Podcasts about Iain Burnside

Ralph Vaughan Williams - Songs of Travel: The Roadside FireRoderick Williams, baritone Iain Burnside, pianoMore info about today's track: Naxos 8.557643Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Iain Burnside chooses his favourite recording of Mahler's Kindertotenlieder.

Iain Burnside chooses his favourite recording of Mahler's Kindertotenlieder.

Jess Gillam and bassoonist Guylaine Eckersley share their favourite tracks, with music by Abel Selaocoe, Pergolesi, Vivaldi, Laura Misch and a guilty pleasure from Frozen 2.Playlist: Abel Selaocoe - Ka Bohaleng / On the Sharp Side Pergolesi - Stabat Mater [Philippe Jaroussky (counter-tenor), Julia Lezhneva (soprano), I Barocchisti, Diego Fasolis] Kristen Anderson-Lopez and Robert Lopez - Into the Unknown [from Frozen 2] Rachmaninov - Symphony no 3 [Philadelphia Orchestra, Yannick Nezet Seguin] Vivaldi - Bassoon Concerto in A minor, rv498 [Sergio Azzolini (bassoon), L'Onda Armonica] Laura Misch - Glass Shards Grażyna Bacewicz - Concerto for String Orchestra [Amadeus Chamber Orchestra] Vaughan Williams - Silent Noon (from the House of Life) [Roderick Williams (baritone) , Iain Burnside (piano)]

Itaalia soprani Rosa Feola debüütalbum koondab palu, milles luule ja muusika on lahutamatult seotud. Laulja partneriks on elegantse stiiliga pianist Iain Burnside.

Iain Burnside studied at Oxford University, the Royal Academy of Music and the Chopin Academy in Warsaw. As a freelance pianist, he specialises in song repertoire and has collaborated in performances and recordings with many of the world's leading singers. In his recently formed Trio Balthasar, he performs a wide range of repertoire with violinist Michael Foyle and cellist Timothy Hugh. Iain is also a writer and broadcaster, and for many years presented BBC Radio 3's Voices, for which he won a Sony Radio Award. He is Artistic Director of the Ludlow English Song Weekend.   http://finalnotemagazine.com/articles/iain-burnside/

Classical pianist Iain Burnside and saxophonist Jess Gillam continue the musical journey, taking us from a tragic tale of a shepherdess in Yorkshire to the Appalachian Mountains and to Portugal. With the help of drummer Woody Woodmansey and biographer Paul Thompson, Cerys Matthews and Jeffrey Boakye discover new details and stories behind the five tracks on this week's playlist. Presenters Cerys Matthews and Jeffrey Boakye Producer Jerome Weatherald The five tracks in this week's playlist: Old Molly Metcalfe by Jake Thackray The Twelve Apostles, from 9 English Folk Songs from the Southern Appalachian Mountains by Ralph Vaughan Williams Don't Go Breaking My Heart by Elton John and Kiki Dee Starman by David Bowie Desfado by Ana Moura Other music in this episode: Tour de France by Kraftwerk Eena Meena Deeka by Kishore Kumar Appalachian Spring by Aaron Copland Harper Valley PTA by Jeannie C. Riley One Day Like This by Elbow

We sat down for a talk with pianist Iain Burnside. Internationally acclaimed as a leading collaborative pianist, (pretty much ideal, BBC Music Magazine) Iain Burnside has worked with many of the world's great singers. His discography features over fifty CDs, spanning a huge sweep of repertoire including the Gramophone Award-winning NMC Songbook.

I get floored every time by these six songs of lost youth, love and life written on the cusp of World War 1 by a young composer who didn't make it through. Raw, simple and unforgettable. Music here, with the terrific partnership of Roderick Williams and Iain Burnside, on Youtube or Spotify.  Listening time: 21 mins (Intro podcast, 8'; music 13') Here you'll find all the words to the songs.   Recorded in inescapable heavy rain, so apologies for the sound quality on this episode!   What do you think? Let us know with a comment at Cacophonyonline.com   If you like it, why not buy a download? You can get that here in top quality lossless sound for an English fiver or elsewhere. Cacophony doesn't make any money from it, but the musicians will make much more than through streaming. You can support Cacophony here.      

