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Ahead of Opera Holland Park's upcoming production of A Christmas Carol, James Clutton sits down with the Will Todd (Composer) and David Simpatico (Librettist), Ceci Calf (Designer) and Martin Duncan (Director) in the rehearsal room. At Sinfonia Smith Square, Will Todd and David Simpatico's enchanting musical retelling of A Christmas Carol weaves the melodies of traditional Victorian carols and the midwinter chimes of handbells through each episode of Charles Dickens's seasonal ghost story. A Christmas Carol will run from 17-18 December at Sinfonia Smith Square in London, and on 16 December at Holy Trinity Church. operahollandpark.com/productions/a-…ristmas-carol/
What happens when your books, for all the right reasons, are banned? Well sometimes the controversy just drives demand; unfortunately it also often means the author's name is all-but-lost to the mists of time, and relegated to the back of the collective mind. Such was the case for Limerick's own Kate O'Brien whose 50th anniversary we mark in 2024. O'Brien had two books "Mary Lavelle" and "Land of Spices" banned in Ireland, and she herself was banned from Spain, for expressing some very progressive ideas around politics, women's liberation, and sexual identity. On this month's episode we meet Shirley Keane, director of Limerick's Opera Workshop, and Fiona Linnane, composer, to discuss their work-in-progress "Banned" which explores how Kate O'Brien responded to her censorship – the heartbreak it brought her, her ultimate triumph in spite of it, and the impact it will have had on the breadth of her audience today. Fiona Linnane is a composer whose compositional practice centres around use of text and includes opera, art song and featuring spoken word. She is director of Limerick New Music Ensemble and represented by the Contemporary Music Centre, Dublin. Following a Bachelor of Music Degree from University College Cork and a Masters in Music Technology from University of Limerick, Linnane's first explorations into composition were through song writing. Over the last 20 years she has established herself as a composer of "Art Song" and operatic works popular with both audiences and performers alike. The work of Kate O'Brien has been a feature of Linnane's work since 2011 when she began composing her song cycle Songs from Kate O'Brien. The cycle consists of 12 songs – four for soprano, four for contralto and four for baritone – based on poems by Mary Coll depicting characters from O'Brien's novels at pivotal moments in their development. The Limerick City and County Council awarded her with Individual Arts Bursaries in 2018 and 2019 for work in opera and art song, including the addition of the four songs for soprano to the Kate O'Brien cycle. Founder and Artistic Director of Opera Workshop, Shirley has had training in both theatre and opera, at Rose Bruford College, Guildhall School of Music and the Royal Academy of Music, London. Shows created and produced for Opera Workshop include The Countess' Salon, Opera What The Fuss!, The Trouble with Virtue, Abandoned and No 2 Pery Square by Fiona Linnane. In October 2022 Shirley produced and directed Twisted Tales, a production of short, edgy contemporary operas by Fiona Linnane and Luke Byrne. She has worked as a performer, director, teacher and mentor with companies as diverse as Opera Theatre Co., Opera Holland Park, Basingstoke Haymarket Theatre, Glyndebourne Opera, Live Music Now, Accademia Solti Te Kanawa, Half Moon Young People's Theatre Co., and The Guildhall School of Music and Drama. Shirley was also engaged on the Women's Conducting Programme at the National Concert Hall, led by conductor Alice Farnham. Shirley enjoys regular cover presenter time on RTE lyric fm. https://limetreebelltable.ie/events/banned-by-fiona-linnane/ https://operaworkshop.ie/ Instagram: @fionacomposes @operaworkshoplimerick The Limerick Lady is a grassroots movement based in Limerick, Ireland, with a focus on promoting conversation around gender, visibility, gender balance and the arts. It was founded in 2016 by award-winning (and losing) singer-songwriter Emma Langford, who hosts the podcast alongside fellow award-winning (and losing) Limerick woman, theatre-maker and musician Ann Blake. Find the Limerick Lady Podcast on all your favourite streaming platforms. New episodes drop once a month, on the third Thursday (or Thirdsday, if you will). The Limerick Lady is supported by The Limerick Post Newspaper. Support the Limerick Post at www.limerickpost.ie
Today's episode is with Fleur Snow, Director and co-host, Jeremy Boulton. Fleur Snow is a stage director and musician from West Wales. For the 2023-2024 season, she is resident staff director in St Gallen, Switzerland, and she will take up her next position in the Staatstheater am Gärtnerplatz, Munich from September 2024. She is an organist and speaks English, Welsh, French, Italian, and German. As a director, recent projects have focused on contemporary opera and historical gesture. These include adaptations of Oscar Wilde's The Duchess of Padua (The Space, London), Jamila Gavin's Coram Boy (Atmospheres, RWCMD) and Dido and Aeneas (RWCMD). Other credits include Julia Plaut's new opera for children, The Y Knot (The Croft, Cardiff); a digital adaptation of Julius Caesar; Ristorante Don Alfonso; Postgraduate Scenes (RWCMD); and Under Milk Wood at Brasenose College. Fleur works in the UK and internationally as an assistant director. This year at St Gallen, Fleur