English percussionist, composer, lyricist and music theorist
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Hey everyone, it's Austin Young here. Today, we've got a special guest: Chris Cutler from the legendary punk rock band Fat By The Gallon. After a decade-long wait, these guys finally dropped a record that's been worth the hype.We're breaking down the studio sessions, the challenges they faced, and the wild ride that led to this album's release. But that's not all. Chris also opens up about his personal battle with Huntington's Disease and how it's shaped his life and music. With a career that includes opening for punk rock giants like NOFX, Big D and the Kids Table, and Less Than Jake, Chris's story is one of resilience, passion, and the raw power of music.But wait, there's more! Chris also shares his expert advice on how up-and-coming bands can build a tour in Europe. He's been around the block a few times, so he knows a thing or two about navigating the European music scene.So sit back, relax, and let's get into it with Chris Cutler on The Austin Young Show.Please consider making a donation on Chris behalf to Huntington's Disease Society of America. DONATE HERE Music By: Fat By The Gallon - GI Joe Was Full Of S@*t, Man! To The Chopper and Letting GoThe Two Watts - Russian Warship *DISCLAIMER: I hereby declare that I do not own the rights to this music/song. All rights belong to the owner. No Copyright Infringement Intended. All bands have given permission to use their music.*
Episódio 7 da temporada especial do Appleton Podcast - FARRA - numa parceria com o MACE, Centro de Arte Oliva e Córtex Frontal. Carla Santana é compositora, música de electrónica e artista sonora, cria paisagens sonoras através de gravações de campo, captações electro-acústicas e sintetizadores. Cria a solo como Quatroconnection. Compõe para teatro e dança. Integra projectos de improvisação como Rodrigo Brandão (com Rodrigo Amado, Hernâni Faustino e João Valinho), Quarto Com Luz (com Samuel Gapp, Michael Schiefel, Helena Espvall e J.Valinho), VGO, IKB, Isotope Ensemble. Pertence ao colectivo LANTANA. David Maranha é um músico veterano de órgão nascido em 1969 na Figueira da Foz, Portugal. A música de Maranha explora os domínios da improvisação livre e da "música drone" com semelhanças e influências de compositores clássicos de vanguarda, dos primeiros artistas drone e da cena krautrock, em particular a colaboração de Tony Conrad e Faust. Os seus álbuns Marches Of The New World e Antarctica são excelentes mostras de peças hipnóticas lentas ao estilo Krautrock. Para além disso, David Maranha faz parte de vários grupos (Osso Exotico, Curia) e tem colaborado com muitos músicos (Chris Cutler, Z'ev) ao longo das décadas. Daniel Moreira e Rita Castro Neves vivem e trabalham entre o Porto e a Beira Alta. Com percursos artísticos separados, começam a trabalhar em colaboração em 2015, iniciando um projeto longo a propósito da natureza. O seu trabalho parte muitas vezes do lugar em que se encontram, e de uma prática assente de investigação, explorando frequentemente noções de território, ciência, o rural, a ecologia, a biopolítica e a preservação ambiental.Atentos às possibilidades das matérias, encontram soluções simples, mesmo para resultados complexos e de larga escala, que são frequentemente devedoras dos saberes tradicionais e populares. Em 2020 iniciam o projeto da Escola de Macieira, numa antiga escola primária do Plano dos Centenários na Serra de São Macário e em 2021 o projeto de arte postal Caixa de Correio, no seu estúdio no Porto. Links: https://jazz.pt/breves/carla-santana--frazao-santos-e-hernani-faustino-vao-a-lota https://www.mun-setubal.pt/sons-da-arrabida-em-ambiente-intimista/ https://ritacastroneves.com/pt/casa-comum-com-daniel-moreira/ https://escolademacieira.com/about/ https://umbigomagazine.com/pt/blog/2022/11/29/faca-na-pedra-na-appleton/ https://davidmaranha.blogspot.com/ https://bodyspace.net/entrevistas/244-david-maranha/ https://appleton.pt/david-maranha-manuel-mota/ https://www.coffeepaste.com/en/event/f-nFnIl2zTa1/ Episódio gravado a 16.07.2024 Créditos introdução e final:David Maranha - GuitarraManuel Mota - Guitarra http://www.appleton.pt Mecenas Appleton:HCI / Colecção Maria e Armando Cabral / A2P / MyStory Hotels Apoio:Câmara Municipal de Lisboa Financiamento:República Portuguesa - DGArtes
The Cyldesdale returns to the podcast with Dickie and Madrox. Clayton joins the brothers to talk about everything that has been going on with MadBash abd the MadBash Boys for the first half of the year including, but not limited to, The Ascend The Throne Tournament, Chris Cutler's title reign, Hybrid Championship Wrestling's Breakout Tournament, the expansion of MadBash Studios into MadBash Films and Mischievous Rabbit and so much more. Clayton also talks about what it's like to be the Gate Keeper of MadBash Wrestling and joins Dickie in some Mountain Monsters talk.Please consider supporting us on Patreon! Patreon.com/MadBashStudios-Socials-MadBashStudios.comFacebook: https://www.facebook.com/MadBashStudios-MadBash Studios and The Spot Show Podcast are powered by-Yoo-hoo: https://www.yoo-hoo.com/Elite Pro Wrestling: www.eliteprofessionalwrestling.com/Music: "Deep and Dirty" Kevin MacLeod (incompetech.com, Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Support the Show.
