Podcast appearances and mentions of Nigel Kennedy

Owen Ó Súilleabháin|How can the genius of Ireland help our modern world today?Owen Ó Súilleabháin is a multifaceted artist, renowned for his work as a singer, composer, speaker, and leadership coach. He draws on his rich heritage in the performing arts and academic background in philosophy, Greek and Roman civilization, and Peace Studies to inspire creativity and leadership. Owen believes in the transformative power of art and has collaborated with notable figures such as Steven Spielberg, Russell Crowe, Nigel Kennedy, and The Chieftains.In 2024 he established Inner Soul Circle, an online community focused on Celtic spirituality and the arts, alongside his mother Rev. Nóirín Ní Riain Ph.D and his brother Mícheál Moley Ó Súilleabháin.Owen's work spans various fields, including education, healthcare, and the corporate world, where he emphasizes the importance of listening and creativity for personal and organizational transformation. His contributions to the arts and leadership are recognized and sought after by numerous organizations globally.https://www.turasdanam.com/membershipSupport PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprPEG uses StreamYard.com for our live podcastshttps://streamyard.com/pal/c/6290085463457792Get $10.00 Credit for using StreamYard.com when you sign up with our linkRSShttps://anchor.fm/s/3b31908/podcast/rss

I'm joined by Janusz Marynowski the director of Sinfonia Varsovia, Poland's biggest and most successful orchestra and one of Europe's finest. We talk about their upcoming tour, their past directors including Yehudi Menuhin and Nigel Kennedy and their future.Learn more about them at: Sinfonia Varsovia

Owen Ó Súilleabháin is a multifaceted artist, renowned for his work as a singer, composer, speaker, and leadership coach. He draws on his rich heritage in the performing arts and academic background in philosophy, Greek and Roman civilization, and Peace Studies to inspire creativity and leadership. Owen believes in the transformative power of art and has collaborated with notable figures such as Steven Spielberg, Russell Crowe, Nigel Kennedy, and The Chieftains. In 2024 he established Inner Soul Circle, an online community focused on Celtic spirituality and the arts, alongside his mother Rev. Nóirín Ní Riain Ph.D and his brother Mícheál Moley Ó Súilleabháin. Owen's work spans various fields, including education, healthcare, and the corporate world, where he emphasizes the importance of listening and creativity for personal and organizational transformation. His contributions to the arts and leadership are recognized and sought after by numerous organizations globally.  https://www.turasdanam.com/membership Welcome to the Inner Soul Circle, a unique sanctuary designed as a counterweight to the troubling disconnection of our modern world. Our community is an antidote to this alienation, offering a space for connection, growth, and the wisdom of the natural world.

Discover how ancient Celtic traditions can address the epidemic of loneliness in our modern world. Artist and leadership coach Owen Ó Súilleabháin shares powerful insights on connecting with traditional culture to fulfill the void in our modern souls and foster a sense of community. Connect with Owen here: https://www.turasdanam.com/ -------------------------------------------------------------------------------

durée : 01:28:07 - Nigel Kennedy, le violon en toute liberté - par : Aurélie Moreau - Pour Nigel Kennedy, célèbre violoniste virtuose et anticonformiste, « Il faut puiser dans la tradition transmise par nos aînés, ce qui permet d'exprimer sa propre personnalité ». (Diapason). Aujourd'hui : Beethoven, Vivaldi, Elgar, Kreisler, Walton...

Wenn so mancher Klassik-Wilde von heute , man denke an Geiger wie Nigel Kennedy oder Daniel Hope, zum Instrument greift, dann spielt er nicht immer nur nach Noten, mitunter improvisiert er auch. Rebelliert dieser Wilde dann gegen die Frack-Konventionen des Konzertsaals? Begibt er sich auf neue, experimentelle Wege? Oder besinnt er sich einer Tradition, die lange Bestandteil der abendländischen Musik war? Unser ZOOM blickt zurück in die Geschichte.

l programa de hoy está dedicado a las canciones de cuna, las conocidas como "nanas". En estas melodías, la música y la letra se entremezclan para crear una magina especial, abrir un especio-tiempo en el que se establece un vínculo entre la madre y el bebé. Música: Kai Engel: -"Idea" Maryna: -"Uplifting Emotion Background" http://creativecommons.org/licenses/by-nc-sa/3.0/ Nigel Kennedy & The Kroke: "Lullaby for Kamila" Goran Bregovic: "Lullaby" Rustavi Choir: "Kakhuri Nana" Sezen Aksu & Sertab Erener: "Yavrucanım İyilikle Büyüsün" Secret Garden: "Sleepsong" Adriana Figuero: "Daughter Of The Moon" Vienna Teng: "Lullaby for a Stormy Night" Silvia Louraço Vidal:"Faça Ai- Ai Meu Menino" Zeca Afonso: "Canção de Embalar" Gianmaria Testa: "Ninna nanna dei sogni" Calicanto: "Ninna Nanna" Riccardo Tesi & Banditaliana (Ginevra Di Marco- Francesco Magnelli): "Ninna Nanna" Francesca Incudine: "Numi numi", "Ninna nanna in Re" Película: Gravity (Alfonso Cuarón, 2013)

Prendre el sol a la platja sota els avions de combat. Crítica teatral de l'obra «La filla de l'Est». Adaptació i dramatúrgia de Gemma Brió i Norbert Martínez, a partir de la novel·la homònima de Clara Usón. Intèrprets: Gemma Brió, Roger Julià, Josep Julien, Mar Orfila, Tàtels Pérez i Jordi Rico. Escenografia: Max Glaenzel. Vestuari: Bàrbara Glaenzel. Il·luminaci: Jaume Ventura. So: Nacho López. Projeccions de vídeo: Mar Orfila. Fotografia i imatge: studioRuano (David Ruano). Disseny gràfic: Mancha. Grafit de la foto del cartell: Bojan Hadzihalilovic (TRIO Sarajevo). Tècnics de la companyia: ARTIC Audiovisual Services. Administració: Andrea Quevedo. Ajudanta de producció: Minerva Prat. Direcció de producció: Carles Roca. Producció: Vania, Teatre Nacional de Catalunya. Agraïments: Maja Djokic, Tamara Dejermanovic i Adria Roy. Equips tècnics i de gestió del TNC. Un projecte de la Companyia Les Libertàries. Ajudanta de direcció: Laia Alberch. Direcció: Norbert Martínez. Sala Tallers, Teatre Nacional de Catalunya, Barcelona, 18 gener 2024. Veu: Andreu Sotorra. Música: Ajde Jano. Interpretació: Nigel Kennedy i The Broke Band. Composició: Tradicional. Àlbum: East meets East, 2003.

Another special bonus episode featuring an interview that will make you laugh as well as cry - Lee Deavall (producer/remixer for Atomic Kitten and Nigel Kennedy) and Himat Singh (producer and percussionist with MVITA) both worked with Paul after Himat met him on a music production course in 1999. As well as writing tracks about assassins and ram raiders with Paul, they experienced the benevolent and kind side of him when Lee was struck down with a life-threatening illness. Hosted on Acast. See acast.com/privacy for more information.

