Podcasts about Lascaux

Czy kobiety w prehistorii naprawdę siedziały tylko przy ognisku? A może chwytały za włócznie, malowały na ścianach jaskiń i przewodziły rytuałom? Najnowsze odkrycia archeologiczne i antropologiczne burzą wszystko, czego nas uczono. W tym odcinku opowiadam o łowczyniach z Andów, wojowniczkach ze stepów Eurazji i artystkach z jaskiń Lascaux. Sięgam po badania i naukowe odkrycia ostatnich trzech dekad. Obalam mit mężczyzny-myśliwego i kobiety-drugiej roli. Opowiadam, o tym dlaczego historia została napisana męskim piórem i dlaczego pora ją napisać na nowo. Zapraszam do poszukiwania kobiecej preherstorii.

In the damp silence of the cave, where ancient hands scratched their truth into stone, I found the first artists dreaming in the dark.Arcy-sur-CureShulgan-TashConsider checking:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buymeacoffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ko-fi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

An account of a healing séance ceremony from a Siberian tribe opens the episode. Evidence of the shamans on the cave walls is given especially for the French caves of Lascaux, Trois Fréres, Gabillou, and Chauvet. The images in the “shaft” at the end of the Lascaux cave are highly enigmatic but a mythological interpretation is hinted at as it is one of the earliest archetypal representations of humanity and underlies many religions, spiritual movements, and also Jungian archetypal psychology.

durée : 00:11:51 - 14ème Rencontres photographiques du 4 au 11 mai 2025 avec Cliclac Montignac-Lascaux

Generare significati sulla morte e sul morire non è solamente il compito che si prefigge la filosofia sin dalle sue origini, ma è anche un aspetto essenziale per l'elaborazione del lutto e per evitare che il dolore per una diagnosi infausta o per la perdita di una persona cara inaridisca la nostra esistenza. Credo che la riflessione sulla morte sia in grado di illuminare il significato che diamo alla nostra vita. Questa non è di certo una mia scoperta, ma è una consapevolezza dell'umanità che possiamo rintracciare sin dalle pitture della caverna di Lascaux, ovvero sin da quando abbiamo iniziato a porci domande sul destino dell'apparire e dello scomparire delle cose del mondo e abbiamo iniziato a creare le nostre interpretazioni sotto forma non solo di racconti mitologici, ma anche per mezzo delle più antiche azioni rituali e delle arti di cui ci è rimasta traccia. L'esperienza della morte della persona a me più cara al mondo ha cambiato profondamente il mio rapporto con l'esistenza.

 Soutenez le podcast et choisissez votre contrepartie originale sur https://fr.tipeee.com/rencontres-surnaturelles-juliette-dargand Une petite plongée au coeur des ténèbres, ça vous dit ? Autant j'adore les grottes, les cavernes, autant cela me fait aussi frémir... Cette sensation d'être coupée du monde, flottant à la frontière du réel, avec le poids des roches au dessus de ma tête. Cela renvoie à des peurs primitives, tapies au fond de chacun. La peur du noir, la crainte de sentir un mouvement inconnu autour de soi, une menace invisible dans l'attente, prête à bondir. Dans cet épisode, je vous emmène visiter des grottes peu connues en France. Quand on parle d'exploration souterraine, on a souvent les images de Lascaux, du gouffre de Padirac en tête. Mais en Mayenne, dans les Pays de la Loire, se cache un petit joyau, pourtant bien loin du Périgord. Les grottes de Saulges, que j'ai visitées il y a plusieurs années, m'ont marquée particulièrement. Le guide qui nous avait accompagnés sur la visite était aussi enjoué et intéressant que celui qui est présent dans cet épisode.  L'histoire qu'il nous avait racontée avait tout de suite nourri mon imaginaire : ces promenades sinistres au 19ème siècle pendant lesquelles les visiteurs étaient plongés dans l'obscurité pour créer plus de sensationnalisme. C'est dans ce cadre que j'ai imaginé cette histoire. Synopsis : Damien se fait violence et vient visiter les grottes de Saulges, sur les bons conseils de son psychothérapeute qui lui propose une thérapie agressive vis à vis de ses phobies et en particulier sa claustrophobie et sa peur du noir. Mais une fois sous la terre, la visite ne va pas suivre son cours normal et Damien va se trouver confronté à ses peurs les plus profondes. Making-off : Damien : David Chamba Guide : Rodolphe Campeggia Francesca : Léa Diane Marcello : Luigi Médecin/Psychothérapeute : Alain Chaillot   Écriture, composition, montage et réalisation sonore par Juliette Dargand    Une histoire écrite par Juliette DARGAND, tous droits réservés Membre du Label Tout Savoir. Régies publicitaires : PodK et Ketil Media Soutenez-nous sur Tipeee !

CRYPTID: The Unicorn Follow Josh as he ventures into the mystical world of unicorns, delving into their rich history, myths, and modern-day sightings. Uncover chilling stories of ancient texts that describe these elusive creatures, cryptic cave paintings like the 'Unicorn of Lascaux,' and uncanny coincidences where the lines between myth and reality blur. Are unicorns merely symbols of purity and magic, or is there a deeper truth hidden in the legends? Can Josh uncover the origins of these mysterious beings and their significance across cultures, or will the mysteries of the unicorn remain forever out of reach? Find out in this enchanting episode! Follow us on Instagram @outtherecryptids and find us on Patreon @outtherecryptids

