Type of saxophone
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10 episodes with alto sax
6 episodes with alto sax
5 episodes with alto sax
7 episodes with alto sax
2 episodes with alto sax
2 episodes with alto sax
3 episodes with alto sax
3 episodes with alto sax
When he isn't touring the country as a member of the free jazz collective ‘The Music Quintet' Coleman Rose makes time as a performer and composer in the Sonny Rollins Ensemble at Oberlin College. Well equipped to live and work in both free and traditional jazz, Coleman showcases the latter here in this sextet featuring works by Wayne Shorter, Cannonball Adderley and John Coltrane. Featuring Coleman Rose on Tenor Sax, Chris Coles on Alto Sax, Mitchell Galligan on Hammond B3, Tommy Lehman on Trumpet, Tim Picard on Guitar, and Ori Jossell on drums, and from a sold out performance from March 29th, 2024, it's the Coleman Rose Sextet – Live at the Bop Stop.
Charles McPherson, internationally recognized jazz alto sax virtuoso, is joined by Luke Little and Dylan Soto, students in SDSU's highly acclaimed jazz studies program, to talk about the November 14 "Charlie Parker With Strings" concert at SDSU's Main Stage. McPherson, Little and Soto discuss their musical journey, along with the benefits of being in SDSU's Jazz Studies Program, led by Bryan Levy.About Spotlight and Cloudcast Media"Spotlight On The Community" is the longest running community podcast in the country, continuously hosted by Drew Schlosberg for 18 years. "Spotlight" is part of Cloudcast Media's line-up of powerful local podcasts, telling the stories, highlighting the people, and celebrating the power of local. For more information on Cloudcast and its shows and cities served, please visit www.cloudcastmedia.us.
Today’s Show Notes! Wonderful World: Explore Italian food, culture, and beauty with Phil Rosenthal, HERE. Good For You: Enjoy some vintage entertainment with some Old Time Radio episodes of The Jack Benny Show, HERE. Sounds Good: Happy Birthday (tomorrow) to legendary sax player Johnny Hodges! Listen to his gorgeous version of “All Of Me”, HERE.
Jay Metcalf interviews saxophonist Vincent Herring who is carrying on the legacy of great alto saxophonists in jazz. https://www.vincentherring.com/
We are so stoked to have Portland's own, Sean McLean as our guest on No Simple Road this week! Sean has been playing in World's Finest since 2011 and has been all over the music scene sitting in with every band imaginable like Leftover Salmon, Umphrey's McGee, and Lespecial just to name a few. His prowess on both the guitar and Alto Sax are unmatched and his new band Sean McLean and The Vibetenders is set to take the scene by storm this Fall! We sit down in the studio this week with Sean to talk about: Prepping hiimself to sit-in with so many different bands. Forging relationships across the musical universe. The changing landscape of World's Finest and how he ended up playing in the band. What made him ultimately fall in love with the Sax and guitar. Landing in the PNW from Chicago. His take on the uniqueness of the Portland music scene. Those moments when music becomes much more than 'notes'. What it is like for him when The Muse decides to pay a visit. How mistakes can ultimately become opportunities for variety. ... and so much more! For music, show info, mech, and more head over to: www.worldsfinestmusic.com and follow Sean on IG @saxer33 -For THE BEST MUSHROOM CHOCOLATES EVER go over to @MELTMUSHROOMS ON INSTAGRAM and shoot them a DM for a menu of all the amazing flavors of MUSHROOM CHOCOLATE BARS and MAKE SURE TO TELL THEM NSR SENT YOU FOR $20 OFF YOUR FIRST ORDER! -FREE SHIPPING from Shop Tour Bus Use The PROMO CODE: nosimpleroad -Make Sure to visit our friends at Fire On The Mountain for some amazing food at one of the 3 location in the Portland area or one of the 2 location in the Denver area! -CHECK OUT www.venuellama.com TO RATE YOUR FAVORITE VENUES AND GET HELPFUL INTEL ON VENUES YOU'VE NOT YET BEEN TO! INTRO MUSIC PROVIDED BY - Will Hanza of Escaper MUSIC IN THE COMMERCIALS BY AND USED WITH PERMISSION OF: CIRCLES AROUND THE SUN OUTRO MUSIC BY AND USED WITH PERMISSION OF: CHILLDREN OF INDIGO No Simple Road is part of OSIRIS MEDIA. Osiris Media is the leading storyteller in music, combining the intimacy of podcasts with the power of music. We inform and delight music fans by creating shows with leading artists, telling untold stories, and working with brands to craft compelling narratives that bring music to life.
This week the boys sit down with iTones and talk about: Tony Dean, iTones, Shape Pitaki, David Rosales, Jordy the blonde, Weird Al, Trombone, Lisa, Alto Sax, 5th Grade, Trumpet, Groove Box, Nsync, Green Day, MCR, Misc, Paramore, Soundtrack to Holes, Mission Valley, and much much more
Rudresh Mahanthappa tells us about his upcoming "Charlie Parker Celebration" performances at Smoke Jazz Club (Aug 25-28). He gives us insight into his quintet recording "Bird Calls" and recent trio recordings "Hero Trio" and "Animal Crossing." We discuss his early musical inspirations, ethnic influences and authenticity in jazz, and get his thoughts on the relationship of music and language. Finally, Rudresh shares some of his upcoming musical projects. Rudresh Mahanthappa's Homepage Hear The Rudresh Mahanthappa Trio (Aug 25-28) live at: Smoke Jazz Club "Bird Calls" (ACT Music) 2015 https://open.spotify.com/artist/3OaIGXcN9CnCX6etIGVf8G/discography/all?pageUri=spotify:album:4QELhGx08rSdVFbYfzucmn https://music.apple.com/us/album/bird-calls-bonus-track-edition-with-adam-ofarrill-matt/950640934 "Hero Trio" (Whirlwind Recordings) 2020 https://open.spotify.com/artist/3OaIGXcN9CnCX6etIGVf8G/discography/all?pageUri=spotify:album:3FF9NPwv2gznqYaLbilwaX https://music.apple.com/us/album/hero-trio/1616958524 "Animal Crossing" (Whirlwind Recordings) 2022 https://open.spotify.com/artist/3OaIGXcN9CnCX6etIGVf8G/discography/all?pageUri=spotify:album:5kCuyPfQiCTyrfyT99BCvT https://music.apple.com/us/album/animal-crossing-feat-francois-moutin-rudy-royston-ep/1606226366
Spring Can Really Hang You Up - Alto Sax Cover by Andrew Ledet
Alfie - Alto Sax Cover by Andrew Ledet
Audley Reid is one of Chicago's finest Contemporary jazz and R&B musicians. Audley L. Reid often referred to as "Reid", began his musical odyssey over 25 years ago. Proficient on all saxophones, Reid prefers the Alto Sax, and his passionate technique, smooth styling, and distinctive sound often draw comparisons to the music of David Sanborn and sax genius of the late Art Porter, Jr.Reid's effortless performances, across a wide range of musical genres including Jazz, Smooth Jazz, Blues, and R&B, has afforded him opportunities to perform with stars such as Buddy Guy, Phil Perry, Kim Fields, Nick Colionne, Howard Hewett, Will Downing, Ray Parker Jr., Michael Henderson, Vivian Green, and Norman Connors, before a multitude of audiences at various galas, venues and events throughout the United States, Mexico, Asia, Canada, Europe and his native country, Jamaica. Audley's musical repertoire spans across several musical genres and while his primary instrument is the saxophone, he is proficient in other woodwind/reed instruments. GENRES OF MUSIC: Contemporary Jazz/Straight Ahead, Rhythm and Blues/Funk, Caribbean: Reggae/Latin, Contemporary Christian/Gospel.
