Podcast appearances and mentions of george dyer

Zanter Juli ass am Nationalmusée um Fëschmaart en Triptyque vum iresch-brittesche Kënschtler Francis Bacon ze gesinn, dee säi Partner, den George Dyer, duerstellt. Zu London ass elo eng grouss Ausstellung, déi dem Bacon seng komplizéiert Relatioune mam Dyer an och seng aner Sujeten analyséiert. D'Claire Barthelemy war d'Expositioun kucken.

Grandpa Bill's Holistic Healing Hour: Francis Bacon - Beyond the Canvas Francis Bacon: A Raw Look at the Human Condition-Bereavement #FrancisBacon, #ArtTherapy, #GrandpaBill, #HolisticHealing, #MentalHealth, #RawArt, Welcome listeners to another episode of Grandpa Bill's Holistic Healing Hour. Today, we're diving into the world of Francis Bacon, a painter who dared to explore the darkest corners of the human psyche. Bacon's Biography: Sharing a brief overview of Bacon's life, highlighting his turbulent childhood, his fascination with the grotesque, and his exploration of themes like mortality, violence, and sexuality. Discussing these iconic pieces, emphasizing their emotional impact and artistic significance: Three Studies for Figures at the Base of a Crucifixion (1944): This triptych is a powerful exploration of suffering and the human form, distorted and contorted. Study after Velázquez's Portrait of Pope Innocent X (1953): Bacon's reinterpretation of Velázquez's masterpiece is a haunting and visceral depiction of power and decay. Three Studies for a Portrait of George Dyer (1963): This series portrays Bacon's lover, George Dyer, in various states of vulnerability and despair, reflecting the artist's own struggles with addiction and mental illness. Bacon's Impact: Discuss how Bacon's raw and unflinching style challenged traditional notions of beauty and pushed the boundaries of artistic expression. Healing Through Art: Explain how engaging with Bacon's work can be a cathartic experience, allowing Grandpa Bill and our viewers to confront their own fears and anxieties in a safe and controlled environment. Grandpa Bill's Call to Action: Encouraging listeners to explore Bacon's work further, either through books, documentaries, or visiting art museums. Biography and Style: Briefly discussing Bacon's life and artistic style, focusing on his use of distorted figures, bold colors, and raw emotion. Deep Diving into Key Works: Analyzing the aforementioned works in detail. Bacon's Legacy: Discussing the impact of Bacon's work on contemporary art and its continued relevance in exploring the complexities of the human experience. Personal Reflections: Sharing my own personal connection to Bacon's work, discussing how it has influenced my own understanding of art and life. Grandpa Bill is: Encouraging viewers to explore Bacon's work further, either through visiting art museums or watching documentaries What's Your Favorite Francis Bacon Work(s)? Leave Your replies here and at The BH Sales Kennel Kelp Holistic Healing Hour Podcast

Lise Hausemer, curadora no Nationalmusée um Fëschmaart, foi convidada de Ana Cristina Gonçalves no programa MusicArte, a propósito de uma obra de um dos mais enigmáticos pintores do século XX Francis Bacon, emprestada ao museu por um período de dois anos. Consulte o site do museu para mais informações.

Fir d'Kerstin Thalau huet d'Woch, wat soen ech: de Mount, haut wansinneg gutt ugefaangen. D'Kulturjournaliste waren näämlech vun eisem Nationalmusée fir eng “Preview” invitéiert ginn, also fir en éischte Bléck.....op en original Francis-Bacon-Tryptique, deemno net just eng Peinture, mee der direkt dräi! D'Wierk “Three studies for a Portrait of George Dyer” aus dem Joer 1963 setzt sech aus dräi verschiddene Vuen op den deemolege Bacon-Partner George Dyer zesummen; d'Expressioun ass gequält, verrutscht, Faarf am Schleidergang....en typesche Bacon, dee laang dem Auteur Roald Dahl gehéiert hat, an dee rezent fir typesch vill Euroen, ëm di 50 Millioune versteet gi war. Un eisen Nationalmusée, Kerstin Thalau? Oder firwat hues du elo de Ruud Priem, Conservateur vun der Section Beaux Arts mat an de Studio bruecht?