En compagnie de William Lémergie, partez à la découverte de lieux emblématiques, de traditions séculaires et de talents exceptionnels. Suivez-nous pour une escapade captivante à travers plusieurs régions de France, où chaque étape vous réserve des surprises fascinantes !L'atelier des facsimilés de Montignac, Dordogne : Un voyage dans la préhistoireCommencez votre périple à Montignac, en Dordogne, où une équipe d'artisans recrée à l'identique les célèbres parois de la grotte de Lascaux. Leur savoir-faire minutieux permet de préserver ce patrimoine préhistorique unique pour les générations futures. Plongez dans l'univers fascinant de la reproduction d'art rupestre, un projet qui allie technologie et passion.Brasserie Castelin, Bénifontaine : L'art brassicole du NordDirection le Nord pour visiter la brasserie familiale Castelin à Bénifontaine, près de Lens. Découvrez l'histoire de cette brasserie centenaire, fière de ses racines et de sa résistance face à la standardisation. Plongez dans les secrets de fabrication de la bière Ch'ti, un véritable symbole de la région, et apprenez à apprécier le savoir-faire brassicole qui se transmet de génération en génération.Le moulin de Danemois, Essonne : Hommage à Claude FrançoisPoursuivez votre voyage dans l'Essonne, au moulin de Danemois, dernier refuge du légendaire Claude François. Explorez les pièces de sa collection personnelle et ressentez l'ambiance des années 60-70, cette époque dorée où la musique de Claude François a marqué l'imaginaire collectif. Un véritable plongeon dans l'univers de cette icône de la chanson française.Lancer de hache dans les Hautes-Pyrénées : Une expérience ludique et originaleEnsuite, cap sur les Hautes-Pyrénées, où vous découvrirez le lancer de hache, un sport de précision étonnant mais sécurisé. Apprenez les techniques du lancer et profitez de l'atmosphère conviviale de ce lieu insolite, où vous pourrez tester vos habiletés tout en vous amusant.La tarte au maroilles : Un délice du Nord avec le chef Fabrice MignotVotre aventure culinaire vous emmène ensuite au cœur du Nord de la France, où le chef Fabrice Mignot vous initiera aux secrets de la tarte au maroilles, un plat généreux et savoureux. Laissez-vous séduire par cette spécialité odorante et typique de la région, véritable emblème de la gastronomie locale.Des personnalités passionnées pour enrichir votre voyageTout au long de cette balade, des invités spéciaux vous accompagnent. Le comédien Georges Bélair vous guide à Carnac, où vous découvrirez le mystérieux patrimoine mégalithique, tandis que Sarah Doraghi vous expliquera l'origine de l'expression « mettre la pâtée à quelqu'un ». Ces personnalités passionnées partagent avec vous l'amour de leur région et vous permettent de mieux comprendre l'histoire et la culture locales.Un voyage à travers la diversité et la beauté de la FranceDe la préhistoire aux traditions culinaires, en passant par des découvertes sportives et culturelles, cet épisode de "Balades en France" vous promet un voyage riche en émotions et en savoir-faire exceptionnels. Préparez-vous à explorer la France sous un angle inédit et à célébrer sa diversité !Ne manquez pas cet épisode captivant, une véritable immersion dans les trésors de notre patrimoine !Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.

Odwiedziliśmy Perigord z Lascaux zwanym „Kaplicą Sykstyńską” prehistorii, okazałymi romańskimi zamkami będącymi świadkami wojny stuletniej i wieloma miejscowościami, które otrzymały oznaczenie najpiękniejszych we Francji.Na targu w średniowiecznym mieście Sarlat-la-Caneda szukaliśmy lokalnych przysmaków: foie gras i trufli należących do najlepszych na świecie.Mówi się, że kemping na terenie Masywu Centralnego z Owernią, krainą wygasłych wulkanów jest najlepszym sposobem na eksplorowanie prowincjonalnej Francji. Poznaliśmy tę krainę, a w Oksytanii odwiedziliśmy Albi ze znakomicie zachowaną średniowieczną architekturą oraz opactwo Moissac z najstarszym klasztorem na świecie, arcydzieło architektury romańskiej.Na koniec zajrzymy do Lyonu leżącego w dolinie rozdzielającej Masyw Centralny i Alpy.Gościem Jerzego Jopa była Grażyna Woźniczka, współtwórczyni i współwłaścicielka Polka Travel, kulturoznawca, latynoamerykanistka i filolog.

Quand on évoque les peintures ornant les parois des grottes de Lascaux ou de Chauvet, on utilise souvent l'expression de l'enfance de l'Art. Mais que sait-on de ces lointains représentants de notre espèce? En se baladant dans les galeries de certains musées ou en feuilletant de vieux manuels, on aurait tôt fait de penser qu'ils ne s'agissaient que d'hommes virils. Mais même les gros mascus ont été des bébés et des bambins ! Ce soir, notre invité Pedro Lima lève le voile sur l'enfance de l'enfance de l'humanité. Nous sommes le 18 Décembre 2024, vous êtes sur Podcast Science épisode 522, bienvenue ! Soutenez nous sur Patreon Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

The Lascaux cave paintings in France, dating back thousands of years, showcase the intelligence and skill of their ancient artists. Researchers have discovered tools such as scaffolding, stone lamps, and palettes used by the painters, revealing that they sourced local minerals to create a vibrant range of colors that have endured over time. To support this ministry financially, visit: https://www.oneplace.com/donate/1232/29

The Lascaux cave paintings in France, dating back thousands of years, showcase the intelligence and skill of their ancient artists. Researchers have discovered tools such as scaffolding, stone lamps, and palettes used by the painters, revealing that they sourced local minerals to create a vibrant range of colors that have endured over time. To support this ministry financially, visit: https://www.oneplace.com/donate/1232/29

Humanity needs a group project. From the cave paintings at Lascaux, and the pyramids of Giza, to the national parks of today, there is something beautiful about human beings working on something they will never see fully realized. I am by no means the first person to make this point, two millennia ago Cicero wrote about it, by quoting the poet Statius: “He plants his trees to serve a race to come,” Nowhere is this more apparent than in the dozens of Cathedrals I have visited during my numerous trips criss-crossing Europe.Given their intimidating size, one would be forgiven for being tempted to dismiss a cathedral as merely a tool intended to project church power. As a friend of mine is so fond of remarking on cathedrals, and their pipe organs in particular, “We got the biggest pile of rocks, and the loudest thing.” But to view these structures as only a church-led enterprise, one that common folk participated in as a last resort in the hope of getting a scrap of food, is to miss the evidence right before your eyes at many a cathedral.More than once I have stared up at a menagerie of fantastical gargoyles on the side of a gothic pile and seen something far more familiar. Doubtless you can bring an image of a traditional waterspout creature to mind, a stone dragon or lion with a gaping maw which vomits water during heavy rain. Now picture, instead of the pipe emerging from the jaws of a beast, it comes spouting fourth from the spread buttocks of a human figure. This image is rendered all the more amusing in its posture; clinging to the side of the cathedral in pose more reminiscent of a horny teenager's depiction of spiderman than anything one would associate with sanctity. Elsewhere I have seen Adam and Eve rendered with larger than usual breasts, genitals, and buttocks, a nursing baby Jesus with an all-too-knowing grin, and of course countless improbably shredded Christs. This last group often looks more like something from a recent Marvel film, than anything you'd plan on encountering at church.Please understand, I am not drawing your attention to all of this bawdy stonemasonry for mere jocularity, but rather to make a point. Cathedrals were such large enterprises, and took so long to complete that many details were either beneath the notice or beyond the care of their supervisors. I like to joke about this by remarking: “Remove the butt gargoyle? What do you want me to do? Climb up there and take out the flying buttress support?” But it is more than that, I believe some of these things were permitted in order to allow everyone to feel invested. These things were giant community art projects.Cathedrals often brought prosperity and tourism to the towns where they were constructed, especially if you could throw a relic or two in there to encourage pilgrimage. The downside was that they were usually being built in whatever time could be spared from the important tasks of day to day life. It often took decades, if not centuries, to build a cathedral. You could work your entire life on one of these structures and not live to see it have a roof. They were truly investments in the lives of hypothetical future people you would never see.It is my personal hope that the colonization of space could be our modern cathedral. I owe this comparison to none other than Ray Bradbury who noted that both enterprises are a “vast, ambitious, multigenerational undertaking, a shared vision to work toward together as a culture.” This sentiment obviously fills the pre-2006 installments of the popular Star Trek franchise, but has been seen more in more recent works. Take for instance Neal Stephenson's 2015 doorstop of a tome SevenEves. This book depicts millions of people working to launch a precious few into space, before a disastrous event wipes out all life on earth.But these are pie-in-the-literal-sky science fiction musings! Perhaps we should be focusing on more earthly problems? Sure you could make that argument. But I find it interesting to look at what an intelligent young person could hope for if they studied hard in the fifties and sixties. They could work at NASA, they could be involved with sending people to the moon! In the middle of the last century intelligent people were drawn to the promise of space travel, and they congregated in the United States to help realize that dream. Out of the ashes of the Second World War, a new space age would dawn. For a moment it seemed that it would, but now? If you work hard in science and math you could one day go work for Amazon, Google, or Tesla; enriching a billionaire! Wow! What Fun! The only reason those giant technology companies exist is because previous generations were sold the promise of outer space, only to find themselves chained to desks solving earthly supply chain and video streaming problems. It's no wonder the world seems to be descending into chaos, we're making our finest minds do drudge work.We seem to have lost sight of the potential we possess, we have stopped looking up. We have once again become obsessed with our problems down here on our pale blue dot. I am sympathetic to those who insist that earthly poverty is a huge issue, that climate change threatens us all, that there is no “Planet B.” But I think if we only look down we risk falling into petty in-fighting and sectarian conflict. We need to strive for the stars for the exact same reason people living in tiny mud huts poured so much of themselves into their cathedrals. Because they make us look upward at something greater than we could ever hope to achieve alone. I find that when I'm looking up, it is easy to overlook my differences with the person next to me. To stand side-by-side and wonder. So, let's go build a cathedral.