In this episode I tell people how to play notes. Lastly I also tell them how to blow in their saxophone. Host: Emre
Welcome to a new edition of the Neon Jazz interview series with Co-Leader, Alto Sax and Clarinetist Amy Denio of the Tiptons Sax Quartet & Drums .. She opened up about their 2021 CD & 14th album as a group with Wabi Sabi set to be released April 2, 2021 featuring a wide swath of sound .. With this latest release, the internationally renowned all-female saxophone quartet with drums is celebrating over 30 years as a band. Amy talks about all of this and has thoughts on the pandemic .. Get to know her and the band .. Enjoy…Click here to listen.Neon Jazz is a radio program airing since 2011. Hosted by Joe Dimino and Engineered by John Christopher in Kansas City, Missouri giving listeners a journey into one of America's finest inventions. Take a listen on KCXL (102.9 FM / 1140 AM) out of Liberty, MO. Listen to KCXL on Tunein Radio at http://tunein.com/radio/Neon-Jazz-With-Joe-Dimino-p381685/. You can now catch Neon Jazz on KOJH 104.7 FM out of the Mutual Musicians Foundation from Noon - 1 p.m. CST Monday-Friday at https://www.kojhfm.org/. Check us out at All About Jazz @ https://kansascity.jazznearyou.com/neon-jazz.php. For all things Neon Jazz, visit http://theneonjazz.blogspot.com/
In this How To Play The Sax podcast, we look at how to play Another One Bites The Dust, by Queen, on the saxophone.The bass guitar line in this legendary Queen song is arguably the most recognisable riff in the history of popular music. So, let's learn how to play it on our saxophone !Are you ready ? Hey, are you ready for this ? Are you hanging on the edge of your seat ?We are all about quick wins, tips, hints and suggestions here at How To Play The Sax, as well as helping you take your saxophone playing to the next level.And we have some fun along the way.Even if you have never played the saxophone before, we can get you started with learning how to play the saxophone and have you rocking and rolling in no time.The Cheat Sheets inside the Members Area (and the Members Forums) at HowToPlayTheSax.com make learning how to play the saxophone easier too
In this How To Play The Sax Podcast episode, we look at the great instrumental song by Dave Stewart called "Lily Was Here" - featuring Candy Dulfer on alto saxophone.Lily Was Here is a beautiful song that all saxophonists should at least be aware of - and preferably be able to play !This song is also a really good exercise in listening.We can echo the guitar AFTER it plays it's line on our saxophone…which means that we need to tune out the existing saxophone to a certain extent.Or we can play along with the guitar, and therefore listen to Candy's beautiful and skilful playing.Actually, in this saxophone lesson we do both
Welcome to the How To Play The Sax Podcast !In this episode, we learn How To Play Saxophone in 6 easy steps.How to play saxophone – Step 1.You will need a sax ! Captain Obvious moment here…. How to play saxophone – Step 2.Unpack and assemble you saxophone. This is an easy step.How to play saxophone – Step 3.If possible, stand up.How to play saxophone – Step 4.Your left hand goes on the top part of the sax.Your right hand goes on the lower part of the sax.How to play saxophone – Step 5.Now it's time to actually blow into your saxophone.How to play saxophone – Step 6.Once you've got a sound that resembles music rather than murdering feathered quackery, try moving your fingers.Saxophone Lessons.Obviously at this point a single, simple and once off podcast episode talking about it is not going to be able to take you too much further in actually learning how to play saxophone.However, we've got heaps more podcast episodes lined up for you !A saxophone teacher of some sort – live, one-on-one, or online saxophone lessons – or at the very least some kind of guidance is highly recommended.Check out the How To Play The Sax Youtube Channel to see and hear many more saxophone lessons - https://www.youtube.com/howtoplaythesaxIf you need a hand with saxophone lessons, check out our saxophone membership program or please let me know
Welcome to the How To Play The Sax Podcast !In this episode, we learn How To Play Infinity by Guru Josh Project On The Saxophone.Infinity by Guru Josh Project was a dance song from the late 2000's – and was a huge hit in discos and clubs around the world. And it's got a great little recurring saxophone line that appears throughout the song.We are all about quick wins, tips, hints and suggestions here at How To Play The Sax, as well as helping you take your saxophone playing to the next level !!Please don't YOU forget to Have Fun, Play Saxophone, Be Awesome and Repeat
In this How To Play The Sax podcast episode, we talk about and answer the question : What is the Best Beginner Saxophone ?We talk about buying a new saxophone - and specifically what kind.We talk about the differences between Soprano, Alto, Tenor and Baritone saxes.We talk about the difference between expensive saxophones and cheap saxophones.We talk about other options if buying a brand new saxophone is not an option for you.Saxophones mentioned in this episode:Yamaha Alto Saxophone YAS-280andYamaha Alto Saxophone YAS-480We also briefly mention the best beginners saxophone mouthpiece - the Yamaha 4C mouthpiece .So, what is the best beginner saxophone ? Listen and find out !P.S. Please share this podcast if you've found it useful. P.P.S. If you would like simple step by step instructions to help you learn how to play the sax, all neatly organised in the one convenient location, all provided by an experienced saxophone teacher who can help you to play the music that you want to play quickly and easily, then check out our saxophone lessons membership options. Get started on your saxophone journey today !Remember – I can help you learn How To Play The Sax .And, don't forget to Have Fun, Play Saxophone, Be Awesome and Repeat !!Support the show (https://paypal.me/howtoplaythesax)
In this How To Play The Sax Podcast we learn How To Play Mustang Sally On The Saxophone.In this Alto Saxophone Lesson, we play along with The Commitments in this classic Wilson Pickett Soul song.In this Mustang Sally saxophone lesson we have a look at the brass parts for The Commitments version and how to play them on our saxophone.Even if you have never played the saxophone before, we can get you started with learning how to play the saxophone and have you rocking and rolling in no time.The Cheat Sheets inside the Members Area (and the Members Forums) at HowToPlayTheSax.com make learning how to play the saxophone easier too.The full version of this Mustang Sally saxophone lesson inside the Members Area runs for a tad under 25 minutes.Please don't YOU forget to Have Fun, Play Saxophone, Be Awesome and Repeat