The brothers are in a dream and they don't wanna wake up! From a banger MadBash Wrestling Championship triple threat to a movie shoot with their good friends at Wupass, Dickie and Madrox have had a ridiculous ride. Hanging out with Mr. Kennedy in a backyard wrestling ring, FaceTiming a former WWF tag team champion and introducing Chris Cutler to Elite Pro Wrestling, everything is talked about today on this podski.Please consider supporting us on Patreon! Patreon.com/MadBashStudios-Socials-MadBashStudios.comFacebook: https://www.facebook.com/MadBashStudios-MadBash Studios and The Spot Show Podcast are powered by-Yoo-hoo: https://www.yoo-hoo.com/Elite Pro Wrestling: www.eliteprofessionalwrestling.com/Music: "Deep and Dirty" Kevin MacLeod (incompetech.com, Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Support the Show.
Chris Cutler has officially ascended the throne and became the first ever MadBash Wrestling Champion! Dickie and Madrox sit down to give all their thoughts on MadBash Wrestling's first ever show, Ascend The Throne. Behind the scenes, their review of the matches on the show, and everything in between. Dickie also talks about his trip to the Indiana Comic Convention and Madrox explains how he had the cops called in his defense at a Hybrid show!Please consider supporting us on Patreon! Patreon.com/MadBashStudios-Socials-MadBashStudios.comFacebook: https://www.facebook.com/MadBashStudios-MadBash Studios and The Spot Show Podcast are powered by-Yoo-hoo: https://www.yoo-hoo.com/Elite Pro Wrestling: www.eliteprofessionalwrestling.com/Music: "Deep and Dirty" Kevin MacLeod (incompetech.com, Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Support the Show.
Chris joins us to go through his career starting before he joined the Alex, joining the club, and what his recollections are of his time at the club. We end by looking at what he's been up to since leaving.
Big Organ Sounds And Percussion #4 This is a five part series dedicated to electric organs. The title of the series was chosen for two reasons: Firstly, “Organ Sounds And Percussion” is an album by Eddie Layton from 1962. Layton was one of my first great heroes on the electric organ and one of the main reasons I became interested in the instrument. Another significant early influence on my listening habits was Big John Patton. The title is meant as a tribute to those two musicians in appreciation of their work. Secondly, the “percussion”-part is intended to imply that the series deals primarily with popular, rhythmic genres: Jazz, rock, reggae, funk and whatnot. More abstract material - drone, free improvisation, modern composition - is better suited for a separate treatment in my opinion. In terms of the programming, I've been guided by two further choices: Firstly, though a few names reappear over the course of the series, I've attempted to present as many different artists as possible. Secondly, in #1 - #4 the main focus is on shorter pieces. In #5 emphasis is on longer pieces. Finally, there are many types of electric organs on display here, including sampled and imitated ones. Truth be told, in one track there is no organ whatsoever outside of the lyrics. This is not an academic exercise and I'm no purist. My main purpose has simply been to make a selection that is a continuous joy to listen to throughout. Thanks to Jan Høgh Stricker for the invitation. Thanks to Kasper Vang (#1, #2, #3) and Ryosuke Ueno (#4, #5) for editing and mixing. Thanks to Peter Peter, Chris Cutler and Martin Hoshi Vognsen for helping out. J. Vognsen Tracklist on this link: https://tinyurl.com/bigorgansoundsandpercussion5
Big Organ Sounds And Percussion #4 This is a five part series dedicated to electric organs. The title of the series was chosen for two reasons: Firstly, “Organ Sounds And Percussion” is an album by Eddie Layton from 1962. Layton was one of my first great heroes on the electric organ and one of the main reasons I became interested in the instrument. Another significant early influence on my listening habits was Big John Patton. The title is meant as a tribute to those two musicians in appreciation of their work. Secondly, the “percussion”-part is intended to imply that the series deals primarily with popular, rhythmic genres: Jazz, rock, reggae, funk and whatnot. More abstract material - drone, free improvisation, modern composition - is better suited for a separate treatment in my opinion. In terms of the programming, I've been guided by two further choices: Firstly, though a few names reappear over the course of the series, I've attempted to present as many different artists as possible. Secondly, in #1 - #4 the main focus is on shorter pieces. In #5 emphasis is on longer pieces. Finally, there are many types of electric organs on display here, including sampled and imitated ones. Truth be told, in one track there is no organ whatsoever outside of the lyrics. This is not an academic exercise and I'm no purist. My main purpose has simply been to make a selection that is a continuous joy to listen to throughout. Thanks to Jan Høgh Stricker for the invitation. Thanks to Kasper Vang (#1, #2, #3) and Ryosuke Ueno (#4, #5) for editing and mixing. Thanks to Peter Peter, Chris Cutler and Martin Hoshi Vognsen for helping out. J. Vognsen Tracklist on this link: https://tinyurl.com/bigorgansoundsandpercussion4
