Podcasts about Pergolesi

A Genève, la Cathédrale Saint-Pierre, temple du calvinisme, accueille jusquʹau 18 mai lʹune des œuvres phares de la contre-réforme : le Stabat Mater de Pergolesi, mis en scène par lʹItalien Romeo Castellucci avec le duo chantant Barbara Hannigan et Jakub Józef Orliński. Un événement et un choc esthétique. Chronique de Thierry Sartoretti.

Javier Gastón explora los sonidos de la Semana Santa en la música clásica. Suenan Liszt, Haydn, Miklós Rózsa, Vivaldi o Pergolesi, entre otros.

Music and conversation around an upcoming concert in Sandpoint, ID

Carlos Iribarren | Las sinfonías que podemos encontrar en ese período repleto de música maravillosa llamado Barroco son obras sencillas, que servían casi siempre como introducción a óperas. Algunas sí tenían entidad propia, algo que se desarrolló con mucha más importancia a partir del Clasicismo y podremos comprobarlo a lo largo de diferentes programas que iremos escuchando en las próximas temporadas. Hoy comenzamos con 10 ejemplos ilustrativos y muy interesantes de sinfonías creadas durante el Barroco en Italia, por lo que podremos disfrutar de joyas breves creadas por maestros como Albinoni, los hermanos Sammartini, Pergolesi o Alessandro y Domenico Scarlatti. Son piezas de gran brillantez que nos sirven para viajar a los siglos XVII y XVIII y disfrutar de la mejor música del mundo: la que suena siempre en Hoy Toca, el programa de Clásica FM que te quiere sorprender.

Actrice Charlotte Vandermeersch is dezer dagen 'Master van Filmfestival Oostende' dat net begonnen is. In Bar Miroir vertelt ze waarom ze zich verwant voelt met het personage Forrest Gump uit de gelijknamige film, wat ze zo intrigerend vindt aan de Britse zangeres FKA twigs of aan het Stabat mater van Pergolesi, en hoe het boek All fours van Miranda July haar ontroert en tegelijkertijd roodgloeiend maakt. See omnystudio.com/listener for privacy information.

Actrice Charlotte Vandermeersch is dezer dagen 'Master van Filmfestival Oostende' dat net begonnen is. In Bar Miroir vertelt ze waarom ze zich verwant voelt met het personage Forrest Gump uit de gelijknamige film, wat ze zo intrigerend vindt aan de Britse zangeres FKA twigs of aan het Stabat mater van Pergolesi, en hoe het boek All fours van Miranda July haar ontroert en tegelijkertijd roodgloeiend maakt. See omnystudio.com/listener for privacy information.

Las ciudades son escenarios vivos, expresión de nuestros ritmos cotidianos. En ellas se genera así una banda sonora característica que las define, que les otorga identidad . Hoy hablaremos de Nápoles, ciudad musical por excelencia. Entre tantas músicas de estilos diversos allí nació la canción más conocida del mundo O sole mio. Además del ambiente de sus calles y mercados, escucharemos la gran voz napolitana de Concetta Barra, fragmentos de la Gatta Cenerentola de Roberto de Simone, de la selva Padrona de Pergolesi y a otra voz napolitana, la de Vincenzo Cappezuto quien ell 29 de enero interpreta junto con el Motus Mandolin Quartet un concierto sobre el 800 napolitano. Finalizaremos con la pieza para piano Napoli de Poulenc Escuchar audio

Gepresenteerd door: Leonard Evers PRJCT Amsterdam Maarten Engeltjes, countertenor / leiding Carolyn Sampson, sopraan Ivan Iliev, viool Antonio Vivaldi - Nulla in mundo pax sincera RV 630 Antonio Vivaldi - Vioolconcert in g RV361a uit 'La Stravaganza' Antonio Vivaldi - Nisi Dominus Giovanni Battista Pergolesi - Stabat Mater