ESSENTIEL, les rendez-vous du jeudi – Un monde de livres Josyane Savigneau reçoit Yannick Haenel, pour le livre « Blue Bacon » chez Stock. À propos du livre : « Turbulences » paru aux éditions Stock À peine entré dans l'exposition que le Centre Pompidou consacre à Francis Bacon, Yannick Haenel ne voit plus rien : une migraine ophtalmique l'oblige à passer plusieurs heures allongé sur le lit de camp qu'on a dressé pour lui dans le musée. En retrouvant ses esprits, Yannick Haenel se met à parcourir l'exposition en proie à des états d'intensité contradictoires, qu'il raconte comme une aventure initiatique. Est-il possible de ressentir intégralement la peinture, de la vivre comme une ivresse passionnée ? À travers le face-à-face avec plusieurs tableaux comme Œdipe et le sphinx ou le triptyque consacré à la mort de George Dyer (l'amant de Bacon), le livre détaille les impacts de la peinture de Bacon sur celui qui en fait l'expérience : sa violence ouvre alors l'auteur à des séquences de sorcellerie de son enfance africaine qui vont lui donner une clef pour traverser cette épreuve. Mais au fil de la nuit, on accède au cœur d'une odyssée heureuse ; en tournant dans son labyrinthe de sensations extrêmes, Yannick Haenel dévoile un aspect moins connu de la peinture de Bacon : la sensualité de ses couleurs, la fraîcheur sexuelle de son bleu. L'expérience de jouissance culmine dans une illumination scandée par la dernière chanson de David Bowie lorsque l'auteur, qui a demandé à ce qu'on coupe toutes les lumières à trois heures du matin, évolue dans le musée avec une lampe torche à la main et danse extasié en voyant la peinture sortir du mur, comme à Lascaux. Yannick Haenel est né en 1967. Il a publié une dizaine de romans, dont Cercle (2007, Prix Décembre), Jan Karski (2009, Prix des lecteurs de la FNAC, Prix Interallié) ou Tiens ferme ta couronne (2017, Prix Médicis). Il co-anime la revue Ligne de risque qu'il a fondée en 1997. Il a réalisé un film, La Reine de Némi (2017) et écrit le livret d'un opéra Papillon noir (2018) pour le compositeur Yann Robin. Il est chroniqueur à Charlie Hebdo et artiste associé au Théâtre national de Bretagne à Rennes.

https://notesonfilm1.com/2024/02/13/jose-arroyo-in-conversation-with-sean-burns-on-dorothy-towers-and-death/ Sean Burns is a Birmingham-born, London-based artist; the author of DEATH, part of the LOOK AGAIN series of volumes interpreting the TATE's collection through particular themes and published to coincide with TATE BRITAIN'S recent re-hang; and the director of DOROTHY TOWERS, a film in which I appear. In the accompanying podcast, we discuss these iconic Birmingham Tower blocks that are the subject of the film; how their design and location meant that generations of queers ended up living there and continue to do so; how these buildings have a patterned history but not just one story. There are different stories, different layers of stories, spectral and layered, plural. We discuss how ‘Queer' in England is constantly re-written as something that only happens in London and how the film is often interpreted by audiences as a reclaiming and a validation of similar histories that have probably taken place in cities all over the country. It's a film that also brings into play modernism, brutalism, drag, fashion, and urban design that prioritises cars over people. We discuss how the film was driven by a mandate to search but not necessarily to find; and how what is evoked is a layered history but one with the feeling that comes from a place in which death, mourning and sadness are spectral but not defining elements. A film aware of the perils of representation and thus conscientiously ethical in its approach. We talk also of Burn's recent book on death, his obsession with Francis Bacon and George Dyer, how Ireland and Irishness are developing concerns, and whether death, mourning, and longing are themes common to all this work.

Developing nations have used an international summit in Paris to denounce the global financial system and demand radical reform. Rob Young hears what the problems are -- and ask if change is likely. As China, the world's second biggest economy, experiences its hottest summer for 60 years, we hear what it's like to live and work, especially outside, in such extreme temperatures. In a few weeks time Francis Bacon's masterpiece "Three Studies for a Portrait of George Dyer" is due to be offered as an IPO where investors will be able to buy shares for as little as $100. We look at why people would invest in this way and discuss whether buying shares in a painting could be a way to democratise owning art.

