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In celebration of Women's History Month, this week on the Access Hour, we are sharing two book launch events by amazing female historians that were held recently at the Filson Historical Society in Old Louisville! First up, we'll take you back to February 25, 2025, when the Filson hosted the book launch for Jessica K. Whitehead's insightful new text, "Driftwood: The Life of Harlan Hubbard." Jessica offers remarks on her comprehensive biography of the writer, artist, and sustainability pioneer Harlan Hubbard (1900-1988) and the deep impact Harlan and his wife, Anna, have had on Kentucky's culture. Whitehead's book delves into Hubbard's family background, education, and relationships, and into his theories on art, writing, music, and philosophy. Using journals, letters, paintings, manuscripts, and sketches, Whitehead pieces together the distinct phases of Hubbard's life, providing new insights into his character and legacy. Following the remarks, members of the NouLou Chamber Players, Heather Thomas (violin) and Cecilia Huerta-Lauf (cello), join with pianist Sebastian Chang in the world premiere of composer Daniel Gilliam's “Piano Trio No. 2: Payne Hollow.” This exciting new piece of music, written by Gilliam in conjunction with the book launch celebrates the Hubbards' vision of living and working on their own terms. The trio also honors the Harlan and Anna Hubbards' deep love of classical music performance—showcasing the instruments they once played: piano, cello, and violin. Jessica K. Whitehead, writer and curator of collections at the Kentucky Derby Museum in Louisville, is author of "The History of the Kentucky Derby in 75 Objects" and a contributor to "The Watercolors of Harlan Hubbard: From the Collection of Bill and Flo Caddell." Daniel Gilliam is a composer from Louisville, KY. He is also the program director, and an announcer, on 90.5 WUOL Classical Louisville. Watch a recording of the evening and see the musical performance and images referenced at https://www.youtube.com/watch?v=BucL0S6vD94. Following that, we'll hear from another amazing historian, Eliza McGraw, who spoke at the Filson Historical Society on March 6, 2025 about her brand new book, "Astride: Horses, Women, and a Partnership That Shaped America." In the book, Eliza weaves together stories of women who pioneered in worlds such as Thoroughbred breeding, the circus, and horse rescue at a time when American women in general internalized the lessons of horsewomen: take chances, take up more space, and learn to get back on. From tamers to caretakers and performers to teachers, all worked with horses to buck the status quo. Expressing the idea of femininity with athleticism and authority, these trailblazers changed the way America understood women. Richly illustrated with period photographs, Astride demonstrates that even small changes can advance the fight for progress. Eliza McGraw is the Dr. Tony Ryan Book Award–winning author of "Here Comes Exterminator! The Longshot Horse, the Great War, and the Making of an American Hero" and a contributing writer for EQUUS magazine. Watch a full recording and see the slides at https://www.youtube.com/watch?v=S1HKDSSs3-4 The Access Hour airs on Forward Radio, 106.5fm, WFMP-LP Louisville, every Wednesday at 2pm and repeats Thursdays at 11am and Fridays at 1pm. Find us at https:/forwardradio.org If you've got something you'd like to share on community radio through the Access Hour, whether it's a recording you made or a show you'd like to do on a particular topic, community, artistic creation, or program that is under-represented in Louisville's media landscape, just go to https:/forwardradio.org, click on Participate and pitch us your idea. The Access Hour is your opportunity to take over the air waves to share your passion.
Mendelssohn's Piano Trio No. 1 in D minor in Building a Library with Katy Hamilton.
Schumann's Piano Trio no.1 in D minor Op.63 in Building a Library with Allyson Devenish.
References Guerra, DJ. 2024. Unpublished works Schubert, F. 1827. Piano Trio No. 2, op. 100 (D929) https://youtu.be/yFyv7c1XyYU?si=T0VYKT-EJ5wQmQZU Moody Blues. 1968. In Search of the Lost Chord lp. https://youtu.be/gEj3NOW_ctw?si=Uwc1evf38wMAXdJ_ --- Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support
Kate Molleson explores five windows onto Dvořák's soulAntonín Dvořák was one of the most heartfelt tunesmiths in classical music - a man who not only brought the sound of Czech folklore to the world, but also had an indelible impact on the musical nationhood of America. As a character he was sometimes shy, sometimes melancholy, routinely homesick and deeply passionate. This week, Kate Molleson explores five windows onto Dvořák's soul, aspects of life that were really central to his convictions and his music.Music Featured: Gypsy Songs Op 55 No 4: Songs my mother taught me (arr. for cellos by Kian Soltani) Berceuse (Two Piano Pieces, No 1) Symphony No 1 “Bells of Zlonice” (3rd mvt) Cypresses, Nos 1 and 2 Symphony No 9 “From the New World” (2nd mvt) Sonatine (1st and 2nd mvts) Humoresque in G flat major Forget-me-not Polka Silent Woods (From the Bohemian Forest) Serenade for Strings (1st and 2nd mvts) Rusalka (Act I, Song to the moon) The Wild Dove String Quartet No 12 in F major “American”, Op 96 (3rd mvt) Prelude in D major On the Holy Mountain (Poetic Tone Pictures) Stabat Mater (IV, Fac ut ardeat cor meum; V, Tui nati vulnerate) Symphony No 7 (2nd mvt) Requiem (Confutatis) Biblical Songs (Nos 1-5) ‘Possibility' (Moravian Duets, No 1) Slavonic Dances, Op 46 No 3 ‘My Home' Overture, Op 62 Serenade for Winds in D minor (1st and 2nd mvts) Piano Trio No 4 ‘Dumky', Op 90 (2nd mvt) The Noonday Witch Miniature in D minor, Op 75 No 2 String Quartet No 12 in F major “American”, Op 96 (4th mvt) Symphony No 7 (4th mvt) Scottish Dances, Op 41 New World Symphony (Finale) Cello Concerto in B minor (2nd mvt)Presented by Kate Molleson Produced by Amelia Parker for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Antonín Dvořák (1841-1904) https://www.bbc.co.uk/programmes/m00202zxAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Ludwig van Beethoven - Piano Trio No. 7 "Archduke": 1st movementXyrion TrioMore info about today's track: Naxos 8.572343Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon
As part of the La Jolla Music Society's SummerFest 2023 series enjoy Shostakovich: Piano Trio No. 2 in E Minor, Opus 67, performed by Stefan Jackiw on violin, Sterling Elliott on cello and Conrad Tao on piano. For La Jolla Music Society at The Conrad Todd R. Schultz, President & CEO Leah Z. Rosenthal, Artistic Director Inon Barnatan, SummerFest Music Director Produced and directed by Tristan Cook Festival Founding Sponsors Brenda Baker and Steve Baum Synergy Initiative Producers Inon Barnatan | Clara Wu Tsai Synergy Initiative Underwriter Clara Wu Tsai SummerFest Music Director Underwriters Raffaella and John Belanich Series: "La Jolla Music Society: SummerFest" [Arts and Music] [Show ID: 39712]
As part of the La Jolla Music Society's SummerFest 2023 series enjoy Shostakovich: Piano Trio No. 2 in E Minor, Opus 67, performed by Stefan Jackiw on violin, Sterling Elliott on cello and Conrad Tao on piano. For La Jolla Music Society at The Conrad Todd R. Schultz, President & CEO Leah Z. Rosenthal, Artistic Director Inon Barnatan, SummerFest Music Director Produced and directed by Tristan Cook Festival Founding Sponsors Brenda Baker and Steve Baum Synergy Initiative Producers Inon Barnatan | Clara Wu Tsai Synergy Initiative Underwriter Clara Wu Tsai SummerFest Music Director Underwriters Raffaella and John Belanich Series: "La Jolla Music Society: SummerFest" [Arts and Music] [Show ID: 39712]
In this episode of One Symphony, conductor Devin Patrick Hughes sits down with renowned composer Pierre Jalbert to explore Jalbert's musical journey, creative process, and the spiritual influences that shape his work. Jalbert shares intimate stories about his childhood in Vermont, his collaborations with world-class musicians, and the importance of resonance and reverberation in his compositions. He also pays tribute to his mentor, the late Larry Rachleff, and discusses his genre-bending project with the Apollo Chamber Players. Throughout the interview, Jalbert offers insights into the challenges and rewards of writing for both chamber groups and large ensembles and reveals how he strives to create music that serves the audience. Join us for a fascinating glimpse into the mind of one of today's best composers. Earning widespread notice for his richly colored and superbly crafted scores, Pierre Jalbert's music has been described as “immediately captures one's attention with its strong gesture and vitality” by the American Academy of Arts and Letters. Among his many honors are the Rome Prize, the BBC Masterprize, a Guggenheim Fellowship, and the Fromm Foundation commission. Jalbert's music has been performed worldwide in such venues as Carnegie Hall, Wigmore Hall, Lincoln Center, the Kennedy Center, and the Barbican. Recent orchestral performances include those by the Boston Symphony, the National Symphony, the Houston Symphony, the Cabrillo Festival Orchestra, and the Cincinnati Symphony Orchestra. He has served as Composer-in-Residence with the Los Angeles Chamber Orchestra, the California Symphony, and Music in the Loft in Chicago. Select chamber music commissions and performances include those of the Ying, Borromeo, Maia, Enso, Chiara, Escher, Del Sol, and Emerson String Quartets, as well as violinist Midori. Three new CDs of his music have been recently released: Violin Concerto, Piano Quintet and Secret Alchemy, and Piano Trio No. 2. Jalbert is Professor of Music at Rice University's Shepherd School of Music in Houston, and he is a co-founder of Musiqa, a Houston-based new music collective. His music is published by Schott Helicon Music Corporation, New York. Thank you for joining us on One Symphony. Thanks to Pierre Jalbert for sharing her music and stories. You can find more info at https://www.pierrejalbert.com. Pierre Jalbert composed all music featured in this episode, with one exception. String Theory was performed live by the Kaleidoscope Chamber Orchestra. Mystical and With Great Energy, from Secret Alchemy, from the album Music From Copland House performed by Curtis Macomber, Danielle Farina, Alexis Pia Gerlach and Michael Boriskin. The first movement from From Dusk to Starry Night “The Night in Silence” on a text by Walt Whitman features Sasha Cooke and the River Oaks Chamber Orchestra. Violin Concerto, featuring Steven Copes on violin. Performed by The Saint Paul Chamber Orchestra with Thomas Zehetmair as the conductor. “Fiddle Dance” from L'espirit du nord. Performed by the Apollo Chamber Players. Mozart Piano Concerto K488 in A major, first movement improvised cadenza performed by Robert Levin with the Cluj-Nacopa Philharmonic in Romania with Nicole Moldovenau as the conductor. “Chanson de Lisette” from Le'spirit du nord. Performed by the Apollo Chamber Players. “Music of air and fire” performed by the Houston Youth Symphony conducted by Michael Isadore. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!