In this How To Play The Sax Podcast episode, we get stuck into some beginners saxophone lessons with the classic Imperial March - the Darth Vader Theme song from Star Wars.Please use your saxophone for Good and NOT for Evil.Learn how to play Darth Vader theme on alto sax. Learn how to play Imperial March theme song for Alto Sax.And - above all - let's have fun, play saxophone, be awesome and repeat !!We've got HEAPS more saxophone lessons inside our Members Area at HowToPlayTheSax.com .If you would like simple step by step instructions to help you learn how to play the sax (just like this one), all neatly organised in the one convenient location, all provided by an experienced saxophone teacher who can help you to play the music that you want to play quickly and easily, then check out our saxophone lessons membership options. Get started on your saxophone journey and learn how to play the saxophone today !Support the show
Pete Long visited the Blue Vanguard Jazz Club on February 27th 2020. He recorded this conversation and tunes with Craig, Coach and for one night only Jim Rintoul and bass. Pete's career began fairly inauspiciously at the age of 18 deep within the bowels of the Nat West bank in Marble Arch putting bank statements into envelopes. An unfortunate incident involving a picture of a lady and a horse being accidentally sent to the Convent of the Sacred Heart along with their financial records led to a re-think and a few days later, Pete had enrolled at the Royal London College Of Music. After a couple of years of hard study, ruthless self-denial and curry, Pete was out on the road with the National Youth Jazz Orchestra, and during his time there, got to play all five saxophone parts, the solo flute part, the bass guitar, and on one rather messy occasion, the fourth trumpet. Having the unusual inclination to play modern jazz on the rather “old-fashioned” clarinet led to several works for clarinet and big band being commissioned during his stay, and established a tradition of clarinet solos in NYJO which has plagued the saxophone section ever since. After the apprenticeship had been served, fame and endless riches were only around the corner in the form of the John Simons Rhumba Showband on the QE2, and Pete's orange frilly flamenco shirtsleeves and sassy sombrero became one of the familiar sights in the bars, clubs and clinics around the ports of the Caribbean Sea. At this time, Pete acquired the knack of bandleading, assembling ad-hoc ensembles on the ship for various passenger and crew functions. Serious playing work followed on the return to Blighty, as the award winning Sax Quartet Itchy Fingers had a job going on Alto Sax. Pete passed the audition, and toured Brazil, Venezuela, North Africa, Russia and Europe during his three year stay there, working with, amongst others, Dizzy Gillespie, John Scofield, Chick Corea and Supersax. Due to an inspired bit of orchestral management by “a friend”, The bulk of Pete's work for the next six years was in and around the West End theatres, where his versatility on many different woodwind instruments stood him in good stead, most notably on the notorious Clarinet solo in the closing sequences of the hit show Oliver. In recent years, Pete has returned to bandleading at the head of an organisation called the Echoes Of Ellington. This is a 21 piece band which sets out to re-create the Duke Ellington sound by using original manuscripts from the Smithsonian Institute in Washington DC, and has achieved great critical acclaim and commercial success. Recently, Pete's skills developed as front man for the Echoes Of Ellington have led him to presenting Big Band Special, the weekly magazine show for big band buffs on BBC Radio 2, and talking on the early morning news review on GLR. Pete was recently involved in live and studio work with Jools Holland's Rhythm and Blues Orchestra, the BBC Radio Big Band, arranging for and directing the poll-winning 9;20 De-Luxe. 10-piece swing band and re-creating the music of Dizzy Gillespie in quintet and big band formats. In the course of playing with Jools, Pete has worked with a diversity of popular icons from Vinnie Jones to Lionel Richie and The Blind Boys Of Alabama to Sting. Working with Jools Holland has also enabled Pete to arrange music for Sir Paul McCartney, Chrissie Hinde, Jane Horrocks, Ray Davies and the unique talents of Marianne Faithfull! The famous oboe intro on "Handbags and Gladrags" by the Stereophonics is also Pete's work, and a recent high was playing solo baritone saxophone in Dr John's UK band. In his spare time, he makes Airfix planes in his garden shed and is restoring an old Karmann Ghia. Thank you to Yamaha UK for the above
Hilton Jefferson was known to musicians more than the public - as lead alto for Fletcher Henderson, Claude Hopkins, Cab Calloway and many others, he was often featured on ballads to show off his gorgeous sound, but here we are featuring him on more rhythmic tunes from some all star swing combos of the middle 1940's with a few ballads thrown in besides. Jonah Jones, Joe Thomas, Tyree Glenn, Ike Quebec, Jerry Jerome, Bernie Leighton, Eddie Barefield, Coleman Hawkins, Milt Hinton, Cozy Cole and Panama Francis are just a few of the notables featured here, but the focus is really on Jefferson, whose playing is a model of consistency, musicality and some innovation as well. --- Support this podcast: https://anchor.fm/john-clark49/support
12月14日（土） ゲスト：Yoko Suzuki, Alto Sax 前半にお届けした作品： 1. Akiko Tsuruga/ Osaka Samba（2019年のアルバム「Equal Time」から） 2. Yoko Suzuki/ You Are My Everything（2012年のアルバム「Swift and Courageous」から） 3. Yoko Suzuki/ Silent Storm（2012年のアルバム「Swift and Courageous」から） 4. Mamiko Taira/ Blue In Green（2012年のアルバム「and it begins」から） 後半も引き続きWeekend Jazz Meetupをお楽しみください。 [Mamiko’s … Continue reading →
12月14日（土） ゲスト：Yoko Suzuki, Alto Sax 後半にお届けした作品： 5. Yoko Suzuki/ Swift and Courageous（2012年のアルバム「Swift and Courageous」から） 6. Yoko Suzuki/ Spring Snow（2012年のアルバム「Swift and Courageous」から） 7. Chiemi Nakai/ I Will Meet You Again（2019年のアルバム「Ascendant」から） 8. Davy Mooney & Ko Omura/ Dim（2018年のアルバム「Benign Strangers」から） 来週もお楽しみに！ [Mamiko’s Live … Continue reading →
Advanced Band - An awkward 90’s Audio Dramedy from Strength in Gaming
Regionals are here, does S.K. Gayle have what it takes? It's the 90's, Sam is an awkward, poor white-trash teen. Fate had him end up in a predominantly rich magnet school ‘S.K. Gayle Middle School’ an ‘all nerd school’, if you will. Sam played the Alto Sax since fourth grade, and now he was to join Advanced Band. Laura Lockwood Sam, Andy & Siobahn Dave Maresca Royce & Johnny Spike Lancaster Sam’s Dad Drew Carson Mr. Smith Samson Lancaster Narration Creative direction by Eddie Vargas Advanced Band is a Strength in Gaming Production created by Samson Lancaster, in association with Hollow9ine Network, and Terror Firma Artist Union. Theme Song: "The Beginning" Exzel Music Publishing (freemusicpublicdomain.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ STARGATE SG-1 MOCKUP (Galaxy Door Theme) released under https://creativecommons.org/licenses/by/4.0/ Scott Buckley http://www.scottbuckley.com.au/2017/02/stargate-sg-1-mockup/ Space Combat theme - "Space Wars" https://www.pond5.com/legal/license