John Wilson's guest is the violinist Nigel Kennedy. A prodigy whose childhood talents were nurtured by Yehudi Menuhin, one of the greatest violinist of the 20th century, Kennedy himself became an international star in 1989 with his recording of Vivaldi's Four Seasons. It sold over three million copies, topping the UK classical charts for a year and went on to be listed as the biggest selling classical album of all time in the Guinness Book Of Records. An unconventional classical musician from the outset, it wasn't just his wardrobe, accent and attitude that set him apart. As well as recording all the major violin concertos, his repertoire includes jazz standards, folk tunes and Jimi Hendrix. He remains one of the world's greatest virtuosos. For This Cultural Life, Nigel chooses his two violinist mentors; Yehudi Menuhin and the French musician Stéphane Grappelli with whom he shared a love of jazz and improvisation. Going to New York to study at the prestigious Juilliard School also proved a turning point for Kennedy, not so much for the teaching he received there, but for the legendary jazz musicians like Jimmy Rowles and Ellis Larkins that he sought out in clubs downtown and in Harlem. Nigel also discusses how being a fan of Aston Villa football club has made him think about crowd dynamics in his concerts and reveals the influence of his dog Huxley on his approach to his career. Producer: Edwina Pitman

Chillout Classic w Radiu Spin #36 "Barańczak HiFi" z 14 grudnia. Audycja zainspirowana wierszem Stanisława Barańczaka HiFi. 1. J.S. Bach Aria z Wariacji Golbergowskich także 1, Glen Gould. 2. J.S.Bach Partia nr 1 BWV 825: Prelude, Partia nr 2 BWV 526: Sarabande, Glen Gould. 4. Come Rain or Come Shine - Bill Evans Trio, Scott LaFaro, Paul Motian. 5. J.S.Bach - Partia na lutnie BWV 997, Edoardo Catemario. 6. J.S. Bach Adagio z sonaty na skrzypce solo BWV 1005, Vikingur Olafsson. 7. C.Debussy - Preludium nr 5 Bruyeres, V. Olafsson. 8. J.S.Bach Adagio BWV 974, R. Sakamoto, V. Olafsson. 9. A. Vivaldi - Jesień cz. 2 , Nigel Kennedy, Englich Chamber Orchestra. 10. Jean Michel Jarre - Souvenir de Chine. 11. Sting - Whenever I Say Your Name - Live In Berlin. 12. Khalil Chahine - Sisyphe In Montmarte.

Good books chosen by well known guests as reading recommendations

Episode 169: Carleen Anderson - Singer, Songwriter, Composer, Producer, Arranger, Writer...My latest podcast guest Carleen Anderson really needs no introduction. A genuine world class artist... She's such a huge talent in her own right and another to enter Paul Weller's orbit during the solo years - providing us with some very special moments on record and live.Throughout her solo career, she's been featured alongside a multitude of established artists from a wide array of musical genres - Nigel Kennedy, Dr. John, Omar, Chrissie Hynde, Jocelyn Brown, Meshell Ndgeocello, Paul McCartney, Brand New Heavies, Incognito, Ramsay Lewis and more...The Huffington Post called her "Without doubt one of the all-time great female vocalists... Carleen must be seen to be believed..."Amy Winehouse once said "Carleen Anderson - She's someone who I would sit around the venue all day, just to hear her soundcheck..."On this exclusive podcast chat, we hear about her upbringing in Houston, Texas where she was raised by her paternal grandparents during the civil rights movement in the 1960s. Reared up on the sounds rooted in Gospel music inherited from the Pentecostal church where the pastor, David Anderson, Sr. her paternal Grandfather, and her Grandmother Alberta, raised her from an infant. We'll hear stories of her musical family. She is the daughter of soul singer Vicki Anderson, step-daughter of singer, songwriter, Bobby Byrd... and god-daughter of James Brown!. Her birth Father, Dr. Reuben P. Anderson, Sr., is the pastor of his own church in Compton, California, further extending the connection Carleen still retains in gospel music.We'll hear about her relocation with her son to England in 1990 and the just-by-chance beginning of her professional career as the vocalist, composer, arranger and recording artist for Young Disciples. The band were shortlisted for the Mercury Music Prize in 1992.Carleen released her debut solo album in 1994, and was nominated for a Independent Artist Brit Award in 1995.Our connections with Paul Weller begin with Young Disciples as their album was recorded at Solid Bond Studio, and take us through Paul's debut solo album through standout highlights on Stanley Road -especially their spine-tingling shared vocals on Wings of Speed, a co-produced Carleen Anderson album called Blessed Burden in 1998, and performances on record and on stage around Illumination and Studio 150 - complete with two DVD releases of those Weller gigs...Carleen was named Jazz FM's UK Vocalist of 2013 and four years later, musicologist Gilles Peterson presented her with a Worldwide FM Lifetime Achievement Award.These days, Carleen is focused on establishing a platform to expand the stylings of music storytelling theatre.Her most recent album - Cage Street Memorial - was nominated in 2018 for Jazz FM's Innovation of the Year. The project was more than just an album of original music, it was also a theatre production written and performed by Carleen, and an autobiographical book of the same name.Since 2020, she has been working on what she describes as "a blended-roots Opera called MELIOR Opus Griot" with a regional premiere in Devon and a worldwide double album release scheduled for 2024. Hosted on Acast. See acast.com/privacy for more information.

Nigel Kennedy remains the best selling violinist of all time with a repertoire that spans jazz, classical, rock, klezmer and more. Ahead of his four night residency at Ronnie Scott's in London this week, Nigel Kennedy and cellist Beata Urbanek-Kalinowska join us in the Front Row studio to perform two reworkings of pieces by Ryuichi Sakamoto and the Polish film score composer, Krzysztof Komeda. Author Christine Coulson discusses her novel ‘One Woman Show' written entirely through the medium of art gallery labels – and why we should be looking for longer at the paintings themselves. She's joined by Dr Catherine McCormack, an independent curator and lecturer at Sotheby's Art Institute, who reveals more about how labels have changed over the years and provide valuable context for visitors to galleries and museums. New figures compiled exclusively for Front Row reveal that 65,000 items are currently missing from museums around the world and listed on the Art Loss Register. Carolyn Atkinson goes on the trail of one of those missing artworks, a painting stolen during a brazen art heist in 1989, that has just been returned to a Glasgow museum. Presenter: Tom Sutcliffe Producer: Julian May