Donald Macleod explores Mendelssohn's experience in the British IslesMendelssohn's relationship with Britain began when he was 20 years old, when London became the first stop of his Grand Tour. This week Donald Macleod explores the composer's experiences in Britain, considering the mark he left on musical life in these islands, the works he wrote here, and what he got up to in the course of the ten visits he made across his lifetime. Mendelssohn took inspiration from the scenery, but he also got his first professional engagements in Britain, and in return, by the end of his life, Britain lionized him.Music Featured:Songs Without Words Op 19b No 1 Symphony No 1 in C minor (1st mvt) 12 Lieder Pp 9: III – Wartend Octet in E flat major (3rd mvt) Concerto in E major for Two pianos (2nd & 3rd mvts) Fantasie in F# minor (Mvt 1) Symphony No 3 in A minor 'Scottish' (1st mvt) 3 Fantasies (or Caprices) Op 16 String Quartet in E flat Major (1st mvt) Organ Sonata No 3 (1st mvt) Symphony No 3 in A minor 'Scottish' (4th mvt) Songs without Words Op 19b No 3 Hebrides Overture Piano Concerto No 1 in G minor (2nd & 3rd mvts)) Songs Without Words Op 19b (Nos 2, 5, 6) Symphony No 4 in A major 'Italian' (3rd & 4th mvts) Songs Without Words Op 102 No 1 Piano Concerto No 2 in D minor (2nd & 3rd mvts) Piano Trio No 1 (1st mvt) A Midsummer Night's Dream (Nos 5 & 7) Violin Concerto in E minor (1st mvt) 6 Songs Op 99 No 5 Elijah Part 1 (excerpt) Octet in E flat major (1st mvt) String Quartet No 6 in F minor (3rd mvt) Elijah Part 2 (excerpt)Presented by Donald Macleod Produced by Megan Jones for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Felix Mendelssohn (1809-1847) https://www.bbc.co.uk/programmes/m001v4jhAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Franz Schubert - Piano Trio No. 2: ScherzandoKungsbacka Piano TrioMore info about today's track: Naxos 8.555700Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon
SynopsisAt 2 p.m. on today's date in 1855, the first in a series of afternoon chamber music concerts was given at Dodworth's Hall in New York City. As a contemporary newspaper put it, “In consequence of the numerous evening engagements of the city, and to enable ladies to be present without escort, it is proposed to give matinees in preference to soirees.”The concert was a great success, and many of the fashionably dressed ladies who attended were forced to stand, as all available seats were already occupied.In addition to classics by Schubert and Mendelssohn, the audience heard new music, the American premiere of a recently published piano trio by 21-year old German composer Johannes Brahms. The New York Times opined that the Brahms contained “many good points and much sound musicianship” but possessed also “the defects of a young writer; ... the motives seldom fall on the ear freshly.”It's doubtful that Brahms ever saw that review or even knew that his new trio had been played in America. But in 1889, 35 years later, Brahms extensively revised his youthful work, transforming his first major chamber work into his last.Music Played in Today's ProgramJohannes Brahms (1833-1897) Piano Trio No. 1 (1854 version); Odeon Trio Capriccio 10 633
Ludwig van Beethoven - Piano Trio No. 1: 1st movementXyrion TrioMore info about today's track: Naxos 8.557724Courtesy of Naxos of America, Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon
Franz Schubert - Piano Trio No. 2: 1st movementKungsbacka Piano TrioMore info about today's track: Naxos 8.555700Courtesy of Naxos of America, Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon
Donald Macleod surveys the life and music of the elusive French composer, Edouard Lalo Even if you know the name, it's possible you might not be able to place the French composer Edouard Lalo date-wise. He was born in Lille in 1823. Berlioz was his senior in age by some twenty years, Saint-Saëns twelve years his junior. Lalo has a direct contemporary in the shape of César Franck, another composer who preferred to stay out of the limelight. As a musician, Lalo cut an independent path, preferring to complete his music studies privately rather than following the accepted route of attending the Paris Conservatoire. Lalo had a retiring nature, a man who appears to have preferred the quiet life. That doesn't mean he wasn't sociable. He seems to have been generally well liked. He lived in Paris from the age of sixteen and mixed with and knew all the leading musical personalities of the day. Aside from the Symphonie espagnole, he wrote several operas, a ballet, a symphony, a whole number of orchestral and chamber works including three piano trios and a string quartet, and something in the region of 30 songs. Trying to get a handle on Lalo isn't straightforward. The first letter that's been preserved dates from 1848, by which time Lalo was in his late twenties. His son Pierre was a primary source of information about his father, but more recent research indicates the picture he drew seems to have been somewhat rose-tinted. The first full length biography in English has yet to be published. Donald Macleod sets about mapping the life and the music of this elusive, yet significant figure in French musical history in a survey that takes us from Lalo's early experiences in Lille, where he first met Berlioz, to his eventual triumph, age sixty on the opera stage with Le roi d'Ys. Music Featured: Guitarre, op 28 arr. Ernest Guiraud Symphonie Espagnole in D minor , Op 21 (I: Allegro non troppo) Le roy d'Ys - Overture Violin sonata in D major, “Grand duo concertant” Op 12 (2nd movement Variations) Piano Trio No 2 (III: Minuetto: Allegro) Violin Concerto No 1 in F major, Op 20 (I: Andante – Allegro) Deux impromptus, Op 4 (I : Espérance) Symphonie Espagnole in D minor, Op 21 (II : Scherzando; Allegro molto) Trois mélodies La fenaison Six romance populaires (IV : Si j'étais petit oiseau; I : La pauvre femme) Piano Quintet "Grand Quintette" in Ab major (2nd movement) Cello Concerto in D minor (I. Prélude. Lento - Allegro maestoso) Rapsodie norvégienne Divertissement No 3: Andantino Fiesque, Act 2: Entr'acte: une place de Gênes Fiesque, Act 1: Je ne puis supporter Fiesque Act 2 (except) Piano Trio No 3 in A minor, Op 26 (II: Presto) Sonata for cello and piano (I: Andante non troppo) Concerto russe (II: Chants russe; III. Intermezzo) Namouna, Act 1: Valse de la Cigarette Symphony in G minor (III: Adagio) Namouna Suite No 2 Piano Trio in A Minor, Op 26 (I: Allegro appassionato) Cello Concerto in D minor (II: Intermezzo; III: Introduction: Andante - Allegro vivace) Overture to Le roi d'Ys (excerpt) Le roi d'Ys, Act 3: Vainement, ma bien-aimée String Quartet in E flat (I: Allegro vivo) Piano Concerto in F minor (I: Lento-Allegro) Le roi d'Ys, Act 1 (excerpt) Le roi d'Ys, Act 3 (excerpt) Symphonie Espagnole (V: Rondo) Presented by Donald Macleod Produced by Johannah Smith for BBC Audio Wales and West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Edouard Lalo (1823-1892) https://www.bbc.co.uk/programmes/m001rhyp And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
In this episode, we discuss recordings of “Calcutta 1789 - À la croisée de l'Europe et de l'Inde” (Atma Classique) by Notturna / Christopher Palameta, “César Franck: Violin Sonata, Piano Trio No.1 & Piano Quintet & Vierne: Piano Quintet” (Harmonia Mundi) by Trio Wanderer, Catherine Montier & Christophe Gaugué, “Roberto Sierra: Symphony No. 6, Sinfonietta For String Orchestra, Two Pieces For Orchestra, Fandangos, Alegria” (Onyx) by Royal Liverpool Philharmonic Orchestra /Domingo Hindoyan, “Pixel” (Origin) by Keigo Hirakawa, “Counterclock” (Cellar Live) by Clark Gibson, and “Catalyst” (La Reserve Records) by Steven Feifke. The Adult Music Podcast is featured in: Feedspot's Best 60 Jazz Podcasts Episode 121 Deezer Playlist “Calcutta 1789 - À la croisée de l'Europe et de l'Inde” (Atma Classique) Notturna / Christopher Palameta https://open.spotify.com/album/1JPagy2F52XKsGrNxN3dGr https://music.apple.com/cn/album/calcutta-1789-à-la-croisée-de-leurope-et-de-linde/1686484509 “César Franck: Violin Sonata, Piano Trio No.1 & Piano Quintet & Vierne: Piano Quintet” (Harmonia Mundi) Trio Wanderer, Catherine Montier, Christophe Gaugué https://open.spotify.com/album/3BQm8NWsyOzxX7CdUB1Lmw https://music.apple.com/us/album/césar-franck-violin-sonata-piano-trio-no-1-piano-quintet/1675893785 “Roberto Sierra: Symphony No. 6, Sinfonietta For String Orchestra, Two Pieces For Orchestra, Fandangos, Alegria” (Onyx) Royal Liverpool Philharmonic Orchestra / Domingo Hindoyan https://open.spotify.com/album/5Uwu9QtHKADC1D2h630esX https://music.apple.com/us/album/roberto-sierra/1678534265 “Pixel” (Origin) Keigo Hirakawa https://open.spotify.com/album/5t8OW8Up13GKeO7rMy11QJ https://music.apple.com/us/album/pixel/1690232595 “Counterclock” (Cellar Live) Clark Gibson https://open.spotify.com/album/1GKZ4fhfDoRyZeyjvNtyxG https://music.apple.com/us/album/counterclock/1663065675 “Catalyst” (La Reserve Records) Steven Feifke https://open.spotify.com/album/4HWL8RyCRoeoh6JK1TduJu https://music.apple.com/us/album/catalyst/1663558372 Be sure to check out: "Same Difference: 2 Jazz Fans, 1 Jazz Standard" Johnny Valenzuela and Tony Habra look at several versions of the same Jazz standard each week, play snippets from each version, discuss the history of the original and the different versions.
Trio Eclectica will perform Sergei Rachmaninoff's Trio élégiaque No. 1 in G minor and Antonín Dvořák's Piano Trio No. 4 in E minor, subtitled “Dumky”. Both pieces Ebb and flow in character with fluctuating major and minor themes, or alternating fast and slow passages, or in tragic and celebratory themes. Trio élégiaque No.1 is a single movement piece interspersed with variations. Dvořák's Dumky Trio stays true to its folk music roots with 6 movements incorporating an earthy and rustic musical flavour with movements alternating in sombre, commemorative, nostalgic, and playful personalities.
Meeting his boss's insatiable desire for new content 'forced' [his word] Joseph Haydn to write original, inventive music that sounds as fresh and full of life today as when it was written. And he wrote so much great music that I only heard this piano trio for the first time this week - and it's wonderful stuff. Listening time 19 mins (podcast 6', music 13') The music is here, played by the incomparable Beaux Arts Trio on Youtube and Spotify. If you're listening on Apple or Amazon you need a link for each movement/ track: Amazon mvt 1 / Amazon mvt 2 Apple mvt 1/ Apple mvt 2 You can buy a recording of the piece as a high-quality download for a couple of quid here at Presto Music. Be sure to get the right one - the full title of the piece is: Haydn: Piano Trio No. 19 in F, Hob.XV:6 What do you think? Tell me with a comment at www.cacophonyonline.com! I'd love to hear from you! If you'd like to support Cacophony there are easy, great, ways: – help with the costs of running it (and me) with a one-off contribution or with a regular payment at ko-fi.com. https://ko-fi.com/cacophonyonline – share this episode with someone you know – share the 100 second trailer: http://cacophonyonline.com/trailer – subscribe/ review and keep listening! More episodes at: www.cacophonyonline.com/ Thanks for listening!