DrDebzz Opening ShpielPausing to breathe even for sixty seconds invites you to hear your heart pounding, reach the voice within, connect to the calm in the eye of the storm, listen to the peace and quiet, and feel your own pulse, recollecting it's precisely the same as the rest of the breathing world. By gifting yourself a mindful moment, you can attain instant gratification, a high better than drugs booze weed or sex. It will bring you enlightenment, curing what ails you and the entire planet (climate change aside).You say what a waste of time, I have things to do, places to go, people to meet! Yet stillness and silence are the most powerful inspirational motivational energizing actions you'll ever take. Guest CallerRon from Westchester finds relationships frustrating. Women seem to want it both ways, traditional chivalry and feminist equality. He's confused about how to treat them. Write In Question Crystal from Gross Pointe wants to know if she should sleep with her best friend's ex husband.Weekly WOW (Words of Wisdom) "I am as God created me." Nothing lacking, nothing missing, nothing broken. - A Course in Miracles Confidence Boosters/Esteem Builders I am exactly where I need to be and when I am ready,I have the ability to move on. I am equal to the situation which is before me. I have the ability to accomplish. I am competent.I see my life experience as a series of opportunities -as one door shuts another is opened.Featured ArtistStunning singer/pianist, Diane Marino, in a live telephone interview, candidly reveals the meaning of music in her life, advice for aspiring artists, what she believes is the key to finding and keeping love, plus much much more. Diane performs the title track from her latest CD,"Soul Serenade - The Gloria Lynne Project." Accompanying her are maestros: Brad Cole, piano/keys;Mark Christian, Guitar; Frank Marino, Bass; Chris Brown,Drums; Don Aliquo, Tenor/Alto/Baritone Sax;Scott Ducaj, Trumpet; Roy Agee, Trombone.Catch Diane LIVE on Thursday August 15th, at Herb Alpert's Vibrato Grill, Jazz, Etc. sharing the stage with stellar musicians: Rickey Woodard, Tenor Sax; George Shelby, Alto Sax; Harry Kim, Trumpet; Francisco Torres, Trombone; Larry Koonse, Guitar; Frank Marino, Bass; Russ Miller, Drums.Tickets at: http://www.vibratogrilljazz.com/events/2019/8/…/diane-marino DrDebzz Call-in Advice Talk Show "Sleepless in Studio City" Airs Nightly Sun-Fri 9pm PT / midnight ET with new episodes Sat 9pm & midnight PT / midnight & 3am ET at AmericanHeartsRadio.com.Celebrated columnist, lauded life coach, skilled family mediator, DrDebzz offers heartfelt help, inspiration, positivity,a nurturing spirit, and transformative tools.DrDebzz has been deemed “The new relationship GURU…a West Coast Dr. Laura and East Coast Carrie Bradshaw!” Fans describe her as a “soulful gifted fun impressive” radio personality; with a “captive confident soothing melodious and simply lovely voice;” an “alluring way of telling her-story;” so"spiritually alive and giving LOVE to humanity.”Phone Life Coaching Sessions are available 24/7. Set up a Complimentary Consultation at 818-753-8898;allthatdezz.webs.com; or sleeplessinstudiocity@gmail.comListen now on iTunes!
Advanced Band - An awkward 90’s Audio Dramedy from Strength in Gaming
Johnny teaches Royce a lesson in "being cool". It's the 90's, Sam is an awkward, poor white-trash teen. Fate had him end up in a predominantly rich magnet school ‘S.K. Gayle Middle School’ an ‘all nerd school’, if you will. Sam played the Alto Sax since fourth grade, and now he was to join Advanced Band. Dave Maresca Royce & Johnny Laura Lockwood Sam Spike Lancaster Sam’s Dad Drew Carson Mr. Smith Samson Lancaster Narration Creative direction by Eddie Vargas Advanced Band is a Strength in Gaming Production created by Samson Lancaster, in association with Hollow9ine Network, and Terror Firma Artist Union. Theme Song: "The Beginning" Exzel Music Publishing (freemusicpublicdomain.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ STARGATE SG-1 MOCKUP (Galaxy Door Theme) released under https://creativecommons.org/licenses/by/4.0/ Scott Buckley http://www.scottbuckley.com.au/2017/02/stargate-sg-1-mockup/
Summary: Musician and Twinbrook Branch Manager Eric Carzon talks with host David Payne about the Library of Things Music, the new instrument lending program at Twinbrook Library, as well as MCPL's many other music related resources and programs. Recording Date: November 7, 2018 Guest: Eric Carzon, Branch Manager at Twinbrook Library Host: David Payne What Our Guest Is Reading: The Daily Ukulele by Liz and Jim Beloff Gather Together in My Name by Maya Angelou March by John Lewis MCPL Books and Other Resources Mentioned During this Episode: 101 Hit Songs, Alto Sax Absolute Beginners, Guitar (DVD) Anatomy of a Song by Marc Myers ArtistWorks Beatles, The White Album Bessie (DVD) Brave New Blues Guitar by Greg Koch Disney Hits for Ukulele Drum Circle: A Guide to World Percussion by Chalo Eduardo and Frank Kumor Freegal: Download up to 5 MP3 songs for free each week. Guitar Aerobics by Troy Nelson Hamilton: An American Musical by Lin-Manuel M How to Rap, the Art and Science of the Hip-Hop MC by Paul Edwards I Know Why The Caged Bird Sings by Maya Angelou Jazz, Rock & Funk Guitar by Dan Brown The Jazz Singer (DVD) Jersey Boys (DVD) Jimi Hendrix Live at Woodstock (DVD) Learn to Play Keyboards by Emma Danes Legends, Icons, & Rebels: Music that Changed the World by Robbie Robertson Library of Things Music: A collection of musical instruments at Twinbrook Library that customers can check out. Modern Times (DVD) Music Factory (DVD): Music education videos for children. Outliers by Malcolm Gladwell Pitch Perfect (DVD) The Rap Year Book by Shea Serrano Rent (DVD) Singin' in the Rain (DVD) Songwriters' Toolbox: A monthly workshop/song circle that meets monthly at Rockville Memorial Library. Streaming Music from Alexander Street: Stream popular, classical, world, jazz, historical, and many other genres of music. Twinbrook "Make More Music" Discussion Group The Ukulele 3 Chord Songbook You Can Play Electric Bass (DVD) Other Items of Interest: Hal Leonard: Music publisher The Lion Sleeps Tonight / Mbube Smile: Song based on an instrumental piece used in Charlie Chaplin's movie Modern Times. It is one of Eric Carzon's favorite songs. Song Writer's Association of Washington Read the transcript
The Memory Palace is a proud member of Radiotopia. Music We hear Waltz from the score to Angels & Insects. Movements IV and II from David Liptak’s Serenade for Alto Sax and Strings. A bit of Violin Solo no. 1 from Peter Broderick. Some of Zucht 2 from Machienfabrik. A bit of Origami Tulips from Lullatone. Unseen Forces from Justin Walter. Midnight Moon from Annalisa Tornfelt and Gideon Freudman Ida Lupino from Paul Bley’s Changes album from 1965. And Lost Fur (Reprise) from the score to Where the Wild Things Are. Notes Many of my favorite things I read for this piece were contemporary newspaper tributes upon her death in 1911. They’re easy to find. By far the most useful thing I read was Lenore Skomal’s *The Lighthouse Keeper’s Daughter: The Remarkable True Story of American Heroine, Ida Lewis. *It’s very well researched and highly readable.
