Welsh musician and composer (b1944)
POPULARITY
4 episodes with Karl Jenkins
4 episodes with Karl Jenkins
4 episodes with Karl Jenkins
2 episodes with Karl Jenkins
2 episodes with Karl Jenkins
2 episodes with Karl Jenkins
2 episodes with Karl Jenkins
2 episodes with Karl Jenkins
3 episodes with Karl Jenkins
Dr Eurfyl ap Gwilym yr economegydd yw gwestai Beti George. Daeth un digwyddiad yn 2010 ag ef i sylw mawr pan fentrodd herio Jeremy Paxman, un o'r newyddiadurwyr uchaf ei barch ym Mhrydain. Drannoeth 'roedd y gwefannau ar dân. Mi ddaru Eurfyl elwa o'r ffaith fod o ddim yn cyfadde' ei fod o'n anghywir ac mi ddaliodd arno. Mae o di cael pobol yn dod ato yn ei adnabod o'r teledu - yng Nghaerdydd a Llundain … “You're the Paxman man! Well Done”.Dechreuodd ei yrfa gyda chwmni Unilever ar gynllun datblygu rheolwyr busnes. Bu'n gweithio gyda chwmni John Williams yn rheoli pob agwedd o'r busnes. Bu'n Bennaeth adran gwerthu cyfrifiaduron gyda chwmni mawr electroneg Philips, cwmni rhyngwladol – o'r Iseldiroedd. Bu'n gweithio gyda GE. Bu'n brif weithredwr i gwmni meddalwedd rhyngwladol yn Llundain ( Cwmni o UDA ydoedd). Gwerthu a datblygu meddalwedd i fanciau.Bu'n gweithio gyda'r Principality yn ddirprwy gadeirydd ac yn gyfarwyddwr anweithredol byrddau technolegol, a bu'n gweithio gyda Phlaid Cymru. Bu'n helpu Gwynfor Evans yn ystod cyfnod 1966- '67. " Doedd dim llawer o adnoddau pan aeth Gwynfor mewn i'r Senedd yn '66, 'roeddem ni'n gosod cwestiynau Seneddol, doedd dim google, a dim modd cael llawer o wybodaeth, felly roedden ni'n codi llawer iawn o gwestiynau".Cawn hanesion difyr ei fywyd ac mae'n dewis 4 cân gan gynnwys Dafydd Iwan a Karl Jenkins.
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In deze aflevering van Kalm met Klassiek is de beurt aan de heilige Franciscus van Assisi. Ab Nieuwdorp vertelt je hoe hij gelinkt is aan Dierendag! Reden dus om jouw hond of kat er lekker bij te pakken tijdens het luisteren naar de muziek. Een deken of kop thee werken gelukkig ook. Kom tot rust bij een vredesgebed: 'The peace prayer of St Francis of Assisi' van componist Karl Jenkins. Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7).
Music fan and Patron Rory Cox Zoomed-in all the way from Ljubljana Slovenia to discuss The Roots and their ninth studio album 'How I Got Over'. For this 2010 release, Questlove, Black Thought, Dice Raw and company concocted a diverse, slow-build mission statement on how to overcome. Songs discussed in this episode: A Peace Of Light, The Seed, Walk Alone - The Roots; Dear God (Sincerely M.O.F.) - Monsters Of Folk; Dear God 2.0 - The Roots, Dear God - XTC; Radio Daze, Now Or Never - The Roots; How I Got Over - Mahalia Jackson; How I Got Over, DillaTUDE, The Day, Right On - The Roots; Peach Plumb, Pear - Joanna Newsom; I'm Chief Kamanawanalea - The Turtles; Doin' It Again - The Roots; Yoshimi Battles the Pink Robots Pt. 2 - The Flaming Lips; The Fire, Tunnel Vision, Web 20/20, Web, Hustla - The Roots; Lyin'ass Bitch - Fishbone; How I Got Over (Late Night With The Roots LIVE) - The Roots
Er ist einer der international bekanntesten lebenden Komponisten. Nun erhält Sir Karl Jenkins den Preis der Europäischen Kirchenmusik 2024 in Schwäbisch Gmünd.
A singer songwriter who has proven herself as one of this country's most hard-working, versatile, and prolific artists, Katie Noonan flourishes in every genre. She performs and composes across classical, jazz and rock music. She's recorded a massive 28 albums, with a 29th on the way, garnering 28 ARIA nominations which have include five wins. Having already been part of her indie rock band George, producing highly successful albums including Polyserena which went triple platinum, she went on to found her jazz trio Elixir. In 2021, she founded the Australian Vocal Ensemble (AVÉ), a vocal quartet with a special focus on new Australian compositions. Katie discusses the full breadth of her remarkable musical journey, and the other artists who have inspired her along the way. Katie Noonan and the Australian Vocal Ensemble join the Sydney Philharmonia Choirs for their annual Chorus Oz concert on Sunday 9 June in the Concert Hall of the Sydney Opera House. She and fellow AVÉ member, Andrew O'Connor, have composed An Instrument of Peace, a new work which will be performed at this concert alongside Karl Jenkins's The Armed Man: A Mass for Peace.
Estas son las canciones de su vida: “Carmen Ballet: Dance”, Arthur Fiedler; “Experience”, Ludovico Einaudi; “Palladio: 1 Allegretto”, Karl Jenkins; “Recomposed”, Vivaldi por Max Richter.
A Mass for Peace.
Életéről és munkáiból egy órában.
Daniel Libeskind, the architect best known for the Jewish Museum in Berlin and the World Trade Centre masterplan in New York, talks about designing a building to house Einstein's archive in Jerusalem. As Germany celebrates the 250th birthday of the painter Caspar David Friedrich with three major exhibitions, art historians Louisa Buck and Waldemar Januszczak discuss the significance of the Romantic artist famous for his paintings of people in evocative landscapes.And the musician and composer Karl Jenkins joins Samira to talk about celebrating his 80th birthday with a concert tour.Presenter: Samira Ahmed Producer: Olivia Skinner
The emotional, some say spiritual, effect music has on us is notoriously difficult to put into words. It's sort of like analyzing why something is funny. The reality ever exceeds our verbal grasp. Why are minor chords sad and majors happy? Why, when you hear a song from your childhood is there a superglue of emotion attached, bringing you instantly to those moments long ago? This week's guest is one of the greats in the choral music world. If you enjoy music with a lush, cinematic sound created for multiple voices on the exquisite side, Morten Lauridsen is your man. The most frequently performed American composer of choral music, Lauridsen is a National Medal of Arts recipient (2007), he was composer-in-residence of the Los Angeles Master Chorale (1994–2001), and has been a professor of composition at the University of Southern California Thornton School of Music for more than 50 years. His work has been recorded on over 200 CDs including five with Grammy nominations. We're talking serious musical gravitas here. On November 11, 2018, a massive concert for international television is being held at the Brandenburg Gate in Germany to mark the centenary of the end of World War One. In addition to Welsh composer Karl Jenkins' Mass for Peace, the other piece selected is Lauridsen's beautiful Lux Aeterna. I predict not a dry eye on that night. You can imagine my surprise when, during the interview, the great man spontaneously began playing a portion of his classic O Magnum Mysterium to explain why the notes for the word “Virgo” ground the piece in a special way! In this interview, you will learn: Why every artist has to risk failure; as not trying guarantees failure How Lauridsen became a late bloomer as a composer, at age 50, and maybe how you can, too Why poetry deserves a massive revival The importance of stillness and quiet for human serenity and creativity The mysterious way in which music connects us to the divine Resources mentioned in this episode: O Magnum Mysterium performance Lux Aeterna performance Profound talk by director Karl Paulnack to music freshmen at Boston College Conservatory CD album, Morten Lauridsen: Lux Aeterna; Madrigali; Ave Maria; Ubi Caritas CD album streaming, Lauridsen: Mid-Winter Songs Connect with Morten: www.mortenlauridsen.net
Karl Jenkins has had a career of contrasts – from accomplished jazz fusion, prog rock and the worlds of film and advertising, to phenomenal success in concert halls around the world as a composer of music that delights audiences and often defies categorisation; music that is rhythmic, emotional – and hugely popular: he just might be the most performed living composer in the world.In these special programmes, Sir Karl Jenkins joins Donald Macleod to talk about his life and music ahead of the composer's 80th birthday. Music Featured: Benedictus One World: In the Beginning One World: Let's Go (The Tower of Babel), One World: Yet, Here I Am Sarakiz (Dance) Stabat Mater (excerpt) One World: Tikkun Olam Suo Gan Quirky Blue Hazard Profile, pt 1 Carol Ann La Folia – concerto for marimba and strings Cantata Memoria (excerpt) Cantilena Adiemus Hymn Kayama Cancion Plateada Palladio, concerto grosso for string orchestra (i Allegretto) Stella Natalis (excerpt) Gloria (excerpt) The Peacemakers (excerpt) The Armed Man – A Mass for Peace (excerpt) Quirk (Chasing the Goose) White Water One World: The Golden Age Begins Anew Concerto for Euphonium and Orchestra (‘It takes two…' Seductively) Over the Stone (iv, Tros y Garreg) One World: Sakura, Spring has Come Requiem (excerpt)Presented by Donald Macleod Produced by Martin Williams for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Karl Jenkins https://www.bbc.co.uk/programmes/m001w1jwAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
In this episode of Pints of View Gary Goldsmith talks to Sir Karl Jenkins about his journey from Wales to becoming one of the most renowned classical composers. They discuss Jenkins' early life and introduction to music, his breakthrough into advertising jingles and world music, and his rise to knighthood through popular classical works like Adiemus & The Armed Man. In this episode you will hear: Jenkins' experience growing up in a musical family in Wales His early career playing in jazz bands and transition to composition Stories about collaborating with artists like Rod Temperton and working with the royal family Advice he would give to his 18-year-old self starting out in music For more information about this episode, Gary's advisory services or the RDLC please email us on POV@garys.world Follow us on Instagram https://www.instagram.com/pints_of_view_pod/ Thank you as ever to our sponsors: https://quetzel.co.uk/ https://capexcurrency.com/ https://hapstar.app/ https://www.caminopartners.co.uk/ Gary's World (email: POV@garys.world) Pints Of View is the podcast hosted by socialite, in-demand Non-Exec Director, recruitment legend and all-around nice guy Gary Goldsmith. In this podcast, Gary opens up his eclectic Black Book of friends that ranges from international footballers, high street moguls, champion boxers, investment oracles, national team coaches, royal correspondents, business leaders, military special forces, sports club owners, scale-up experts and even conspiracy theorists with a sense of humour! They're all interesting, they've all got different stories, they've all got different backgrounds and they have all got lessons that you will learn a great deal from, alongside a fair few belly laughs too. Plus, as well as the amazing guests, you will also learn that there is a lot more to Gary Goldsmith than what the headlines might have had you believe! Far from just being a loveable rogue and famous royal Uncle, there are insights and wisdom shared that reveal why Gary has been integral to hundreds of millions of pounds of business growth over the years. So, join us for some real, raw and interesting chats down at the pub - yes, this show is really shot on location at an actual, working West End boozer!