The streets must have seemed like they were paved with gold when Haydn visited London in 1791. He was feted and applauded everywhere he went as one of Europe's leading composers. He hobnobbed with royalty, the Prince of Wales commissioned a portrait of him from leading society portraitist John Hoppner. It's still regarded as one of the best images we have today. Haydn could hardly have imagined all this as a boy. His really is a rags to riches story. Born in 1732 in humble circumstances, Haydn's musical talent won him a position as a choir boy in Vienna's St. Stephen's Cathedral. However, he was forced to leave after his voice broke and, by the age of 17, he was on the streets, with only “three miserable shirts and a worn-out coat” to his name. Happily his life did then take an upward turn. Haydn was employed by the Esterhàzys, one of the most powerful and influential families in the Hapsburg monarchy for an astonishing 48 years. But this week, Donald Macleod puts the public face of this celebrated figure to one side. He's going to be looking at Haydn through a narrower lens, drawing a picture of the composer through the relationships he enjoyed with some of his closest family and friends. Music Featured: Piano Trio No 4 in F major, Hob.XV:39 Signor voi sapete, Hob.XXIVb:7 Symphony No 1 in D major, Hob 1/1 (1st mvt) Salve Regina in E major, Hob. XXIIIb:1 (I. Salve Regina) Horn Concerto No 1 in D, Hob.VIId:3 Vada adagio, signorina, Hob.XXIVb:12 L'isola disabilitata, Act 2, sc 12 Sonata No 46 in A flat major Hob XVI/46 II (3rd mvt) L'infedeltà delusa, Act I. Scene 1: Introduction: Bella sera The Seven Last Words of Christ on the Cross (Sonata No 2) Armida, Act 1: Parti Rinaldo - Se pietade avete Mass in D minor, H.XXII:11 “Nelson Mass” (Gloria) Motetto "O ceolitum beati", Hob. XXIIIa:G9 Keyboard Concerto No 2 in D major, Hob.XVIII:2 String Quartet in E flat major, Op 33, No 2 'The Joke' (2nd mvt) Michael Haydn: Requiem in C minor (excerpts) String Quartet in G major, Op 33, No 5 (2nd & 4th mvts) Symphony No 82 in C major, 'The Bear' (1st mvt) Missa Cellensis in honorem Beatissimæ Virginis Mariæ, Hob. XXII:5 (excerpts) String Quartet in D major, Op 64, No 5, 'The Lark' (1st mvt) Piano Trio No 39 in G major, Hob.XV:25 'Gypsy' (3rd mvt) Symphony No 91 in E flat major (2nd mvt) Piano Sonata No 59 in E flat major, HobXVI:49 (1st mvt) Piano Trio No 40 in F sharp minor, Hob: XV:26 (2nd mvt) Die Schöpfung, Part 3, (No 30) Presented by Donald Macleod Produced by Johannah Smith For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Joseph Haydn (1732-1809) https://www.bbc.co.uk/programmes/m001l4cf And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
虽然同属“古典音乐三巨头”，贝多芬与海顿、莫扎特在时间线上俨然已经是下一个世代的人了，那个时间的欧洲风云突变，启蒙思想兴起，一切的变化对贝多芬的音乐创作也产生了很大的影响。本期节目我们就来聊聊这些影响在贝多芬音乐中留下来的痕迹，以及贝多芬在音乐上是如何成为那个时代乃至整个古典时代的代表人物的。欢迎关注+订阅，欢迎互动，感谢收听。包含曲目：0:26- Piano Trio No.7 in B-Flat major - I. Allegro moderato (降B大调第7钢琴三重奏《大公》，作品 97)13:40- Symphony No. 3 in E Flat Major, Op. 55 "Eroica" - Finale. Allegro molto (E major)27:25- Beethoven: String Quartet No.13 in B flat major, Op.130 - 5. Cavatina (Adagio molto espressivo) (降B大调第13号弦乐四重奏，作品130 - 第五乐章 小歌调 - 深情的柔板)35:30- Symphony No. 9 in D Minor, Op. 125 - II. Molto vivace - Presto (D小调第9号交响曲，作品125“合唱” - 第二乐章 甚活泼)
One of the things that really sets Gabriel Fauré apart is the singing style of his music. He was an exceptional and prolific composer of song so it's no wonder that we hear that singing quality even in his instrumental works. Fauré's "Morceau de Concours" is an incredibly special tiny gem. Don't be fooled by the title. Though he wrote it as a sight-reading examination piece for students at the Paris Conservatory, it is a poetic lullaby. -A musical balm for this most dark time of year. MUSIC: Georg Philip Telemann, Fantaisie No. 12, performed by Karen KevraGabriel Fauré, Sicilienne, Op. 78, performed by Karen KevraFrédéric Chopin, Waltz in E flat major, performed by Jeffrey Chappell George Gershwin, Rhapsody in Blue, performed by George Gershwin, piano with Paul Whiteman and the Paul Whiteman Orchestra (Recorded June 10, 1924)Gabriel Fauré, Violin Sonata no.1, op. 13, Allegro molto, performed by Arthur Grumiaux, violin, and Paul Crossley, pianoGabriel Fauré, Piano Trio No. 1, Allegro molto moderato, performed by Marguerite Long, piano, Jean Pasquier, violin, Pierre Pasquier, viola, Etienne Pasquier, celloGabriel Fauré, Piano Trio No. 1, Scherzo: allegro vivo, performed by Marguerite Long, piano, Jean Pasquier, violin, Pierre Pasquier, viola, Etienne Pasquier, celloAdjutant's Call/French Foreign Legion March, US Marine BandGabriel Fauré, Cantique de Jean Racine, Op. 11, performed bythe Cambridge Singers, Cambridge Singers, City of London SinfoniaGabriel Fauré, Morceau de Concours, performed by Karen KevraSupport the show
Rita Mae Brown is a prolific New York Times bestselling author, and a master of foxhounds & huntsman with the Oak Ridge Fox Hunt Club in Afton, Virginia. We open on St. Hubert [patron saint of hunters & hounds], the old world occupation of royal huntsman, & get into modern - no kill - equestrian fox hunting. We hear examples of the fox's witty participation, learn some hound history, get insight into the formal wardrobe etiquette, and paint a picture of a day in the field. In the last section, Rita explains her deep animal friendships starting from her orphaned childhood. She shares two short stories, one about a mounted specter & another about animal sentience & love. We end on a couple of Rita Mae's heroins, the huntress queens of old Europe. Browse Rita Mae's many books. ***A ST. HUBERT'S DAY RECIPE***Boulets Liégeois: From the city of Liège, these Belgian meatballs in a sweet & savory fruit sauce served with fries are absolutely mouthwatering. You'll need to order a vital ingredient, Sirop de Liège, a thick, dark apple & pear sauce dating back to the 1600's or you can substitute for a milder flavor with apple butter. Recipe should work just fine with pork, beef, venison, beaver, wild boar.Music provided by Dr. Clare Longendyke & Dr. Jacqueline Horner-Kwiatek"Piano Trio No. 2 in E-flat Major, D. 929, Op. 100 II. Andante con moto "Written by Franz Peter SchubertPerformed by Trio FioreCourtesy of Dr. Clare Longendyke"Meditation"Written by Dr. Jacqueline Horner-KwiatekPerformed by Modern MedievalCourtesy of Dr. Jacqueline Horner-KwiatekSupport Our Numinous Nature on Patreon.Follow Our Numinous Nature & my naturalist illustrations on InstagramCheck out my shop of shirts, prints, and books featuring my artContact: herbaceoushuman@gmail.com
The host tiredly waffles on about a mishmash of topics in a very uninteresting way to the sound of Cécile Chaminade's Piano Trio No. 1.
Donald Macleod delves into the life and works of Robert Schumann during the 1840s. The 1840s was the decade when Robert and Clara Schumann's married life began, and was the decade in which he established himself as a significant composer. Focusing on both his personal and professional life, Donald explores the ups and downs Schumann faced during these revolutionary ten years. Music Featured: Der Hidalgo (Three Poems, Op 30: No 3) Die alten, bosen Lieder (Dichterliebe, Op 48: No 16) Symphony No 1 in B-flat major, Op 38, "Spring" (1st mvt) Overture, Scherzo and Finale, Op 52 Piano Quintet in E-flat major, Op 44 (2nd and 3rd mvt) Das Paradies und die Peri, Op 50 (excerpt) String Quartet No 2 in F major, Op 41, No 2 (1st mvt) Symphony No 2 in C major, Op 61 (1st mvt) Piano Trio No 1 in D minor, Op 63 (1st mvt) Piano Concerto in A minor, Op 54 (1st mvt) Fruhlingsgesang (Album for the Youth, Op 68: No 15) Piano Trio No 2 in F major, Op 80 (3rd and 4th mvt) Genoveva, Op 81 (Act 4: Steil und steiler) Nachtlied Op 108 Presented by Donald Macleod Produced by Iain Chambers For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Robert Schumann (1810-1856) https://www.bbc.co.uk/programmes/m001cyl5 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Allyson Devenish chooses her favourite recording of Schubert's Piano Trio No 1 in B flat, D.898 Schubert began composing this masterpiece in 1827, the year before his death, at the same time as working on his famous song cycle Die Winterreise. It was a period in his life of illness and melancholy. But this work is brimming with lyricism and life force. Robert Schumann said of it: “One glance at Schubert's Trio in Bb and the troubles of our human existence disappear and all the world is fresh and bright again.” The work has attracted all the great performers of chamber music, from Alfred Cortot, Jacques Thibaud and Pablo Casals to the Beaux Arts Trio to the best musicians of today.
In this episode, we look at the soundtrack of the 2020 movie of Jane Austen's Emma written by Isobel Waller-Bridge and David Schweitzer. We look at how each of the main characters are given both a theme and instrument and how these themes interweave with each other. We also explore the choreography of the music to match the comedy shown, as well as how the folk and classical music help tell the story through emotions, lyrics, as well as reflecting location and class. Music included in podcast: "Peter and the Wolf, Op 67, No. 3, The Duck" - Prokofiev: Peter and the Wolf - Saint-Saens: Carnival of the Animals, music by Sergei Prokofiev, performed by Czechoslovak Radio Symphony Orchestra & Ondrej Lenard, 1990 "Cosi Fan Tutte, K. 588: "Sento, Oh Dio, Che Questo Piede" - Mozart: Cosi Fan Tutte, music by Wolfgang Amadeus Mozart, performed by Frank Lopardo, Sir Georg Solti, Chamber Orchestra of Europe, Olaf Bar, Michele Pertusi, Renee Fleming, Anne Sofia von Otter & David Syrus, 1996 "Emma Woodhouse" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Emma and Mr. Knightley (A Kiss Before They Wed)" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Mr. Knightley" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Mr. Knightley Chases after Emma" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Mr. Knightley is Destroyed" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Badly Done, Emma" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Concerto No. 4 in G Major for Piano and Orchestra, Op. 58, II. Andante con moto" - Beethoven: Piano Concerto No. 4 in G major, Op. 58, music by Ludwig van Beethoven, performed by Glenn Gould, Leonard Bernstein & New York Philharmonic, 1961 "The Proposal (Under the Horse Chestnut Tree)" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "A Chill Draft about the Knees" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Harriet Smith" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Harriet Smith and Robert Martin Meet on the Road" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Walk to Mrs. Goddard's School" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Piano Trio No. 1 in B-flat major, Op. 99 D. 898, II. Andante un poco mosso" - Schubert: Piano Trios, music by Franz Schubert, performed by Frank Braley, Gautier Capucon & Renaud Capucon, 2007 "Harriet Smith and Robert Martin Meet in the Rain" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Frank Churchill Arrives at Hartfield" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Danse Macabre: Op. 40" - Saint-Saens: Danse Macabre, music by Camille Saint-Saens, performed by Philharmonia Orchestra & Charles Dutoit, 1981 "Christmas Dinner at the Westons" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Poor Miss Taylor" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "We Shall Have our Ball" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Emma is Bored" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Mrs. Elton Arrives at Hartfield" - Emma (Original Motion Picture Soundtrack), music by
Schubert Piano Trio no. 1 in B-flat major, D. 8988Franz Schubert finished his Trio in B flat major, D. 898, in 1827. It was published in 1836 as Op. 99, eight years after the composer's death. It is a work for piano, violin, and cello, it spans four movements and an unusual total length of 40 minutes.