We spelen een spel vanavond! 't Is te zeggen, als de wifi niet uitvalt, want anders kunnen we niet verder. In dat geval moeten we zelf raden wat onze kameraad getekend heeft - en zien we eruit als de holbewoners van Lascaux? Moet in die tijd ook best pittig geweest zijn om door zo'n grot te navigeren. Die n00bs konden niet eens door muren kijken… Welkom in Computer Club, een podcast door Frederik 'Freddy' De Bosschere & Thomas 'Smollie' Smolders. Met dank aan Sebastiaan Van den Branden & Toon De Pauw voor de technische hulp. Wekelijks bespreken we de actualiteit op vlak van technologie en gaan we op zoek naar interessante feiten en innovaties. Af en toe nodigen we zelfs een gast uit. Er zijn ook jingles. Forum: https://computerclub.forum Word Vriend van de Show: https://vrienden.computerclub.online Nieuwsbrief: https://nieuwsbrief.computerclub.online Merchandise: https://computerclub.shop

durée : 00:13:52 - Focus sur le 15ème "Festival du Film DocumenTerre" de Montignac-Lascaux 14 au 17 novembre 2024

Språket möjliggjorde samarbete och gav upphov till något djupare – förmågan att skapa berättelser. De allra första berättelserna växte fram ur människans unika förmåga att återge och tolka händelser.Berättelser blev ett sätt att överföra kunskap från en generation till nästa, vilket gav våra förfäder ett verktyg att förstå både sin omgivning och sin plats i världen. Från de tidigaste spåren av mänskligt berättande till de episka sagor som har traderats genom muntlig tradition i årtusenden.Detta är det första av två avsnitt av podden Historia Nu om berättandets betydelse för mänskligheten. Programledare Urban Lindstedt samtalar med Jonathan Lindström som är aktuell med boken Världens äldsta historia – Hjältar, gudinnor och myter under 300 000 år.Den moderna människan uppstod för cirka 300 000 år. Genom att kunna kommunicera detaljerat och förmedla känslor kunde tidiga människor samarbeta på ett helt nytt sätt jämfört med andra arter. Dessutom blev språket en viktig del i att bygga gemenskap, eftersom det möjliggjorde delandet av idéer, erfarenheter och seder – något som var avgörande för kulturens utveckling.Den första berättelsen uppstod förmodligen redan för över 100 000 år sedan, när Homo sapiens hade utvecklat ett mer komplext språk. Tidiga berättelser handlade sannolikt om den omedelbara verkligheten – jakthistorier, möten med rovdjur eller dramatiska naturfenomen. Dessa berättelser hade en praktisk funktion: att dela erfarenheter och lära andra hur man skulle bete sig i olika situationer, samt att skapa en känsla av gemenskap och identitet inom gruppen.Genom att skapa ordnade narrativ kunde våra förfäder känna sig tryggare i en annars kaotisk värld. Berättelser om farliga djur, förändringar i vädermönster och migreringar hjälpte till att förbereda och skydda mänskliga samhällen. Berättelser var ett sätt att stärka sammanhållningen inom grupper, genom att föra vidare kollektiv kunskap som var avgörande för överlevnad. Dessutom stärkte berättelserna den sociala sammanhållningen inom gruppen, vilket ökade chanserna för samarbete och överlevnad.Klimatförändringar, som perioder av torka och kyla, ställde människan inför utmaningar som krävde anpassning och uppfinningsrikedom. Dessa förändringar pressade människogrupper att migrera och att finna nya sätt att överleva. Det var under dessa tider av prövning som berättelser om hjältemod, uthållighet och andliga förklaringar till naturfenomen började ta form. Dessa berättelser gav inte bara praktisk kunskap, utan också tröst och hopp i tider av osäkerhet.Urschamanen var en figur som stod i kontakt med andevärlden och naturens krafter och kunde förmedla budskap och insikter till sin stam. Berättelserna om shamaner fungerade som en bro mellan den synliga och osynliga världen och gav tidiga människor en förklaring till oförklarliga händelser som sjukdom, död och väderfenomen. Shamanismens berättelser kan ses som en form av tidig religion som hjälpte människor att förstå sin plats i världen.Bild: Grottmålningar från den sena istiden, som de i Lascaux i Frankrike, visar exempel på forntida berättelser som inte bara återgav jakt och djurliv, utan även ritualer och andliga symboler. Wikipedia.Musik: Electra To The Baltic Sea Full av Giuseppe Rizzo, Storyblock Audio.Lyssna också på Språkens historia – från proto-indoeuropeiska till rinkebysvenska.Klippare: Emanuel Lehtonen Vill du stödja podden och samtidigt höra ännu mer av Historia Nu? Gå med i vårt gille genom att klicka här: https://plus.acast.com/s/historianu-med-urban-lindstedt. Hosted on Acast. See acast.com/privacy for more information.