Iain Burnside chooses his favourite recording of Mozart's Quintet for Piano and Wind K.452. Mozart wrote his famous Quintet in E flat major for Piano and Winds in 1784 and it was premiered at the Imperial and Royal National Court Theater in Vienna. Shortly afterwards, Mozart wrote to his father: "I myself consider it to be the best thing I have written in my life." It is scored for piano, oboe, clarinet, horn and bassoon. And most people seem to agree with the composer that it is indeed one of his best pieces - with its amazing wind-writing and life-enhancing energy. Presented by Andrew McGregor.

Today I am talking to mezzo-soprano Carolyn Dobbin. In our chat we discuss Carolyn's career trajectory from art teacher to opera singer, and how her creativity carried her through loss and grief during the Covid-19 pandemic.Northern Irish mezzo-soprano and Samling Scholar, Carolyn began her career as a teacher of Art and Design before graduating from the Opera course at the Royal Scottish Academy of Music and Drama. Carolyn was Associate Artist at Welsh National Opera in 2010 and spent two years at Luzern opera house, Switzerland in 2012-2014.She has performed extensively in opera, oratorio and in solo recitals, including appearances at the Royal Opera House Linbury Studio, English National Opera, Grange Park Opera, Opera Holland Park, Luzerner Theatre, Stadttheater Bern, and the Royal Albert Hall. She has performed the roles of Carmen, Annio, Penelope, Bradamante, Polina, Meg Page, Dritte Dame, Lucretia, Amastre, Octavia, Nicklausse, Magdalena, Dorabella, Charlotte, Teodata, Concepcion, Scipio, Idamante and Angelina. She recorded the role of Madeleine in R. Loders rare opera ‘Raymond and Agnes'  with Richard Bonynge and Retrospect Opera, and Ethel Smythe's 'Fete Gallant' with Odaline de la Martinez. She released a solo CD ‘Caleno' with Delphian Records and Iain Burnside of songs by composers from Northern Ireland in 2018 and has appeared on BBC Radio 3 and BBC TV. She set up the Northern Irish song project which aims to collect and record many forgotten songs by Northern Irish composers and new song cycles by current composers.  Recent and future roles include Madam Popova in The Bear, Mary in Wagners Der Fliegende Höllander, Smeton in Anna Bolena for Longborough Festival Opera, Fenena in Nabucco and Alise In Lucia Di Lammermoor for Dorset Opera Festival , Mrs Peachum in Mrs Peachums School for Lovers and ‘ The Witch'  in Hansel and Gretel for Irish National Opera. Future roles include Siegrune in Wagner's Walküre 2020/23, Mary in Der Fliegende Höllander with Sir Bryn Terfel in 2022,  Northern Ireland Opera's Wallace Film Project, the premier of a new Harvey Weinstein based opera for the Belfast Festival,  Handels Alexander's Feast for the new Le Foyer des Artistes and Recitals of her Northern Ireland song project.Website: www.carolyndobbin.comInstagram: @carolyn_dobbin_mezzoTwitter: @carolyndobbin

Iain Burnside selects his favourite recordings of Debussy's Études

durée : 01:57:31 - En pistes ! du vendredi 05 mars 2021 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme les Romances sans paroles de Mendelssohn par Escenbach, Wintereise de Schubert avec Roderick Williams et Iain Burnside. Marianne Beate Kielland et Nils Anders Mortensen mettent à l'honneur des Lieder de Schumann. Découvrons le russe Nikolaï Miaskovski, Debussy et encore Georges Enesco. - réalisé par : Gilles Blanchard

Pianist Iain Burnside talks to Alex about classical music by living composers. Iain and Alex discuss music by Thomas Adès, Judith Weir and Sir James MacMillan.Subscribe to New Notes on Apple Podcasts, Spotify, or wherever you get your podcasts and you'll be the first to hear new episodes each week!New Notes is now on Instagram! Head to: https://www.instagram.com/newnotespod/