Today's episode stars Prince Louis Ferdinand of Prussia's Piano Trio No. 2 while I talk about the book Blood Music and Dan Brown's books.
Synopsis Under the old Julian calendar in use in Czarist Russia, on today's date in 1861, the Romantic composer Anton Arensky was born in Novgorod. If you prefer, you can also celebrate Arensky's birthday on July 12 – the same date under the modern Gregorian calendar, but Arensky was such a Romantic that the Old Style date seems, well, more appropriate somehow. Arensky studied with Nicolai Rimsky Korsakov, and admired the music of Tchaikovsky. Arensky taught at the Moscow Conservatory and published two books: a “Manual of Harmony” and “A Handbook of Musical Forms.” His own students included a number of famous Russian composers, including Scriabin, Rachmaninoff, and Glière. Arensky wrote three operas, two symphonies, concertos, chamber works, and suites for two pianos – but it's his Piano Trio in D minor that gets performed and recorded more often than any of his other works. A victim of tuberculosis, Arensky spent the last years of his life in a Finnish sanatorium. He died young – just 44 years old – in 1906. Music Played in Today's Program Anton Arensky (1861 – 1906) –Piano Trio No. 1 (Rembrandt Trio) Dorian 90146
Donald Macleod explores Dvořák's American years and uncovers what he achieved during his time there. Antonín Dvořák became the first Czech composer to achieve global fame. His gift for transforming the folk styles of his native Bohemia into richly Romantic classical music won him admirers far beyond his homeland. Consequently, Dvořák was approached to leave Europe and serve as director of the newly established National Conservatory of Music in America. His sponsors hoped he would help foster a new and distinctive American musical style, less reliant upon Germanic traditions. During his time in America, from 1892 – 1895, Dvořák composed many of his most celebrated works, including his 9th symphony and his cello concerto. Before leaving, he'd started work on his Cello Concerto, inspired by his yearning for the Bohemian countryside. Back at home, Dvořák also completed his String Quartet No 13 which some have seen to be his final work to have musical associations with America. Dvořák's had set out to encourage American musicians to look to their own traditions rather than simply following behind Europe. He may not have been entirely successful but he did encourage others in that aim, such as Harry T. Burleigh. Burleigh said of Dvořák that he'd assisted in changing attitudes of African American's towards their own folk tradition, and most importantly, that Dvořák "was a man of the people". Music Featured: Symphony No 9 in E minor, Op 95 “From the New World” (excerpt) Piano Trio No 4 in E minor, Op 90 “Dumky” (Lento maestoso) Carnival Overture, Op 92 Requiem, Op 89 (Introitus) Symphony No 4 in D minor, Op 13 (excerpt) Silent Woods, Op 68 No 5 Symphony No 8 in G, Op 88 (excerpt) Requiem, Op 89 (Confutatis Maledictis) Symphony No 6 in D, Op 60 (Scherzo: Furiant) Symphony No 8 in G, Op 88 (Allegretto grazioso – Molto vivace) Te Deum, Op 102 Southland Sketches (excerpt) - Harry T. Burleigh Symphony No 9 in E minor, Op 95 “From the New World” (excerpt) Sonatina for violin and piano, Op 100 (Larghetto) Swing Low, Sweet Chariot – Arr. Harry T. Burleigh Go Down Moses – Arr. Harry T. Burleigh Symphony No 9 in E minor, Op 95 “From the New World” (Largo) String Quintet, Op 97 “American” (excerpt) Symphony No 9 in E minor, Op 95 “From the New World” (Allegro con fuoco) Humoresques, Op 101 No.7 (excerpt) Suite in A, Op 98B (Allegro) String Quartet No 12 in F, Op 96 “The American” (Vivace) Humoresques, Op 101 (excerpt) Biblical Songs, Op 99 (excerpt) Among the Fuchsias, from Five Songs of Laurence Hope - Harry T. Burleigh Worth While, from Five Songs of Laurence Hope - Harry T. Burleigh Cello Concerto in B minor, Op 104 (excerpt) Lullaby, B194 - Dvořák Arr. J. Suk String Quartet No 14, Op 105 (Molto vivace) Cello Concerto in B minor, Op 104 (Adagio ma non troppo) String Quartet No 13 in G, Op 106 (excerpt) Cello Concerto in B minor, Op 104 (Finale) Presented by Donald Macleod Produced by Luke Whitlock For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Dvořák and America https://www.bbc.co.uk/programmes/m00182rp And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
This June 7th, 2022 edition of our Tuesday Concert with Sarasota Orchestra is from the 2019 Sarasota Music Festival featuring the acclaimed Montrose Trio playing the Piano Trio No. 2 by Mendelssohn. You'll also hear pianists Jeffrey Kahane and Robert Levin with a Concerto for Two Pianos by Mozart! Hosted by Classical WSMR's Russell Gant. Florida's Classical Music Station, WSMR 89.1 and 103.9.
Four-year-old Jialiang Zhu just wanted a piece of birthday cake and ended up with a piano. It was a happy accident though! Jialiang is now a professional pianist based in Toronto and is the only pianist in her piano trio, The Bedford Trio. Don't worry, she clears up that confusion for us! She shares with us how the trio formed, what kind of music they play and gives some practice tricks for all the budding pianists out there.The Bedford Trio is performing the concert “Immersed” on March 19th at 8:00 pm at Ernst Balmer Studio. Tickets can be purchased here: https://www.eventbrite.ca/e/immersed-tickets-184993489507Watch The Bedford Trio play Katharine Petkovski's Piano Trio No.1: https://www.youtube.com/watch?v=dGNCpHRK8S8Learn more about Jialiang:Website: https://www.jialiangpiano.comBe sure to check out her lecture recital on Chinese art song: https://www.jialiangpiano.com/recordingsInstagram: https://www.instagram.com/jialiangzhu_arts/ Learn more about the Bedford Trio:Website: http://www.bedfordtrio.comInstagram: https://www.instagram.com/bedford_trio/
Franz Joseph Haydn - Piano Trio No. 29: 3rd movement Kungsbacka Piano Trio More info about today's track: Naxos 8.572062 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording AmazonArkivMusic
Singer Elizabeth Hilliard meets with composers and sound artists, Rhona Clarke, Una Lee and Jennifer Walshe and finds out how they found the imposed solitary life that we all experienced in the pandemic. Music heard in this episode includes Clarke's Piano Trio No 3, Lee's Nocturne for Voices One & Two and Walshe's Becher.
Singer Elizabeth Hilliard meets with composers and sound artists, Rhona Clarke, Una Lee and Jennifer Walshe and finds out how they found the imposed solitary life that we all experienced in the pandemic. Music heard in this episode includes Clarke's Piano Trio No 3, Lee's Nocturne for Voices One & Two and Walshe's Becher.
211024 with 클래식 선곡표 [Sig] OST Do you like Brahms [Classic] 멘델스존, 피아노 트리오 1번 1악장 (Mendelssohn, Piano Trio No.1 in d minor, Op.49) 월광소나타+생일축하 (Monnlight+Happy Birthday) 쇼팽, 폴로네이즈 "영웅" (Chopin, Polonaise "Heroic" Op.53 in A flat) [BGM] 슈만, 트로이메라이 (Schumann, Traumerei) OST traumerei : 꿈 (Main theme) OST innig : 진심으로 OST 태연, 내일은 고백할게
Ludwig van Beethoven - Piano Trio No. 1: 1st movement Stuttgart Piano Trio More info about today's track: Naxos 8.550946 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording AmazonArkivMusic
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part. However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. Johann Wolfgang von Goethe described chamber music as "four rational people conversing".Wikipedia
In their latest set of shenanigans, the boys bend time with Johannes Brahms and talk to one of the world's leading clarinettists – and No. 1 Jamiroquai fan – Julian Bliss. Buckle up for a wild ride. …Pre-orer Julian Bliss's new recording of the Brahms clarinet sonatas: https://smarturl.it/BrahmsSonatas Watch Worcester Cathedral's mutton-chopped Canon Precentor Michael Brierley announce the big news: https://twitter.com/WorcCathedral/status/1373617040393703424 …Music Referenced: ‘Tim and Sam's Podcast' written and performed by Harry Sever William Byrd's Ne Irascaris Domine, performed by Ely Cathedral Choir and Durham Cathedral ChoirBrahms's Piano Trio No. 2 in C Major Op. 87 – I. Allegro, performed by Joseph Szigeti, Pablo Casals, and Myra HessMaurice Ravel's Rhapsodie Espagnole, performed by the Berliner Philharmoniker under Pierre Boulez‘I Feel Pretty' from Leonard Bernstein's West Side StoryGeorge Gershwin's ‘I Got Rhythm', performed by the Julian Bliss SeptetBrahms's ‘Denn es gehet dem Menschen' arr. Bliss, performed by Julian Bliss and James BalliolBrahm's's Sonata for clarinet in E-Flat Major, No. 2 – III. Andante con moto – Allegro, performed by Julian Bliss and James Balliol…Follow us here: instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/
On Thursday 21st January 2021 the Leiermann Trio performed Schubert's magnificant Piano Trio no. 2 in Eb major at the Central City Library as part of the Thursday Heritage Concerts programme. Featuring Harris Leung on violin, Hyen Kim on cello and Jonathon Dunlop on piano, the Trio gave their inaugural performance as an ensemble. This podcast features the first allegro movement followed by a brief interview with the musicians. Schubert's trio was completed in November 1827, and first performed on the 26th March 1828, in a private concert of works entirely by Schubert, including a string quartet (possibly The Death and the Maiden quartet, D. 810) and songs for choir and solo voices. It was a successful premiere, and resulted in the publication of the work later that year – shortly before Schubert’s untimely death at the age of 32 on the 19th November 1828. Unlike the B-flat major Piano Trio D. 898, this trio is much more expansive and is one of the longest trios of its time.
