Podcast appearances and mentions of George Coleman

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Could Miles Davis' peak performance come alongside a bunch of kids who weren't even getting paid? In this episode, Peter and Adam dive into one of the greatest live albums ever captured, My Funny Valentine: Live at the Philharmonic (1964). We explore how Miles Davis, sideman George Coleman, and a young rhythm section (Herbie Hancock, Ron Carter, and teenage Tony Williams) made jazz history in real time with their one-of-a-kind (unpaid) voter registration benefit concert. Learn how the quintet remade Miles' go-to standards (“All of You”, “Stella”, “All Blues”...) with their conversational, free-flowing, spacious playing – and hear the evolution across Davis' career. Join us as we break down these incredible performances and prove why this underappreciated live album captures Miles' greatest playing ever (at least for Peter's ears).ABOUT OPEN STUDIO------------------------------------------------------------------------------------------------------------------------------------------------------------As the premier online jazz education platform, with an ever-expanding course library and 20,000+ members, Open Studio (OS) has everything you need to excel and thrive on your jazz journey.Featuring everything from beginner to advanced lessons, engaging courses from A-list instructors, step-by-step curriculum, real-time classes and a thriving and incredibly supportive community, OS is the perfect platform to level up your jazz playing, whether you're a total beginner, or an advanced pro-level improvisor.Try OS Membership today! → https://osjazz.link/aboutAll about YHIhttps://lnk.to/youllhearitYB

Regarded as the most important and influential musician on the Irish jazz scene, saxophonist/flutist and composer Michael Buckley has been playing professionally since the age of six when critics hailed him as a child prodigy. Born in Dublin city in 1971 Michael first came to prominence on an International level when, aged 10, he played flute with the legendary saxophonist George Coleman in the National Concert Hall. Though largely self-taught, his obvious talent has been developed by his father Dick Buckley, and such legends as Milt Hinton. Buckley has found his unique voice playing both saxophone and flute. Buckley has been collaborating with the World Jazz Orchestra, where Michael represented Ireland, the Edinburgh Jazz Festival Orchestra (led by Tim Hagans), and small group tours and concerts with Dave Liebman, John Abercrombie, Joey Baron, Jason Rebello, Nils Wolgram, Tom Rainey, and Chander Sardjoe, to name but a few. Now in his early 40s, Buckley is rapidly becoming the most important producer of his generation. With countless albums ranging from jazz to traditional to hip-hop, Michael is making a name for himself internationally as a producer and engineer. Buckley has also performed and toured in recent years with The Mingus Big Band, Jason Moran, Kurt Rosenwinkle, Edward Simon, Pete King, Badal Roy, Kenny Wheeler, Lee Konitz, Grant Stewart, Ingrid Jensen, Guy Barker, Greg Burk, Damon Brown, Kevin Dean, Florian Ross, soloist with the BBC big band, Albert Sanz, and Gerard Presencer among others. As well as frequent radio spots, Michael has made numerous television appearances, regularly works on film and television scores, and recently collaborated on recordings with Donovan, the Cranberries, The Coors, Jerry Lee Louis, and Johnny Mattis.

FRANK STROZIER “LONG NIGHT” New York, September 12, 1961How little we know (gc,pp out), The need for love, The crystal ball (1), Pacemaker (gc,pp out)Frank Strozier (as,fl-1) George Coleman (ts) Pat Patrick (bar,fl-1) Chris Anderson (p) Bill Lee (b) Walter Perkins (d) JOE PASS “JOY SPRING” Encore Theatre, Los Angeles, February 6, 1964Joy spring, Relaxin' at CamarilloMike Wofford (p) Joe Pass (g) Jim Hughart (b) Colin Bailey (d) LUCKY THOMPSON “NEW YORK CITY 1964-65” Live, Jazz on Broadway, The Little Theatre, New York, February 28, 1964The world awakes (lt+rhythm only,2)Dave Burns (tp) Benny Powell (tb) Danny Turner (as) Lucky Thompson (ts-1,sop-2) Cecil Payne (bar) Hank Jones (p) Richard Davis (b) Al Dreares (d) Live “The Half-Note”, New York, February 19, 1965What's new (2)Lucky Thompson (ts-1,sop-2) Paul Neves (p) George Tucker (b) Oliver Jackson (d) Alan Grant (mc) Continue reading Puro Jazz 28 de febrero, 2025 at PuroJazz.

FRANK STROZIER “LONG NIGHT” New York, September 12, 1961How little we know (gc,pp out), The need for love, The crystal ball (1), Pacemaker (gc,pp out)Frank Strozier (as,fl-1) George Coleman (ts) Pat Patrick (bar,fl-1) Chris Anderson (p) Bill Lee (b) Walter Perkins (d) JOE PASS “JOY SPRING” Encore Theatre, Los Angeles, February 6, 1964Joy spring, Relaxin' at CamarilloMike Wofford (p) Joe Pass (g) Jim Hughart (b) Colin Bailey (d) LUCKY THOMPSON “NEW YORK CITY 1964-65” Live, Jazz on Broadway, The Little Theatre, New York, February 28, 1964The world awakes (lt+rhythm only,2)Dave Burns (tp) Benny Powell (tb) Danny Turner (as) Lucky Thompson (ts-1,sop-2) Cecil Payne (bar) Hank Jones (p) Richard Davis (b) Al Dreares (d) Live “The Half-Note”, New York, February 19, 1965What's new (2)Lucky Thompson (ts-1,sop-2) Paul Neves (p) George Tucker (b) Oliver Jackson (d) Alan Grant (mc) Continue reading Puro Jazz 28 de febrero, 2025 at PuroJazz.

