Podcast appearances and mentions of Horace Parlan

THE CHARLES MINGUS JAZZ WORKSHOP “PITHECANTHROPUS ERECTUS” New York, January 30, 1956Pithecanthropus erectus [suite]: Evolution – Superiority-complex – Decline – DestructionJackie McLean (as) J.R. Monterose (ts) Mal Waldron (p) Charles Mingus (b) Willie Jones (d) “THE CLOWN” New York, February 13, March 12, 1957Haitian fight song (1), Reincarnation of a lovebird (1)Jimmy Knepper (tb) Shafi Hadi (as-1,ts-2) [aka Curtis Porter (as,ts) ] Wade Legge (p) Charles Mingus (b) Dannie Richmond (d,tamb) “MINGUS AH UM” New York, May 5, 1959Better get it in your soul, Goodbye pork pie hat, Fables of FaubusJimmy Knepper (tb) John Handy (cl-1,as) Shafi Hadi (as-2,ts) Booker Ervin (ts) Horace Parlan (p) Charles Mingus (b,p-3) Dannie Richmond (d) Continue reading Puro Jazz 15 de mayo, 2025 Programa especial dedicado a Charles Mingus at PuroJazz.

THE CHARLES MINGUS JAZZ WORKSHOP “PITHECANTHROPUS ERECTUS” New York, January 30, 1956Pithecanthropus erectus [suite]: Evolution – Superiority-complex – Decline – DestructionJackie McLean (as) J.R. Monterose (ts) Mal Waldron (p) Charles Mingus (b) Willie Jones (d) “THE CLOWN” New York, February 13, March 12, 1957Haitian fight song (1), Reincarnation of a lovebird (1)Jimmy Knepper (tb) Shafi Hadi (as-1,ts-2) [aka Curtis Porter (as,ts) ] Wade Legge (p) Charles Mingus (b) Dannie Richmond (d,tamb) “MINGUS AH UM” New York, May 5, 1959Better get it in your soul, Goodbye pork pie hat, Fables of FaubusJimmy Knepper (tb) John Handy (cl-1,as) Shafi Hadi (as-2,ts) Booker Ervin (ts) Horace Parlan (p) Charles Mingus (b,p-3) Dannie Richmond (d) Continue reading Puro Jazz 15 de mayo, 2025 Programa especial dedicado a Charles Mingus at PuroJazz.

Tonight's Jazz Feature should need no introduction to Jazz people as it is an essential classic and arguably one of bassist/composer Charles Mingus' finest albums. It was done for Columbia Records and it was Mingus' first album for a major label which guaranteed wide distribution and a quality product. It became a best seller for Mingus and Columbia. It was critically acclaimed and literally brought Mingus out of the Jazz underground to the Jazz fore forefront.. It featured Mingus' basic Jazz Workshop quintet augmented by a few Mingus alumni from previous Workshop editions. The regulars were: John Handy on alto and tenor saxophones, Booker Ervin on tenor saxophone, Horace Parlan on piano, Mingus on bass and Dannie Richmond on drums.. The added horns were Shafi Hadi on tenor and alto in an ensemble role, Jimmy Knepper or Willie Dennis on trombone. Mingus had full control of the date and supervised the post production editing and the sequencing of the tunes on the recording. With this album Mingus widened his audience and his musical influence everywhere. Enjoy Mingus Ah Um tonight as our Jazz Feature celebrating Mingus' 103rd Birthday Anniversary tomorrow April 22.

STANDARS SEMANAL-.las cosas ya no son lo que eran.-VINILOS MITICOS DEL JAZZ-J913 - Charles Mingus-1959 Mingus Ah Um.-AZZACTUALIDAD-.JUAN DE DIEGO-GREBALARIAK-AZKEN UDA Mingus Ah Um es un álbum de estudio del músico de jazz estadounidense Charles Mingus que fue lanzado en octubre de 1959 por Columbia Records . [ 1 ] [ 2 ] Fue su primer álbum grabado para Columbia. La portada presenta una pintura de S. Neil Fujita . [ 5 ] El título es una corrupción de una declinación latina imaginaria . Es común que los estudiantes de latín memoricen adjetivos latinos diciendo primero el nominativo masculino (generalmente terminado en " -us "), luego el nominativo femenino (" -a "), y finalmente elnominativo singular neutro (" -um ") [ 6 ] —lo que implica una transformación de su nombre, Mingus, Minga, Mingum . El álbum fue incluido en el Salón de la Fama de los Grammy en 2013. [ 7 ] Ocupó el puesto 380 en los 500 mejores álbumes de todos los tiempos de la Rolling Stone . La Penguin Guide to Jazz on CD llama a este álbum "un homenaje extendido a los antepasados" (y le otorga una de sus raras coronas), [ 8 ] y los antepasados ​​musicales de Mingus aparecen en gran medida en todo el álbum. "Better Git It In Your Soul" está inspirada en el canto gospel y la predicación del tipo que Mingus habría escuchado cuando era niño en Watts, Los Ángeles, California , mientras que " Goodbye Pork Pie Hat " es una referencia (a través de su sombrero favorito) al saxofonista Lester Young (que había muerto poco antes de que se grabara el álbum). El origen y la naturaleza de "Boogie Stop Shuffle" se explican por sí solos: un blues de doce compases con cuatro temas y un acompañamiento de bajo boogie que pasa del tiempo detenido al shuffle y viceversa. "Self-Portrait in Three Colors" fue escrita originalmente para la primera película de John Cassavetes como director, Shadows , pero nunca se usó (por razones presupuestarias). "Open Letter to Duke" es un homenaje a Duke Ellington y se basa en tres de las piezas anteriores de Mingus ("Nouroog", "Duke's Choice" y "Slippers"). "Jelly Roll" es una referencia al pionero del jazz y pianista Jelly Roll Morton y presenta una cita de "Sonnymoon for Two" de Sonny Rollins durante el solo de piano de Horace Parlan . "Bird Calls", en las propias palabras de Mingus, no era una referencia al saxofonista de bebop Charlie "Bird" Parker : "No se suponía que sonara como Charlie Parker. Se suponía que sonara como pájaros, la primera parte". " Fables of Faubus " debe su nombre a Orval E. Faubus (1910-1994), el gobernador de Arkansas, famoso por su postura de 1957 contra la integración de las escuelas de Little Rock, Arkansas , desafiando los fallos de la Corte Suprema de los Estados Unidos (obligando al presidente Eisenhower a enviar a la Guardia Nacional ). Columbia Records se negó a permitir que se incluyera la letra de la canción, [ 9 ] por lo que la canción se grabó como instrumental en el álbum. [ 10 ] [ 11 ] No fue hasta el 20 de octubre de 1960 que la canción se grabó con letra, para el álbum Charles Mingus Presents Charles Mingus , que se lanzó en el sello más independiente Candid . [ 10 ] Debido a problemas contractuales con Columbia, la canción no pudo publicarse como "Fables of Faubus", por lo que la versión de Candid se tituló "Original Faubus Fables". Azken Uda JUAN DE DIEGO-GREBALARIAK CD JAZZ / LATIN-JAZZ ERRABAL JAZZ (GH ER169 02) 8436010309314 Tras la edición de su primer trabajo homónimo en 2021, el trompetista/músico vasco-catalán retoma la senda de su antecesor con este sorprendente "Azken Uda" (El último verano). Un trabajo grabado en los estudios Sol de Sants de Barcelona por Alberto Pérez los días 11 y 12 de octubre, que cuenta además del propio Juan De Diego a la trompeta y flugel, con la colaboración de Toni Saigi al piano, Pere Loewe al contrabajo y Ramon Prats a la batería. Un disco que pone de manifiesto la indiscutible belleza de las composiciones escritas por Juan de Diego a la hora de transitar por la senda del jazz contemporáneo, música efervescente y colorida, con una cierta intencionalidad Be-Bop que desvela un carácter orgánico, flexible y vital a lo largo de sus surcos.