El freejazz y la improvisación musical llega al pódcast con la presencia del destacado multi-instrumentalista #GermánBringas; en su participación, a la que ha titulado Improvisación, ofrece una extraordinaria muestra de sus caminos explorativos desarrollada a lo largo de cinco décadas. En esta segunda entrega de Música Sin Fronteras #LenguajeVivo, el reconocido músico lleva a la audiencia a través del lenguaje musical del free jazz, la improvisación y la libertad sonora mediante instrumentos como el tank drum, construido por el propio Bringas con tanques de gas LP; este es un concierto, ofrecido el pasado 11 de marzo desde Ciudad de México, ejecuta piezas para saxofón, música para piano (su música más representativa dentro del jazz); improvisaciones libres, además de improvisaciones y composiciones para piano y trompeta simultáneos. Germán Bringas, nace en la Ciudad de México en 1964. Es también productor y fundador del sello independiente Jazzorca Records que, desde 1991, ha realizado más de 73 producciones; así como del foro Café Jazzorca, desde 1993. Ha tocado, colaborado y, en ocasiones, grabado con músicos reconocidos internacionalmente como John Zorn, Evan Parker, Fred Frith, Tristan Honsinger, Chris Cutler, Akira Sakata, Tony Malaby, Jarret Gilgore, entre muchos otros. En el extranjero ha tocado en ciudades como Nueva York, Berlín, Torino, Milano, Hamburgo, Trondheim y París. Síguenos en nuestros canales: linktr.ee/musicasinfronterasmx Esta actividad se realiza con apoyo del Sistema de Apoyos a la Creación y Proyectos Culturales (SACPC) FONCA, en colaboración con Cultura UACM UACM San Lorenzo #Iztapalapa, +Musica MX y Cim cenzontle Iztapalapa.
This episode of Big Blend Radio's 2nd Tuesday "Food, Wine & Travel Show" with the International Food, Wine & Travel Writers Association (IFWTWA) focuses on the Annual IFWTWA Conference held Nov. 8-11. This exciting event will be held is St. Petersburg, Florida "Sunshine City" at the fabulous Hyatt Place Hotel Downtown. https://www.ifwtwa.org/2021-ifwtwa-conference/ FEATURED GUESTS: CHRIS CUTLER: President of IFWTWA, Christine Cutler is a writer, photographer, editor, guide, teacher, traveler, Ohio native, Florida resident, and world citizen. She lives in Downtown St. Petersburg with her husband and crazy Welsh Terrier, but she can't sit still very long. Follow her adventures at https://coldpastaandredwine.com/ KATHY MERCHANT: Co-Chair of the IFWTWA Conference 2021, Kathy Merchant is an author and the founder of https://vinoventurescincinnati.com/. Her wine credentials include Diploma from the Wine & Spirit Education Trust, French and Italian certifications from the Wine Scholar Guild, and Certified Specialist of Wine. SCOTT KENDALL: Co-Chair of the IFWTWA Conference 2021, Scott Kendall is Editor of https://playstayeat.com/as well as a freelance travel writer, photographer, and videographer based in The Woodlands, Texas. He has traveled extensively throughout the US and Europe, has written for numerous publications.
This episode of Big Blend Radio's 2nd Tuesday "Food, Wine & Travel Show" with the International Food, Wine & Travel Writers Association (IFWTWA) focuses on the Annual IFWTWA Conference held Nov. 8-11. This exciting event will be held is St. Petersburg, Florida "Sunshine City" at the fabulous Hyatt Place Hotel Downtown. https://www.ifwtwa.org/2021-ifwtwa-conference/FEATURED GUESTS:CHRIS CUTLER: President of IFWTWA, Christine Cutler is a writer, photographer, editor, guide, teacher, traveler, Ohio native, Florida resident, and world citizen. She lives in Downtown St. Petersburg with her husband and crazy Welsh Terrier, but she can't sit still very long. Follow her adventures at https://coldpastaandredwine.com/KATHY MERCHANT: Co-Chair of the IFWTWA Conference 2021, Kathy Merchant is an author and the founder of https://vinoventurescincinnati.com/. Her wine credentials include Diploma from the Wine & Spirit Education Trust, French and Italian certifications from the Wine Scholar Guild, and Certified Specialist of Wine.SCOTT KENDALL: Co-Chair of the IFWTWA Conference 2021, Scott Kendall is Editor of https://playstayeat.com/as well as a freelance travel writer, photographer, and videographer based in The Woodlands, Texas. He has traveled extensively throughout the US and Europe, has written for numerous publications.