Esta semana, dedicamos una nueva edición de Rebelión Sónica, a la clásica banda inglesa Soft Machine, con material de dos discos editados este año: el nuevo “Other Doors” y el rescate patrimonial “The Dutch Lesson”, que documenta un show grabado por la banda en 1973. “Other Doors” fue editado el 30 de junio por los sellos Moonjune y Dyad y muestra a la banda con John Etheridge en guitarra, Theo Travis en saxo, flauta, piano Fender Rhodes y electrónicos, Fred Thelonious Baker en bajo Fretless y John Marshall en batería, el último del clásico baterista, quien tras grabar el disco se retiró del grupo para ser reemplazado por Asaf Sirkis. Además, participa en dos temas otro integrante legendario: el bajista Roy Babbington, quien se retiro del conjunto en 2021. La declaración del disco señala que la banda está muy orgullosa de este nuevo álbum, ya que incluye “genial música nueva y una interpretación inspirada”, así como la reinvención de dos clásicos de Soft Machine: 'Penny Hitch' de “Seven” de 1973 y 'Joy of a Toy' del disco debut “Volume One” de 1968. El escrito añade sobre “Other Doors”: “Improvisaciones atmosféricas, free jazz psicodélico, jazz rock ardiente, guitarra estridente, flautas contralto hipnóticas, ritmos de bajo fretless, batería poderosa y música electrónica experimental, Soft Machine continúa con su agenda musicalmente ambiciosa, de amplio alcance, basada en el jazz pero sin límites en la creación de la música de corazón más ambiciosa y aventurera que podamos imaginar. Esperamos que les guste tanto como a nosotros disfrutamos haciéndolo”. Al final del programa, escucharemos un tema del nuevo-viejo álbum de la banda, “The Dutch Lesson”. Editado el 28 de abril de este años por Cuneiform Records, el registro fue grabado el 26 de octubre de 1973 en el recinto De Lantaren de la ciudad de Róterdam, en Países Bajos, y muestra a la banda con una alineación de cuarteto con Roy Babbington en bajo eléctrico de seis cuerdas, Karl Jenkins en saxo soprano y barítono, oboe y piano eléctrico, John Marshall en batería y al único integrante original Mike Ratledge en piano eléctrico y órgano.
Entertainment editor Peter Ford on Sir Karl Jenkins breaking his silence, Piers Morgan slamming Prince Harry & Beyoncé kicking off her world tour in Sweden. See omnystudio.com/listener for privacy information.
Dave Berry and the team are back bringing you the chance to win Arctic Monkeys tickets and Emma Jones has had enough with her husbands cooking habits.
Wojna widziana z Kijowa i z Sankt Petersburga. Wojna zwykłych ludzi w Ukrainie i w Rosji będzie tematem wielkanocnego Raportu o stanie świata. Czym jest wojna bez monumentalizmu, bez geopolityki i dogłębnych analiz? Wojna, od której jedni odwracają wzrok, a inni muszą z nią żyć na co dzień. A oprócz tego porozmawiamy o tym, jak zmienia się rola społeczna Kościoła w Polsce. Czy Kościół przestaje być punktem odniesienia dla Polaków? Gośćmi Raportu są dwaj dominikanie ojciec Paweł Krupa w Sankt Petersburgu i ojciec Jarosław Krawiec w Kijowie. Rozkład jazdy: (0:06) Madamicella, Nadine Rossello - Stabat Mater (chant traditionnel) (4:02) Rozmowa z o. Pawłem Krupą i o. Jarosławem Krawcem cz. 1 (36:29) Karl Jenkins, Royal Liverpool Philharmonic - Stabat mater VI. Now My Life Is Only Weeping (40:29) Rozmowa z o. Pawłem Krupą i o. Jarosławem Krawcem cz. 2 (1:05:22) Madrugada - Stabat Mater (1:10:38) Rozmowa z o. Pawłem Krupą i o. Jarosławem Krawcem cz. 3 (1:40:43) Wszystkiego dobrego i do usłyszenia (1:42:15) Jospeh Haydn, The English Concert, Trevor Pinnock - Stabat Mater XIIIb. Paradisi gloria, Amen (1:45:15) Podziękowania
Special Good Friday Episode “If you are faithful in little things, you will be faithful in big things.” Patrick 11-years-old - Who is mentioned that dines with Jesus for the Passover in the Bible? Patrick shares a bit of Karl Jenkins beautiful music Anna - Where did the word Easter come from? John - Protestants said that Christ's face was destroyed during the passion, is that true since Veronica wiped his face? Helen - Can Angels cry? Good Friday Gospel Reading Ann - Washing of the feet didn't happen at my Church. Is that okay for them to skip?
Not the World Cup was a "glorious celebration of classical and world music" that ran alongside a small men's football competition in late 2022. Each team in each game of the football was represented by a short piece of (largely classical) music - 110 pieces in all from 107 composers (including 41 pieces by women): loads of great music and loads of new discoveries. I got together with my friend the conductor and writer Lev Parikian to pick some highlights and talk about a few of the things we learnt - about music, about how we listen and how it makes us feel. Listening time 41 mins. Here's a Youtube playlist of our favourite things of all from Not the World Cup and a playlist of everything that was clipped in the episode. What do you think? Let me know with a comment at cacophonyonline.com. I'd love to hear from you! You can learn more about Lev Parikian, his books, gigs, writing, nature projects, etc., at: https://levparikian.com and also on Substack & Twitter. It's a fluid conversation but things break down a bit like this: 01:56 Wistful piano pieces and surprise winners [Music by Dolores Castegnaro, Enrique Granados, Julio Fonseca] 04:30 Giving things a chance/ deciding quickly this isn't for you/ music that transports you/ powerful openings [Iris Szeghy, Karl Jenkins, John Williams] 08:16 Curation - contrasts and similarities [Hector Villa Lobos, Arthur Honegger, Reena Esmail, Kamancheh music played by Narges Dehghani, Sufi music from the group Hadarrattes Souiriyattes] 11:45 Universal music in a world of nationalism, colonialism, borders and nationality 16:10 Strange new worlds: non-western music to western ears and sensibilities - Korea Republic and Africa [M. Birvaa, Unsuk Chin, Anne-Marie Nzie] 21:27 Moods and complexity: Joy, sadness and sheer energy [John Adams, ND Jobins balafon music] 24:49 Authenticity and craft [Astor Piazzolla, Dana al Fardan] 26:28 Biases, choosing pieces from classical music's ‘big players' & pre-conceptions [Orlande de Lassus, Hector Berlioz, Johann Sebastian Bach] 32:55 Music that's not by white guys and a Mayer detour 34:48 The final matches and final thoughts [Felix Mendelssohn, Eddie Mora, José Pablo Moncayo, Gabriela Ortiz] The Cacophony episode on Emilie Mayer's 7th symphony, which excited Lev so much, can be found here. ALL the music from the epic NWC adventure can be found by exploring the Cacophony website. ...and some of the pieces discussed have their own 'normal' Cacophony podcast episodes where they're discussed in a bit more depth: Felix Mendelssohn: Symphony No.3, "Scottish" (the 'winner' for Germany) Maurice Ravel: Mother Goose suite ('should' have been the winner...) Reena Esmail: Darshan John Adams: Short ride in a fast machine John Williams: Olympic fanfare and theme Cacophony podcast episodes are normally released on the 10th, 20th and 30th of each month. It's a podcast bringing you great music that you may or may not know, but I think you'll love, all aimed at helping us Hear more, feel more and 'be' more! All at www.cacophonyonline.com or direct to your podcast player at bit.ly/cacolink If you'd like to support Cacophony there are easy, great, ways: – send us a little something or make a regular payment at ko-fi.com – share this episode with someone you know – share the 100 second trailer – subscribe/ review and keep listening! Thanks for listening!
Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! «Music, the Reason of Our Happiness», queda todo dicho entre los oyentes de Subterranea, ¿o acaso la música no es la razón de nuestra felicidad…? Creo que nadie lo duda. Nos sentimos felices y dichosos de anunciaros un nuevo episodio de Subterranea Rarrities con dos sospechosos habituales: Carles Pinós y David Pintos. Carles Pinós nos regalará unos «rarities premium»: Epidaurus, Gnidrolog, Tibet, Mad Curry y Karl Jenkins. David cumple su promesa y nos hace una segunda entrega de su especial Magnum. No te lo pierdas, sé feliz. Edición: Jordi Via www.subterranea.eu Subterranea Libros Magazine para España y América en: https://davidpintos.com Escucha este episodio completo y accede a todo el contenido exclusivo de Subterranea Podcast. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/17710
The man behind ‘The Armed Man' and ‘Adiemus' speaks to Emma Nelson about his remarkable life and career as one of Britain's greatest and most versatile composers.See omnystudio.com/listener for privacy information.
Amado hace un canto a la amistad.Coches elegantes en Bilbao. Alicia San Juan con Music Legends Fest. Learning To Fly. Prostitución en A Tres Bandas.El Profesor Angulo cuenta Historias de Cucarachas.Alberdi con Karl Jenkins. Arroces del Mundo. Xabier Gutiérrez prepara una Txipiburguer....
Percussion Discussion Episode 89 - Dave HassellJoining me today is drummer / percussionist / author and one of the finest drum and percussion educators in the UK Dave Hassell.Dave has played for so many incredible solo artistes, bands, orchestra's, sessions etc.... it would take forever to list them all, here is a little taster for you... Dr John, Karl Jenkins, Apitos, Jim Mullen, Lisa Stansfield, Dusty Springfield, BBC Radio Big Band, and The Halle Orchestra to name but a few!Join Dave and myself as we talk about his early days including lessons from some remarkable teachers including Geoff Riley, Max Abrams and Jim Blackley. Dave has a fearsome reputation as a teacher, with a no nonsense approach, he talks at length about this, putting to bed all the myths about him being a monster! sharing his amazing insights into teaching and what he expects from his students.We also talk at length about the books that he has written including the fabulous Graded Course For Drum Kit and the story behind the title of the book! ( you will have to listen to find out! )This conversation is a must for any drummer or teacher, it is full of little golden nuggets of information for any drummer, i really hope you enjoy it as much as i did!Dave, thank you so much for giving up your time - please check out Dave's website www.davehassell.co.uk
Hola, amigos. En este episodio de Musicalia os ofrecemos los siguientes contenidos:Os saludaremos con un bolero interpretado por Rolando Villazón.Continuaremos celebrando el Día del Libro con música de Telemann.Hablaremos de la plataforma coros por la Paz.Pediremos y transmitiremos paz a través de la música de Bach y Karl Jenkins.Buceando por la red descubriremos una versión diferente de un tango de Ashtor Piazzolla.Y en nuestra sección literaria descubriremos un poema en el que se menciona un instrumento de la orquesta; lo ilustraremos con una obra de Liszt.Suscribete al podcast: https://pod.link/1118970448Feed: http://feedpress.me/musicaliaApple Podcast: https://itunes.apple.com/es/podcast/musicalia/id1118970448?mt=2
Welkom terug bij een nieuwe aflevering van Kalm met Klassiek, dé podcastserie voor je dagelijkse momentje rust. Vrede. Dat is het thema van deze week. Én het is een thema dat vele componisten in het verleden en het heden inspireert. Zo ook de componist Karl Jenkins die The Peacemakers componeerde, waarin ook het prachtige deel "Evening prayer."
