from below by sending food into King's Landing and spreading rumors among the smallfolk. The plan works. The people turn their hunger into rage, Alicent and Helaena are nearly overwhelmed in the streets, and the Green regime looks weaker than ever. Meanwhile, Daemon remains trapped in Harrenhal's haunted psychology. He sees Viserys again, confronts old guilt, deals with Alys Rivers, and watches the Riverlands situation become more complicated as Lord Grover Tully conveniently dies and the path to moving that plot forward finally opens. House Of The Dragon Season 2 Episode 6 Review “Smallfolk” is a strange episode because almost everything inside the scenes works, but the episode as a whole can still feel like it is moving too slowly for this late in the season. The character work is strong. Aemond and Alicent's scene is excellent. Larys and Aegon's bedside conversation is one of the episode's best surprises. Rhaenyra and Mysaria create a major emotional and political complication. Seasmoke chasing Addam gives the hour a needed burst of dragon personality. And the riot shows that the war is no longer only about kings, queens, councils, and dragons. But the plot still fumbles in places. Daemon has been at Harrenhal for a long time. The show keeps circling Hugh, Addam, Alyn, Ulf, and the dragonseed setup without always making those characters feel fully alive yet. And with only two episodes left in the season, some of the slow-burn storytelling starts to feel less like patience and more like hesitation. That is why Blake lands lower than Mary on this one. The episode is well made, well acted, and full of strong individual moments. But the larger season engine needs to start paying off the setup faster. Why Is The Episode Called “Smallfolk”? The title “Smallfolk” points to the ordinary people of King's Landing, who become impossible for the ruling families to ignore in this episode. For most of the season, the war has been framed around royal grief, succession, dragon power, and family betrayal. But “Smallfolk” reminds us that every royal choice has a cost below the council table. When the gullet is closed, the people go hungry. When the rich hoard food, the poor eat scraps. When dragons fight, ordinary people burn, starve, riot, and pay the bill. The title also matters because Rhaenyra and Mysaria understand something the Greens keep missing: the smallfolk are not just passive victims. They are a force. Feed them, anger them, scare them, or inspire them, and they can change the political weather of the city. Aemond, Alicent, And The Burden Of Authority Aemond's scene with Alicent is one of the defining scenes of the episode. Alicent tries to mother him, advise him, and remind him that power requires judgment. Aemond responds by making clear that he no longer sees her as useful. That is what makes the moment so cold. He does not explode. He does not need to. He simply removes her from the council and tells her to return to domestic life, as if all her years of political maneuvering were only ever temporary permission granted by men. Alicent helped build the argument that women should not rule. Now that argument has come back for her. She wanted Aegon over Rhaenyra because the realm would not accept a woman. But when Aegon falls and Aemond rises, the men around her do not suddenly make an exception for Alicent. The line about the indignities of Aemond's childhood not yet being sufficiently avenged cuts to the core of him. Aemond has power now, but he is still moving from old wounds. That makes him effective, frightening, and emotionally unreachable. Larys And Aegon Become A Dangerous Pair The Larys and Aegon bedside scene is one of the episode's most interesting surprises. Aegon is broken, burned, vulnerable, and trapped in a body that no longer lets him perform the role of king the way he imagined. Larys knows what that kind of humiliation can do to a person. He speaks to Aegon not only as a manipulator, but as someone who understands what it means to be looked at as damaged, cursed, or less than whole. That does not make Larys good. It makes him more dangerous. He sees the part of Aegon that Aemond underestimates. He knows that a wounded king with a working mind can still be useful. Maybe even more useful, because everyone else may stop looking at him as a threat. Aemond may have taken the regency, but this scene suggests he has made a serious mistake by leaving Aegon alive, underestimated, and emotionally available to Larys Strong. Rhaenyra And Mysaria: Does The Kiss Work? The Rhaenyra and Mysaria kiss is the most debated moment of “Smallfolk,” and Mary and Blake land on the same basic concern from different angles: the emotional need makes sense, but the timing and politics are messy. Rhaenyra is isolated. Daemon is gone. Her council doubts her. Her son challenges her. Her claim is under pressure. Mysaria offers something Rhaenyra has not received enough of lately: belief, attention, and a sense that someone sees her as the queen she wants to be. That emotional intimacy matters. A lingering hug would have made perfect sense. A charged moment where both women realize something is shifting would have made sense too. The kiss, however, creates complications the episode does not fully process yet. Rhaenyra is married. Mysaria is politically useful but not necessarily trustworthy. Rhaenyra's council already questions her judgment. If this relationship becomes known or if Mysaria feels rejected later, the consequences could be serious. That is why the kiss matters beyond shock value. It is not simply about romance. It may be a new vulnerability. Rhaenyra needs connection, but needing connection inside a war can become dangerous fast. Mysaria's Food Plan Turns Hunger Into A Weapon Mysaria's strongest move in the episode is not the kiss. It is the food. She understands the smallfolk because she understands need. She knows that hungry people do not think in abstract claims and royal bloodlines. They think about bread, meat, fish, safety, and whether the people in charge seem to care if they live. Sending food into King's Landing under Rhaenyra's banner is a brilliant political move because it turns the Greens' weakness into Rhaenyra's opportunity. The Greens have the city, but they cannot feed it. Rhaenyra is outside the city, but she can make herself feel present inside it. The riot shows how fragile royal power becomes when the people are hungry. Alicent and Helaena are not attacked because of one clean political idea. They are swallowed by fear, resentment, rumor, and desperation. That is the burden of authority Aemond does not yet understand. Seasmoke Chooses Addam The dragon material in “Smallfolk” works because it gives Seasmoke personality and agency. Rhaenyra tries to solve the dragonrider problem with genealogy. Sir Steffon Darklyn has distant Targaryen blood, courage, and loyalty. He wants the bond to work. The ritual feels sacred and serious. But Seasmoke says no, and the result is brutal. Then Seasmoke finds Addam. That reversal is important because Addam does not claim Seasmoke in the traditional heroic way. Seasmoke claims Addam. The dragon chases him, corners him, studies him, and chooses him. It is funny, terrifying, and much more interesting than a clean ceremony. The likely reason is blood. Addam is connected to Corlys, Laenor, and old Valyria in a way Sir Steffon is not. But the episode does not reduce the moment to math. It lets the dragon make the choice. Addam, Alyn, And The Dragonseed Problem Addam becoming Seasmoke's rider finally gives the Alyn and Addam material a clearer reason to exist. Until now, their scenes have often felt like setup without enough personality. “Smallfolk” changes that because one of them is now tied directly to the dragon war. That does not mean the show has fully solved the problem. Alyn is still mostly defined by silence, shaving his white hair, and carrying resentment around Corlys. Addam has the bigger moment because Seasmoke chooses him, but we still need the show to make him more than “the guy the dragon picked.” Still, the dragonseed lane is now alive. Rhaenyra needs riders. Seasmoke has chosen one. Hugh's hair, Ulf's talk, and the growing focus on smallfolk with possible Targaryen blood are no longer random. The season is pointing toward a much bigger shift in who gets access to dragon power. Hugh Hammer And The Cost Of Hunger Hugh remains one of the most interesting smallfolk pieces because the episode complicates him. Last week, Mary was more in on Hugh because he seemed like a hardworking father trying to care for his sick child. This week, he punches someone and steals food. That does not make him simple. It makes him desperate. Hunger changes people. A sick child changes people. A city under blockade changes people. Hugh is not sitting at a council table talking about sacrifice. He is living inside it. The dog helps his case, though. He pets the ratcatcher's dog, and that matters. In a show full of people who ignore suffering, anyone who is still kind to an animal gets at least one mark in the good column. But Hugh is not just a nice man. He may be someone with enough Targaryen blood to matter, enough anger to be dangerous, and enough experience with the machinery of war to become more than background. Daemon At Harrenhal Needs To Move Forward Daemon's Harrenhal story gives us great moments, but “Smallfolk” is where the patience starts to thin. Seeing Viserys again matters. Daemon being forced back into the throne room, back into the wounds with his brother, and back into the choices that shaped him is emotionally useful. The show is making him confront his original sin: his relationship with Viserys, his hunger for recognition, and his habit of running away from responsibility. Alys Rivers also keeps working as a strange, witchy pressure point. She knows too much, appears when she wants, and seems to understand Harrenhal as more than a castle. Whether she is guiding Daemon, poisoning him, helping him, or simply watching him break, she remains fascinating. But the story needs to connect more strongly to the main season engine now. Daemon's visions cannot stay weird for the sake of weird. They need to change what he does. The good news is that Lord Grover Tully's death may finally move the Riverlands plot into its next phase. Alicent And Helaena In The Riot The riot scene is where the title “Smallfolk” becomes physical. Alicent and Helaena are no longer protected by status, symbols, or the idea that the people will simply endure whatever the crown gives them. The scene has zombie-movie energy because the crowd is not one clean villain. It is hunger, fear, panic, and anger all moving at once. The guards make things worse. A hand gets cut off. Alicent is wounded. Helaena is overwhelmed. The royal family suddenly feels very small inside its own city. Alicent's arm wound also mirrors Rhaenyra's wound from Season 1, when Alicent cut her during the Driftmark confrontation. Then, Rhaenyra was protecting Luke. Now, Alicent is protecting Helaena. The show keeps placing these women in mirrored positions, even as their choices keep them apart. That is the tragedy of Alicent and Rhaenyra. They understand each other more than almost anyone else does. But the war they helped create keeps turning that understanding into pain instead of peace. House Of The Dragon Season 2 Episode 6 Ending Explained The ending of “Smallfolk” matters because Seasmoke choosing Addam changes Rhaenyra's entire problem. At the start of the episode, Rhaenyra thinks she needs to find a person worthy of a dragon. By the end, the dragon has found someone himself. That means the dragonseed question is no longer theoretical. There are people outside the official royal line who may be able to ride dragons, and the dragons may have a say in who those people are. Politically, the ending is also dangerous. If Addam can ride Seasmoke, then Rhaenyra may have access to new power. But that power comes from outside the clean family structure she has been relying on. More riders could help her defeat Vhagar. They could also create new problems of loyalty, legitimacy, and control. For the Greens, the ending is bad news. Aemond has Vhagar and the regency, but Rhaenyra may finally have a path toward balancing the dragon math. What “Smallfolk” Sets Up Next Episode 6 sets up the final stretch of Season 2 by pushing the war below the royal family and into the people, the dragons, and the forgotten bloodlines around them. Rhaenyra gains political momentum with the smallfolk but creates a personal complication with Mysaria. Mysaria proves she may be Rhaenyra's most effective advisor and possibly one of her biggest risks. Addam becomes Seasmoke's new rider, changing Team Black's dragon problem. Alyn remains tied to Corlys and the Driftmark question, but still needs stronger characterization. Hugh becomes more complicated as hunger, family, and possible Targaryen blood keep circling him. Aemond rules with frightening calm and pushes Alicent further out of power. Aegon is wounded but not politically useless, especially with Larys now close to him. Alicent sees how quickly the people can turn when authority fails to feed them. Daemon may finally be forced to move forward after another round of Harrenhal visions. Related House Of The Dragon Coverage Continue through Mary & Blake's House of the Dragon Season 2 coverage: House Of The Dragon Season 2 Recap And Episode Guide House Of The Dragon With Mary & Blake Podcast Hub Previous Episode: House Of The Dragon Season 2 Episode 5 — “Regent” Next Episode: House Of The Dragon Season 2 Episode 7 — “The Red Sowing” Season 3: House Of The Dragon Season 3 Teaser Reaction More From Mary & Blake Subscribe to House of the Dragon With Mary & Blake for every recap, reaction, listener feedback episode, and deeper discussion as we continue through the Dance of the Dragons. Want bonus podcasts, extended reactions, and community conversation about House of the Dragon, Outlander, The Rings of Power, and everything else Mary & Blake are covering? Join the Nerd Clan community at JoinTheNerdClan.com and support everything Mary & Blake are building. Mary & Blake Media is not affiliated with HBO, Max, Warner Bros. Discovery, George R. R. Martin, or the House of the Dragon production.