‘Prelude' is de opmaat naar het AVROTROS Vrijdagconcert! Gastspreker: countertenor en oprichter van PRJCT Amsterdam Maarten Engeltjes PRJCT Amsterdam Maarten Engeltjes, countertenor/leiding Carolyn Sampson, sopraan Ivan Iliev, concertmeester Vivaldi Nulla in mundo pax sincera Vivaldi Vioolconcert in g RV361a uit ‘La stravaganza' Vivaldi Nisi Dominus Pergolesi Stabat Mater Meer info & kaarten (https://www.npoklassiek.nl/concerten/c17747c4-de24-4b03-a4dd-f01e9a4acba5/stabat-mater-van-pergolesi) In deze podcast vertelt presentator Leonard Evers je iedere week meer over de bijzondere stukken die gaan klinken in TivoliVredenburg én op NPO Klassiek. Dat doet hij samen met verschillende gasten die in de studio aanschuiven. Aan de hand van muziekfragmenten word je warm gemaakt voor de mooie composities die je te wachten staan. Abonneer je nu! Alles over het AVROTROS Vrijdagconcert (https://www.nporadio4.nl/programmas/avrotros-vrijdagconcert) Prelude-Spotifylijst 'Leonards luistertips' (https://open.spotify.com/playlist/0HnaH8gzitGVB6zboIzgbu)

Kees en Botte zijn terug! In Masterworks bespreken ze per aflevering één groot muziekwerk uit de klassieke muziek. Deze keer Stabat Mater, de zwanenzang van de jonggestorven Italiaanse schoenmakerszoon en componist Pergolesi. Met lekker veel muziekfragmenten nemen Kees en Botte je mee op reis naar het tijdperk van de hoogbarok. Waar gaat Stabat Mater eigenlijk over?

One of the great roles of Holy Mother Church is to teach us how to speak to God, to create in our hearts the proper dispositions of religion. She does this especially through her liturgy, where we have a ceremony prepared for us such that all we have to do is enter into it and make ourselves one with it, as far as possible, in order to become holy.One of the most powerful ways in which the Church teaches us the sentiments we should have in our souls, and creates those sentiments in us is through her hymns. There are hundreds upon hundreds of hymns that have been created throughout the centuries, providing the Church with a vast musical repertoire.Among them all, there are two, however, that seem to stand out above the rest, two hymns of sorrow, two hymns concerned with the most lamentable topic possible: death.One is the Dies Irae, about the Last Judgment; the other is the Stabat Mater, about Our Lady witnessing the death of Our Lord.Both were composed in the 1200s; both were used as sequences at Mass and were among the five sequences that were kept by Pope Pius V when he canonized the Tridentine Mass.Both of them were set to music by great composers on their deathbed. Mozart was composing music for the Dies Irae when he died at the age of 35; Pergolesi was composing music for the Stabat Mater when he died at the age of 26.Both of them were lost to the liturgy of the Church when the Novus Ordo Mass got rid of Latin and Gregorian Chant. We are blessed to be able to hold on to them and profit from them by holding on to the traditional Mass.We are more familiar with the Stabat Mater than the Dies Irae because we sing the Stabat Mater whenever we pray the Stations of the Cross during Lent.The Franciscans have a great devotion to the Passion of Our Lord and you know that St. Francis of Assisi received the very wounds of Our Lord in his body. Less than a century after the death of St. Francis, the Franciscan Jacopone da Todi composed the Stabat Mater. His composition is so beautiful and inspiring that over 300 composers have set the words of the hymn to music.The hymns has twenty stanzas. The first four stanzas set the scene by telling the story of what is happening; the next four stanzas make an appeal to the one listening to the hymn to have sympathy for this mother who is standing at the foot of the cross of her dying Son. Then there are ten stanzas addressed directly to Our Lady, making beautiful requests of her. Finally, the hymn ends with two stanzas addressed to Our Lord, asking Him that we may go to Heaven when we die.I would like for us to focus upon those ten stanzas in the middle of the hymn where we make our appeal to Our Lady.

Gundula Janowitz Maureen Forrester Berlin Philharmonic Conductor: Claudio Abbado Salzburg Festival 6 August 1968 Broadcast

In 2020 Coronavirus threatened to kill opera! By 2022, only one man could save it - using his one person production of La Serva Padrona - where baroque meets 1970s funk in a new English version of Pergolesi's 1733 comic masterpiece. Thos joins the extremely talented musical academic and performer, David William Hughes, to discuss the third of his historic music trilogy - a joyous and delightful version of La Serva Padrona - served up from "an emergency opera kit" saved over from the Cold War era!  It's a funkadelic relic!