Ruth Keggin-Gell is the Manx Language Development Officer with Culture Vannin - dedicated to encouraging people to get interested and involved in wider use of the Manx language. When she thought of using Manx in our church services, she found an enthusiastic supporter in Pioneer Minister Rev'd Alex Brown. On AT YOUR SERVICE today they discuss how this could be done, and Ruth has details of the half-day workshop she's leading - CREE AS ANNYM (Heart and Soul) using Manx for worship in easy and accessible ways. It's on Friday 25 March from 9:30am to 12:30pm with hot drinks served on arrival from 9am and an optional lunch (£7 per person) served at the end. The venue is Thie Dy Vea (House of Life) Ballawattleworth House, Tynwald Road, Peel More details of the workshop can be found at www.learnmanx.com To book your place(s) email Ruth - manxlanguage@culturevannin.im Ruth Rice - who has herself come through a mental breakdown some 12 years ago - is the founder of the charity Renew Wellbeing - creating cafe-style spaces 'where it's OK to not be OK' and where mental wellbeing is a priority. Ruth invites us to spring clean our own wellbeing during the weeks of Lent, and each week she'll choose a letter from her alphabet of mental health, from her new book - The A to Z of Wellbeing. Today it's B for Breath ... And Ruth has a video series, based on the book, which you can view on line at www.ruthricebooks.online The videos are quite short, and a new one is posted each day. There's some beautiful meditative music for peace, from Karl Jenkins, Manx music from Curjin Cooidjak, and a musical setting of a popular Bible verse from Ajax, Ontario. Plus notice board news, as usual. News for the notice board and suggestions for your favourite hymn choices are always welcome - email judithley@manxradio.com
Hay momentos en la vida en que llueve y hace frío (y hablo metafóricamente). Más a menudo de lo que deseamos, las cosas no vienen bien dadas; pasamos por momentos lóbregos, por ciertas penalidades, por algunas desazones. Y en esos momentos de lluvia y frío, buscamos refugio: en las personas queridas, en los amigos, en quienes nos conocen y nos comprenden. Y —también— en la música. Airyn & JM Mantecon, Patrick Lenk, Miledh, Peter Buffett, Karl Jenkins, Michael Nyman, Robert Schroeder, Lethave Plank.
CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of child confinement, child abuse, threats, adoption, orphans, poverty. It's rare when an iconic movie musical also happens to be one of the more bizarre watching experiences in our show, and then even more rare when the movie kind of works. Which this movie does…kind of. Look, this was a pretty legendary failure, and yet with every single thing going against it, this movie is so consistently bonkers it actually manages to pull out of its tailspin. A lot of that has to do with the phenomenal, immensely talented cast who squeeze every bit of potential enjoyment out of this movie. Just don't expect a lot, even from a legendary Hollywood director - he was too busy drinking and ignoring the film. Oscars '82 continues this week with Annie on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the film Annie is © 1981 Rastar Films, Inc. All Rights Reserved. Excerpt of "Mr. Lucky" is written and composed by Karl Jenkins. Copyright 1980 Music De Wolfe, De Wolfe Ltd. Excerpt of “When I'm Sixty-Four” written by Lennon-McCartney and performed by The Beatles. Copyright 1967, 2017 Calderstone Productions Limited.
CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of war, underwater, explosions, Nazis, death, drowning. As a bonus, we're taking a look back at the really, really bad and amazingly good movies of 2021, and touching on some of the themes of movies this past year. We might even make some 2022 resolutions, so join us for this extra bonus episode of Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt of “Mr. Lucky” written and composed by Karl Jenkins. Copyright 1980 Music De Wolfe, De Wolfe Ltd.
This Christmas, to celebrate 50 years since Jesus Christ Superstar first opened on Broadway, we've dedicated an entire episode to unwrapping its magic. What is it about the rock opera that makes it, as one Times critic wrote, ‘the one masterpiece of Lloyd Webber's career'? Why, after five decades, does it still give pause for theological thought? And how can one piece of music connect such disparate-seeming artists as Dmitri Shostakovich, Googoosh, Lin Mannuel Maranda, and Kanye West? Featuring interviews with Sirs Tim Rice and Karl Jenkins, Alain Boublil, Peaches and Nico Muhly, this is … The Jesus Christ Superspecial.… Buy us a coffee innit: https://ko-fi.com/classicalpod … Follow us here: instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/
Friday, November 26th at 3 pm, ARTS – Live & Local! Carol Newman hosts: Program coordinator Andrew Tonry on Tolovana Arts Colony happenings: Wreath workshop; Caesar the Llama live; Holiday bazaar. ChrisLynn Taylor & Cheryl Capellen from the North Coast Chorale with Karl Jenkins' “The Healer” at the Larsen Center for the Performing...
16th-21st CenturiesThis week we hear works by Francesco da Milano, Jacopo Peri, Giovanni Colonna, Unico van Wassenaer, Friedrich Kuhlau, Ludvig Norman, Pietro Alessandro Yon, and Karl Jenkins.129 Minutes – Weeks of August 30 and September 06, 2021
Peggy reflects on the feast of St. Monica coming up later in the week. GOD MOMENTLord, our hearts are restless until they rest in You.MUSICNew Dawn by Scripture Lullabies & Jay StockerThe Armed Man by Karl Jenkins
Clássicos IPB #W30_21 - Karl Jenkins Hoje destacando o trabalho do maestro e compositor inglês, Karl Jenkins. Orquestra, Adiemus. Coral, London Philharmonic Choir. Regência, Karl Jenkins. Apresentação, Natsan Matias. Produção, Artur Mendes. Um programa rádio IPB / Apecom.
Maundy Thursday Worship ServiceThursday, April 1, 2021Words of WelcomeRev. Dr. Dawson B. TaylorPreludeWhat Wondrous Love by Doug Denisen Blair Francis, fluteCall to WorshipRev. Dr. Deb Kaiser-CrossMinistry of MusicKyrie by Michael John TrottaChamber Choir Women"Lord have mercy, Christ have mercy, Lord have mercy."The Passion of Our Lord as Told By The Gospel According to LukeThe Last SupperRev. Dr. Sharon Harris-Ewing, Rev. Dr. Dawson B. TaylorMusical ResponseWondrous Love by Eric NelsonChamber ChoirWords of BetrayalRev. Dr. Sharon Harris-Ewing, Rev. Dr. Dawson B. Taylor, Merrill Noble Musical ResponseO Sacred Head Sore Wounded by Evlyn R. LarterBlair Francis, fluteWords of StruggleRev. Dr. Sharon Harris-Ewing, Rev. Dr. Dawson B. TaylorMusical ResponseAgnus Dei by Michael John TrottaChamber Choir Women"Lamb of God who takes away the sins of the world, have mercy on us."Words of DenialRev. Dr. Sharon Harris-Ewing, Rev. Dr. Dawson B. Taylor, Merrill NobleMusical ResponseJesus, Lover of My Soul by Philip W. J. StopfordChamber ChoirWords of ScornRev. Dr. Sharon Harris-Ewing, Rev. Dr. Deb Kaiser-Cross, Rev. Dr. Dawson B. TaylorMusical ResponsePie Jesu by Karl Jenkins"Blessed Jesu, Lord I pray in thy mercy grant them rest. Lord our God, we pray thee, grant them everlasting rest."The story continues on April 2 at 12p.m. with our Good Friday Worship Service. Support the show (https://www.naplesucc.org/donate)
Raymond Bisha introduces a new album of 21st-century mallet percussion concertos performed by virtuoso percussionist Dame Evelyn Glennie and the City Chamber Orchestra of Hong Kong under Jean Thorel. The works by Alexis Alrich and Karl Jenkins put the marimba in the solo spotlight, while Ned Rorem’s 7-movement Mallet Concerto — written in 2003 and presented here in its world premiere recording — features Dame Evelyn in dynamic displays on both marimba, vibraphone, glockenspiel and xylophone.
Le magazine de la musique contemporaine présenté par Christine Gyselings. Actualité, rencontres et festivals (Tactus, Ars Musica, MusMa...) sont au programme de cette émission de fin de semaine qui aborde le répertoire d'aujourd'hui de façon accessible. Production et présentation : Christine Gyselings (cgy@rtbf.be)
Rest WIth Beauty. "Hurry ruins saints as well as artists." Thomas Merton Take a breath and pause to savor the life you have. Books Mentioned: The Highly Sensitive Child https://amzn.to/2H4PNl8 #ad The Highly Sensitive Person https://amzn.to/3jYAyZw #ad The Highly Sensitive Parent https://amzn.to/34XFDuU #ad How am I resting in beauty? 1. Go on a regular nature walk weekly. Follow the same path. Could you become familiar with it? 2. Fill the space with music. I love music by Karl Jenkins, Peter Paul, Mary, Max Reicht, Elizabeth Mitchel, Henry Purcell, and JJ Heller. 3. Sit with beauty. Create it. Notice it. Watch it. I'm intentionally seeking beauty before I make dinner. 4. Remember beauty. Use your phone to remind you of the beauty you've seen recently. What did you snap a photo of? What memory can you hold? 5. Slow down. Self-Care Idea: Make a list of 100 things you love. Family Play Idea: How many things can you do with pumpkins? Roast, Carve, Exploid, Float, Drop, Throw.
Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Para los que ya amábamos esta música en el siglo XX. Adiemus, Karl Jenkins, Frank Fischer, Øystein Sevåg, Ray Lynch, Eddie Jobson, Patrick O'Hearn, Himekami, Suzanne Ciani, George Winston, Wim Mertens, Friedemann, Constance Demby, Software, Peter Mergener, Michael Weisser, Patrick Bernhardt, Frank Steiner Jr., Beautiful World, Phil Sawyer, Peter KaterEscucha este episodio completo y accede a todo el contenido exclusivo de lostfrontier.org. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/26825
From A Summer Place and Gone with the Wind to Karl Jenkins’ arrangement of Beethoven, there’s enough here to make you swoon …. maybe even more than a little ♥ Playlist: 10 May 2020 Max […] http://media.rawvoice.com/joy_queenofthenight/p/joy.org.au/queenofthenight/wp-content/uploads/sites/183/2020/05/2020-05-10-Queen-of-the-Night.mp3 Podcast: Play in new window | Download (Duration: 48:46 — 48.9MB) Subscribe or Follow Us: Apple Podcasts | Android | Google Podcasts | Spotify | RSS The post A little luscious music appeared first on Queen of the Night.
Meditazione Clandestina[ITA]L'esperienza della meditazione, esperita in maniera semplice, come lo è respirare e giocare per i bambini. Si parte dall'ascolto del respiro per arrivare a sentire la corrispondenza di emozioni e sensazioni nel corpo. La prima parte è di sola voce che guida, mentre gli ultimi minuti sono accompagnati dalla bellissima interpretazione corale di Benedictus di Karl Jenkins.[ENG]In these difficult days we decided to share an experience of (re)union, while we are requested to stay home: everyday, a brand new meditation is recorded and offered to download to everybody.To understand the language is not important: it's the intention of sharing our being into a circle of energetic healing and connection that makes the difference. So simply listen to the audio and feel you are a part of Us, by enjoying the music and the sound in itself.