Pierrot le ouf Bookmakers #31 - L'auteur du mois : Pierre MichonNé en 1945 dans un hameau de la Creuse, Pierre Michon se voit parfois comme « le dernier écrivain du XIXe siècle ». En 1984, il publie ses fameuses « Vies minuscules » aujourd'hui considéré comme un classique, départ d'une œuvre exigeante constituée d'une douzaine de livres brefs portés par son goût des histoires en costumes, où sont peints les malheurs de Van Gogh (« Vie de Joseph Roulin ») ou les « infimes effets » du génie de Rimbaud (« Rimbaud le fils »). Détail : parmi ses protagonistes, il y a toujours un Pierre, un Pierrot, un Piero, un Piotr – ou un Robes/Pierre, comme dans « Les Onze » (2009), récompensé du grand prix de l'Académie française.  En 2023, ses fans ont vu leurs joues rougir. Après quatorze ans de quasi-silence bibliographique, Pierre Michon a « scandaleusement dégainé » un nouveau livre, intitulé « La Petite Beune ». Un texte « érotomane » de 74 pages, suite directe d'un roman pas plus gros de 1995, « La Grande Beune ». Si vous avez manqué le début : en 1961, près de la grotte de Lascaux, un instituteur de 20 ans prénommé Pierre nourrit un désir terrible pour une buraliste de quinze ans son aînée, Yvonne, qui ressemble à Ava Gardner dans « La Comtesse aux pieds nus ». Publiées chez Verdier, « Les deux Beune » ainsi rassemblées se sont vendues à 25 000 exemplaires et firent, comme à l'époque de « Vies minuscules », la Une du « Monde des livres » qui parla de « miracle ». Pour Michon, « construire une phrase est un dispositif de désir ». Pour nourrir le feu de ce troisième épisode, l'ami Pierrot évoque aussi bien « les chocolats métaphysiques » de Pessoa que ses relations avec ses éditeurs, tout en répondant à trois questions de sa jeune consœur Maria Pourchet. Et nous invite à méditer ce mantra fourré à la dynamite : « Pour écrire, il faut vouloir percer quelque mur, croire que prodigieusement les mots vont y entamer une brèche. » Hier comme aujourd'hui, le Mich' allume la mèche. Enregistrements : juin 2024 - Entretien, découpage : Richard Gaitet - Prises de son : Mathilde Guermonprez - Montage : Timothée Lerolle - Réalisation, mixage : Charlie Marcelet - Lectures : Timothée Lerolle - Musiques originales : Samuel Hirsch - Batterie, synthétiseurs : Ricky Hollywood - Illustration : Sylvain Cabot - Remerciements : Yann Potin

Have you ever felt a profound sense of grief for "the environment" and wondered how this heart-sense may ties into our kinship and ancient stories? Join our online community to discuss these ideas! In this episode, Sophie Strand and I explore this complex interplay, highlighting how symbiosis and mutual aid have played pivotal roles in evolutionary advancements and how consuming food, metabolism, is an act of metamorphosis. From the intimate dance between plants and fungi that reshaped our world, to personal reflections on seasonal changes, Sophie and I share our collective journey through climate grief and adaptation. We emphasize the essential nature of being grounded in our surroundings and fostering a kinship with the land.We also discuss the idea of uncertainty. What if embracing uncertainty could open up new ways of understanding our environment? New and old ways made new in their re-rooting. We tackle the topic of binary thinking, drawing on cognitive science and Andy Clark's work on predictive processing, revealing how rigid certainty can alienate us from nature. Sophie also carries the fascinating language of fungi (mycorrhizae and hyphae) to illustrate the broader ecological implications of communication, communion, and community. Through these connections, we underscore our often misguided efforts to control nature and the false sense of predictability it brings.Lastly, Sophie weaves together ancient myths and modern reinterpretations to uncover their ecological wisdom. Whether it's the symbolic cave art of Lascaux or the misunderstood roles of plants like autumn olive and Johnson grass, myths serve as durable vessels of environmental and social knowledge. We invite you to rethink these narratives as not just cultural artifacts, but as repositories of scientific data and ecological insights. Join us in this rich tapestry of stories, science, and spirituality, and rediscover the interconnectedness of life, death, and rebirth within our ecosystems.Read Sophie's Books HERE. Follow Sophie on Substack HERE.Buy Daniel's latest book HERE.Sophie Strand is a writer based in the Hudson Valley who focuses on the intersection of spirituality, storytelling, and ecology. But it would probably be more authentic to call her a neo-troubadour animist with a propensity to spin yarns that inevitably turn into love stories.

Imagine going to back 40,000 years ago to the moment when an ancient human decided to express his or herself creatively. In France, within the Lascaux Caves  exists non only one of the most perfectly preserved, but also one of oldest example of ancient cave art. Though the images appear as simple animals, plants and human figures is there deep meaning behind these works?  striderwilson.com Raw Dog Captain T's Sources: britannica.com, study.com, dailyartmagazine.com ‘All You Need To Know About The Lascaux Cave' by Vithoria Konzen Dill 2023, science.org ‘Did Neanderthals Paint Early Cave Art' by Michael Balter 2021, bbc.com ‘Neanderthal extinction Not Caused by Brutal Wipe Out' by Pallab Ghosh 2022

L'émission 28 Minutes du 20/08/2024 Patrimoine menacé : l'archéologue Nicolas Teyssandier lance l'alerte Au début des années 1990, Nicolas Teyssandier étudie l'histoire à l'université de Nanterre. Il y découvre l'archéologie un peu par hasard et lorsqu'il se rend sur son premier site de fouilles, il est conquis par l'effervescence qui règne sur le chantier. Après un doctorat en préhistoire, il intègre le CNRS et le laboratoire Traces. Il se spécialise dans les outillages en pierre taillée et l'émergence d'Homo sapiens. Le préhistorien estime que les archéologues doivent participer à la sauvegarde du patrimoine. À l'instar de la grotte Cosquer et de la grotte de Lascaux, de nombreux sites archéologiques, porteurs de la mémoire de l'humanité, sont aujourd'hui menacés par des phénomènes naturels ou des actions humaines. Dans l'ouvrage "Atlas des sites archéologiques menacés - Patrimoine à protéger", publié aux éditions du Cherche Midi, un collectif de chercheurs dirigé par Nicolas Teyssandier nous embarque dans un tour du monde illustré des vestiges nationaux et mondiaux, et réfléchit aux risques qui les menacent afin de tenter de les préserver. Nicolas Teyssandier est notre invité. L'offensive ukrainienne en Russie va-t-elle bouleverser l'issue de la guerre ? L'offensive lancée par l'Ukraine dans la région russe de Koursk, le 6 août dernier, se poursuit. 120 000 civils ont déjà fui la région. Kiev affirme contrôler 1 250 km² du territoire et avoir capturé plusieurs centaines de soldats. Il s'agit de la plus vaste incursion d'une armée étrangère sur le sol russe depuis la fin de la Seconde Guerre mondiale – un camouflet pour Vladimir Poutine. L'attaque est menée avec le soutien des alliés occidentaux de Kiev et leur matériel militaire : des enquêtes de la BBC et de Sky News ont confirmé la présence de chars britanniques, tandis que CNN a diffusé des images montrant des tanks de fabrication canadienne. Dimanche soir, Volodymyr Zelensky a déclaré sur Telegram que cette incursion visait à créer une zone tampon pour empêcher de nouvelles attaques de Moscou de l'autre côté de la frontière, près de Soumy. Si, pour l'instant, le Kremlin affirme qu'il "ne parlera pas" avec l'État ukrainien, qu'en sera-t-il si la situation perdure ? Cette offensive militaire bouleversera-t-elle les futures négociations entre Kiev et Moscou ? On en débat. Enfin, retrouvez également les chroniques de Virgile Bellaiche et Iban Raïs !   28 Minutes est le magazine d'actualité d'ARTE, présenté par Elisabeth Quin du lundi au jeudi à 20h05. Renaud Dély est aux commandes de l'émission le vendredi et le samedi. Ce podcast est coproduit par KM et ARTE Radio. Enregistrement : 20 août 2024 - Présentation : Jean-Mathieu Pernin - Production : KM, ARTE Radio