In this episode of "Challenge Accepted," Thomas and Frank dive into the intricate world of "House of the Dragon," specifically focusing on episode 6, titled "Small Folks." The duo discusses the power dynamics at play, the struggles of the small folks, and the significant character developments. They explore Alicent's waning power, Aemond's assertive role as Prince Regent, and Rhaenyra's decisive actions. The episode sets the stage for upcoming battles and deepens our understanding of key characters. Timestamps and Topics: 00:00:00 - Introduction to Challenge Accepted 00:00:20 - Initial thoughts on House of the Dragon, Episode 6 00:00:52 - Power struggles: Alicent, Aemond, and Rhaenyra 00:02:04 - Small folks' unrest and Ser Stefan's dragon attempt 00:03:35 - Alicent's diminishing influence and Otto Hightower's return 00:06:50 - Rhaenyra's decisive actions and leadership challenges 00:09:17 - Dragon riders from humble beginnings 00:11:07 - Damon's visions and character growth 00:15:02 - Gender dynamics and overlooked wisdom in leadership 00:16:55 - Aegon's harsh reality and emotional breakdown 00:20:50 - Netting Rhaena's dragon taming potential 00:24:47 - Reflecting on Damon's ambitions and relationships 00:28:10 - White Worm's strategic brilliance and small folks' allegiance 00:33:29 - Final thoughts on character arcs and future predictions Key Takeaways: Alicent Hightower's power is waning, and Aemond is stepping up assertively as Prince Regent. The episode highlights the struggles of the small folks and their growing unrest. Rhaenyra's decisive actions signal a significant shift in her leadership approach. Damon's visions reveal his internal struggles and potential character growth. Gender dynamics play a crucial role, with women's wisdom often overlooked in the power play. Aegon's harsh reality brings an emotional depth to his character. Strategic moves by the White Worm show the importance of creative thinking in war. Memorable Quotes: "This felt like a Game of Thrones episode. There was some real good conversations setting up some pretty amazing finale episodes." - Frank "I'm going to take the bull by the horns, but really the dragon by the wings." - Thomas "She sees me, you know? Nobody else sees me. She sees me." - Frank "If we just listened to the women, we would have been in a good spot." - Thomas Call to Action: Enjoyed this deep dive into "House of the Dragon"? Don't forget to subscribe to our podcast, leave a review, and share this episode on social media using the hashtag #ChallengeAcceptedPodcast. Your support helps us bring more exciting content! Links and Resources: Follow us on Facebook Follow us on Threads Support us on Patreon Follow us on Twitter Follow us on Instagram Visit our website for more news and episodes Follow Us: Stay updated with our latest episodes and news by following us on social media: Facebook: Challenge Accepted Instagram: Challenge Accepted Twitter: Challenge Accepted Threads: Challenge Accepted Patreon: Challenge Accepted Listener Questions: We want to hear from you! Send in your questions or topics you'd like us to discuss in future episodes. Your input shapes our content! Apple Podcast Tags: House of the Dragon, Game of Thrones, podcast, TV recap, fantasy series, Targaryen, dragons, HBO series, character analysis, geek culture, Alicent Hightower, Aemond Targaryen, Rhaenyra Targaryen, Damon Targaryen, small folks, power dynamics, gender dynamics, leadership, dragon battles, medieval fantasy, epic saga.