LA NONNOMUSICA 9 Karl jenkins & orolache
In dark and dangerous times, we're confronted with depressing and painful emotions. Irrationally, when we consciously immerse ourselves in fear and dread, we can emerge stronger. Music has mysterious restorative powers that come from the emotional confrontation with deep and challenging feelings. The Ancient Greeks called it...catharsis. At the other end of the emotional spectrum, in dark times we crave light and hope—balm for battered souls. Here music brings beauty and peace, inspiration and joy. On this transmission of Hearts of Space, a journey in the fragile lightscape of the psyche, from dark, to translucent, to luminous—on a program called TRANSLUCENT MUSIC. Featuring LISA GERRARD & JEFF RONA, ELENI KARAINDROU, ARVO PÄRT, VALENTIN SILVESTROV, and KARL JENKINS. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]
Katherine Siegwarth Maker & Muse: Women and Early 20th Century Art Jewelry at the Dayton Art Institute Music: Palladio by Karl Jenkins
Find us at: iTunes Spotify Patreon YouTube We’re joined by repeat guest Sam Turley of Fate and the Fablemaidens this week for an episode we’ve been so excited for. It’s a Discord episode, so already you know you’re in for a nice dose of chaos magic. Then you add Big Mac and Spike to the mix for a “guys’ night” that, all in all, seems fairly innocuous as such things go. But what’s the special secret to this episode? It’s Ogres & Oubliettes, a nice little fantasy tabletop RPG that makes this episode truly special. Welcome to a digression-filled, chaos-magic-riddled, D&D lovefest! It’s finally time to review “Dungeons & Discords” this week on Macintosh & Maud! Check out our merchandise at our new Teepublic store! We've got lots of fun designs to choose from and more on the way! Macintosh & Maud have a Patreon! If you contribute $2.00 or more you can listen to our reviews of Equestria Girls: Rainbow Rocks and Equestria Girls: Friendship Games, along with other great content! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Intro and outro music is "Madgapuff March (rmx) by JS Bach" by Lee Rosevere. Licensed under a CCO 1.0 Universal License. For the song and information about the artist, visit the song page at the Free Music Archive. Excerpts of "Mr. Lucky" written and composed by Karl Jenkins. Copright 1980 Music De Wolfe, De Wolfe Ltd. Excerpt of “Sirius” written by Eric Woolfson and Alan Parsons, and performed by the Alan Parsons Project. Copyright 1982 Woolfsongs, Ltd. and Careers Music Inc.
Find us at: iTunes Spotify Patreon Santa’s come for all of us this year as we team up with the amazing hosts of Cool Breeze Over the Mountains for a crossover event of epic proportions. We knew when we picked Babes in Toyland this year, we’d need to cover the 1986 version as well. But that version happens to star a then-unknown Keanu Charles Reeves, a cultural icon and phenomenon that our cohorts have been studying, film-by-film, for quite some time. So we watched it, this 90-minute horrorshow of epic movie failures and terrible re-editing for home video. This monstrosity of bad Drew Barrymore child acting and creepy German filmmaking…you get it, this movie is terrible, but you’ll have to listen to find out just how terrible it can be. Join us all for our wild, hilarious, and incredulous discussion of 1986’s Babes in Toyland! Macintosh & Maud have started a Patreon! Any little bit you can contribute helps, and we have special contributor-only content if you donate at the $2 level, including our review of Patrick Swayze's surfing classic with the majestic Keanu Reeves, Point Break! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. If you like the podcast, make sure to subscribe and review on iTunes, Spotify, or your favorite podcatcher, and tell your friends. Intro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpts taken from Babes in Toyland (1986), © 1986 Orion Pictures Corporation. All Rights Reserved. Excerpt taken from theme music for Cool Breeze Over the Mountains, written and performed by the group Fe Fi Folio. Excerpt taken from "The Arrival of Tink and the Flight to Neverland" from the soundtrack to the motion picture Hook, composed and conducted by John Williams. Copyright 1991 Tristar Pictures, Inc., phonographic copyright 1991 Epix Soundtrax. Excerpt of "Mr. Lucky" written and composed by Karl Jenkins. Copright 1980 Music De Wolfe, De Wolfe Ltd. Jingle bells effect taken from “Jingle bells.wav” created by user ‘juskiddink’ on the Freesound platform. Licensed under an Attribution 3.0 Unported (CC BY 3.0) license. To get additional information or download the sound, visit Freesound. Fax printer effect taken from “epson receipt printer6” created by user ‘azumarill’ on the Freesound platform. Licensed under a Creative Commons 0 license. To get additional information or download the sound, visit Freesound.
Apie vieno populiariausių Jungtinės Karalystės kompozitorių, velsiečio Karlo Jenkinso muziką. Laidos autoriai ir vedėjai Šarūnas Nakas ir Mindaugas Urbaitis.
Find us at: iTunes Spotify Patreon CW: Discussion of counseling sessions, overbearing families, invasions of privacy, trauma, compulsive behavior, family death, defilement of corpses, grief, anger, Freudian analysis, family relationships, dysfunctional families. When we watched the preview last week for Riverdale, we were already excited. Gina Torres giving our Scooby Gang some much-needed licensed counseling about all of the horribleness they've had to endure? Yes, please! We'll be damned if they didn't give us that and more in what we're pretty close to calling a Top 5 episode of the series, no questions asked. It's not just that the kids are getting some much needed help, and not just that the writers are acknowledging the pain that they've been put through. It's that all of it, from Archie's need to be a hero, to Jughead realizing he's lost the story, to Cheryl Blossom finally being forced to acknowledge she's truly struggling - all of it is real, true character development. And wow, did we need it. Enjoy our review of this week's episode on The Doghouse! Macintosh & Maud have started a Patreon! You can sign up now at our $2/month level to get our Doghouse Drive-Thru every Friday after a new Riverdale episode, plus season 2 ofThe Chilling Adventures of the Doghouse, a weekly review of The Chilling Adventures of Sabrina on Netflix! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Excerpt of “Mr. Lucky” written and composed by Karl Jenkins. Copyright 1980 Music De Wolfe, De Wolfe Ltd. #DaddyIssues sound is "GLEAM-GLOW-SFX-CHIME.wav” from user newagesoup at Freesound. Licensed under a CC0 1.0 Universal (CC0 1.0) Public Domain Dedication license. Interstitial music taken from "Make Up" from the compilation album Kamelot by Distortions. Licensed under an Attribution-NonCommercial-NoDerivatives 4.0 International license. To hear the song or get more information about the artist, visit the song page at Jamendo.
Find us at: iTunes Spotify Patreon CONTENT WARNING: The synopsis of this film contains a slur directed at the Romani community, used for a significant plot point in this film. As well, discussions of gaslighting, manipulation, and emotional abuse of women, and misogyny. We were prepared for a good, old-fashioned family Disney musical this week as we ventured into our film. What we got instead was buck wild, convoluted, and really, really problematic. And not in a “gee, it was 1961 way,” but more in a “wow, they really decided to make that a significant plot point” way. It feels like people’s nostalgia of this movie is far more powerful than its storytelling and the acting from several of its leads. That’s not including Ray Bolger and Ed Wynn, who are absolutely perfect in creating incredible characters that are funny, i Macintosh & Maud have started a Patreon! Any little bit you can contribute helps, and we have special contributor-only content if you donate at the $2 level, including our review of Patrick Swayze's surfing classic with the majestic Keanu Reeves, Point Break! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. If you like the podcast, make sure to subscribe and review on iTunes, Spotify, or your favorite podcatcher, and tell your friends. Excerpt of “Mr. Lucky” written and composed by Karl Jenkins. Copyright 1980 Music De Wolfe, De Wolfe Ltd. Intro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Typewriter effect taken from “typewriter18.ogg” created by user ‘tams_kp’ on the Freesound platform. Licensed under an CC0 1.0 Universal (CC0 1.0) Public Domain Dedication license. To get additional information or download the sound, visit Freesound. Jingle bells effect taken from “Jingle bells.wav” created by user ‘juskiddink’ on the Freesound platform. Licensed under an Attribution 3.0 Unported (CC BY 3.0) license. To get additional information or download the sound, visit Freesound.
Nos acercamos a las Navidades y en el hemisferio Norte empieza a hacer frío. Niebla, lluvias, viento, en algún sitio hasta nieve, una taza con un té caliente, un sofá, una manta y buena música. ¿Qué más se puede pedir? Pues, modestia aparte, creo que la de este episodio es una de las mejores selecciones musicales en la historia del programa. Esta semana escucharemos temas de George Winston, Trent Reznor & Atticus Ross, Lito Vitale, Gabriella Quevedo (x2), Dustin O'Halloran, Hélène Grimaud interpretando a Debussy, Alexis Ffrench, Karl Jenkins, Vaughan Williams, Ludovico Einaudi, Martin Kohlsted, Max Richter, Michael Nyman, Peter Kater & Tina Guo y Paul Winter Consort.
Find us at: iTunes Spotify Patreon CW: Attempted murder, threats of gun violence, crime families, threatening children, hostage situations, sexual abuse and harassment, student-teacher sexual relationships, suicide, murder, cannibalism, mental illness, corpses, death of a loved one, grief, grief during the holidays. This is probably the first episode this season that's truly felt like filler. Jughead and Betty get some more information about Mr. Chipping, but it's not good, and it's borderline offensive. Veronica's having to fend off “Papi” from shutting down Archie's community center, while Archie has to fight off a familiar face to make sure nobody gets shot at the El Royale. And then there's Cheryl and Toni, who are, shall we say, cooking up a plan to dispose of Uncle Bedford. It's a little boring, a little weird, and a little not great way to set up for a season finale. Come sit and stare at the television with us this week on The Doghouse. Macintosh & Maud have started a Patreon! You can sign up now at our $2/month level to get our Doghouse Drive-Thru every Friday after a new Riverdale episode, plus season 2 ofThe Chilling Adventures of the Doghouse, a weekly review of The Chilling Adventures of Sabrina on Netflix! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Excerpt of “Mr. Lucky” written and composed by Karl Jenkins. Copyright 1980 Music De Wolfe, De Wolfe Ltd. Interstitial music taken from "Make Up" from the compilation album Kamelot by Distortions. Licensed under an Attribution-NonCommercial-NoDerivatives 4.0 International license. To hear the song or get more information about the artist, visit the song page at Jamendo.
Find us at: iTunes Spotify Patreon CW: Mental illness, poor representation of mental illness, vilifying queer characters, vigilantism, violence, addiction, murder, serial killings, corpses, discussions of hauntings, white privilege. This was a frustrating episode, not least because we're still somehow dealing with Cheryl's compulsion to keep her brother's dead body in the family chapel and force everyone around her to simply deal with it. Seriously, it's gotten gross and is almost impossible to watch. Meanwhile, Archie's being made into a fully-fleshed white savior and Batman for kids who honestly could use someone like Mrs. Weiss to help them instead. It's not all bad though; Jughead is still fascinating, and Cole Sprouse is giving some great performances in his hostile prep school environment. And Betty doesn't know just what Charles is hiding…and might not ever know at this rate. The bad outweighs the good in this one, and it's become a bit of a slog to sit through the show. Grab a chair and join a quick breathing circle as we try to rinse out the bad memories of this episode on The Doghouse. Macintosh & Maud have started a Patreon! You can sign up now at our $2/month level to get our Doghouse Drive-Thru every Friday after a new Riverdale episode, plus season 2 ofThe Chilling Adventures of the Doghouse, a weekly review of The Chilling Adventures of Sabrina on Netflix! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Excerpt of “Mr. Lucky” written and composed by Karl Jenkins. Copyright 1980 Music De Wolfe, De Wolfe Ltd. Interstitial music taken from "Make Up" from the compilation album Kamelot by Distortions. Licensed under an Attribution-NonCommercial-NoDerivatives 4.0 International license. To hear the song or get more information about the artist, visit the song page at Jamendo.