We mark Good Friday in music, words and prayer at St Bride's Church, Fleet Street, at our Three Hours' Devotion. Download Order of Service → https://bit.ly/3TTNmVk The central section of our Three Hour Good Friday observance this year is a reflection on the Passion narrative in St Matthew's Gospel, focussing on three key individuals: Judas, Pilate and Jesus. Each section of this Gospel account is explored through reflection, prayer, and silence, alongside some wonderful Passiontide hymns and instrumental music. The Three Hour Devotion begins at 12pm with a performance of Pergolesi's Stabat Mater (Listen here: https://soundcloud.com/st-brides-church/pergolesi-stabat-mater-1) and concludes at 2pm with a performance of Stainer's The Crucifixion (Listen here: https://soundcloud.com/st-brides-church/stainer-crucifixion). If you enjoy listening, please leave a comment below or subscribe to our channel. It is great to get your feedback. We are hugely grateful for people's generosity which we rely on to continue our work, maintain our wonderful architectural heritage and support world-class music. If you would like to make a donation, you can do so at www.justgiving.com/stbrideschurchfleetstreet Alternatively, in the UK, text 5STBRIDES or 10STBRIDES or 20STBRIDES to 70470 to donate £5, £10 or £20.

1736. De Italiaanse componist Giovanni Battista Pergolesi blaast een nieuwe wind door de kerk met zijn versie van het Stabat Mater. Vocale muziek op een hartverscheurend middeleeuws gedicht over Moeder Maria bij haar gekruisigde zoon Jezus. Met dit ontroerend werk werd Pergolesi de one-hit wonder uit de klassieke muziek. Zijn Stabat Mater werd de meest gedrukte muziek uit de 18de eeuw. Moeilijke woorden: Stabat Mater, castraatzanger, syncope Uitvoering: Philippe Jaroussky, Julia Lezhneva

De uitzending van Klassiekuur een pianoconcerto van Hiller, een Canzona van Hassler, een Toccata van Sweelinck, het Kyrië uit de Missa Criolla van Ramirez, een Elevazione voor hobo en cello van Zipoli, een Sinfonia van Pergolesi, het Rondo uit een vioolconcerto van Mozart en de Derde Fantasia van Peter Benoit. Kortom, een Klassiekuur met heel […]

Compositors de totes les

The second of my Listeners' Favorites episodes for January is introduced by my dear friend Elliot Levine, a founding member of the Western Wind Vocal Ensemble, with whom he sang bass for 47 years. He is also an exceptional composer (who among his many other works has composed material expressly for me which I have sung with great pleasure and joy), He is also a valued choral singer and clinician. He has been a devoted listener to, and supporter of, Countermelody since its inception and among his many favorite episodes, he has chosen one of my very favorites to highlight, my birthday tribute, first published three years ago, to superbissima Margaret Marshall, who celebrates her birthday on January 4th. Since she burst upon the scene in the late 1970s, Margaret Marshall has been a favorite of lovers of great singing. Her timbre, artistry, and technical facility evoke comparisons with many treasured singers of the past. Though she retired from public performance in 2005, in the year 2020 she launched, in tandem with her daughter Nicola and a group of dedicated supporters, a website called Songbird, which focuses on the early years of her career, and which features many rare soundclips, both live and studio, from that period, many of which have been assembled into a new downloadable release entitled “Margaret Marshall Songbird.” Today's episode features a wide range of her live and studio recordings, including a few samples from the Songbird release. Included are works by Galuppi, Pergolesi, Vivaldi, Bach, Handel, Haydn, Mozart, Salieri, Gluck, Elgar, Finzi, Richard Strauss, and Alban Berg in recordings and performances between 1975 and 1990, with collaborators including conductors Neville Marriner, Riccardo Muti, John Eliot Gardiner, Vittorio Negri, Charles Groves, Antal Doráti, Philip Ledger, and Rafael Kubelik and fellow singers Ann Murray, Francisco Araiza, Alfreda Hodgson, Felicity Palmer, and Sesto Bruscantini. Compiling this episode has provided my ears and spirit with many blissful hours; I wish my listeners the same experience! Many thanks to both Margaret and Nicola for providing advice and guidance in the selection of today's material, and many happy returns to the “Scottish supersoprano”! Since this episode was published, Margaret has published a second series of rare recordings available via download on her website, as well as Apple and Spotify. Margaret Marshall Songbird 2 includes exquisite performances of Bach, Mozart, Schubert, Wolf, and Sacchini, and, like the performances on this recording, simply must be heard to be believed. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.