Born in Kingston, Jamaica, Russell Hall migrated to the United States in 2007 where his double bass studies progressed quickly through the rigorous programs of The Dillard Center for the Arts and The Juilliard School. Russell deeply understands the jazz tradition, having studied with many of the double bass world's most renowned artists including Ron Carter and Ben Wolfe. Still, he is also an artist looking forward with his own distinct approach to the double bass.   As a first-call bassist in New York City, Russell has performed with some of the biggest names in music including Joey Alexander, Wayne Shorter, Wynton Marsalis, Branford Marsalis, Jon Batiste, Roy Hargrove, Kathleen Battle, Christian McBride, Emmet Cohen, Russell Malone, George Coleman and many more.  Well known for his work with the Emmet Cohen Trio alongside drummer Kyle Poole, Russell also leads his own bands, including Bessie and the Rainbowkids to much critical acclaim.  Russell Hall joined the Discover Double Bass faculty as a jazz bass specialist in 2022 where he presented his course, Bessie's Bass Busters.  Russell Hall is well known as a member of the Emmet Cohen Trio and bassist for the wildly popular ‘Live From Emmet's Place' series. In this video, he was joined by non-other than the great Christian McBride for a tasteful double bass duo.

Francia fue posiblemente el país preferido de Miles Davis para tocar. Desde luego donde más veces lo hizo desde la primera en 1949 con tan solo 22 años. Una caja de seis discos, 'Miles in France. Miles Davis Quintet 1963 & 1964. The bootleg series vol. 8', nos lo recuerda con grabaciones en el Festival de Jazz de Antibes de 1963 con George Coleman, Herbie Hancock, Ron Carter y Tony Williams y, como en este caso, en el Festival de Jazz de París de 1964, en la sala Pleyel, con Wayne Shorter ya en el quinteto en lugar de Coleman: 'Autumn leaves', 'So what', 'All of you'. 'My funny Valentine' y 'Joshua'Escuchar audio

En ningún país fuera de Estados Unidos tocó más veces desde que lo hizo por primera vez con solo 22 años. Francia siempre fue un país especial para Miles Davis. Y una caja de seis discos, 'Miles in France. Miles Davis Quintet 1963 & 1964. The bootleg series vol. 8', nos lo recuerda con grabaciones en el Festival de Jazz de Antibes de 1963 en compañía de George Coleman, Herbie Hancock, Ron Carter y Tony Williams: 'So what', 'All blues', 'Stella by starlight', 'Seven steps to heaven' y 'Walkin'. Escuchar audio

In this episode of Powerline Podcast, we sit down with George Coleman, President of Potelco, and Kody Kilshaw, President of PAR West, to explore their unique journeys and leadership philosophies in the power and utility industry. From George's roots in a three-generation lineman family to Kody's background in sports and finance, both leaders share the influences and lessons that shaped their careers. They discuss the challenges and rewards of guiding large teams, maintaining clear communication, and fostering innovation in a constantly evolving field. Together, George and Kody offer valuable insights on cultivating future leaders, staying ahead of industry trends, and balancing personal and professional growth. This episode is packed with practical advice and inspiration for industry veterans and newcomers alike.

AARON PARKS “LITTLE BIG III” Lanzamiento November 5, 2024Flyways, Locked down, Heart stories, AsheAaron Parks (p,comp) Greg Tuohey (g) David Ginyard, Jr. (b) Jongkuk Kim (d) CALEB WHEELER CURTIS “THE TRUE STORY OF BEARS AND THE INVENTION OF THE BATTERY” ca 2023 Odessa, Bears and the invention of the batteryCaleb Wheeler Curtis (saxos,t) Sean Conly (b) Michael (dr) ca 2023 Boo Boo's birthday, Ugly BeautyCaleb Wheeler Curtis (saxos,t) Eric Revis (b) Justin Faulkner (dr HOWARD MCGHEE “THE SHARP EDGE” New York, December 8, 1961Shades of blue (gc out), Cool, The day after (gc out), Sharp EdgeHoward McGhee (tp) George Coleman (ts) Junior Mance (p) George Tucker (b) Jimmy Cobb (d Continue reading Puro Jazz 13 de noviembre, 2024 at PuroJazz.

AARON PARKS “LITTLE BIG III” Lanzamiento November 5, 2024Flyways, Locked down, Heart stories, AsheAaron Parks (p,comp) Greg Tuohey (g) David Ginyard, Jr. (b) Jongkuk Kim (d) CALEB WHEELER CURTIS “THE TRUE STORY OF BEARS AND THE INVENTION OF THE BATTERY” ca 2023 Odessa, Bears and the invention of the batteryCaleb Wheeler Curtis (saxos,t) Sean Conly (b) Michael (dr) ca 2023 Boo Boo's birthday, Ugly BeautyCaleb Wheeler Curtis (saxos,t) Eric Revis (b) Justin Faulkner (dr HOWARD MCGHEE “THE SHARP EDGE” New York, December 8, 1961Shades of blue (gc out), Cool, The day after (gc out), Sharp EdgeHoward McGhee (tp) George Coleman (ts) Junior Mance (p) George Tucker (b) Jimmy Cobb (d Continue reading Puro Jazz 13 de noviembre, 2024 at PuroJazz.

“MY FUNNY VALENTINE – MILES DAVIS IN CONCERT New York, February 12, 1964First SetSo what, Walkin', All blues. Miles Davis (tp) George Coleman (ts) Herbie Hancock (p) Ron Carter (b) Tony Williams (d) MILES DAVIS “FOUR & MORE” Second Set My funny Valentine, Four, Seven steps to heaven Miles Davis (tp) George Coleman (ts) Herbie Hancock (p) Ron Carter (b) Tony Williams (d) Continue reading Puro Jazz 11 de octubre, 2024 at PuroJazz.

“MY FUNNY VALENTINE – MILES DAVIS IN CONCERT New York, February 12, 1964First SetSo what, Walkin', All blues. Miles Davis (tp) George Coleman (ts) Herbie Hancock (p) Ron Carter (b) Tony Williams (d) MILES DAVIS “FOUR & MORE” Second Set My funny Valentine, Four, Seven steps to heaven Miles Davis (tp) George Coleman (ts) Herbie Hancock (p) Ron Carter (b) Tony Williams (d) Continue reading Puro Jazz 11 de octubre, 2024 at PuroJazz.