A few weeks ago, violinist Nigel Kennedy was quoted as saying that today's young musicians are more "clone-like," noting that while so many have phenomenal technical fluency, this may have come at the expense of musical communication.This was in the context of a larger (and intriguing) conversation about how funding in music is distributed, and how this might be part of the issue, but regardless, I was curious to see if there might be any studies on this particular issue.Though I didn't find any data on this in the realm of classical music, I did find a 2012 study that explored this in the context of popular music. Which had some pretty interesting findings that I suspect could be related to classical music as well.Click below for all the nerdy details, and how this could be related to your daily practice: Are Today's Musicians More “Clone-Like?"====Have you been feeling a little stuck or stagnant in the practice room? Or has performance anxiety been a nagging issue that hasn't gotten any better, no matter how prepared you feel before performances, auditions, or even lessons for that matter? If you've been wanting to experience more joy in the practice room and play more like yourself on stage, but haven't been quite sure how to make that happen, starting October 15th, 2023, I'll be teaching a live, online, 4-week class on the most essential mental skills and practice strategies that can make a difference in your practicing and performing. We'll meet once a week via Zoom and explore the relevant research in four essential areas, experiment with a curated set of exercises and techniques together as a group, and to make sure the ideas become consistent habits, I'll show you how to gently integrate these new skills into your (or your students') daily practice through bite-sized practice challenges alongside a supportive group of practice buddies from around the world. Registration begins next week - Sunday, October 1st, and runs through Monday, October 9th. Over 1000 musicians, educators, and students and learners of all ages have participated in the course to date. You can get all the details and learn how to join Cohort 15 at: bulletproofmusician.com/essentials

Peter Messner, General Manager des Fünf-Sterne-Superior Steigenberger Hotel Der Sonnenhof, räumt mit den bisherigen Ansichten bezüglich des Kneippkurorts Bad Wörishofen auf. Denn die Stadt hat noch einiges mehr zu bieten, als die berühmten Therapien von Pfarrer Kneipp. Peter Messner schwärmt vom Festival der Nationen, bei dem Künstler und Weltstars wie Nigel Kennedy oder Diana Damrau auf der Bühne stehen und von seinem persönlichen Highlight: Der Weißen Nacht. Ein Abend, an dem die ganze Stadt „weiß trägt“ und zusammen diniert.

England reach the Women's World Cup quarter-finals after a penalty shootout victory against Nigeria, The Mirror's Darren Lewis defends Lauren James after she was sent off for stamping, Bayern have another bid for Tottenham's Harry Kane rejected and former Aston Villa captain Andy Townsend recalls the time Dean Saunders pinched Nigel Kennedy's violin! Hosted on Acast. See acast.com/privacy for more information.

"East Meets East" (Oriente se encuentra con Oriente)- Nigel Kennedy and the Kroke Band Album de piezas originales compuestas por el violinista Nigel Kennedy y los tres Kroke band, Jerzy Bawoł, Tomasz Kukurba y Tomasz Lato, y canciones tradicionales. El álbum es un popurrí estilístico musical que presenta elementos de la música folclórica,música árabe y de Europa del Este, inspirada en la música de los Balcanes, los romaníes y los gitanos, y la música judía, con klezmer y sefardí. También hay elementos de la música tradicional de Polonia. Estas canciones pasan frecuentemente de la tristeza desesperada a la alegría extrema.Un gran disco con grandes interpretaciones.

Zi Lan Liao is one of the leading exponents of Chinese music.   Her busy career on the international concert circuit, has resulted in her being one of the most widely heard and best appreciated performers on the Gu-Zheng worldwide.  The Gu-Zheng is a twenty one string, harp like instrument established across thousands of years of Chinese Dynastic tradition. She began to learn the Gu-Zheng at the age of three when she lived in Guangzhou.  By the age of nine she was winning major prizes in China, including the prestigious National Youth Music Competition.  By the time she left China for the UK at the age of fifteen, her reputation as a virtuoso performer was already established. She made an immediate impact on her arrival in the UK, by winning at the International Eisteddfod in Llangollen. She continued her music studies at Chetham's School of Music and the Royal Academy of Music, where she also specialised in the western concert harp, besides the traditional Chinese Gu-Zheng.  Zi Lan has captivated audiences around the world as a soloist with leading orchestras, as a recitalist and through the joyous enthusiasm of her incredible musical workshops. She recorded music for the Oscar-winning film “The Last Emperor”; she has collaborated with Peter Gabriel, Nigel Kennedy, Jah Wobble and other internationally known recording artists.  Zi Lan has appeared at most of the major concert venues in the UK, including the Edinburgh, Aldeburgh and World Harp Festivals. In 1996, she featured as soloist in the World Premier of  ‘The River', where she played a Gu-Zheng Concerto with the Royal Liverpool Philharmonic Orchestra. Her collaboration with her husband, Jah Wobble – ‘Chinese Dub' won the best ‘Cross-Cultural Collaboration 2009'.  In 2010, she performed with the Royal Liverpool Philharmonic Orchestra again, this time in Liverpool and at the Shanghai World Expo, playing on the new composition ‘Oxbow' written by Ian Stephens.   Zi Lan is deeply committed to making the music of her native country more well known in the West, and a desire to share her insight into its cultural and spiritual significance. Despite her busy performing schedule Zi Lan still finds time to assist the Pagoda Chinese Youth Orchestra and Dance Group in Liverpool, both as musician and choreographer. Jah Wobble first worked with the Pagoda Chinese Youth Orchestra in 2008, and his album Chinese Dub won Songlines' Best Cross Culture Album award in 2009. His work left a legacy for the youngsters at the time and inspired them to discover new fusions of Chinese music, with other modern genres.  There is a ‘Celebration of Legacy Concert', at the Tung Auditorium in Liverpool, on Saturday 15th July.  The concert is a part of a wider series from Pagoda Chinese Youth Orchestra, marking their 40th anniversary with friends and supporters throughout the years.  This concert will see Jah Wobble and his band performing with Tian, a band featuring his sons, John and Charlie, themselves two past alumni of the youth orchestra, showcasing the exciting new development of Chinese and Western fusion music.

Chillout Classic w Radio Spin #8 "BACH" Odkryjmy magię muzyki Jana Sebastiana Bacha. Poniższa playlista to bardzo okrojony i subiektywny wybór jego kompozycji, bo przecież muzyki pasującej do tej audycji jest bez liku. Na pewno pokłonie się jeszcze tej genialnej muzyce. Bacha można słuchać i słuchać a jego muzyka idealnie nadaje się na chillout w domowym zaciszu, z dala od zgiełku. Późna pora jest ku temu najlepszym czasem...no i oczywiście wygodny fotel 1. J.S. Bach - Aria z Wariacji Golbergowskich, Andras Schiff. 2. J.S. Bach - Toccata i fuga d-moll, BWV 565, aranżacja na orkiestrę Leopold Stokowski. 3. J.S Bach - Preludium i fuga C-dur, BWV 846, Glen Gould. 4. J.S Bach/C.Gounod - Ave Maria, Nigel Kennedy. 5. J.S. Bach - Sonata for Violin Solo a- moll, BWV 1003, Andante, Henryk Szeryng. 6. J.S. Bach - Cello Suite No. 1 G-dur, BWV 1007, Preludium, Yo-Yo Ma. 7. J.S. Bach - Concerto for 2 Violins d-moll, BWV 1043, Largo ma non tanto, Anne Sophie Mutter, Salvatore Accardo, English Chamber Orchestra. 8. J.S. Bach - Preludium i fuga c-moll, BWV 846, Vikingur Ólafsson. 9. J.S. Bach - Kantata BWV 115, Aria "Bete, betę aber auch dabei", Kathleen Battle, Itzhak Perlmann, Orchestra of St. Luke's, John Nelson. 10. J.S. Bach, Aria z Suity D-dur, Jacques Loussier.