was assistant director for Les Misérables (Josef Köpplinger), Ernani (Barbora Horáková) and Lili Elbe (Krystian Lada). Further afield, Fleur assisted on Evgenij Onegin (Julien Chavaz) at Teatro Massimo, Palermo; Gianni Schicchi (Damon Nestor Ploumis) at Alden-Biesen, Belgium; and the Swedish première of Du Är Min Nu (Gérard Watkins) in the Göteborgs Stadsteater as a 2023 European Theatre Convention Scholar. At home in the UK, she has worked with Welsh National Opera on Migrations (Sir David Pountney), Opera Holland Park for La Bohème (Natascha Metherell), and West Green House Opera for L'Elisir d'Amore (Victoria Newlyn). https://fleursnow.co.uk/ -- Hosted by Jessica Harper (soprano) & Jeremy Boulton (baritone), 'So You Think You Can Belto?' was created to empower emerging operatic practitioners across Australia and the world with access to the direct knowledge and relayed experiences of professionals. It aims to help inform emerging artists by holding a mirror to the opera system so that artists can make their own individually-informed decisions about auditions, competitions, engagements, and more. You'll hear everything from in-depth artist interviews, to long form panel discussions on topics concerning emerging artists. BUY JESSICA A COFFEE: https://www.paypal.com/ncp/payment/32TKWJ6EQ7G8N TWITTER: twitter.com/sytycanbelto FACEBOOK: facebook.com/soyouthinkyoucanbelto INSTAGRAM: instagram.com/soyouthinkyoucanbelto HASHTAG: #SoYouThinkYouCanBelto JESSICA: jessicaharpersoprano.com JEREMY : jeremyboulton.com.au DISCLAIMER: The views and opinions expressed are solely those of the individuals that appear on the program, not the views of the organisations that they are employed by, nor who they represent in other capacities.
In this episode, James Clutton chats with Elizabeth Karani and Anthony Gregory who play the roles of Acis and Galatea in Opera Holland Park's 2024 production.
Ahead of its revival at Opera Holland Park in a double bill paired with Leoncavallo's Pagliacci, James Clutton chats with Richard Burkhard, Clare Presland and John Andrews about Il segreto di Susanna.
James Clutton chats with the cast of Stephen Barlow's Tosca on its final night at Opera Holland Park.
Part 2 of EggPod Live at Opera Holland Park, London on Saturday 1 July 2023. Chris Shaw is joined by the world's leading Beatles historian Mark Lewisohn.
Part 1 of EggPod Live at Opera Holland Park, London on Saturday 1 July 2023. Chris Shaw is joined by special guests Samira Ahmed, Stuart Maconie and David Quantick.
Author, DJ, member of St Etienne and a regular on our podcasts, Bob Stanley was the second guest at our sun-baked garden party in the auditorium of Opera Holland Park on June 3 talking about his new book “Bee Gees: Children Of the World”. He feels – and very rightly – that in some quarters they're still the punchline to a heartless joke and deserve infinitely more critical respect. This illuminating conversation touches on the “teenage delinquent” years in Manchester, their struggles in Australia, signing with Robert Stigwood, success and how badly they handled it, what the press made of them, how they invented the sound of Jive Talkin' and Night Fever, the Saturday Night Fever soundtrack, why they were known as “Pilly, Potty and Boozy” and the various people who've loudly sung their praises – Diana Ross, Pet Shop Boys, Take That and Noel Gallagher among them. Order Bob's book ‘Bee Gees: Children of the World' here … https://www.amazon.co.uk/Bee-Gees-Children-Bob-Stanley/dp/1788705424/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr=]2502&hvtargid=pla-1945216255331&psc=1&th=1&psc=1Subscribe to Word In Your Ear on Patreon for early - and ad-free! - access to all our content!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Author, DJ, member of St Etienne and a regular on our podcasts, Bob Stanley was the second guest at our sun-baked garden party in the auditorium of Opera Holland Park on June 3 talking about his new book “Bee Gees: Children Of the World”. He feels – and very rightly – that in some quarters they're still the punchline to a heartless joke and deserve infinitely more critical respect. This illuminating conversation touches on the “teenage delinquent” years in Manchester, their struggles in Australia, signing with Robert Stigwood, success and how badly they handled it, what the press made of them, how they invented the sound of Jive Talkin' and Night Fever, the Saturday Night Fever soundtrack, why they were known as “Pilly, Potty and Boozy” and the various people who've loudly sung their praises – Diana Ross, Pet Shop Boys, Take That and Noel Gallagher among them. Order Bob's book ‘Bee Gees: Children of the World' here … https://www.amazon.co.uk/Bee-Gees-Children-Bob-Stanley/dp/1788705424/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr=]2502&hvtargid=pla-1945216255331&psc=1&th=1&psc=1Subscribe to Word In Your Ear on Patreon for early - and ad-free! - access to all our content!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Author, DJ, member of St Etienne and a regular on our podcasts, Bob Stanley was the second guest at our sun-baked garden party in the auditorium of Opera Holland Park on June 3 talking about his new book “Bee Gees: Children Of the World”. He feels – and very rightly – that in some quarters they're still the punchline to a heartless joke and deserve infinitely more critical respect. This illuminating conversation touches on the “teenage delinquent” years in Manchester, their struggles in Australia, signing with Robert Stigwood, success and how badly they handled it, what the press made of them, how they invented the sound of Jive Talkin' and Night Fever, the Saturday Night Fever soundtrack, why they were known as “Pilly, Potty and Boozy” and the various people who've loudly sung their praises – Diana Ross, Pet Shop Boys, Take That and Noel Gallagher among them. Order Bob's book ‘Bee Gees: Children of the World' here … https://www.amazon.co.uk/Bee-Gees-Children-Bob-Stanley/dp/1788705424/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr=]2502&hvtargid=pla-1945216255331&psc=1&th=1&psc=1Subscribe to Word In Your Ear on Patreon for early - and ad-free! - access to all our content!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