Irish soprano Ailish Tynan talks to BBC Music Magazine's editor Oliver Condy about her musical experiences in lockdown, recent streamed performances at the Royal Opera house and at Wigmore Hall and at home with her family, as well as the music that has inspired her throughout the year.Recordings featured:Wolf: GanymedJohn McCormack (tenor), Edwin Schneider (piano)Symposium SYMPCD1164 Schubert: Die ForelleAilish Tynan (soprano), Iain Burnside (piano)Delphian DCD34165 Mahler: Des Knaben Wunderhorn: Ablösung im SommerChristiane Karg (soprano), Malcolm Martineau (piano)Harmonia Mundi HMM905338 See acast.com/privacy for privacy and opt-out information.

Donald Macleod explores Beethoven’s vocal music with Iain Burnside and Simone Young. In this week’s episode, Donald Macleod and his guests discuss some personal favourites from Beethoven's vocal music, taking in the giants of choral repertory like the Missa Solemnis and the ninth symphony, his opera Fidelio and orchestral vocal music, as well as relishing the astonishing variety of his song-writing, from the song cycle An die Ferne Geliebte and the most profoundly moving vocal masterpieces, to a comic song most likely dashed off to amuse friends in a bar. Composer of the Week will be returning to the story of Beethoven’s life and music throughout 2020. Part of Radio 3’s Beethoven Unleashed season marking the 250th anniversary of Beethoven’s birth. Music Featured: Christus am Ölberge, Op 85 Ein Selbstgespräch, WoO 144 Adelaide, Op 46 Funeral Cantata on the Death of Emperor Joseph II Christus am Olberge, Op 85 Aus Goethes Faust, Op 75, No 3 Der Wachtelschlag, WoO 129 L'amante impaziente, Op 82 (a pair of settings) Ah Perfido!, Op 65 Mass in C, Op 86 (Gloria, Sanctus & Benedictus) Klage, WoO 112 Neue Liebe, neues Leben, WoO 127 Fantasia for Piano, Choir and Orchestra in C minor op 80 Music, Love and Wine, Op 108, No 1 La Tiranna, WoO 125 Fidelio (Act 1), O welche Lust, in freier Luft (Prisoner’s Chorus) Fidelio (Act 1, Abscheulicher! Wo eilst du hin? Fidelio (Act 2), Introduction and Aria Gott! Welch’ Dunkel hier! In des Lebens Frühlingstagen An die Hoffnung, Op 94 Maigesang (Mailied), Op 52, No 4 Three Lieder to poems by Goethe, Op 83 Der glorreiche Augenblick, Op 136 (Final chorus: Es treten hervor die Scharen der Frauen) Cantata on the Accession of Leopold II, WoO 88, Fliesse, Wonnezähre, fliesse! An die ferne geliebte, Op 98 Meerestille und glückliche Fahrt, Op 112 Der Kuss, Op 128 Abendlied unter dem gestirnten Himmel, WoO 150 Missa Solemnis in D major, Op 123, Credo Symphony No 9 (4th movement) Presented by Donald Macleod Produced by Johannah Smith for BBC Wales For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Beethoven Unleashed: Beethoven and the Voice https://www.bbc.co.uk/programmes/m000hv23 And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Iain Burnside recommends recordings of Chopin's four scherzi