In this episode, Mo and Marc are joined by special guest George Dyer (Deputy Editor for the “AOA Critical Issues in Education” section in JBJS Open Access) in a discussion of his work and lessons learned as a residency program director and his vision for making the JBJS OA education channel the authoritative source for educational research in orthopaedics. Links: Free collection of education-related content in JBJS Open Access: AOA Critical Issues in Education Subspecialties: Education and Training Orthopaedic Essentials

Triptych, May–June 1973 is a triptych completed in 1973 by the Irish-born artist Francis Bacon (1909–1992). The oil-on-canvas was painted in memory of Bacon's lover George Dyer, who committed suicide on the eve of the artist's retrospective at Paris's Grand Palais on 24 October 1971. The triptych is a portrait of the moments before Dyer's death from an overdose of pills in their hotel room. Bacon was haunted and preoccupied by Dyer's loss for the remaining years of his life and painted many works based on both the actual suicide and the events of its aftermath. He admitted to friends that he never fully recovered, describing the 1973 triptych as an exorcism of his feelings of loss and guilt.The work is stylistically more static and monumental than Bacon's earlier triptychs of Greek figures and friends' heads. It has been described as one of his "supreme achievements" and is generally viewed as his most intense and tragic canvas. Of the three Black Triptychs Bacon painted when confronting Dyer's death, Triptych, May–June 1973 is generally regarded as the most accomplished. In 2006, The Daily Telegraph's art critic Sarah Crompton wrote that "emotion seeps into each panel of this giant canvas ... the sheer power and control of Bacon's brushwork take the breath away". Triptych, May–June 1973 was purchased at auction in 1989 by Esther Grether for $6.3 million, then a record for a Bacon painting. Source: https://en.wikipedia.org/wiki/Triptych,_May%E2%80%93June_1973 License: Creative Commons Attribution-ShareAlike License 3.0;

Imagine if you arrived at your house and there were dozens of Amazon boxes at your door. None of which you had ordered. You open them only to find random items – a hairbrush, t-shirts that are way too big for anyone in your household, a toaster, and ice cream that is now all melted since you didn't know it was there and should be refrigerated. Further, this doesn't happen just once. It happens over and over again. Each time with a new set of items, all of which you didn't order and may or may not even need. The items start piling up and boxes are everywhere. Despite your best efforts to keep up, stuff just accumulates and clutters your house. The items are unusable to you and impeding your access to your own space and effectively just becoming trash.   Now imagine if you got a knock at your door. It's a random person unknown to you, claiming to be a contractor. They let themselves in and start accessing your home and telling you they need to tear down this wall, re-route a pipe, change light fixtures, etc. They may even start doing these things without consulting you first or getting your permission. They never present any type of license or ask your opinion “because they are the expert and know best”.   This is how it can feel in some global health situations. While people are trying to help, external aid can often be misdirected and create new, additional problems. The sending of supplies to resource-poor settings is often ill-informed and becomes like the Amazon analogy – trash. Incredible resources that are donated but unusable in their setting, incomplete material sets, not sorted, or frankly, not needed. The receiving institution may not be equipped to deal with the influx of these donations, and they become a burden rather than a help. This is compounded by physicians and surgeons offering their services regardless of the stated needs of the area, often leaving the local physicians to clean up the aftermath of post-operative checks, new medication management, and physical therapy needs. Join us as we talk with Dr. George Dyer, an orthopedic surgeon/professor at Harvard Medical School and orthopaedic advisor for Partners in health, about trash (disguised as donations) and the need for need-directed donations, education, and effective surgical support. You won't want to miss this!

Hybrid working looks to be here to stay. That not only means that offices need to work harder than ever before to lure tenants back but a wide range of other asset classes must up their connectivity game.   On this episode of Tech Talk Radio, EG head of content Emily Wright is joined by Wiredscore president William Newton and Watkins Jones head of divestment and asset management George Dyer to discuss just that.  Wiredscore research has revealed that over half of Europeans consider their internet to be better at home than in the workplace. As the world gears up to embrace hybrid working, it is clear there is more to be done to ensure that connectivity is supporting hybrid working across a number of asset classes including offices, BTR and purpose-built student accommodation.  "The key thing now for us as developers is to design places where people want to live and a critical part of that now is also where people want to work," said BTR and student accommodation developer Watkins Jones' Dyer. "For us, connectivity is a key part of that as well as looking at how we can integrate things like business lounges and co-working spaces into our buildings and really create an environment where people are happy to live and work."   Newton said: “Looking to the future, we don't think the productive home-working we saw during the pandemic was a temporary shift. This is a new way or work and a better, more constructive way for people to live their lives. We are now incredibly well set up for remote work and landlords should be thinking very carefully about setting it up for people who want it.”