According to a new report from Adoption UK nearly half of families with adopted children aged 13 to 25 say they are at ‘crisis point' or ‘facing severe challenges'. Author, Becky Brooks, discusses her report alongside Clare, a parent of adopted children. Indian women wrestlers have been living on the streets of Delhi in protest after they accused their sport's federation's top official of sexual harassment and abuse. There is just three months until the World Championships and the Asian Games when ordinarily these women would be focussed on intense training. Nuala discusses the situation with Divya Arya, Women's Affairs Journalist at BBC Delhi. A new production of Rigoletto opens next week at Opera Holland Park. Described as “a propulsive tragedy of toxic masculinity and unfettered power”, the director, Cecilia Stinton, explains why she has set it in an Oxbridge-style college post World War I, and the relevance of the story to a modern audience. The soprano, Alison Langer, who plays the role of Gilda, also joins Nuala and performs live in the studio. New research has found that women are twice as likely to die within 30 days of a heart attack compared with men. To explore why women continue to appear more vulnerable after having a heart attack Nuala is joined by consultant cardiologist Dr Sonya Babu-Narayan. The Happy Couple is the second novel by the acclaimed Irish novelist Naoise Dolan, whose debut Exciting Times was longlisted for the Women's Prize for Fiction. It follows a young couple, Celine and Luke, in the run-up to their wedding and explores the creeping doubts they have about each other, marriage and monogamy. Naoise joins Nuala in the studio. Presenter: Nuala McGovern Producer: Emma Pearce
In today's episode, James Clutton speaks to Charlotte Badham and Laura Lolita Perešivana who are playing the title roles in Opera Holland Park's 2023 production of Engelbert Humperdinck's 1893 Hansel and Gretel. They discuss the joys and challenges of freshly tackling such well loved characters.
Today James Clutton speaks to the cast, Composer, Librettist, Associate Director and producers of Itch, Opera Holland Park's new opera by Jonathan Dove, after the team have heard it played through for the first time.
This week Ash + Avi chatted with Mezzo-Soprano Sophie Dicks. Sophie has been working in the UK opera industry since she was a student at Conservatoire . She has performed with Opera Holland Park, English Touring Opera, Welsh National Opera, and more. Sophie opened up to us about her vocal health journey as well as her newest journey of becoming a mother while continuing to pursue a career onstage. And as she says "everyone else has to just get on board with it." We know you will love Sophie and visits from her daughter Bowie just as much as we do. Enjoy! Sophie's links: Website | Instagram Our Links: Website | Instagram | Buy us a Coffee
Musical Director, Producer and Writer Alex Parker (My Fair Lady / The Light in the Piazza) co-hosts The West End Frame Show!Andrew and Alex discuss Strictly Ballroom (New Wimbledon Theatre, UK Tour) and the WhatsOnStage Awards, as well as the latest news about Wicked casting, The Woman in Black closing, the Nanny McPhee musical and lots more. Alex is currently the musical director for the UK & Ireland tour of My Fair Lady directed by Bartlett Sher.Additionally, Alex is currently producing and musical directing a concert staging of The Light in the Piazza at the Alexandra Palace Theatre on 27th November with an all-star cast including Elena Shaddow, Amara Okereke, Jordan Luke Gage, Rebecca Lock and Amy Di Bartolomeo.Alex made a splash on the theatre scene when he produced and musical directed the London premiere of Stephen Sondheim's Putting It Together at the St James Theatre (now The Other Palace) starring Janie Dee. Most recently he produced and musical directed Wonderful Town at Opera Holland Park, Gypsy starring seven Roses at the Alexandra Palace Theatre, Sunset Boulevard at Alexandra Palace Theatre & Royal Albert Hall and his own musical AmDram at Leicester Curve.Alex has also produced and musical directed A Little Night Music on two occasions, at the Palace Theatre in the West End and Opera Holland Park.Alex was the musical director for Mame at the Hope Mill Theatre, The Color Purple at Leicester Curve and My Left Right Foot for the National Theatre of Scotland. Other shows that he has worked on include Sweet Charity, Barnum, Secret Diary of Adrain Mole, Wonderland, Working, Les Misérables, Stephen Ward, The Pajama Game, Soho Cinders and so much more. The list is endless!The Light in the Piazza is staged at the Alexandra Palace Theatre on 27th November 2022. Visit www.alexandrapalace.com for info and tickets.Hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.
