Podcasts about electric bass

I've always loved listening to Bluegrass music, and I especially enjoy chatting with their bass players. Recently, I had the pleasure of speaking with Ronnie Simpkins, the bassist for The Seldom Scene, a renowned Bluegrass band from Bethesda, MD.The band just released their new album, “Remains to Be Scene,” in March 2025 (available on Amazon.com).Join me as we hear all about Ronnie's musical journey, how he gets his sound, details about his band, and their plans for the future.Photos Credit: Mike Raymond, Jeromie Stephens, and courtesy of Ronnie SimpkinsThis interview first appeared in Bass Musician Magazine in April 2025Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Episode 174 Chapter 33, Digital Synthesizers and Samplers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 33, Digital Synthesizers and Samplers from my book Electronic and Experimental music.   Playlist: DIGITAL SYNTHESIZERS AND SAMPLERS   Time Track Time Start Introduction –Thom Holmes 01:38 00:00 1.     Jon Appleton, “Syntrophia”(1978) from Music For Synclavier And Other Digital Systems. Composed and performed on the Synclavier, Dartmouth Digital Synthesizer, Jon Appleton. 08:55 01:40 2.     Claude Larsen, “Nitrogen” (1980) from Synthesis. Sounds a bit like “Oxygen” by Jarre from 1976. Programmed, performed, Fairlight CMI Music, Roland System 700, Oberheim TVS-1 Four Voice, Polymoog, Roland MC 8 Micro-Composer, Syntovox vocoder, Claude Larson. 02:31 10:36 3.     Eberhard Schoener, “Fairlight 80” (1980) from Events. Featured the Fairlight CMI played by Schoener and vocals by Clare Torry. 04:20 13:04 4.     Eberhard Schoener, “Events - A La Recherche Du Temps Perdu” (1980) from Events. Mellotron, Violin, Piano, Moog, Oberheim, Fairlight CMIsynthesizers, Eberhard Schoener;  Fairlight CMI, Morris Pert; Gong, Percussion (Gede, Kempli, Rejong), Furst Agong Raka; Gong, Percussion (Gender, Lanang, Rejong), Ketut Tama; Gong, Percussion (Wadong, Rejong), Rai Raka; Percussion, Morris Pert; Fender electric piano, Roger Munnis; tenor saxophone, Olaf Kübler; Drums,  Evert Fraterman, Pete York; Electric Bass, Steve Richardson; Electric Guitar, Ian Bairnson. 11:07 17:26 5.     Klaus Schulze, “Death Of An Analogue” (1980) from Dig It. All music played on the Crumar GDS digital synthesizer/computer. All percussion by F.S. Drum Inc. and GDS. 12:20 28:31 6.     Klaus Schulze, “The Looper Isn't A Hooker” (1980) from Dig It. All music played on the Crumar GDS digital synthesizer/computer. All percussion by F.S. Drum Inc. and GDS. 07:05 40:52 7.     Joel Chadabe and Jan Williams, “Song Without Words” (1981) from Rhythms For Computer And Percussion. "The equipment used in RHYTHMS is a portable minicomputer/digital synthesizer system designed and manufactured by New England Digital Corporation in Norwich, Vermont, expressly for making music.” This was an early Synclavier without a keyboard controller. Synclavier digital synthesizer, Joel Chadabe; Percussion, Vibraphone, Marimba, Slit Drum, Log, Wood Block, Temple Block, Cowbell, Singing Bowls, Jan Williams. 07:24 47:54 8.     Don Muro, “Deanna Of The Fields” (1981) from Anthology. Vocals, Piano, Electric Piano, Acoustic Guitar, Electric Guitar, Synthesizer, Korg M1 Music Workstation, Bass, Drums, Percussion, Don Muro. 02:52 55:18 9.     Nervous Germans, “Hometown” (1981) from Nervösen Deutschen. Bass, Producer, Micki Mäuser; Drums, Udo Dahmen; Guitar, Manni Holländer; Vocals, Casio VL Tone micro keyboard, Grant Stevens. 05:15 58:10 10.   Tuxedomoon, “Blind” from Time To Lose, Blind. Effects, Guitar, Peter Principle; Casio M-10, Blaine L. Reininger; Vocals, Moog, Soprano Saxophone, Steven Brown; Vocals, Winston Tong. 07:44 01:03:26 11.   Herbie Hancock, “Rough” (1983) from Future Shock. Fairlight CMI, AlphaSyntauri, Emulator, Herbie Hancock; Background Vocals, Bernard Fowler, Grandmixer D.ST., Nicky Skopelitis, Roger Trilling; Bass, Bill Laswell; Drums, Sly Dunbar; Lead Vocals, Lamar Wright; Prophet-5, Michael Beinhorn; Turntables, Voice, Grandmixer D.ST. 06:54 01:11:00 12.   Wendy Carlos, “Genesis,” “Eden,” and “I.C. (Intergalactic Communications)” (1984) from Wendy Carlos' Digital Moonscapes. Programmed All Sounds programmed and performed on the Crumar GDS/Synergy digital synthesizer, Wendy Carlos. 15:20 01:17:50 13.   Ron Kuivila, “Household Object” (1984) from Fidelity. Casio VL toneand homemade electronics, Ron Kuivila. 09:34 01:33:20 14.   Lejaren Hiller, “Expo '85” (1985) from Computer Music Retrospective. Four short pieces highlight the versatility of the Kurzweil K250: “Circus Piece - A Cadential Process” (4:04), “Transitions - A Hierarchical Process” (2:12), “Toy Harmonium - A Statistical Process” (1:41), “Mix Or Match - A Tune Generating Process (5 Examples)” (3:44). 11:55 01:42:52 15.   Third World, “Can't Get You (Out Of My Mind)” (1985) from Sense Of Purpose. Yamaha DX7, Prophet 5, PFR Yamaha, Grand Piano Yamaha Acoustic, Organ Hammond B3, Clavinet Mohner D6, Percussion, Vocals, Michael "Ibo" Cooper; Backing Vocals, Glenn Ricks, Meekaaeel; Bass, Rhythm Guitar, Backing Vocals, Percussion, Richie "Bassie" Daley; Drums Yamaha Acoustic Drums, Electronic Drums Simmons, Drum Machine D.M.X., Drum Machine Linn Drum Machine, Percussion, Backing Vocals, Willie Stewart; Keyboards, Lead Guitar, Rhythm Guitar, Harmonica, Acoustic Guitar The Washburn Electro Acoustic, Vocals, Percussion, Stephen "Cat" Coore; Lead Vocals, Backing Vocals, Bill "Bunny Rugs" Clarke; Percussion, Neil Clarke; Percussion, Binghi Drums, Junior Wedderburn, Tschaka Tonge. 03:37 01:54:46 16.   George Todd, “Sound Sculptures” (1985) from Music For Kurzweil And Synclavier. Synclavier Digital Music System, George Todd. 09:02 01:58:22 17.   Russ Freeman, “Easter Island” (1986) from Nocturnal Playground. Electric Guitar, Acoustic Guitar, Guitar Synthesizer, Keyboard Bass, Emulator II, Linn 9000 Drum programming, Russ Freeman; Drums, Percussion, David Renick; Percussion, Emulator II programming, Steve Reid; Alto Saxophone, Brandon Fields. 05:30 02:07:22 18.   Donald Steven of G.E.M.S., “Images - Refractions Of Time And Space (1986)” from Group Of The Electronic Music Studio - McGill University. Yamaha DX7, Laurie Radford; Bass, John Oliver; Electric Flute, Jill Rothberg; Percussion, Elliot Polsky, François Gauthier. 11:42 02:12:52 19.   Jane Brockman, “Kurzweil Etudes” (1-3) (1986) from Music For Kurzweil And Synclavier. Kurzweil K250, Jane Brockman. 10:19 02:24:32 20.   Richard Burmer, “Across The View” (1987) from Western Spaces. Emulator II plus an analog synth, Richard Burmer. 04:38 02:34:48 21.   Sonny Sharrock Band, “Kate (Variations On A Theme By Kate Bush)” (1990) from Highlife.  Electronics, Korg M1, Korg Wave Station, Dave Snider; Bass, Charles Baldwin; Drums, Abe Speller, Lance Carter; Guitar, Sonny Sharrock. 05:52 02:39:32 22.   Second Decay, “Taste” (1994) from Taste. Produced with the Roland Compu Music CMU-800R workstation and without MIDI; Simmons Electronic Drums,Thomas V.. Other synths used: ARP Odyssey, ARP 2600, PPG Wave 2.0, Emulator I and II, Roland SH-101, SH-7, CR-78, TR-808, MC-4, TR-606, EMS Synthi A, Solina String, Mellotron, Crumar Performer, Teisco 110F, Wasp, Linn LM-1, SCI Pro-One, Minimoog, Korg Mono-Poly, SQ-10, Elektro Harmonix Minisynth, Vocoder and effect devices, Compact Phasing A, Roland Echos RE 201, SRE 555.  04:20 02:45:18   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