Find us at: iTunes Spotify Patreon CW: Illegal activity by minors, bribery and corruption, vigilante justice, gun threats, serial killers, animal violence, killing of pets not on screen, gaslighting, emotional abuse, abusive parents, family conflict, murder, recovered trauma, poor representation of queer people. On first watch this week we were still fairly skeptical about this episode. At first glance, things were super unclear and frustrating, with little action. Upon closer inspection, though, there was some character development and nuance that we're not used to seeing from Riverdale. That is, except for Archie, who, until he gives up his vigilante superhero schtick, we're just gonna set his dumb pecs aside for now. Nevertheless, we're digging Jughead's earnest love for the Baxter Boys, Betty's recovered memories and trauma, and Veronica's ridiculous legal scheming, and we've got some theories as to where all of this might be leading. Join us for that and more on this episode of The Doghouse! Macintosh & Maud have started a Patreon! You can sign up now at our $2/month level to get our Doghouse Drive-Thru every Friday after a new Riverdale episode, plus season 2 ofThe Chilling Adventures of the Doghouse, a weekly review of The Chilling Adventures of Sabrina on Netflix! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Our new #DaddyIssues chime is " “GLEAM-GLOW-SFX-CHIME.wav” from user newagesoup at Freesound. Licensed under a CC0 1.0 Universal (CC0 1.0) Public Domain Dedication license. Excerpt of “Mr. Lucky” written and composed by Karl Jenkins. Copyright 1980 Music De Wolfe, De Wolfe Ltd. Interstitial music taken from "Make Up" from the compilation album Kamelot by Distortions. Licensed under an Attribution-NonCommercial-NoDerivatives 4.0 International license. To hear the song or get more information about the artist, visit the song page at Jamendo.
Iniciamos la cuarta temporada de Perpetuum Mobile y espero que sea más plácida que su precedente. Esta semana dos conceptos musicales planean sobre la selección musical. Por un lado está la vuelta a las raíces, la vuelta a orígen, a casa; por el otro está el viaje, la épica. Espero que os guste el resultado. Esta semana escucharemos temas de James Galway, Alasdair Fraser & Paul Machlis, Burkhard Dallwitz, Adam Burns & Christopher Salt, Brighton Film Quartet, Karl Jenkins (2), Jean-Michel Blais, Ossie Woods, Agnes Obel, Kovaks & Metropole Orkest, Christopher Salt & Adam Burns, Two Steps From Hell, Rupert Gregson-Williams, Dario Marianelli, Gregor Hüber & Martin Haene (2) y Marcus Warner.
La música nos emociona, eso es evidente, consigue que nos enamoremos, nos hace bailar, nos enfurece, modifica nuestro ánimo. Esta semana he buscado temas musicales que nos consigan estremecer, que nos hagan sentir casi de forma física un escalofrío, una sensación única e irrepetible si no es escuchando esa pieza. Escucharemos temas de Angelo Badalamenti, Vangelis, Ennio Morricone, Lévon Minassian & Armand Amar, Gavin Bryars, Karl Jenkins, Michael Nyman, Isao Tomita y de Israel Kamakawiwo'ole.
PLAYLIST MÚSICAS IMAGINADAS 20 DE MAYO DE 2019 - KARL JENKINS. Chorale 6 (Adiemus II, 1996) - PRICILLA HERNÁNDEZ. Flame (single) - CHRISTOPHER JAMES. Ge ton with It (Grace from Persistence, 2019) - CHRISTOPHER JAMES. Awakening (Grace from Persistence, 2019) - CHRISTOPHER JAMES. Where's Frederick (Grace from Persistence, 2019) - LANG LANG. Merry Christmas, Mr. Lawrence (Ryuichi Sakamoto) (Piano Book, 2019) - LANG LANG. La Valse d'Amelie (Yann Tiersen) (Piano Book, 2019) - LANG LANG. Eliza Aria (Elena Kats-Chernin) (Piano Book, 2019) - TOM MOORE & SHERRY FINZER. A Sound Traveler's Dream (Sound Currents, 2019) - TOM MOORE & SHERRY FINZER. Following the Current (Sound Currents, 2019) - RICHARD LUKE. Everything a Reason (Glass Island, 2019) - RICHARD LUKE. Silent Story (Glass Island, 2019) - RICHARD LUKE. Last to Let Go (Glass Island, 2019) - GARY FARR. An Angel on Earth (Ambient Remix) (single)
El episodio de esta semana está dividido en dos partes muy diferenciadas. En la primera, tenemos una selección musical en la que disfrutaremos de unas piezas de singular belleza. Empezaremos con Karl Jenkins y seguiremos con la Paul Winter Consort, un avance del nuevo disco de Ludovico Einaudi, Tom Adams, Daigo Hanada, Bruno Sanfilippo, Sophie Hutchings y acabamos con un concierto de Ennio Morricone. En la segunda parte nos vamos a la música electrónica, concretamente con tres piezas también de singular belleza, pero que juegan a otro deporte. Escucharemos a Steve Roach, Jean-Michel Jarre y a Tangerine Dream.
In this podcast you can hear: 2019 Sheffield Plate winner Evie Skillicorn - Whistle Down The Wind - accompanied by Frank Woolley Winners of Billown Rose Bowl - Vocal Duets - Graham Crowe and Neil Crowe - Ave Verum by Karl Jenkins - accompanied by Mary Frankwick Maddie Wood - Winner - Spoken Word for Year 5 - Entering A Castle Music Hall and Comic Song Class - 2nd place - Marilyn Cannell accompanied by Gareth Moore - When Father Papered The Parlour Mandy Griffin - Winner - Songs from the Musicals (92 marks!) Cronk Y Berry School Girls Choir - Song of Peace and This Little Light of Mine Buchan Doves - Joint 2nd - Girls Choir Class - Listen to the Rain Scoill yn Jubilee - Joint 2nd - Girls Choir Class - Chitty Chitty Bang Bang Isaac Jagus - Joint 2nd - Songs from the Musicals (90 marks) also winner of the Douglas Choral Union Centennial Trophy Lacey Handbell Ringers - Somewhere Over The Rainbow Olivia Landels - Joint 2nd - Songs from the Musicals (90 marks) accompanied by Gareth Moore Ballacottier Primary School - Winners - Gaelic Choir Class - Cur dty Vainney (trad arranged by Katie Lawrence) and The Sea Invocation - trad) Anna Glynn - Winner - String Class for Violin Grade 6 and above - playing Konzert by Mozart
Habiamos dejado nuestra pequeña historia de la música pop en el mundo hippy, con sus luces estroboscópicas, luces negras, técnicas láser, proyecciones de colores y desarrollos musicales con temas de larga instrumentación. Bueno, pues todo esto, favoreció que, paralelamente, surgieran grupos identificados con estas nuevas formas de conciertos y un paso más lejos de la esfera hippy. En Londres el fenómeno tuvo un hondo calado desde finales de 1966 y se prolongó a lo largo del 67. El primer concierto de música psicodélica se celebró el 29 de abril de 1967 en el Alexander Palace de Londres, y en él actuaron como nuevos grupos Pink Floyd y Soft Machine, además de una desconocida artista japonesa llamada Yoko Ono. Esto ha sido The Piper at the gates of dawn, The Pink Floyd Sound, corte principal de su disco debut, lanzado el 5 de agosto de 1967. Este disco fue uno de los primeros en explorar el rock psicodélico, junto con Sgt. Pepper's de The Beatles y lo cierto es que se le considera uno de los LPs más influyentes de la historia del rock psicodélico. Pink Floyd fue formado por tres estudiantes de arquitectura: Roger Waters, Richard Wright y Nick Mason. Se consolidaron cuando se les unió un genio musical llamado Syd Barret, un tipo inclasificable y visionario. Él cambió su orientación y les bautizó con su nombre definitivo. Pink Floyd - Wish You Were Here El cuarteto frecuentó clubs y festivales como el Spontaneous Underground, y rápidamente dio que hablar. Debutaron discográficamente en 1967 y se codearon con Cream, Jimi Hendrix, lo mejorcito. Todo un espaldarazo. Por desgracia, al poco de editarse su primer LP, Syd Barrett tocó fondo. Sus escarceos con las drogas y su frágil moral le hundieron. Entró David Gilmour a la guitarra y durante un breve lapso de tiempo fueron cinco, hasta que Syd tuvo que apartarse definitivamente. Con la publicación de A Saucerful of Secrets en 1968, el estilo de la banda dio un giro debido a la salida de Barrett y a la entrada de Gilmour. Definido como un álbum de transición, en él se mezclan las canciones psicodélicas semejantes a las firmadas por Barrett y piezas más experimentales, con influencias de la música clásica y que ayudaron a marcar el posterior sonido de Pink Floyd. Pink Floyd - Shine On You Crazy Diamond Con The Wall, la supremacía de Waters en la creatividad de Pink Floyd se hizo claramente patente. Con todo, es uno de los discos más famosos de la discografía de la banda y uno de los más vendidos de la historia. El disco es una ópera rock basada en una estrella de rock que se aísla del mundo a base de consumir drogas, construyendo un muro a su alrededor. Aunque Waters lo haya negado varias veces, el álbum parece una autobiografía suya, puesto que el protagonista, llamado «Pink», guarda numerosas similitudes con él. El disco está compuesto básicamente por canciones cortas de uno, dos ó tres minutos aproximadamente, unidas con piezas más largas . La canción «Another Brick in the Wall» se alzó rápidamente como la canción más representativa del disco y una de las más conocidas del grupo, con un característico coro de niños cantando la línea «We don't need no education». Esta frase luego sería criticada y caricaturizada por artistas como Elvis Costello en alguno de sus discos. En The Wall es también famoso el solo de guitarra final de «Comfortably Numb», compuesto por Gilmour y, para muchos, uno de los mejores de la historia. Pink floyd - another brick in the wall Y este es el famoso solo. La canción es un poquito larga por lo que solo podremos el final. Pink Floyd - Comfortably numb El otro grupo más representativo de esta corrientes fue The Soft Machine y este que está sonando, su primer sencillo: “Love Makes Sweet Music” The Soft Machine fue un grupo musical inglés de rock formado en 1966, y que durante su inestable e intensa carrera (con más de 15 miembros en poco más de una década) pasaron por la psicodelia y el rock progresivo para finalmente desembocar en el jazz fusión, siendo pioneros en los tres géneros. Lo fundaron el guitarrista Daevid Allen, el teclista Mike Ratledge, el cantante y bajista Kevin Ayers y el cantante y bateria Robert Wyatt. Su nombre proviene de la novela de William Burroughs The Soft Machine (La Máquina Suave, 1961). The Soft Machine tuvo varias etapas que las podríamos denominar según el líder de turno de la banda. Así, uno de los más importantes fue protagonizado por Ratledge y Hopper. El repertorio en vivo fue cambiando, con nuevas composiciones de Ratledge y Hopper, mientras las piezas antiguas iban desapareciendo progresivamente. Ya nada quedaba de Wilde Flowers, de la época con Daevid Allen ni del primer disco. Al mismo tiempo, las partes cantadas por Wyatt también iban disminuyendo. En este momento se editó Third, LP doble que marcará un antes y un después para la banda.. Soft Machine - Moon in June La ultima etapa de la banda estuvo liderada por Karl Jenkins. Si bien compuso casi la mitad de Six, el LP que lo confirmó como nuevo líder fue Seven (1974), donde hace su debut Roy Babbington como nuevo bajista. Seven tuvo buenas críticas en su momento. En los siguientes tres años no habría álbumes de Soft Machine, excepto el primer recopilatorio, Triple Echo (1977), y el single de música disco «Soft Space» el mismo año. Sin embargo, en esta época habría varios proyectos paralelos. Y entre estos proyectos, cada vez más personales de sus miembros, llegó su disolución en 1.984. Y como siempre nos preguntamos, que estaba pasando en España con este estilo de música? La psicodelia, por definición, un sonido que replica las experiencias con setas mágicas, mezcalina o LSD no tenían cabida en la España de los 60, cuando el aislamiento cultural del régimen