durée : 00:59:59 - Moon Party - par : Nathalie Piolé -

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Tonight's Jazz Feature is a belated tribute to the Birthday of bassist/pianist/composer/iconoclast/ Charles Mingus. Mingus was born on Earth Day, April 22, 1922 in Nogales, Arizona and died in Cuernavaca, Mexico on January 5, 1979 from ALS. This album on tonight's Jazz Feature is his first for Columbia Records and it literally brought Mingus out of the Jazz underground and into the forefront. It was also his best selling album and widened his audience by leaps and bounds. The album is one of the many classics that were recorded in 1959 like "Kind of Blue". "Time Out", "Giant Steps" this is of course "Mingus Ah Um". With his basic Jazz Workshop quintet of 1959 with John Handy on alto and tenor saxophones and clarinet, Booker Ervin on tenor saxophone, Horace Parlan on piano, Dannie Richmond on drums and Charles Mingus on bass that is augmented by three Mingus alumni from previous Jazz Workshops, Jimmy Knepper on some tracks and Willie Dennis on others on trombones and Shafi Hadi as a non-soloing addition on alto and tenor saxophones in the ensembles. The album was done in two sessions, the first on May 5, 1959 and the second on May 12, 1959.Nine compositions in all and presented in the sequence that Mingus wished. Tonight's Jazz Feature: ":Mingus Ah Um"......as Mingus would say "DIG IT".

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On tonight's show: Earl Bostic, Zoot Sims & Bob Brookmeyer, Frank Sinatra, Eddie Jefferson, Horace Parlan, Ray Bryan with Walter Booker Jr. & Freddie Waits, WDR Big Band Köln with Joe Williams and Milt Jackson, George Robert, Dal Richards & His Orchestra, and Ximo Tebar & the Ivam Jazz Ensemble.

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Tonight's show: Erskine Hawkins & and His Orchestra, Illinois Jacquet, Artie Shaw, Zoot Sims, Lou Levy Trio, Mundell Lowe And His All Stars, Gil Evans, Horace Parlan, Elek Bacsik, Kenny Burrell, and Buddy Collette.

José Luis Cova y Simón Petit present: JazzTaBueno 18/2023 *LATIN RUMBA* 1. PAQUITO D'RIVERA-SNOW SAMBA 2. MICHEL CAMILO - BLUE BOSSA 3. ARTURO OFARRIL AND THE CHICO OFARRIL AFRO CUBAN JAZZ ORCHESTRA - RUMBA ABIERTA 4. HORACE PARLAN – CONGALERA 5. PONCHO SÁNCHEZ – ALELUIA 6. MONGO SANTAMARIA - NAKED IF YOU WANT TO 7. FRANK EMILIO FLYNN - LOS AMIGOS 8. ORBERT DAVIS & CHICAGO JAZZ PHILHARMONIC CHAMBER ENSEMBLE - ORLANDOS WALK 9. SPANISH HARLEM ORCHESTRA - YOU AND THE NIGHT AND THE MUSIC. Our Production music is new and innovative in many ways. Is also engaging and inspiring our loyal public radio family with the current explosion of talent and creativity across the spectrum of jazz and related musics.