I am sure a lot of Shinedown fans remember my last conversation with bassist Eric Bass back in September 2022 when the band released their “Planet Zero” album (View Interview).Eric released a solo album titled “I Had A Name” and I caught up with him to learn more about the project.This interview first appeared in Bass Musician Magazine in Feb 2025Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

The Yellowjackets are celebrating their 50th anniversary as a band and their bassist, Dane Alderson, has been with them for almost a decade. Together, this band is an iconic pillar of musicality in the Jazz community. They have been massively prolific over the years, and they are releasing their twenty-seventh album, “Fasten Up,” later this month.Join me as we hear about Dane's musical journey, how he came to play with the Yellowjackets, how he gets his sound, and his plans for the future.This interview first appeared in Bass Musician Magazine in March 2025Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Brent-Anthony Johnson may be the amazing bassist you have never heard of, despite his 45-year career as one of the hardest-working musicians in the industry.Brent-Anthony is a Bass Musician Magazine contributor who has shared a veritable wealth of educational and other bass-related pieces. He was an early adopter in online bass education and you will have seen him on Jamplay as well as his current educational website. In addition, he has been super-busy performing with numerous acts both touring as well in the studio, composing, producing, putting on bass clinics, writing bass books and acting as musical director.This interview first appeared in Bass Musician Magazine in April 2025Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

There is a lot of very exciting music happening in LA. Circle The Earth hails from this fair city with Mike McBay as a founding member and the driving force on the low end. Mike is not only a bass player but also practices medicine and applies his life knowledge to guide the band's efforts. Just like their hometown, Circle the Earth is a very diverse band in a multicultural and generational sense. Their music carries a message of planetary awareness colored with hope for a bright future for all.Join me as we hear about Mike's musical and life journey, how he gets his sound, and the band's plans for the future.Here is Mike McBay!Photo: Donna DymallyThis interview first appeared in Bass Musician Magazine in January 2025Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

In our earliest years (about 17 years ago) he contributed to Bass Musician with numerous bass-relevant pieces. He is an amazing and talented bass player who also writes music, does arrangements, is a producer, teaches, and has played with a ton of great musical acts.Join me as we hear about David's musical journey, how he gets his sound, and details about his signature Skjold design basses. He shares his plans for the future and how you can hear him in a venue near you.Cover photo: Lisa Jaye | Video photo credits: Katherine Gilraine, Karen Campbell Sadler, Larry Thompson, Lisa Jaye, Lorenzo MillerThis interview first appeared in Bass Musician Magazine in January 2025Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Just over a decade our good friend Vuyani Wakaba interviewed Chicago bassist Chuck Webb.Since then, Chuck has been super busy. One of his main occupations has been playing bass for musical theater. He is currently playing bass for the Phillip Company US tour of Hamilton.Join me as we get caught up with Chuck and hear details about his experience playing in the pit for my favorite Broadway show.Photos: Farrad Ali, Courtesy of Chuck WebbThis interview first appeared in Bass Musician Magazine in January 2025Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Last December (2024) some of our very good friends invited us to the Smith Center here in Las Vegas to check out a band I was unfamiliar with, the Huntertones.From the moment they took the stage this six-piece band came out swinging with super high energy and one of the tightest, most entertaining collections of music I have ever heard. Driving the low end, Adam DeAscentis did a superb job of tying the melody and the percussion elements, together with great skill. The horn section reminded me of early Chicago with its precision and smooth unison. And I was pleasantly surprised with Dan's tenor sax tone as it was so full and meaty. I later confirmed that he plays a 1954 Selmer (If I recall correctly); they don't make horns like that anymore.After we thoroughly enjoyed this show, I met Adam and made a connection for us to chat in more detail for this interview.Join me as we hear about Adam's musical journey, how he gets his sound, and interesting details about the Huntertones and their plans for the future.Here is Adam DeAscentis!This interview first appeared in Bass Musician Magazine in February 2025Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

We go way back with bassist Adam Nitti.He was an early contributor to Bass Musician Magazine with his bass technique pieces. We have enjoyed his music, reviewed his albums, and noted his educational projects; we have followed his trajectory almost as long as we have been in existence. Seeing his bigger-than-life photo at the Ibanez booth during the NAMM shows behind his beautiful signature basses have always been fun.Now we are very pleased to bring you this conversation with Adam where we catch up and talk about his signature basses, and sound chain, as well as projects both present and future.Cover Photo, Shannon FontaineThis interview first appeared in Bass Musician Magazine in December 2024Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Hailing from Detroit, Jerome Rimson has been laying down the low end for over 55 years. During that timeframe, he has played with some of the biggest names of our time and excelled as a producer, arranger, songwriter, and vocalist. As you might imagine, Jerome is a wealth of information as he is part of the ongoing history of our beloved electric bass.Join me as we hear about Jerome's musical journey, how he gets his sound, his plans for the future and so many colorful stories from back in the day.Header Photo, Sharon Quigley.This interview first appeared in Bass Musician Magazine in December 2024Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Nashville is one of the most iconic music scenes in the United States. Hailing from this super-active city, we have Ryan Jennings, bassist and vocalist for Teddy and the Rough Riders. The band just released their latest album “Down Home” on vinyl and CD, and is loaded with the band's unique Country Rock flavor.Ryan also plays bass for Emily Nenni who has been going strong in the Country Music arena.Join me as we hear about Ryan's musical Journey, how he gets his sound, and his plans for the future.Photos: Brandon Otto (IG @bottophoto) and Courtesy of Teddy and the Rough RidersThis interview first appeared in Bass Musician Magazine in November 2024Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

In this episode, we dive into the nuances of networking and making meaningful connections in the music industry. Our guest, bassist Luis Espaillat, shares his insights on navigating the professional landscape, from the importance of saying "yes" to opportunities to the value of versatility and immersion in one's craft.   We explore Luis' musical journey, from his time at Berklee College of Music to his diverse collaborations with artists across genres. The conversation also touches on the challenges and rewards of touring, the role of social media in personal branding, and the art of preparation and improvisation.   Additionally, we discuss the concept of "drumming roulette" and the importance of pushing boundaries and embracing new musical experiences. This episode offers valuable lessons for musicians and industry professionals alike, highlighting the power of adaptability, authenticity, and a genuine passion for the craft.   Luis Espaillat is a multi-faceted bassist and musician whose career has spanned many genres and taken him around the world. His unique sound can be heard in all forms of media from shows on network television such as Roswell,New Mexico, Smallville and King Of The Hill, major motion pictures includingS.W.A.T. and American Wedding and even video games includin: Need For Speed:Hot Pursuit 2 and Project Gotham Racing.   In the studio, Luis can be heard in various genres from the modern country sounds of Bailey Zimmerman's multi-million stream and counting hit, “NeverComin' Home,” country legends like Michael Martin Murphey to contemporary country, Juno award nominees Autumn Hill, the #1 Country  Christian song, “I'm There” by Buddy Jewell, TV commercials for the likes of Ford Trucks and Zaxby's to the Billboard Top 20 hard rock sounds of Eve To Adam. His sense and respect for the art of the song itself has made him in demand for many songwriters and producers not only in Nashville, but also Los Angeles and New York City. On the stage, Luis has performed with country stars Jon Pardi, Brett Eldredege (for his big band Christmas tours), Lee Ann Womack, Jo Dee Messina, Ty Herndon, Lee Greenwood, Trace Adkins, Jamie O'Neal, Jimmy Wayne, Lindsay Ell, and Pam Tillis, legendary singer/songwriters such as Gavin DeGraw and Jim Messina, rockers such as Tom Keifer of Cinderella, Tantric, The Guess Who, Tony Harnell and Bo Bice, progressive instrumentalist like Johnny Hiland, and even artists that defy normal convention such as country rappers Cowboy Troy and Colt Ford, just to name a few.   A graduate of Berklee College Of Music, Luis also conducts clinics and master classes on the world of studio recording, touring and of course, bass. Luis resides in Nashville, TN.   Some Things That Came Up:    -9:00 Brett Eldredge's Christmas Big Band    -13:30 Luis' Road Rituals and Routines    -18:00 Good Hangs…Brad Pitt?   -18:30 Billy Bob Thornton? Robert Downey Jr.?   -22:30 Berklee “Caf Shows”, Rush and Queen    -23:00 Meeting Geddy Lee and Alex Lifeson    -25:00 The band HOT ACTION COP   -27:50 Sunset Boulevard Adventures and Ron Jeremy   -29:50 Dominican and Puerto Rican Roots   -30:30 A well rounded education includes the Arts    -35:00 Luis' first Nashville opportunities    -37:00 The dirty word that is ‘Networking'   -38:00 What's Your Problem? Can I Help?    -40:00 Upright or Electric Bass    -42:00 Entertaining social media -43:00 Luis loved film scores   -48:00 Pop and Slap technique    -50:20 The Big PRIMUS audition    -57:50 The DRUMEO genre test    -1:01:20 Luis and Rich doing a music business panel at Belmont University   -1:02:50 The time saving rhythmic shorthand and kick drum patterns    -1:04:40 Listening Latin Music growing up and immersion -1:09:00 Pigeonholes…and keeping all polished   -1:11:40 The Immersion Technique   -1:15:30 Voice Over for Amtrak   -1:16:15 Luis' Musician Spotlight at The Country Music Hall of Fame    -1:18:20 The Fave 5    -1:23:00 Tribute Band   -1:27:00 Drummer “Poker Tells”    Follow: www.luisespaillat.com www.facebook.com/luisespaillatbass www.X.com/luisbass www.youtube.com/luisespaillat www.instagram.com/ebassluis https://www.tiktok.com/@luisespaillatbass   Snapchat: ebasslu   The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 30 of which have been #1 hits!   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur. Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com www.itsyourshow.co