Synopsis A new opera by Jules Massenet had its premiere at the Paris Opera on today's date in 1894. It was titled Thais and was based on a rather spicy novel of the same name by the popular French author of the day, Anatole France. The novel and the opera are based on an old seventh-century manuscript, which mentions a fabulously beautiful Egyptian courtesan named Thais who converted to Christianity and spent the rest of her life meditating in seclusion on matters spiritual. In Massenet's opera, the conversion from strip-tease artiste to nun is depicted by an instrumental interlude, the famous Meditation from Thais, which has become a favorite showpiece for solo violinists. To add a dash of the piquant to the tale, in both the novel by Anatole France and in the opera by Massenet, the young monk who diligently convinces Thais to change her wicked ways suddenly falls madly in love with her himself, and just as diligently tries to persuade her to add just one more name—his—to her list of satisfied customers. As they used to say in ancient Egypt: "Ooh-la-la!" Music Played in Today's Program Jules Massenet (1842 - 1912) Meditation, fr Thaïs Nigel Kennedy, violin; English Chamber Orchestra EMI 57330

Drummer, percussionist, writer, producer and MD who has worked with the cream of British music talent including Jimmy Page, Billy Ocean, Incognito, Jason Rebello, Jocelyn Brown, Beverley Knight, Nigel Kennedy, Soul II Soul, Joss Stone, Roachford and Mica Paris. Born and raised in London from a rich mixed cultural background of Afro Caribbean, Arabic, Portuguese and Chinese, he was introduced to music at a young age via his fathers' extensive record collection comprising of reggae, calypso, soca, Latin, jazz, funk r&b and pop. With his first drum kit at just 6 years of age he formed his first band aged 13 and later shunning a scholarship to further study music, he opted for the life of a professional musician landing his first European tour with British jazz funk outfit The Breakfast Band. His passion was nurtured further by his uncle, renowned session guitarist Winston Delandro, opening doors to a sea of great musicians which allowed him to expand and enrich his musicality, travel the world, learn of life and its diverse cultures that reflect in his own music and productions.

Vor rund dreißig Jahren kam es zu einer Crossover-Welle zwischen Klassik und Pop, die bis heute ihre Spuren in der Klassikwelt hinterlassen hat. Mit angestoßen hat diese Welle der Geiger Nigel Kennedy, der Konzerte mit Jazz- und Popstars gab und gerne mit seiner Punkfrisur und mit Fußballtrikots auf der Bühne provozierte. Nigel Kennedy feierte seinen größten Erfolg 1989 mit seiner CD-Einspielung von Vivaldis „Vier Jahreszeiten“ – es wurde eines der meistverkauften Klassikalben aller Zeiten. Mittlerweile ist Nigel Kennedy 63 Jahre alt und hat seine Autobiographie „Mein rebellisches Leben" vorgelegt. Matthias Nöther über die Autobiografie eines exzentrischen Geigers.

每日英語跟讀 Ep.K358: Fashion, fabrics and fishtails: Why we need to talk about what female classical performers wear   Discussing clothing is something of a taboo in classical music, for performers as much as critics. “Most musicians don't feel like they can talk about it,” says Jocelyn Lightfoot, managing director of the London Chamber Orchestra. There is the entrenched idea that classical musicians are supposed to be heard and not seen. In this performance ideal, the performer's personality — expressed through his or her choice of clothing — is excised, deferring to “the music itself”. 在古典音樂中，討論服裝是一種禁忌，對表演者和評論家來說都是如此。“大多數音樂家都不覺得他們可以談論它” 倫敦室內管絃樂團 （London Chamber Orchestra）董事總經理喬斯林·萊特富特（Jocelyn Lightfoot）說。有一種根深蒂固的觀念認為，古典音樂家應該是被聽到而不是被看到。在這種表演理念中，表演者的個性 - 通過他或她選擇的衣服來表達 – 都是被切除，完全源於“音樂本身”。 Those musicians who step outside the norm in their clothing choices have, accordingly, been subject to severe criticism. But at least part of the controversy surrounding artists like violinist Nigel Kennedy, with his jeans and spiky hair, is that they remind us that live music is a visual medium. We don't just hear — we see musicians performing. 因此，那些在服裝選擇上超越常規的音樂家受到了嚴厲的批評。但是，圍繞著小提琴家奈傑爾·甘迺迪（Nigel Kennedy）等牛仔褲和尖頭髮的藝術家的爭議至少有一部分的人，他們提醒我們，現場音樂是一種視覺媒介。我們不只是聽到 - 我們也看到音樂家表演 For women, the stakes of their clothing choices are considerably higher because women are more frequently sexualized than their male counterparts. While Kennedy's informal clothes were criticized by some as “ludicrous,” the furore around pianist Yuja Wang betrays this double standard. As much ink has been spilt over Wang's hemlines as her playing – and with a couple of exceptions, commentary has focused on how “short and tight” her dresses are. 對於女性來說，她們選擇服裝的風險要高得多，因為女性比男性更頻繁地被性物化。雖然甘迺迪的非正式服裝被一些人批評為「荒謬可笑」，但圍繞鋼琴家王裕佳的憤怒暴露了這種雙重標準。就像她的演奏一樣，王的下擺也是有兩極看法——除了幾個例外，評論都集中在她的裙子有多“短而緊”。 The problem isn't that critics are talking about Wang's clothes. It's that by viewing everything she wears through a sexualized lens, they're presenting her as a sexual object first and an artist second. There is no room in this worldview for women's clothes to be both an artistic and personal choice. Perhaps part of the issue is that fashion lies outside the traditional classical critic's toolkit. 問題不在於批評者在談論王的衣服。而是通過性物化的鏡頭觀察她所穿的一切，他們首先將她呈現為性物件，其次是藝術家。在這種世界觀中，女性服裝既不能成為藝術選擇，也可以作為個人選擇。也許部分問題在於，時尚不在傳統古典音樂批評家的工具包之內。 The inability to talk about Wang's clothing in a sensitive and respectful way reveals damaging and longstanding assumptions around women and their dress on the classical stage. The notion that what we see might “distract from” music, rather than shape our experience of it, stems from a centuries-old division of body and mind, physicality and rationality, that claims classical music as purely cerebral stuff. The body has no place here. And this idea is gendered. Rationality and the mind have historically been coded masculine, sensuality and the body feminine, with the result that women and their bodies have been marginalized within classical music. 無法以敏感和尊重的方式談論王的服裝，揭示了古典舞臺上圍繞女性及其著裝的破壞性和長期存在的假設。我們所看到的可能會“分散”對於音樂的注意力，而不是塑造我們對音樂的體驗，這種觀念源於幾個世紀以來對身體和思想，物理性和理性的劃分，它聲稱古典音樂是純粹的大腦的東西。身體在這裡沒有位置。這個想法是性別化的。理性和心靈歷來被編碼為男性化，性感和身體女性化，結果女性及其身體在古典音樂中被邊緣化。 The denial of Wang's agency also feeds into racist stereotypes around the submissiveness and inexpressiveness of both women and classical musicians of Asian descent — stereotypes that Wang's clothing choices actively disrupt. 對王的行為的否認也助長了圍繞亞裔女性和古典音樂家的順從和無表情的種族主義刻板印象——王的服裝選擇積極地打破了這些刻板印象。 We need to find ways of talking about women's clothes that respect them as artistic choices, and integral to performance. Dress is becoming more important as questions around diversity and inclusion are pushed to the forefront of institutions' agendas. The London Chamber Orchestra, for example, has recently removed the dress code for its players. Dispensing with the heavily gendered expectations of black tie is partly, Lightfoot says, to celebrate the individuality of the orchestra's players and build an inclusive space for musicians whose “way of expressing themselves physically doesn't fit with that classical music stereotype.” But it's also to create a “mirror between the audience and orchestra,” reaching out to those “who don't feel welcome in a concert hall.” 我們需要找到談論女性服裝的方法，尊重她們的藝術選擇，並且是表演不可或缺的一部分。隨著圍繞多樣性和包容性的問題被推到機構議程的最前沿，著裝變得越來越重要。例如，倫敦室內管絃樂團（London Chamber Orchestra）最近取消了對演奏者的著裝要求。萊特富特說，摒棄對黑色領帶的高度性別化的期望，部分原因是為了慶祝樂團演奏者的個性，併為那些“表達自己身體的方式不符合古典音樂刻板印象”的音樂家建立一個包容性的空間。但這也是為了在觀眾和管弦樂隊之間創造一面鏡子，向那些“在音樂廳里不受歡迎的人”伸出援手。 Moreover, social media has made classical music “so much more visual” says Maxine Kwok, a violinist in the London Symphony Orchestra. Orchestras and soloists alike are now attuned to the branding possibilities it offers, from sharing clips of concerts to photographs of rehearsals in jeans and jumpers. And this can, perhaps, be a way of making musicians more accessible. 此外，社交媒體使古典音樂“更加直觀”，倫敦交響樂團的小提琴家Maxine Kwok說。管弦樂隊和獨奏家現在都適應了它提供的品牌可能性，從分享音樂會的剪輯到穿著牛仔褲和毛衣排練的照片。這也許可以成為使音樂家更容易接近的一種方式。