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The jazz label Blue Note Records existed before Reid Miles was hired, so we talk about the guy who set the stage for him: John Hermansader. Once we've set the scene, we jaw about a couple of our favorite albums from artists Horace Parlan and Jackie McLean. Who was in charge of designing them? Why did they make the creative choices they did? And, perhaps most importantly, does each album's look do a good job of translating sound into visuals? - - - - - Visit our full episode page for show notes, the visual examples we discuss, additional links and more! https://www.twodesignerswalkintoabar.com/episodes/episode-44-the-beats - - - - - Have a question or idea for Todd and Elliot? Send a note to hello@twodesignerswalkintoabar.com and we promise to read it. After that it's anyone's guess. - - - - - Visit https://www.twodesignerswalkintoabar.com/merch to have a look at stuff we've made for listeners just like you. Learn more about your ad choices. Visit megaphone.fm/adchoices

**It's The Jazz2Go Show Replay On traxfm.org. Jazz2Go Presented Some Classic & Contemporary Jazz Crackers From Trio Camara, Rebecca Vasmant, Dom Um Romao, Jack Costanzo & His Latin Combustion Band, Horace Parlan, Dave Brubeck Sabu Martinez, Sirius B, Jorgen Emborg, Malcolm Strachan, One For All, Francisco Mora Catlett, Quasimode, & More #Jazz #JazzClassics #ContemporaryJazz #JazzGroove #JazzSoul Catch Jazz2Go Every Monday From 7PM UK Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : facebook.com/original103.3 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

Exploramos un disco triple, 'Blue bossa. Cool cuts from the tropics', publicado hace seis años, que contiene grabaciones de músicos de jazz marcadas por lo latino: James Moody and his Modernists ('Tin tin deo'), Hank Mobley ('Avila and Tequila'), Jackie McLean ('Bluesanova'), Grant Green ('Corcovado'), Stanley Turrentine ('Wave'), Horace Parlan ('Congalegre'), Big John Patton ('Latona'), Ike Quebec ('Loie', 'Lloro tu despedida') y Joe Henderson ('Blue bossa').Escuchar audio

Chez « SteepleChase » au Danemark, avec quelques légendes du jazz et de célèbres inconnus. 1972-2022 : SteepleChase fête ses 50 ans et avec une lui une certaine idée du jazz.   Tracklist Archie Shepp & Horace Parlan, Sometimes I Feel Like... Continue Reading →

Horace Parlan was born in Pittsburg, Pennsylvania and came to prominence with the 1958/59 edition of the Charles Mingus Jazz Workshop. after leaving Mingus he recorded prolifically as a sideman and signed a contract with Blue Note Records. His albums did well and he was a busy pianist. He developed a unique style of playing because of a handicap brought on by childhood polio which paralysed two fingers on his right hand. His albums for Blue Note sold well and yet this fine session was never issued until 1986 even though it was recorded in 1963. It was given a catalogue number and advertised but never issued at the time and this is the reason it is being spotlighted as part of our unissued Jazz Features this month. The music is superb and features a great band with Parlan leading on piano, Johnny Coles on trumpet, Booker Ervin on tenor saxophone, Grant Green on guitar, Edward "Butch" Warren on bass and Billy Higgins on drums. 6 original tunes are played by Parlan who wrote 2, Ervin who did 1 as did Johnny Coles and 1 by pianist Randy Weston. The intriguing opener called "Home is Africa" was penned by Sun Ra bassist Ronnie Boykins. The album is called "Happy Frame of Mind" and it's tonight's Jazz Feature.

Tonight on Jazz After Dark: From 1955-1963 we'll hear Kai Winding with J.J. Johnson, Bobby Hackett, John Lewis, Erroll Garner, Chet Baker, Gigi Gryce Quartet, Miles Davis, Elek Bacsik, McCoy Tyner, and Art Blakey. Then we'll hear 1980s performances by Archie Shepp with Horace Parlan, and Butch Thompson.

Welcome to a new edition of the Neon Jazz interview series with London-based Producer and Band Brainchild of US3 Geoff Wilkinson .. The band was formed in 1992 alongside production partner Mel Simpson .. Ultimately US3 rose from the ashes of 2 previous incarnations. Their name was inspired by the  Horace Parlan album Us Three produced by Alfred Lion who is the founder of Blue Note Records .. Two years after they released “Cantaloop (Flip Fantasia), it hit the US top ten. The album was “Hand on the Torch” and it was a global phenomenon, along with being the first Blue Note album ever to achieve Platinum status in the USA. He opens up about the band, his life these days and so much more and he once said …“If jazz is the first way, and hip hop is the second way, then Us3 is the third way!”... Enjoy this .. More - http://www.us3.com/index.php?page=biographyClick to listen.Thanks for listening and tuning into yet another Neon Jazz interview .. where we give you a bit of insight into the finest players and minds around the world giving fans all that jazz ..  If you want to hear more interviews, go to Famous Interviews with Joe Dimino on the iTunes store, visit the YouTube Neon Jazz  Channel at https://www.youtube.com/c/neonjazzkc, go The Home of Neon Jazz at  http://theneonjazz.blogspot.com/ and for everything Joe Dimino related go to www.joedimino.com When you are there, you can donate to the Neon Jazz cause via PayPal https://www.paypal.com/donate?hosted_button_id=ERA4C4TTVKLR4 or through Patreon at https://www.patreon.com/neonjazzkc - Until next time .. enjoy the music my friends ..

durée : 00:59:33 - Au bord de l'eau - par : Nathalie Piolé - Ce soir, les eaux nous racontent des histoires... - réalisé par : Fabien Fleurat

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En este capítulo nos concentramos en la carrera de Horace Parlan, el pianista que supo grabar grandes trabajos para Blue Note y en los 70s actualizó su música en Europa. Por otra parte, escuchamos lo último de Joel Ross, desde Chile: Nahuel Blanco y nuestro clásico cierre con Chick Corea. Dale play! Más información: www.radioborder.com.ar

Tete Montoliu was a spanish pianist who had a long and successful career. As part of our " pianists under the radar" we discuss him and his playing style. This goes with our other episodes on pianists Mel Powell, Joe Albany, Hod O'Brien and Horace Parlan all well worth checking out if you haven't heard those episodes.

Tonight on Jazz After Dark: Quintetto Ritmico di Milano (1940s Italian jazz), Ella Fitzgerald, Chet Baker Quartet, Billy Taylor Trio and Quartet, and Yusef Lateef, Rahsaan Roland Kirk, Al Hibbler, and Archie Shepp with Horace Parlan.

Horace Parlan is another in our under the radar players episodes,  known for working in the hard bop and post-bop styles of jazz. In addition to his work as a bandleader Parlan was known for his contributions to the Charles Mingus recordings Mingus Ah Um and Blues & Roots. 