Jess Gillam and bassoonist Guylaine Eckersley share their favourite tracks, with music by Abel Selaocoe, Pergolesi, Vivaldi, Laura Misch and a guilty pleasure from Frozen 2.Playlist: Abel Selaocoe - Ka Bohaleng / On the Sharp Side Pergolesi - Stabat Mater [Philippe Jaroussky (counter-tenor), Julia Lezhneva (soprano), I Barocchisti, Diego Fasolis] Kristen Anderson-Lopez and Robert Lopez - Into the Unknown [from Frozen 2] Rachmaninov - Symphony no 3 [Philadelphia Orchestra, Yannick Nezet Seguin] Vivaldi - Bassoon Concerto in A minor, rv498 [Sergio Azzolini (bassoon), L'Onda Armonica] Laura Misch - Glass Shards Grażyna Bacewicz - Concerto for String Orchestra [Amadeus Chamber Orchestra] Vaughan Williams - Silent Noon (from the House of Life) [Roderick Williams (baritone) , Iain Burnside (piano)]

Walter Murch is a Hollywood legend. He's won three Oscars for his sound and editing work on Apocalypse Now and The English Patient, and his credits include some of the most acclaimed and discussed films of the past half century – The Godfather trilogy, The Conversation, The Talented Mr Ripley. He co-wrote the first movie George Lucas ever directed – the dystopian science fiction drama THX 1138. In 1985 he made his own directorial debut with Return to Oz – an unofficial sequel to The Wizard of Oz. As an editor and sound mixer - and the only person to win Academy Awards in both categories - he's thought deeply about the craft of cinema and all its possibilities, ideas which he shared in his book In the Blink of an Eye. Walter's musical choices include Wagner, Beethoven, Pergolesi and Chopin.

Pergolesi surematut Stabat Materit esitavad Sahhalini saarelt pärinev sopran Julia Lezhneva ja prantsuse kontratenor Philippe Jaroussky, ansamblit I Barocchisti juhatab Diego Fasolis.

Deze gevarieerde uitzending bevat zowel religieuze Mariale en Godgewijde muziek, evenals instrumentale partituren van Sonate, Strijkkwartet, Quintet en Sinfonia. In de tijd bewegen we ons van middeleeuwse tot hedendaagse muziek van bekende en minder bekende namen als: Gibbons, Parry, Mozart, Pergolesi, Sokoïnicki, Valentini en van Beethoven.

Il 1993 ha Curdin Lansel gì l'idea da fundar in chor da project per l'Engiadina e la Val Müstair. In chor nua che chantaduras e chantadurs da divers lieus pon s'inscuntrar per elavurar cuminaivlamain in concert. Uss, suenter 30 onns, dat Curdin Lansel giu la batgetta. La surdada da la direcziun ha Lansel era fatg a chaschun dals ultims concerts dal Cor Proget 23. L'Artg musical porta il concert a Sent cun musica da Mozart, Pergolesi e Schubert.

Viernes por la noche. Una copa de vino, un buen refrigerio, incluso hasta una buena compañía nos viene bien para escuchar estas referencias musicales que se han mantenido a lo largo de la historia y se seguirán escuchando más allá de todos los tiempos. Si te gusta lo que escuchas y deseas apoyarnos puedes dejar tu donación en PayPal, ahí nos encuentras como @IrvingSun --- Send in a voice message: https://podcasters.spotify.com/pod/show/irving-sun/message

Eigentlich wollte Regisseur David Marton bereits im Jahr 2020 die Oper „L‘Olimpiade“ von Giovanni Battista Pergolesi am Opernhaus Zürich inszenieren, aber Corona ließ das Projekt platzen. Statt Trübsal zu blasen, geht Marton mit seiner Kamerafrau in ein Seniorenheim, und dort spielt er den Menschen Teile aus Pergolesis Oper vor. Aus diesen Aufnahmen wird ein Dokumentarfilm, der jetzt zusammen mit Live-Musik am Theater Freiburg zu sehen ist. Ein spannendes Projekt, das David Marton im Gespräch mit SWR2 vorstellt.