This week, we start out with a rousing round of “2 Truths and a Lie” and then we move on to our three topics:MET OPERA NYE BROADCAST FROM GERMANYAFM Lambasts Metropolitan Opera (Operawire)Donate at: https://www.metorchestramusicians.org/FULL-NAMING CLASSICAL COMPOSERSChris White in SlateTHE INSTITUTE FOR COMPOSER DIVERSITY WITH JOHN HONGJohn Hong's article in I Care If You ListenJohn Hong's Web SiteJohn Hong on TwitterCLASSICAL MIXTAPEThe full playlistJohnBrahms, Piano Trio No. 1 in BTiffanyStella Sung, Dance of the White Lotus Under the Silver MoonKenshoMozart, Quartet No.15 in D minor, mvmt. 2. Andante WillMozart, “Contessa perdono” from Le nozze di FigaroTHINK YOU CAN STUMP US? GO AHEAD AND TRY!Google Form for “Name that Tune: Stump the Hosts Edition” GET A COPY OF JOHN BORSTLAP'S “THE CLASSICAL REVOLUTION” FOR OUR BOOK CLUBhttps://www.amazon.com/dp/B073BKG4J9You can reach us at classicalgabfest@gmail.com and on social media:FacebookTwitterInstagram
Composed in 1839 at age 30, this piece is universally recognised as one of Mendelssohn’s greatest works. Written in the backdrop of Romantic angst, Mendelssohn employs a Schumannesque style and broad melodies to enrapture the audience. The first movement dives straight in with a dark cello melody followed by the violin’s counter-melody. All throughout, the piano’s syncopation and flying arpeggios creates the atmosphere of agitation. The second movement then expresses a peaceful and beautiful theme taken from one of Mendelssohn’s own Songs Without Words. The spirited scherzo ricochets the melody between the musicians whilst also reminiscing the thematic material from the first movement. The finale mirrors the first movement with its lyrical contrast between the dark and cheerful moods underpinned by the busy and complex piano part with whirling arpeggios and chromatic octaves. The trio finishes with a modulation to the dominant major culminating in a charming and definitive ending.
This week, we start out with a rousing round of Two Truths and a Lie and then we move on to our three topics:THE EASTERN EUROPEAN RECORDING INDUSTRY AND FAR RIGHT POLITICSThe trailer to Dinesh D'Souza's “Trump Card: The Movie” featuring Debbie D'Souza and the Budapest Scoring Orchestra Will's blog post about recording in OstravaWill's vlog about the sameLISTENER FEEDBACKMusic Suggestions for Kensho's WeddingThe Lark Ascending Make Our Garden Grow Knee Play 5 Will orchestras keep the pace of change?Jessie Montgomery in the NYT THE COVID OUTBREAK AT THE MARIINSKY THEATERRussian Ballet Returned to the Stage. Then a Covid Outbreak Hit. (NYT)Valery Gergiev Wants to Make Music, But the West Brings Up Putin (LAT)CLASSICAL MIXTAPEThe full playlistTiffanyAnatoly Lyadov, KikimoraWillBoris Lyatoshynsky, Piano Trio No. 2KenshoDohnányi, Piano Quintet, mvmt. 3THINK YOU CAN STUMP US? GO AHEAD AND TRY!Google Form for “Name that Tune: Stump the Hosts Edition” GET A COPY OF ALEX ROSS'S WAGNERISM FOR OUR BOOK CLUBWe start with the Prelude, and Chapters 1 & 2 next weekYou can reach us at classicalgabfest@gmail.com and on social media:FacebookTwitterInstagram
That’s a lot to promise in one humble music podcast, isn’t it? Greatness, consolation, and transcendence? But it is truth in advertising. Handel, “Dopo notte atra e funesta,” from Handel’s “Ariodante” Pärt, “Cantus in Memory of Benjamin Britten” Mozart, Clarinet Concerto Trad., “Shenandoah” Brahms, Piano Trio No. 1 in B major, Op. 8 Bach, “Mache […]Join the conversation and comment on this podcast episode: https://ricochet.com/podcast/music-for-a-while/greatness-consolation-transcendence/.Now become a Ricochet member for only $5.00 a month! Join and see what you’ve been missing: https://ricochet.com/membership/.Subscribe to Music For a While in Apple Podcasts (and leave a 5-star review, please!), or by RSS feed. For all our podcasts in one place, subscribe to the Ricochet Audio Network Superfeed in Apple Podcasts or by RSS feed.
That's a lot to promise in one humble music podcast, isn't it? Greatness, consolation, and transcendence? But it is truth in advertising. Handel, “Dopo notte atra e funesta,” from Handel's “Ariodante” Pärt, “Cantus in Memory of Benjamin Britten” Mozart, Clarinet Concerto Trad., “Shenandoah” Brahms, Piano Trio No. 1 in B major, Op. 8 Bach, “Mache dich, mein Herze, rein,” from St. Matthew Passion
This week, enjoy the second movement of Antonín Dvořák's Piano Trio No. 4 in E minor Op. 90 "Dumky" performed by the Gryphon Trio, recorded at the Isabel Bader Centre for the Performing Arts at Queen’s University. Watch the video edition of this excerpt at honens.com/home.
Donald Macleod explores Beethoven's life and music through the years 1813-1815. This week, Donald Macleod explores Ludwig van Beethoven’s life through the years of 1813-1815 – a time of great change throughout Europe as Napoleon was overthrown. For Beethoven, it was undoubtedly the most successful period of his entire career, as he began, at last, to receive public recognition for his music. However, these years also saw him slump to an artistic nadir as he succumbed to the call for patriotic crowd-pleasers in the wake of this massive political change. Composer of the Week is returning to the story of Beethoven’s life and music throughout 2020. Part of Radio 3’s Beethoven Unleashed season marking the 250th anniversary of Beethoven’s birth. Music Featured: Triumphal March for Kuffner’s Tarpeja, WoO 2a Trio in B flat major, Op 97 “Archduke” ( Allegro Moderato) An die Hoffnung, Op 94 Quartet in C major, Op 59’3 “Razumovsky” (Andante con moto quasi Allegretto) Incidental Music for the Ruins of Athens (Overture - Chorus of Dervishes - March and Chorus ) Symphony No.3 in E flat major, Op 55 “Eroica” – (Marcia Funebre. Adagio Assai) Wellington’s Victory, Op 91 Symphony no. 7 in A major, Op 92 (arr. Winds) (Presto) Symphony no. 8 in F major, Op 93 (Allegretto scherzando - Tempo di menuetto ) Germania, WoO 94 The Ruins of Athens, Op 113 No 7 Symphony no. 8 in F major, Op 93 (Allegro Vivace e con brio) Piano Trio No. 7 in B flat major, Op 97 “Archduke” – (Scherzo - Andante cantabile) Fidelio, Op 72 - Overture (arr. Piano by I. Moscheles) Fidelio - Op 72 - Act I No 9 Fidelio, Op 72 - Act I No 10 Leonore Prohaska, WoO.96 Polonaise, Op 89 Cantata: Der Glorreiche Augenblick, Op 136 No 1, 4 & 6 Quartet no.8 Op 59’2 “Rasumovsky” (Allegretto) Piano Sonata no.27, Op 90 Kurz ist der Schmerz, und ewig ist die Freude, WoO163 Brauchle, Lincke, WoO167 Cello sonata no. 5 in D major, Op 102’2 – (Adagio con molto sentimento d'affetto) Piano Concerto no. 6 (fragment, completed by Nicholas Cook and Hermann Dechant) Fidelio, Op 72 Act II No 13 Presented by Donald Macleod Produced by Sam Phillips for BBC Cymru Wales For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Beethoven Unleashed: Phoenix Rising https://www.bbc.co.uk/programmes/m000mc2m And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Allegro moderato Scherzo – Allegro molto Elegia – Adagio Finale – Allegro non troppo Anton Arensky was an influential Russian composer, pianist, and professor at the Moscow Conservatory where some of his more notable students included Scriabin, Rachmaninoff, and Gretchaninov. Arensky was himself taught by Rimsky-Korsakov and mentored by Tchaikovsky from whom he drew much inspiration and subsequently is evident in his works. The D minor piano trio starts the first movement in the tradition of late German Romanticism with a grand sonata form wielding impressive, sweeping melodies underlied by tremulous, destabilising, syncopated accompaniment reminiscent of the Mendelssohn D minor trio’s first movement. The second movement “Scherzo” is a whimsical concoction of good humour and delightful cheer presenting the light-hearted spirit of the dance. The third movement “Eegia” presents an unrelenting sombre mood with muted strings and tender themes to really emphasise the grieving character of music as this trio was dedicated to the memory of Karl Davydov, a renowned Russian cellist and Arensky’s friend. The Finale begins with an explosive theme but soon recalls motifs from the previous movements giving the piano trio a cyclic structure before insistently driving the work to a fantastical end. (Programme notes written by Joseph Chen)
Donald Macleod follows Beethoven through the years 1810-1812. This week, Donald Macleod explores Ludwig van Beethoven’s life through 1810-1812, a period of great financial hardship for all of Vienna in the aftermath of Napoleon’s second occupation of the city. Beethoven struggled through this economic depression, composing his Seventh and Eighth Symphonies with little hope of getting performances. The financial crisis wasn’t the only thing to afflict the composer either; alongside an increase in physical ailments, Beethoven also suffered a great emotional crisis which culminated in the letter he wrote to his unnamed ‘Immortal Beloved’. Composer of the Week is returning to the story of Beethoven’s life and music throughout 2020. Part of Radio 3’s Beethoven Unleashed season marking the 250th anniversary of Beethoven’s birth. Music Featured: Fantasie in G minor, Op 77 Piano Concerto No 5 in E flat major, Op 73 “Emperor” (2nd and 3rd movements) Piano Trio No 7 in B flat major, Op 97 "Archduke" (4th movement) Egmont Overture, Op 84 To the Blackbird; The Dairy House (26 Welsh Songs, WoO 155) Sonata No 26 in E flat major, Op 81a “Les Adieux” (2nd and 3rd movements) Incidental Music to King Stephen, Op 117 (Overture & Victory March) Christ on the Mount of Olives, Op 85 (Final Trio and Choruses) Symphony No 7 in A major, Op 92 (3rd movement) String Quartet No 10 in E flat major, Op 74 “Harp” (4th movement) Bagatelle in A minor, WoO 59 “Für Elise” Symphony No 5 in C minor, Op 67 -(2nd movement) String Quartet No 11 in F minor, Op 95 Symphony No 7 in A major, Op 92 (4th movement) An die Geliebte, WoO 140 Symphony No 7 in A major, Op 92 (1st and 2nd movements) Piano Trio in B flat major, WoO 39 An de Ferne Geliebte, Op 98 3 Equali for Four Trombones, WoO 30 Kennst du das Land, Op 75 No 1 Violin Sonata No 10 in G major, Op 96 Meeresstille und Gluckliche Fahrt, Op 112 Symphony No 8 in F major, Op 93 (4th movement) Freudvoll und Leidvoll (Incidental Music for Egmont, Op 84) Presented by Donald Macleod Produced by Sam Phillips for BBC Wales For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Beethoven Unleashed: Creating the Myth https://www.bbc.co.uk/programmes/m000llpc And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
We'll look at Piano Trio No. 1 in E-flat Major and No. 3 in C minor.