Finally Sam get's revenge! ... or does he? It's the 90's, Sam is an awkward, poor white-trash teen. Fate had him end up in a predominantly rich magnet school ‘S.K. Gayle Middle School’ an ‘all nerd school’, if you will. Sam played the Alto Sax since fourth grade, and now he was to join Advanced Band. Laura Lockwood Sam & Andy Dave Maresca Royce & Johnny Spike Lancaster Sam’s Dad Drew Carson Mr. Smith Samson Lancaster Narration Creative direction by Eddie Vargas Advanced Band is a Strength in Gaming Production created by Samson Lancaster, in association with Hollow9ine Network, and Terror Firma Artist Union. Theme Song: "The Beginning" Exzel Music Publishing (freemusicpublicdomain.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
Advanced Band - An awkward 90’s Audio Dramedy from Strength in Gaming
Sam is not going to take it anymore, something's gotta give! NERD RAGE! It's the 90's, Sam is an awkward, poor white-trash teen. Fate had him end up in a predominantly rich magnet school ‘S.K. Gayle Middle School’ an ‘all nerd school’, if you will. Sam played the Alto Sax since fourth grade, and now he was to join Advanced Band. Laura Lockwood Sam & Andy Dave Maresca Royce & Johnny Spike Lancaster Sam’s Dad Drew Carson Mr. Smith Samson Lancaster Narration Creative direction by Eddie Vargas Advanced Band is a Strength in Gaming Production created by Samson Lancaster, in association with Hollow9ine Network, and Terror Firma Artist Union. Theme Song: "The Beginning" Exzel Music Publishing (freemusicpublicdomain.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
Sam cannot face his fellow classmates today, time to call out sick! It's the 90's, Sam is an awkward, poor white-trash teen. Fate had him end up in a predominantly rich magnet school ‘S.K. Gayle Middle School’ an ‘all nerd school’, if you will. Sam played the Alto Sax since fourth grade, and now he was to join Advanced Band. Laura Lockwood Sam & Andy Dave Maresca Royce & Johnny Spike Lancaster Sam’s Dad Drew Carson Mr. Smith Samson Lancaster Narration Creative direction by Eddie Vargas Advanced Band is a Strength in Gaming Production created by Samson Lancaster, in association with Hollow9ine Network, and Terror Firma Artist Union. Theme Song: "The Beginning" Exzel Music Publishing (freemusicpublicdomain.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
Advanced Band - An awkward 90’s Audio Dramedy from Strength in Gaming
Sam and Andy team up to defeat their common enemy! It's the 90's, Sam is an awkward, poor white-trash teen. Fate had him end up in a predominantly rich magnet school ‘S.K. Gayle Middle School’ an ‘all nerd school’, if you will. Sam played the Alto Sax since fourth grade, and now he was to join Advanced Band. Laura Lockwood Sam & Andy Spike Lancaster Sam’s Dad Samson Lancaster Narration Creative direction by Eddie Vargas Advanced Band is a Strength in Gaming Production created by Samson Lancaster, in association with Hollow9ine Network, and Terror Firma Artist Union. Theme Song: "The Beginning" Exzel Music Publishing (freemusicpublicdomain.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
Sam gets hussled in his favorite CCG, Mojo the Meetup. It's the 90's, Sam is an awkward, poor white-trash teen. Fate had him end up in a predominantly rich magnet school ‘S.K. Gayle Middle School’ an ‘all nerd school’, if you will. Sam played the Alto Sax since fourth grade, and now he was to join Advanced Band. Laura Lockwood Sam Dave Maresca Royce & Johnny Spike Lancaster Sam’s Dad Drew Carson Mr. Smith Samson Lancaster Narration Creative direction by Eddie Vargas Advanced Band is a Strength in Gaming Production created by Samson Lancaster, in association with Hollow9ine Network, and Terror Firma Artist Union. Theme Song: "The Beginning" Exzel Music Publishing (freemusicpublicdomain.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
Royce, friend or foe? His royal highness' first appearance. It's the 90's, Sam is an awkward, poor white-trash teen. Fate had him end up in a predominantly rich magnet school ‘S.K. Gayle Middle School’ an ‘all nerd school’, if you will. Sam played the Alto Sax since fourth grade, and now he was to join Advanced Band. Laura Lockwood Sam & Andy Dave Maresca Royce & Johnny Spike Lancaster Sam’s Dad Drew Carson Mr. Smith Samson Lancaster Narration Creative direction by Eddie Vargas Advanced Band is a Strength in Gaming Production created by Samson Lancaster, in association with Hollow9ine Network, and Terror Firma Artist Union. Theme Song: "The Beginning" Exzel Music Publishing (freemusicpublicdomain.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
Sam meets the cool kid from Jazz Band, Johnny! It's the 90's, Sam is an awkward, poor white-trash teen. Fate had him end up in a predominantly rich magnet school ‘S.K. Gayle Middle School’ an ‘all nerd school’, if you will. Sam played the Alto Sax since fourth grade, and now he was to join Advanced Band. Laura Lockwood Sam & Andy Spike Lancaster Sam’s Dad Dave Maresca Johnny Drew Carson Mr. Smith Samson Lancaster Narration Creative direction by Eddie Vargas Advanced Band is a Strength in Gaming Production created by Samson Lancaster, in association with Hollow9ine Network, and Terror Firma Artist Union. Theme Song: "The Beginning" Exzel Music Publishing (freemusicpublicdomain.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
Advanced Band - An awkward 90’s Audio Dramedy from Strength in Gaming
Pilot Episode Sam meets Andy for the first time in Advanced Band class. It's the 90's, Sam is an awkward, poor white-trash teen. Fate had him end up in a predominantly rich magnet school ‘S.K. Gayle Middle School’ an ‘all nerd school’, if you will. Sam played the Alto Sax since fourth grade, and now he was to join Advanced Band. Laura Lockwood Sam & Andy Spike Lancaster Sam’s Dad Drew Carson Mr. Smith Samson Lancaster Narration Creative direction by Eddie Vargas Advanced Band is a Strength in Gaming Production created by Samson Lancaster, in association with Hollow9ine Network, and Terror Firma Artist Union. Theme Song: "The Beginning" Exzel Music Publishing (freemusicpublicdomain.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