sirvió de barrera contra estas y otras influencias foráneas. Todos los grupos se veían obligados a enviar sus discos a la Dirección General de Radiodifusión y Televisión, que calificaba como «no radiables» aquellos títulos relacionados con el contacto físico, el mundo de la noche y, en general, que filtraran cualquier atisbo de vicio. Las bandas psicodélicas que se oteaban en el horizonte anglosajón casi no consiguieron ser «radiables». Pero, en España, hay algunos tesoros enterrados. Smash, con su fusión de psicodelia y folclore andaluz, sí consiguio franquear al mismisimo Franco. Smash – El Garrotin Si algo bueno ocurrió gracias a las bases militares de Rota, Morón o San Pablo, es que los americanos traían música. Vinilos de rock clandestinos, que caían en manos de aquellos jóvenes españoles con ganas de libertad. Jóvenes como Gualberto Garcia, guitarrista de Smash o Manuel Molina, guitarrista y cantante del mismo grupo y posterior Lole y Manuel. Pero si hay una piedra angular del rock progresivo andaluz, tiene que ser Triana. Triana - Abre la puerta niña Triana se formó en 1974 en Sevilla por Jesús de la Rosa Luque, Eduardo Rodríguez Rodway y Juan José Palacios Tele. Con un estilo musical basado principalmente en el rock progresivo y una alta influencia del flamenco, se erigieron como una de las bandas más importantes e influyentes del rock español. Sus tres primeros lanzamientos discográficos forman parte de los álbumes más alabados de la época de esplendor del rock progresivo español aunque su éxito y reconocimiento fue algo tardío. Especialmente con la publicación del sencillo «Tu frialdad» que llegaría a alcanzar el primer puesto en las listas de venta españolas. El accidente de tráfico que sufrió Jesús de la Rosa en 1983 acabó con su vida y provocó la disolución de la banda. TRIANA- TU FRIALDAD Misma década de los 70, misma España gris, surge en Barcelona otra genial banda de rock psicodélico, con influencias acid-folk, Pan y Regaliz. Se atrevieron a cantar en inglés y consiguieron un sonido muy carismático, con influencias africanas. Su paso, desafortunadamente, fue breve. Su música era tan buena que llegaron a pincharla en varios pubs ingleses. Pan y regaliz - Un día más En mayo del 71, Granollers fue epicentro del primer Festival de Música Progresiva en España (y el primer festival al aire libre). Sus asistentes, la también primera generación de soñadores psicodélicos, jugaron por unas horas a ser libres. Durante esas intensas noches de amor, paz, alucinógenos y buena música, tocaron Smash y Pan y Regaliz, junto a otras bandas como Maquina!, más jazzeros y eléctricos. Barcelona, habitualmente aventajada en creación artística, parió otro de los mejores sonidos del progresivo español. MAQUINA! - Burning Butts Más allá de Andalucía y Cataluña, también hubo vida. Crack, asturianos haciendo también rock sinfónico en plena industrialización, sólo duraron un año. Sin embargo, Si todo hiciera crack es un disco épico, en todos los sentidos; una armonía preciosista de guitarras, teclado y flauta. A pesar de sus majestuosas composiciones, pasaron sin pena ni gloria por España, aunque sí recibieron alabanzas desde el extranjero. De este disco escuchamos Descenso en el Mahellstrong. Crack - Descenso en el Mahëllstrong https://youtu.be/frhHW4833p8 Pero el sinfónico más luminoso vino de las islas. Los Canarios, con Teddy Bautista (más tarde famosísimo presidente de la SGAE) al frente, también le dieron al progresivo con su joya Ciclos, una dimensión onírica de Las cuatro estaciones de Vivaldi. Por desgracia, es su único disco de este género, bellamente artificioso y con instrumentación electrónica potente. Las cuatro estaciones son sustituidas por las cuatro etapas del desarrollo humano: niñez, juventud, madurez y vejez. Escuchamos “la Primavera”, de Vivaldi. CANARIOS (Ciclos) - La Primavera Y por hoy nada más. Me despido de vosotros hasta la próxima semana con esta extraordinaria obra. “Buenas, buenísimas vibraciones”
Habiamos dejado nuestra pequeña historia de la música pop en el mundo hippy, con sus luces estroboscópicas, luces negras, técnicas láser, proyecciones de colores y desarrollos musicales con temas de larga instrumentación. Bueno, pues todo esto, favoreció que, paralelamente, surgieran grupos identificados con estas nuevas formas de conciertos y un paso más lejos de la esfera hippy. En Londres el fenómeno tuvo un hondo calado desde finales de 1966 y se prolongó a lo largo del 67. El primer concierto de música psicodélica se celebró el 29 de abril de 1967 en el Alexander Palace de Londres, y en él actuaron como nuevos grupos Pink Floyd y Soft Machine, además de una desconocida artista japonesa llamada Yoko Ono. Esto ha sido The Piper at the gates of dawn, The Pink Floyd Sound, corte principal de su disco debut, lanzado el 5 de agosto de 1967. Este disco fue uno de los primeros en explorar el rock psicodélico, junto con Sgt. Pepper's de The Beatles y lo cierto es que se le considera uno de los LPs más influyentes de la historia del rock psicodélico. Pink Floyd fue formado por tres estudiantes de arquitectura: Roger Waters, Richard Wright y Nick Mason. Se consolidaron cuando se les unió un genio musical llamado Syd Barret, un tipo inclasificable y visionario. Él cambió su orientación y les bautizó con su nombre definitivo. Pink Floyd - Wish You Were Here El cuarteto frecuentó clubs y festivales como el Spontaneous Underground, y rápidamente dio que hablar. Debutaron discográficamente en 1967 y se codearon con Cream, Jimi Hendrix, lo mejorcito. Todo un espaldarazo. Por desgracia, al poco de editarse su primer LP, Syd Barrett tocó fondo. Sus escarceos con las drogas y su frágil moral le hundieron. Entró David Gilmour a la guitarra y durante un breve lapso de tiempo fueron cinco, hasta que Syd tuvo que apartarse definitivamente. Con la publicación de A Saucerful of Secrets en 1968, el estilo de la banda dio un giro debido a la salida de Barrett y a la entrada de Gilmour. Definido como un álbum de transición, en él se mezclan las canciones psicodélicas semejantes a las firmadas por Barrett y piezas más experimentales, con influencias de la música clásica y que ayudaron a marcar el posterior sonido de Pink Floyd. Pink Floyd - Shine On You Crazy Diamond Con The Wall, la supremacía de Waters en la creatividad de Pink Floyd se hizo claramente patente. Con todo, es uno de los discos más famosos de la discografía de la banda y uno de los más vendidos de la historia. El disco es una ópera rock basada en una estrella de rock que se aísla del mundo a base de consumir drogas, construyendo un muro a su alrededor. Aunque Waters lo haya negado varias veces, el álbum parece una autobiografía suya, puesto que el protagonista, llamado «Pink», guarda numerosas similitudes con él. El disco está compuesto básicamente por canciones cortas de uno, dos ó tres minutos aproximadamente, unidas con piezas más largas . La canción «Another Brick in the Wall» se alzó rápidamente como la canción más representativa del disco y una de las más conocidas del grupo, con un característico coro de niños cantando la línea «We don't need no education». Esta frase luego sería criticada y caricaturizada por artistas como Elvis Costello en alguno de sus discos. En The Wall es también famoso el solo de guitarra final de «Comfortably Numb», compuesto por Gilmour y, para muchos, uno de los mejores de la historia. Pink floyd - another brick in the wall Y este es el famoso solo. La canción es un poquito larga por lo que solo podremos el final. Pink Floyd - Comfortably numb El otro grupo más representativo de esta corrientes fue The Soft Machine y este que está sonando, su primer sencillo: “Love Makes Sweet Music” The Soft Machine fue un grupo musical inglés de rock formado en 1966, y que durante su inestable e intensa carrera (con más de 15 miembros en poco más de una década) pasaron por la psicodelia y el rock progresivo para finalmente desembocar en el jazz fusión, siendo pioneros en los tres géneros. Lo fundaron el guitarrista Daevid Allen, el teclista Mike Ratledge, el cantante y bajista Kevin Ayers y el cantante y bateria Robert Wyatt. Su nombre proviene de la novela de William Burroughs The Soft Machine (La Máquina Suave, 1961). The Soft Machine tuvo varias etapas que las podríamos denominar según el líder de turno de la banda. Así, uno de los más importantes fue protagonizado por Ratledge y Hopper. El repertorio en vivo fue cambiando, con nuevas composiciones de Ratledge y Hopper, mientras las piezas antiguas iban desapareciendo progresivamente. Ya nada quedaba de Wilde Flowers, de la época con Daevid Allen ni del primer disco. Al mismo tiempo, las partes cantadas por Wyatt también iban disminuyendo. En este momento se editó Third, LP doble que marcará un antes y un después para la banda.. Soft Machine - Moon in June La ultima etapa de la banda estuvo liderada por Karl Jenkins. Si bien compuso casi la mitad de Six, el LP que lo confirmó como nuevo líder fue Seven (1974), donde hace su debut Roy Babbington como nuevo bajista. Seven tuvo buenas críticas en su momento. En los siguientes tres años no habría álbumes de Soft Machine, excepto el primer recopilatorio, Triple Echo (1977), y el single de música disco «Soft Space» el mismo año. Sin embargo, en esta época habría varios proyectos paralelos. Y entre estos proyectos, cada vez más personales de sus miembros, llegó su disolución en 1.984. Y como siempre nos preguntamos, que estaba pasando en España con este estilo de música? La psicodelia, por definición, un sonido que replica las experiencias con setas mágicas, mezcalina o LSD no tenían cabida en la España de los 60, cuando el aislamiento cultural del régimen sirvió de barrera contra estas y otras influencias foráneas. Todos los grupos se veían obligados a enviar sus discos a la Dirección General de Radiodifusión y Televisión, que calificaba como «no radiables» aquellos títulos relacionados con el contacto físico, el mundo de la noche y, en general, que filtraran cualquier atisbo de vicio. Las bandas psicodélicas que se oteaban en el horizonte anglosajón casi no consiguieron ser «radiables». Pero, en España, hay algunos tesoros enterrados. Smash, con su fusión de psicodelia y folclore andaluz, sí consiguio franquear al mismisimo Franco. Smash – El Garrotin Si algo bueno ocurrió gracias a las bases militares de Rota, Morón o San Pablo, es que los americanos traían música. Vinilos de rock clandestinos, que caían en manos de aquellos jóvenes españoles con ganas de libertad. Jóvenes como Gualberto Garcia, guitarrista de Smash o Manuel Molina, guitarrista y cantante del mismo grupo y posterior Lole y Manuel. Pero si hay una piedra angular del rock progresivo andaluz, tiene que ser Triana. Triana - Abre la puerta niña Triana se formó en 1974 en Sevilla por Jesús de la Rosa Luque, Eduardo Rodríguez Rodway y Juan José Palacios Tele. Con un estilo musical basado principalmente en el rock progresivo y una alta influencia del flamenco, se erigieron como una de las bandas más importantes e influyentes del rock español. Sus tres primeros lanzamientos discográficos forman parte de los álbumes más alabados de la época de esplendor del rock progresivo español aunque su éxito y reconocimiento fue algo tardío. Especialmente con la publicación del sencillo «Tu frialdad» que llegaría a alcanzar el primer puesto en las listas de venta españolas. El accidente de tráfico que sufrió Jesús de la Rosa en 1983 acabó con su vida y provocó la disolución de la banda. TRIANA- TU FRIALDAD Misma