“Better Come on in my Kitchen” sang Blues-Übervater Robert Johnson. Er wußte: „Da draußen wirst du nass“. In der Küche ist es nicht nur trocken, sondern auch mollig warm, vor allem wenn die Wärme noch aus einem alten Holzofen kommt. Alle treffen sich hier. Zum Chillen, auf der Party sowieso. Ach ja, auch zum Kochen. Wie soll da die perfekte Küche aussehen? Gibt man 5tausend aus für Ikea, oder 100tausend für Bulthaupt? 3 Sternekoch Marco Müller gibt darauf in den Teller Stories überraschende Antworten. Sissi Chen vom Insta Blog eatinginberlin zeigt uns, wie eine Küche nicht nur für Kochen genutzt, sondern auch für Videoaufnahmen umgebaut werden kann. Sowohl Tina als auch Johannes sind begeistert vom 12seasons, ein Restaurant in Charlottenburg, natürlich mit offener Küche. Unsere Partner von der Preussenquelle erklären uns, was Bio-Wasser ausmacht. Der krönende Abschluss von Episode 25 ist der Coffeebreak mit dem Enfant Terrible der Klassik-Szene, Nigel Kennedy. Gerade hat er seine Autobiographie veröffentlicht und hält für Johannes tiefe Foodie-Weisheiten daraus parat: „Wenn du mal keine Teller hast, dann nimm mein Buch, lege die Kartoffeln und Butter oben drauf – schon ist das eine ganz andere Präsentation!“ Unsere Linkliste: https://www.instagram.com/tellerstories_/?hl=de https://www.instagram.com/eatinginberlin/?hl=de https://www.preussenquelle.de https://rutz-restaurant.de https://www.12seasons.berlin https://www.klett-cotta.de/buch/Tropen-Sachbuch/Mein_rebellisches_Leben/452631 UNSER YOUTUBE KANAL https://www.youtube.com/channel/UC0Ilau6CghYBabSgBWdGY2A/featured

Katrin Schumacher präsentiert: Nigel Kennedys "Unzensiert! Meine Autobiographie", Michael Pantenius "Johann Reinhold Forster. Von Tahiti an die Saale" und "Deutschlands Moore – Ihr Schicksal in unserer Kulturlandschaft".

Mit seiner Autobiografie „Mein rebellisches Leben“ wird Stargeiger Nigel Kennedy seinem Ruf gerecht, das Enfant terrible der klassischen Musikszene zu sein. Der Elfenbeinturm der klassischen Musikszene war ihm schon immer viel zu eng, das „affektierte Gehabe“ nicht seine Welt. Kennedy ist der Punker seiner Branche – mit Irokesenfrisur, Baggy Pants und Schnürstiefeln. Ein Musiker, der schon während seiner Zeit an der Musikschule von Yehudi Menuhin versucht hat, Regeln und Konventionen zu entkommen. Er hat sich dazu entschieden, sich nicht anzupassen und scheint heute mit sich und seiner Lebensleistung zufrieden zu sein.

Rhoda Scott Trio, Elvis, Bashung, Lavilliers,  Higelin, Boby Troup, Big Boy Cudrup, Nigel Kennedy, Carlos Santana....