Tout l'été, les journalistes de RTL vous font découvrir un métier, une fonction. Dans ce numéro, on retrouve notre correspondant dans le sud-ouest, Denis Grandjou, qui est allé chercher la fraîcheur d'une des grottes les plus connues au monde, ou plutôt sa réplique exacte : Lascaux, dans la commune de Montignac, au cœur du Périgord Noir. Il est allé à la rencontre d'un des guides médiateurs qui travaille sur place avant de partir pour une visite guidée à vos côtés.

Nous sommes en 1627, à Jaktorow, petit village du centre-est de la Pologne. C'est là, dans une forêt avoisinante, que s'éteint, à l'âge de trente ans, le dernier Bos Primigenius, autrement dit Aurochs, ancêtre de tous les bovins, apparu il y a, environ , cinq cents mille ans. C'est une femelle. Une pierre commémorative, inaugurée le 14 mai 1972, en rappelle encore, aujourd'hui, le souvenir. C'est l'histoire de l'Aurochs que nous allons vous raconter : de sa déification à sa disparition, de ses représentations à Lascaux aux tentative de reconstitution. Invité : Claude Guintard, docteur vétérinaire, maître de conférences à l'école nationale, vétérinaire de Nantes et Dr es sciences du Museum national d'histoire naturelle à Paris. Fondateur et président du SIERDA, Syndicat international pour l'élevage, la reconnaissance et le développement de l'Aurochs-reconstitué. Auteur, avec Olivier Néron de Surgy de « L'Aurochs, de Lascaux au XXIe siècle » aux éditions Gerfaut. Sujets traités : Aurochs, mémoires, Pologne, Lascaux, bovins, Bos Primigenius Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Today on Sense of Soul podcast we have Stephen Palmer, he is the author of twenty genre novels, numerous narrative nonfiction and fiction books, published by various publishers since 1996. His most recent directions are into music books, and anthropology/psychology with his critically lauded work 'I Am Taurus.' His fiction has been in the fields of steampunk, SF, and near-future AI novels. The constellation we know as Taurus goes all the way back to cave paintings of aurochs at Lascaux. In I Am Taurus, author Stephen Palmer traces the story of the bull in the sky, starting from that point 19,000 years ago - a journey through the history of what has become known as the sacred bull. Each of the eleven sections is written from the perspective of the mythical Taurus, from the beginning at Lascaux to Mesopotamia, Ancient Egypt, Greece, Spain and elsewhere. This is not just a history of the bull but also an attempt to see ourselves through the eyes of the bull, illustrating our pre-literate use of myth, how the advent of writing and the urban revolution changed our view of ourselves, and how even the most modern of rituals - bullfighting in Spain - is a variation on the ancient sacrifice of the sacred bull. His main area of interest is the evolution of consciousness, about which he writes on his Substack. A materialist, he emphasises the evolutionary description of our minds and of the human condition itself. You can find him via his Substack, his blog at stephenpalmer.co.uk, or via his Facebook page. https://www.facebook.com/profile.php?id=100063669513509&__n=K https://www.collectiveinkbooks.com/iff-books/our-books/i-am-taurus

On Friday, April 26, the Olympic flame for the 2024 Paris games was officially handed over to a delegation from the Paris 2024 Organizing Committee during a ceremony in Athens Greece. The ceremony took place at the Panathenaic Stadium in Athens where the modern Olympics were first opened in 1896. At that time, the Olympic flame was passed to the delegation representing the country that will next host the games. And that is, of course, France. But to reach France from Greece, the torch will cross the Mediterranean on board the Belem, the majestic 3-masted ship owned by the Belem Foundation. It will cross the Atlantic, Indian, and Pacific Oceans as part of the Oceans Relay to reach six French overseas territories: Guadeloupe, Guyana, Martinique, French Polynesia, New Caledonia, and Reunion Island. Once in France, the flame will travel to the Lascaux caves, the Alésia archaeological site, the medieval city of Carcassonne, the Palace of Versailles, and many other sites. It will light up many of France's architectural masterpieces, beginning with the world-renowned site of Mont Saint-Michel. It will also visit places of remembrance, such as the Verdun Memorial and the D-Day Landing Beaches. 40 years ago in 1984, the Olympic torch crossed America to reach the West Coast, Los Angeles, for the official games. One of its first stops was Washington, DC where it stopped at the White House. In this podcast, we'll listen to the President's wonderful remarks delivered on the South Lawn.