Welcome to E&T Season William Robert Allenby Bass-baritone celebrated 40 years on stage in 2020, since his debut as Kurt in 'the Sound of Music' with the Northern Theatre Company, at the Hull New Theatre, in 1980. His career has taken him around the world in a variety of musical styles from Puccini through to Andrew Lloyd Webber and Rogers and Hammerstein. William was recently awarded Associateship (ARAM) in the Royal Academy of Music 2020 honours list for a significant contribution to the music profession.William's considerable vocal and comedic talents have taken him to major opera houses in many leading comic and dramatic roles, garnering universal critical acclaim. He has appeared at the Royal Opera Covent Garden, English National Opera, Welsh National Opera, Scottish Opera, and Opera Holland Park, to name but a few.Following his days as a juvenile lead with the Northern Theatre Company in musicals and variety shows, William's major break-through came when he was engaged as a soloist for BBC Radio 2 in 1989. He has since appeared many times as a star singer on 'Friday Night is Music Night' in a variety of broadcasts of musicals and operetta and in international tours of 'Jesus Christ Superstar' with Westend International. William has also achieved considerable success in over 400 performances of his extremely popular one-man shows, 'An Enchanted Evening of Song' and 'The Music of the Night' in theatres around the UK and as a headline act aboard many of the luxury cruise lines in the US and Europe.I worked with Will on Luxury Cruise Liners and we have enjoyed a spot together in my first produced show in a theatre in 2005 when a character of mine named Jilly Pepper bravely duetted with this master of vocals, you can hear this later in this show.Although Eyes & Teeth is not purely music based, each guest is always linked to Variety in some way and Wills love for the art of Comedy and Variety goes deep and you hear this in his work as well as what he is bringing at Chichester University passing it on to students of Cabaret and Variety. He's paying it forward, so sit back and enjoy the work of the one and only Will Allenby
It's being called medicine's Me Too moment. Two female doctors have launched an online campaign gathering testimony about sexual harassment and a culture of sexism in the world of health care. Dr Becky Cox and Dr Chelcie Jewitt join Krupa to explain why they launched Surviving in Scrubs. Last week we looked at radical solutions to the ageing population and slowing birth rate, including a tax on the childfree. One country which has taken a unique approach is Hungary which introduced tax breaks and loans to encourage women to have more children in 2019. The BBC's Nick Thorpe joins Krupa to discuss how successful the policy has been. Back in 1972, the very first England Women's Football Team beat Scotland in their first international victory, but unlike the men's team the Lionesses were not awarded official caps. Pressure has been mounting for the Football Association to recognise the 1972 team with caps. The reserve goalkeeper, Sue Wyhatt, joins us as the FA announce they will award the caps. The male contraceptive pill has been talked about for decades but so far has never got past the research stages. There is a current clinical trial though that is already yielding good results – however it's not a pill, it's a gel. It's also had positive feedback from the couples who tried it. Krupa is joined by Dr Diana Blithe, who leads the Contraceptive Development Program at the Eunice Kennedy Shriver National Institute of Child Health and Human Development in the US. The UK premiere of Little Women opens at Opera Holland Park later this week. The award winning director Ella Marchment joins Krupa Padhy, along with Charlotte Padham who makes her professional debut as Jo. Presenter: Krupa Padhy Producer: Emma Pearce
On June 18, along with four guests, we held a party for Paul McCartney on his 80th in front of a big crowd in the magical tented arena at Opera Holland Park in West London. This was a lot of fun from start to finish, fond memories, forgotten songs, new angles, personal meetings, fresh theories and fascinating unknown tales.In this second part of the show Danny Baker talks about a lost masterpiece, does the McCartney walk, fights the corner for some of his least loved songs, puts him in perspective, sings impressively and tells the Besame Mucho/TFI Friday story.And our last guest is Graham Gouldman who was writing big hits for the Hollies, the Yardbirds and many others in the ‘60s before he co-founded 10cc. How did songwriters react to a new Beatles single? What did he nick from Things We Said Today? What are the McCartney signatures? How is it humanly possible to play those bass parts and sing at the same time?This episode comes rammed with revelations about McCartney's life and songs and what he's meant to us over the years.Part One - https://shows.acast.com/word-in-your-ear-2/episodes/word-podcast-459-word-in-the-park-1 - features the broadcaster Geoff Lloyd and the writer Andy Miller.Subscribe to Word In Your Ear on Patreon and receive every future Word Podcast before the rest of the world - alongside a whole load more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.
On June 18, along with four guests, we held a party for Paul McCartney on his 80th in front of a big crowd in the magical tented arena at Opera Holland Park in West London. This was a lot of fun from start to finish, fond memories, forgotten songs, new angles, personal meetings, fresh theories and fascinating unknown tales.In this second part of the show Danny Baker talks about a lost masterpiece, does the McCartney walk, fights the corner for some of his least loved songs, puts him in perspective, sings impressively and tells the Besame Mucho/TFI Friday story.And our last guest is Graham Gouldman who was writing big hits for the Hollies, the Yardbirds and many others in the ‘60s before he co-founded 10cc. How did songwriters react to a new Beatles single? What did he nick from Things We Said Today? What are the McCartney signatures? How is it humanly possible to play those bass parts and sing at the same time?This episode comes rammed with revelations about McCartney's life and songs and what he's meant to us over the years.Part One - https://shows.acast.com/word-in-your-ear-2/episodes/word-podcast-459-word-in-the-park-1 - features the broadcaster Geoff Lloyd and the writer Andy Miller.Subscribe to Word In Your Ear on Patreon and receive every future Word Podcast before the rest of the world - alongside a whole load more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.