PROGRAM SUMMARY Today in Part TWO of Jazz Fusion, we look at FIVE more Jazz Fusion artists on …VINYL VIBRATIONS ! M1 Miles Davis and his "Bitches Brew" album 1970 Columbia. Miles Davis experiments with electric instruments like electric piano and electric guitar. Also we see more of an improvisational style with a rock rhythm. a double album - a studio album. We listen to the song titled "John McLaughlin" on Bitches Brew. This is an all-star cast--Chick Corea and Joe Zawinul on two electric pianos, John McLaughlin on electric guitar, Jack DeJohnette and Don Alias on two drum sets, Dave Holland and Harbey Brooks on two electric basses and of course on trumpet, Miles Davis. M2 Return to Forever, featuring Chick Corea. The recording and title song is "Hymn of the Seventh Galaxy". A phenomenal set of musicians --- guitarist Bill Connors, Stan Clarke on Bass, Lenny White on Drums. This song provides examples of time changes, which Chick Corea thrives in, providing a high energy framework for Bill Connors to play lead guitar. A very mechanical song, with enough melodic component to to be interesting and tell a story about THE SEVENTH GALAXY ---- The band is Return to Forever and the title song is "Hymn of the Seventh Galaxy"featuring Chick Corea, 1973, Polydor Records. M3 Soft Machine and we listen to the album simply named "5". On this 1972 CBS album, part 2 of the 2-part song "L.B.O., by John Marshall, the drummer. The musicians are Elton Dean on Alto Sax, Saxello and Electric Piano, Hugh Hopper on Bass, Mike Ratlidge on Organ and Electric Piano, and John Marshall on Drums. Note the time changes, the improvisation, the use of electric saxello, electric piano, in a jazz format, with the rock beat. M4 Pat Metheny and his 1976 album BRIGHT SIZE LIFE. We listened to UNQUITY ROAD, composed by Pat Metheny. I remember seeing the very young Metheny back in 1977 at a small venue named Amazingrace, then locatedat 845 Chicago Ave in Evanston IL. There, up on stage stood this white kid from Missouri, then 21, with huge a afro and and a very large hollow body electric guitar. This kid is really different. The guitar playing is like nothing I had heard before. Great technique, the scales, wide intervals, the melodic character of this music, the little excursions each of the songs take. And a very NEW sound with jazz "improvisation" The bass sound is also new, because it is fretless and electric, that's Jaco Pastorius on bass. Bob Moses Drums. Recorded in 1976, not in the US… but in Ludwigsburg, Germany, for ECM Records. M5 SPACES. Next, we hear from the Band, Album, and title Song . . . all titled "SPACES". Another all-star cast, featuring Larry Coryell and John McLaughlin on guitars, Billy Cobham on drums, Chick Corea electric piano, and Miroslav Vitous on bass….. Vitous playing a bowed bass, in this case, an electrified, acoustic bass. And the Coryell-McLaughlin guitar combination, works well … it's surprising, as they have such different styles (Coryell's fury and power vs McLaughlin's texture and finesse). Much improvisation, much power in the guitar solo parts. This is a great instrumental album. The song SPACES was composed by Julie Coryell. This was originally recorded in 1971, and this release is 1974 from VANGUARD APOSTOLIC records. M6 The Mahavishnu Orchestra with John McLaughlin and the album "The Inner Mounting Flame" and the most laid back song on that album, if you will, a track named "Dawn" with John McLaughlin on Guitar, Jerry Goodman on Violin, Jan Hammer on Piano, Rick Laird Bass and Billy Cobham on Drums. Original composition of John McLaughlin. This first studio album, released in 1971, by Columbia Records.
Top tip for aspiring DJs from an old pro – don’t spill water on stuff!! Had a little mishap this afternoon and split a pint of water over my kit, luckily grabbed the mac mini quickly but the Korg nanoKontrol2 took the full hit. The show tonight featured me trying to get it to work – unplugging and putting on top of the heater – worked intermittently but caught me out a couple of times. Plus the stream went down briefly a few times. Luckily the music is wonderful so we sailed on through with glitter in our hair Tracklisting: Sabir Mateen & Davide Merlino – Clarinet, Alto Sax, Flute, Prepared Drumkid and Logdrum (edit) – Live at Big Lebowski (Floating Forest) – Buy Talea – Comprensión – Crónicas de un Tránsito 2 (Six Ensemble) – Buy The Reggie Workman Ensemble – Ballad for the Silf (edit) – Altered Spaces (Leo) – Buy Cecil Taylor – Wallering – Looking Ahead (Contemporary) – Buy Zhu Wenbo & Paolo Gàiba Riva – Muschata – Harvesting Pumpkins Before Winter (Zoomin’ Night) – Buy Même Les Oiseaux Puent – Sana Silentia (edit) – Sana Silentia (La Belle Borgne) – Buy Brandon Evans – Psy 7 – Psy (Self Released) – Buy Chicago Underground Duo – The Light In Between – In Praise of Shadows (Thrill Jockey) – Buy The Nels Cline Singers – The Angel of Angels – Draw Breath (Cryptogramophone) – Buy Sam Andreae, David Birchall, Otto Willberg – Live in Beppu (edit) – Live in Beppu (Vernacular/Heavy Petting) – Buy
overHERE with Andrew Gould! We're talking about his new album "First Things First"
triple up sax/banjo/bass on the melody and groove out
Marc is joined by designer / developer and *renowned technoculturalist*, Joe Saavedra of Planeta, a NY-based R&D company working across digital platforms. And Chelien Brown, Learning Design Coordinator at Mouse, and NY-based STEM educator, content creator, and youth developer. From Chelien: how does he experiment with VR as a creative tool for learners in middle and high school? Learn about Joe's pathway from Alto Sax to leading large-scale hardware and software projects in VR and beyond. Together, leveraging Joe's expertise, the group winds up on a shopping spree, to discover the cost of one full VR setup that a school or learning org might incorporate into their space. Are we closer to the moment when "VR for learning" is accessible for all?About Planeta: Planeta is an R+D studio that builds ideas and tools in the domains of visual arts, sound, design and architecture. Our owned brands are to.be, Ooni, Mona, Oda, Chop and DCF. We are engaged in a vital creative partnership with GIPHY. And our Space in the East Village of Manhattan is an active performance and art space.If you like this episode, subscribe to No Such Thing on iTunes, Stitcher, and Google Play. If it's not available on your favorite player, let me know through our shownotes site, nosuchthingpodcast[dot]wordpress[dot]org. Already a subscriber? Please rate and review us, and tweet the showpage to your network with #nosuchthingpodcast to enter to win a brand new 1st Gen Google Pixel phone. See acast.com/privacy for privacy and opt-out information.