Las voces femeninas siempre nos han conmovido en Hoy Toca y en este programa queremos escuchar y descubrir las de 6 absolutas estrellas del panorama actual. Ellas son la estadounidense Vivica Genaux, la italiana Anna Bonitatibus, la letona Elina Garanca y la checa Magdalena Kozena. Son 4 mezzosopranos del máximo nivel, aquí acompañadas por otras 2 poseedoras de unas voces increíbles, las contraltos Nathalie Stutzmann y Sara Mingardo, francesa e italiana respectivamente. Para conocerlas mejor, nos visita la musicóloga y periodista Lorena Jiménez, quien ha entrevistado a las 6 en los últimos años y nos descubre cómo son en la distancia corta. Las arias escogidas por Carlos, de autores tan destacados como Bizet, Donizetti, Vivaldi y Pergolesi, ilustran y completan la nueva entrega de Hoy Toca, el programa de Clásica FM que te quiere sorprender.

Við ræðum við Hallveigu Rúnarsdóttur sópransöngkonu í þætti dagsins, um eitt dáðasta tónverk barrokktímans, Stabat Mater eftir Pergolesi, sem samið var við einn þekktasta sálm kristninnnar. Hallveig mun flytja verkið ásamt Hildigunni Einarsdóttur og Kammersveit Reykjavíkur á Skírdag í Hallgrímskirkju. Hafnarborg, menningarmiðstöð Hafnarfjarðar, verður viðkomustaður okkar í þætti dagsins. Í Sverrissal, einum sýningarsalanna þar, er nú uppi sýningin Ritaðar myndir þar sem gefur að líta nokkuð dularfullar myndir Jóhanns S. Vilhjálmssonar. Þetta eru gríðarflóknar tekningar, form og órætt letur, sem minna jafnt á norrænan myndheim og skreytilist fjarlægra landa. Við hittum Jóhann í dag og ræðum líka við Jón Proppé um listhans, en Jón er sýningarstjóri ásamt Erlingi Klingenberg. Og í dag kynnum við til leiks nýjan pistlahöfund hér í Víðsjá. Tónlistarmaðurinn Teitur Magnússon mun á næstu vikum flytja okkur pistla um Glatað snillinga. Í dag fáum við að heyra um einn helsta frumkvöðul kántrí- og þjóðlagarokktónlistar, Gene Clark.

Við ræðum við Hallveigu Rúnarsdóttur sópransöngkonu í þætti dagsins, um eitt dáðasta tónverk barrokktímans, Stabat Mater eftir Pergolesi, sem samið var við einn þekktasta sálm kristninnnar. Hallveig mun flytja verkið ásamt Hildigunni Einarsdóttur og Kammersveit Reykjavíkur á Skírdag í Hallgrímskirkju. Hafnarborg, menningarmiðstöð Hafnarfjarðar, verður viðkomustaður okkar í þætti dagsins. Í Sverrissal, einum sýningarsalanna þar, er nú uppi sýningin Ritaðar myndir þar sem gefur að líta nokkuð dularfullar myndir Jóhanns S. Vilhjálmssonar. Þetta eru gríðarflóknar tekningar, form og órætt letur, sem minna jafnt á norrænan myndheim og skreytilist fjarlægra landa. Við hittum Jóhann í dag og ræðum líka við Jón Proppé um listhans, en Jón er sýningarstjóri ásamt Erlingi Klingenberg. Og í dag kynnum við til leiks nýjan pistlahöfund hér í Víðsjá. Tónlistarmaðurinn Teitur Magnússon mun á næstu vikum flytja okkur pistla um Glatað snillinga. Í dag fáum við að heyra um einn helsta frumkvöðul kántrí- og þjóðlagarokktónlistar, Gene Clark.

Élete és művei egy órában.

Élete és művei egy órában.

The Trinity Youth Chorus, alongside the Trinity Baroque Orchestra, performed a special Compline by Candlelight service, a performance of Pergolesi's Stabat Mater. Pergolesi's work is based on the Stabat Mater Dolorosa hymn, a powerful meditation on the suffering of Mary as Jesus Christ's mother during his crucifixion. Arrangement by Melissa Attebury. Pergolesi Stabat Mater Trinity Youth Chorus; Trinity Baroque Orchestra; Melissa Attebury, director

One morning in December of 2012, Laura Phelps's little children went to school and lived through an attack by a madman who shot 20 of their classmates. Laura's community was devastated and she became a ‘Sandy Hook Mom' helping people find their way through trauma of this senseless violence. She describes her walk with Mary, who watched the execution of her innocent and perfect son, in her book, Sweet Cross: A Marian Guide to Suffering. Laura Phelps's website. Stabat Mater, Pergolesi (1736) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