Fred Frith (1949) es uno de los músicos más versátiles, innovadores y arriesgados de la historia del rock de vanguardia. Su enorme talento compositivo y su amplitud de miras a la hora de integrar elementos musicales de todo tipo han hecho de él uno de los músicos más interesantes y admirados dentro del panorama experimental; un compositor siempre ligado a muchos de los grandes de la vanguardia de los últimos 50 años: Chris Cutler, Mike Olfield, Robert Wyatt, John Zorn, Tom Cora, Bill Laswell, George Cartwright, Zeena Parkins... Repertorio: 1. Henry Cow - Teenbeat (Leg-end) 2. Art Bears - The Hermit (Winter Songs) 3. Fred Frith - Hands of the Juggler (Gravity) 4. Massacre - Legs (Killing Time) 5. Fred Frith - Laughing matter/Esperanza (Speechless) 6. Skeleton Crew - Que Viva/Onwards and Upwards (Learn to talk) 7. Curlew - Person to person/Time and a half (North America) 8. Fred Frith - A rock in a hard place (Allies) 9. Keep the dog - The same eye/Fives (That House We Lived In) 10. Fred Frith/Ensemble Modern - First Riddle/Traffic II (Traffic Continues) 11. Cosa Brava - R. D. Burman (Ragged Atlas)
This episode of Big Blend Radio features travel, food, and wine writer writer Chris Cutler who discusses five Italian foods that you won’t find in Italy. Read her article here: https://blendradioandtv.com/listing/five-italian-foods-you-wont-find-in-italy/ Music is "Fresh Squeezed" by Johnny Mastro & Mama's Boys
Join Nancy J. Reid and Lisa D. Smith, the mother-daughter travel team and publishers of Big Blend Magazines, for Big Blend Radio’s 2nd Friday Food Wine & Travel Festival with the International Food Wine & Travel Writers Association (IFWTWA), airing live from Madison, Wisconsin. On This Episode: - Italian Cuisine- Travel, food and wine writer writer Chris Cutler discusses five Italian foods that you won’t find in Italy. - Exploring Tyler, Texas - Holli Fourniquet of Visit Tyler gives an overview of what there is to experience in Tyler, Texas “The Rose Capital of America.” Featured music is “Fresh Squeezed” by Johnny Mastro & Mama’s Boys, and “Texas Blue Moon” by Shelley King.
This is a five part series dedicated to electric organs. The title of the series was chosen for two reasons: Firstly, “Organ Sounds And Percussion” is an album by Eddie Layton from 1962. Layton was one of my first great heroes on the electric organ and one of the main reasons I became interested in the instrument. Another significant early influence on my listening habits was Big John Patton. The title is meant as a tribute to those two musicians in appreciation of their work. Secondly, the “percussion”-part is intended to imply that the series deals primarily with popular, rhythmic genres: Jazz, rock, reggae, funk and whatnot. More abstract material - drone, free improvisation, modern composition - is better suited for a separate treatment in my opinion. In terms of the programming, I've been guided by two further choices: Firstly, though a few names reappear over the course of the series, I've attempted to present as many different artists as possible. Secondly, in #1 - #4 the main focus is on shorter pieces. In #5 emphasis is on longer pieces. Finally, there are many types of electric organs on display here, including sampled and imitated ones. Truth be told, in one track there is no organ whatsoever outside of the lyrics. This is not an academic exercise and I'm no purist. My main purpose has simply been to make a selection that is a continuous joy to listen to throughout. Thanks to Jan Høgh Stricker for the invitation. Thanks to Kasper Vang for editing and mixing. Thanks to Peter Peter, Chris Cutler and Martin Hoshi Vognsen for helping out. J. Vognsen April 20th, 2020 Tracklist on this link: https://tinyurl.com/bigorgansoundstracklist3