Episode 3 of CMC's new podcast features an interview with Huddersfield Contemporary Music Festival artistic director, Graham McKenzie, Dáirine Ní Mheadhra on her project to commission Irish composers to write songs using Irish language texts, and CMC Scholar-in-residence Orla Shannon on the music and lives of twentieth-century Irish women composers Ina Boyle and Joan Trimble. Presented by Jonathan Grimes and Evonne Ferguson. Recording and production - Keith Fennell Editing - Jonathan Grimes Show Notes Ann Cleare https://www.cmc.ie/composers/ann-cleare Riot Ensemble http://riotensemble.com/ Huddersfield Contemporary Music Festival https://hcmf.co.uk/ CMC at HCMF https://www.cmc.ie/news/11202019–2125/cmc–2019-huddersfield-contemporary-music-festival Irish Language Art Song Project https://www.cmc.ie/AmhrainEalaineGhaeilge Joan Trimble https://www.cmc.ie/composers/joan-trimble Ina Boyle http://www.inaboyle.org/ Music Ann Cleare - Glór / Voice, Gavan Ring (voice), Louise Thomas (piano) - 00:02 Ann Cleare - Eyam V, RTÉ National Symphony Orchestra - 3:25, 12:04 Andrew Hamilton - An dóigh leat? Do you think?, Rachel Kelly (voice), John Hess (piano) - 14:22, 16:06 Jennifer Walshe - 12 Amhrán Faoi Athrú Aeráide / 12 Climate Change Songs, Anna Devin (voice), John Hess (piano) - 19:04 John Kinsella - Bóithre Bána / White Roads, Gavan Ring (voice), Louise Thomas (piano) - 22:11 Ryan Molloy - Ceoltóir na nÉan / Bird Singer, Rachel Kelly (voice), John Hess (piano) - 23:20, 24:28 Linda Buckley - Sólás / Solace, Rachel Kelly (voice), John Hess (piano) - 28:21, 30:02 Joan Trimble - Green Rain, Carolyn Dobbin (voice), Iain Burnside (piano) - 32:22 Ina Boyle - Symphony No. 1 ‘Glencree’ (second movement), RTÉ Concert Orchestra, conductor Kenneth Montgomery - 34:46, 45:56 Ina Boyle - Sleep Song, Aylish Kerrigan (voice), Dearbhla Collins (piano) - 41:02 Joan Trimble - Girl’s Song, Carolyn Dobbin (voice), Iain Burnside (piano) - 43:27

Classical pianist Iain Burnside discusses with Ivan six things which he thinks should be better known. Find out more about Iain at https://www.askonasholt.com/artists/iain-burnside/. The Scottish composer FG Scott https://signumrecords.com/product/songs-of-fg-scott-moonstruck/SIGCD096/ Sally Clarke’s spicy sweetcorn soup https://www.independent.co.uk/arts-entertainment/masters-of-modern-cookery-1-sally-clarke-the-soup-kitchen-1142406.html The website www.borrowmydoggy.com Molly Keane’s novel Good Behaviour https://www.irishtimes.com/culture/books/in-praise-of-older-books-good-behaviour-by-molly-keane-1991-1.3587124 Locke https://www.telegraph.co.uk/culture/film/filmreviews/10771751/Locke-film-review.html The Ludlow English Song Weekend http://ludlowenglishsongweekend.com

durée : 01:57:00 - En pistes ! du jeudi 12 septembre 2019 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Ce matin dans "En pistes!" : Selvadore Rähni et Tuuli Rähni explorent le répertoire français pour clarinette et piano, le pianiste Peter Donohoes publie le deuxième volume de ses enregistrement dédiés aux sonates de Mozart, Roderick Williams et Iain Burnside gravent ensemble "Die schöne Müllerin" - réalisé par : Olivier Guérin

Conservatoire training for singers and pianists tends to revolve around core skills and core repertoire. Changes in the music industry, however, demand a fresh look at what it means to […]

Iain Burnside recommends recordings of Richard Strauss's Four Last Songs

Iain Burnside compares recordings of Haydn's Piano Sonata in E-flat major Hob.XVI:52

Iain Burnside recommends a recorded version of Debussy's Piano Preludes Book 1.

In this episode we're joined by renowned renowned pianist and Guildhall professor Iain Burnside, along with actor Harvey Cole, Lighting Designer James McKeogh and soprano Isabelle Peters to discuss Iain's latest music theatre piece, 'Swansong'. We discuss from where the initial idea for the piece came, the added layers that interspersing songs with monologues can bring to a performance, and the challenges in staging a production that includes pianists, singers and actors. Swansong takes place on 4 and 5 November in the Milton Court Studio Theatre. The performances are sold out but you may be lucky enough to grab a return on the day from the Barbican Box Office (https://www.barbican.org.uk/whats-on/2017/event/swansong-devised-by-iain-burnside-guildhall-school). Follow us on Twitter (www.twitter.com/guildhallschool), Facebook (www.facebook.com/guildhallschool/) and Instagram (www.instagram.com/guildhallschool) and head to our website (www.gsmd.ac.uk) to stay up to date with all the events and news from the Guildhall School. Intro and outro music is Little Lily Swing by Tri-Tachyon, licenced under Creative Commons CC BY 4.0 (http://freemusicarchive.org/music/Tri-Tachyon/Little_Lily_Swing/Tri-Tachyon_-_01_-_Little_Lily_Swing)