Köhler, Imkewww.deutschlandfunkkultur.de, Studio 9Direkter Link zur Audiodatei

Today, I'm interviewing my friend Owen Ó Súilleabháin who is a coach, performer, and a whole lot more. We're discussing how he uses his experiences as a performer and his understanding of the arts and psychology, and philosophy, and bringing them together into his private coaching practice. How he uses his gifts with high-level CEOs, folks who have achieved incredible success and are looking at bringing their organization to the next level. They team up with Owen as their coach to ask questions that really provoke creativity and self-understanding and create new possibilities. Enjoy.   Owen shares with us his insights:   That's where it comes from. It comes from this like real curiosity that I have. I want to talk to people who are leaders in their field. And, fascinating is every single person in the world is an expert in something. Every single person is an expert in their own life. And so, actually, I have a question for every single person I'd be. Obviously, there's some people who are world leaders in their fields and luckily, I've come across these people, so I can go hang on. I've got some questions for you, and I want some answers. And that type of framing, I think is the beginning of what can be described as leadership coaching -curiosity, openness, and the openness to a sense of truth, telling…   And in talking, as we all know, you overhear yourself saying, sometimes very profound things in conversation with another person. You can't do the same thing talking to yourself. But another person is in the room, this heightened sense of interactive infinite complexity, the spectral reality occurs. This third thing happens that cannot be accessed on your own. It just doesn't exist. So you need another person to be in conversation - active, energetic, listening, responsive, intelligent, sacred, safe conversation. And when you have that and when you throw kind of, you know, metaphor on the table, like a Kaleidoscope is a metaphor, even the shockers are actually a metaphor, you know. And when you throw the metaphor on the table, the art, it becomes symbolic it becomes this third thing. When you talk about this third thing, you're actually talking about yourself. You're not talking about the shockers at all. You're not talking about a Kaleidoscope. You're not talking about joining the dots. You're talking about yourself. So art is really just a metaphor. It's a way to access the inner theater, the inner drama that's occurred in your life, which is quite difficult to speak of directly.   And also it's impossible to speak of something in its entirety because the reality of life is complexity that's why you can interpret a piece of art in as many ways as you want. And it's the same is true in life. Life can be interpreted at different times and from different perspectives in different ways. So it's really just about like dynamic real fun conversation. And what happens then is after our chat, after our talk, I actually take notes as well, while I speak with my clients, I take; I'm a fast hyper and I enjoy taking notes and listening to the words that people use. Afterwards, then I will send you the notes from the call you know, for you to reflect on person. And you'll see words that you didn't realize, you were using. You probably didn't realize you use the word Kaleidoscope and I'll show you and I'll say you check out this word. And just by having these conversations you stand up slightly in a different posture.   Your bearing your connection with the world is just ever so slightly shifted like having going to the gym, you know. You work out on a certain muscle and you don't notice it instantly growing. But over a period of time, you're bearing your position, the way you hold yourself in the world starts to shift. And when you do that, the world comes to meet you in a new way and that's a very simple thing. If you're grimacing and sort of hunched in your body, people are not, people are going to leave you alone. If you're sort of more receptive and open in your body, the world is going to come to meet you in a certain way. So that's what happens in this coaching work, working with the arts. Your body shifts and you embody your world yourself in a different way. And the world comes to meet you in a different way.   Owen Ó Súilleabháin is a singer, composer, facilitator and executive leadership coach. He believes in the power of art to awaken our most dynamic and creative forms into being. He has had the honor of working with some of the great leaders in the world of the arts such as director Steven Spielberg, actor Russell Crowe, violinist Nigel Kennedy, and poet David Whyte.    He draws on his experience in the performing arts and on his academic background in philosophy, Greek and Roman civilizations, and Peace Studies as well as the wisdom of Celtic culture to liberate creativity in individuals and organizations. He holds a first-class honors Master's degree in Peace and Development Studies from the University of Limerick, specializing in the analysis of national and local responses to migrants fleeing from violence and seeking asylum in Ireland.   In 2018, Owen co-founded The Studio, an organization that inspires leadership, innovation and culture-change through the experience and the inspiration of artistry.    In 2020, he established Dámh Imeall - the (h)Edge School, an online community of enquiry and experience for those seeking new purpose in their lives through the power of Celtic spirituality and the arts. Owen provides these virtual workshops with his mother Nóirín Ní Riain and his brother Mícheál Moley Ó Súilleabháin.     Owen comes from a family of leaders in the arts, education and spirituality. His late father Mícheál Ó Súilleabháin was a national composer, a pioneer in Irish traditional music and founder of the internationally acclaimed Irish World Academy of Music and Dance. His mother Rev. Nóirín Ní Riain Ph.D. is one of Ireland's renowned singers, a groundbreaking theologian and author, and a widely sought-after spiritual director.    Owen provides leadership coaching to a select group of people. This work centers on the power of the arts and creativity to inform, inspire and sustain the extraordinary energy and sacrifice that is required of a leader, both on the personal and organizational level.   Learn more about him:   Websites:   https://www.owenandmoley.com/ https://www.turasdanam.com/ https://studioleadership.com/   LinkedIn:  https://www.linkedin.com/in/owen-%C3%B3-s%C3%BAilleabh%C3%A1in-95422b3/   Facebook: https://www.facebook.com/OwenandMicheal   Instagram: https://www.instagram.com/turasdanam/   The Course - The 360 Within © - Applying the Arts to your Coaching Practice:   https://www.turasdanam.com/course/p/the-inner-360-k34nw

In this episode, Davina is joined by the internationally acclaimed British violinist, vocalist and concert producer, Lizzie Ball.   Davina and Lizzie discuss her flourishing career as a prolific performer in all genres around the world, and also her passion for bringing classical music to a wider audience in accessible, diverse venues and contexts through her wonderful organisation, Classical Kicks. Lizzie also talks about her role as an Ambassador for PRISMA, a charity founded to help children in need by providing art workshops to rural underdeveloped areas of Mexico. They discuss Lizzie's new Life Coaching business, ‘Set Your Stage', for which she has recently been awarded an RPS Enterprise Award.   All of the recordings from Series 2, Episode 5 can be found in the Spotify Playlist here.   Watch Lizzie leading Nigel Kennedy's Orchestra at his 2013 Palestinian Prom here.   Find out more about Lizzie here.

Owen Ó Súilleabháin lives the belief that art has the power to awaken the most dynamic and creative aspects of ourselves in the world, regardless of whether or not we identify as “artists.” He's a singer, composer, and a teacher who has collaborated with world-class artists including Steven Spielberg, Russell Crowe, Nigel Kennedy, the Chieftains, and David Whyte.He's usually found working alongside his brother, Mícheál, and his mother, Nóirín. Together the trio co-founded the Dámh Imeall — translation: the (h)Edge School — rooted in an ancient tradition of hedge schooling that emerged under the brutal repression of British rule in Ireland.Owen invites us to make contact with ourselves, our origins, and our unassailable place in the world when we feel isolated, lonely, or alienated. To recognize that there is always a home for us to come back to.Get Connected:The Wonder Dome Newsletter http://bit.ly/3dTfdPi​Follow Andy on Twitter http://twitter.com/cahillaguerillaFollow us on Instagram http://instagram.com/thewonderdomepod​Like us on Facebook http://facebook.com/mindfulcreative.coachConnect with Owen:owenandmoley.comturasdanam.comfacebook.com/owenandmichealtwitter.com/owenmoleyinstagram.com/irishbrothersyoutube.com/user/size2shoesofficial

Ahora puedes apoyar a ELDT con un único pago y la cantidad que prefieras: paypal.me/LibroTobias Samudaripen [samudaripén] y Porrajmos [porraymós] son los dos términos que se utilizan habitualmente para denominar el genocidio al que fue sometida la población gitana europea durante el régimen nazi (1933-1945) y que se extendió por 20 países europeos. El término más adecuado, no obstante, es Samudaripen. La población romaní junto con la población judía fueron los dos grupos étnicos objetos de genocidio durante el nazismo tanto en Alemania como en los países europeos que formaron el Eje, sus socios y los gobiernos colaboracionistas. El genocidio gitano, el Samudaripen, se inició mucho antes del comienzo de la 2ª Guerra Mundial. Por supuesto, en Alemania como en el resto de países de Europa Central y Occidental el antigitanismo tiene una larga historia que se ha ido plasmando en las leyes y en el imaginario colectivo. En España, en concreto, son más de 230 leyes antigitanas las que lo han sustentado. Canciones: - “Djelem Djelem” (Himno Internacional Gitano) - “Ederlezi” de Nigel Kennedy and Kroke Presentación, dirección, edición y montaje: Asier Menéndez Marín Diseño logo Podcast: albacanodesigns (Alba Cano) Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Oscar Castro-Neves & Paul Halley ('Air on a G string' Bach), Baden Powell ('Jesus, alegria dos homens' y 'Preludio' de Bach), Yo-Yo Ma & Kathryn Stott ('Ave Maria' de Bach), Yo-Yo Ma & Bobby McFerrin ('Vocalise' de Rachmaninov y 'Andante' del 'Concierto en re menor para dos mandolinas' de Vivaldi), Nigel Kennedy (dos movimientos de 'Las cuatro estaciones' de Vivaldi y 'Allegro' de Bach), The L.A. Four ('Rondo expressivo' de C.P.E. Bach), Massimo Faraò Trio ('Nocturno' en fa menor de Chopin), Kenny Drew Jr. Trio ('Vals' en la menor de Chopin) y Deodato ('Also sprach Zarathustra' de Richard Strauss). Escuchar audio

Heute vor 65 Jahren wurde der Violinist Nigel Kennedy geboren.