Kebonye Nkloso…I am always fascinated to hear about music from other parts of our planet as much has yet to reach my ears. Hailing from Botswana, Skinflint has been rocking its kind of heavy metal since 2006 with Kebonye Nkloso as the bassist and a founding member. They were inspired by many of our time's great heavy metal bands but chose to branch into specific music based on African spirituality and folklore. The result is unique and not quite like anything I have ever heard.Join me as Kebonye shares his musical journey, how he gets his sound, details about their recent album “Baloi” and the band's plans for the future.Meet Kebonye Nkloso!This interview first appeared in Bass Musician Magazine in November 2024Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

I am a big fan of Brazilian music and I remember briefly meeting bassist Pops Magellan at a NAMM show years ago and knew our conversation warranted a longer discussion.For this cover interview, I sat down with her to learn more about her musical journey, laying down the low-end for Adam Lambert, her new EP “Damage”, how she gets her sound and so much more.Here is Pops MagellanPhotos, Jack LuThis interview first appeared in Bass Musician Magazine in February 2025Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Emma Anzai…I am always excited to chat with bass players from around the world.Emma Anzai is a founding member and the bassist for Australia's Sick Puppies, who have been going strong playing Rock since the late 1990s.  Emma also plays bass for Evanescence.Join me as we hear about Emma's musical journey, how she gets her sound, and her plans for the future.Photo Credit: Alice FischerThis interview first appeared in Bass Musician Magazine in October 2024Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Taiwanese vibraphonist and percussionist Chien Chien Lu, along with Pittsburg, Pennsylvania native bassist Richie Goods, have crafted a sound that is both captivating and rhythmic. Their music draws from a rich tapestry of cultural influences including Taiwanese, American, and African-American traditions, especially within the jazz sub-culture. Chien Chien Lu and Richie Goods are dedicated to expanding their musical repertoire, creating a unique connection that resonates deeply with listeners. In the fall of 2024, Chien Chien Lu and Richie Goods visited Columbus, Ohio, where they met with students at Otterbein University and performed to a captivated full house audience. During their visit, they visited my studio, sharing compelling stories about their individual paths into jazz and the inception of their musical collaboration. Chien Chien Lu recounted her transition from playing classical music in Taiwan to exploring the creative latitude of jazz upon her relocation to the United States. She arrived in the US holding a master's degree in classical percussion but sought the unique expressions of jazz. While pursuing graduate studies in Philadelphia, Chien was introduced to Jeremy Pelt, one of today's leading trumpeters. Impressed by her talent, Pelt included Chien in his subsequent European tour and later featured her in his next album. At that time, Richie Goods was a member of Pelt's band. In 2017, Chien graduated with a Master of Music in Jazz Studies from the University of the Arts. It all then fell together. Richie Goods describes his journey into jazz through performing arts school in Pittsburgh Creative and Performing Arts High School. After graduating from the prestigious jazz program at Berklee College of Music, Richie moved to New York City, where he studied under jazz legends Ron Carter and Ray Brown. Richie worked extensively with jazz piano legend Mulgrew Miller for nine years, which provided opportunities to perform with other major jazz luminaries including Russell Malone, Lenny White, Louis Hayes, and Vincent Herring. His extensive discography includes Grammy award-winning and platinum albums by Alicia Keys and Common. Connected is a band jointly led by Richie Goods and Chien Chien Lu, and their latest recording is Connected vol. 1. This pandemic era-project was derived from frequent conversations Richie Goods and Chien Chien had about the Black Lives Matter movement and the unwarranted hate crimes against Asians. They decided to do a project that would unify people and invoke imagery of love and peace, says Richie. The result is a dynamic jazz group influenced by global sounds, which reflects the musical identities of Richie and Chien. Connected vol. 1, won "Best Instrumental Album" at the 34th Golden Melody Awards in Taiwan. The playlist for this episode includes five recordings. They tap into their latest recording, Connected vol. 1 and Chien Chien Lu's first recording, The Path. Richie Goods produced The Path and Connected vol. 1. The playlist for this episode: 1.Treasure Mountain, Connected vol. 1, (Richie Goods/Chien Chien Lu), RichMan Music, 2023-(8:16); Chien Chien Lu-Marimba & Vibraphone; Richie Goods-Electric bass & acoustic bass; Brett Williams-Keyboards & Rhodes; Quintin Zoto-Guitar; David Frazier, Jr.-Drums; Danny Sadownick-Percussion 2.Blind Faith, The Path (Chien Chien Lu), RichMan Music, 2020-(5:26); Chien Chien Lu-Marimba & Vibraphone; Richie Goods-Bass & Electric Bass; Shedrick Mitchell-Piano & Organ; Quintin Zoto-Guitar; Allan Medford-Drums; Percussion-Ismel Wignall 3.We Live in Brooklyn Baby, The Path (Chien Chien Lu), Richman Music, 2020-(5:38) Chien Chien Lu-Marimba & Vibraphone; Richie Goods-Bass & Electric Bass; Jeremy Pelt-Trumpet; Shedrick Mitchell-Piano & Organ; Quintin Zoto-Guitar; Allan Mednard-Drums; Percussion-Ismel Wignall; Yoojin Park-Violin; Phoebe Tsai-Cello 4.Someday We'll All Be Free, Connected vol. 1, (Donnie Hathaway), Richman Music, 2023-(7:26); Chien Chien Lu-Marimba & Vibraphone; Richie Goods-Electric bass & acoustic bass; Jamison Ross-vocal; Piano/Organ-Shedrick Mitchell; Lil John Roberts-Drums; Danny Sadownick-Percussion Thanks to A Tribe for Jazz for helping to make this interview happen and their support. Please note that there may be some technical issues in the audio. However, the conversation rich in content. Thank you for listening. Subscribe and you'll be one of the first to listen to upcoming episodes, articles, and announcements. Photo by Stephen Pyo

Today's episode features Brazilian bassist and educator Alexandre Piazza.  Alexandre was a bass teacher Saarbrücken, Germany and has a YouTube Channel with lessons on how to play acoustic and electric bass, equipment reviews, and videos about his life as a musician and music teacher in Germany and Brazil.   We dig into his experiences studying and teaching in Germany, the inspiration for his YouTube Channel, the “three different worlds” of electric bass, jazz, and classical, and how he approaches teaching young people.   Enjoy, and be sure to give Alexandre a follow on Instagram!   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsor! Upton Bass - From Grammy Award winners and Philharmonic players like ME Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today! theme music by Eric Hochberg

Lately, I have been discovering quite a few multi-instrumentalists who create their music by playing all the instruments involved. The most amazing aspect of this to me is how proficient they are and how the bass plays a significant role in their music.Dave Perry is one such talented musician, and plays all the instruments in the band “Fear of Water”. Not only does he compose and perform all his music but he has had to surmount some serious obstacles to be where he is today.Join me as we learn about Dave's Journey, how he overcame being clinically deaf as an infant, how he gets his sound, the process behind his music, and his plans for the future.I am thrilled to introduce you to Dave Perry!This interview first appeared in Bass Musician Magazine in October 2024Face Your EarsExplore home recording and music creation with Rich and Justin on 'Face Your Ears'!Listen on: Apple Podcasts SpotifyGo to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

How about something a little different? Andrew and Jay take a detour through the world of craftsmanship, innovation, and efficiency by way of music. They discuss the evolution of electric bass designs, the nuances of machining and guitar manufacturing, and how lean principles can be applied not only to manufacturing processes but also to everyday life, from jiu-jitsu to efficient workspace setups. Along the way, they share stories about their newest equipment, the challenges of expanding their businesses, and the balancing act of maintaining quality while maximizing efficiency.