Hybrid working looks to be here to stay. That not only means that offices need to work harder than ever before to lure tenants back but a wide range of other asset classes must up their connectivity game.   On this episode of Tech Talk Radio, EG head of content Emily Wright is joined by Wiredscore president William Newton and Watkins Jones head of divestment and asset management George Dyer to discuss just that.  Wiredscore research has revealed that over half of Europeans consider their internet to be better at home than in the workplace. As the world gears up to embrace hybrid working, it is clear there is more to be done to ensure that connectivity is supporting hybrid working across a number of asset classes including offices, BTR and purpose-built student accommodation.  "The key thing now for us as developers is to design places where people want to live and a critical part of that now is also where people want to work," said BTR and student accommodation developer Watkins Jones' Dyer. "For us, connectivity is a key part of that as well as looking at how we can integrate things like business lounges and co-working spaces into our buildings and really create an environment where people are happy to live and work." Newton said: “Looking to the future, we don't think the productive home-working we saw during the pandemic was a temporary shift. This is a new way or work and a better, more constructive way for people to live their lives. We are now incredibly well set up for remote work and landlords should be thinking very carefully about setting it up for people who want it.”

Sheila and Tom explore the professional, sexual, exploitative, inspirational, cooperative, and ambiguous relations between artists and their models, their lovers, wives, and allies. Discussed today are Pierre and Marthe Bonnard, August Rodin and Gwynn John, Picasso, Lucien Freud and Celia Paul, Francis Bacon and George Dyer, and Suzanne Valadon.

Episode 93 is an interview with George Dyer. Over 11 days in June 2020, George ran over 560km to raise money and awareness for breast cancer. He started with a 100km run at Knox Athletics Track on 7 June and recently completed a ‘Great Train Run’, which saw him run the entire length of the metropolitan train network. The effort was inspired by the early passing of George’s mother, at age 60, from breast cancer. George decided to dedicate the month of June to fundraising, with his two daughters, Ashley and Taylor, who dyed their hair pink. I first heard about George through a friend of mine, Jodie Street. One of her friends has breast cancer and they ran a portion of one of his runs with him. Jodie and I were out running a few weeks ago and we passed George. We stopped to chat and when I heard about George’s run, I knew I had to interview him! In collaboration with Wild Earth, every month I will bring a short interview with Anderson (Ando) Moquiuti. He will keep us up to date on the latest gear for trail or ultra running, or pretty much any other adventure you could imagine! Our first interview is in this episode, I hope you find it interesting!  Are injuries or niggles ruining your enjoyment of running and hindering your performance? Get on top of these and see the specialists at Health and High Performance, located in Mont Albert in Melbourne. Utilizing the latest in technology, and with a wealth of experience, the team at Health & High Performance can assist you with all your running injury & performance needs. So to get back to enjoying your running and achieving the results you are capable of, head to www.healthhp.com.au/run or find them on Instagram Healthhighperformance Wild Earth Australia are THE online store to help you make the most of the outdoors with top quality gear at great prices. Peak Endurance podcast listeners can use the discount code PEAKENDURANCE (all capitals) to get 10% off at checkout. Head on over to wildearth.com.au to get everything you need for your next adventure!  Thank you so much for supporting the podcast! I really appreciate all the people who have taken the time to get onto Apple Podcasts to rate, review and subscribe. Then Girl gave five stars and says I’ve just found this podcast, from the Two Bays FB page... what a great range of topics and super informative, love it! Marchil also gave 5 stars and says Really enjoy this podcast and the variety in content, so good to have access to so many wonderful guests and the host who really knows her stuff! Next an unknown user says “In-depth running information and local and international guest, highly recommended.” If you enjoy this episode, please do go on over and rate and review. At Peak Endurance coaching, I coach you to run any distance on any surface, be it road, track or trail, from beginners to advanced athletes. If you are interested, email me isobel@peakendurancecoaching.com.au so that I can help you with a structured, individualised plan that takes into account your life and your running needs. The link to the video George and I spoke about is here. Enjoy the interview with George!