"Moanin'" Charles Mingus: Blues & Roots (Atlantic, 1960) Charles Mingus, John Handy, Jackie McLean, Booker Ervin, Pepper Adams, Jimmy Knepper, Willie Dennis, Dannie Richmond, Horace Parlan. El tema es una composición de Mingus. © Pachi Tapiz, 2021 En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos... https://www.tomajazz.com/web/?p=56454 Charles Mingus en Tomajazz https://www.tomajazz.com/web/?s=mingus&submit=Search Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847

"Round midnight" (de l'

On this episode of Riffin on Jazz Howard, Malvin and Chuck spotlight some Jazz greats who have overcome disabilities as we hear from artists like Art Tatum, Horace Parlan and more, so make sure to tune into this episode of Riffin on Jazz on the KUDZUKIAN App, Kudzukian.com or your favorite podcast provider.

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Paula interviews world-renowned jazz guitarist and bassist, Fred Thelonius Baker.  Fred was a student at Birmingham School of Music (now Royal Birmingham Conservatoire) from 1979, and studied composition with Andrew Downes. Andrew went on to invite Fred to teach at Birmingham Conservatoire in 1989, which led to Fred being a major part of Andrew's new School of Composition and Creative Studies from the early 90s. Fred has been a permanent teacher/lecturer in accoustic and bass guitar there ever since. In the mid 90s, Andrew composed his Concerto for Guitar, Electric Bass Guitar and Strings for Fred playing Electric Bass with Simon Dinnigan playing Acoustic Guitar. They recorded it for CD in 1999 with string players from the City of Birmingham Symphony Orchestra. Fred and Simon also arranged Downes' Piano Sonatina, Movement 2 for Electric Bass and Acoustic Guitar and also recorded this for the CD. All of these works are played throughout the episode. More information on the works and the CD can be found here: https://www.andrewdownes.com/Soloists-with-Orchestra.html#GUITARSTRINGS Fred Thelonious Baker is a Jazz guitarist and bassist from the English village of Tibshelf, Derbyshire. Born in 1960, Fred was given a ukulele when he was four by his father. Indeed, Fred's parents were a major influence in the beginning of his musical journey. A year later, he was given his first guitar and went on to learn the Classical guitar. During his mid-teens, Fred also began an interest in the bass guitar, an instrument with which he has since become synonymous. After studying at Chesterfield College, Fred went on to study at Birmingham School of Music (now Conservatoire) where he gained a GBSM and ABSM in teaching and performance. Around this time, at the invitation of Sir John Dankworth and Cleo Laine, Fred began teaching at Wavendon All Music Summer School. Since then, Fred has taught and given masterclasses at many universities, music colleges and music Summer schools including Guildhall School of Music & Drama, Berkeley College of Music, USA, St Petersburg Conservatory, Russia, London Brunel, Huddersfield, Sheffield, and Derby Universities. Since 1989, he has been a permanent teacher/lecturer in acoustic and bass guitar at Birmingham Conservatoire. Fred has performed all over the world as a session musician and soloist with a variety of musicians and ensembles including Courtney Pine, Nigel Kennedy, Billy Cobham, the CBSO, Fairport Convention, Robert Wyatt, Harry Beckett, Horace Parlan, Soft Machine, John Etheridge, Pip Pyle, Ric Sanders, Karen Street, Joe Sachse, Tony Levin, Phil Bates, Clive Bunker, Elton Dean, Simon Dinnigan, Geoff Eales, Liam Genocky and Phil Miller. As both a jazz guitarist and bassist, Fred has appeared extensively on many recordings. "Spinal Tap" from his solo accoustic guitar CD, Life Suite, will be played on this episode. Fred is currently working on the legacy of the late Phil Miller: https://philmillerthelegacy.com  

CLASSIC JAZZ RECORDING OF THE WEEK. Horace Parlan. On the Spur of the Moment, 1961. Mammal Hands. Captured Spirits, 2020. JAZZ IN SPANISH. Sergi Sirvent Octopussy Trio. Cants Lliures, 2021. Arne Torvik Trio. Northwestern Songs, 2021. Spirit Fingers. Peace, 2020.

CLASSIC JAZZ RECORDING OF THE WEEK. Horace Parlan. On the Spur of the Moment, 1961. Mammal Hands. Captured Spirits, 2020. JAZZ IN SPANISH. Sergi Sirvent Octopussy Trio. Cants Lliures, 2021. Arne Torvik Trio. Northwestern Songs, 2021. Spirit Fingers. Peace, 2020.

La última vez que hablé con Juancho "Frudisk" fue sobre un LP de Mingus. Así que esta va por él: "Goodbye Pork Pie Hat" Charles Mingus: Mingus Ah Um (Columbia, 1959) Charles Mingus, Horace Parlan, Dannie Richmond, John Handy, Booker Ervin © Pachi Tapiz, 2021 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html.

CLÁSICO DE LA SEMANA. Horace Parlan. On the Spur of the Moment, 1961. Mammal Hands. Captured Spirits, 2020. JAZZ EN ESPAÑOL. Sergi Sirvent Octopussy Trio. Cants Lliures, 2021. Arne Torvik Trio. Northwestern Songs, 2021. Spirit Fingers. Peace, 2020.

CLÁSICO DE LA SEMANA. Horace Parlan. On the Spur of the Moment, 1961. Mammal Hands. Captured Spirits, 2020. JAZZ EN ESPAÑOL. Sergi Sirvent Octopussy Trio. Cants Lliures, 2021. Arne Torvik Trio. Northwestern Songs, 2021. Spirit Fingers. Peace, 2020.