Challenged by John Gilhooly, Director of Wigmore Hall to perform Schubert’s three great song cycles for the first time in his career, Roderick Williams embarks on a journey through vast emotional landscapes and diverse spiritual states together with his long-standing duo partner, Iain Burnside. But what challenges do they face? How can they escape the ghosts of the past? Ahead of their performance of Die schöne Müllerin, Roderick Williams and Iain Burnside discuss their journey so far.

Iain Burnside recommends the best recording of Beethoven's Diabelli Variations.

Iain Burnside compares recordings of Schubert's E flat Piano Trio D.929.

The powerful combination of music and literature and the collective talents of three institutions are the foundation stones for an exciting collaborative project led by renowned pianist and Guildhall professor Iain Burnside. Bringing together artists from the Guildhall School, Royal Irish Academy of Music, Dublin and the Juilliard School, New York, Drums and Guns is a devised piece which explores conflict in war and the impact it has on families left behind. This fresh and engaging production commemorates both World War I and the 1916 Easter Rising in Dublin.

We catch up with long-time Guildhall collaborator and professor Iain Burnside and movement coach Victoria Newlyn to talk about Shining Armour, Iain’s new take on Brahms’ masterpiece Die schöne Magelone – as told by Clara Schumann. Taking place on 14 January in Milton Court Concert Hall, the concert features the toast of the 2014 Proms Roderick Williams, alongside Iain, Victoria and opera student Alison Rose.

Iain Burnside introduces his new play A Soldier and a Maker, which is based on the songs, poems and letters of Ivor Gurney and opens in the Barbican Pit Theatre on 20 April. He discusses why Gurney is relatively unknown, the collaborative nature of rehearsals for the show, and what Guildhall singers and pianists will gain from the project. First published 13 April 2012.

Pianist Iain Burnside talks about recording Rachmaninov's complete songs for Delphian Records

Iain Burnside with a personal recommendation from recordings of Haydn's oratorio The Creation

In Conversation: Iain Burnside & Journeying Boys by Guildhall School of Music & Drama

A tribute to Susan Chilcott: James Jolly talks to Iain Burnside, Fiona Maddocks and David Sigall

Iain Burnside with a survey of recordings of Brahms' Piano Trio in B major, Op.8

It should be simple. All you have to do is turn a page of a score while the pianist’s hands are otherwise engaged. But page turning is fraught with difficulties, for both pianist and turner. What if you’re turning pages and a bee flies into your shirt and stings you? What if you’re playing and every time you need the page turned, the heaving embonpoint of your turner obscures your view of the music? Top of the list of Thankless Tasks, the essential but stressful job of page turning is only successful if it passes unnoticed. Find out what makes an accomplished page turner; being one of the world’s foremost pianists is not necessarily a qualification. Featuring Pierre Laurent Aimard, Iain Burnside, Ivan Ilic and Alice Farnham.

There are sad keys and glad keys, so they say; F sharp minor is turbulent and C major is sunny. Every pianist knows how a key feels under their fingers, as every key has its own combination of black and white on the keyboard. Before the Baroque period, keyboards had to be re-tuned to play in each different key. But with the development of the modern piano, so-called “equal temperament” evened out the differences between the keys. One great masterpiece represents this development – JS Bach’s The Well-Tempered Clavier, which expresses his faith in the new tuning system by having pieces in all the 24 different major and minor keys. But another curious factor of keys still remains a problem – the fact that different countries tune their pianos to different pitches. So middle C is, for instance, a bit higher in Germany than in the UK. Featuring Pierre-Laurent Aimard, Iain Burnside and David Owen Norris.

Iain Burnside with a personal recommendation from the available recordings of Beethoven's fourth published piano sonata, Op.7