I always enjoy the opportunity to talk to very seasoned career bass players.Hank Horton is a heavy-hitter vocalist, producer, and bassist who fits into that category. Hank has a diverse skillset where he can play electric for Jeff “Skunk” Baxter (and a ton of other renowned musicians), play upright in the Detroit Symphony, or be excellent in a Broadway pit. I also understand that Hank has been using the Katana-210 Bass Amplifier, typically designed for electric bass, for his upright bass—a unique technique that he says has helped him to elevate his sound in recent years.Join me as we get the low down from Hank Horton himself!This interview first appeared in Bass Musician Magazine in September 2024Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Blues Traveler has always been one of my favorite bands.Whenever “Run Around” would pop up on MTV, I would always drop whatever I was doing to watch. Now, The band is celebrating the 30th anniversary of their Grammy award-winning album “Four” (I still have my copy from back in the day) with a very cool limited edition purple vinyl record set.Since that early hit record, the band has been going strong and kept very busy touring and releasing albums; it is great to see a band with such continuity and staying power.Tad Kinchla has been playing the bass for Blues Traveler since 1999 and I am thrilled to have a chance to bring you this interview. Join me as we learn about Tad's musical journey, his experiences with Blues Traveler, how he gets his sound, and his plans for the future.Here is New Jersey's own, Tad Kinchla!This interview first appeared in Bass Musician Magazine in Oct 2024Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Do you remember back in the day when a certain song came on the radio that just made you feel happy but you didn't know who was playing?This was the case with “Heaven” by Los Lonely Boys. I was glad when I finally found out who the band was as I could look for more of their music. BTW, this tune still makes me smile from the opening few bars.After more than a decade, the news of a new album titled, “Resurrection” came across my desk and the expertly crafted tracks I heard were full of messages of hope and healing, fitting for our times.I was very excited to have the opportunity to chat with the band's bassist, Jojo Garza and to be able to share this conversation. His story is inspiring and his musical journey is quite remarkable. Join me as we hear about how Jojo gets his iconic sound, details about “Resurrection” and the band's plans for the future.Les presento Jojo Garza!This interview first appeared in Bass Musician Magazine in September 2024Face Your EarsExplore home recording and music creation with Rich and Justin on 'Face Your Ears'!Listen on: Apple Podcasts SpotifyGo to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

I just had the opportunity to interview a very talented player, who you might already know, Suzy Starlite. She is our newest contributor here at Bass Musician, and her “Walking the Bass Line” series, is a wealth of incredible information, including gear, history, and insight into the bass world.Join me as Suzy talks about some of the points from her article and so much more.This interview first appeared in Bass Musician Magazine in August 2024Face Your EarsExplore home recording and music creation with Rich and Justin on 'Face Your Ears'!Listen on: Apple Podcasts SpotifyGo to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

I am always impressed by musicians who can play and sing simultaneously. I am even in greater awe of these multi-instrumentalists who are highly proficient on many instruments.Richie Kotzen is one of these very talented musicians. His upcoming (September 27, 2024) album “Nomad” is proof as he plays every instrument in all but two tracks and does it amazingly well. Richie's main strength is as a vocalist/guitar player and he has played with some of the best bassists in the business but in “Nomad”, he holds down the low end nicely.Join me as we hear about Richie's musical journey, details about “Nomad” how he gets his sound, how bass fits into his musical toolbox, and his plans for the future.This interview first appeared in Bass Musician Magazine in September 2024Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

I always enjoy the opportunity to talk to fellow bass players as they travel on their musical journey. Jonny Rubin, AKA Dr. Funk has been at this since he was a kid and has made the huge leap across the pond to make a go at it in sunny southern California.Join me as we hear about his musical past, present and future.Photo courtesy of Jonny RubinThis interview first appeared in Bass Musician Magazine in July 2024Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Travis Dykes is a professional bassist, and the first ever bassist on the Worship Keys podcast. We discuss the intricacies of sub bass, synth bass, electric bass, and Travis's musical journey from starting at a young age to becoming a professional in Nashville. Travis shares valuable tips on techniques, gear, and the importance of playing in a band context. He also talks about the relevance of slides, pick usage, and how to effectively collaborate with other band members. Lastly, Travis gives advice for aspiring bassists and discusses his book, 'Do It Yourself Bass Guitar,' aimed at helping beginners transition to playing bass in a band.Aerospace AudioTravis's Bass Guitar BookThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

If you are an electric bass player, this is an exciting time to be alive as this relatively new instrument evolves around us. Some creative individuals have taken an active role in this evolution and made giant leaps in their own direction. Lee Barker is one of these inventive people having created the Barker Bass. Fortunately, Lee is also an excellent writer (among so many talents) and has recently released his book “Plausible Gumption, The Road Between a Christmas Toolbox and The Barker Bass”. This book is a very fun read for everyone and shares a ton of details about Lee's life in general, his experiences as a musician, a radio host, and a luthier. Now I am fortunate to have the great opportunity to gain even more insights into this renaissance man with this video interview.Plausible Gumption, The Road Between a Christmas Toolbox and The Barker Bass is available online at Amazon.comThis interview first appeared in Bass Musician Magazine in July 2024Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Brian Ritchie is our first guest whose primary instrument - the one that helped make his band Violent Femmes a household name - is an acoustic bass. Today we hear how all that came to be, the band's path from busking on the streets of Milwaukee to rocking stadiums, and why their approach really hasn't changed all that much. Along the way he tells some funny stories about early gigs, opens up about a new acoustic bass he's gotten his hands on and even shares what Flea told him about working with producer Michael Beinhorn. Also - and this will make sense after you listen - here are two updates to things I say in this episode: My amazing engineer/mixer Matt Noble pointed me to lutefish.com, a hardware-software set-up that does enable near real-time jamming over distances less than 500 miles. I haven't tried it out, because it requires being hardwired to my modem and that's too far away from my basses. Parquet Courts' (fantastic) bassist Sean Yeaton doesn't play a stock short scale bass - it's a frankenbass made up of the body and pickups of an ‘84 Fender Bullet bass (short scale) and the neck of a '50s P-Bass reissue (standard scale). It also has a weird hole in it. Violent Femmes (https://open.spotify.com/artist/0rpMdBzQXf7aYRnu5fDBJy?si=XfFHPeSkTUyqNHhdWKdAgQ) Brian Ritchie's solo stuff (https://open.spotify.com/artist/5VlujeJlkf1SEspNUbdhq8?si=pREJiCIQQJKztGtRFon1Og) Big Johnson Basses (https://bigjohnsonbass.com/) - Brian Ritchie's next new favorite bass? And here's a video demo (https://www.youtube.com/watch?v=0KeWe0KUznk) by its creator. Guitars For Vets (https://guitars4vets.org) - a very cool charity, check it out This episode is brought to you by "The Bastard Instrument: A Cultural History of the Electric Bass," the essential new book that illuminates the origins and impact of our beloved instrument in all its glory. An amazing read. Buy it at Amazon (https://www.amazon.com/Bastard-Instrument-Cultural-Electric-Tracking/dp/0472056816/) or your favorite book slinger. And check out author Brian F. Wright's website (https://www.brianfwright.com/) for unreleased content from the book and more of his writing.  

"We love the electric bass here at Upright Citizens, and most especially the great Marcus Miller! A true pioneer of music, Marcus is just as well-known for his writing, producing, arranging, and is a leader in so many facets in the music biz. In this episode, Bob and Reuben share some of their favorite Marcus tracks, as well as their thoughts and stories all about this legendary musician..." If you like Bass - you're in the right place! Interested in more music and practice advice? Check out Open Studio...where you'll find courses and much more by world-class bassists like Reuben Rogers, Ron Carter, Christian McBride, Bob DeBoo and more. Reach out to the Upright Citizens anytime at uprightcitizenspodcast@gmail.com ★ Support this podcast ★

Dead Kennedys - the scabrous, Northern Cali-based band that taught the world how to stage dive - created some of the most indelible anthems in hardcore, naming and shaming those in charge and challenging its audience to face hard truths. The band's gone through a few line-up changes in its 40+ years, but one constant has been the instrumental interplay of bassist Klaus Flouride with guitarist and co-founding member East Bay Ray, along with the hyperspeed precision of drummer D.H. Peligro (who passed in 2022). Live, they've worked with vocalist Skip (the Wynona Riders) for longer than original singer Jello Biafra was in the band, and they're gearing up for more shows. Klaus joins the pod to talk about the band's history and musical gestalt, his own idiosyncratic solo output (coming soon to a digital music service near you!), and how they may have to update some of their classics for our present day insanity. Dead Kennedys (http://deadkennedys.com/) Recording “Nazi Punks Fuck Off” in the studio (https://www.youtube.com/watch?v=PzHLPnGuVSQ) Klaus Flouride's solo material on discogs (https://www.discogs.com/artist/259342-Klaus-Flouride) Carrion Kids (https://carrionkids.bandcamp.com/) Oranger with Matt Harris (https://open.spotify.com/artist/3euxXTX6KdKGg5ljc592yw?si=HDwUCOSOQ4KFXPWHLBxXAw) This episode is brought to you by "The Bastard Instrument: A Cultural History of the Electric Bass," the essential new book that illuminates the origins and impact of our beloved instrument in all its glory. An amazing read. Buy it at Amazon (https://www.amazon.com/Bastard-Instrument-Cultural-Electric-Tracking/dp/0472056816/) or your favorite book slinger. And check out author Brian F. Wright's website (https://www.brianfwright.com/) for unreleased content from the book and more of his writing. We have a short interview snip with Brian - listen in for a chance to win your OWN copy of the book, too - but you have to answer a trivia question to enter.  