Matt and Evan take a look at the upcoming semifinal of CFP, the Peach Bowl. The narrative seems to be Washington stands no chance. Is that true though? Join us and find out. Also, we have our first reappearance by a guest! Your favorite Alto Sax players, Angie and Delanie, return to give us some insights on the Dawgs.
The Ringgold Band held their Fall Dinner Concert on November 6, 2016 and featured saxophone soloist Dale Underwood playing “The Great American Band Song Book”. Mr. Dale Underwood is the world’s leading alto sax authority. His career has spanned 30 years in the Navy Band and also as a soloist around the world. This conversation is a behind the scenes look at Mr. Underwood's journey and his interest in playing with the Ringgold Band!
funky new version of Big Ol Chunka Funk with more saxophone parts and solos
Spring Concert 2016: Sing to the Lord a New Song presented by Laguna Presbyterian Churchand#8217;s Chancel andamp; Handbell Choirs, and Guest Musicians: Bobbette Cameron, Piano; Jesse Hughes, Bass; Gary Matsuura, Alto Sax; Thornton Fay, Percussion. Sookyung Bang, Organist; Linda White, Director of Choirs
Ep 48: Nick Wold - Dreamers Nick tells BD about starting out on Alto-Sax and loving Jazz so much he went to NYU and majored in it until he started his first rock band in Brooklyn. Nick talks about how he's learning to write with simplicity, his first co-write experience and his song writing experience with James Iha, formerly of the Smashing Pumpkins. Buy Dreamers' Music here: http://www.dreamersuniverse.com Sponsored today by: http://www.blumensteinaudio.com
The teacher who had the biggest influence on me during my time at Berklee was Heb Pomeroy. I was quite fortunate to play in his Concert Jazz Orchestra for three years, as well as a few semesters in his Line-Writing band and his small combo. Herb was a true master composer, arranger, educator, improvisor and band leader. His influence of how modern Jazz harmony, composition and arranging can not be overstated. For instance, for many years the Altered Dominant scale was called the Pomeroy scale. Unfortunately I never took any of Herb's composition and arranging classes, which I have always regretted. Herb taught an arranging class called Line Writing, a Duke Ellington arranging class and a Jazz composition class. He never published any books. An All About Jazz article on Herb says this:During Pomeroy's long tenure at Berklee, many people asked him to write a book. His detailed answer was “I could, but I find that this [Line Writing] course changes a little bit every semester as I try to fine-tune it with new rules and principles to match relevant musical needs." Pomeroy was an excellent musician, not only as a trumpeter, but as an educator. His teaching was the music itself, not any particular personal beliefs or stylistic preferences. By not writing a book, he demonstrated the ultimate trust for the future of jazz education, and music as an ever-changing, dynamic art form.In an interview with Forest Larsen from 1999 Herb talked about some of the things he learned while studying at Schillinger House (which later became Berklee College of Music): "Well this fellow, Richard Bobbitt, who was the dean, he had studied with Stefan Wolpe. I hope my memory is accurate. Bobbitt learned from studying with Wolpe about voicing not through choosing notes because they are the root, the 3rd, the 5th, the 7th, the 9th, but making most – I don’t want to say all – most of the vertical structures structures that are created because of the intervallic relationship between the notes, not because they are a function… So, certain intervals – you know, there are consonances, there are dissonances. If we want to get richer, or we want to get darker, or we want to get brighter, the choice of interval between notes is more important than the function that the note is in the chord.Which will also – I sort of based a whole course on this later on, when I started to teach – also will take away from the obviousness of the chords that have the root in the bass, from the chords that have the 3 – 7 tritone that announce “I am this chord” and there’s very little you can do about it. Instead of taking the notes because they are these very important – vitally important in certain areas of sound. But if you’re looking to broaden, whether you’re a classical composer or a jazz composer – this approach to intervallic choice of notes rather than function choice of notes I got originally from Bobbitt… I learned a great deal from this man about this, the intervallic approach to vertical writing as opposed to the function.Even then I was saying to myself, “This is going to be valuable.” I tell you, so many students that I had at Berklee, and I don’t mean to wave the flag here, have come back to me – two, five, ten years after, not while they’re taking the course, after they’ve absorbed it – and said that this course was one of the most opening things that they studied in a school or classroom situation…Most jazz ensembles – whether they be three or four horns and a rhythm section or a whole band – the instrumental sound is pretty similar. I don’t mean the harmonic sound. I don’t mean the style of the player’s vibrato. The purely instrumental sound when you hear whether it’s 4 horns in like an octet or you hear the 12, 13 horns of a full jazz orchestra – the instrumental sound, the layered effect of color of trumpets, color of trombones, color of saxes in this function kind of harmony that we’re talking about – is the same. Whether you listen to Basie of ’35, or you listen to Woody of ’54, or you kind of listen to Mel and Thad of ’85 – whichever of these bands. Nothing to do with rhythmic style, harmonic style, era – was it swing, was it bebop, was it whatever. This layered, as I call the layer-lit colors, each layer really separated from each other, not entwined like this getting a richer sound instrumentally, is the same.Whereas if you use this non-function, this intervallic work, and put the instruments together so you rub color against color – put a reed between two brass, rather than put four brass and then four trombones and then five saxes, or maybe one or two overlapping – but I can hear a typical big band and it almost sounds like there are just the three primary colors, so to speak. I don’t hear any sense of rainbow effect going on there. So these are some of the things that I learned from these teachers which were not jazz tools, but they were music tools.I knew then, and in hindsight I even thanked them even more. Because so many students – I mean, I’ve had many people who are professional writers in their home lands, directors of radio / TV studio bands, conductors of symphony groups who wanted to get into the jazz thing, leaders of big bands all over Europe, who came and studied at Berklee and would take this course. And I could watch, I could see in their faces while I was saying these things, I could see these looks, this opening. That was very gratifying, to know that you had…I did not invent this, I merely organized the thinking. People say “oh, you created it.” No! Maybe that mathematical mind from back in my teens and all that allowed me to organize. When