Gödde, Ralfwww.deutschlandfunkkultur.de, Studio 9Direkter Link zur Audiodatei

durée : 00:14:35 - Disques de légende du jeudi 25 novembre 2021 - Un disque de légende rentré dans le Guinness book des records des Meilleures ventes d'une œuvre classique : Les Quatre saisons de Vivaldi par Nigel Kennedy.

Twin Cities-based artist Pavielle French first joined Garrett and Scott in season one as her career was beginning to bloom. She returns to TRILLOQUY this week to talk about her new album, SOVEREIGN, which explores Black rejection of white supremacy, a renewed view of "classic" music and a message: "You cannot give me my rights". She also speaks with Garrett about her collaborations with local orchestras, and its context in the fight for racial equity in arts spaces. Scott highlights #GayCarmen, and Garrett addresses the rejection of a Jimi Hendrix composition from an English orchestral space. The guys close by affirming the humanity of Haitian immigrants and urging arts programmers to do what they can, artistically and otherwise. Playlist: Ludwig van Beethoven - Symphony No. 1, finale (perf. Minnesota Orchestra, William Eddings: https://www.youtube.com/watch?v=VBmPMItJZE4) Georges Bizet - Habanera from "Carmen" Howard Ashman/Alan Menken - "Poor Unfortunate Soul" (feat. Tituss Burgess: https://www.youtube.com/watch?v=1mz6tw5Zddg) Jimi Hendrix - "Little Wing" (perf. Nigel Kennedy: https://www.youtube.com/watch?v=Fpn-VSO94wE) Drake - "Summer Games" D.D. Dumbo - Improvisation (https://www.youtube.com/watch?app=desktop&v=qpb4zlpp9xw) PaviElle French - "RIGHTS" PaviElle French - "ANCESTORS SAID IT" Nobuo Uematsu - "Vamo' alla Flamenco" More: PaviElle French on Bandcamp: https://msfrench.bandcamp.com​ Downbeat (Lil Nas X speaks with The Breakfast Club): https://www.youtube.com/watch?v=Ac78kRM85xo St. Paul Brewery to Fund Music Education: https://www.startribune.com/st-paul-lowertown-brewery-will-fund-music-education-and-instruments-for-disadvantaged-youth/600098345/?fbclid=IwAR3sjMpXhsCPhnzRDVJ-2IqQXvW3uFXpbz6ON3Mw86QTPsjoWzNF4IeeUrg&refresh=true "Gender-bending" Carmen performance: https://www.chicagotribune.com/entertainment/music/ct-ent-carmen-chicago-opera-theater-gender-bending-20210916-5qzn3f2wcnfx3jivncxcraak5m-story.html?outputType=amp Nigel Kennedy Cancels Engagement Over Jimi Hendrix: https://www.theguardian.com/music/2021/sep/20/violinist-nigel-kennedy-cancels-concert-after-classic-fm-stops-hendrix-tribute

Paula interviews world-renowned jazz guitarist and bassist, Fred Thelonius Baker.  Fred was a student at Birmingham School of Music (now Royal Birmingham Conservatoire) from 1979, and studied composition with Andrew Downes. Andrew went on to invite Fred to teach at Birmingham Conservatoire in 1989, which led to Fred being a major part of Andrew's new School of Composition and Creative Studies from the early 90s. Fred has been a permanent teacher/lecturer in accoustic and bass guitar there ever since. In the mid 90s, Andrew composed his Concerto for Guitar, Electric Bass Guitar and Strings for Fred playing Electric Bass with Simon Dinnigan playing Acoustic Guitar. They recorded it for CD in 1999 with string players from the City of Birmingham Symphony Orchestra. Fred and Simon also arranged Downes' Piano Sonatina, Movement 2 for Electric Bass and Acoustic Guitar and also recorded this for the CD. All of these works are played throughout the episode. More information on the works and the CD can be found here: https://www.andrewdownes.com/Soloists-with-Orchestra.html#GUITARSTRINGS Fred Thelonious Baker is a Jazz guitarist and bassist from the English village of Tibshelf, Derbyshire. Born in 1960, Fred was given a ukulele when he was four by his father. Indeed, Fred's parents were a major influence in the beginning of his musical journey. A year later, he was given his first guitar and went on to learn the Classical guitar. During his mid-teens, Fred also began an interest in the bass guitar, an instrument with which he has since become synonymous. After studying at Chesterfield College, Fred went on to study at Birmingham School of Music (now Conservatoire) where he gained a GBSM and ABSM in teaching and performance. Around this time, at the invitation of Sir John Dankworth and Cleo Laine, Fred began teaching at Wavendon All Music Summer School. Since then, Fred has taught and given masterclasses at many universities, music colleges and music Summer schools including Guildhall School of Music & Drama, Berkeley College of Music, USA, St Petersburg Conservatory, Russia, London Brunel, Huddersfield, Sheffield, and Derby Universities. Since 1989, he has been a permanent teacher/lecturer in acoustic and bass guitar at Birmingham Conservatoire. Fred has performed all over the world as a session musician and soloist with a variety of musicians and ensembles including Courtney Pine, Nigel Kennedy, Billy Cobham, the CBSO, Fairport Convention, Robert Wyatt, Harry Beckett, Horace Parlan, Soft Machine, John Etheridge, Pip Pyle, Ric Sanders, Karen Street, Joe Sachse, Tony Levin, Phil Bates, Clive Bunker, Elton Dean, Simon Dinnigan, Geoff Eales, Liam Genocky and Phil Miller. As both a jazz guitarist and bassist, Fred has appeared extensively on many recordings. "Spinal Tap" from his solo accoustic guitar CD, Life Suite, will be played on this episode. Fred is currently working on the legacy of the late Phil Miller: https://philmillerthelegacy.com  

«When I'm 64»: Einen besseren Titel für seine Sommertournee 2021 hätte sich Nigel Kennedy, der am 28. Dezember 1956 und damit vor genau 64 Jahren das Licht der Welt erblickte, nicht ausdenken können! Und ein schönes Paradox, handelt es sich doch um einen der ersten Songs, den Paul McCartney im zarten Alter von 15 oder 16 Jahren auf dem Klavier der Familie in der Forthlin Road 20 komponierte. Wie er später einmal erklärte, habe ihm zum einen der «schnalzende» Klang des Wortes «sixty-four» gefallen, zum anderen wollte er seinem Vater mit dem Song eine Ouvertüre für den Eintritt in das Rentenalter schenken. Kennedy, der Yehudi Menuhin bekanntermassen viel zu verdanken hat, kommt zu uns als «Freund der Familie»: Seine unzähligen «legendären» Konzerte mit klassischer oder E-Geige haben sich in goldenen Lettern in das Gedächtnis des Festivals eingebrannt.