década de los 70, misma España gris, surge en Barcelona otra genial banda de rock psicodélico, con influencias acid-folk, Pan y Regaliz. Se atrevieron a cantar en inglés y consiguieron un sonido muy carismático, con influencias africanas. Su paso, desafortunadamente, fue breve. Su música era tan buena que llegaron a pincharla en varios pubs ingleses. Pan y regaliz - Un día más En mayo del 71, Granollers fue epicentro del primer Festival de Música Progresiva en España (y el primer festival al aire libre). Sus asistentes, la también primera generación de soñadores psicodélicos, jugaron por unas horas a ser libres. Durante esas intensas noches de amor, paz, alucinógenos y buena música, tocaron Smash y Pan y Regaliz, junto a otras bandas como Maquina!, más jazzeros y eléctricos. Barcelona, habitualmente aventajada en creación artística, parió otro de los mejores sonidos del progresivo español. MAQUINA! - Burning Butts Más allá de Andalucía y Cataluña, también hubo vida. Crack, asturianos haciendo también rock sinfónico en plena industrialización, sólo duraron un año. Sin embargo, Si todo hiciera crack es un disco épico, en todos los sentidos; una armonía preciosista de guitarras, teclado y flauta. A pesar de sus majestuosas composiciones, pasaron sin pena ni gloria por España, aunque sí recibieron alabanzas desde el extranjero. De este disco escuchamos Descenso en el Mahellstrong. Crack - Descenso en el Mahëllstrong https://youtu.be/frhHW4833p8 Pero el sinfónico más luminoso vino de las islas. Los Canarios, con Teddy Bautista (más tarde famosísimo presidente de la SGAE) al frente, también le dieron al progresivo con su joya Ciclos, una dimensión onírica de Las cuatro estaciones de Vivaldi. Por desgracia, es su único disco de este género, bellamente artificioso y con instrumentación electrónica potente. Las cuatro estaciones son sustituidas por las cuatro etapas del desarrollo humano: niñez, juventud, madurez y vejez. Escuchamos “la Primavera”, de Vivaldi. CANARIOS (Ciclos) - La Primavera Y por hoy nada más. Me despido de vosotros hasta la próxima semana con esta extraordinaria obra. “Buenas, buenísimas vibraciones”
Sir Karl Jenkins is a musician and composer from Penclawdd on the Gower Peninsula. He was knighted in the 2015 Queen's Birthday Honours List. From his early days in jazz and prog rock he has gone on to become the most performed living composer in the world. His canon of work transcends genre or classification and now includes 17 gold and platinum discs. His work The Armed Man: A Mass for Peace has been in the UK charts for 15 years, and was performed at the Lincoln Center New York on the 10th anniversary of the 9/11 attacks. Lady Carol Barratt is a musician, composer, educator, and a lyricist for Sir Karl's work. She has written 84 titles in musical education, and three children's books set on Gower which have now been translated in to Welsh. Richard and Gideon speak to Sir Karl and Lady Carol ahead of the concert in Carnegie Hall in honour of his 75th birthday.
Classicos IPB #181229 - Karl Jenkins - Teo Deum. Orquestra, London Symphony Orchestra. Regencia, Karl Jenkins. Apresentacao, Natsan Matias. Producao, Artur Mendes / APECOM.
Segundo episodio dedicado a repasar lo más destacado de la segunda temporada de Perpetuum Mobile. En esta ocasión encotraréis piezas de altísimo nivel, muchas de ellas auténticas obras maestras. El último tercio del programa está especialmente dedicado al piano. ¡No os lo perdáis! Esta semana escucharemos dos temas de Karl Jenkins y seguiremos con Bill Douglas, Agnes Obel, Wim Mertens, Ezio Bosso, Moondog, Gustav Holst, Lambert, Max Richter, Jóhann Jóhannsson, Arvo Part, Himekami, Joe Hisaishi, Armand Amar, Paul Halley, Bruno Sanfilippo, Angus MacRae, Michele McLaughlin, Giovanni Allevi, Matthew Mayer, Alexis Ffrench, Ben-Lukas Boysen, Dustin O'Halloran, Fredrik Lundberg, Jannshied Sharifi y Brian Crain.
Hoy hace dos años que empezó Perpetuum Mobile y, como ya hicimos en el primer aniversario, lo celebramos haciendo una selección de aquellos temas más destacados de lo que ha aparecido durante esta temporada. Si queréis hacer vuestras sugerencias para los próximos dos programas, sólo tenéis que poner vuestra elección en los comentarios del episodio o en nuestro muro en Facebook. Empezamos el programa con una excepción, lo nuevo de Jean-Michel Jarre, para después iniciar el repaso a la segunda temporada. Escucharemos temas de Will Bates, Tangerine Dream, Kitaro, Martin Kohlstedt, Karl Jenkins, Roberto Cacciapaglia, Arvo Part, Rodrigo Leão, Alberto Pizzo, Jóhann Jóhannsson, Pyotr Ilyich Tchaikovsky, Penguin Cafe, Max Richter, Nils Frahm, Pat Metheny, Peter Broderick, Scarlett Rivera & Tommy Eyre, Jo Yeong-wook, Julien Marchal, Ólafur Arnalds, Mattia Cupelli y Daigo Hanada, retrabajando una pieza original de Matt Emery.
A veces nos perdemos entre obras que nos maravillan por su belleza instantánea, pero Perpetuum Mobile se nutre básicamente de esos pequeños tesoros, esas perlas escondidas que poco a poco vamos descubriendo semana a semana. Este episodio está lleno de esas joyas que pueden pasar desapercibidas, pero que iluminarán nuestras vidas. En este episodio escucharemos piezas de Yanni, Hans Zimmer, Art Of Noise, Anne Dudley, Ryuichi Sakamoto, Darlene Koldenhoven, Karl Jenkins, Wim Mertens, Torin Borrowdale, Ben Lukas Boysen, CoversArt versionando a James Withbourn, Whimsically Macabre (Stacy Fahrion), Carles Santos, Rodrigo Leão, Tom Eaton y Orchestral Manoeuvres in the Dark (OMD).
Vandaag in het teken van muziek die in commercials hoort of te wel reclameliedjes. Je hoort Bert Heerink, Xavier Rudd, Bonnie Beecher, The Temptations, Jose Gonzalez, Lenka en Karl Jenkins.
Cuando empecé a publicar episodios de Perpetuum Mobile esperaba tener un buen feedback con los oyentes pero nunca me imaginé que éste fuera tan bueno. Lo cierto es que sois muchas las personas que escucháis todas las semanas los diferentes episodios y los que me enviáis vuestras sugerencias, hasta el punto que hay quien me envía selecciones con las que se puede hacer todo un programa. Este es el caso de Francisco Javier Benítez, que me envió hace unas semanas al Facebook de Perpetuum una selección de 16 composiciones de las que he tomado una gran mayoría para el programa de esta semana, a las que he añadido otros temas para completar una variada visión de la voz humana como instrumento. Espero que disfrutéis de esta selección. En este episodio escucharemos temas de Pat Metheny, Karl Jenkins, Kenji Kawai, Ennio Morricone, Ryuichi Sakamoto, Bill Douglas, Enya, Paul Mounsey, Anúna, Laboratorium Pie?ni, Hedningarna, Armand Amar, Lisa Gerrard & Jeff Rona, Roberto Cacciapaglia, Gabriel Yared & Marta Sebastian, Hans Zimmer & Jivan Gaspariyan, Jóhann Jóhannsson, Rodrigo Leão, Bobby McFerrin y The Nylons. Más contenidos sobre Perpetuum Mobile: https://goo.gl/yp5Pju Síguenos en Facebook: https://goo.gl/yVkhnw Síguenos en Spotify: https://goo.gl/u3UFrj Síguenos en Google+: https://plus.google.com/communities/112680150441479402905 Si quieres ponerte en contacto conmigo puedes escribirme a jaume@quedamosenhuesca.com
Conseguir un sonido propio, un estilo, un sello personal, es lo más complicado a la hora de conseguir una identidad propia como músico. Sin duda, la selección de músicas de esta semana es una buena muestra de artistas que lo han conseguido. He querido huir de casos muy evidentes y he escogido artistas que han conseguido tener esa huella personal, que han logrado poner su sello inconfundible a lo largo de su trayectoria, y he trazado con ellos un mapa sonoro que nos va a llevar por muchos estilos y épocas. Esta semana podremos escuchar obras de Karl Jenkins, Rodrigo Leão, Armand Amar, Paul Winter Consort, Oscar Castro-Neves, Estas Tonne, Roger Subirana, Peter Kater & R. Carlos Nakai, Javier Paxariño, Brian Crain, Alex de Grassi y Joël Fajerman. Más contenidos sobre Perpetuum Mobile: https://goo.gl/yp5Pju Síguenos en Facebook: https://goo.gl/yVkhnw Síguenos en Spotify: https://goo.gl/u3UFrj Síguenos en Google+: https://plus.google.com/communities/112680150441479402905 Si quieres ponerte conmigo puedes hacerlo a través del mail jaume@quedemosenhuesca.com
Fieles a nuestra cita semanal, en esta ocasión traemos un programa especial. Una de las normas no escritas del programa es no repetir dos veces un mismo tema. Pero las normas están hechas para ser rotas. Esta semana y la que viene vamos a escuchar las composiciones que más os han gustado a lo largo de este primer año. En esta primera parte, en un especial de casi tres horas de duración, escucharemos 26 temas que han aparecido en los programas 1 al 25. Escucharemos piezas de Karl Jenkins, Paul Halley, Vladimir Martynov, Rodrigo Leão, Half Waif, Ólafur Arnalds, Jóhann Jóhannsson, Barði Jóhannsson, Max Richter, The Cinematic Orchestra, Federico Albanese, Yann Tiersen, Peter Kater, Peter Kater & Tina Guo, Ben Lukas Boysen, Ólafur Arnalds & Alice Sara Ott, Daigo Hanada, Ryuichi Sakamoto, Vangelis, Nils Frahm, Bill Whelan & Dave Spillane, Nightnoise, Lévon Minassian & Armand Amar, Tangerine Dream y Ludovico Einaudi. Más contenidos sobre Perpetuum Mobile: https://goo.gl/yp5Pju Síguenos en Facebook: https://goo.gl/yVkhnw Síguenos en Spotify: https://goo.gl/u3UFrj Para ponerte en contacto conmigo: jaume@quedamosenhuesca.com
A petición de una de nuestras oyentes, la segunda mitad del programa de esta semana lo dedicamos a diferentes tipos de voz coral. Evidentemente, es una pequeña muestra que iremos ampliando en próximos programas. En este episodio encontrarás temas de Vangelis, Manos Milonakis, Tambour, Peter Kater & R. Carlos Nakai, Michele McLaughlin, Meàv Ni Mhaolchatha & Anúna, Jan Garbarek & The Hilliard Ensemble, Karl Jenkins, Solyma y Era. Más contenidos sobre Perpetuum Mobile: https://goo.gl/yp5Pju Síguenos en Facebook: https://goo.gl/yVkhnw Síguenos en Spotify: https://goo.gl/u3UFrj
A bank holiday special of material from our recent Japanese Playback event held at Spiritland in London, featuring the one and only Clive Bell. http://www.clivebell.co.uk/ --- CLIVE BELL is a musician, composer and writer with a specialist interest in the shakuhachi, khene and other Far Eastern wind instruments. He has travelled extensively in Japan (where he studied the shakuhachi or Japanese flute with the master Kohachiro Miyata), Thailand, Laos and Bali, researching music and meeting local practitioners. In 2011 he played with Jah Wobble at Ronnie Scott’s and the Glastonbury Festival, and toured the UK with Mugenkyo Taiko drummers (contemporary Japanese drumming). Clive is the shakuhachi player on Karl Jenkins’s album Requiem on EMI Classics, and the final two Harry Potter movies. His shakuhachi playing was featured in a live solo session on Radio 3’s Late Junction, and in 2013 on Radio 3’s In Tune. A musician who regularly joins David Ross, Sylvia Hallett and Peter Cusack in improvisation duos and trios, Clive Bell has a substantial recording history as both a solo artist (his solo album, Shakuhachi: The Japanese Flute was reissued in 2005 by ARC Records) and as a composer for film, TV and theatrical productions (Complicite, IOU, Whalley Range Allstars). Kazuko Hohki, Jah Wobble, Jaki Liebezeit, Harry Beckett, Robert Lippok, David Sylvian, David Toop, Jochen Irmler of Faust, Paul Schütze and Bill Laswell number among Clive Bell’s collaborators. As a record producer, his latest release is Taeko Kunishima’s Late Autumn on 33Jazz (2011). Based in London, he writes regularly for the music monthly The Wire.