Notes:The Verbivore referenced a quote from an article on mystery that says that “Writing a mystery story is like playing a game of chess with a thousand unknown opponents”. The author was George Dyer and here are the links to these articles:Vintage WD: Murder for Profit, Mystery Story Techniques Part 1 - https://www.writersdigest.com/be-inspired/vintage-wd-murder-for-profit-mystery-story-techniques-part-1 Vintage WD: Murder for Profit, Mystery Story Techniques Part 2 - https://www.writersdigest.com/be-inspired/vintage-wd-murder-for-profit-mystery-story-techniques-part-2 The Verbivore mentions a trick to have two outlines to manage your mystery and another to manage all of the clues (real clues, false clues, pivotal clues) and what your suspects are up to at any given point in the novel. There are several resources that mentioned this practice, but the YouTube video “NANOWRIMO / How to Write a Murder Mystery” by Rae Sterling was the most helpful and concise. The Verbivore talks about a quote from Crooked House that describes each family member as having different kinds of ruthlessness. Here is that full quote:“There's a lot of ruthlessness in us - and - different kinds of ruthlessness. That's what's so disturbing. The different kinds”The Verbivore references Sherlock’s quote about it being lucky that he did not have criminal tendencies. That quote is here:“It is fortunate for this community that I am not a criminal” - The Adventure of the Bruce-Partington PlansThe Verbivore references Rian Johnson’s subversion of the mystery genre in his movie Knives Out by purposefully adding in thriller elements and beats into his story. She doesn’t reference details to keep from spoiling the movie, but there are several great YouTube videos that explore this melding of these story elements. Here are the links [Spoiler Alert]:Behind the Curtain’s “How I Wrote Knives Out — Writing Advice from Rian Johnson” - https://www.youtube.com/watch?v=Jd4XUCIqoFU Just Write’s “How Knives Out Switches Genres (Twice)” - https://www.youtube.com/watch?v=AfF7-vJJBNY Books Mentioned:Crooked House by Agatha ChristieThe Man in the Brown Suit by Agatha Christie The Complete Sherlock Holmes by Sir Arthur Conan Doyle Movies Mentioned:Crooked House - Directed by Gilles Paquet-Brenner, Screenplay by Julian FellowesKnives Out - Written and Directed by Rian Johnson Music from: https://filmmusic.io’Friendly day’ by Kevin MacLeod (https://incompetech.com) Licence: CC BY (https://creativecommons.org/licenses/by/4.0/)

Join Harvard Program Director Dr. George Dyer and host Dr. Michael Blankstein as they discuss keys to successfully completing an orthopaedic residency. A timely episode for medical students, current residents, as well as residency directors who want to understand and improve their educational experience. Visit OTA at https://ota.org/. Thanks to our sponsor Stryker. To learn more about today’s sponsor, visit platingthatfits.com.

Independent Film Producer Kim Waltrip returns to this podcast to discuss the Palm Springs Women in Film and Television (PSWIFT), a non-profit organization dedicated to promoting its members, both men and women in the Entertainment, New Media and Creative arts community. Focused on education and bringing more production work to the Coachella Valley, PSWIFT is the 38th Chapter of Women in Film & Television International, reaching over 43 Chapters worldwide and over 10,000 members. Ms Waltrip currently serves as President of PSWIFT and offers her unique perspective of this organization's contributions to Palm Springs. Anyone interested in a career in film will enjoy hearing Kim's unique perspective and experience as a film Producer based in Palm Springs. PSWIFT has initiated a Speakers Series, the first installment will kick off February 20, 2020 with a conversation with Nick Vallelonga, the Oscar Winner for Best Picture "Green Book" and the actor who played the Bass in the film, Mike Hatton.  Nick Vallelonga is the Writer/Producer of the Oscar winning film “Green Book.” and also won two Golden Globes for Original Screenplay and Best Picture which is based on the true story of Nick's father Tony Lip, who went on tour of the south with the brilliant pianist Dr. Donald Shirley in 1962.  Mike Hatton co-starred as George Dyer, the Bass player of The Don Shirley Trio. Mike won several awards for his performance in Green Book including a Hollywood Film Award and he returned to his second home here in Palm Springs to accept the PSIFF Chairman's Vanguard Award.  Mike is also a producer and can be seen next in Pay Dirt, which he produced in The Coachella Valley.