Spoiler note: This House of the Dragon Season 2 Episode 5 review discusses “Regent” in full, including the aftermath of Rook's Rest, Aegon's injuries, Aemond becoming Prince Regent, Alicent's loss of power, Daemon's Harrenhal visions, Jace's dragonrider idea, and the ending. Mary & Blake are TV-first viewers and avoid future Fire & Blood spoilers. In our House Of The Dragon Season 2 Episode 5 review, we break down “Regent,” a necessary reset episode that asks what happens after the dragons enter the war and everyone realizes there is no clean way back. After the catastrophe at Rook's Rest, the Greens have a broken king, a traumatized Hand, a terrified city, and Aemond standing closer to power than ever. Team Black has lost Rhaenys and Meleys, but Rhaenyra and Jace begin asking the question that changes the season: what if they need more dragonriders? Mary gave the episode 4.8 flames, while Blake gave it 4.55 flames. This is not the most explosive hour of the season, but it does important board-reset work after Episode 4 and gives the production team a chance to show off the editing, sound mixing, and visual storytelling underneath the political fallout. Below, you can listen to our full podcast breakdown, watch the video version, read the recap, and follow our related House of the Dragon Season 2 coverage. Listen To Our House Of The Dragon Season 2 Episode 5 Recap And Reaction Mary & Blake discuss House of the Dragon Season 2 Episode 5, “Regent,” including the writer's unique journey, Aemond's rise, Alicent's humiliation, the spectacular craft work from the production team, Daemon's increasingly freaky Harrenhal story, and why creepy people belong together. Subscribe To Get New House Of The Dragon Episodes APPLE PODCASTS YOUTUBE SPOTIFY House Of The Dragon Season 2 Episode 5 Recap: What Happens In “Regent”? “Regent” begins in the aftermath of Rook's Rest. King's Landing receives the severed head of Meleys as Criston Cole parades the dead dragon through the streets, hoping to present victory. Instead, the smallfolk react with fear. Dragons are supposed to be gods, symbols, and power beyond ordinary men. Seeing one dragged through the city as meat changes the emotional temperature of the war. Aegon survives the battle, but he is horribly burned and barely alive. The maesters work on him as Alicent realizes that her son's body, the Green claim, and her own political influence are all breaking at the same time. Aemond moves into power. He does not sit the Iron Throne immediately, but he takes the symbolic place of rule and becomes Prince Regent while Aegon is incapacitated. Alicent argues that she should rule in Aegon's stead, but the men around the council table dismiss her. After everything she did to put a man on the throne, the same logic is now used to push her aside. On Dragonstone, Rhaenyra mourns Rhaenys and wrestles with the cost of restraint. Jace makes moves of his own, meeting with the Freys at the Twins and helping Rhaenyra think through the dragon problem. Team Black has dragons, but not enough riders. That leads to the season's next major idea: looking beyond the obvious Targaryen line for people with dragonlord blood. At Harrenhal, Daemon keeps spiraling through visions, Alys Rivers, old guilt, and the increasingly strange atmosphere of the castle. His attempt to command the Riverlands becomes more complicated when the local lords reject the violence done in Rhaenyra's name. House Of The Dragon Season 2 Episode 5 Review “Regent” is a transition episode, but that does not mean it is empty. After the spectacle and tragedy of Rook's Rest, the show needs to breathe, reset the board, and ask what kind of war this has become now that dragons are fully in play. The strongest idea in the episode is that victory can still look like horror. The Greens technically won at Rook's Rest. They took the castle. Rhaenys and Meleys are dead. But Aegon is destroyed, the smallfolk are frightened, Criston Cole is shaken, and Alicent is losing the last pieces of control she thought she had. That is why the episode works better as fallout than forward explosion. It is not trying to top the dragon battle. It is trying to show what the dragon battle did to everyone left standing. The episode also does important structural work for Team Black. Rhaenyra cannot simply wait for Vhagar to dominate the battlefield. Jace's idea about finding other people with Targaryen blood gives the season a new tactical lane and turns the dragonseeds from background setup into the obvious next move. The weaker pieces are still the characters the show has been slowly seeding around the edges: Hugh, Alyn, Addam, Ulf, and the smallfolk threads. Some of that material is becoming clearer, especially with Hugh, but the show is still asking for investment before all of those people have fully earned it. Still, the craft is strong enough to carry the hour. Claire Kilner's direction, the sound design around Alicent's council scene, the editing between Rhaenyra and Daemon, and the horrifying physical reality of Aegon's wounds all make “Regent” feel more purposeful than a simple setup episode. Why Is The Episode Called “Regent”? The title “Regent” refers to Aemond becoming Prince Regent while Aegon is incapacitated. A regent rules in place of a monarch who cannot rule, either because the monarch is too young, absent, dead with an heir not yet ready, or — in this case — physically unable to govern. But the title also works because the episode is about who actually gets to rule once the fantasy of rightful succession meets reality. Aegon has the crown, but he is broken. Alicent has experience, but the council will not accept her authority. Aemond has Vhagar, discipline, and menace, so the room bends toward him. That makes “Regent” a title about power filling a vacuum. The war does not pause because Aegon is hurt. It simply chooses the next person ruthless enough to keep moving. Aemond Becomes Prince Regent Aemond's rise is the cleanest power move of the episode. He is quiet, controlled, and terrifyingly ready. He does not need to storm the room. He simply waits until the council's logic brings the crown's authority to him. The most important visual is Aemond taking the small council ball and placing it where the king would sit. It is casual, almost too casual, which makes it more unsettling. He already believes he should be the person making decisions. Now the room has caught up to him. What makes Aemond compelling is that he feels like a horror figure inside a political drama. He does not need to move quickly. He does not need to raise his voice. His stillness, eyepatch, posture, and silence all become part of the threat. That is why Blake is so in on Aemond as a character. He is not good. He has earned whatever comeuppance is coming. But as a piece of television, he has become one of the clearest engines on Team Green. Alicent Loses The Room She Helped Build Alicent's council scene is the heart of the episode. She believes she has a claim to rule as regent because she has experience, political knowledge, and years of service inside the system. But the men around her use the same argument that put Aegon on the throne to deny her power. They said Rhaenyra could not rule because she was a woman. Now Alicent discovers that the argument was never only about Rhaenyra. It was about women, power, and the rules men enforce when those rules benefit them. The direction and sound mixing make the scene land. As the men talk around Alicent, the sound narrows, her breathing becomes central, and the room turns into an emotional trap. She is sitting right there, being talked over, through, and around. That is why the scene works so well. Alicent is not innocent, but the humiliation is still real. She helped create the political logic that now erases her. Rhaenyra And Jace Start Looking For Dragonriders Team Black's most important development in “Regent” is the dragonrider problem. Rhaenyra has dragons, but not enough people who can ride them. Vhagar changes every military equation, and losing Rhaenys means Team Black has lost one of its most experienced riders. Jace becomes more than just Rhaenyra's son in this episode. He challenges her respectfully, takes initiative, negotiates