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BOOKER LITTLE “VICTORY AND SORROW” New York, August/September, 1961Victory and sorrow, Looking ahead, Booker's BluesBooker Little (tp) Julian Priester (tb) George Coleman (ts) Don Friedman (p) Reggie Workman (b) Pete La Roca (d) JOE LOVANO'S TRIO TAPESTRY “OUR DAILY BREAD” Lugano, Switzerland, May, 2022All twelve, Grace notes, Le petit opportun, Our daily breadJoe Lovano (ts,tarogato,gongs) Marilyn Crispell (p) Carmen Castaldi (d) GARY SMULYAN / FRANK BASILE “BOSS BARITONES” New York ?, December, 2023Oh Gee, I'll never be the same, Star eyes, Black velvetGary Smulyan, Frank Basile (bar) Steve Ash (p) Mike Karn (b) Aaron Seeber (d) Continue reading Puro Jazz 23 de enero, 2024 at PuroJazz.

BOOKER LITTLE “VICTORY AND SORROW” New York, August/September, 1961Victory and sorrow, Looking ahead, Booker's BluesBooker Little (tp) Julian Priester (tb) George Coleman (ts) Don Friedman (p) Reggie Workman (b) Pete La Roca (d) JOE LOVANO'S TRIO TAPESTRY “OUR DAILY BREAD” Lugano, Switzerland, May, 2022All twelve, Grace notes, Le petit opportun, Our daily breadJoe Lovano (ts,tarogato,gongs) Marilyn Crispell (p) Carmen Castaldi (d) GARY SMULYAN / FRANK BASILE “BOSS BARITONES” New York ?, December, 2023Oh Gee, I'll never be the same, Star eyes, Black velvetGary Smulyan, Frank Basile (bar) Steve Ash (p) Mike Karn (b) Aaron Seeber (d) Continue reading Puro Jazz 23 de enero, 2024 at PuroJazz.

Timing Is Everything - Время решает всё подходящее название не только для этой записи, но, как объясняет Эрик, для жизни в целом. Когда вы играете джаз, - продолжает он, - вы можете сыграть ноты правильно, и даже если вы не правильно их расставили, это ничего страшного. Но, если вы не рассчитали их по времени, это конец. Точно так же и в жизни, одна из немногих вещей, которыми обладает человек, - это его время. Вы не владеете своей жизнью. У тебя нет своей машины. Вы владеете только своим временем. Чтобы жить полноценной жизнью, вы должны беречь свое время и свой выбор времени. Время решает все, потому что время невозможно повернуть вспять. Вот почему этого саксофониста приятно и не утомительно слушать - он играет по существу, не тратя времени в пустую. На моем канале уже есть несколько альбомов с его участием, он мне хорошо знаком и этот альбом так же заслуживает внимания, он не надоедает и его хочется повторять. Название этой пластинки также связано с тем, как была сделана эта конкретная запись. Супервайзер сессии Дон Сиклер наградил Эрика и квартет неофициальной серебряной медалью за завершение записи этой пластинки менее чем за два часа. Я не собирался устанавливать мировой рекорд по времени записи, - заявляет Эрик, - но я хотел сделать пластинку, которая представила бы всех музыкантов на материале, который им глубоко удобен и к которому они способны сразу же проявить творческий подход. Я твердо убежден в том, что зачастую именно первые впечатления или первые вещи, которые мы показываем как в жизни, так и в музыке, даже если в них есть ошибки, становятся нашими самыми стойкими и ценными. Я не хотел делать альтернативные дубли или наложения. Я хотел, чтобы все было так, как оно есть, и если бы что-то было слишком отвратительным, оно бы просто не вошло в альбом. Честно говоря, мне все казалось прекрасным, и я горжусь этим. Как говорил George Coleman (одна его вещь (4) есть на записи): Когда вы стремитесь к звездам, возможно, вы попадете только на Луну, но это лучше, чем ползать по болоту. Пару треков сочинил лидер (5,7) остальные - стандарты, сыгранные по новому, a вокальную пела Barbra Streisand в кинофильме A Star Is Born 1976 года. © 2024 Cellar Music Eric Alexander - tenor sax Rick Germanson - piano Alexander Claffy - bass Jason Tiemann - drums Jed Paradies - flute (3) Rale Micic - guitar (3) Alma Micic - voice (8) Stan Wetering - tenor sax (4) Executive Producer: Cory Weeds Produced by Eric Alexander Recorded at Van Gelder Studio, Englewood Cliffs, NJ on April 9th 2023 Engineered by Maureen Sickler Mixed & mastered by Chris Sulit & Mike LeDonne Released May 24, 2024 СЛУШАТЬ АЛЬБОМ - https://album.link/i/1730984352 WONDERFUL! -  https://t.me/discor/7002 ERIC ALEXANDER - https://t.me/discor/5343 Лучший трек альбома в плей-листе JAZZ по-русски 7 на AppleMusic и Spotify Поставь лайк ❤️ и подпишись на канал JAZZ по-русски https://t.me/discor #contemporaryjazz --- Send in a voice message: https://podcasters.spotify.com/pod/show/konstantins/message

In deze aflevering van Dansen en de blues praat Ben van den Dungen met de eigenaar van Timeless Records, met zo'n 1200 titels misschien wel de grootste independent op het gebied van jazz muziek in europa. Vanaf de jaren '70 is hij een beroemde concertpromotor geweest voor legendarische jazz sterren zoals Stan Gets, Dizzy Gillespie, Art Blakey en Chet Baker. De lijst is oneindig groot. Vandaag is het onderwerp George Coleman. Te gast in deze aflevering is Wim Wigt. Dit is deel 3 van 4.Art Blakey zei ooit: "jazz has to be danceable and has to have the blues". Dansen en de blues is een podcast over jazz met kleurrijke gasten waarbij sterke verhalen, indringende gesprekken en een flinke dosis swingende muziek de boventoon voeren.Abonneer je snel en laat een goede waardering achter. Wil je meer weten? Kijk dan op dansenendeblues.nl en volg ons op Instagram en Facebook @dansenendeblues.