À l'occasion de la sortie de l'album Let My People Go, en duo avec Jason Moran, nous recevons l'un des pères du free jazz, le saxophoniste américain Archie Shepp. (Rediffusion) Le site d'Archie Shepp Saxophoniste, compositeur, pianiste, chanteur, poète engagé, dramaturge, Archie Shepp est une légende vivante, "l'un des meilleurs interprètes de la mémoire babélienne du Jazz", selon le Dictionnaire du Jazz (Robert Laffont). Archie Shepp et Jason Moran : il y a des rencontres qui révèlent comme un fil de trame dans l'histoire de la musique, des résonnances jusqu'ici presque imperceptibles, et qui soudain s'entendent clairement. En Europe, nombreux sont ceux qui ont découvert Jason Moran aux côtés de Charles Lloyd, en quartet ou dans un bouleversant duo. Lloyd et Shepp, peut-être les plus dissemblables et les plus complémentaires des quatre grands héritiers directs de Coltrane au saxophone – avec Shorter et Sanders – se trouvent ainsi rapprochés par le grand art du pianiste, toujours à l'écoute, toujours inventif. Note après note, celui qui s'est révélé ces vingt dernières années comme l'un de musiciens essentiels – et l'un de plus originaux – du jazz contemporain, pose à ses aînés des questions profondes, mettant en évidence leurs places singulières et essentielles dans l'histoire des musiques afro-américaines. Pour Archie Shepp, ce duo avec un pianiste s'inscrit dans une longue et brillante série (Abdullah Ibrahim, Siegfried Kessler, Joachim Kühn), mais plus qu'à tout autre, on pense à ceux avec Mal Waldron d'une part, puissante, irrésistible évocation de Billie Holiday, et avec Horace Parlan de l'autre (Going Home, chef d'oeuvre absolu empreint lui aussi de Negro Spirituals).   Programmation - Archie Shepp et Jason Moran Sometimes I Feel Like A Motherless Child (extrait de l'album Let My People Go / Archieball 2021) voir le clip ici - Archie Shepp et Jason Moran Round Midnight (Thelonious Monk) (extrait de l'album Let My People Go / Archieball 2021) - Archie Shepp et Jason Moran Wise One (John Coltrane) (extrait de l'album Let My People Go / Archieball 2021) - Archie Shepp Malcolm, Malcolm Semper Malcom (Fire Music 1965) - Archie Shepp et Chuck D The Reverse (Gemini 2007) - Archie Shepp, Raw Poetic & Damu the Fudgemunk Tulips (Ocean Bridges 2020) - Archie Shepp Attica Blues (Attica Blues 1972). Et 3 nouveautés : - Wasis Diop Parler (extrait de l'album De la glace dans la gazelle / MDC 2021) voir le clip ici  - Valerie June Call me a Fool Feat. Carla Thomas  (extrait de l'album The Moon and Stars / Fantasy Rd 2021) voir le clip ici  - Made Kuti Free your mind (extrait de l'album Legacy / Partisan Rd/ Pias 2021) voir le clip ici. Émission initialement diffusée le 27 mars 2021.

Dr. Hakan Rauf Tüfekçi caz tarihinin tozlu sayfalarında dolanmaya devam ediyor. Bu bölümde, sağ eli sakat olduğu için kendine has çalma tekniği geliştiren ABD’li piyanist ve besteci Horace Parlan’ı anlatıyor ve şarkılarını çalıyor.

Bu müzik ona babasından miras

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À l’occasion de la sortie de l’album "Let My People Go", en duo avec Jason Moran, nous recevons l’un des pères du free jazz, le saxophoniste américain Archie Shepp. Le site d'Archie Shepp Saxophoniste, compositeur, pianiste, chanteur, poète engagé, dramaturge, Archie Shepp est une légende vivante, "l'un des meilleurs interprètes de la mémoire babélienne du Jazz", selon le Dictionnaire du Jazz (Robert Laffont). Archie Shepp et Jason Moran : il y a des rencontres qui révèlent comme un fil de trame dans l’histoire de la musique, des résonnances jusqu’ici presque imperceptibles, et qui soudain s’entendent clairement. En Europe, nombreux sont ceux qui ont découvert Jason Moran aux côtés de Charles Lloyd, en quartet ou dans un bouleversant duo. Lloyd et Shepp, peut-être les plus dissemblables et les plus complémentaires des quatre grands héritiers directs de Coltrane au saxophone – avec Shorter et Sanders – se trouvent ainsi rapprochés par le grand art du pianiste, toujours à l’écoute, toujours inventif. Note après note, celui qui s’est révélé ces vingt dernières années comme l’un de musiciens essentiels – et l’un de plus originaux – du jazz contemporain, pose à ses aînés des questions profondes, mettant en évidence leurs places singulières et essentielles dans l’histoire des musiques afro-américaines. Pour Archie Shepp, ce duo avec un pianiste s’inscrit dans une longue et brillante série (Abdullah Ibrahim, Siegfried Kessler, Joachim Kühn), mais plus qu’à tout autre, on pense à ceux avec Mal Waldron d’une part, puissante, irrésistible évocation de Billie Holiday, et avec Horace Parlan de l’autre (Going Home, chef d’oeuvre absolu empreint lui aussi de Negro Spirituals). Programmation - Archie Shepp et Jason Moran Sometimes I Feel Like A Motherless Child (extrait de l’album Let My People Go / Archieball 2021) voir le clip ici - Archie Shepp et Jason Moran Round Midnight (Thelonious Monk) (extrait de l’album Let My People Go / Archieball 2021) - Archie Shepp et Jason Moran Wise One (John Coltrane) (extrait de l’album Let My People Go / Archieball 2021) - Archie Shepp Malcolm, Malcolm Semper Malcom (Fire Music 1965) - Archie Shepp et Chuck D The Reverse (Gemini 2007) - Archie Shepp, Raw Poetic & Damu the Fudgemunk Tulips (Ocean Bridges 2020) - Archie Shepp Attica Blues (Attica Blues 1972). Et 3 nouveautés : - Wasis Diop Parler (extrait de l’album De la glace dans la gazelle / MDC 2021) voir le clip ici  - Valerie June Call me a Fool Feat. Carla Thomas  (extrait de l’album The Moon and Stars / Fantasy Rd 2021) voir le clip ici  - Made Kuti Free your mind (extrait de l’album Legacy / Partisan Rd/ Pias 2021) voir le clip ici.    