On June 18, along with four guests, we held a party for Paul McCartney on his 80th in front of a big crowd in the magical tented arena at Opera Holland Park in West London. This was a lot of fun from start to finish, fond memories, forgotten songs, new angles, personal meetings, fresh theories and fascinating unknown tales.In this second part of the show Danny Baker talks about a lost masterpiece, does the McCartney walk, fights the corner for some of his least loved songs, puts him in perspective, sings impressively and tells the Besame Mucho/TFI Friday story.And our last guest is Graham Gouldman who was writing big hits for the Hollies, the Yardbirds and many others in the ‘60s before he co-founded 10cc. How did songwriters react to a new Beatles single? What did he nick from Things We Said Today? What are the McCartney signatures? How is it humanly possible to play those bass parts and sing at the same time?This episode comes rammed with revelations about McCartney's life and songs and what he's meant to us over the years.Part One - https://shows.acast.com/word-in-your-ear-2/episodes/word-podcast-459-word-in-the-park-1 - features the broadcaster Geoff Lloyd and the writer Andy Miller.Subscribe to Word In Your Ear on Patreon and receive every future Word Podcast before the rest of the world - alongside a whole load more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
On June 18 we laid on a celebration of all things McCartney on his 80th in the magical tented arena at Opera Holland Park in West London. People came from all corners of the globe. It turned out to be a feast of fond memories, forgotten songs, fresh perspectives, personal encounters, original theories and fascinating unknown tales. In this first half, David and Mark talk to the broadcaster Geoff Lloyd – who once had him on his radio show and gave him random instruments to see if he could get a tune out of them and part-written songs to finish off. Geoff was born in ‘73 and pieced together the McCartney story via an interesting route. His account of meeting him is electrifying. Our second guest is the writer, star of the literary world and co-host of the Backlisted podcast Andy Miller, onstage wearing very special McCartney-related clothes for a very special reason. Like all of us, he watched Get Back and was astonished by what he learnt about the way the band worked. Also in this episode… the effect of All My Loving on a 13 year-old, what our parents thought of the Beatles, Cynthia Lennon's lost letter and four of our favourite songs and why. Find a sunhat, fix a cold drink, pull up an imaginary deckchair and get stuck in …------------Subscribe to Word In Your Ear on Patreon and receive every future Word Podcast before the rest of the world - alongside a whole lot more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.
On June 18 we laid on a celebration of all things McCartney on his 80th in the magical tented arena at Opera Holland Park in West London. People came from all corners of the globe. It turned out to be a feast of fond memories, forgotten songs, fresh perspectives, personal encounters, original theories and fascinating unknown tales. In this first half, David and Mark talk to the broadcaster Geoff Lloyd – who once had him on his radio show and gave him random instruments to see if he could get a tune out of them and part-written songs to finish off. Geoff was born in ‘73 and pieced together the McCartney story via an interesting route. His account of meeting him is electrifying. Our second guest is the writer, star of the literary world and co-host of the Backlisted podcast Andy Miller, onstage wearing very special McCartney-related clothes for a very special reason. Like all of us, he watched Get Back and was astonished by what he learnt about the way the band worked. Also in this episode… the effect of All My Loving on a 13 year-old, what our parents thought of the Beatles, Cynthia Lennon's lost letter and four of our favourite songs and why. Find a sunhat, fix a cold drink, pull up an imaginary deckchair and get stuck in …------------Subscribe to Word In Your Ear on Patreon and receive every future Word Podcast before the rest of the world - alongside a whole lot more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.
On June 18 we laid on a celebration of all things McCartney on his 80th in the magical tented arena at Opera Holland Park in West London. People came from all corners of the globe. It turned out to be a feast of fond memories, forgotten songs, fresh perspectives, personal encounters, original theories and fascinating unknown tales. In this first half, David and Mark talk to the broadcaster Geoff Lloyd – who once had him on his radio show and gave him random instruments to see if he could get a tune out of them and part-written songs to finish off. Geoff was born in ‘73 and pieced together the McCartney story via an interesting route. His account of meeting him is electrifying. Our second guest is the writer, star of the literary world and co-host of the Backlisted podcast Andy Miller, onstage wearing very special McCartney-related clothes for a very special reason. Like all of us, he watched Get Back and was astonished by what he learnt about the way the band worked. Also in this episode… the effect of All My Loving on a 13 year-old, what our parents thought of the Beatles, Cynthia Lennon's lost letter and four of our favourite songs and why. Find a sunhat, fix a cold drink, pull up an imaginary deckchair and get stuck in …------------Subscribe to Word In Your Ear on Patreon and receive every future Word Podcast before the rest of the world - alongside a whole lot more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Integrate Yourself Podcast | Integrated Fitness & Nutrition | Healthy Lifestyle & Personal Growth