If you enjoy this podcast, consider buying me a coffee: https://adamstoner.com/support Hello, my name is Adam Ayrton Stoner and this is Recently, a monthly email round-up letting you know what I've been doing, reading, watching, listening to and enjoying recently. In a typical month, I usually finish these newsletters about a week before they land in your inbox but this edition was hard to write for reasons that, if you flick to any news channel for 30 seconds or more, are plainly obvious. This update began as a lengthy rant about a handful of wealthy companies that, in the face of lacking professional guidance of any kind, have announced a return to business as usual, all while your rule-abiding local florist, café or barbers stay shuttered – were we ever ‘all in this together'? If there is to be a silver lining for this virus, let it be further highlighting the dogshit companies to avoid when we come out of lockdown, none of which have ever featured in these newsletters. Here's the much more simple (and relaxed!) form this edition ended up taking instead. This month, I've been: Producing and editing Stuck at Home for the UK's children's radio station Fun Kids, which you can find wherever you get your podcasts and for a short while on BBC Sounds. Providing guidance to friends on starting their own podcasts, including which platforms to use and what it should look and sound like. If you're thinking of starting your own podcast and are after feedback, want some artwork, or want to find out how a producer can help lift your solo project to the next level, send me an email. I've also been writing a lot – in Standard Notes, the end-to-end encrypted note taking app, about lockdown and some of my worries about it. I've been using the time at home to get a grip on the mundane day-to-day tasks that sometimes escape us in our usual lives. I've been upgrading a lot of my monthly subscriptions to annual ones, eschewing monthly bills and saving some cash in the long-run and giving everything a good clean and tidy! I've been listening to: I've created an Apple Music playlist of the tunes I've been listening to recently. Tap here to give it a listen (or take a look, so you can find tunes on your platform of choice). It contains tunes from Hayley Williams' solo project Petals for Armor, Broadcast, Cornelius, Gorillaz, Femi Kuti, and more. I've also been listening to longform interviews from the likes of Thom Yorke and more, most courtesy of Apple's radio station, Beats 1, which, although I ripped into it in my 2016 university dissertation, is absolutely killing it right now. My opinion on the station has almost 180º'd – I need to write a follow-up! I've been watching: Masterclass. I'm not one of these people eager to make every waking moment of their life a mission in productivity but Masterclass is a fantastic way to fill moments you might be saving instead of, say, commuting. Vogue's Creative Director Anna Wintour has been teaching me leadership, a former FBI negotiator has been telling me how to haggle, and Gordon Ramsay has been teaching me cookery, all from the comfort of my bed. I've been reading: Why Social Media is Ruining Your Life, a pop-science ‘my experience' book (it's sold in Urban Outfitters, which tells you all you need to know) but an interesting insight nonetheless. Against Creativity by Oli Mould Year of Wonder: Classical Music for Every Day by BBC Radio 3 presenter Clemency Burton-Hill. The pick for May 3rd is Piano Trio No. 2 in E flat major, K. 498 (‘Kegelstatt'), III: Rondo – Allegretto by Mozart, which you can presumably find on your streaming platform of choice
Donald Macleod is joined by Raphael Wallfisch and Sara Bitlloch to discuss Beethoven’s early chamber music. All through 2020, Donald Macleod takes an unprecedented deep dive into the compelling story and extraordinary music of Ludwig van Beethoven. In this uniquely ambitious series, told across 125 episodes of Composer of the Week, Donald puts us inside Beethoven’s world and explores his hopes, struggles and perseverance in all the colourful detail this amazing narrative deserves. Alongside this in-depth biography, Donald will also be meeting and talking to Beethoven enthusiasts and experts from across the world to discover how his music continues to speak to us in the 21st century. Through story and sound, the series builds into a vivid new portrait of this composer, born 250 years ago this year, who made art that changed how people saw themselves and understood the world. This week, cellist Raphael Wallfisch and violinist Sara Bitlloch join Donald Macleod to talk about Beethoven’s early chamber music from 1795 to 1811, including beloved works such as the ‘Razumovsky’ quartets, the ‘Kreutzer’ violin sonata, and the ‘Ghost’ and ‘Archduke’ piano trios. Music featured: String Trio No 3 in G major: Op 9, No 1 (3rd movement - excerpt; 4th movement) Cello Sonata in F major Op 5 No 1 (Allegro) Piano Trio in C minor Op 1 No 3 (4th movement) String quartet in F major Op 18 No 1 (2nd movement) Violin Sonata in D major Op 12 No 1 (1st movement) Sonatina in C major for mandolin and piano WoO44 No 1 String Quartet in C minor Op 18 No 4 (3rd movement) Violin Sonata in A major Op 30 No 1 (3rd movement) Serenade in D major Op 8 (1st and 2nd movements) Cello Sonata No 2 in G minor Op 5 (1st movement) String Quintet in C major Op 29 (4th movement) Piano Trio Op 121a, “Kakadu Variations” String Quartet in F major No 7, Op 59 (“Razumovsky”) (4th movement) Violin Sonata in A major No. 9 Op 47 ("Kreutzer") (1st movement) Septet in E flat major for clarinet, horn, bassoon, violin, viola, cello and double bass Op 20 (2nd movement) String Quartet in C major Op 59 No 3 (“Razumovsky”) (1st movement) Piano Trio No 5 in D major Op 70 No 1 ("Ghost") (2nd movement) Violin Sonata No 5 in F major Op 24 ("Spring") (1st and 4th movements) String Quartet in E flat Op 74 (“Harp”) (1st movement) String Trio in C minor Op 9 No 3 (1st mvt) String Quartet in F minor (“Serioso”) Op 95 (1st and 4th mvts) Cello Sonata No. 3 in A major Op 69 (1st mvt) Piano Trio in B flat ("Archduke") Op 97 (1st mvt) Presented by Donald Macleod Produced by Iain Chambers for BBC Wales For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Beethoven Unleashed: Conversations with Friends https://www.bbc.co.uk/programmes/m000f5mp And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Katy Hamilton recommends recordings of Dvořák's Piano Trio no.4 in E minor "Dumky" Op.90
Today's episode features the Piano Trio No. 2 in C minor by Felix Mendelssohn in a performance by pianist Anne-Marie McDermott, violinist Ani Kavafian, and cellist Colin Carr from 1998.
“She loved the interaction of what a conversation is, and that's what chamber music is — it's talking to people with your instruments.” In this episode, conductor and cellist Eric Jacobsen talks about Franz Schubert's Piano Trio No. 1. It was his mother's favorite piece, and 25 years after her death it still reminds him of the love for music and other human beings she passed on to him — both of which come together in the ongoing conversation of chamber music. Subscribe wherever you get your podcasts to receive a new episode every day or delve deeper into our companion playlist. Eric Jacobsen is a conductor and cellist, and co-founder of New York's dynamic young orchestra, The Knights. Did you like the track Eric chose? Listen to the music in full: Piano Trio No. 1, Second Movement by Franz Schubert
07 21 2019 - Piano Trio No. 1 in B major, Op. 8: Adagio by Snowmass Chapel
Donald Macleod explores the prolific life of Joseph Haydn, with a spotlight on his masses Joseph Haydn’s prodigious creativity earned him the titles Father of the Symphony and Father of the String Quartet. However, he was also occupied with sacred music throughout his career. This week, as Donald Macleod follows Haydn’s journey from humble choirboy to Europe’s most celebrated composer, he shines the spotlight on music from Haydn’s many settings of the Mass. It's music that is as chock-full of invention and character as any of the instrumental forms he made his own. In this week’s episode Donald illustrates Haydn’s generosity and sense of humour, the obstacles thrown into Haydn’s path throughout his career, the importance he placed on religion, and the effect war and turmoil had on his music. Also, the extraordinary story of how Haydn lost his head. Music featured: Mass in B flat major ‘Harmoniemesse’ Symphony No 94 in G major ‘Surprise’ (Andante) Mass in B flat major ‘Theresienmesse’ String Quartet in B minor, Op 64 No 2 Organ Concerto in C major Piano Trio No 17 in F major Mass in G major ‘Missa Sancti Nicolai’: Agnus Dei Stabat Mater: Sancta Mater Mass in F major ‘Missa brevis a due soprani’ Arianna a Naxos cantata: Aria ‘Dove sei’ String Quartet in B flat major, Op 64 No 3 Mass in C major Missa in tempore belli ‘Paukenmesse’ Symphony No 100 in G major ‘Military’ (2nd movement) Piano Trio No 39 in G major ‘Gypsy Rondo’ Die Schöpfung, Part 2: Mass in D minor ‘Nelson Mass’ Trumpet Concerto in E flat major: movt I Allegro Symphony No 104 in D major ‘London’: movt IV Finale: Spiritoso Mass in B flat major ‘Schöpfungsmesse’: Kyrie and Gloria Presented by Donald Macleod Produced by Eleri Llian Rees for BBC Wales For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Joseph Haydn https://www.bbc.co.uk/programmes/m00045nb And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
It's our 50th episode! And we're celebrating with lots and LOTS of music talk and listening! Cuddle up with your favorite coffeehouse beverage and enjoy Part II on Felix and Fanny Mendelssohn! If you would like to read Dr. Bach's dissertation about the Trios in today's episode, it can be found here: https://etd.ohiolink.edu/pg_10?0::NO:10:P10_ETD_SUBID:63939 Music: https://creativecommons.org/licenses/by-nc-nd/3.0/legalcode http://imslp.org/wiki/Piano_Trio_No.1%2C_Op.49_(Mendelssohn%2C_Felix) http://imslp.org/wiki/Piano_Trio%2C_Op.11_(Hensel%2C_Fanny)
Who were Fanny and Felix Mendelssohn? Find out here on the CoffeeHouse in Part I of our deep dive into the Mendelssohn lives! Music: https://creativecommons.org/licenses/by-nc-nd/3.0/legalcode https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode http://imslp.org/wiki/Piano_Trio_No.1%2C_Op.49_(Mendelssohn%2C_Felix) http://imslp.org/wiki/Piano_Trio%2C_Op.11_(Hensel%2C_Fanny) http://imslp.org/wiki/Symphony_No.5,_Op.107_(Mendelssohn,_Felix) http://imslp.org/wiki/Lieder_ohne_Worte%2C_Op.19b_(Mendelssohn%2C_Felix)
APRIL 9, 2018 OPERA HOUSE CONCERT Program I Monday, April 9, 2018 8:00 p.m. Sarasota Opera House Mozart, String Quintet in G minor, K.516 Federico Agostini, Ruth Lenz, Bruno Giuranna, Daniel Palmizio, Erica Piccotti Glazunov, String Quintet in A major, Op. 39 Ruth Lenz, Federico Agostini, Daniel Palmizio, Erica Piccotti, Christine Lee Schubert, Piano Trio No. 2 in Eb major, Op. 100, D.929 Claudio Cruz, Antonio Meneses, Derek Han
A look ahead to the opening 2018 concert of La Musica International Chamber Music Festival. APRIL 9, 2018 OPERA HOUSE CONCERT Program I Monday, April 9, 2018 8:00 p.m. Sarasota Opera House Mozart, String Quintet in G minor, K.516 Federico Agostini, Ruth Lenz, Bruno Giuranna, Daniel Palmizio, Erica Piccotti Glazunov, String Quintet in A major, Op. 39 Ruth Lenz, Federico Agostini, Daniel Palmizio, Erica Piccotti, Christine Lee Schubert, Piano Trio No. 2 in Eb major, Op. 100, D.929 Claudio Cruz, Antonio Meneses, Derek Han ~ James P. Roque, SunTrust Private Wealth Management, Corporate Season Sponsor ~ Herald-Tribune Media Group, Media Season Sponsor Single concert price: $40.00 https://www.lamusicafestival.org/index.php/festival/concerts
CMS Resident Lecturer, Bruce Adolphe, talks about the influences on Schubert's Piano Trio No. 2 in E-Flat major, D. 929, Op. 100. Featuring pianist Michael Brown, violinist Sean Lee, and cellist Mihai Marica
Sonates est l'émission de musique classique de Radio Campus Paris. Notre première émission, diffusée le dimanche 8 octobre était consacrée aux Corées (du Nord et du Sud). Sous le feu des projecteurs depuis le milieu de l’été, la Corée du Nord a ravivé les tensions avec l’Occident en début septembre lorsque la présentatrice star du pays, Rin Chun-Hee et son fidèle costume traditionnel rose, a annoncé à tous ses compatriotes le test d’un nouveau missile nucléaire, une bombe H selon le régime. Ce 6e essai a réussi son objectif puisqu’il n’a pas fallu longtemps aux dirigeants occidentaux, et en particulier à Donald Trump, de réagir. Depuis, c’est un vrai match de ping-pong entre les deux pays : Corée du Nord vs Etats-Unis, un vrai duel ! Les provocations font craindre l’avènement d’un conflit, voire pour les plus pessimistes une 3e guerre mondiale ! Toute cette actualité valait un zoom de notre part sur la Corée. Mais, que serait la Corée du Nord sans sa plus grande rivale et en même temps sa sœur presque jumelle la Corée du Sud ? C’est pourquoi nous avons choisi dans cette émission de parler des Corées, de leur histoire musicale commune mais aussi de tout ce qui les sépare... En fin d'émission, Mathieu, comme il le fera une fois par mois, vous propose une chronique sur le rapport entre musique pop et musique classique. Vous pourrez également découvrir l'agenda de la musique classique à Paris pour les prochaines semaines. Merci à Lisa pour la réalisation de cette première émission ! Au cours de cette émission, vous avez pu entendre : Arirang, par l’Orchestre Philarmonique de New-York La jeune fille au trapèze, par l’Orchestre nord-coréen Unhasu. Le prélude de Carmen, composé par Georges Bizet, par l’Orchestre nord-coréen Unhasu. Aegukga, l'hymne sud-coréen Concerto pour violoncelle, Aniri, interprété par Unsuk Chin. Piano Trio No. 1 in E flat major Op.1 No.1: IV. Finale (Presto), interprété par le Chung Trio. Pluto, par Sufjan Stevens. Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH. 55: I. Allegro non troppo e molto maestoso - Allegro con spirito par Chung Trio.