BOOKER ERVIN ‎– DOWN IN THE DUMPS (AKA COOKIN’) – Newark, N.J., November 26, 1960 Dee Da Doo, Mister Wiggles, Down In The Dumps Booker Ervin (st) Horace Parlan (p) George Tucker (b) Danny Richmond (dr) SAL SALVADOR – JUICY LUCY – New York, September...

HORACE PARLAN – US THREE  – Englewood Cliffs, N.J., April 20, 1960 Come Rain or Come Shine, The lady is a tramp, Walkin’ Horace Parlan (p) George Tucker (b) Al Harewood (d)   RON MILES I AM A MAN – Denver, CO, December, 2016 I...

Episodio numero 21 con un ricordo di Viola Smith, il nuovo Rob Mazurek, il solito Shabaka Hutchings, gli Ezra Collective. Il consueto appuntamento con #EllingtonLiveClub ci regala un inedito di Massimo Urbani e poi Horace Parlan, Krzysztof Komeda, Muhal Richard Abrams, Clifford Brown & Max Roach, Dinah Washington. Buon jazz a tutti.

durée : 00:58:42 - Les bienheureux - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - réalisé par : Fabien Fleurat

CHARLES MINGUS – BLUES AND ROOTS – New York, February 4, 1959 My jelly roll soul, Wednesday night prayer meeting, E’s flat, Ah’s flat too (1,#) Jimmy Knepper, Willie Dennis (tb) Jackie McLean, John Handy (as) Booker Ervin (ts) Pepper Adams (bar) Horace Parlan (p)...

DEXTER GORDON – HOMECOMING – Live “Village Vanguard”, New York, December 11 & 12, 1976 It’s you or no one Woody Shaw (tp,flhrn) Dexter Gordon (ts) Ronnie Mathews (p) Stafford James (b) Louis Hayes (d) HORACE PARLAN – US THREE – Englewood Cliffs, N.J., April...

durée : 00:58:44 - Jouer, danser - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - réalisé par : Davy Travailleur

Por Pachi Tapiz. "Blues Up and Down" Johnny Griffin / Eddie “Lockjaw” Davis Quintet: Ow! Live at The Penthouse (Reel to Real Recordings) Johnny Griffin, Eddie “Lockjaw” Davis, Horace Parlan, Buddy Catlett, Art Taylor © Pachi Tapiz, 2019 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html.

This album signals a new era for Mingus with the addition of two new and talented saxophonists to the ranks of his "Jazz Workshop". John Handy on alto saxophone and Booker Ervin on tenor blend beautifully and of course are fine musicians and original stylists. Their presence signals a new beginning for Mingus' music and a great productive period. This album is part of a concert performed at the Nonagon Art Gallery in New York on January 16,1959. 1959 was one of Mingus' great years. Horace Parlan was Mingus' regular pianist and he was called away on a family emergency but Handy recommended his friend Richard Wyands to sub. Wyands played Mingus' difficult music with no problem and fit right in. Only four tunes make up this album but they are all superb. Handy, Ervin, Wyands all driven by Mingus on bass and Dannie Richmond's creative drumming. From the The excitement of "No Private Income Blues" to the ballad mastery of John Handy and Mingus on Vernon Duke's "I Can't Get Started" to "Nostalgia in Times Square" to the haunting "Alice's Wonderland" this is a great concert. Strangely when first issued it was given only 2 out of 5 stars and dismissed as inconsequential. This is the last album of under reviewed albums that deserved much more. No one would dismiss this classic today so enjoy and check out the majesty of Mingus' music with this superb edition of his Jazz Workshop.

In this episode we feature three great pianists: Marcus Roberts; Horace Parlan; and Cedar Walton.

As the third of The Jazz Show's features of classics recorded in 1959,, we present Charles Mingus and his breakthrough album, "Mingus Ah Um" done for Columbia Records. This was the remarkable recording that rose Mingus up from the underground of Jazz to national prominence. Not only was this a productive period in Mingus' career, he also had one of his finest working bands as the 1959 edition of his "Jazz Workshop". John Handy on alto and tenor saxophone and clarinet, Booker Ervin on tenor saxophone, Horace Parlan on piano, Dannie Richmond on drums and of course Mingus on bass and occasionally piano. For these sessions Mingus was allowed to bring in some alumni from previous Workshops. Trombonists Jimmy Knepper and Willie Dennis are heard on various pieces as well as alto and tenor saxophonist Shafi Hadi who doesn't solo but fills out the ensembles with his sound. The album is beautifully produced and Mingus supervised everything, editing, order of the tunes, the notes. It marked the recorded debut of three of his most enduring compositions, "Better Get It In Your Soul". "Goodbye Pork Pie Hat" and "Fables of Faubus" among many other gems. "Mingus Ah Um" opened many door for people and Charles Mingus and we'll hear it tonight!

John Coltrane flytur lög af plötunni Soultrane. Lögin heita Theme For Ernie, You Say You Care, I Want To Talk, Russian Lullaby og Good Bait. Tríó Horace Parlan leikur lögin Don't Take Your Love From Me, Nobody Knows You When You're Down And Out, Blues For H.P., Everytime We Say Goodbye, For Heavens Sake og Love And Peace. Fredrik Norén og hljómsveit leika lögin Helenas Song, Ice Man, Daisy Town og The Phrase.

This album which received raves from the critics and public alike was bassist/composer Charles Mingus' debut on a major label, Columbia Records. It was Mingus' breakthrough from the Jazz underground. Not only was the music great and played by one of Mingus' best bands but it was beautifully recorded. Mingus was given free reign to hire and do what he wished and was also allowed to program the record and supervise the post-recording editing. It became Mingus' best selling record as well. Mingus regular working band at the time (1959) was a quintet and it comprised three newcomers to New York. Alto and tenor saxophonist John Handy (heard mostly on alto here), and tenor saxophonist Booker Ervin and pianist Horace Parlan and Mingus' reliable and dynamic drummer Dannie Richmond. Columbia permitted Mingus to add alto and tenor saxophonist Shafi Hadi to fill out the ensembles and Jimmy Knepper and Willie Dennis on trombone....all Mingus alumnae. It's all here from the gospel tinged "Better Git it in Your Soul" to the mournful "Goodbye Pork-Pie Hat" to the bitter "Fables of Faubus".....a Mingus classic and tonight's Jazz Feature!