Fiona Finsbury is an opera singer, yoga teacher and vocal coach. She has sung as a soloist throughout the UK including at the Royal Opera House, Buxton Opera House, Opera Holland Park and in The Phantom of the Opera in London's West End.Fiona holds an undergraduate degree in acting from Mountview Academy of Theatre Arts and two post graduate degrees in music and singing from The Royal Northern College of Music. She studied vocal anatomy under Stephen King of Voice Care Centre UK, and she is a certified Vocal Health First Aider.As a vocal coach she helps people to find their authentic voice. She teaches technical exercises to strengthen the vocal instrument, as well as coaching for diction, delivery and stage presence, helping voice-users to feel more confident, comfortable and powerful both on stage and in the workplace.Pick up a copy of my book Finally Thriving here:https://geni.us/FinallyThrivinghttps://www.finallythrivingbook.comFinally Thriving Program:https://www.finallythrivingprogram.comAccess show notes here:https://www.pureenergypdx.com/integrate-yourself-podcastConnect with Fiona here:website: https://www.fionafinsbury.comInstagram: https://www.instagram.com/fionafinsbury/Morning Meditation for WomenStart your day with a moment of mindfulness with the Morning Meditation for Women podcast.Listen on: Apple Podcasts Spotify Cultivating Spiritual CuriosityA show dedicated to exploring our spirituality & evolution of consciousness.Listen on: Apple Podcasts Spotify Becoming You AgainBecoming You Again is for women going through divorce who need guidance and support. Listen on: Apple Podcasts SpotifySupport the show
Opera Holland Park in London have been offering access for blind and partially sighted people to their summer season of opera productions for a number of years now with audio description provided by VocalEyes with introductory notes, touch tours and the live description too. Well this year is no different with five of their opera productions being audio described including: Carmen - Sunday 12 June, Eugene Onegin - Sunday 19th June, Little Women - Sunday 24 July, Margot La Rouge/ Il Villi - Sunday 31 July, and HMS Pinafore - Saturday 13 August, all performances are at 2pm with a touch tour at 1pm. RNIB Connect Radio's Toby Davey was joined by Alice Bezant from Opera Holland Park to firstly find out a bit of background to Opera Holland Park, why access is so important to the company and then a run down of each of the accessible opera productions for 2022. Alice and Toby also talked about the touch tours and how they are a great opportunity to become more familiar with the costumes, set and props for the productions as well as an opportunity to meet some of the cast and crew too before discussing how accessible opera is and not as some people might think stuffy and maybe elitist which is definitely not the case with Opera Holland Park. Alice also told Toby about two of the productions at Opera Holland Park this summer that she is really looking forward to and would recommend for people to book tickets for too. For more information about Opera Holland Park and the audio described performances for this summer season do either call their Box Office on 0300 999 1000 or visit their website - https://operahollandpark.com (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)
Now for a roundup of accessible arts events as RNIB Connect Radio's Toby Davey catches up with Jess Beal from VocalEyes, the national audio description charity providing access to the arts for blind and partially sighted people, to share some of the accessible events that are featured in their weekly email newsletter. Audio described shows and events included: The World of Stonehenge: online audio described tour - Wednesday 8 June, 6pm, British Museum Online Event via Zoom My Fair Lady - Thursday 9 June, 7pm, London Coliseum Jerusalem - Saturday 11 June, 2pm, Apollo Shaftesbury Avenue, London Carmen - Sunday 12 June, 2pm, Opera Holland Park, London Cluedo - Saturday 18 June, 2.30pm, Theatre Royal Brighton Les Misérables - Thursday 30 June, 7.30pm, Hull New Theatre To find out more about these and other up-coming audio-described arts events as well as details about how to sign up to the VocalEyes weekly email newsletter do visit the VocalEyes website - https://vocaleyes.co.uk (Image shows the VocalEyes logo. A speech bubble with 'VOCALEYES' written in bold black letters next to it)
In today's podcast, James Clutton, CEO and Director of Opera at Opera Holland Park, talks to various members of the cast, crew and creative teams after the end of the Studio Run of Eugene Onegin. The Studio Run is the first time the team runs the full opera, and, as you can hear in the episode, there is a really exciting atmosphere in the room. Guests in order of appearance: Tom Atkins - Lensky Jo Meredith - Choreographer Samual Dale Johnson Anush Hovhannisyan - Tatyana Megan Bly - Deputy Stage Manager Julia Burbach - Director Lada Valešová - Conductor
The season 6 FINALE is here! What a season it's been! We reminisce on the early days of AA Opera, but most of all - we look to the future and finally reveal 'that' big announcement... You can catch us both at Opera Holland Park this summer as members of the Chorus! Tune in to find out all the details and raise a glass as we celebrate season 6 and our first contracts as professional Opera singers! (WE DID IT!) Tickets are now on sale so head to the links below, and be sure to follow us on socials for the full OHP experience. We'll see you there! Our Links: Website | Instagram Opera Holland Park Eugene Onegin Carmen Margot la Rouge / Le Villi Little Women HMS Pinafore Opera in Song 2022 --- Support this podcast: https://anchor.fm/aa-opera/support
This week we chat with Mezzo-Soprano Kezia Bienek! Kezia is making a name for herself on stages all across the UK. Right now in Madam Butterfly with WNO, you can also catch her in the title role of Carmen this summer at Opera Holland Park and with Opera North later this year... an exciting career alongside being a parent and a trained Birth & Postnatal Doula - say what?!?! Yes - an amazing lady. We admire Kezia so much! It's such a joy to share this episode! Kezia's Links: Website | Instagram | Carmen Tickets Help Ukraine
In today's episode of From the Producer's Office, James Clutton speaks to librettist Alasdair Middleton about working on Opera Holland Park's new commission for 2023, 'Itch'. They discuss the value of the continued working relationship between Alasdair and composer Jonathon Dove, as well as his path to becoming a librettist and the process of creating and developing meaningful libretto. From the Producer's Office is a series of informal podcasts with Opera Holland Park's Director of Opera, James Clutton. In conversation with creatives and collaborators across the industry, we explore the process of putting opera on stage, and how the artists involved approach their craft.