선곡표 1. Dvorak -humoresque Op 101-7 2. Chopin -Ballade No 4 F minor Op 52 3. Telemann -비올라 협주곡 G장조 1,2,3,4악장 4. George Gershwin -The man I love 5. Mauro Giuliani -기타 협주곡 1번 Guitar Concerto No.1 in A Major Op.30 - 1. Allegro maestoso 6. Schumann -피아노 3중주 1번 Piano Trio No.1 in d minor Op.63 - 1악장 Mit Energie und Leidenschaft 7. Haydn -하나님이 우리를 창조하셨나이다 from 오라토리오 천지창조 8. Rachmaninoff -Vocalise (실내악편곡) 9.말러 대지의 노래 Das Lied von der Erde - 2. Der Einsame im Herbst
音乐是财富、是一种心情、是一个改变自己的方式。 它能表达出你的心情，释放你的压力，找到你的共鸣！
音乐是财富、是一种心情、是一个改变自己的方式。 它能表达出你的心情，释放你的压力，找到你的共鸣！
音乐是财富、是一种心情、是一个改变自己的方式。 它能表达出你的心情，释放你的压力，找到你的共鸣！
音乐是财富、是一种心情、是一个改变自己的方式。 它能表达出你的心情，释放你的压力，找到你的共鸣！
音乐是财富、是一种心情、是一个改变自己的方式。 它能表达出你的心情，释放你的压力，找到你的共鸣！
音乐是财富、是一种心情、是一个改变自己的方式。 它能表达出你的心情，释放你的压力，找到你的共鸣！
音乐是财富、是一种心情、是一个改变自己的方式。 它能表达出你的心情，释放你的压力，找到你的共鸣！
音乐是财富、是一种心情、是一个改变自己的方式。 它能表达出你的心情，释放你的压力，找到你的共鸣！
Tonsättarna Ivana Loudová och Sylvie Bodorová, cellist Jitka Vlachankova, dirigent Andrea Krausová, ArteMiss Trio, feminist Mirek Vodrázka, sociolog Marcela Linková och genusprofessor Vera Sokolová. I tredje programmet i serien Konsten att humla är vi i Prag. Europas mest symfoniorkestertäta stad i relation till invånarantalet. Där möter vi bl a möter tonsättaren Ivana Loudová, den första kvinnan någonsin som studerade komposition vid Musikakademin i Prag. -När jag 1958 blev antagen vid Prag-konservatoriet var jag tvungen att gå ed på att jag inte skulle gifta mig innan jag fyllt 30 år, berättar tonsättaren Ivana Loudová. Vi möter även tonsättaren Sylvie Bodorová och Jitka Vlasanková, cellist i Martinukvartetten, som var första kvinna någonsin i en professionell tjeckisk stråkkvartett. -Kvinnors svårigheter inom den klassiska musiken handlar inte om bristande begåvning och intellekt, utan det är ett socialt problem, anser tjeckiska tonsättaren Sylvie Bodorová. Vi möter Andrea Krausová vid Prag-akademin. Hon studerar dirigering för femte och sista året - som andra kvinna någonsin. -En manlig dirigent förklarade för mig att kvinnliga dirigenter endast bör leda små kammarorkestrar, eftersom kvinnor är svaga väsen som inte klarar av annat, skrattar Andrea Krausová, 26 åring som studerar dirigering vid Prag-akademin. Dessutom två medlemmar ur den helkvinnliga, professionella ArteMiss Trio: Alzbeta Vlcková, cello, och Jana Vychodilová, piano. -Under studierna vid Prag-akademin fanns det manliga professorer som vägrade undervisa kvinnor, eftersom vi inte har rytmkänsla, skrattar Jana Vychójolová. Musiklista: The Flight of the Bumblebee Rimsky-Korsakov, transcr. Sergej Rachmaninov Simon Trpceski, piano CD-titel. Racmaninov: Piano Sonata No.2 ; Preludes EMI Classics 7243 5 57943 2 1 Mulieres in ecclesils, Carmina Femina Mirka Vodrázková Mirka Vodrázková, piano. Helena Zaoralová, mezzosopran Carmina Femina Privat inpelning Partita för stråkorkester och piano op. 20 (1938-9), Andantino Vítezslava Kaprálová Czech Symphony Orchestra of Brno. Frantisek Jilek, dirigent. CD-titel. Kaprálová - Portrait Of The Composer Nocturne For Viola And Strings 1975 Ivana Loudová Zdenek Zindel (Viola), Prague Symphony Orchestra (Rehearsed Bz Milan Lajcík) CD-titel: Czech Twentieth-Century Music: Ivana Loudová Penton 81 9001-2 Spleen: Hommage À Charles Baudelaire, 1971 Ivana Loudová Prague Symphony Orchestra, Ladislav Slovák (Conductor), Vladimír Vlasák (Percussion), Jan Klouda (Percussion) CD: Czech Twentieth-Century Music: Ivana Loudová Penton 81 9001-2 911 String Quartet No 1 (1923) 1/1 Adadio - Con Moto Leos Janacek Martinu Quartet CD: Leos Janacek - String Quartet No 1 (Kreutzer Sonata) & 2 (Intimate Letters) Arco Diva UP 0036-2 Consierto de Estio for guitar and string quartet. II Plegaria Sylvie Bodorová Martinue Quartet. Maria Isabel Siewers, gitarr CD: Bodorova Stevenson String Quartets Arco Diva UP 0052-2 Terezin Ghetto Requiem for baritone and string quartet: 2. Dies Irae Sylvie Bodorová Martinue Quartet. Nigel Cliffe, baryton CD: Bodorova Stevenson String Quartets Arco Diva UP 0052-2 Tre canzoni di suonare per chitarra ed orchestra darchi_ Canzone di chiusura Sylvie Bodorová Lubomír Brabec, guitar. Prague Chamber Philharmonic Orchestra. Jirí Belohlávek, dirigent CD: Prague Guitar Concertos Supraphon SU 3272 Rome - Meditations for Solo Viola. I. Distante e rubato Sylvie Bodorová Jitka Hosprova, viola CD: Jitka Hosprova - Rhapsody Arco Diva UP0043-2 Dumky, op 90, Allegro Dvorak Artemiss Trio, prianotrio Privat inspelning Piano Trio No. 2 in E minor, Op. 67 Dmitri Shostakovich ArteMiss Trio, prianotrio CD: Shostakovich - ArteMiss Trio Arco Diva UP0069-2
Iain Burnside compares recordings of Schubert's E flat Piano Trio D.929.