April Varner, Ulysses Owens Jr., Sarah Hanahan, Sean Mason, Summer Camargo, Emmet Cohen & Houston Person, Spike Wilner Trio, George Coleman, Yotam Silberstein, Noah Haidu, Caity Gyorgy, Anthony D'Alessandro, Sarah Jerrom and Aimee-Jo BenoitPlaylist: April Varner - I'll Remember AprilUlysses Owens Jr and Generation Y - Better DaysSarah Hanahan - We Bop!Sean Mason - Final VoyageSummer Camargo - JP ShuffleEmmet Cohen featuring Houston Person - If You Could See Me NowSpike Wilner Trio - ContrafactusGeorge Coleman - Blues for SmallsYotam Silberstein, featuring George Coleman, John Patituci & Billy Hart - Never Let Me GoNoah Haidu, featuring Buster Williams & Billy Hart - After You've GoneCaity Gyorgy - Baubles, Bangles and BeadsAnthony D'Alessandro, featuring Benny Benack III - Tune for MontySarah Jerrom - Part IV: The White ElkAimee-Jo Benoit - Moon at the Window

On the PRmoment Podcast, we catch up with UK public relations leaders and today we're chatting with Current Global CEO George Coleman. It's a timely discussion as we seem to be celebrating a few PR firm birthdays recently, so this is the latest in our unofficial “Birthday” Series as Current Global celebrates five years of existence!Current Global was born out of Weber Shandwick. It now has a reported fee income of over £35 m and about 300 employees globally, with about 30 in the UK.It describes itself as a multidisciplinary PR firm that works in corporate, healthcare, technology, and consumer sectors. It's an interesting example of a pretty young PR firm coming out of a holding group (in this case, Interpublic) and doing quite well. Over the past five years, most of the holding groups have mainly concentrated on merging their PR firms, not launching new ones!Clients include Microsoft, Novartis and FedEx.If you're listening to this podcast, it probably means you are interested in updating yourself on the challenges and opportunities that the future of public relations will offer. With that in mind, do take a look at our latest PR Masterclass: AI in PR. It's a cracker!Also, thanks so much to the PRmoment Podcast sponsors the PRCA.Here is a summary of what George and PRmoment founder Ben Smith discussed:2 mins Is Current Global one of those large, mid-sized global PR firms that many of our listeners might not have heard of?3 mins George gives a brief history lesson on how and why Current Global came about.“For us, it (the merger) was a positive, forward-looking move.”“If your reason to merge is to save money, that is a more difficult brief.”10 mins George talks about what it's like being a global CEO of a PR firm based out of London, when the US is the largest market for Current Global.“40-50% of my time is billable…I love the job… It's less about operations and the admin and more about doing great client work.”18 mins George reflects on the challenge of running a PR firm across global markets. “Culture is an expression of connection.”21 mins How have the complicated geo-political environment and the complicated societies that we seem to now live in impacted the type of work that PR firms do?“There seems to be an ongoing process of polarisation in public discourse fuelled by social media. Traditional media plays less of an influential role in creating that common ground, that understanding. A lot of our discussions are becoming more polarised, more tribal…We (society) can't even agree on facts."“Communications sits in the middle of that.”25 mins Brands face a challenge in leading conversations at the moment in this era of increased polarisation.27 mins “The importance of what we do has never been greater.”28 mins George reflects on how he thinks AI will impact the PR agency model over the next 18 months.“There are two ways AI is going to transform public relations…”“We've had ten years where search has been king. With AI, that dynamic changes.”35 mins What do global PR clients want currently?38 mins Why George believes that we're seeing a fundamental change in the PR agency: employee relationships. 42 mins George talks about the need for the PR sector as a whole to make its communications more accessible, reminding us that much of the tech you already have access to can transform the accessibility of their communications to a broader r

Alto saxophonist Frank Strozier remains one of the great underrated masters of his horn. He was born in Memphis and came up with his friends, George Coleman, Harold Mabern, and the great Booker Little. After Memphis he moved to Chicago and attained several university degrees and began building his reputation as a prime voice on the alto. He later moved to New York and played with many important people like Miles Davis and drummer Roy Haynes. Later moving to Los Angeles he worked in the studios and performed Jazz with Oliver Nelson's Band and Shelly Manne's groups among others. He returned to New York in 1973 and continued to record under his name and appear as a sideman until the mid-80's when he stopped playing the saxophone and flute and did some gigs playing piano, . He also taught ischool until he retired. Strozier is still alive. He was born in Memphis on June 13,1937 and as of now he's be 86. We'll hear him in 4 extended pieces recorded in January 1976 in concert at the Ramada Inn inn Schenectedy, New York than have never been heard on any commercial recordings. This is Frank at his unfettered best with Frank Stagnitta on piano, Frank Tate on bass and Larry Jackson on drums. Look out! Frank Strozier our Jazz Feature artist tonight!

TERRI LYNE CARRINGTON TLC AND FRIENDS New York, October 19, 1981Sonneymoon for two (1)George Coleman (ts) Sonny Carrington (ts-1) Kenny Barron (p) Buster Williams (b) Terri Lyne Carrington (d) JUTTA HIPP QUINTET Hackensack, N.J., July 28, 1956Violets for your fursJerry Lloyd Hurwitz (tp) Zoot Sims (ts) Jutta Hipp (p) Ahmed Abdul-Malik (b) Ed Thigpen (d MELBA LISTON JAZZVILLE, VOL. Continue reading Puro Jazz 06 marzo 2024 at PuroJazz.

TERRI LYNE CARRINGTON TLC AND FRIENDS New York, October 19, 1981Sonneymoon for two (1)George Coleman (ts) Sonny Carrington (ts-1) Kenny Barron (p) Buster Williams (b) Terri Lyne Carrington (d) JUTTA HIPP QUINTET Hackensack, N.J., July 28, 1956Violets for your fursJerry Lloyd Hurwitz (tp) Zoot Sims (ts) Jutta Hipp (p) Ahmed Abdul-Malik (b) Ed Thigpen (d MELBA LISTON JAZZVILLE, VOL. Continue reading Puro Jazz 06 marzo 2024 at PuroJazz.

JAMIE BAUM – SOLACE Hampton, NJ, April 2 & 3, 2007Ives suite: Part 1 – Time traveler (2), Part 2 – Time traveler Ralph Alessi (tp-1,flhrn-1) Shane Endsley (tp) Vincent Chancey (fhr-2) Chris Komer (fhr) Jamie Baum (fl,alto-fl) Douglas Yates (as,b-cl) George Colligan (p,el-p) Johannes Weidenmueller (b) Jeff Hirshfield (d) Kyoko Kitamura (vcl) ETHAN WINOGRAND MADE IN BROOKLYN Oviedo, Spain & Brooklyn, NY, 2002 Projectionisum, Pepper and things, Skip to my bluesDonny McCaslin (ts,sop) Ross Bonadonna (g,b,bar,p) Eric Mingus (el-b) Ethan Winogrand (d,perc) GEORGE COLEMAN QUARTET I COULD WRITE A BOOK (THE MUSIC OF RICHARD RODGERS) New York, January 8 & 9, 1998My funny Valentine, Lover, I could write a book George Coleman (ts,sop) Harold Mabern (p) Jamil Nasser (b) Billy Higgins (d) Continue reading Puro Jazz 29 febrero 2024 at PuroJazz.