Come to the Caribbean The Eloise TrioL'Ïle Fantastique -Série TV Gene Levitt 1977Anna Macao The Eloise TrioJe Suis Une Île Halo MaudI Walked With a Zombie (Vaudou) Jacques Tourneur 1943Die Die Die (Invocation - Zepaules) Destiné Jeanleon Haiti VaudouCoumbite (Suite no. 1) Frantz CasseusAiguise l'aire de cette île Pierre BastienLord of the Flies Peter Brook 1963Pattes de mouches Jean-Claude VannierLes gardes volent au secours du roi Jean-Claude VannierFragment #2 MerzougaNarration Count Ossie And The Mystic Revelation Of RastafariJamaica Day FactionTales From Kiribati Island Roberto Musci - Giovanni Venosta - Chris CutlerSavage Sea The Pop GroupInaccessible Island Nico MotteLes garçons sauvages Bertrand Mandico 2017Zug Island Kyle Hall & KeroLes Iles ("The Islands") Lise Garnier Phonetic Poetry On Spatialism 1962Island Of Woods Ryuichi SakamotoJavan's Call Darkstar Foam Island
a cura di Alessandro Achilli. Musiche di Robert Wyatt, Golden Diskó Ship, Kris Davis & Ingrid Laubrock, Andrzej Karpiński, Chris Cutler, Slovo, Pietro Verardo (seconda parte)
a cura di Alessandro Achilli. Musiche di Robert Wyatt, Golden Diskó Ship, Kris Davis & Ingrid Laubrock, Andrzej Karpiński, Chris Cutler, Slovo, Pietro Verardo
a cura di Alessandro Achilli. Musiche di Robert Wyatt, Golden Diskó Ship, Kris Davis & Ingrid Laubrock, Andrzej Karpiński, Chris Cutler, Slovo, Pietro Verardo (seconda parte)
This is a five part series dedicated to electric organs. The title of the series was chosen for two reasons: Firstly, “Organ Sounds And Percussion” is an album by Eddie Layton from 1962. Layton was one of my first great heroes on the electric organ and one of the main reasons I became interested in the instrument. Another significant early influence on my listening habits was Big John Patton. The title is meant as a tribute to those two musicians in appreciation of their work. Secondly, the “percussion”-part is intended to imply that the series deals primarily with popular, rhythmic genres: Jazz, rock, reggae, funk and whatnot. More abstract material - drone, free improvisation, modern composition - is better suited for a separate treatment in my opinion. In terms of the programming, I've been guided by two further choices: Firstly, though a few names reappear over the course of the series, I've attempted to present as many different artists as possible. Secondly, in #1 - #4 the main focus is on shorter pieces. In #5 emphasis is on longer pieces. Finally, there are many types of electric organs on display here, including sampled and imitated ones. Truth be told, in one track there is no organ whatsoever outside of the lyrics. This is not an academic exercise and I'm no purist. My main purpose has simply been to make a selection that is a continuous joy to listen to throughout. Thanks to Jan Høgh Stricker for the invitation. Thanks to Kasper Vang for editing and mixing. Thanks to Peter Peter, Chris Cutler and Martin Hoshi Vognsen for helping out. J. Vognsen April 20th, 2020 Tracklist on this link: https://tinyurl.com/bigorgansoundstracklist2
This is a five part series dedicated to electric organs. The title of the series was chosen for two reasons: Firstly, “Organ Sounds And Percussion” is an album by Eddie Layton from 1962. Layton was one of my first great heroes on the electric organ and one of the main reasons I became interested in the instrument. Another significant early influence on my listening habits was Big John Patton. The title is meant as a tribute to those two musicians in appreciation of their work. Secondly, the “percussion”-part is intended to imply that the series deals primarily with popular, rhythmic genres: Jazz, rock, reggae, funk and whatnot. More abstract material - drone, free improvisation, modern composition - is better suited for a separate treatment in my opinion. In terms of the programming, I've been guided by two further choices: Firstly, though a few names reappear over the course of the series, I've attempted to present as many different artists as possible. Secondly, in #1 - #4 the main focus is on shorter pieces. In #5 emphasis is on longer pieces. Finally, there are many types of electric organs on display here, including sampled and imitated ones. Truth be told, in one track there is no organ whatsoever outside of the lyrics. This is not an academic exercise and I'm no purist. My main purpose has simply been to make a selection that is a continuous joy to listen to throughout. Thanks to Jan Høgh Stricker for the invitation. Thanks to Kasper Vang for editing and mixing. Thanks to Peter Peter, Chris Cutler and Martin Hoshi Vognsen for helping out. J. Vognsen April 2020 Tracklist can be found on this link: https://tinyurl.com/y78o3wqp