Hur påverkar romsk folkmusik den klassiska musiken och vice versa? Hur skildrar operorna romer? Franske gitarristen Django Reinhardt spelar ett tema ur Tjajkovskijs sjätte symfoni, Pathetique.Ungerske tonsättaren Franz Liszt komponerade Ungerska Rapsodier.Violinisten och tonsättaren Sándor Déki Lakatos komponerade Hommage a Franz Liszt.Ungerske violinisten Roby Lakatos spelar Ungersk Rapsodi Nr 2 av Franz Liszt och Ave Maria, tonsatt av Ilia II, den nuvarande patriarken för kyrkan i Georgien.Tyske tonsättaren Ludwig van Beethoven komponerade ett Rondo i "zigenarstil" i G-dur, Opus 129.Tjeckiska violinisten och sångerskan Iva Bittová spelar Bela Bartoks 44 Duetter för två violiner och Obrázek milého av Leos Janáek.Ungerske pianisten Robert Lakatos improviserar en kadens i Mozarts Pianokonsert nr 21.Spanske violinisten och tonsättaren Pablo Sarasate komponerade Zigeunerweisen. Rumänske violinisten Ion Voicu spelar den vackraste versionen av Zigeunerweisen.Tjeckiske tonsättaren Antonín Dvoák komponerade Zigeunermelodien Op.55.Österrikiske tonsättaren Joseph Haydn komponerade en sats i sin Piano Trio No. 39 i "Zigenarstil".Ungerske Kálmán Balogh spelar en långsam Czárdás på cimbalom.Italienske tonsättaren Giovanni Paisiello skrev den komiska operan I zingari in fiera.Ryske tonsättaren och pianisten Sergej Rachmaninov komponerade operan Aleko. Aleko lever med romer och utvecklas i operan till en svartsjuk mördare.Franske tonsättaren George Bizets opera Carmen är en fantasi om zigenare, det vill säga romer, och den romska kulturen har ofta fått representera det mystiska, erotiska och farliga i den västerländska konsten.Italienska tonsättaren Verdis opera Trubaduren skildrar en romsk kvinna, Azucena, som stjäl ett barn och tänker bränna upp det på bål.Brittiske operakompositören Michael William Balf skrev The Bohemian Girl eller Zigenerskan. Ännu en opera där romer spelar en kriminell och moraliskt förkastlig roll.Svenske tonsättaren Gunnar de Frumerie komponerade operan Singoalla. Om Singoalla-gestalten har det skrivits att porträttet av henne förenar en naiv och oskuldsfull sensualitet med en asocial och förbjuden erotik.Låtlista: 12:03 Esperanza Fernandez, David Pena - Djelem Djelem 12:05 Roby Lakatos - Ungersk Rapsodi Nr 2 (Arr) 12:09 Sándor Déki Lakatos & His Gypsy Band - Hommage À Franz Liszt 12:11 Iva Bittová - A Fair Tale 12:14 Iva Bittová - Teasing Song 12:17 Iva Bittova, Sång. Skampa Quartet - Obrázek Milého 12:17 Quintette Du Hot Club De France, - Medlemmar, Django Reinhardt, Stephane Grappelly, Gianni Safred, Carlo Pecori, Aurelio De Carolis, Quintette Du Hot Club De France - Symfoni Nr 6 H-Moll Op 74: Sats 1, Adagio. Allegro Non Troppo (Arr) 12:20 Jevgenij Kisin - Rondo A Capriccio För Piano Op 129 G-Dur 12:24 Ion Voicu, Heinz Bongartz, Dresdner Philharmonie - Zigeunerweisen (Op 20:1) 12:28 Magdalena Kozena, Malcolm Martineau - Ciganske Melodie (Op 55): Nr 4, Kdyz Mne Stara Matka Zpivat 12:31 Ciganski Diabli - Trio För Piano, Violin & Violoncell Hv Xv:25 G-Dur: Sats 3, Rondo All'Ongarese (Arr) 12:34 Kálmán Balogh - Mezosegi Ciganytanc Es Lassu Csardas 12:37 Robert Lakatos - Piano Concerto No. 20 In D Minor 12:42 Robert Lakatos - Piano Concerto No. 20 In D Minor 12:45 Cecilia Bartoli, György Fischer - I Zingari In Fiera: Chi Vuol La Zingarella 12:48 Joan Sutherland, Richard Bonynge, London Symphony Orchestra - The Bohemian Girl: Akt 2, "I Dreamt I Dwelt In Marble Halls" 12:51 Vladimir Grisjko, Volodymyr Sirenko, Ukrainska Radions Symfoniorkester (Kiev) - Aleko: Nr 12, "Vzgljani Pod Udaljonnym Svodom" 12:53 Yuri Ahronovitch, Stockholms Filharmoniska Orkester, Lasse Bergström, Anne Sofie Von Otter, Catharina Olsson, Inger Blom, Björn Haugan, Anders (1) Andersson, Per-Arne Wahlgren, Erik Saedén, Stig Tyskl - Singoalla 12:56 Roby Lakatos Gabriel Laufer Dominique Corbiau Bryssels Chamber Orchestra - Ave Maria
Klassisk musik och romer. Hur påverkar romsk folkmusik den klassiska musiken och vice versa? Hur skildrar operorna romer? Fjärde programmet av fem av Birgitta Tollan. Franske gitarristen Django Reinhardt spelar ett tema ur Tjajkovskijs sjätte symfoni, Pathetique. Ungerske tonsättaren Franz Liszt komponerade Ungerska Rapsodier. Violinisten och tonsättaren Sándor Déki Lakatos komponerade Hommage a Franz Liszt. Ungerske violinisten Roby Lakatos spelar Ungersk Rapsodi Nr 2 av Franz Liszt och Ave Maria, tonsatt av Ilia II, den nuvarande patriarken för kyrkan i Georgien. Tyske tonsättaren Ludwig van Beethoven komponerade ett Rondo i "zigenarstil" i G-dur, Opus 129. Tjeckiska violinisten och sångerskan Iva Bittová spelar Bela Bartoks 44 Duetter för två violiner och Obrázek milého av Leos Janáek. Ungerske pianisten Robert Lakatos improviserar en kadens i Mozarts Pianokonsert nr 21. Spanske violinisten och tonsättaren Pablo Sarasate komponerade Zigeunerweisen. Rumänske violinisten Ion Voicu spelar den vackraste versionen av Zigeunerweisen. Tjeckiske tonsättaren Antonín Dvoák komponerade Zigeunermelodien Op.55. Österrikiske tonsättaren Joseph Haydn komponerade en sats i sin Piano Trio No. 39 i "Zigenarstil". Ungerske Kálmán Balogh spelar en långsam Czárdás på cimbalom. Italienske tonsättaren Giovanni Paisiello skrev den komiska operan I zingari in fiera. Ryske tonsättaren och pianisten Sergej Rachmaninov komponerade operan Aleko. Aleko lever med romer och utvecklas i operan till en svartsjuk mördare. Franske tonsättaren George Bizets opera Carmen är en fantasi om zigenare, det vill säga romer, och den romska kulturen har ofta fått representera det mystiska, erotiska och farliga i den västerländska konsten. Italienska tonsättaren Verdis opera Trubaduren skildrar en romsk kvinna, Azucena, som stjäl ett barn och tänker bränna upp det på bål. Brittiske operakompositören Michael William Balf skrev The Bohemian Girl eller Zigenerskan. Ännu en opera där romer spelar en kriminell och moraliskt förkastlig roll. Svenske tonsättaren Gunnar de Frumerie komponerade operan Singoalla. Om Singoalla-gestalten har det skrivits att ”porträttet av henne förenar en naiv och oskuldsfull sensualitet med en asocial och förbjuden erotik”.
Work for piano trio by Schubert performed by Claremont Trio on April 26, 2015. Schubert: Trio in E flat Major, Op. 100Some works call for their own podcast. We have just such a piece on this program: Schubert’s Piano Trio No. 2, opus 100. We’ll hear it performed by the Claremont Trio: violinist Emily Bruskin, cellist Julia Bruskin, and pianist Donna Kwong.The second movement features a minor tune that—thanks to Schubert—has become fairly well known. The use of this folk tune was supposedly inspired by the composer’s encounter with a Swedish folk singer shortly before he wrote the piece. If you listen carefully, you’ll notice that the theme returns. In the final movement, it makes a second appearance, this time a bit altered to fit its new surroundings, but still recognizable. It gives the expansive piece a sense of coherence and familiarity, a feel of musical déjà vu: I’ve been here before, one can’t help but think, although things look very different the second time around.Unlike many of his other late works, Schubert actually had the opportunity to hear this trio played before he passed away. It was performed at an engagement party for a school friend of Schubert’s.
선곡표 그리운 네얼굴 김노현 시 김노현 곡 소프라노 진기화 라흐마니노프 보칼리제 Vocalise Op.34-14 Martini 마르티니 - Plaisir D'Amour사랑의 기쁨 Haydn -첼로협주곡 2번 D장조 중 2. Adagio 3. Allegro 아렌스키 피아노 3중주 1번 Piano Trio No.1 in d minor Op.32 - 2. Scherzo. Allegro molto Beethoven -Egmont 에그몬트 서곡 op.84 슈베르트 로망스 Romanze D.114 Verdi - 오페라 운명의 힘 중 Pace, pace, mio Dio신이여 평화를 주소서 Gounod-오페라 로미오와 줄리엣 중 Ange adorable사랑스런 천사여 영화 토니 타키타니 OST Ryuichi Sakamoto - Tony TakitaniSolitude
Shostakovich, Dimitri - Piano Trio No. 2 Op. 67, second movement. Performed by students of MLC School.
Erica Jeal compares the available versions of Schumann's first Piano Trio
Works for violin, cello, and piano performed by the Claremont Trio.Mozart: Piano Trio No. 3 in B-flat Major, K. 502Mendelssohn: Piano Trio No. 1 in D minor, Op. 49The piano trio—an ensemble of violin, cello, and piano—was one of the great innovations of classical and Romantic chamber music. Before that time, composers wrote for similar groups of instruments, but the pieces rarely gave equal prominence to the three players. Classical and Romantic composers shifted the balance of the trio by giving equal weight to all three players and putting equal thought into each instrument’s part. In fact, Mendelssohn made extensive revisions after completing the first draft of his Piano Trio No. 1, adding more elaborate and technically challenging passagework to up the ante for the pianist. Mozart was a true father of the piano trio genre, and his B-flat trio is considered one of his best contributions, chock full of tuneful melodies arranged with grace and balance to show off all three members of the trio to their best advantage.
Can you guess this piece? Here's a hint: A dark piece from a dark time in history.
Can you guess this piece? Here’s a hint: A dark piece from a dark time in history.
Works for flute and piano and piano trio performed by flutist Dora Seres, pianist Emese Mali, and the Claremont Trio.Bartók: Three Folksongs from County CsikDvořák: Piano Trio No. 3 in F minor, Op. 65Today we hear two pieces by Eastern European composers heavily influenced by folk music. Many have pointed to the third piano trio as a significant turning point in Dvořák’s style, a moment when his music began to take on the formal heft and cosmopolitan European style of his mentor, Brahms, stepping away from his more folk-inspired earlier works. Before the trio, we’ll hear a brief set by Bartók, another work at the crossroads between folk and art music. One of Bartók’s first experiences with folk music came when he overheard a Transylvanian-born maid singing at a Hungarian resort where he was staying, and decided to write down what he heard. Three years later he traveled to Transylvania to study and transcribe songs there, including the three in this cycle.
Performed by: Chin-i Chen, Ting-Chi Hung and Yu-Chi Tai, violin. Audio work-study, Cain McCormack joins Allegra in the studio. Part of the Fall Creative Music Residency, this concert was recorded by Cain McCormack and Aspen Beveridge.
Andy Tan on violin, Grace Harvey on cello and Fan Wang on piano perform Antonin Dvorak's Piano Trio No.4 in E Minor: Lento maestoso - Allegro vivace, quasi doppio movimento - Temp I - Allegro Poco adagio - Vivace non troppo.
Bach: Partita for solo flute in A minor, BWV 1013 Schumann: Piano Trio No. 3 in G minor, Op. 110The first piece on today’s program is Bach’s Partita in A minor, made up of four movements that constitute a typical baroque dance suite. Because the work is for solo flute, with no accompanying instrument to provide the harmonic bass figures, Bach had to conjure meter, harmony and counterpoint in one solo melodic instrument. The result is a challenging piece, demanding frequent leaps between registers to create the effect of multiple voices in just one instrument. Robert Schumann idolized Bach. Throughout his life he collected and studied Bach’s works, especially the Well-Tempered Clavier, which greatly influenced his own keyboard compositions. Even within Schumann’s lush and romantic Piano Trio No. 3, the flowing lines and densely layered voices mask a carefully refined structure, a rigor of form and development that hints at Bach’s central role in Schumann’s musical world.
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