with the Freys, and helps her think through the larger strategic problem. He is becoming a counselor and confidant, not just an heir. That leads to the ancestry question. If Targaryen blood is the key, then maybe the answer is not limited to the obvious royal family. Maybe there are people outside the immediate line who can claim dragons. This is where the season starts pointing hard toward the dragonseeds. Hugh, Ulf, Addam, and Alyn may still feel like slow-burn setup, but “Regent” makes the purpose of that setup much clearer. Hugh Hammer And The Smallfolk Food Thread Mary's “good” for the episode is food, and that is not a joke. The episode keeps showing food as a political pressure point. The smallfolk are hungry. The oranges are moldy. The soup is thin. Chickens and meat are expensive. The city feels squeezed. Meanwhile, the people at the top still have wine, tables, councils, and meat. Daemon can scoff at the food served at Harrenhal while ordinary people in King's Landing are desperate. That contrast matters because the war is not only being fought by dragonriders. It is being paid for by everyone underneath them. Hugh becomes more interesting in that context. He works. He has a sick child. He knows the machinery of war. He talks about dragons as meat while everyone else treats them like gods. And yes, his hair is clearly not an accident. Blake is not fully sold on Hugh yet because the show is still in setup mode. Mary, however, is all in. Hugh feels like someone who could matter because he lives closer to the cost of the war than the people making the war. Daemon At Harrenhal Gets Freakier Daemon's Harrenhal story continues to feel like its own strange horror movie. The castle, Alys Rivers, the weirwood imagery, the visions, and Daemon's own guilt all keep pressing on him. This episode pushes that weirdness into more uncomfortable territory with Daemon's vision of his mother, Alyssa. The scene is meant to be disturbing, but it is not only there for shock. It reveals Daemon's hunger to be chosen, loved, seen, and told that he should have mattered more than Viserys. That is the real engine underneath the weirdness. Daemon wants to be king because he still cannot separate love from power. He wants Rhaenyra, but he also resents her. He wants to serve, but he also wants to rule. Harrenhal keeps turning those contradictions into nightmares. The concern now is that the weird needs to start pushing the larger story forward. “Let's get weird” is always welcome, but the weird has to make Daemon do something. By the end of the episode, it does begin connecting back to the war when the Riverlords reject the brutality done in Rhaenyra's name. Alys Rivers Explained: Is She Helping Daemon Or Breaking Him? Alys Rivers remains one of the strangest figures in Season 2. She knows too much, appears at the right moments, gives Daemon things to drink, and seems completely comfortable inside Harrenhal's rot. The big question is whether Alys is causing Daemon's visions, guiding them, or simply watching what Harrenhal already does to people. The episode does not answer that cleanly, which is part of why she works. Mary and Blake both land on the idea that Alys is not simply Daemon's friend. She may be useful. She may be honest. She may even be right when she tells him things he does not want to hear. But there is no reason to trust that her goals and Daemon's goals are the same. By the end of the conversation, the best theory is also the simplest: creepy people belong together. If Aemond and Alys ever cross paths, the vibes may be absolutely cursed. Corlys, Baela, And The Driftmark Problem Corlys is grieving Rhaenys, but Mary is still not fully moved by him. The issue is not the actor or the grief. The issue is that the show keeps telling us Corlys is legendary without always showing enough of that legend in action. Baela's scene with Corlys helps because she is direct, grounded, and clear about who she is. He offers her Driftmark, but she reminds him that she is blood and fire. His heir needs to be of salt and sea. That answer matters because it keeps Baela tied to her own identity, not just the hole Corlys wants filled. She is not simply available to become the person he needs because his line is complicated. The problem, of course, is that Corlys' line is complicated because of choices he made. Alyn and Addam are clearly going to matter, and when that truth rises to the surface, it may change how Baela understands the story she has been told about her grandparents' love. Jace, The Freys, And The Twins Jace's meeting with the Freys gives the episode one of its best pieces of classic Westeros texture. The Twins matter because armies need to cross, and the North's support only matters if those forces can actually move toward the war. The Freys are instantly recognizable as Freys even generations before the Red Wedding. They are transactional, creepy, and very aware that their bridge gives them leverage. Jace offers protection and access to Harrenhal in exchange for support. It is a bold move, and it shows why he is becoming useful to Rhaenyra. He is not waiting around to be told what to do. He is acting like a future ruler. The question is whether those promises will come back to bite Team Black. If the Freys are taught that promises are disposable, this may be one of the places where the family becomes the family we know later. House Of The Dragon Season 2 Episode 5 Ending Explained The ending of “Regent” matters because it points the season toward the dragonseeds. Rhaenyra needs dragons, but dragons are not enough. She needs riders. Jace's idea reframes the problem. If there are people with Targaryen blood outside the immediate royal line, then the war may not be limited to the same old players. The solution may come from bastards, forgotten branches, and smallfolk who have been sitting on the edge of the story. That ending also makes the earlier Hugh, Addam, Alyn, and Ulf setup feel more purposeful. The show has been slowly placing these people around the board. Now we know why. For Team Green, the ending is just as important. Aemond is now in power. Alicent has been pushed aside. Aegon is alive but broken. Criston knows what dragon war really looks like. The Greens may have won Rook's Rest, but the victory has created a more dangerous ruler. What “Regent” Sets Up Next Episode 5 sets up the back half of Season 2 by making the war less about rightful claims and more about who can survive the consequences of power. Aemond becomes Prince Regent and now has the authority to match his ambition. Alicent realizes the system she protected will not protect her power. Aegon survives, but his body and kingship are permanently changed by Rook's Rest. Criston Cole is shaken by what he saw when dragons entered the battlefield. Rhaenyra begins looking beyond the obvious Targaryen line for dragonriders. Jace steps into a more active political and strategic role. Daemon keeps unraveling at Harrenhal as his visions expose what he really wants. Hugh, Addam, Alyn, and Ulf move closer to the center of the season's dragonseed question. The smallfolk become harder to ignore as hunger, fear, and resentment build in King's Landing. Related House Of The Dragon Coverage Continue through Mary & Blake's House of the Dragon Season 2 coverage: House Of The Dragon Season 2 Recap And Episode Guide House Of The Dragon With Mary & Blake Podcast Hub Previous Episode: House Of The Dragon Season 2 Episode 4 — “The Red Dragon And The Gold” Next Episode: House Of The Dragon Season 2 Episode 6 — “Smallfolk” Season 3: House Of The Dragon Season 3 Teaser Reaction More From Mary & Blake Subscribe to House of the Dragon With Mary & Blake for every recap, reaction, listener feedback episode, and deeper discussion as we continue through the Dance of the Dragons. Want bonus podcasts, extended reactions, and community conversation about House of the Dragon, Outlander, The Rings of Power, and everything else Mary & Blake are covering? Join the Nerd Clan community at JoinTheNerdClan.com and support everything Mary & Blake are building. Mary & Blake Media is not affiliated with HBO, Max, Warner Bros. Discovery, George R. R. Martin, or the House of the Dragon production.