One morning in December of 2012, Laura Phelps's little children went to school and lived through an attack by a madman who shot 20 of their classmates. Laura's community was devastated and she became a ‘Sandy Hook Mom' helping people find their way through trauma of this senseless violence. She describes her walk with Mary, who watched the execution of her innocent and perfect son, in her book, Sweet Cross: A Marian Guide to Suffering. Laura Phelps's website. Stabat Mater, Pergolesi (1736) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

One morning in December of 2012, Laura Phelps's little children went to school and lived through an attack by a madman who shot 20 of their classmates. Laura's community was devastated and she became a ‘Sandy Hook Mom' helping people find their way through trauma of this senseless violence. She describes her walk with Mary, who watched the execution of her innocent and perfect son, in her book, Sweet Cross: A Marian Guide to Suffering. Laura Phelps's website. Stabat Mater, Pergolesi (1736) Learn more about your ad choices. Visit megaphone.fm/adchoices

Resumen de las noticias económicas en Colombia y el mundo Enero 22/2023 Segunda Temporada 210 Temas del día, China, FMI, Davos, Datos macroeconómicos, Europa, BVC , SP500 , StockMarkets, Google , Criptomonedas, Bitcoin, VIX, Dólar, Economía Colombiana , Oro, FED , Pergolesi

The writer Julia Blackburn talks to Michael Berkeley about how music helped her through her traumatic childhood and about the joy of late-flowering love. Julia Blackburn is the author of novels, poetry, plays and books about historical figures including Napoleon, Billie Holiday, Goya, and the Norfolk artist John Craske, as well as books about grief, her love of animals, and the natural world. She's also published memoirs, including an astonishing book about her childhood, The Three of Us. Julia shares her love of Beethoven, Pergolesi, English folk song, music from central Africa, and the songs of Billie Holiday, which helped her through her a childhood marked by chaos and neglect. And she tells Michael Berkeley about the happiness she has found in bringing up her own children, and the delight she has found in love later in life. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

Il Settembre in Italia e l'origine del genere buffo. Il PERGOLESI e la sua breve esistenza creativa.

Dan Kokotov is a finalist for a musical composition competition with his piece called "Pergolesi Segment 3." He joins Lexman to discuss the competition, how the piece came to be, and how it relates to his Wesleyan education.

There's so much suffering and struggle in this life for all of God's children. In her book, Sweet Cross: A Marian Guide to Suffering, Laura Phelps, a 'Sandy Hook Mom,' reflects on how we can stand with Mary, Our Lady, our mother, on Golgotha. Laura Phelps's website: https://www.lauramaryphelps.com/ Stabat Mater, Pergolesi (1736): https://youtu.be/qzOmPUu-F_M

TITLE: Newly discovered Pergolesi TRACK: Gloria from Pergolesi's Mass in D Major ARTIST: Ghislieri Consort and Choir PUBLISHER: 2018 Associazione Ghislieri Musica, under exclusive licence to Outhere Music Franc

TITLE: Newly discovered Pergolesi TRACK: Gloria from Pergolesi's Mass in D Major ARTIST: Ghislieri Consort and Choir PUBLISHER: 2018 Associazione Ghislieri Musica, under exclusive licence to Outhere Music Franc

For Christians, this week is probably the most central to the theology of their faith, focusing as it does on the story of the Passion of the Christ. My dear friend, the choral conductor and singer Kristina Boerger posted a fascinating meditation this week about her “complicated” relationship with this theology, and how the performance of music for Holy Week over the years has given her insight into some universal tenets about human nature and behavior. She very kindly agreed to read her essay for me to use as the basis of this week's podcast, which features music written for, and associated with, the Passion. Composers featured include, from the Baroque era, Couperin, Schütz, Handel, and Bach (with Pergolesi right on the cusp); from the 19th century, Beethoven, Schubert, and Wolf; and from the 20th century, Hindemith, Szymanowski, Poulenc, Penderecki, Frank Martin, and Arvo Pärt. Featured singers include Régine Crespin, Irmgard Seefried, Peter Schreier, Gundula Janowitz, Richard Lewis, Florence Quivar, Andrzej Hiolski, Judith Raskin, Jorma Hynninen, Margaret Marshall, Benjamin Luxon, Muriel Smith, Walter Berry, Edda Moser, and Adele Addison, plus further encounters with several of the Swiss singers we explored last week (Hugues Cuénod, Maria Stader, Eric Tappy, Pierre Mollet, and Ernst Haefliger). Whether you are Christian, agnostic, atheist, Muslim, Jew, or fall into a different category altogether, there will be something here for you of value in this episode. The Countermelody podcast is devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