This fine album was Booker Ervin's first for the Prestige label under his name. This fine beginning was obviously well planned by Booker and he picked his sidemen well. Booker Ervin during his short ten year time on the national Jazz scene proved himself to be one of the most identifiable and strongest voices of the tenor saxophone. A big walloping sound and a great blues-based concept made him a favorite. He was also Charles Mingus' favorite tenor saxophonist and was heard in various Mingus Jazz Workshops from 1959 to 1964. Ervin picked alto saxophone master Frank Strozier as his front line partner and the two very different players blend very well and compliment each other beautifully. Strozier is to this day shamefully underrated and deserves a higher place in the Jazz echelon. Ervin's other players are his close pal Horace Parlan on piano, Edward "Butch" Warren on bass and the always swinging Walter Perkins on drums. Ervin wrote three intriguing originals for this date, there is one good standard in "Just In Time" and Walter Perkins wrote "No Man's Land". June 19, 1963 was a good day for all these gentlemen and for us. Exult in "Exultation!"

On Record Keeping Episode 1, Julian draws parallels between Wilco's Summerteeth & albums by The Band, The Flaming Lips, Paul McCartney and more. He also remembers jazz pianist Horace Parlan and discusses the new album from the progressive jazz quintet, Kneebody.

7e émission de la 35e session... Cette semaine, clin d'oeil à Horace Parlan, freebop et free from Chicago ! En musique Horace Parlan sur l'album Us Three  (Blue Note, 1960); Horace Parlan sur l'album Up & Down  (Blue Note, 1961); Dan Phillips' Chicago Edge Ensemble sur l'album Decaying Orbit  (Indépendant, 2017); Marquis Hill, Jeff Parker, Joachim Florent, Denis Fournier sur l'album Escape Lane  (The Bridge Sessions, 2017); Vinny Golia, Oliver Lake, Ross Hammond and Adam Lane sur l'album Live At The Downtown Music Gallery NYC  (Downtown Music Gallery, 2016); Art Ensemble of Chicago sur l'album Certain Blacks  (America, 1970); Queen Mab Trio sur l'album Réunion  (Mikroclimat, 2017)...

7e émission de la 35e session... Cette semaine, clin d'oeil à Horace Parlan, freebop et free from Chicago ! En musique Horace Parlan sur l'album Us Three  (Blue Note, 1960); Horace Parlan sur l'album Up & Down  (Blue Note, 1961); Dan Phillips’ Chicago Edge Ensemble sur l'album Decaying Orbit  (Indépendant, 2017); Marquis Hill, Jeff Parker, Joachim Florent, Denis Fournier sur l'album Escape Lane  (The Bridge Sessions, 2017); Vinny Golia, Oliver Lake, Ross Hammond and Adam Lane sur l'album Live At The Downtown Music Gallery NYC  (Downtown Music Gallery, 2016); Art Ensemble of Chicago sur l'album Certain Blacks  (America, 1970); Queen Mab Trio sur l'album Réunion  (Mikroclimat, 2017)...

Denmark was once home to many expatriate American Jazz musicians. These days, Horace Parlan is one of the only ones left.

In 1931, during the Depression, an unknown young black woman took her new-born son to a Pittsburgh orphanage. And so began jazz pianist Horace Parlan´s life. At the age of five, he was struck by polio and lost the use of three fingers on his right hand, yet somehow, against the odds, he managed a long career as a professional musician.

In 1931, during the Depression, an unknown young black woman took her new-born son to a Pittsburgh orphanage. And so began jazz pianist Horace Parlan´s life. At the age of five, he was struck by polio and lost the use of three fingers on his right hand, yet somehow, against the odds, he managed a long career as a professional musician.

Den berömde jazzpianisten Horace Parlan lever idag blind på ett ålderdomshem i Danmark. P2 Dokumentär reser med honom tillbaka i tiden, in i musiken och till hans gamla tillhåll, Jazzhus Montmartre. Ett vårdhem några timmar från Köpenhamn. Vårdarna hjälper en blind, äldre man i rullstol ut till en väntande sjuktransport. Mannen är den amerikanske jazzmusikern Horace Parlan som sedan 50-talet spelat med många av jazzens största namn. Idag har han tillbringat mer än halva sitt liv i Danmark, långt från söndagsskolans spirituals och den segregation han växte upp med i Pittsburgh, USA. Den danska radioproducenten Rikke Houd reser med Horace Parlan tillbaka i tiden och in i den musik som alltid har funnits där för honom. Och hon följer också med Horace till Köpenhamn och hans älskade tillhåll Jazzhus Montmartre. Medverkande:Horace Parlan Jakob Tovborg Jensen Alex Riel Dado Moroni Archie Shepp Montmartre Jazzclub Personal på Parlans åldersomshem Horaces' födelsedagsgäster: Ursula D. Pedersen, Christine von Bülow och Tomas Frank. En P2 Dokumentär av Rikke Houd

"Asesinato en el Orient Express" de Agatha Christie (1936) es una novela de misterio en la que seguimos al excentrico detective Hercule Poirot en un viaje en el titular Orient Express, un tren de lujo que conecta Estambul con Paris, en el cual ocurre un asesinato. Todos los pasajeros del tren son sospechosos y no hay manera de salir del tren, que ha sido detenido por la nieve, asi  que Hercule Poirot tiene en sus manos resolver este asesinato, el cual no parece tener una explicacion que tenga sentido. Conoce mas sobre este libro en la resena de este episodio de "A la aventura". Como musica de fondo, extractos del disco "Movin' & Groovin'" de Horace Parlan (1960).   Contactowww.alaaventura.net/contactofacebook.com/alaaventurapodcastTwitter: @alaaventurajboscomendoza@gmail.com