Blackadder's militant cousin McAdder arrives in London as the Prince Regent seduces some relatives of the fiery Duke of Wellington.

When Blackadder discovers that the Prince Regent is completely broke, he devises a plan to restore his fortunes through marriage.

Dear gentle listener, today we shall be discussing the oft-admired show by the name of 'Bridgerton' (2020 -).Do be warned, as spoilers will occur.Our Favourite Bridgerton-verse books:https://www.pen-and-sword.co.uk/The-Real-Bridgerton-Hardback/p/23199/aid/1238https://www.pen-and-sword.co.uk/The-Real-Queen-Charlotte-Inside-the-Real-Bridgerton-Court-Hardback/p/21481/aid/1238https://www.mombooks.com/book/the-real-world-of-bridgerton/?imprint=1Our favourite books on Georgian Era: Georgian Queens: https://www.pen-and-sword.co.uk/Queens-of-Georgian-Britain-Hardback/p/14066/aid/1238Wives of Prince Regent: https://www.pen-and-sword.co.uk/The-Wives-of-George-IV-Hardback/p/20127/aid/1238Life at Georgian Court: https://www.pen-and-sword.co.uk/Life-in-the-Georgian-Court-Hardback/p/12109/aid/1238Please find more history fodder on our website https://www.ifitaintbaroque.art/ and if you would like to come with Natalie on a walking tour of London, please check out https://www.reignoflondon.com .Georgian Blogging:https://www.ifitaintbaroque.art/blog/categories/the-georgiansGeorgian London Walking Tour:Here's a direct link to Natalie's tour about Georgian and Windsor monarchs: https://www.getyourguide.com/london-l57/royal-london-georgian-and-windsor-monarchs-walking-tour-t481355 . Hosted on Acast. See acast.com/privacy for more information.

In 1811, King George III, often referred to as the "mad king who lost America," was declared unfit to rule, leading his son to assume the role of Prince Regent and ushering in the Regency Era in England. This era was characterized by indulgence in excess, lavish parties, extravagant fashion, and opulent food. While Jane Austen's novels have immortalized this period over the past two centuries, it is now the Netflix hit Bridgerton that has captured the modern imagination.Join John and Patrick as they explore the world of Bridgerton to uncover the role of fresh produce in high society. How did agriculture evolve during this time? Why were the elites obsessed with pineapples? And what surprising connection did celery have to sexual practices?In Sponsorship with Cornell University: Dyson Cornell SC Johnson College of BusinessJoin the History of Fresh Produce Club at www.theproduceindustrypodcast.comInstagram, TikTok, Threads:@historyoffreshproduceEmail: historyoffreshproduce@gmail.com

In 1811, King George III, often referred to as the "mad king who lost America," was declared unfit to rule, leading his son to assume the role of Prince Regent and ushering in the Regency Era in England. This era was characterized by indulgence in excess, lavish parties, extravagant fashion, and opulent food. While Jane Austen's novels have immortalized this period over the past two centuries, it is now the Netflix hit Bridgerton that has captured the modern imagination.Join John and Patrick as they explore the world of Bridgerton to uncover the role of fresh produce in high society. How did agriculture evolve during this time? Why were the elites obsessed with pineapples? And what surprising connection did celery have to sexual practices?Join the History of Fresh Produce Club at www.theproduceindustrypodcast.comInstagram, TikTok, Threads:@historyoffreshproduceEmail: historyoffreshproduce@gmail.com

Following a failed assassination attempt, the Prince Regent hires two actors to tutor him in public speaking.

Today we have a short bonus episode for you: it's an excerpt from our chat with author Catherine Curzon about Netflix' series Queen Charlotte: a Bridgerton Story. Please enjoy!Catherine's Georgian Episodes with us:Sweet Georgian Carolines The Real BridgertonCatherine's Bridgerton-verse books:https://www.pen-and-sword.co.uk/The-Real-Bridgerton-Hardback/p/23199/aid/1238 https://www.pen-and-sword.co.uk/The-Real-Queen-Charlotte-Inside-the-Real-Bridgerton-Court-Hardback/p/21481/aid/1238 https://www.mombooks.com/book/the-real-world-of-bridgerton/?imprint=1 Our favourite books by Catherine: Georgian Queens: https://www.pen-and-sword.co.uk/Queens-of-Georgian-Britain-Hardback/p/14066/aid/1238 Wives of Prince Regent: https://www.pen-and-sword.co.uk/The-Wives-of-George-IV-Hardback/p/20127/aid/1238 Life at Georgian Court: https://www.pen-and-sword.co.uk/Life-in-the-Georgian-Court-Hardback/p/12109/aid/1238 Please find more history fodder on our website https://www.ifitaintbaroque.art/ and if you would like to come with Natalie on a walking tour of London, please check out https://www.reignoflondon.com . Georgians Blogging:https://www.ifitaintbaroque.art/blog/categories/the-georgians Georgian London Walking Tour:Here's a direct link to Natalie's tour about Georgian and Windsor monarchs: https://www.getyourguide.com/london-l57/royal-london-georgian-and-windsor-monarchs-walking-tour-t481355 . Hosted on Acast. See acast.com/privacy for more information.

Today we talk to author Catherine Curzon about Netflix' series Bridgerton, particularly how to survive a marriage mart in the time of Regency when the show takes place.Dear gentle listener, please be warned, subject of domestic violence will be mentioned briefly. Catherine's Bridgerton-verse books: https://www.pen-and-sword.co.uk/The-Real-Bridgerton-Hardback/p/23199/aid/1238 https://www.pen-and-sword.co.uk/The-Real-Queen-Charlotte-Inside-the-Real-Bridgerton-Court-Hardback/p/21481/aid/1238 https://www.mombooks.com/book/the-real-world-of-bridgerton/?imprint=1 Our favourite books by Catherine: Georgian Queens: https://www.pen-and-sword.co.uk/Queens-of-Georgian-Britain-Hardback/p/14066/aid/1238 Wives of Prince Regent: https://www.pen-and-sword.co.uk/The-Wives-of-George-IV-Hardback/p/20127/aid/1238 Life at Georgian Court: https://www.pen-and-sword.co.uk/Life-in-the-Georgian-Court-Hardback/p/12109/aid/1238 Please find more history fodder on our website https://www.ifitaintbaroque.art/ and if you would like to come with Natalie on a walking tour of London, please check out https://www.reignoflondon.com .Georgians Blogging:https://www.ifitaintbaroque.art/blog/categories/the-georgiansGeorgian London Walking Tour:Here's a direct link to Natalie's tour about Georgian and Windsor monarchs: https://www.getyourguide.com/london-l57/royal-london-georgian-and-windsor-monarchs-walking-tour-t481355 . Hosted on Acast. See acast.com/privacy for more information.