ELVIN JONES POLY-CURRENTS Englewood Cliffs, NJ, September 26, 1969Agenda (1), Mr. Jones (3)Joe Farrell (eng-hrn-1,fl-2,ts-3) Fred Tompkins (fl-4) George Coleman (ts) Pepper Adams (bar) Wilbur Little (b) Elvin Jones (d) Candido Camero (cga) ART FARMER FARMER'S MARKET Hackensack, N.J., November 23, 1956With Prestige, Ad-dis-un, Farmer's marketArt Farmer (tp) Hank Mobley (ts) Kenny Drew (p) Addison Farmer (b) Elvin Jones (d) BILL FRISELL LOOKOUT FOR HOPE New York, March, 1987Lookout for hope, Little brother Bobby, HackensackBill Frisell (g,el-g,bj) Hank Roberts (cello) Kermit Driscoll (b) Joey Baron (d) Continue reading Puro Jazz 21 febrero 2024 at PuroJazz.

REBECCA COUPE FRANKS “SUIT OF ARMOR” New York, February 2, 3 & 4, 1991I'm beginning to see the light, Lydia, Afternoon in ParisRebecca Coupe Franks (tp,flhrn) Joe Henderson (ts) Kenny Barron (p) Leni Stern (g) Buster Williams (b) Ben Riley (d) Carolyn Brandy (perc) IDRIS MUHAMMAD “KABSHA” Englewood, N.J., September 12, 1980Kabsha (1), I want to talk about you (2), GCCG blues (1,2)George Coleman (ts-1) Pharoah Sanders (ts-2) Ray Drummond (b) Idris Muhammad (d) TONY LAKATOS “STANDARD TIME” c. Continue reading Puro Jazz 02 febrero 2024 at PuroJazz.

REBECCA COUPE FRANKS “SUIT OF ARMOR” New York, February 2, 3 & 4, 1991I'm beginning to see the light, Lydia, Afternoon in ParisRebecca Coupe Franks (tp,flhrn) Joe Henderson (ts) Kenny Barron (p) Leni Stern (g) Buster Williams (b) Ben Riley (d) Carolyn Brandy (perc) IDRIS MUHAMMAD “KABSHA” Englewood, N.J., September 12, 1980Kabsha (1), I want to talk about you (2), GCCG blues (1,2)George Coleman (ts-1) Pharoah Sanders (ts-2) Ray Drummond (b) Idris Muhammad (d) TONY LAKATOS “STANDARD TIME” c. Continue reading Puro Jazz 02 febrero 2024 at PuroJazz.

Show notes: One of the most highly regarded jazz drummers today, Joe is known for his blazing speed, precision, musical, and melodic playing. Born in South Hadley, Massachusetts, in 1968, Joe grew up in a musical family; his father was a music educator, and he has four older brothers, two of whom became professional musicians. He studied with Alan Dawson and Arthur Taylor prior to attending and graduating from William Patterson College in New Jersey in 1994, where he began playing with saxophonist Eric Alexander and guitarist Peter Bernstein. Upon moving to New York City, he led the weekend jazz combos at Augie's (now Smoke Jazz & Supper Club). He performed with Junior Cook, Cecil Payne, John Ore, Big John Patton, Harold Mabern, Eddie Henderson, John Jenkins, and his brothers, John and James. Joseph's career includes recording over 100 CDs as leader and side-man, jazz festivals, and world tours with Pharaoh Sanders, Horace Silver, Harold Mabern, McCoy Tyner, Cedar Walton, Diana Krall, Benny Golson, George Coleman, Johnny Griffin, Lou Donaldson, Benny Green, Barry Harris, Curtis Fuller to name a few. He was the drummer for the late McCoy Tyner, a member of the late Pharaoh Sanders Quartet, and the late Harold Mabern Trio, and is a founding member of the renowned One for All Quintet. My recordings as a leader include Drumspeak and Beautiful Friendship feats. Cedar Walton and Curtis Fuller, Prime Time, Super Prime Time, and Make Someone Happy. Sarah Hanahan is an up-and-coming jazz saxophonist in New York City. Sarah is a graduate of the Jackie McLean Institute of Jazz at the Hartt School of Music, where she received her Bachelor's degree in 2019, as well as The Juilliard School, where she received her master's degree in 2022. She has had the privilege of studying with some of the greats of our time, including Abraham Burton, Nat Reeves, Steve Davis, Billy Drummond, and Marc Cary. --- Send in a voice message: https://podcasters.spotify.com/pod/show/backstagejazz/message

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Playlist: Wayne Escoffery: Idle Moments; Bill Charlap: The Nearness Of You; Weather Report, Miles Davis: In A Silent Way; Mark Lotz trio: Lust; Cedar Walton, Vincent Herring: Bell For Bags; Emmet Cohen, George Coleman, Russell Hall, Bryan Carter: I Surrender Dear; Modern Jazz Quartet: Autumn In New York; Miles Davis: Someday My Prince Will Come; Ruud Ouwehand, Peter Nieuwerf: Valse no.1; Chet Baker: You'd Be So Nice To Come Home To. Lees verder →

On this episode of Riffin on Jazz Howard, Chuck and Deborah celebrate some of the greatest Jazz of Memphis. We hear from artists like Calvin Newborn, George Coleman and more so make sure to tune into Riffin on Jazz on Kudzukian.com or your favorite podcast provider.