This month's Groove podcast guest is Brian F. Wright, an Assistant Professor of Music History at the University of North Texas, and author of “The Bastard Instrument – A Cultural History of the Electric Bass.”

I am sure many of you are very familiar with Mark Egan as we have been following him and his music for many years now. The last time we chatted was in 2020.Mark teamed up with drummer Shawn Pelton and guitarist Shane Theriot to produce a new album, “Cross Currents” released on March 8th, 2024. I have been listening to this album in its entirety and it is simply superb (See my review).Now, I am excited to hear about this project from Mark himself and share this conversation with our bass community in Bass Musician Magazine.This interview first appeared in Bass Musician Magazine in June 2024Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

He first caught our ears with the propulsive lines that drove Austin weirdos Scratch Acid; and then David Wm. Sims - and SA vocalist David Yow - decided to set it all on fire, joining forces with guitarist Duane Denison and drummer Mac McNeilly to form noise rock progenitors Jesus Lizard. Now, 26 years after their last studio album, the quartet has returned with a barn burner of a new album, “Rack” (Ipecac), coming out September 13th, and a slew of tour dates. Tune in to find out what makes David, and the band, click, what made them return, and, perhaps, the secret to his much-coveted bass sound and style. This episode is brought to you by "The Bastard Instrument: A Cultural History of the Electric Bass," the essential new book that illuminates the origins and impact of our beloved instrument in all its glory. An amazing read. Buy it at Amazon (https://www.amazon.com/Bastard-Instrument-Cultural-Electric-Tracking/dp/0472056816/) or your favorite book slinger. And check out author Brian F. Wright's amazing website (https://www.brianfwright.com/) for unreleased content from the book and more of his writing. We have a short interview snip with Brian - listen in for a chance to win your OWN copy of the book, too - but you have to answer a trivia question to enter. Jesus Lizard (https://thejesuslizard.bandcamp.com/) Scratch Acid (https://scratchacid.bandcamp.com/) unFact (https://unfact.bandcamp.com/album/bleached-valentine) Jesus Lizard Tour Dates (https://www.ticketmaster.com/the-jesus-lizard-tickets/artist/1131990) Jesus Lizard Book (https://www.amazon.com/Jesus-Lizard-Book/dp/1617750808)

Bassist Adam Sullivan…Hailing from Minnesota since 2012, By the Thousands has produced some serious Technical Metal/Deathcore music. Following their recent EP “The Decent”s release, I have the great opportunity to chat with bassist Adam Sullivan.Join me as we hear about Adam's musical Journey, his Influences, how he gets his sound, and the band's plans for the future.This interview first appeared in Bass Musician Magazine in June 2024Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

I am sure many of you will remember my chat with Will Turpin in 2018 when he released his solo album Serengeti Drivers.We had a chance to get together again as his band, Collective Soul, is celebrating their 30th anniversary and releasing their new album “Here to Eternity”.Join me as we get caught up on the new album and all of Collective Soul's projects, the details about his very own Real To Reel Studios, how Will gets his sound, and all the cool plans and projects going on soon.This interview first appeared in Bass Musician Magazine in June 2024Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

You didn't think we were gonna get through this season without a dispatch from the man in the van with a bass in his hand, did you? Coming to us live and shirtless from his home base of San Pedro, CA, Mike opines on the 40th anniversary of post-punk magna carta “Double Nickels on the Dime,” how he learned new ways to collaborate in the wake of bandmate D. Boon's untimely death, the ins and outs of his gear (including his signature Reverend bass) and who and what continue to inspire him today. This episode was brought to you by "The Bastard Instrument: A Cultural History of the Electric Bass," the essential new book that illuminates the origins and impact of our beloved instrument in all its glory. An amazing read. Buy it at Amazon (https://www.amazon.com/Bastard-Instrument-Cultural-Electric-Tracking/dp/0472056816/) or your favorite book slinger. And check out author Brian F. Wright's amazing website (https://www.brianfwright.com/) for unreleased content from the book and more of his writing. We have a short interview snip with Brian - listen in for a chance to win your OWN copy of the book, too - but you have to answer a trivia question to enter. Minutemen (https://open.spotify.com/artist/0z6zRFzl5njXWLVAisXQBz?si=tZiLxjmWTByyEnhgEpureQ) fIREHOSE (https://open.spotify.com/artist/6MIbrfpc9aH6gsEl2yep68?si=oNFImAltS_qfBOTWMB-S5Q) dos (https://dossanpedro.bandcamp.com/album/justamente-tres) Il Sogno Del Marinaio (https://www.facebook.com/IlSognoDelMarinaio/) mssv (https://mainsteamstopvalve.com/) Mike Bagetta / Jim Keltner / Mike Watt (https://mikebaggetta.bandcamp.com/album/everywhen-we-go) - my go-to dinner party music Mike Watt's hoot page (http://hootpage.com/) - everything he's doing at any given moment Reverend Guitars Mike Watt Wattplower Mark II Bass (https://reverendguitars.com/basses/mike-watt-wattplower-mark-ii/) - Reverend's best-selling bass!

Episode 130 Recent Finds for the Electronic Music Archives Playlist   Time Track Time Start Introduction –Thom Holmes 04:18 00:00 Esplendor Geometrico, “Estación Katowice” and “Signos De Energía” from Kosmos Kino (1987 Discos Esplendor Geometrico). Percussion, Drum Machine, Vocals, Gabriel Riaza; Synthesizer, Drum Machine, Vocals, Noises, Arturo Lanz. Industrial music from Spain. 10:08 04:42 KG, “My Magic Guitar,””Harry Escaped!,” “Die Sauberen Flöten,” “À L'enterrement De Kraftwerk,” “Fish And Chips Sugar Free,” “The Shotgun Gallery Drum School,” “The End Of The World” from Baraka (1997 Antimatière). French industrial band. Limited to 300 copies. Comes in a plain white cardboard cover with die-cut hole on center front. Back cover has two stamps: "ANTIMATIERE" and "MARRAKECH WVIII". 11:55 14:46 Mystic Moods Orchestra, “The Look of Love” from The Mystic Moods Of Love (1968 Philips). Lushly weird arrangements with a silky vocal chorus and environmental sounds recorded by Brad Miller. This record came before the Mystic Moods Orchestra used a Moog synthesizer. Originally included a fragrance card affixed to the cover with the writing "A Romantic Fragrance has been added to this album to enhance your Mystic Moods of Love" (actual capitalization). 03:30 26:37 Chris and Cosey, “Re-education Thru Labour” from Trance (1982 Rough Trade). Composed and Acoustic And Electronic Instrumentation by Chris Carter and Cosey Fanni Tutti. 07:07 30:06 Chris and Cosey, “Put Yourself In Los Angeles” from Heartbeat (1981 Rough Trade). Produced, composed and Acoustic And Electronic Instrumentation by Chris Carter and Cosey Fanni Tutti. Synth, Cornet, Casio MT30, Tapes, Vocals, Cosey F. Tutti; Synth, Electronic Drums, Guitar, Casio MT30, Taped Voices, Vocals, Chris Carter. 03:37 37:09 Skyliner Flight 35, side A, from Skyliner Flight 35 (Authentic Plane Sounds) (1952 Columbia). Directed by Hecky Krasno, Text by Leo Paris. 78 RPM. "Ride with the pilot as he flies a 4-engine Constellation from New York to California." Part of a series of children's records from Columbia. 03:25 40:56 Reynold Weidenaar, side A, tracks 1-5, “Neptune Two-Step #1,” “Neptune Two-Step #2,” “Neptune Two-Step #3,” “Computer Clip-Clop,” “Cosmic Capers” from Electronic Effects (1968 A Sam Fox Production). Composed by Reynold Weidenaar. Historically significant recording of the early Moog Modular Synthesizer by this collaborator of Moog, student Reynold Weidenaar. Around this time (1967-68), Weidenaar edited the journal that originated with Bob Moog, the short-lived Electronic Music Review. This recording was made in the electronic music studio of R.A. Moog Co. studio in Trumansburg, New York. Not many recordings were made there. It was distributed by a company specializing in broadcast library music, Sam Fox Productions. You can hear the raw power and versatility of the Moog Modular components in these short compositions. 03:19 44:22 Reynold Weidenaar, side B, tracks 1-5, “Milky Wail #5,” “Milky Wail #6,” “Milky Wail #7,” “Venus Exposed,” “Cosmic Crackle #1” from Electronic Effects (1968 A Sam Fox Production). Composed by Reynold Weidenaar. 04:13 47:40 Ralph Lundsten, The Paradise of Heroes” from Paradissymfonin (1980 Harvest). Produced, composed, Synthesizer, Keyboards, Arranged By, Voice, Effects, Ralph Lundsten; Choir, Annelie Sköld, Annica Risberg, Kai Kjäll-Andersson, Kerstin Bagge, Liza Öhman-Kling; Conductor, Lars Bagge; Drums, Peter Sundell; Electric Guitar, Electric Bass, Georg Wadenius; Flute, Keyboards, Björn J:Son Lindh; Harp, Gloria Lundell, Marie Eriksson; Keyboards, Wlodek Gulgowski; Pipe Organ, Birgit Lindkvist; Percussion, Björn Liljequist, Pétur Östlund; Percussion, Arranged By, Gunnar Lundqvist. Mr. Lundsten was a little like the Rick Wakeman of Sweden. He worked in his private studio and produced many thematic compostions and over 40 albums in his long career in music. 05:46 51:52 Hiroshi Yoshimura, “Time Forest” from Soundscape 1: Surround (1986 Misawa Home). Composed, arranged, and performed by, Hiroshi Yoshimura. Hiroshi Yoshimura was a Japanese musician and composer, a pioneer of Japanese ongaku or environnemental music. Interestingly, this music was originally commissioned by a home builder to provide music to complement their newly built homes. Yoshimura described his music as being transparent, adding “Not all interiors are visual by nature; music as interior is none other than the interior of the heart.” 10:38 57:36 Mamman Sani, “Dangay Kotyo” from Taaritt (2022 Sahel Sounds). Recorded 1985 to 1988 at Studio Samira in Niamey, Niger and Studio Kham Mai in Paris, France. This wonderful music was not released until recently. Composed, recorded by, Crumar Bit 99 v, Yamaha RX5 synthesizer, Roland TR-505 Drum Machine, Mammane Sani Abdoulaye. Sani is an early pioneer of synth music in Niger. Sani found unlikely fame in Denmark, regularly appearing in the playlist of Copenhagen bars. "In Niger we have sweet melodies. When the music is good, it's a positive vibration. When someone can cry because of a melody, there is something humane in them. If you are stressed, you can take this music like a tablet. It's music to cool down. It's not music for dancing, but maybe it can make you dream." 04:11 01:08:11   Opening background music: Unknown Artist, side A, Ambient Battle Samples: Phase One: Enter The Stargate Manifold...(2003    The Crypticon Media Cartel). Produced, Controlled & Bankrolled by AL9000 Motherbrain (Alexandre Delmaere). From A side label : "These sounds are of intergalactic sonic property and available for any manipulations and outputs you so desire. Welcome to the Crypticon Media Cartel 2003. Original transmissions from sector 9.41 of Sirius-V during the last sonic cruise of the outer rings." Essentially, this is a list of electronic sound effects to be sampled and played by DJs. (15:05) Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