Can you name a successful Christian artist living today? Right now, to be a Christian artist means to be not a very good Christian and not a very good artist. Nate and Brian welcome the larger-than-life figure of Doug TenNapel to the SASF show to discuss this problem. Doug T. is a comic artist and video game maker who has pivoted with the times and is now reaching a monthly audience of 17 million+ via his YouTube show, Doug in Exile, where he is known for political noticing. But the guys aren't here to talk about politics -- they want to debate art and Christianity and why so many artists are deviants. Doug tells awful stories about furries: Doug's been calling out perverts in Hollywood since the late 80s, and the furries who just recently started biting kids in public schools are just one more thing that Doug T. foretold. Since artists are the canaries in the world's coal mines, we know things are bad when our artists are crazy. Nate asks Doug to name one successful artist who isn't screwed up. Doug brings up the cave art in Lascaux, and hypothesizes that this early artist might be the only one who didn't sell out. Nate says he tells young Christian kids NOT to join the art world -- books, movies, paintings-- because it's corrupt and will try to chew them up and spit them out. Doug agrees, and then offers his own solution to the twin problems of art vs morality and commerce. Nate wants the Christian artist to know the industry's demands, Doug wants the Christian artist to never think once about what his audience wants. But both of them want to protect young artists from being ramrodded into the machine, and both of them are very indie in their efforts, and so Brian asks Nate and Doug why they have moved on from the publishing world, and the guys argue about whether the goal of art is to innovate. They argue about fine art being experiential or a tradesman-like craft. The crux of the show comes when Nate tells Doug he has a little bit of "follow your heart-ness" in him. Doug objects -- sort of. You'll also hear a bit about Doug's dreams for a cardboard movie, what Nate would work on if he had ten million dollars, how Doug had to give himself grace to make art. And of course you'll hear a bunch of great one lines: "Bulk is still a quality", "Anything worth doing is worth doing badly... so that you can learn to do it goodly," "I can't think of successful Christian artists who didn't sell out," and much more... #SASF #StoriesAreSoulFood #DougTenNapel #Cardboard #EarthwormJim #BigfootBill #Nnewts #DougInExile #NDWilson #CanonPress #Publishing #Art #DeviantArt #ArtDebate #ChristianArt #ChristianArtists #CavesofLascaux

durée : 01:20:03 - Les Nuits de France Culture - par : Philippe Garbit - Nous tous, chacun - Jacques, guide et gardien des grottes de Lascaux : Parties 1 à 3/3 (1ère diffusion : 29, 30/09/1980 et 01/10/1980)

In Episode 204, Greg and Pam finish the first chapter, Fibers in the Cave, of our book club book, The Golden Thread: How Fabric Changed History by Kassia St. Clair. Share how you are will enjoy the book on social media with #UnravelingBookClub. Check out our group on Facebook! We would love to have you join us there. GIVEAWAY: Check out our new MONTHLY giveaway just because our listeners are AWESOME! You can enter the March giveaway using this Google Form. NOTES We mentioned the famous cave Lascaux. SUPPORT THE SHOW KnitPicks & Crochet.com We are KnitPicks and Crochet.com (owned by KnitPicks) Affiliates! This means if you are going to shop at KnitPicks or Crochet.com, and start by clicking their names, the Unraveling Podcast will get a small commission at no extra cost to you! It's an easy way to support the podcast passively. (Note: links to specific yarns or products will appear like https://shrsl.com/3xzh0. These are correct and are custom links to track our account. They are safe!) Patreon You can financially support Unraveling…a knitting podcast on Patreon! Monthly membership levels are available at Swatch ($1), Shawl ($3), and Sweater ($6) and come with rewards like early access to book club episodes, access to a quarterly Zoom call, discounts on all Knitting Daddy patterns, and holiday cards. Everything available via Patreon is extra, the show remains unchanged and free. Financial support through Patreon helps us cover expenses like web hosting, prizes, prize shipping, and equipment upgrades. Affiliate Link Disclousure We are a KnitPicks Affiliate! This means that if you click on a KnitPicks link or Crochet.com, or the banner ad and make a purchase, we will receive a commission at no extra cost to you. This post contains affiliate links. That means that if you click on a link to Amazon and subsequently make a purchase, we'll receive a small commission from the sale. You pay the same, and the commissions will help cover our podcasting expenses. Our opinions are always our own. Find us all over the Internet Patreon: Unraveling…a knitting podcast Subscribe in iTunes: The Unraveling Podcast Podcast RSS Feed: Unraveling Podcast Facebook: Unraveling Podcast Instagram: @UnravelingPodcast Ravelry Group: Unraveling Podcast Greg is KnittingDaddy on Ravelry, @KnittingDaddy on Instagram, and also writes the KnittingDaddy blog. Pam is pammaher on Ravelry  and @pammaher on Instagram

Let's start with history. Art, in all its forms, has been a cornerstone of human civilization. From the cave paintings of Lascaux to the masterpieces of the Renaissance, from the haunting melodies of ancient folk songs to the boundary-pushing soundscapes of modern music, art has been our companion through every stage of human development. It's how we've expressed our deepest emotions, our greatest aspirations, and our most profound questions.

In this episode, I'm joined by author Rick de Yampert to discuss his book Crows and Ravens: Mystery, Myth, and Magic of Sacred Corvids. Rick discusses the intelligence of crows and ravens, crow language, how they show up in myth, religion, and prophecy, crow magic, and how a corvid just might have been depicted in the paleolithic cave art of Lascaux . Support Rebel Spirit Radio https://patreon.com/rebelspirit https://paypal.me/rebelspiritradio Rick de Yampert https://rickdeyampert.com/ https://mistercrowart.com/ https://wanderingspiral.com/ Crows and Ravens Llewellyn https://www.llewellyn.com/product.php?ean=9780738763873 Bookshop.org https://bookshop.org/p/books/crows-ravens-mystery-myth-magic-of-sacred-corvids-rick-de-yampert/20101716?ean=9780738763873 Connect with Rebel Spirit on Social Media Facebook: https://www.facebook.com/rebelspiritradio X: @RebelSpiritRad Instagram: https://www.instagram.com/rebelspiritradio https://www.rebelspiritradio.com #rebelspiritradio #crows #ravens #corvids #pagan #crowmagic #corvidconversation #magicalcorvides #mythandmystery

In episode 1967, Andrew talks to Matt Gatton, author of THE SHADOWS OF SOCRATES, about the heresy, war and treachery behind the trial of Socrates. Matt Gatton is a scholar based in Santa Fe, New Mexico. He is a pioneer of the study of the ritual and aesthetic uses of physical light in prehistory and classical antiquity. Gatton's groundbreaking work on optical distortions at Lascaux was published in the Journal of Applied Mathematics; and his work on the ritual use of optics at the influential ancient Greek temple of Eleusis was published by Oxford University Press. Gatton has presented his work at the Institute of Archaeology at Oxford, the University of Cologne, Slovak University, and Vanderbilt University. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