Willy Willy Harry Stee, Harry Dick John Harry Three, One Two Three Neds, Richard Two, Henry's Four Five Six.........then who? Edward Four Five...Dick The Bad, Harry's Twain and Ned The Lad, Mary, Bessie, James The Vain, Charlie Charlie, James again. William & Mary, Anna Gloria, Four Georges.....And so the final George hove's into view, as Charlie Higson brings us George IV. The Prince Regent who became a king, eventually, he liked the finer things in life and changed fashion forever!Helping Charlie unravel his life is Catherine Curzon, author of Kings of Georgian Britain. Hosted on Acast. See acast.com/privacy for more information.

"Luddite" has become an insult and Brain Merchant wants to change that. Blood in the Machine: The Origins of the Rebellion Against Big Tech (Little, Brown, 2023) tells the story of when machines starting taking human jobs, when an underground network of 19th century rebels, the Luddites, took up arms against the industrialists that were automating their work--and how it explains the power, threat, and toll of big tech today. Two hundred years ago in rural England, working men and women rose up en masse rather than starve at the hands of the factory owners who were using machines to erase and degrade their livelihoods. Under the banner of a mythical General Loud, they organized guerrilla raids, smashed specific machines, and threatened wealthy machine owners. Luddites won the support of Lord Byron, inspired Mary Shelley, and enraged the louche Prince Regent and his bloodthirsty government. Before it was over, much blood would be spilled--of rich and poor, of the invisible and of the powerful. This deeply misunderstood class struggle nearly brought 19th century England to its knees. Currently many fear that big tech is dominating our lives and machines replacing human labor run high. We worry that technology imperils millions of jobs, robots are ousting workers from factories, and artificial intelligence will soon remove drivers from cars. Saving the movement from what E. P. Thompson called "the enormous condescension of posterity", Merchant finds inspiration in Luddism for our current crises. Brian Merchant is the author of The One Device: The Secret History of the iPhone (2017, Little, Brown). His work has appeared in a variety of places including Wired and The Atlantic. He is a founder of VICE's speculative fiction outlet Terraform and was the technology columnist at the Los Angeles Times. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

"Luddite" has become an insult and Brain Merchant wants to change that. Blood in the Machine: The Origins of the Rebellion Against Big Tech (Little, Brown, 2023) tells the story of when machines starting taking human jobs, when an underground network of 19th century rebels, the Luddites, took up arms against the industrialists that were automating their work--and how it explains the power, threat, and toll of big tech today. Two hundred years ago in rural England, working men and women rose up en masse rather than starve at the hands of the factory owners who were using machines to erase and degrade their livelihoods. Under the banner of a mythical General Loud, they organized guerrilla raids, smashed specific machines, and threatened wealthy machine owners. Luddites won the support of Lord Byron, inspired Mary Shelley, and enraged the louche Prince Regent and his bloodthirsty government. Before it was over, much blood would be spilled--of rich and poor, of the invisible and of the powerful. This deeply misunderstood class struggle nearly brought 19th century England to its knees. Currently many fear that big tech is dominating our lives and machines replacing human labor run high. We worry that technology imperils millions of jobs, robots are ousting workers from factories, and artificial intelligence will soon remove drivers from cars. Saving the movement from what E. P. Thompson called "the enormous condescension of posterity", Merchant finds inspiration in Luddism for our current crises. Brian Merchant is the author of The One Device: The Secret History of the iPhone (2017, Little, Brown). His work has appeared in a variety of places including Wired and The Atlantic. He is a founder of VICE's speculative fiction outlet Terraform and was the technology columnist at the Los Angeles Times. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

"Luddite" has become an insult and Brain Merchant wants to change that. Blood in the Machine: The Origins of the Rebellion Against Big Tech (Little, Brown, 2023) tells the story of when machines starting taking human jobs, when an underground network of 19th century rebels, the Luddites, took up arms against the industrialists that were automating their work--and how it explains the power, threat, and toll of big tech today. Two hundred years ago in rural England, working men and women rose up en masse rather than starve at the hands of the factory owners who were using machines to erase and degrade their livelihoods. Under the banner of a mythical General Loud, they organized guerrilla raids, smashed specific machines, and threatened wealthy machine owners. Luddites won the support of Lord Byron, inspired Mary Shelley, and enraged the louche Prince Regent and his bloodthirsty government. Before it was over, much blood would be spilled--of rich and poor, of the invisible and of the powerful. This deeply misunderstood class struggle nearly brought 19th century England to its knees. Currently many fear that big tech is dominating our lives and machines replacing human labor run high. We worry that technology imperils millions of jobs, robots are ousting workers from factories, and artificial intelligence will soon remove drivers from cars. Saving the movement from what E. P. Thompson called "the enormous condescension of posterity", Merchant finds inspiration in Luddism for our current crises. Brian Merchant is the author of The One Device: The Secret History of the iPhone (2017, Little, Brown). His work has appeared in a variety of places including Wired and The Atlantic. He is a founder of VICE's speculative fiction outlet Terraform and was the technology columnist at the Los Angeles Times. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

"Luddite" has become an insult and Brain Merchant wants to change that. Blood in the Machine: The Origins of the Rebellion Against Big Tech (Little, Brown, 2023) tells the story of when machines starting taking human jobs, when an underground network of 19th century rebels, the Luddites, took up arms against the industrialists that were automating their work--and how it explains the power, threat, and toll of big tech today. Two hundred years ago in rural England, working men and women rose up en masse rather than starve at the hands of the factory owners who were using machines to erase and degrade their livelihoods. Under the banner of a mythical General Loud, they organized guerrilla raids, smashed specific machines, and threatened wealthy machine owners. Luddites won the support of Lord Byron, inspired Mary Shelley, and enraged the louche Prince Regent and his bloodthirsty government. Before it was over, much blood would be spilled--of rich and poor, of the invisible and of the powerful. This deeply misunderstood class struggle nearly brought 19th century England to its knees. Currently many fear that big tech is dominating our lives and machines replacing human labor run high. We worry that technology imperils millions of jobs, robots are ousting workers from factories, and artificial intelligence will soon remove drivers from cars. Saving the movement from what E. P. Thompson called "the enormous condescension of posterity", Merchant finds inspiration in Luddism for our current crises. Brian Merchant is the author of The One Device: The Secret History of the iPhone (2017, Little, Brown). His work has appeared in a variety of places including Wired and The Atlantic. He is a founder of VICE's speculative fiction outlet Terraform and was the technology columnist at the Los Angeles Times. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