Rhythm Tribe, the electrifying family band known for their vibrant Neo Soul and Latin Fusion rock sound is poised to set the music scene ablaze with their latest releases and upcoming live shows, including concerts at two of Los Angeles' most iconic venues, the Viper Room and Whisky A-Go-Go this summer! Comprised of the dynamic trio Thomas Guzman-Sanchez, Mason Guzman-Sanchez, and Brisa Guzman-Sanchez, along with other close family friends rounding out the ensemble, Rhythm Tribe is more than just a band – they are a musical legacy. This summer, Rhythm Tribe will unveil their much-anticipated new music, a collection that promises to push the boundaries of Latin rock with infectious rhythms, heartfelt lyrics, and an unmistakable familial synergy. Beginning with their first single “You'll Be There / Estaras Alli,” which is a fusion of Puerto Rican Aguinaldo, Martillo, Bomba, and Neo Soul. This single is now competing for “Song of the Year” and “Best Tropical Song” in the 2025 Latin Grammy's. The vocalist Brisa Guzman-Sanchez takes both Spanish and English lyrics creating something emotional and heart throbbing. “You'll Be There / Estaras Alli” encapsulates that unexpected last shared moment with a loved one. Each track is a testament to their unique sound, blending traditional influences with contemporary flair. Their music is a celebration of cultural heritage and modern innovation, designed to resonate with audiences of all ages. Their new sound combines the unique guitar artistry of Thomas and Mason Guzman-Sanchez, held together with the insatiable rhythms of Esau Garcia. Rhythm Tribe has added Karthik Suresh on both Upright and Electric Bass and Drummer, Louie Pereira, to make a powerful musical sextet. Rhythm Tribe is not just another band; they are a living, breathing embodiment of musical evolution. Their performances are a family affair, filled with genuine emotion, tight harmonies, and an undeniable chemistry that can only come from shared blood and shared passion. As they gear up for their summer and fall shows, Rhythm Tribe invites you to experience the raw, authentic power of a family united.   Want to watch: YouTube Meisterkhan Pod (Please Subscribe)    

The Women's Recreational Fishing League explore the future of fishing with the All Electric Bass Boat project. 

Finger Eleven Bassist Sean AndersonAnytime a band releases a “Greatest Hits” album it is often a testament to decades of excellence. I was thrilled to hear that Finger Eleven released their “Greatest Hits” album in CD and digital format, with Vinyl soon to drop in August. It was a perfect time to chat with the band's bassist, Sean Anderson, and get all the details.Join me as we hear about Bassist Sean Anderson's musical journey, his gear and the plans for the future.This interview first appeared in Bass Musician Magazine, June 2023Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Interview with bassist Russel Blake…I am always blown away when I meet someone whose activities seem to exceed the number of hours in a day; Russel Blake is such a dynamic individual.Russel has been holding down the low end for over 44 years during which he has played with many of the biggest names in music, many of these in Jazz. He has performed in a wide variety of settings, including both cruise ships and on Broadway. He is a music producer, composer, author, ordained minister and personal trainer. He has worked tirelessly as an advocate against domestic violence around the world. He is currently working on a series of solo bass projects that encompass classical, world music and so much more.Join me as we learn more about Russel's bass journey, music, gear and his plans for the future.Without further ado… Here is Russel BlakeThis interview first appeared in Bass Musician Magazine, August 2023Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Casey Andersen was born in Pasadena in 1991, and his family relocated to Santa Fe, New Mexico, a year later, where he remained until he turned 18. His first instrument was the drumset, which he played from about age 6 to 16. In the fourth grade, he began playing the upright bass, participating in orchestras, Jazz and Rock bands, among others. He auditioned for Berklee College of Music with the Electric Bass as his primary instrument but changed his major to Jazz Composition within the first year. After graduation, Casey took a job as the bassist in the house band of a cruise ship. However, it wasn't the right fit for him, so after his contract ended, he had to engage in some serious rethinking about his career direction. Returning to Santa Fe, Casey started teaching various music classes at his former school, the Santa Fe Walford School. He kept busy playing gigs and teaching during the day, but also found time to practice Yoga and indulge in reading whenever he wasn't working. He earned two Masters degrees from St. John's College in Santa Fe—one in Western Philosophy Liberal Arts and the other in Sanskrit, focusing on the Eastern Classics. Casey met his wife in the Eastern Classics program, and they have recently relocated to Oxford to further their studies. www.moneymaestroblog.com/ep-71

A tiny trailer for the upcoming series "Four Strings and the Truth."