This week Ash + Avi met up with Bass-Baritone and Director John Savournin. You can currently find John on the stages of Opera Holland Park, English National Opera, his own company Charles Court Opera and many more! If you like G&S you are also in for a treat! This weeks 'Know it All' is brought to you by Ashleigh! Links for 'Drops': https://bit.ly/3KAdAot * John's Links: Website | Instagram Support us: www.patreon.com/aaopera Our links: Website | Instagram Hope you enjoy! xxx Love, Ash & Avi *Affiliate link --- Support this podcast: https://anchor.fm/aa-opera/support
In this episode, our CEO and Director of Opera James Cluttion speaks to some of our artists and directors involved in the Opera Holland Park 2022 Season. We hear from Thomas Atkins, Kezia Bienek, Ella Marchment, Themba Mvula and Anne Sophie Duprels about their upcoming productions. They chat about the excitement of being reunited with their OHP family, the pressures of singing iconic roles, and why it's so important to have a woman direct Carmen in 2022. Catch our interviewees in the following productions this Summer: Thomas Atkins – Lensky, Eugene Onegin Kezia Bienek – Carmen, Carmen Ella Marchment – Director, Little Women Themba Mvula – Le Dancaïre, Carmen and Boatswain, HMS Pinafore Anne Sophie Duprels – Margot, Margot la Rouge and Anna, Le Villi From the Producer's Office is a series of informal podcasts with Opera Holland Park's Director of Opera, James Clutton. In conversation with creatives and collaborators across the industry, we explore the process of putting opera on stage, and how the artists involved approach their craft.
In this episode of From the Producer's Office, James Clutton is joined by composer Jonathan Dove and broadcaster and bestselling author Simon Mayo to announce a new commission for 2023, the world premiere of an opera for young adults and families, Itch. The opera will be based on Simon Mayo's bestselling novels Itch and Itch Rocks, described as 'Breaking Bad for kids' by NPR in America. Itch explores the real life magic of the elements through an explosive adventure story that sees the young hero trying to outrun a vindictive teacher, a global corporation and a shadowy government agency in his quest to save the world. Simon, Jonathan, and James discuss how the commission came about, talk about the novel's plot and the inspirations behind it, and draw parallels between Itch and some other operas listeners might be familiar with. From the Producer's Office is a series of informal podcasts with Opera Holland Park's Director of Opera, James Clutton. In conversation with creatives and collaborators across the industry, we explore the process of putting opera on stage, and how the artists involved approach their craft.
Today we have a special holiday episode with Soula Parassidis, the opera singer and founder of Living Opera. Praised for her unique timbre and glamorous stage presence, Soula Parassidis first appeared on the international operatic scene in 2009 at the Festival d'Aix-en-Provence. As a member of the ensemble at Oper Leipzig for 3 seasons, Soula performed a wide variety of leading roles to both critical and popular success. She has performed with the Taipei Symphony, Opera Holland Park, Teatro Massimo in Palermo, Opera Bordeaux, Theater an der Wien, Guanzhao Opera, and Teatro Regio Torino etc. As CEO of Living Opera, Soula has been delighted to partner with various international institutions like Reload Greece London, Northland Orlando, Florida State University and was also featured in Forbes magazine. In addition to her performance career and entrepreneurial endeavors, Soula also serves as on the board of The Exodus Road, and an adviser for the National Center on Sexual Exploitation as an anti-trafficking advocate and content creator combining data, story, and sound to create a new framework for policy advocacy. This episode is special because of Soula's remarkable story and the lessons she shares throughout the episode. She also surprises us with a sneak peek of her new Christmas track which has yet to be released. Finally, Soula shares her 6-word story “I Bring Light To Dark Places.” She certainly does and you won't want to miss this episode. To contact Soula visit: https://www.soulaparassidis.com/ To hear her new holiday song: https://www.youtube.com/watch?v=kJFwfSR1sfA Welcome to Profiles in Success and thank you for listening! For more visit: https://profilesinsuccess.com/ Work with us: https://www.bernhardtwealth.com/
In this episode of From the Producer's Office, we're joined by the March sisters from our upcoming production of Little Women – Charlotte Badham (Jo), Kitty Whately (Meg), Harriet Eyley (Beth) and Elizabeth Karani (Amy). They talk about their relationships with Louisa May Alcott's classic novel, discuss the many previous adaptations of the book, and talk about introducing audiences to new contemporary repertoire they might not have heard before. From the Producer's Office is a series of informal podcasts with Opera Holland Park's Director of Opera, James Clutton. In conversation with creatives and collaborators across the industry, we explore the process of putting opera on stage, and how the artists involved approach their craft.