A galeria 2 do último andar do Centro Pompidou abre espaço para uma retrospectiva do trabalho de Francis Bacon (1909-1992), um dos artistas mais celebrados do século 20. O nome da mostra é “Francis Bacon com todas as letras”. Conhecido por suas obras figurativas deformadas e agonizantes, a exposição de Bacon traz 60 quadros de coleções públicas e privadas do mundo todo – incluindo 12 trípticos e uma série de retratos e autorretratos – e se concentra na produção das duas últimas décadas de vida do pintor. O ano de 1971 foi marcante para Bacon. Ele foi tema de uma retrospectiva no Grand Palais, de Paris – só Picasso antes dele teve a honra de expor ali em vida. Dois dias antes da vernissage, seu companheiro George Dyer se suicida. A partir daí, até a morte de Bacon na Espanha, em 1992, os pesadelos e a fantasmagoria em pinceladas etéreas ou selvagens se espalham pelos seus quadros. “Achei a exposição excepcional”, diz o artista plástico brasileiro Fernando Barata, radicado na França, viu a exposição e fala a respeito. “Há muitos trípticos, pois ele trabalhava muitas vezes em três telas ao mesmo tempo. São obras vindas de todo o planeta e reunidas em Paris. Livros Bacon volta agora ao Pompidou mais de 20 anos depois da última grande exposição em Paris dedicada a seu trabalho, em 1996. Desta vez, o fio condutor é a conhecida paixão do artista pela literatura, que alimentou suas inspirações visuais. Por isso, o nome da exposição, “Francis Bacon com todas as letras”. O curador Didier Ottinger conta que a ideia da mostra veio durante uma visita à Fundação Bacon, em Londres, no antigo ateliê do artista. “Havia muitos livros, todos com a particularidade de terem sido manuseados, com anotações, dobras, rasuras. Assim me dei conta da paixão que ele tinha pela leitura”, conta. “Depois eu soube que a biblioteca do Trinity College, de Dublin, tinha todos os livros de Bacon, tudo inventariado. Analisando essa biblioteca, eu vi que algumas obras, alguns autores eram recorrentes”, explica Ottinger. O percurso é dividido em seis partes, cada uma ligada a um livro, a um autor. Como Ésquilo, Friederich Nietzsche, Georges Bataille, Michel Leiris, Joseph Conrad e T.S. Eliot. Em um vídeo da exposição, Bacon fala da importância da literatura em sua vida e diz que gosta de livros que o inspiram visualmente. “Não acho que sua obra seja necessariamente literária, ele não descreve literariamente os livros que ele leu”, opina Fernando Barata. Ele dá como exemplo de artista mais literária a portuguesa radicada em Londres Paula Rêgo. “Bacon era uma pessoa muito culta, enigmática, difícil de decifrar, como todo grande artista”, diz Barata. “Ele tinha um lado atormentado e caótico, e outro, muito culto e civilizado. Ele vivia entre o caos e a organização desse caos. A literatura e a pintura funcionavam como antídotos para essa loucura, esse vulcão interior”. “Francis Bacon com todas as letras” fica em cartaz no Centro Pompidou de Paris até 20 de janeiro de 2020.

The inspiring story of local daddy from Northridge, CA who never took NO for an answer when it came to his dreams. Listen to the incredible story of the actor who plays George Dyer, the bass player in the Oscar-nominated movie, "Green Book."