a cura di Alessandro Achilli. Musiche di Phil Ochs, Henry Cow, Eric Dolphy, Colosseum, Chris Cutler & Fred Frith, Luca T Mai, Cosa Brava, Tim Hodgkinson, Nava (seconda parte)
a cura di Alessandro Achilli. Musiche di Phil Ochs, Henry Cow, Eric Dolphy, Colosseum, Chris Cutler & Fred Frith, Luca T Mai, Cosa Brava, Tim Hodgkinson, Nava (seconda parte)
a cura di Alessandro Achilli. Musiche di Syd Barrett, Liberation Music Orchestra, Keith Tippett Group, Taste, Aqsak Maboul, The Westbrook Blake
a cura di Alessandro Achilli. Musiche di Syd Barrett, Liberation Music Orchestra, Keith Tippett Group, Taste, Aqsak Maboul, The Westbrook Blake
Peter Blegvad discusses with Ivan six things which should be better known. Small presses in the UK https://www.thisissplice.co.uk/about-splice/small-presses-in-the-uk/ Amateurs https://fs.blog/2017/08/amateurs-professionals/ Wilson "Snowflake" Bentley https://siarchives.si.edu/history/featured-topics/stories/wilson-bentley-pioneering-photographer-snowflakes Lucia Berlin https://www.lrb.co.uk/v40/n23/patricia-lockwood/sex-on-the-roof Sally O’Reilly https://www.whitechapelgallery.org/learn/writer-in-residence/sally-oreilly/ Chris Cutler’s Probes series of podcasts https://rwm.macba.cat/en/probes_tag Peter is a writer, graphic artist, songwriter and broadcaster. He has been making music since the mid 70s with Slapp Happy, Faust, Henry Cow, John Greaves, The Golden Palominos, John Zorn, Andy Partridge and others. His weekly comic strip, Leviathan, ran in the Independent on Sunday from 1991-98 and The Book of Leviathan was published in the UK and the US in 2000. A Mandarin translation was published in 2010. A French translation won le Prix de Révelation at Angoulême Festival in 2014. The Pedestrian, a photo-based strip, is online here: http://www.electrocomics.com/strips.htm He has supplied BBC Radio 3 with ‘eartoons’ since 2002, and has won two Sony awards for his radio work, one in 2003 and one in 2012 (the latter for Use It Or Lose It a collaboration with Iain Chambers). He taught Creative Writing at the University of Warwick for 15 years and was Senior Tutor in Visual Writing at the Royal College of Art, London from 2012 - 2015. He has taught several illustration workshops at the Die Hochschule Luzern – Design & Kunst. In 2011 he was elected president of the London Institute of Pataphysics. An introduction to his life-long multi-media epistemological project Imagine, Observe, Remember is online here: http://www.amateur.org.uk This podcast is powered by ZenCast.fm
On this episode of Big Blend Radio’s 2nd Friday Vacation Station Food, Wine & Travel Show, travel writer and photographer Chris Cutler discusses four towns in Italy: Sulmona in Abruzzo, Agrigento in Sicily, Alberobello in Puglia, and Lucca in Tuscany. Read Chris' story here: https://blendradioandtv.com/listing/authentic-italy/Featured music is Ecco by Emiliano DeFerrari - http://www.emilianodeferrari.com/Thanks to the International Food Wine & Travel Writers Association for sponsoring this segment - https://www.ifwtwa.org/
On this episode of Big Blend Radio’s 2nd Friday Vacation Station Food, Wine & Travel Show, travel writer and photographer Chris Cutler discusses four towns in Italy: Sulmona in Abruzzo, Agrigento in Sicily, Alberobello in Puglia, and Lucca in Tuscany. If you like Italy because you like Rome, Florence, and Venice, these four towns will make you fall in love with all that is la Bella Italia. Read Chris' story "Authentic Italy" on BlendRadioandTV.com. Featured music is Ecco by Emiliano DeFerrari. Thanks to the International Food Wine & Travel Writers Association (IFWTWA) for sponsoring this segment.