"Luddite" has become an insult and Brain Merchant wants to change that. Blood in the Machine: The Origins of the Rebellion Against Big Tech (Little, Brown, 2023) tells the story of when machines starting taking human jobs, when an underground network of 19th century rebels, the Luddites, took up arms against the industrialists that were automating their work--and how it explains the power, threat, and toll of big tech today. Two hundred years ago in rural England, working men and women rose up en masse rather than starve at the hands of the factory owners who were using machines to erase and degrade their livelihoods. Under the banner of a mythical General Loud, they organized guerrilla raids, smashed specific machines, and threatened wealthy machine owners. Luddites won the support of Lord Byron, inspired Mary Shelley, and enraged the louche Prince Regent and his bloodthirsty government. Before it was over, much blood would be spilled--of rich and poor, of the invisible and of the powerful. This deeply misunderstood class struggle nearly brought 19th century England to its knees. Currently many fear that big tech is dominating our lives and machines replacing human labor run high. We worry that technology imperils millions of jobs, robots are ousting workers from factories, and artificial intelligence will soon remove drivers from cars. Saving the movement from what E. P. Thompson called "the enormous condescension of posterity", Merchant finds inspiration in Luddism for our current crises. Brian Merchant is the author of The One Device: The Secret History of the iPhone (2017, Little, Brown). His work has appeared in a variety of places including Wired and The Atlantic. He is a founder of VICE's speculative fiction outlet Terraform and was the technology columnist at the Los Angeles Times. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

"Luddite" has become an insult and Brain Merchant wants to change that. Blood in the Machine: The Origins of the Rebellion Against Big Tech (Little, Brown, 2023) tells the story of when machines starting taking human jobs, when an underground network of 19th century rebels, the Luddites, took up arms against the industrialists that were automating their work--and how it explains the power, threat, and toll of big tech today. Two hundred years ago in rural England, working men and women rose up en masse rather than starve at the hands of the factory owners who were using machines to erase and degrade their livelihoods. Under the banner of a mythical General Loud, they organized guerrilla raids, smashed specific machines, and threatened wealthy machine owners. Luddites won the support of Lord Byron, inspired Mary Shelley, and enraged the louche Prince Regent and his bloodthirsty government. Before it was over, much blood would be spilled--of rich and poor, of the invisible and of the powerful. This deeply misunderstood class struggle nearly brought 19th century England to its knees. Currently many fear that big tech is dominating our lives and machines replacing human labor run high. We worry that technology imperils millions of jobs, robots are ousting workers from factories, and artificial intelligence will soon remove drivers from cars. Saving the movement from what E. P. Thompson called "the enormous condescension of posterity", Merchant finds inspiration in Luddism for our current crises. Brian Merchant is the author of The One Device: The Secret History of the iPhone (2017, Little, Brown). His work has appeared in a variety of places including Wired and The Atlantic. He is a founder of VICE's speculative fiction outlet Terraform and was the technology columnist at the Los Angeles Times. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Some have wondered about the possibility of a Regency while King Charles undergoes cancer treatments.Under the provisions of the Regency Act 1937, William, the Prince of Wales could assume the role of Prince Regent and undertake the King's responsibilities in the event of King Charles being incapacitated. Despite this possibility, Prime Minister Rishi Sunak has indicated that such a scenario is unlikely at the moment, given that the King's cancer was detected at an early stage.

TONIGHT: The show begins in Gaza, a discussionof what must not happen in Gaza after the IDF destroys the Hamas homicides.  From Gaza to Egypt, from Caracas to Georgetown, from France to Voyager 1.  With special a attention to Tokyo 1946-1948 and the war crimes trial. 1923 The Prince Regent inspects the damage of the earthquake.

Happy Halloween, everyone! It's finally here: Day 13 of 2023's 13 Days of Hallowtober event! Our topic this year has been werewolf films and as such we present a round table discussion of “The Wolf Man” (1941) and its remake, “The Wolfman” (2010). The original is a classic starring Lon Chaney Jr. and Claude Rains. The remake stars Benicio Del Toro and Anthony Hopkins. Does it hold a candle to its predecessor? Not likely, but it does have its merits and we take a deep dive into both movies and their place in werewolf film history! This is presented as both a video and audio podcast, and both links are on the web page. We showed movie ads in the video, and those will be posted on the web link also. I'd like to thank everyone who participated in this year's event including stalwarts Spency and My-Kill, as well as Bill Van Ryn, Rod Barnett, Juan Ortiz, and the Prince Regent of EDM, Dantes Alexander!! VIDEO: https://www.youtube.com/watch?v=1bjUhBlboaw (Please like and subscribe to our YouTube page!) Bill can be found at: https://www.facebook.com/DriveInAsylum https://www.etsy.com/shop/GroovyDoom https://www.facebook.com/frightlounge Rod can be found at: Blog: https://pitofrod.blogspot.com/ Bloody Pit Podcast: https://podcasts.apple.com/us/podcast/the-bloody-pit/id537799330 Naschycast: https://podcasts.apple.com/us/podcast/naschycast/id360865942 Wild, Wild Podcast: https://open.spotify.com/show/7oOuvHIYonYwyF8Fyyaej7 Juan can be found at: https://www.5thdimensionfilms.net Dantes can be found at: https://www.Instagram.com/dantesalexander https://www.facebook.com/dantesalexanderme His hit single “She's a Lady” can be found at: https://open.spotify.com/album/60E0fha71jq0UtRV7GQuoQ?si=SopqbrplTESBj5GrNbP2qQ Re-Gor can be found at: http://www.havenpodcasts.com

Day 12: In our penultimate 13 Days of Hallowtober episode for 2023, the Prince Regent of EDM, Dantes Alexander, joins Re-Gor to discuss the classic Hammer film, “Curse of the Werewolf,” starring Oliver Reed and directed by Terence Fisher. We noticed many elements borrowed in other films, and discussed what a badass Reed was in real life! Movie ads are also available on the web link! Enjoy! Dantes can be found at: https://www.Instagram.com/dantesalexander https://www.facebook.com/dantesalexanderme His hit single “She's a Lady” can be found at: https://open.spotify.com/album/60E0fha71jq0UtRV7GQuoQ?si=SopqbrplTESBj5GrNbP2qQ Re-Gor can be found at: http://www.havenpodcasts.com

Day 11: MyKill and the Prince Regent of Electronic Dance Music, Dantes Alexander, join Re-Gor on this episode of our 13 Days of Hallowtober event to discuss the werewolf film “Dog Soldiers” from 2002. Another little seen film, this one is fun, gory, and action-packed! It stars Sean Pertwee, the son of the third Dr. Who, John Pertwee, as well as Kevin McKidd, and was directed by Neil Marshall, the man who brought you the terrifying film, “The Descent” (2005)! No movie ads available, but a listing and local review are on the web page! Enjoy! Dantes can be found at: https://www.Instagram.com/dantesalexander https://www.facebook.com/dantesalexanderme His hit single “She's a Lady” can be found at: https://open.spotify.com/album/60E0fha71jq0UtRV7GQuoQ?si=SopqbrplTESBj5GrNbP2qQ Re-Gor can be found at: http://www.havenpodcasts.com

Day 9: Once again, MyKill and the Prince Regent of EDM, Dantes Alexander, join Re-Gor to discuss the relatively new film “Werewolves Within” (2021) on this episode of 2023's 13 Days of Hallowtober event. Starring Sam Richardson and Milana Vayntrub, who you may know as the AT&T girl! The film is a comedy with definite influence from other werewolf features of the past. We were divided on our opinion of it, so check it out! While it did have a theatrical release with great reviews, there are no newspaper ads for it, just listings. But check out our take on this crazy flick! Dantes can be found at: https://www.Instagram.com/dantesalexander https://www.facebook.com/dantesalexanderme His hit single “She's a Lady” can be found at: https://open.spotify.com/album/60E0fha71jq0UtRV7GQuoQ?si=SopqbrplTESBj5GrNbP2qQ Re-Gor can be found at: http://www.havenpodcasts.com