This Saturday (4/2) at 8pm and Sunday (4/3) at 2:30pm, Chatham Baroque presents Pergolesi's "Stabat Mater" with guest artists Pascale Beaudin, soprano; Reginald Mobley, countertenor; Cynthia Black, violin; Kristen Linfante, viola; and  Adam Pearl, chamber organ.  The concerts take place at East Liberty Presbyterian Church.   Chatham Baroque violinist Andrew Fouts and soprano Pascale Beaudin stopped by WQED-FM to talk with Anna Singer about the concerts.  

Vivica Genaux gehört seit vielen Jahren zu den Stars der Barock-Opernszene. Immer wieder nimmt sie sich Partien vor, die für die berühmten Kastraten des 18. Jahrhunderts geschrieben wurden. Im Podcast mit Claus Spahn  spricht die in Alaska geborene Mezzosopranistin über das Zürcher Pergolesi-Projekt «L'Olimpiade», an dem sie mitwirkt, den generellen Siegeszug der Barockoper und den langen Atem, den man für eine Kastratenarie braucht.

Els Reis de la lectura celebren l'aniversari de Cavall Fort: avui rebem la directora de la revista, Merc

Els Reis de la lectura celebren l'aniversari de Cavall Fort: avui rebem la directora de la revista, Merc

Pergolesi: La Serva Padrona ( Maid into Mistress of the House). The first Baroque comic opera whose arias and duets delight to this day. A saucy maid schemes to get her rich old master to marry her. 

Hello dear friends! Today we are talking to remarkable people in the early music field: Thomas Höft - author, director, curator, and dramaturge, Michael Hell - musical director, cembalist, recorder player, and Adrian Schvarzstein - clown, actor, circus and theater director. They are performing a concert in the concert series Freunde Alter Musik Basel and we had an enlightening conversation about Italian theater traditions, historical approach to humor, equality, curating in music.  You can enjoy the colorful atmosphere of the Basel show here https://scharlatan.weebly.com/basel-2021.html Check out the trailer here https://scharlatan.weebly.com/gallery--text.html Don't forget to join our Telegram channel, and our Instagram page,  and tell your friend about us, it will allow more people to discover our  existence! https://www.instagram.com/insight_reading_enlightenment/  https://t.me/insight_reading_enlightenment   Yours Darina and Sebastien --- Send in a voice message: https://podcasters.spotify.com/pod/show/insight-reading/message

T. S. Flanders talks to Massimo Scapin about the spirituality and characteristics of Baroque Music. In this interview we also listen to and discuss pieces by Pergolesi and Vivaldi. The opening music is Bach, “Air on a G String.” Art and photography from wikipedia commons. M. Scapin’s writings at One Peter Five St. John Cantius […]

In Ep. 10 - The Life Of Ludwig van Beethoven, pt. 2 - 'The Dreams Of My Father' we will explore the character of Beethoven's father, Johann, and his impact upon his son's early life. ---------------- For all things GCP Please rate, review, and subscribe on iTunes! The App!  https://apps.apple.com/us/app/the-great-composers-the-gcp/id1465809545?fbclid=IwAR0tQTElluT8I3jn6SYFcQst70IY0Ym52LjEz1Z3DR11oq5ZGDLV_URNyHk&ls=1 Like our Facebook page! https://www.facebook.com/thegreatcomposerspodcast/ A complete bibliography for all episodes can be found on my website: www.kevinnordstrom.com Introductory poem 'When We Two Parted' by Lord Byron -Music- 1. and 4. Beethoven String Quartet no. 7 mvt. 3 and 4 performed by the Pascal Quartet. 2. Beginning of Pergolesi's La Serva Padrona 3. CPE Bach Variazioni Sulla Follia di Espagna performed by Stefano Ligoratti on piano: https://musopen.org/music/3162/carl-philipp-emanuel-bach/12-variations-on-follies-of-spain-h-263/