An on the road interview with the touring Pere Ubu - David Thomas, Chris Cutler, Keith Moline and Gagarin - plus Nadan Rojnic, Pere Ubu's soundman. Special guest track by BCP closes the podcast. Need to know more? Go to www.ubuprojex.com
a cura di Alessandro Achilli. Musiche di Vril, Blast4tet, RubyRubyRuby, La1919, Fabbrica dei Botti, Doris Day, Prince (prima parte)
a cura di Alessandro Achilli. Musiche di Vril, Blast4tet, RubyRubyRuby, La1919, Fabbrica dei Botti, Doris Day, Prince (prima parte)
a cura di Alessandro Achilli. Musiche di Who, Sly & the Family Stone, Phil Ochs, Joni Mitchell, Pere Ubu, John Surman (prima parte)
a cura di Alessandro Achilli. Musiche di Who, Sly & the Family Stone, Phil Ochs, Joni Mitchell, Pere Ubu, John Surman (prima parte)
a cura di Alessandro Achilli. Musiche di Joe Harriott & Amancio D'Silva, Henry Cow, Elton Dean's Ninesense, The Science Group, Nadia Ratsimandresy & Jacques Charpentier (seconda parte)
a cura di Alessandro Achilli. Musiche di Joe Harriott & Amancio D'Silva, Henry Cow, Elton Dean's Ninesense, The Science Group, Nadia Ratsimandresy & Jacques Charpentier (seconda parte)
a cura di Alessandro Achilli. Musiche di Anja Garbarek (con Mark Hollis), Bertolt Brecht & Hanns Eisler, Dagmar Krause, Les 4 Guitaristes de l'Apocalypso-Bar, Thinking Plague (prima parte)
a cura di Alessandro Achilli. Musiche di Anja Garbarek (con Mark Hollis), Bertolt Brecht & Hanns Eisler, Dagmar Krause, Les 4 Guitaristes de l'Apocalypso-Bar, Thinking Plague (prima parte)
a cura di Alessandro Achilli. Musiche della Carla Bley Band, Art Ensemble of Chicago, Art Bears, Olivier Messiaen, Art Zoyd (seconda parte)
a cura di Alessandro Achilli. Musiche della Carla Bley Band, Art Ensemble of Chicago, Art Bears, Olivier Messiaen, Art Zoyd (seconda parte)
a cura di Alessandro Achilli. Musiche di Marvin Gaye, Popol Vuh, Inara George & Van Dyke Parks, Thelonious Monk, Peluché, Foxtrott, Henry Cow, Bertolt Brecht, Kurt Weill, Lotte Lenya, De Ponti & Moretti, Luisiana Lorusso (seconda parte)
a cura di Alessandro Achilli. Musiche di Marvin Gaye, Popol Vuh, Inara George & Van Dyke Parks, Thelonious Monk, Peluché, Foxtrott, Henry Cow, Bertolt Brecht, Kurt Weill, Lotte Lenya, De Ponti & Moretti, Luisiana Lorusso (seconda parte)
a cura di Alessandro Achilli. Musiche di Grateful Dead, Mike Bloomfield & Al Kooper, Henry Cow, Art Bears, Mike Westbrook, Vitor Rua & Metaphysical Angels, Julius Eastman, Kukuruz Quartet (seconda parte)
a cura di Alessandro Achilli. Musiche di Grateful Dead, Mike Bloomfield & Al Kooper, Henry Cow, Art Bears, Mike Westbrook, Vitor Rua & Metaphysical Angels, Julius Eastman, Kukuruz Quartet (seconda parte)
a cura di Alessandro Achilli. Musiche di Prince, Sly & the Family Stone, Spirogyra, Slapp Happy, Brainville 3, Stevan Kovacs Tickmayer, Sergej Prokof'ev (prima parte)
a cura di Alessandro Achilli. Musiche di Prince, Sly & the Family Stone, Spirogyra, Slapp Happy, Brainville 3, Stevan Kovacs Tickmayer, Sergej Prokof'ev (prima parte)
a cura di Alessandro Achilli. Musiche di Bent Knee, Laura Nyro, Frank Zappa & The Mothers of Inventions, Artchipel Orchestra + Chris Cutler, Lindsay Cooper
a cura di Alessandro Achilli. Musiche di Bent Knee, Laura Nyro, Frank Zappa & The Mothers of Inventions, Artchipel Orchestra + Chris Cutler, Lindsay Cooper
a cura di Alessandro Achilli. Musiche di Rudd-Lacy-Mengelberg-Carter-Bennink, Carla Bley Band, Roswell Rudd & Archie Shepp, ZnR, Bruford, Peter Blegvad (seconda parte)
a cura di Alessandro Achilli. Musiche di Rudd-Lacy-Mengelberg-Carter-Bennink, Carla Bley Band, Roswell Rudd & Archie Shepp, ZnR, Bruford, Peter Blegvad (seconda parte)