Day 8: The Prince Regent of EDM, Dantes Alexander, joins Re-Gor for this episode of Then Is Now Podcast's annual 13 Days of Hallowtober event for 2023! We take a dive into the 1985 Michael J. Fox comedy, “Teen Wolf.” Critically lambasted, but still a huge hit for its time, this movie really gets better with age and we dive into its themes. Don't forget to take a gander at the movie ads for it on our web page! Enjoy! Dantes can be found at: https://www.Instagram.com/dantesalexander https://www.facebook.com/dantesalexanderme His hit single “She's a Lady” can be found at: https://open.spotify.com/album/60E0fha71jq0UtRV7GQuoQ?si=SopqbrplTESBj5GrNbP2qQ Re-Gor can be found at: http://www.havenpodcasts.com

Day 5: Frequent guest host Spency joins Re-Gor along with the Prince Regent of Electronic Dance Music, Dantes Alexander to discuss another 1981 classic werewolf film, “An American Werewolf in London.” Directed by John Landis and starring David Naughton, Jenny Agutter, and Griffin Dunne, we discuss the influences on the movie from previous werewolf films as well as its subsequent influence on the genre. Don't forget to check out the movie ads on the web page! Enjoy! Dantes can be found at: https://www.Instagram.com/dantesalexander https://www.facebook.com/dantesalexanderme His hit single “She's a Lady” can be found at: https://open.spotify.com/album/60E0fha71jq0UtRV7GQuoQ?si=SopqbrplTESBj5GrNbP2qQ Re-Gor can be found at: http://www.havenpodcasts.com

Fans of Sebastian St. Cyr, Viscount Devlin, know that the individual tales that form his saga combine complex, fast-paced, often political mysteries with a series of revelations about his family's history that it would be churlish to reveal. All this takes place against the background of the Napoleonic Wars, mostly in Regency-era London with its vast social gap between the aristocratic rich and the starving, crime-ridden poor. The eighteenth of Sebastian's adventures, Who Cries for the Lost (Berkley Books, 2023) begins a few days before the Battle of Waterloo, a cataclysmic event—unknown to the characters, obviously—that will end Napoleon's military ambitions once and for all. A mutilated body is fished out of the Thames River and taken to Paul Gibson—a friend of Sebastian's who served as a surgeon during the Peninsular War—for an autopsy. When Paul's lover identifies the victim as her former husband and an aristocrat, the creaky wheels of the London policing system grind into gear. The Thames River Police may provide as much hope for justice as the costermongers and wherry boatmen of the city deserve, but a nobleman falls under the jurisdiction of Bow Street. As the number of corpses rises and pressure from the Prince Regent in Carlton House intensifies, Sebastian must race to solve a series of baffling, seemingly disconnected murders before the outcry demanding a solution leads to the arrest and execution of his friends. Meanwhile, the country anxiously awaits reports from the Duke of Wellington's army on the Continent, further stoking the tension, even as Sebastian confronts the reality of his nation's past misdeeds during the war and wonders whether those atrocities explain the crimes being committed in the present. Candice Proctor, aka C.S. Harris and C.S. Graham, is the USA Today bestselling, award-winning author of more than two dozen novels, including the Sebastian St. Cyr Regency mystery series written under the name C.S. Harris, the C.S. Graham thriller series co-written with Steven Harris, and seven historical romances. She is also the author of a nonfiction historical study of women in the French Revolution. C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and three other novels. Her latest book, Song of the Storyteller, appeared in January 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The US declaration of Independence described George III (1760-1820) as “marked by every act which may define a tyrant.” At home he was described as one of the most conscientious sovereigns who ever sat upon the English throne. Yet, he vehemently opposed catholic emancipation and the abolition of slavery. His characterisations are almost as broad as the events that unfolded during long reign. It saw an independent United States and a revolutionary France. It saw the age of enlightenment, the age of industry, science and technology and the age of imperialism that would see Europe reach the peak of its global power. Characters George III – King of the United Kingdom of Great Britain (1760-1820) and Ireland (1801-20) Charlotte of Mecklenberg-Strelitz – Queen consort of the United Kingdom of Great Britain (1760-1820) and Ireland (1801-20) Prince Frederick – father of George III, son of George II, Prince of Wales (1729-51) Princess Augusta of Saxe-Gotha – mother of George III Prince George – son of George III, Prince of Wales, Prince Regent of the United Kingdom (1811-20) Prince Henry – duke of Cumberland, brother of George III France Maximillien Robespierre – leading Jacobin revolutionary Charles Danton – leading Jacobin revolutionary Napoleon Bonaparte – Emperor of France Louis XVI – King of France (1774-92) Louis XVIII – King of France (1814-15, 1815-24) Marie Antoinette – Queen consort of France, wife of Louis XVI (1774-92) Pierre-Charles Villaneuve – French vice-admiral at the Battle of Trafalgar Joseph Bonaparte – King of Spain and Naples, brother of Napoleon Louis Bonaparte – King of Holland, brother of Napoleon United States Thomas Paine – English-born American revolutionary activist Benjamin Franklin – writer, diplomat and philosopher George Washington – military officer and statesman. 1st President of the United States (1789-97) James Madison – President of the United States (1809-17) Andrew Jackson – general and statesman, President of the United States (1829-37) Prime Ministers Thomas Pelham, Duke of Newcastle (1757-62) John Stuart, Earl of Bute (1762-63) George Grenville (1763-65) Charles Watson-Wentworth, Marquess of Rockingham (1765-66, 82) William Pitt (the elder), earl of Chatham – Prime Minister (1766-68) Augustus FitzRoy, Duke of Grafton (1768-70) Frederick, Lord North (1770-82) William Petty, Earl of Shelburne (1782-83) William Cavendish-Bentinck, Duke of Portland (1783, 1807-09) William Pitt (the younger) (1783-1801, 1804-06) Henry Addington (1801-04) William Grenville (1806-07) Spencer Perceval (1809-12) Robert Jenkinson, Earl of Liverpool (1812-27) Charles Fox – Whig politician Lord Effingham – in charge of the coronation Horatio Nelson – Admiral and flag officer in the Royal Navy Cuthbert Collingwood – Admiral in the Royal Navy Arthur Wellesley, Duke of Wellington – commander at the Battle of Waterloo William Howe – commander-in-chief of the British land forces during the American War of Independence John Burgoyne – British general during the American War of Independence Charles Cornwallis – British general during the American War of Independence Thomas Gray – British poet and scholar Sarah Lennox – favourite of George John Harrison – British clockmaker and inventor of the marine chronometer Abel Tasman – Dutch seafarer and explorer James Cook – British captain and explorer Capability Brown – British gardener and landscape architect Benjamin West – American artist William Herschel – German-born British astronomer Pope Pius VI – head of the Catholic Church (1775-99)

Tracing Christmas celebrations through the years, from the novels of Jane Austen to Charles Dickens and A Christmas Carol.Show Notes:Carol Ann Lloydwww.carolannlloyd.com@shakeuphistorypatreon.com/carolannlloydCreative Director: Lindsey LindstromMusic: History by Andy_Grey via Audio Jungle, Music Broadcast License