There has never been a fish on earth that we humans haven't been fascinated with and simply loved to death. The Romans on their conquest of Europe and the British Isles saw them leaping tall waterfalls and named them “salar”- the leaper . Gaulish Aquitania clans and tribes swore allegiance to the god Salmo rather than to Caesar, and thus perished by the sword . Early cave dwelling Neanderthals drew etchings of salmon at the caves of Lascaux in France near the River Vézère . When cave dwellers needed food for winter , salmon ran up rivers by the thousands all the way up to the Alps and throughout Europe. First Nations Indigenous peoples relied on the runs of salmon in North America /Greenland-and northern Europe. Royalty built castles and large land holdings on Atlantic salmon rivers, which are heavily controlled and coveted even to this day- the royal's Balmoral estate in Scotland is one such example. Salmon traded equally with gold in Rome during the empire and their wealth as a commodity today is immeasurable to populations and communities around the globe, from the Canadian Maritimes to Iceland/ Scotland/Norway/ Russia . Today, , besides being one of the most highly sought after game fish for fly fishers and commercial fisherman alike, their gastronomical delights appeal to palates and chefs that crave them for their delicious flesh-omega 3 for heart health benefits/Keto diets. But can this insatiable consumption be sustained by what is left in the oceans? Each time you order salmon in the restaurants you are part of the problem; and also part of the solution to saving them, and hopefully putting an end to disease filled farm raised salmon. Nevertheless , they are being driven to endangerment and extinction in some ecosystems. DO YOU ENJOY THE SHOW?  PLEASE TAKE A MOMENT TO LIKE AND REVIEW US ON APPLE AND SPOTIFY! IT WILL HELP US REACH EVEN FARTHER AROUND THE WORLD! THANK YOU! WE LOVE YOU! hallowedwatersjournal.com ARPOW Instagram https://www.instagram.com/arpowmusic/?hl=en Apple Music Link https://music.apple.com/us/album/floating/1538035394?i=1538035453 Find out more about Caleb and Jupiter Sound here - > JupiterSound.Studio --- Send in a voice message: https://podcasters.spotify.com/pod/show/hallowedwaters/message Support this podcast: https://podcasters.spotify.com/pod/show/hallowedwaters/support

There are so many things that don't survive the thousands of years between the past and present, and so many crafts and skills that are very difficult to identify from a material point of view. Luckily, we have expert artists who can help us out! This month, Matilda is joined by professional tattoo artist Daniel Riday, who will be chatting all about the tools and techniques used in ancient tattooing. What's the difference between using a blade versus a needle to create a tattoo? What's the oldest tattooing tool ever found? Are we really sure we know how Ötzi the Iceman got his tattoos? And why does Daniel want to mummify himself? Tune in to find out in the first of this exciting two-part special on the fascinating subject of ancient tattoos.Links EXARC tattooing project EXARC tattooing project published paper Chauvet cave paintings Lascaux cave paintings Maya Sialuk Jacobsen (Inuit tattoo traditions) Terra Metis CeramicsGuest Contact: Name: Daniel Riday Insta: @‌totemic_tattooContact the Host Email: matilda@thearchaeologiststeacup.com https://www.thearchaeologiststeacup.com insta: @the_archaeologists_teacup fb: /TheArchaeologistsTeacup twitter: @ArchaeoTeacupArchPodNet APN Website: https://www.archpodnet.com APN on Facebook: https://www.facebook.com/archpodnet APN on Twitter: https://www.twitter.com/archpodnet APN on Instagram: https://www.instagram.com/archpodnet Tee Public Store: https://www.teepublic.com/stores/archaeology-podcast-network?ref_id=5724Affiliates Motion: https://www.archpodnet.com/motion Liquid I.V.Ready to shop better hydration, use my special link https://zen.ai/thearchaeologypodnetworkfeed to save 20% off anything you order.

Lascaux Cave is an Ice Age wonder. Its walls and ceilings are adorned with stunning depictions of bison, aurochs and deer painted by hunter-gatherers 20,000 years ago using all kinds of pigments from red ochre to violet. They are, quite simply some of the most beautiful examples of Palaeolithic artwork ever discovered.In this episode of The Ancients, Tristan Hughes is joined by Prof. Paul Pettitt to delve into the wonders of Lascaux Cave. Together they explore how supposedly primitive hunter gatherers were capable of drawing such beautiful artwork and reflect on what it means for how we view Palaeolithic hunter gatherer societies today. This episode edited by Aidan Lonergan and produced by Joseph Knight and Annie Coloe.Discover the past with exclusive history documentaries and ad-free podcasts presented by world-renowned historians from History Hit. Watch them on your smart TV or on the go with your mobile device. Get 50% off your first 3 months with code ANCIENTS sign up now for your 14-day free trial HERE.You can take part in our listener survey here.

Once again I will be hosting my annual Arts Madness Tournament this Spring. I will be posting daily mini-episodes covering 64 diverse artists and artworks from all around the world and from the prehistoric to the present. While many episodes in season 9 will be encore presentations of pervious episodes as a refresher for the works in the tournament, I will have at least one new episode each week covering topics that have not been covered in previous seasons. Today's mini-episode is an encore presentation of the my episode about the artwork found painted and etched on the walls in the Lascaux Cave. It was accidentally discovered when some kids went chasing after their dog. I feel like I should also mention that they were able to safely recover the dog. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:58:06 - Le Cours de l'histoire - par : Xavier Mauduit - Des graines consommées par nos ancêtres du Paléolithique à la passion de Fidel Castro pour le milk-shake, l'illustrateur Jul et le critique gastronomique Aïtor Alfonso nous livrent dans "La Faim de l'histoire" un voyage à travers les siècles sous le prisme de l'alimentation. - invités : Jul Dessinateur de presse et auteur de bandes dessinées; Aitor Alfonso Journaliste-critique gastronomique

durée : 00:12:55 - Le jeu des 1000 € - par : Nicolas Stoufflet - Rendez-vous aussi demain à la TV à 15h25 sur France 3 !

durée : 00:12:51 - Le jeu des 1000 € - par : Nicolas Stoufflet - N'hésitez pas à vous abonner au podcast du jeu !

durée : 00:13:07 - Le jeu des 1000 € - par : Nicolas Stoufflet - N'hésitez pas à vous abonner au podcast du jeu !

Werner Herzog is one of the most idiosyncratic, original and prolific filmmakers of modern times, having made nearly 80 films over six decades. His features include Fitzcarraldo, Aguirre Wrath of God and Rescue Dawn, and his documentaries include the multi award-winning Grizzly Man, Cave Of Forgotten Dreams and Into the Abyss. Werner Herzog productions are the stuff of cinema legend, with stories of audacious shoots in inaccessible locations. He's also written several books, including a newly published memoir called Every Man For Himself And God Against All. Speaking to John Wilson from Los Angeles where he lives, Werner Herzog recalls his impoverished childhood in a remote Bavarian valley at the end of the Second World War. He says that, as a teenager, his discovery of a book about the Lascaux cave paintings was ‘like a bolt of lightning' to his creative imagination, and led to him making a documentary film about prehistoric cave art many years later. He describes how his films often start with a vivid or unusual image, and how he seeks to capture a sense of awe at the power of the natural world. Werner Herzog discusses the extremely arduous and dangerous conditions in which he made some of his best known films, including Fitzcarraldo and four other films starring the temperamentally volatile lead actor Klaus Kinski. Known for his deadpan, Bavarian-accented narration of his own documentary films, Herzog also reflects on how his distinctive voice has led to him being cast in menacing roles in Hollywood films, including Jack Reacher alongside Tom Cruise, and even a cameo in The Simpsons. Producer: Edwina Pitman