you teach as long as I did, and stand in front of the thousands and thousands, literally, hours I have stood in front of bands and rehearsed them, and developed an eye-ear relationship. I do not have a God-given eye-ear relationship; I have a developed eye-ear – see the score and hear it in my head. The number of hours that I was able to do that – and I feel very blessed with my own professional band, with the Berklee band, and with the MIT band, and then clinics all around the country and the world and all that – I don’t think it’s exaggerating to say it’s thousands of hours that I’ve stood there and heard it and seen it. It’s allowed me to perceive things about scoring techniques for jazz orchestras that I don’t think many people have had the opportunity to know.The only person that I’ve been able to have a close association with who – we’ve talked about it some, but I just knew it from observing him – was Bob Brookmeyer. I think Brook has this same sort of ability, and he’s a marvelous writer.I don’t know what kind of thoughts and things Gil Evans had in his head. I don’t know about Duke – I tried to find out from Duke, I played with the band and would question him. (Laughing) He’d be terrible – I’d say, if we were in a room and it was casual, I’d say “Duke, come here – on this tune, in the first two measures you do this”, and I’d play on the piano, “but I can’t figure out what you do in the next two measures.” And he’d say, “Oh, you’re doing it better than I could do it anyway” and just walk away. He wouldn’t show me anything!"I recently got my hands on a document called The Pocket Herb, which is basically outline notes from Herb's Line Writing, Duke Ellington and Jazz Composition courses. For someone totally unfamiliar with Pomeroy's curriculum there may be many things that are unintelligible, but I think that any experienced arranger will find much of value in the document. For anyone who actually took these courses these notes will be pure gold. The Pocket Herb- notes from Herb Pomeroy's Line Writing, Duke Ellington and Jazz Comp courses Notes for Pomeroy's Line Writing and Ellington classes (SECOND SET OF NOTES!!!!!)Abbreviations used in Pocket Herb:A Alto SaxAV Adjacent Voice ViolationAVOID Avoid NotesB Baritone SaxBNV Blue Note VoicingsC ConsonantCD Combination DimishedCh T or CT Chord ToneD DissonantDBL DoubleH Harmonized (as Opposed to writing melodic lines in each part)HP Herb PomeroyLIL Low Interval LimitsNIS Not in ScaleP PerfectPC Primary ClimaxPD Prime Dissonance / Planned DissonanceSC Secondary ClimaxT Tenor Sax
Willkommen bei unserer 38. Episode von bücherreich, unserem Bücher-Podcast! Elena und ich werden häufig angesprochen, was wir eigentlich machen, wenn wir mal nicht (so viel) lesen? Haben wir eigentlich noch ein Leben?! ;) Daher geht es in der heutigen Episode mal um unsere sonstigen Hobbies. Elena kümmert sich liebevoll um ihre Degus. „Degus“ von Alexandra Beißwenger Ilana spielt Akkordeon und neuerdings Alt-Saxophon und hört auch gerne Musik von bestimmten Künstlern, z.B. von Jason Mraz, Ed Sheeran, Vienna Teng, Missy Higgins, Florence + the Machine, SiA, Boy, Feist, Mattafix und Rodrigo y Gabriela. Als Einsteigerstücke fürs Saxophon-Lernen gefallen ihr die „Disney Solos for Alto Sax“ gut. Elena liebt Musik auch, besonders Musicals wie „Wicked“. Sie geht für ihr Leben gern Tanzen. Wir beide halten uns fit mit sportlichen Aktivitäten - besonders gerne Laufen und Fitness-Studio. „Kick Ass - Das alternative Workout“ von Franka Potente und Karsten Schellenberg „Das neue große Runner´s Buch vom Laufen“ Dann können wir auch wieder reinhauen, wenn wir mal etwas Backen oder Kochen, z.B. aus diesen Büchern: „Weight Watchers Schnelle Küche Pro Points Plan“ „Weight Watchers Sattmacher Pro Points Plan“ „Keine Zeit zum Kochen“ von Donna Hay Elena ist sehr kreativ und bastelt viel, besonders mit Papier - Glückwunsch-Karten, Deko, Scrapbooking... Sie kann auch blind stricken. :) Ilana hat dieses Jahr zusätzlich noch einen Einsteigerkurs im Klettern absolviert und stürzt sich nun auf Indoor-Kletterwände. Elena fotografiert sehr gerne, größtenteils mit ihrer Nikon D5300. Besucht uns auf unserer FACEBOOK-Seite http://www.facebook.de/Podcastbuecherreich und erzählt mal, welchen Hobbies ihr gerne nachgeht. :) Eure Ilana und Elena P.S.: Dies ist ein privater Buch-Podcast, in dem ausschließlich unsere private Meinung kundgetan wird.
Three alto players rose to prominence in the nineties - but which one was baby bear? Greg Osby - ART FORUM, ST. LOUIS SHOES; Steve Coleman - THE TAO OF MAD PHAT, RESISTANCE IS FUTILE; Kenny Garrett - PURSUANCE, SONGBOOK.
Recorded in the prime time of 11pm last thursday. It faetures Steven Gates on guitar, Lawrence Mooney on left wing rants and Wilbur Wilde on Alto Sax and very long, but highly amusing Oz Rock anecdotes. Apologies for the occasional buzz and crackle in the audio, the old Commodore 64 had black smoke pouring out of it by the end of the night. There's one more live show to come, this Thursday, April 18 at Trades Hall. You can grab tickets on the door.
70's style Funk Upbeat Worship song loosely based on Psalm 61:2 ( and Psalm 103) we produced entitled, "Lead Me to the Rock That's Higher Than I",with a very '70's sounding style syncopated Piano reminiscent of Keith Green, a very nice syncopated and grooving' Funk Bass, Acoustic Guitars, syncopated Funk Guitar,Lead Guitar, tasteful R&B Horns, and Alto Sax, ending with Tambourine and R&B Horns. Length 2:58...Lead Me to the Rock That's Higher Than IBlessings,Shiloh Worship MusicWww.ShilohWorshipMusic.com Lead Me to the Rock That's Higher Than I© 2012 Shiloh Worship MusicBless the Lord O My SoulAnd All That Is withinYou Saved My Life from DestructionAnd the Power of SinCHORUS:Lead Me to the RockThat's Higher, Higher Than ILead Me to the RockThat's Higher, Higher Than IYou Alone Are HolyDwelling in the LightLovingkindness and Your MercyA Beacon in the NightMy Soul Shall Be SatisfiedOnly by Your LoveNothing and No OneCompares to You Above© 2012 Shiloh Worship Music COPY FREELY;This Music is copyrighted to prevent misuse, however,permission is granted for non-commercial copying-Radio play permitted www.shilohworshipmusic.com
Alto Sax – Coming Round the Mountain
3 part jazz suite featuring kalimba, alto sax, funk bass, typewriter and bongos.
3 part jazz suite featuring kalimba, alto sax, funk bass, typewriter and bongos.
Mandolin Madness! I overdub mandolin many, many times and add in some alto sax and funky bass.
Mandolin Madness! I overdub mandolin many, many times and add in some alto sax and funky bass.
I experiment with balancing different musical elements, such as high and low, mixing in the left and right channel, odd and even meters and short and long versions of a musical theme. Features alto sax, tenor sax, flute, recorder, wooden flute, shaker, keyboard and chest thumping.
I experiment with balancing different musical elements, such as high and low, mixing in the left and right channel, odd and even meters and short and long versions of a musical theme. Features alto sax, tenor sax, flute, recorder, wooden flute, shaker, keyboard and chest thumping.
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