Cecil Alexander, Kurt Rosenwinkel, Christian McBride's New Jawn, Nicole Zuraitis, Danny Jonokuchi, Lucy Yeghiazaryan, Alex Tremblay, Mike Casey, George Coleman, Terri Lyne Carrington, Sanah Kadoura, Michael Dease, Jocelyn Gould, Aaron Shorr, Dan Wilson and Alvaro Rojas.Playlist: Cecil Alexander - ShugKurt Rosenwinkel, featuring Aaron Parks, Eric Revis & Greg Hutchinson - The Past IntactChristian McBride's New Jawn - Dolphy DustNicole Zuraitis, featuring Christian McBride, Gilad Hekselman & Billy Kilson - BurnDanny Jonokuchi, featuring Lucy Yeghiazaryan - Born to be BlueLucy Yeghiazaryan, featuring Michael Kanan - Lonely HouseAlex Tremblay, featuring Vanisha Gould - Yellow RoseMike Casey - Venus (Live)George Coleman - MeditationTerri Lyne Carrington , featuring George Coleman, Buster Williams & Kenny Barron - What is This Thing Called LoveSanah Kadoura - ZaytoonMichael Dease, featuring Liany Mateo, Virginia MacDonald & Geoffrey Keezer - Shorty's TuneJocelyn Gould, featuring Virginia MacDonald - Jessica's BirthdayAaron Shorr - FantasyDan Wilson - SticologyAlvaro Rojas - Meditation Park

One of the most highly regarded jazz drummers on the scene today, Joe is known for his blazing speed, precision, musical, and melodic playing. Born in South Hadley, Massachusetts in 1968, Joe grew up in a musical family; his father was a music educator and he has four older brothers, two of whom became professional musicians. He studied with Alan Dawson and Arthur Taylor prior to attending and graduating from William Patterson College in New Jersey in 1994. Upon moving to New York City, he led the weekend jazz combos at Augie's (now Smoke Jazz & Supper Club). He performed with Junior Cook, Cecil Payne, John Ore, Big John Patton, Harold Mabern, Eddie Henderson, John Jenkins and his brothers, John and James. Joseph's career includes recording over 100 CD's as leader and side-man, jazz festivals and world tours with Pharaoh Sanders, Horace Silver, Harold Mabern, McCoy Tyner, Cedar Walton, Diana Krall, Benny Golson, George Coleman, Johnny Griffin, Lou Donaldson, Benny Green, Curtis Fuller to name a few. In this episode, Joe talks about: Studying with Alan Dawson How he arrived at his "just play time" identity as a jazz drummer the centrality of the ride cymbal in all jazz drumming The difference between playing with someone and playing for them Why he chooses to almost always perform in a suit and tie

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 1st June 2023 Artist - Track - Album - Year Oscar Peñas    Chicken or Pasta    Chicken or Pasta    2023 Sara Caswell    Voyage    The Way to You    2023 Jeff Richman    Lost Daze    XYZ    2023 Dan Wilson    Tell Me a Bedtime Story    Things Eternal    2023 Tom Guarna    Who Does She Hope to Be    Reimagine    2023 Jared Sims    Waiting    Against All Odds    2023 Clifford Lamb    One Rose Garden    Lamb Chops    2023 Dave Bass    El Ciego    The Trio: Vol. 3    2023 Arturo O'Farrill    Dolphin Dance    Legacies    2023 Dahveed Behroozi    The Nearness of You    Standard Fare: Solo Piano    2023 Anthony Hervey    The Rust From Yesterday's Blues    Words From My Horn    2023 Jason Keiser    The Moontrane    Shaw's Groove    2023 Artemis    Lights Away From Home    In Real Time    2023 Brendan Lanighan Octet    Frank-ly    A Little Optimism    2022 Joe Farnsworth    In What Direction Are You Headed?    In What Direction Are You Headed?    2023 George Coleman    Blues for Smalls    Live at Smalls Jazz Club    2023 Jeb Patton    Prelude in F# Major    Preludes    2023 Joe LoCascio Trio    Artifact    November: The Music of Phil Gurlik    2023 Hazelrigg Brothers    Synchronicity I    Synchronicity: An Interpretation of the album by The Police    2023 Charlie Apicella & Iron City meet The Griots Speak    Titan vs. Sphinx    Destiny Calling    2023 The Michael O'Neill Quintet, with Special Guest Joe Locke    Mike's Blues    Conversations with Birds    2023 Dave McMurray    Scarlet Begonias    Grateful Dedication 2    2023 Thomas Fonnesbaek & Justin Kauflin    Falling Grace    Danish Rain    2023 Michael Dease    The Other Shoe    The Other Shoe    2023 Satoko Fujii    Voyage    Torrent    2023 The post The Creative Source (#CreativeSource) – 1st June 2023 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.

George Coleman Jr. was born into a musical family. As a drummer, producer, composer, filmmaker, and son of two musical jazz greats, saxophone legend George Coleman Sr. and organist, composer and vocalist, Gloria Coleman, he was seven when master drummer Max Roach gave him his first set of drums. George studied with master teachers including Sam Ulano, Michael Carvin and Billy Higgins. In 2019, George took on the role of film producer and released a documentary entitled “Another Kind of Soul: The Coleman Family Legacy”. The film chronicles his family's personal and musical histories and includes concert footage as well as interviews with his family and other iconic jazz figures including Branford Marsalis. Another Kind of Soul is available on various streaming services including Amazon, iTunes, Google Play, and Tubi TV. He has also released a new record as a leader entitled Resurgence. In this episode, George talks about His dad's jazz legacy that began in Memphis The influence of his mother who was a bassist and organist Being surrounded by Latin music in his childhood neighborhood in the Upper West Side Making his album a culmination of all his mentors What he learned about music from his dad vs. his mom What he learned and continues to learn from Michael Carvin How music has served as a between him and his dad later in life

On this episode of Riffin on Jazz, Howard, Chuck and Deborah take you back to Highschool with these Jazz hits. We hear from legends like Isaac Hayes, George Coleman and more, so make sure to tune into this brand new episode of Riffin on Jazz on the KUDZUKIAN App, Kudzukian.com or your favorite podcast provider.