«When I'm 64»: Nigel Kennedy ne pouvait trouver titre plus approprié à sa tournée estivale 2021, lui qui a vu le jour à Brighton le 28 décembre 1956, il y a de cela… soixante-quatre ans! Joli paradoxe: il s'agit de l'une des premières chansons écrites par Paul McCartney, sur le piano familial du 20 Forthlin Road alors que le Beatle n'avait que quinze ou seize ans; il expliquera plus tard qu'en plus de la sonorité «claquante» du mot «sixty-four», il avait voulu offrir à travers elle… un prélude à la retraite à son père! Kennedy, dont on ne saurait oublier tout ce qu'il doit à Yehudi Menuhin, vient ici en «ami de la famille»: cordes sèches ou électrifiées, on ne compte plus les concerts de «légende» qu'il a inscrit en lettres d'or dans la mémoire du Festival.

On commence en Fanfare avec Eddy Louiss, Mélodie Gardot, Elvis, Vince Taylor, Quincy Jones, La saga des Belles Cubaines, Aretha Franklin, The Crusaders & Joe Cocker, Laurent Korcia, Nigel Kennedy....

He's cut tracks with an eclectic mix of artists, from the Buzzcocks and UB40 to Cat Stevens, Celine Dion, and Nigel Kennedy. Wes Maebe joins us from RAK Studios in London to talk about coming up through the ranks, seamlessly weaving modern digital and retro analog, and squeezing the very best out of every session.

How do you find the perfect coach? In this special conversation, we will be discussing how to ensure a coach is right for you or your employees, as well as the subtle signs of coaching artistry that give coach confidence. I am joined by three friends of the show, Libby Wagner the poet, teacher, writer, speaker, advisor & coach to presidents, CEOs & directors of Fortune 500 clients. Owen Ó Súilleabháin the Irish singer, composer & coach who has collaborated with Riverdance composer Bill Whelan, violinist Nigel Kennedy, actor Russell Crowe, director Steven Spielberg, music legends The Chieftains plus composer of the new Business Elevation show theme tune. Steven Morris the artist, writer & entrepreneur who combines a thriving painting practice with brand evolution consultancy and coaching. Plus my own opinions with many years of professional business coaching under my belt. If becoming a better you, developing your people or improving yourself as a coach is important then do join us!

10,000 Maniacs--Because the Night Nirvana--Where Did You Sleep Last Night Sonata for Violin and Cello (1920-22): I. Allegro / Maurice Ravel played by Nigel Kennedy & Lynn Harrell Black Sabbath--Black Sabbath PJ Harvey--In the Dark Places---Live at Sydney Festival 10,000 Maniacs--Because the Night--3:39 Ane Brun--All My Tears--2:06 Thom Yorke--Analyse--Live (2006) Patti Smith Group--Because the Night

So what has poetry, music and art got to do with leadership and engagement? In this very unique interview including a live musical performance, I will be talking to Libby Wagner who is a poet, teacher, writer and speaker. A trusted advisor for presidents, CEOs and executive directors, and whose work has shaped the cultures of numerous Fortune 500 clients. Owen Ó Súilleabháin a singer and composer from Ireland who has collaborated with Riverdance composer Bill Whelan, violinist Nigel Kennedy, actor Russell Crowe, director Steven Spielberg, and Irish music legends The Chieftains. Also Steven Morris an artist, writer and entrepreneur who has combined a thriving painting practice with leading his company Mth Degree, a very successful brand evolution consultancy. During this show we will explore the circle of artistry and why these three unique artists and business thought leaders are collaborating to bring deep and meaningful insight to today's business leaders.

www.chrisgarrick.com   Christian Garrick is an improvising violinist, a composer and a bandleader. He is active on the international concert circuit and on the London studio session scene. He is a professor of jazz and non-classical violin at three of London's major music conservatoires. He has worked with artists such as Wynton Marsalis, Nigel Kennedy, Julian Joseph, Bireli Lagrene, Dolly Parton, All About Eve, Van Morrison, Luka Bloom, Martin Taylor, Brian Ferry & Caro Emerald. He has made tours of the Far East and Australia with guitarist John Etheridge in a tribute to Stephane Grappelli and in 2001 he toured Israel with Dame Cleo Laine and the Israel Philharmonic Orchestra. His performance at the Genius of the Violin Festival in 2004 led to invitations to perform Piazzolla's Seasons with Barry Wordsworth at the Brighton Dome and then in London, at the Royal Festival Hall, in 2008. He has toured and recorded extensively with Parisian guitar virtuoso Angelo Debarre and is a member of Alec Dankworth's Spanish Accents.  He formed the band Spirit O' Stephane to celebrate the music of Grappelli. He works frequently in film and television for composers such as Danny Elfman, Anne Dudley, Howard Shore, George Fenton, Rachel Portman, Stephen Warbeck, Mark Thomas and Rob Lane.   I sat and chatted with Chris in the house he was staying in just outside of London. We covered mainly his musical upbringing by his jazz pianist father Michael Garrick and his outlook on music and life in general! Chris is a lovley dude and I had a great time chatting with him. Hope you enjoy listening.     The intro music  is Garrick and David Gordon playing 'Broadway/Afternoon in Paris' (William-Henri-Woode/John Lewis) From their album Paper Jam. The outro music is Benny Golsons 'Whisper Not' recorded by me and my band Latchepen

So what has poetry, music and art got to do with leadership and engagement? In this very unique interview including a live musical performance, I will be talking to Libby Wagner who is a poet, teacher, writer and speaker. A trusted advisor for presidents, CEOs and executive directors, and whose work has shaped the cultures of numerous Fortune 500 clients. Owen Ó Súilleabháin a singer and composer from Ireland who has collaborated with Riverdance composer Bill Whelan, violinist Nigel Kennedy, actor Russell Crowe, director Steven Spielberg, and Irish music legends The Chieftains. Also Steven Morris an artist, writer and entrepreneur who has combined a thriving painting practice with leading his company Mth Degree, a very successful brand evolution consultancy. During this show we will explore the circle of artistry and why these three unique artists and business thought leaders are collaborating to bring deep and meaningful insight to today's business leaders.

Nigel Kennedy on what it means to be musician, bridging musical boundaries and his upcoming collaboration with Oxford Philomusica

Richard Coles and Suzy Klein with violinist Nigel Kennedy, Lindsey Davis' Inheritance Tracks, cloud spotter Gavin Pretor-Pinney, beatboxer Shlomo and mouth-painter Barry West. Adrenalin junky pensioners Sylvia and Dennis Bloor on their love of rollercoasters and a mum who turned to the Beano to help her daughter's dyslexia.Producer: Debbie Sheringham.