Sal and Liam run into trouble at the Lascaux caves . . . and find themselves sucked into theart—literally. Bookburners is a Realm production voiced by Xe Sands, created by Max Gladstone, and written by Max Gladstone, Margaret Dunlap, Amal El-Mohtar, Mur Lafferty, Andrea Phillips, and Brian Francis Slattery. Listen away. For more shows like this, visit Realm.fm, and sign up for our newsletter while you're there! Listen to this episode ad-free by joining Realm Unlimited or Realm+ on Apple Podcasts. Subscribers also get early access and exclusive bonus content! Visit realm.fm/unlimited Follow us on Instagram, Twitter, and TikTok. Want to chat about your favorite Realm shows? Join our Discord. Visit our merch store: realm.fm/merch Find and support our sponsors at: www.realm.fm/w/partners Learn more about your ad choices. Visit megaphone.fm/adchoices

En septembre 1940, Marcel Ravidat découvre un trou dans la colline de Lascaux. Il revient quelques jours plus tard avec 3 amis pour l'élargir et réussir à s'y glisser. Ils furent les premiers à voir sous leurs yeux les peintures laissées par nos ancêtres.

En septembre 1940, Marcel Ravidat découvre un trou dans la colline de Lascaux. Il revient quelques jours plus tard avec 3 amis pour l'élargir et réussir à s'y glisser. Ils furent les premiers à voir sous leurs yeux les peintures laissées par nos ancêtres.

En septembre 1940, Marcel Ravidat découvre un trou dans la colline de Lascaux. Il revient quelques jours plus tard avec 3 amis pour l'élargir et réussir à s'y glisser. Ils furent les premiers à voir sous leurs yeux les peintures laissées par nos ancêtres.

On September 12, 1940, a dog fell down a fox hole and four boys went in after it. They descended into a cavern with a makeshift lamp and hopes of finding their dog, but they found way more creatures than they were expecting. In this episode, we explore the caves of Lascaux, France and some of the most famous prehistoric art in the world. Check out my other podcast Art Smart | Rainbow Putty Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:54:55 - Le temps d'un bivouac - par : Daniel FIEVET - De l'impressionnante salle des Taureaux de la grotte de Lascaux aux sublimes peintures rupestres de la grotte Chauvet Pont d'arc en passant par les gravures magistrales de la grotte de Cussac, l'archéologue Jean-Michel Geneste nous emmène en excursion dans les plus belles grottes ornées de France.

From the cache! Until an all-new episode premiers this October, please enjoy this recast. Bob Ross, American painter and iconic TV host of the 80s and 90s, famously told us that there are no mistakes, only “happy little accidents.” There are numerous examples of history happening by accident--archaeologists accidentally stumbling upon a find, scientists accidentally discovering a breakthrough--and today we explore four such stories. First, we travel to 1856 when a teenager accidentally discovered mauve and synthetic dye while he was on vacation, which led to the pioneering of immunology and a Nobel prize. Then we head to 1940s France, when a group of teenagers chasing after a dog accidentally stumbled upon Lascaux cave, one of the greatest prehistoric finds of all time. Then we travel to 1767 to visit the Ayutthaya kingdom just before it was invaded by Burma. Almost 200 years later, a seemingly unremarkable statue pulled from its ruins finally tells its secrets: the Golden Buddha or, Phra Phuttha Maha Suwana Patimakon, is now one of the world's most famous statues, and if it hadn't been for an accident in the 1950s, we would all still believe it was made of nothing more than plaster and colored glass. Finally, we skip ahead all the way into the 2000s for a look at some accidental breakthrough MS research. Come join me as we uncover some of history's most incredible happy little accidents.

Join Rose Manley, Denny Gray and Lizzy Banks as they analyse a thrilling third stage of the Tour de France Femmes. The win was in the balance between the breakaway and the sprinter's teams, which gave the Cycling Podcast team plenty to pour over. Ashleigh Moolman-Pasio, Mischa Bredewold, Pfeiffer Georgi and Kathrin Hammes offer their insight. Plus we take a look at how things stand in the youth and green jerseys. Francois Thomazeau is on hand with his “French Flavour” and we hear how Denny got on at his first sighting of the Tour de France Caravan. The Cycling Podcast is supported by Science in Sport. Follow us on social media: Twitter @cycling_podcast Instagram @thecyclingpodcast The 11.01 Cappuccino Our regular email newsletter is now on Substack. Subscribe here for frothy, full-fat updates to enjoy any time (as long as it's after 11am). Science in Sport The Cycling Podcast has been supported since 2016 by Science In Sport. World leading experts in endurance nutrition. Go to scienceinsport.com to see the whole range. MAAP The Cycling Podcast x MAAP collection is available now. Go to maap.cc to see the full MAAP range. D Vine Cellars The 2023 Tour de France wine selection is available now at dvinecellars.com Friends of the Podcast Sign up as a Friend of the Podcast at thecyclingpodcast.com to listen to more than 60 exclusive episodes. The Cycling Podcast is on Strava The Cycling Podcast was founded in 2013 by Richard Moore, Daniel Friebe and Lionel Birnie.

Ce n'est pas encore la fin des vacances pour les filles, puisqu'aujourd'hui c'est un jour férié : le 8 mai, nous fêtons l'armistice de la Seconde Guerre mondiale. Les filles retourneront au collège et au lycée demain.  Pendant la première semaine des vacances, nous sommes partis en Corrèze. L'idée de cette destination m'est venue parce que cela nous permettait de visiter les grottes de Lascaux. www.onethinginafrenchday.com  

The palaeolithic period stretches across a vast period of space and time, but if there's one thing that really brings the prehistoric era to life for us today, it's cave art. Professor Paul Pettitt answers your top questions on what we can learn from the extraordinary prehistoric paintings and engravings found at places like Lascaux and Altamira. Speaking to David Musgrove, he delves into when and why this art was made, who made it, and how. Hosted on Acast. See acast.com/privacy for more information.

Melvyn Bragg and guests discuss ideas about the Stone Age people who created the extraordinary images found in caves around the world, from hand outlines to abstract symbols to the multicoloured paintings of prey animals at Chauvet and, as shown above, at Lascaux. In the 19th Century, it was assumed that only humans could have made these, as Neanderthals would have lacked the skills or imagination, but new tests suggest otherwise. How were the images created, were they meant to be for private viewing or public spaces, and what might their purposes have been? And, if Neanderthals were capable of creative work, in what ways were they different from humans? What might it have been like to experience the paintings, so far from natural light? With Alistair Pike Professor of Archaeological Sciences at the University of Southampton Chantal Conneller Senior Lecturer in Early Pre-History at Newcastle University And Paul Pettitt Professor of Palaeolithic Archaeology at Durham University Producer: Simon Tillotson