Playlist   Track Time Start Time Opening and Introduction (Thom Holmes) 11:57 00:00 1.    Herbie Hancock, Herbie Hancock Demonstrates The Rhodes Piano (1973 Rhodes). A terrific flexi-disc produced by Rhodes and narrated by Hancock who tells an interesting story about his first encounter with the instrument on a Miles Davis session and then he walks the keyboard through a series of effects. He speaks with the authority of a proud electronics tinkerer who understands the nuances that make this instrument so beloved by jazz musicians. This flexi-disc was originally delivered in the November 8, 1973 issue of Down Beat magazine. I provide both sides of the disc, in entirety. Tunes included during the demonstration include parts of Watermelon Man, Maiden Voyage, and The Spook. Soloist, Rhodes Electric Piano, Voice, Herbie Hancock. I thought it would be wisest to lead off this podcast with an overview of the Rhodes even though it is out of chronological sequence, being from 1973. We then go back a few years to hear tracks in proper time order. 12:48 11:57 2.    The Don Ellis Orchestra, “Open Beauty” from Electric Bath (1967 Columbia). Alto Saxophone, Flute, Soprano Saxophone, Joe Roccisano, Ruben Leon; Baritone Saxophone, Flute, Bass Clarinet, John Magruder; Bass, Dave Parlato, Frank De La Rosa; Bass, Sitar, Ray Neapolitan; Congas, Bongos, Chino Valdes; Drums, Steve Bohannon; Leader, Trumpet, Don Ellis; Percussion, Alan Estes; Piano, Clavinet, Fender Electric Piano Fender, Mike Lang; Tenor Saxophone, Flute, Clarinet, Ron Starr; Tenor Saxophone, Flute, Piccolo Flute, Clarinet, Ira Schulman; Timbales, Vibraphone, Percussion , Mark Stevens; Trombone, Dave Sanchez, Ron Myers, Terry Woodson; Trumpet, Alan Weight, Bob Harmon, Ed Warren, Glenn Stuart. 5:33 24:44 3.    Miles Davis, “Stuff” from Miles In The Sky (1968 Columbia). I think this was Miles' first album recorded using the Fender Rhodes, played by Herbie Hancock. See the opening tracks from this podcast for a story about this session from Hancock. Bass, Ron Carter; Drums, Tony Williams; Piano, Fender Electric Piano, Herbie Hancock; Tenor Saxophone, Wayne Shorter; Trumpet, Miles Davis. 16:59 30:14 4.    Joe Zawinul, “The Soul Of A Village (Part II)” from The Rise & Fall Of The Third Stream (1968 Vortex). Zawinul, along with Hancock, was an early adopter of the Fender Rhodes. Cello, Kermit Moore; Double Bass, Richard Davis; Drums, Freddie Waits, Roy McCurdy; Percussion, Warren Smith; Piano, Fender Electric Piano, Joe Zawinul; Tenor Saxophone, Arranged by, William Fischer; Trumpet, Jimmy Owens; Viola, Alfred Brown, Selwart Clarke, Theodore Israel. 4:16 47:10 5.    Oliver Nelson and Steve Allen, “Go Fly a Kite” from Soulful Brass (1968 Impulse). Another Steve Allen record, whom we heard from in part 1 playing the Wurlitzer Electric Piano. Here is a selection from an album on which he plays the Rock-Si-Chord and occasional piano. Arranged by Oliver Nelson; Rock-Si-Chord, piano, Steve Allen; Drums, Jimmy Gordon; session musicians, Barney Kessel, Bobby Bryant, Larry Bunker, Roger Kellaway, Tom Scott; Produced by Bob Thiele. 2:30 51:24 6.    J & K “Mojave” from Betwixt & Between (1969 A&M, CTI). “J” is J.J. Johnson (trombonist) and “K” is Kai Winding (trombonist). Their ensemble included Roger Kellaway playing the electric clavinette. An example of using the clavinet in jazz. This was most likely a Hohner Clavinet Model C which had just been introduced in 1968. Recorded at Van Gelder Studios during late 1968. 2:31 53:54 7.    Albert Ayler, “New Generation” from New Grass (1969 Impulse). An electric harpsichord played by Call Cobbs adds some subtle comping to this buoyant tune written by Ayler, Mary Parks, Rose Marie McCoy. Baritone Saxophone, Buddy Lucas; Design Cover And Liner, Byron Goto, Henry Epstein; Drums, Pretty Purdie; Electric Bass, Bill Folwell; Piano, Electric Harpsichord, Organ, Call Cobbs; Producer, Bob Thiele; Tenor Saxophone, Flute, Seldon Powell; Tenor Saxophone, Vocals, Albert Ayler; Trombone, Garnett Brown; Trumpet, Burt Collins, Joe Newman; Vocals, The Soul Singers. 5:06 56:22 8.    Bill Evans, “I'm All Smiles” from From Left To Right (1970 MGM). Piano, Rhodes Electric Piano, Bill Evans; Bass, John Beal; Conducted, arranged by Michael Leonard; Double Bass, Eddie Gomez; Drums,Marty Morell; Guitar, Sam Brown; Liner Notes, Harold Rhodes, Helen Keane, Michael Leonard; Produced by Helen Keane. For his 24th solo album, the long-established jazz pianist Evans took his turn playing both the Fender Rhodes and Steinway acoustic piano on this album, as two-handed duets no less. Liner notes were written by Harold Rhodes, inventor of the Rhodes Electric Piano. 5:42 1:01:24 9.    Sun Ra And His Intergalactic Research Arkestra, “Black Forest Myth” from It's After The End Of The World - Live At The Donaueschingen And Berlin Festivals (1971 MPS Records). You can hear Sun Ra enticing other-worldly sounds from a Farfisa organ beginning at about 1:35. Recorded in 1970. Of the many electronic keyboards heard elsewhere on this album (and occasionally on this track), here the Farfisa is heard the most. Farfisa organ, Hohner Electra, Hohner Clavinet, Piano, Performer, Rock-Si-Chord, Spacemaster, Minimoog, Voice, composed by, arranged by, Sun Ra; ; Alto Saxophone, Clarinet, Flute, Abshlom Ben Shlomo; Alto Saxophone, Flute, Clarinet, Danny Davis; Alto Saxophone, Flute, Oboe, Piccolo Flute, Drums, Marshall Allen; Baritone Saxophone, Alto Saxophone, Flute, Danny Thompson; Baritone Saxophone, Tenor Saxophone, Alto Saxophone, Clarinet, Bass Clarinet, Flute, Drums, Pat Patrick; Bass, Alejandro Blake Fearon; Bass Clarinet, Robert Cummings; Drums, Lex Humphries; Drums, Oboe, Flute, James Jackson; English Horn, Augustus Browning; Mellophone, Trumpet, Ahk Tal Ebah; Oboe, Bassoon, Bass Clarinet, Leroy Taylor; Percussion African, Other Fireeater, Dancer , Hazoume; Percussion Hand Drums, Nimrod Hunt; Percussion, Other Dancer, Ife Tayo, Math Samba; Photography By, Hans Harzheim; Producer, Liner Notes, Joachim E. Berendt; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Kwame Hadi; Violin, Viola, Cello, Bass, Alan Silva; Voice, June Tyson. 9:07 1:07:05 10.Joe Scott And His Orchestra, “Raindrops Keep Fallin' On My Head” from Motion Pictures - The NOW Generation (1970 Mainstream). Listen for the Rock-Si-Chord in electric harpsichord mode. Bass, Charles Rainey; Cello, Charles McCracken, Gene Orloff, George Ricci, Maurice Bialkin;  Drums, Alvin Rogers, Joe Cass; Flute, Alto Flute, Bassoon, Tenor Flute, George Dessinger, Joe Soldo, Joseph Palmer, Philip Bodner; Flute, Flute Tenor, Alto Flute, Bassoon, Walt Levinsky; French Horn, Donald Corrado; Guitar, Jay Berliner, Stuart Scharf; Keyboards Rock-Si-Chord, Frank Owens; Mastered By Mastering, Dave Crawford (2); Percussion, Joseph Venuto; Piano, Frank Owens; Producer, Bob Shad; Trombone, Buddy Morrow, Tony Studd, Warren Covington, Wayne Andre; Trumpet, Bernie Glow, James Sedlar, John Bello, Mel Davis; Viola, Emanuel Vardi, Harold Coletta, John DiJanni, Theodore Israel; Violin, Aaron Rosand, Arnold Eidus, Emanuel Green, Frederick Buldrini, Harold Kohon, Harry Lookofsky, Joseph Malignaggi, Jules Brand, Leo Kahn, Lewis Eley, Mac Ceppos, Max Pollikoff, Paul Gershman, Peter Buonoconsiglio, Raymond Gniewek, Rocco Pesile, Winston Collymore. 2:28 1:16:12 11.The Phoenix Authority, “One” from Blood, Sweat & Brass (1970 Mainstream). Note the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 2:43 1:18:38 12.The Phoenix Authority, “Sugar, Sugar” from Blood, Sweat & Brass (1970 Mainstream). Listen for the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 3:34 1:21:20 Sun Ra's flare for electronic sound in performance is demonstrated in the following three tracks that make excellent use of the several keyboards, the Farfisa organ, Minimoog, and Rock-Si-Chord. 13.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Discipline No. 11” from Nidhamu (Live In Egypt Vol. II) (1974 El Saturn Records). Recorded at Ballon Theater, Cairo, Egypt December 17, 1971. Sun Ra playing several electronic keyboards in turn, the organ, Minimoog, and Rock-si-Chord. What I hear is some organ (Farfisa?) in the opening, then Sun Ra turns to a wild exchange between the Minimoog (monophonic) and Rock-Si-chord (polyphonic) during the second half of the track. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged By, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 9:31 1:24:52 14.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Cosmo-Darkness” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). Beginning around 0:26, you get an example of Sun Ra's rhythmic, trace-like playing of the Rock-Si-Chord. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:05 1:34:25 15.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Solar Ship Voyage” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). This track features Sun Ra and the Minimoog in an extended solo. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:40 1:36:30 Herbie Hancock mastered an array of keyboards, including the Fender Rhodes and several ARP models in the next three tracks tracing only two years in his musical journey. 16.Herbie Hancock, “Rain Dance” from Sextant (1973 Columbia). Patrick Gleason provides beats and beeps using the ARP 2600 and ARP Soloist. Bass Trombone, Tenor Trombone, Trombone Alto Trombone, Cowbell, Pepo (Julian Priester); Congas, Bongos, Buck Clarke; Drums, Jabali (Billy Hart); Effects Random Resonator, Fundi Electric Bass Fender Electric Bass With Wah-Wah And Fuzz, Double Bass, Mchezaji (Buster Williams); Electric Piano Fender Rhodes, Clavinet Hohner D-6 With Fender Fuzz-Wah And Echoplex, Percussion Dakka-Di-Bello, Mellotron, Piano Steinway, Handclaps, Songs by Mwandishi (Herbie Hancock); Synthesizer, Mellotron, John Vieira; Soprano Saxophone, Bass Clarinet, Piccolo Flute, Afoxé Afuche, Kazoo Hum-A-Zoo, Mwile (Benny Maupin); ARP 2600, ARP Soloist, Dr. Patrick Gleeson; Trumpet, Flugelhorn, Mganga (Dr. Eddie Henderson). 9:19 1:39:08 17.  Herbie Hancock, “Palm Grease” from Thrust (1974 Columbia). Hancock himself plays all the keyboards and synthesizers on this album. Drums, Mike Clark; Electric Bass, Paul Jackson; Electric Piano Fender Rhodes, Clavinet Hohner D-6, Synthesizer Arp Odyssey, Arp Soloist, Arp 2600, Arp String, written by Herbie Hancock; Percussion, Bill Summers; Producers, David Rubinson, Herbie Hancock; Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Alto Flute, Bennie Maupin. 10:36 1:48:18 18.Herbie Hancock, “Nobu” = ノブ from Dedication = デディケーショ(1974 CBS/Sony). Fascinating recording because it is Hancock solo with an assortment of keyboards, including the Fender Rhodes and multiple ARP models. Piano, Fender Rhodes, Arp Pro Soloist, Arp Odyssey, Arp 3604, Arp 2600, Arp PE-IV String Ensemble, composed by Herbie Hancock; Engineer, Tomoo Suzuki; Producer, David Rubinson. 7:33 1:58:46 The analog synthesizer became a regular companion of the Fender Rhodes in jazz, leading up to the end of the 1970s. 19.Bobbi Humphrey, “My Little Girl” from Satin Doll (1974 Blue Note). The great jazz funk flutist Bobbi Humphrey released a series of albums around this time that often-featured fantastic synthesizer players. Here you can pick out the Minimoog by Don Preston and the ARP (Odyssey?) by Larry Mizell. The synths included here are in contrast to the more experimental sounds that Herbie Hancock was issuing at the same time. Flute, Vocals, Bobbi Humphrey; ARP Synthesizer, Larry Mizell; Minimoog, Don Preston; Bass, Chuck Rainey; Congas, King Errison; Drums, Harvey Mason; Electric Piano Fender Rhodes, Fonce Mizell, Larry Mizell; Guitar, John Rowin, Melvin "Wah Wah" Ragin; Percussion, Roger Sainte, Stephany Spruill; Piano, Jerry Peters; Produced by Chuck Davis, Larry Mizell; Trumpet, Fonce Mizell. 6:39 2:06:19 20.Ramsey Lewis, “Jungle Strut” from Sun Goddess (1974 Columbia). Another mainstream jazz artist who found many interesting sounds to accompany his electric piano. ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Congas, Drums, Derf Rehlew Raheem, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Synthesizer Freeman String, Ramsey Lewis; Tambura, Percussion, Maurice Jennings; Vocals, Derf Rehlew Raheem; Written by, R. Lewis. 4:40 2:12:54 21.  Ramsey Lewis, “Tambura” from Sun Goddess (1974 Columbia). ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Drums, Tambura, Congas, Percussion, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Written by R. Lewis. 2:52 2:17:32 22.Clark Ferguson, “Jazz Flute” from RMI Harmonic Synthesizer And Keyboard Computer (1974 Rocky Mount Instruments, Inc.). Not an instrument often used in jazz, so I turn to the company's demonstration album for a sample of this more advanced in the RMI keyboard family. RMI Harmonic Synthesizer, Clark Ferguson. 2:43 2:20:24 23.  Fernando Gelbard, “Sombrero De Flores” from Didi (1974 Discos Redonde). A straight-up jazz track from Argentine musicial Gelbard that features both the Fender Rhodes and the Minimoog. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 7:25 2:23:04 24.  Fernando Gelbard, “Mojo Uno” from Didi (1974 Discos Redonde). This track features an outrageously unique Minimoog part that is akin to something you would hear from Sun Ra. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 2:00 2:30:28 25.Jan Hammer “Darkness / Earth In Search Of A Sun” from The First Seven Days (1975 Atlantic). On this track you get to hear (I think) three different synthesizers all fit for Hammer's purpose, the solo Moog, Oberheim fills, and Freeman strings. Producer, Engineer, Piano, Electric Piano, Moog, Oberheim, and the Freeman string synthesizer; digital sequencer, Drums, Percussion, Composed by, Jan Hammer. 4:29 2:32:26 26.Larry Young's Fuel, “Moonwalk” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 5:32 2:36:52 27.Larry Young's Fuel, “Startripper” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 4:44 2:42:22 28.Wolfgang Dauner, “Stück Für Piano Und Synthesizer Op. 1” from Changes (1978 Mood Records). Dauner is one of the only jazz players to utilize the massive EMS Synthi 100. Written, produced, recorded, Steinway C-Flügel piano, EMS Synthi 100, Oberheim 4 Voice Polyphonic Synthesizer, Wolfgang Dauner. 9:51 2:47:04 29.Wolfgang Dauner, “War Was, Carl?” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). More analog synthesizer jazz from Germany. C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:12 2:56:54 30.Wolfgang Dauner, “Intellektuelles Skalpell” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:26 2:58:06   Opening background music: 1) Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “The Light Thereof” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic) (5:14). Farfisa organ playing from Sun Ra. 2) Oliver Nelson and Steve Allen, “Green Tambourine” from Soulful Brass (1968 Impulse) (2:28). Steve Allen plays the Rock-Si-Chord. 3) Oliver Nelson and Steve Allen, “Torino” from Soulful Brass (1968 Impulse) (2:02). Steve Allen plays the Rock-Si-Chord. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. I created an illustrated chart of all of the instruments included in this podcast, paying special attention to the expressive features that could be easily adopted by jazz musicians. You can view it on my blog, Noise and Notations.  