Born in 1967 to the late, great bassist Jamil Nasser, Muneer 's exposure to the jazz idiom was early and powerful. In 1976, "My dad took me to see Dizzy Gillespie at the Village Gate and Dizzy blew the place apart.  I had to get a trumpet and weeks later I did."  In 1979, he went to the International Art of Jazz Workshop for college students. Dave Burns, a trumpeter in Gillespie's Big Band, had reservations about his age. Muneer's talent, however, overshadowed this concern.  "Mr. Burns acceptance fortified my confidence and I began studying with him." Muneer also received private instruction from George Coleman, Jimmy Owens, Oliver Beener, and Webster Young. These workshops and lessons taught him the basics of jazz improvisation, which were tested at serious jam sessions conducted by Eddie Henderson, Ted Curson, Tommy Turrentine, Barry Harris, C Sharpe, and Gil Coggins. "If you couldn't play, they would bench you with quickness and give you a homework assignment." As a youngster, Muneer saw many masters in concert such as George Coleman, Randy Weston, Lou Donaldson, Woody Shaw, Roy Eldridge, and Phineas Newborn.Support the show

Multifaceted American jazz pianist and composer Emmet Cohen is one of his generation's pivotal figures in music and the related arts.    Leader of the Emmet Cohen Trio and creator of the Masters Legacy Series, he is an internationally acclaimed jazz artist, a dedicated educator, and the winner of the 2019 American Pianists Awards.    His artistry has taken him to venues and festivals in over 30 countries. And his entrepreneurial energies led to his developing "Live From Emmet's Place," a live-streamed "Harlem Rent Party" that unites a worldwide audience via tens of millions of internet views.    He has released over ten albums as leader and has performed or recorded with the likes of Ron Carter, Benny Golson, Jimmy Cobb, George Coleman, and many, many others.

Multifaceted American jazz pianist and composer Emmet Cohen is one of his generation's pivotal figures in music and the related arts.    Leader of the Emmet Cohen Trio and creator of the Masters Legacy Series, he is an internationally acclaimed jazz artist, a dedicated educator, and the winner of the 2019 American Pianists Awards.    His artistry has taken him to venues and festivals in over 30 countries. And his entrepreneurial energies led to his developing "Live From Emmet's Place," a live-streamed "Harlem Rent Party" that unites a worldwide audience via tens of millions of internet views.    He has released over ten albums as leader and has performed or recorded with the likes of Ron Carter, Benny Golson, Jimmy Cobb, George Coleman, and many, many others.

On today's episode of Strictly Jazz Sounds, I have a conversation with Emmet about his show: how he selects the guests, the challenges doing the show, the dreams he holds for it and the impact he hopes to have on jazz as an artform. Emmet Cohen is a pianist, composer, bandleader, and internet entrepreneur. What began as a means to play a gig when the Covid 19 pandemic-imposed lockdown closed the Kansas City venue he was scheduled to play, became a whole other enterprise. Every Monday night at 7:30 pm ET since March 2020, Emmet Cohen, with his show “Live at Emmet's Place”, kicks off his shoes, sits at his Steinway piano, joined by his trio companions Russell Hall on bass and Kyle Poole on drums, and converts his Harlem apartment into one of the hottest places to be in New York City. It's the old-time Harlem rent party transformed into an internet-streamed production that has attracted millions of people the world over. Emmet and his trio initially performed on his iPhone. Today, he has an entire crew setting up the show and working it. Emmet has invited many performers from the New York jazz scene into his apartment along with others from the extended jazz diaspora. These include Patrick Bartley, Bruce Harris, Samara Joy, Christian McBride, Nicole Glover, Benny Bennack III, Veronica Swift, and many others. The legacy musicians include Joe Lovano, Sheila Jordon, Mary Stallings, Houston Person, Albert “Tootie” Heath, and George Coleman. The results have been nothing short of historical and amazing. As a result, Emmet has been recognized by the Jazz Journalists Association for what many consider as legendary and visionary streaming of live jazz.

Roberto Gatto è uno dei più importanti batteristi italiani, riconosciuto anche a livello internazionale per aver collaborato con artisti del calibro di: Chet Baker, Freddy Hubbard, Lester Bowie, George Coleman, Bob Berg, Michael e Randy Brecker, Pat Metheny, Stefano Bollani, Enrico Rava, Danilo Rea, Dado Moroni... In questa intervista parla della sua carriera, del suo pensiero musicale e del nuovo metodo didattico "The Jazz Drum Book", edito da Volonté. ► I miei CORSI ONLINE: https://bit.ly/corsi_batteria

One of the most overlooked masters of the alto saxophone is Frank Strozier. Frank is still alive in New York but reclusive. Mr. Strozier was one of the many talented musicians who was born in Memphis. He came up with pianist Harold Mabern, tenor saxophonists George Coleman, Charles Lloyd and trumpeter Booker Little. Frank like most of these players moved to Chicago and graduated from the Chicago Conservatory of Music then made his way to New York. Frank was praised by none other than John Coltrane as "having one of the most advanced harmonic senses of any young player on the scene today". Frank worked briefly with Miles Davis and then with drummer Roy Haynes and then moved to Los Angeles where he played with drummer Shelly Manne and big bands led by Oliver Nelson and Don Ellis and did movie and studio work. He moved back to NYC in 1971 and soon began recording for the Danish based Steeplechase label. Tonight's Jazz Feature is his second date done in November 1977. It spotlights Frank on alto saxophone and also flute along with the great but little known trumpeter Danny Moore on some tunes. Harold Mabern is on piano and he sparks this session. The rhythm is premier: Stafford James on bass and the great Louis Hayes on drums. The title track of course is the Marvin Gaye classic arranged by Harold Mabern and begins the date on a high level. Another Mabern selection follows and then three compositions by Frank Strozier conclude this important Jazz Feature. Check it out tonight!