Former hostage Terry Waite choses Nimrod from Enigma Variations by Elgar and Peace, the soprano solo from The Peacemakers by Karl Jenkins.
Aquí puedes leer el artículo correspondiente: https://goo.gl/R4NlEB En el episodio de esta semana hemos explorado diversos ritmos exóticos, mestizajes sonoros entre varios continentes, que llaman a lo más profundo de la música primigenia. Escucharemos música de Paul Winter and The Earth Band, Dead Can Dance, Bizimkiler, Afro Celt Sound System, un fragmento del último disco de Mike Oldfield, Return To Ommadawn, Anúna, Karl Jenkins, Federico Albanese, Madredeus y Rodrigo Leão. ¿Quieres hacer sugerencias o preguntar algo?: jaume@quedamosenhuesca.com
Puedes leer el artículo completo en este enlace: https://goo.gl/2wHwZ6 En este episodio de Perpetuum Mobile seguiremos escuchando músicas que nos cautivan, pero también haremos un rápido vistazo al último disco de Enigma y veremos otros grupos de todo el mundo que han hecho música a la estela de su estilo. Escucharemos música de L'Incantari, Armand Amar, Sir Karl Jenkins, Rodrigo Leão, Enigma, Stive Morgan, Flaer Smin y Delerium. ¿Quieres hacer sugerencias o preguntar algo?: jaume@quedamosenhuesca.com
En este episodio de Perpetuum Mobile hacemos un viaje a través del tiempo y del espacio para descubrir o recordar composiciones instrumentales que saben crear atmósferas, muchas de ellas de nostalgia. Encontraremos temas de Ludovico Einaudi, Karl Jenkins, Rodrigo Leao, Lito Vitale y La Cruz del Sur, Mark Isham, Davy Spillane, Kitaro y la banda japonesa Himekami. Curiosamente, y sin haberlo premeditado, buena parte de las composiciones del programa de hoy son de 1993, sin duda una buena cosecha. Disfrutad de la selección musical de esta semana.
Supersonic is a new documentary charting the success of Oasis, the Manchester band with 8 number one albums and estimated sales of over 70 million. John talks to director Mat Whitecross - who also directed Sex & Drugs & Rock & Roll, the biopic of Ian Dury - about charting brothers Liam and Noel Gallagher's rapid rise to stardom.In Mel Gibson's new film Blood Father, the actor is cast as a recovering alcoholic with anger issues, capitalising on the actor's off-screen controversies over the past decade. Antonia Quirke reviews.Beyond Caravaggio at the National Gallery, which focuses on the work of the Italian painter and his influence on the art of his contemporaries and followers, is reviewed by Waldemar Januszczak.Sir Karl Jenkins discusses his new choral work Cantata Memoria - For the Children, in commemoration of those killed in the Aberfan disaster 50 years ago, which has its world premiere in Cardiff tomorrow.Presenter John Wilson Producer Jerome Weatherald.
Ultima Thule welcomes the newest member of our team: Jackson Day, who joins us from WYTX 98.5 Rock Hill, South Carolina, with an eclectic mix of sounds from Karl Jenkins, Harold Budd, Brian Eno, Future Sound of London and a host of others.
Ultima Thule welcomes the newest member of our team: Jackson Day, who joins us from WYTX 98.5 Rock Hill, South Carolina, with an eclectic mix of sounds from Karl Jenkins, Harold Budd, Brian Eno, Future Sound of London and a host of others.
La Hora Ricercata, con Fernando Lázaro, nos descubre las claves para conocer la música contemporánea. Hoy, el compositor inglés, conocido y polémico, KARL JENKINS.
La Hora Ricercata, con Fernando Lázaro, nos descubre las claves para conocer la música contemporánea. Hoy, el compositor inglés, conocido y polémico, KARL JENKINS.
Composer Karl Jenkins chats to Sara Mohr-Pietsch about his favourite choral works.
Janet Shell talks to Jenny Sutton who along with her husband John has organised a special performance of Karl Jenkins ‘The Armed Man’ taking place at Kempton Park in the presence of the composer himself.
On November 10, 2013, the Unity Temple Choir directed by Marty Swisher and accompanied by Peter Storms on piano performed Adiemus and Te Deum by Karl Jenkins. In this podcast Adiemus is followed by a homily by Music and Choir Director Marty Swisher. Also accompanying Adiemus were Alice Muciek on recorder and Atiba Jali on djembe.
From Tibet to Provence; music for lamas and troubadors, including Lama Gyurme, Bernart de Ventadorn, Yungchen Lhamo, Karl Jenkins and Jean-Philippe Rykiel.
From Tibet to Provence; music for lamas and troubadors, including Lama Gyurme, Bernart de Ventadorn, Yungchen Lhamo, Karl Jenkins and Jean-Philippe Rykiel.
http://www.einstein.yu.edu - While the primary focus for medical and graduate students at Albert Einstein College of Medicine is keeping abreast of their studies, many turn to music for leisure. Video features a variety of performances, including Jennifer Lee performing a violin solo with the Albert Einstein Symphony Orchestra, Alexander Pyronneau practicing piano, and Ms. Lee and Mr. Pyronneau performing together. It also includes a student string ensemble performing Karl Jenkins' "Palladio."
This Week the Guest List returns to the European Capital of Culture -Liverpool where Anne-Marie Minhall presents the show from the stunning Albert Docks… On the show will be one of world’s most popular living composers Karl Jenkins whose new work ‘Stabat Mater’ will be premiered at Liverpool’s Anglican Cathedral on Saturday 15th March….Also on the show is scouse comedian , writer and actor Alexei Sayle who tells the Guest List about reconnecting with his scouse routes in a new TV series…
On the Guest List this week Anne-Marie Minhall talks to Mike Oldfield who is currently working on a new classical work with composer Karl Jenkins…..Also on the show is actor Martin Jarvis who tells Annie all about a new CD looking at the relationships between Clara Schumann ,Robert Schumann and Johannes Brahms….And the composer Christopher Gunning tells the Guest List all about the soundtrack to the movie ‘La Vie En Rose’ – based on the life of the legendary Edith Piaff.
On the Guest List this week Anne-Marie talks to one of the UK’s most successful composers Karl Jenkins who has just completed the score for the movie ‘River Queen’....Also on the show is actor Anthony Andrews who tells the Guest List why the work of Somerset Maugham is such a joy to perform. Annie also chats to Austrian mezzo soprano Angelika Kirchschlager who is currently appearing at the Royal Opera House in Debussy’s ‘Pelleas and Melisande’
Kirsty Young's castaway this week is Britain's most successful contemporary composer, Karl Jenkins. He is most famous for developing a style that fuses his classical background with his interest in jazz and world music and his albums top the charts around the world. He was brought up in a small Welsh village and, after his mother died, lived with his father, grandmother and widowed aunt. His father taught him the piano when he was a child and in his teens he gravitated towards the oboe and went on to study at the Royal Academy of Music.His first musical career was as a jazz musician - he won first prize at the Montreux Jazz Festival and played venues as diverse as Carnegie Hall and Ronnie Scott's. In the 1980s, he gave up life on the road and started writing advertising music and jingles. More awards followed, but he felt cramped by the nature of the work and wanted to write music that was more expansive. A track which he'd written for a minute long commercial went on to become the corner-stone of his most well-known work, The Adiemus Project. He's said that it was only then that he realised his niche lay in composing work that was grounded in his classical upbringing but also benefited from his interest in jazz and world music. And, while critics have on occasion sneered at his work, he has collected countless gold and platinum discs and a worldwide audience.[Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: The Final trio from the third Act of Der Rosenkavalier by Richard Strauss Book: The Michelin Guide to France by Michelin Luxury: A piano
Kirsty Young's castaway this week is Britain's most successful contemporary composer, Karl Jenkins. He is most famous for developing a style that fuses his classical background with his interest in jazz and world music and his albums top the charts around the world. He was brought up in a small Welsh village and, after his mother died, lived with his father, grandmother and widowed aunt. His father taught him the piano when he was a child and in his teens he gravitated towards the oboe and went on to study at the Royal Academy of Music. His first musical career was as a jazz musician - he won first prize at the Montreux Jazz Festival and played venues as diverse as Carnegie Hall and Ronnie Scott's. In the 1980s, he gave up life on the road and started writing advertising music and jingles. More awards followed, but he felt cramped by the nature of the work and wanted to write music that was more expansive. A track which he'd written for a minute long commercial went on to become the corner-stone of his most well-known work, The Adiemus Project. He's said that it was only then that he realised his niche lay in composing work that was grounded in his classical upbringing but also benefited from his interest in jazz and world music. And, while critics have on occasion sneered at his work, he has collected countless gold and platinum discs and a worldwide audience. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: The Final trio from the third Act of Der Rosenkavalier by Richard Strauss Book: The Michelin Guide to France by Michelin Luxury: A piano
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