Dr. Mark Foley is Professor of Double Bass and Electric Bass at Wichita State University is the Principal Double Bass for the Wichita Symphony Orchestra. He's also a key figure in Wichita's jazz scene, collaborating with local and national artists, and has performed as a concerto soloist. Mark also engages in rock gigs, bluegrass sessions at the Walnut Valley Music Festival, and creates records and live electronic music as a composer. Mark recently premiered his Little Wichita Concerto for Double Bass and Chamber Orchestra with the Wichita State Symphony Orchestra. We talk about Mark's background, getting into composition, what it was like writing this piece, and much more. Enjoy, and check out this great local news clip about the piece with Mark Foley and his WSU colleague Mark Laycock!   Photo: Douglas Hahn   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music theme music by Eric Hochberg   Thank you to our sponsor! Dorico - This podcast episode is sponsored by Dorico: the next-generation music notation software from Steinberg, that's packed with smart, time-saving features to help you spend less time in front of your computer and more time doing what you love: making music. The latest version of Dorico 5, includes Iconica Sketch, a new orchestral sound library, bringing more expressive playback, and making it easy to produce more life-like performances with a dynamic stereo soundstage. Try Dorico Now For 60 Days For Free: visit dorico.com

It is always fun to learn more about music happening in specific parts of the country. In the Bay Area, Midnight North has been making its sonic footprint in the Alternative Rock / Americana arena since about 2012. Connor O'Sullivan is the bass player who holds down the low end for this very cool band with some very interesting pedigree. Living the life of the musical hustle, Connor is also the owner of Unicorn Heads music production studio.Join us as we hear about Connor's musical journey, how he gets his sound, all the interesting details about Midnight North, and his work at Unicorn Heads.This interview first appeared in Bass Musician Magazine in November 2023Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Hailing from beautiful Santa Barbara, California, Toad the Wet Sprocket has been a mainstay of American Alternative Rock for over three decades. Dean Dinning, one of the founding members, has been an integral part of this band's success, contributing both tasty bass licks and vocals.Join me as we hear all about Dean's rich musical heritage, musical journey, how he gets his sound, and his plans for the future.This interview first appeared in Bass Musician Magazine in December 2023Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

I am sure many of you will remember our initial interview with Robb Harper back in 2017 and an update in 2019. You will also recall that we recorded some of Robb's live performances at the NAMM show. Well, it has been a while and Robb has been very busy… so lots get caught up and see what he is up to now.This interview first appeared in Bass Musician Magazine in October 2023Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Many rock fans have enjoyed music by Foghat, who originally formed in London back in 1971.Over the many decades of playing, the band members have changed, leaving behind only Roger Earl as the only original member. Bassist Rodney O'Quinn left the Pat Travers Band and joined the group in 2015 and has been laying down the low end for this iconic quartet keeping the Foghat legacy alive. With a new album titled “Sonic Mojo” which dropped on November 10th, the band is as busy as ever and there is lots of very tasty music to come.Join me as we learn of Rodney O'Quinn's musical journey, how he gets his sound, and his plans for the future.This episode first appeared in Bass Musician Magazine, in December 2023Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.