This Jazz Feature is a short concert performed in Sweden at the Ahus Jazz Festival in July of 1973 with the great tenor saxophonist playing with pick-up rhythm section of US ex-pats.The people involved with Mr. Ammons are Horace Parlan on piano, Red Mitchell on bass and a fairly unknown drummer named Ed Jones. They provide Gene Ammons with the right backing and although he had about a year to live (he died at age 49 of bone cancer)one would never suspect he was gravely ill. The tunes are all familiar to the band and there was obviously no rehearsal but it wouldn't matter with musicians of this calibre. This is a rare recording and gives one to hear one of the all-time greats on the tenor saxophone....Happy Birthday Gene "Jug" Ammons. Ammons was born in Chicago on April 14, 1925.Dig Jug!

"Double Horace on the show tonight - throw out the Silver, let's do it right." (with apologies to Becker & Fagen.) Pat and Mike COULD have talked about three jazz pianists named Horace on this show, but missed it by that much. Horace Parlan – HEADIN' SOUTH; Horace Tapscott – THOUGHTS OF DAR EL SALAAM; Chico Freeman – DESTINY'S DANCE; Charles Lloyd – VOICE IN THE NIGHT.

Tracklist : 1. Intro – Wesley Snipes from Passenger 57 2. Eugene Wilde – Gotta get you home with me 3. Dennis Edwards – Don’t look any further 4. Cool Notes – Never too young 5. Kleer – Intimate Connection 6. Kleer – Tonight 7. Original Concept – Can you feel it? 8. Doug Fresh – The Show 9. Bad Boys / K LOVE – Bad Boys 10. Marley Marl – Marley Scratch 11. MC Shan – MC Space 12. Mantronix – Get stupid fresh pt 1 13. Mantronix – In Full Effect Megamix 88 14. King Tee – Ya better bring ya gun 15. K Rob / DJ Cheese – Im a homeboy 16. Dr. Funkenstein – Scratchin’ to the Funk 17. Grandmaster Flash and Melle Mel – Pump me up 18. Junkyard Band – Talkin’ bout a W-O-R and a Deeeee 19. Indeep – Last night a DJ saved my life 20. Indeep – Boys Talk 21. Aurra – Baby Love 22. Fatback band – Is this the future 23. Project Future – Ray-gun-omics 24. Cashmere – Do it anyway ya wanna 25. Rose Royce – Magic Touch 26. Evelyn King – Personal Touch 27. Jocelyn Brown – Somebody else’s guy 28. Fredrick ‘MC Count’ Lynton – I’m Somebody else’s Guy 29. Jenny Burton – Bad Habit 30. Barbra Mason – Another Man 31. Tout Sweet – My Other Man 32. West Phillips – I’m just a sucker (for a pretty face) 33. Lefturo – Outta Sight, Outta mind 34. Lisa Warrington – I like the way you… 35. Unique – What i got is what you need L-O-V-E 36. Sister Sledge – Thinking of You 37. Hot Streak – Body Work 38. D-Train – Keep On 39. Toni Lee – Reach up 40. Rockers Revenge – Walkin on Sunshine 41. Secret Weapon – Must be the Music 42. Afrika Bambaataa / Soulsonic Force – Renegades of Funk 43. Modern Romance – Can You Move 44. The Clash – The Escapades of Futura 2000 45. Hamilton Bohannon – Let’s Start The Dance 46. The Clash – Magnificent Seven 47. Nancy Martinez – Can’t Believe 48. Pressure Drop – Rock The House 49. Nairobi – Soul Makossa 50. Sharon Redd – Beat The Street 51. Warp 9 – Light years Away 52. Warp 9 – Nunk 53. Connie – Funky Little Beat 54. Aleem – Release yourself 55. Fantasy Three – The Buck Stops Here 56. Xena – On the upside 57. Indeep – Slow Down 58. Stone – Time 59. Stone – Girl I like the way you move 60. Roy Ayers – Running Away 61. Salsoul Orchestra – Ooh I love it (Love Break) 62. Fonda Rae – Touch Me 63. Players’ Association – Love hangover 64. You got me burnin’ up 65. Fonda Rae – Over like a fat rat 66. King Tim Third / Fatback Band – Personality Jock 67. Washington Groove – Gonna work it out 68. Cheryl Lynn – Im the one 69. MC Flex / FBI Crew – Rockin’ it 70. Hi-Fidelity Three – B Boys Breakdance 71. Horace Parlan – Groovin’ 72. Yusef Latif – Voodoo Dance 73.Ann Burton – I concentrate on you 74. Rosco Weathers Latin Band – Iclan 75. Rosco Weathers Orchestra – Little White Bird 76. Les McCann – Maccana 77. Gaslamp Band – Crazy Changes 78. i forgot this one ill dig it out later and send you the title 79. Skyriders – Surfs UP! Join me on Facebook : http://www.facebook.com/rz.restrictedzone Follow me on Twitter : http://twitter.com/restrictedzone

Gene Ammons live in concert in Sweden. The great tenor saxophonist a year before his passing with an amazing pick-up band with ex-pat Horace Parlan(piano),Red Mitchell(bass) and a swinging unknown Ed Jones(drums). Ammons with his huge sound and bluesy concept is still an influence today and was much admired by Sonny Stitt,Sonny Rollins and all the greats."Jug" forever!

Première de la cinquième session. En entrée, une pièce du The Vandermark 5 puis en présentation principale Steve Coleman (1956, Chicago, alto saxophoniste). L'on termine avec un petit hard-bop avec Horace Parlan.

Première de la cinquième session. En entrée, une pièce du The Vandermark 5 puis en présentation principale Steve Coleman (1956, Chicago, alto saxophoniste). L'on termine avec un petit hard-bop avec Horace Parlan.