Tracks: 1. Jeff Beer: Vorhang, Länge 00‘35, Komposition: Jeff Beer, Stimme: Kathrin von Steinburg / 2.Glenn Jones: Lenz, Länge 02‘09, Komposition: Glenn Jones, Musiker: Glenn Jones und Matthew Azevedo, Stimme: Gabriel Raab / 3. Sophia Domancich: Abenteuer, Länge 03‘06, Komposition und Piano: Sophia Domancich, Batterie: Simon Goubert, aufgenommen am 29. September 2014 im Studio de Noêl, Boynes, Technik : Thibère Nömis, Stimme: Kathrin von Steinburg / 4. Antye Greie: Später, Länge 04‘02, Musik: Vladislav Delay, Stimme: Antye Greie-Ripatti, Produktion, Mastering: AGF / 5. David Grubbs: Sehen, Länge 01‘22, Bullroarer, Computer: David Grubbs, Bass drum: Eli Keszler, aufgenommen von Mitch Rackin in der Seaside Lounge, Brooklyn, NY, Stimme: Detlef Kügow / 6. Lydia Daher: Offen, Länge 02‘08, Trompete, präpariertes Flügelhorn, Schlagzeug, Gitarre: Markus Christ, Stimme, Gitarre: Lydia Daher, Kontrabass, Pianette: Tobias von Glenck, Schallplatten-Schneidemaschine, Xylofon, Klarinette: Moritz Illner, Konzept: Lydia Daher, Arrangement: Markus Christ, Lydia Daher, Tobias von Glenck, Moritz Illner, Mix: Moritz Illner / 7. Chris Cutler: Doch Noch, Länge 05'15, Soundscape materials gesammelt von Chris Cutler, Brian Labcyz, Martyn Singleton, Marcelo Radulovic, Otomo Yoshihide, Tom Dimuzio, Jim Denley and Maggi Payne, Aufgenommen und gemischt zwischen 23.September und 3. Oktober 2014 im Studio Midi-Pyrenees, Caudeval, Frankreich, Technik, Mastering: Bob Drake, Stimme: Gabriel Raab / 8. Saam Schlamminger: Der Riss, Länge 01‘15, Komposition: Saam Schlamminger, Stimme: Gabriel Raab / 9. Federico Sanchez: Ausgang, Länge 02‘23, Komposition: Federico Sanchez, aufgenommen im Oktober 2014 im Schamoni Film & Medien Studio, München, Stimme: Federico Sanchez / 10. David Grubbs: Wurzel, Länge 01‘54, E-Gitarre, Computer: David Grubbs, Musik: David Grubbs, aufgenommen von Mitch Rackin in der Seaside Lounge, Brooklyn, NY, Stimmen: Helga Fellerer und Detlef Kügow / 11. Lydia Daher: Im Wald, Länge 03‘34, Trompete, präpariertes Flügelhorn, Schlagzeug, Gitarre: Markus Christ, Stimme, Gitarre: Lydia Daher, Kontrabass, Pianette: Tobias von Glenck, Schallplatten-Schneidemaschine, Xylofon, Klarinette: Moritz Illner, Konzept: Lydia Daher, Arrangement: Markus Christ, Lydia Daher, Tobias von Glenck, Moritz Illner, Mix: Moritz Illner / 12. David Grubbs: Warum, Länge 01‘13, Banjo, Mandoline: David Grubbs, Snare drums: Eli Keszler, aufgenommen von Mitch Rackin in der Seaside Lounge, Brooklyn, NY, Stimme: Sebastian Weber / 13. Antye Greie: Wasser, Länge 04‘42, Musik: Antye Greie-Ripatti, Produktion, Mastering: AGF, Stimme: Gudrun Gut / 14. Wrekmeister Harmonies: Der Turm, Länge 05'10, Musik: JR Robinson mit Butchy Fuego (Liars), Stimme: Gabriel Raab / 15. Jeff Beer: Tisch, Länge 01‘30, Komposition: Jeff Beer, Stimme: Helga Fellerer / 16. Chris Cutler: Vorfrühling, Länge 04'52, Klavier, Hammond Orgel, Aufnahmegeräte, Calor Gasflasche: Chris Cutler, aufgenommen und gemischt zwischen 23.September und 3. Oktober 2014 im Studio Midi-Pyrenees, Caudeval, Frankreich, Technik, Mastering: Bob Drake, Stimme: Detlef Kügow / 17. Emily Manzo: Fagott, Länge 05‘44, Komposition: Till by Turning, Bassoon: Katherine Young, Violine: Erica Dicker, Klavier, broken piano, Moog: Emily Manzo, special thanks to Sanne Richter for extra vocals, aufgenommen von Andreas Schmid in den Faust Studios, Scheer, Germany, gemischt von Sarah Register in Brooklyn, NY, Stimme: Helga Fellerer / 18. Federico Sánchez: Unverändert, Länge 04‘48, Federico Sánchez feat. The Mistakeman, Musik: Federico Sánchez/Bülent Kullukcu Mistakeman Studio, München September 2014 / 19. Wrekmeister Harmonies: Klänge, Länge 10‘10, JR Robinson mit John Herndon (Tortoise), Ken Vandermark, Roger Miller, Stimme: Kathrin von Steinburg / 20. Saam Schlamminger: Das Weiche, Länge 01‘11 / Komposition: Saam Schlamminger, Stimme: Detlef Kügow / Realisation: Karl Bruckmaier und die beteiligten Musiker / Redaktion: Herbert Kapfer / BR 2015 / Länge: 66'06 // Als Klänge von Wassily Kandinsky 1912 im Münchner Piper Verlag erschien, ahnten weder Verlag noch Öffentlichkeit, dass mit diesem schmalen Band mit seinen Holzschnitten und Prosagedichten ein heute legendäres Bindeglied zwischen Epochen und Stilen publiziert wurde.
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