Every weekend we go back in time and dip into the Join Up Dots vaults to find a show that could well be hidden from your ears. And why do we do this? Well, you success junkies desperate for the golden ticket have been asking "With so many episodes of Join Up Dots out there now, which ones should we listen to first? And its a difficult question to answer as everyone of them has motivation and inspiration flooding out of every pore. So we have simply decided to grab an entrepreneur at random, and share with you not only their journey, but also ours. We think we are getting better at this podcasting lark, but what do you think? Drop us a line at contactjoinupdots@gmail.com and let us know. Thanks as always for listening to the show, and enjoy todays entrepreneurial business chat. Todays guest is one of those guests that might seem easy to pigeonhole when you first look at him. But once you start digging down, you realise that there is so much more to him than most other artists operating within his creative area. A native of Virginia and a devoted family man, he first started making the world sit up and take notice of him when he jumped into the music world in 1996, and made his professional debut to rave reviews with the New York City Opera as Ralph Rackstraw in H.M.S. Pinafore. And although he certainly has got a set of pipes on him, that can belt out the huge opera numbers that you might be aware of, he unsually allows his voice to demonstrate many other types of music from pop, to Buble, stage musicals, to the Rat Pack. He believes that the music is only half of what he brings to the audience. Its the whole show that sets him apart from the stand in one spot and belt out the song type of performers. And now alongside his family, who are also amazing singers, he is taking his talent to the world. He was named “Best Male Recording Artist” of the year in 2001, 2004, and 2006 by the FCMA and has been released three solo recordings on the Shadow Mountain Label “Wondrous Love”, “Then Sings My Soul” and “A New Song” all of which have received numerous accolades and awards, including several Pearl awards So what is it about himself, that unlike so many people who would class family as the thing that stops their dreams, made him willing to give it ago? And has been surprised at how brutal the music industry is, now he is fully established in its world? Well lets find out as we bring onto the show to start joining up dots, with the one and only George Dyer.

La mostra di Edward Hopper a Bologna è l'occasione per fare il punto su quanto con i suoi quadri abbiano influenzato il cinema. Al Teatro Elfo Puccini di Milano da lunedì è in scena Caro George con Giovanni Franzoni nel duplice ruolo di Francis Bacon e del suo amante George Dyer.

All the way from Branson, Missouri, George Dyer and his family of musical superstars visit us for a Christmas Special.

Award-winning tenor and Virgina native, George Dyer has won many awards for his clear, powerful, faith-based artistry.

E281: Joe Bayer,  Kaitlin Kozell,  George Dyer,  Katie wolf

Todays guest is one of those guests that might seem easy to pigeonhole when you first look at him. But once you start digging down, you realise that there is so much more to him than most other artists operating within his creative area. A native of  Virginia and a devoted family man, he first started making the world sit up and take notice of him when he jumped into the music world in 1996, and made his professional debut to rave reviews with the New York City Opera as Ralph Rackstraw in H.M.S. Pinafore. And although he certainly has got a set of pipes on him, that can belt out the huge opera numbers that you might be aware of, he unsually allows his voice to demonstrate many other types of music from pop, to Buble, stage musicals, to the Rat Pack. He believes that the music is only half of what he brings to the audience. Its the whole show that sets him apart from the stand in one spot and belt out the song type of performers. And now alongside his family, who are also amazing singers, he is taking his talent to the world. He was named "Best Male Recording Artist" of the year in 2001, 2004, and 2006 by the FCMA and has been released three solo recordings on the Shadow Mountain Label "Wondrous Love", "Then Sings My Soul" and "A New Song" all of which have received numerous accolades and awards, including several Pearl awards So what is it about himself, that unlike so many people who would class family as the thing that stops their dreams, made him willing to give it ago? And has been surprised at how brutal the music industry is, now he is fully established in its world? Well lets find out as we bring onto the show to start joining up dots, with the one and only George Dyer.

Following the suicide of his lover George Dyer in 1971, Francis Bacon embarked on a series of paintings known as the 'Black Triptychs'. Hugh Davies, Director of the Museum of Contemporary Art in San Diego, has described these paintings as the 'frenzied mo

If you were an operatic tenor, had a list of leading roles a page long, had sung multiple solos with the Mormon Tabernacle Choir and had two successful recordings of sacred hymns, what would you do next? This week we feature "A New Song," the latest release from George Dyer. I also reached the co-producers of this contemporary classical CD -- Kurt Bestor from the studios of AM 820 in Salt Lake City and Staci Peters from... her car. Don't worry, she pulled over to talk. That's this week, on the Cricket and Seagull... - SKP