Within about a week of home quarantine in March 2020, pianist Emmet Cohen started live-streaming shows every Monday night from his apartment in Harlem. At first it was just Cohen and his bandmates, drummer Kyle Poole and bassist Russell Hall, set up in Cohen's living room. Eventually they started inviting guests, and Emmet's Place became one of the spots for live jazz in pandemic New York. Six months in, it had really caught on: the Emmet's Place performance of “La Vie en Rose” featuring singer Cyrille Aimée has over 4 million views on Youtube. Since then, Emmet's Place has become a kind of jazz incubator in New York; featured guests have included legends like Houston Person, Victor Lewis, Joe Lovano, Sheila Jordan, Randy Brecker, Regina Carter, Christian McBride, Nicholas Payton, and dozens more. Cohen has one foot planted in the future and the other in the past. Maybe that's why he chose to call his most recent record Future Stride: as a nod to the stride piano that he loves and the modern world in which he lives. That tension between these two impulses, the old school and the new, is at the heart of the Emmet Cohen phenomenon. He's deeply rooted in the jazz tradition, and believes in the importance of oral history and intergenerational connection. When he was in his 20s (not so long ago!) he made a series of albums, live interviews, and performances featuring jazz masters Jimmy Cobb, Ron Carter, Benny Golson, Albert “Tootie” Heath, and George Coleman. He called it the Master Legacy Series. Meanwhile, he's an active digital citizen. He was quick to embrace streaming, NFTs, and direct-to-fan connection. (He offers a subscription service to his fans to support his work directly.) He's a product of the 21st century and he understands how to thrive in both physical and virtual space. We got together recently to talk about how he straddles the line between tradition and modernity, starting out as a prodigy in Miami, being a “repertory player,” his community in Harlem, “blues therapy” and the common lesson he learned from all his mentors. The Third Story is made in partnership with WBGO Studios. www.third-story.com www.patreon.com/thirdstorypodcast www.wbgo.org/studios

Die hoof van die Namibiese kriptogeld-maatskappy, CBI Exchange Namibia, Coenie Botha, gee sy mening oor waarom Bitcoin-aandele besig is om te daal. Intussen duur Botha se saak in die Windhoek-hoërhof voor regter George Coleman voort wat beslis het dat die bates gedeeltelik weer beskikbaar gestel moet word, onder toesig van die Bank van Namibië. Botha het aan Kosmos 94.1 Nuus bevestig dat die rekening steeds gevries is. Met verwysing na Bitcoin-aandele wat daal, het hy só geantwoord...

I visited the saxophone legend George Coleman at his home in New York City to talk about playing and learning the saxophone, his musical career and saxophone gear. We were joined by the great saxophonist Eric Alexander who studied with George Coleman for many years and considers him one of his most important musical mentors. https://bettersax.com

As Broadcast @www.totallywiredradio.com on Wednesday 16.03.2022Hour One and Two with Alan Kenny Arscott (DJ A.K.A.)01. George Coleman, Cedar Walton, Sam Jones & Billy Higgins - Mode for Joe (Timeless 1976)02. Adele Sebastian - Day Dream (Nimbus West 1978)03. Jean Luc Ponty - Renaissance (Atlantic 1975)04. Elton John & Leslie Duncan - Love Song (Live @ The RFH) (Unreleased 1974)05. Jhellisa - Friendly Pressure (Acoustic Mix) (Dorado 1995)06. Maureen Walsh - Thinking Of You (Mucho Dream Edit) (Urban 1990)07. Cymande - Dove (Janus 1972)08. Tappa Zukie - M.P.L.A (inc. Dub) (Front Line UK 1976)09. Tinga Stewart - Why Can't We Live Together (Virgonian 1977)10. June Yamagishi & Bobby Womack - Give This Love A Try (Meldac Japan 1988)11. Mamas Gun - Looking For Moses (Candelion 2022)12. Flight - Face To Face (Motown 1980)13. Erykah Badu - Back In the Day (Motown 2003/UMC 2022)14. Family Brown - Never Had A Love (United Artists 1977/Expansions 2022)15. Baiana - Saudade Samba (Self Released 2022)16. Galathea - Samba De Sausalito (Space Echo 2022)17. Nicola Conte & Gianluca Petrella FT. Raashan Ahmad - Inner Light (Sacred Rhythm Dub) (Schema 2022)18. Fred Everything Ft. Trevor Walker & Diabel Cissokho - Kafoiyé (Art of Tones Remix) (Compost 2022)19. Chris Geldard & Doug Gomez - Find Yourself (Doug Gomez Mix) (Vibe Boutique 2022)20. Earl W. Green, Arnaud D - Betrayal (Unrealized Remix) (Makin Moves 2022)

It's episode 75 and we have a double feature for you guys! We've danced around jazz music up to this point, as it is an influence on many other music genres, but today we're finally diving in to jazz proper. Since there were so few tracks on these albums (and because jazz music is a little harder to discuss), we decided to do our first double feature for an artist. First we have Hancock's 1965 album "Maiden Voyage", which is very much what you'd expect when throwing on jazz, which is in this case considered "modal jazz". Considering Hancock was only 24 at the time, this album was extraordinarily sophisticated. Coming off the heels of playing with Miles Davis, he employed some amazing jazz legends to help him make his mark, with Freddie Hubbard on trumpet, George Coleman on tenor sax, Ron Carter on bass, and Tony Williams on drums. These songs became so big that a few of them are still standards for jazz bands today. But Hancock wasn't one to dwell on the past. His time with Miles Davis taught him that he needed to constantly push and reinvent himself. Eight years later, with the release of "Head Hunters" he did just that by making a fusion of jazz and funk, and changed the whole jazz game in the process. This brought him out of the purely jazz scene, which was fading from relevance, and into a fresh, new world where the youth were picking up on his music and loving every second of it. This album is astounding start to finish and there's a reason that it is so highly regarded by critics and hipsters alike: It slaps. With the regular crew, Brad, Jon, Dave, and Jake Foster!!! Links from ep: Richard Davis on Spotify: https://open.spotify.com/artist/6Xktfsmu8Tlg3071prbJej?si=1iLG1TO4QFy1LPjJ8gEJbg&dl_branch=1 Herbie Hancock - Possibilities (2006 documentary): https://youtu.be/TSUpFHuAIqI Other Links: OUR DISCORD: https://discord.gg/2stA2P7pTC TACHP Desert Island Discord Playlist: https://open.spotify.com/playlist/4wNErQHfrAYgSsIZlLJ6ym?si=dtrMJCuqQwa1Zt7RtwrXNg (YouTube Playlist): https://youtube.com/playlist?list=PL4Uk6UBPMYEs3BtK1HwWJMyXlKwPH93Qx EVERYTHING ELSE: https://linktr.ee/FlyoverStatePark --- Support this podcast: https://anchor.fm/albumconcepthour/support