In this episode of From the Producer's Office, our CEO and Director of Opera James Clutton is joined by long time friend of Opera Holland Park, director Martin Lloyd Evans. The two talk about Martin's long relationship with the company, reminiscing about productions including La Wally and The Queen of Spades, and Martin discusses the relationship between a director and an audience, and how that changes when staging the sort of rare work he often directs at OHP. From the Producer's Office is a series of informal podcasts with Opera Holland Park's Director of Opera, James Clutton. In conversation with creatives and collaborators across the industry, we explore the process of putting opera on stage, and how the artists involved approach their craft.
With our digital screenings of William Walton's The Bear now in full swing, OHP's CEO and Director of Opera James Clutton caught up with cast and creative team members Clare Presland, John Andrews and John Wilkie to talk about the process of creating the film, the unique skill of performing for the screen rather than the stage, and why they wanted to use the film to recreate the experience of watching a live show. On 9, 10, 11, 12 and 13 November at 7.30pm, and on 12 and 13 November at 1pm, we'll be holding online screenings of our new film of William Walton's The Bear. Pre-booking is essential, and you can find all the details here: operahollandpark.com/online/the-bear/ From the Producer's Office is a series of informal podcasts with Opera Holland Park's Director of Opera, James Clutton. In conversation with creatives and collaborators across the industry, we explore the process of putting opera on stage, and how the artists involved approach their craft.
Mark Adamo's opera Little Women will be making its UK premiere during the OHP 2022 Season. This week Mark joins the podcast to talk about how he became a composer and librettist, the process of adapting this beloved novel into opera form, Little Women's original premiere starring a young Joyce DiDonato, and the early preparations for the UK premiere this summer. From the Producer's Office is a series of informal podcasts with Opera Holland Park's Director of Opera, James Clutton. In conversation with creatives and collaborators across the industry, we explore the process of putting opera on stage, and how the artists involved approach their craft.
This week, Opera Holland Park's CEO and Director of Opera James Clutton is joined by George Jackson (conductor of this summer's The Marriage of Figaro) and his father, actor Philip Jackson. They talk about rehearsing, the social nature of music making, the new OHP auditorium, and how they both ended up establishing careers in the arts. From the Producer's Office is a series of informal podcasts with Opera Holland Park's Director of Opera, James Clutton. In conversation with creatives and collaborators across the industry, we explore the process of putting opera on stage, and how the artists involved approach their craft.
In this episode, James Clutton is joined by members of the cast of The Pirates of Penzance, our co-production with Charles Court Opera. Richard Burkhard (Major-General Stanley) talks about his acting background and how he combines acting with singing, Daisy Brown (Mabel) discusses how she takes care of her voice when she's performing every day, and John Savournin (Pirate King and director) talks about the inspiration behind the production. From the Producer's Office is a series of informal podcasts with Opera Holland Park's Director of Opera, James Clutton. In conversation with creatives and collaborators across the industry, we explore the process of putting opera on stage, and how the artists involved approach their craft.
We staged our first live event for 18 months on July 17, a sun-baked day at a spectacular outdoor venue kindly lent us by Opera Holland Park. A vast amount of fun was had. We're putting up podcasts of all four of our guests, this one featuring the world's pre-eminent fount of all Beatles knowledge and wisdom, the great Mark Lewisohn and including his thoughts about Peter Jackson's upcoming Get Back movie, why Brian Epstein is underrated, a pivotal moment in the Beatles story (1961), the treasures you find when leafing through old magazines (as opposed to googling), and the revelation that Mean Mr Mustard was based on a real life character whose wife has numerous grounds for divorce. @marklewisohn https://www.amazon.co.uk/Mark-Lewisohn/e/B00J6BJQYK%3Fref=dbs_a_mng_rwt_scns_share Tune In (paperback)https://www.amazon.co.uk/Beatles-All-These-Years-Tune/dp/1408705753/ref=asc_df_1408705753/?tag=googshopuk-21&linkCode=df0&hvadid=311328387040&hvpos=&hvnetw=g&hvrand=14467137111273568288&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9045943&hvtargid=pla-525100023999&psc=1&th=1&psc=1 Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
We staged our first live event for 18 months on July 17, a sun-baked day at a spectacular outdoor venue kindly lent us by Opera Holland Park. A vast amount of fun was had. We're putting up podcasts of all four of our guests, this one featuring the world's pre-eminent fount of all Beatles knowledge and wisdom, the great Mark Lewisohn and including his thoughts about Peter Jackson's upcoming Get Back movie, why Brian Epstein is underrated, a pivotal moment in the Beatles story (1961), the treasures you find when leafing through old magazines (as opposed to googling), and the revelation that Mean Mr Mustard was based on a real life character whose wife has numerous grounds for divorce. @marklewisohn https://www.amazon.co.uk/Mark-Lewisohn/e/B00J6BJQYK%3Fref=dbs_a_mng_rwt_scns_share Tune In (paperback)https://www.amazon.co.uk/Beatles-All-These-Years-Tune/dp/1408705753/ref=asc_df_1408705753/?tag=googshopuk-21&linkCode=df0&hvadid=311328387040&hvpos=&hvnetw=g&hvrand=14467137111273568288&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9045943&hvtargid=pla-525100023999&psc=1&th=1&psc=1 Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.
We staged our first live event for 18 months on July 17, a sun-baked day at a spectacular outdoor venue kindly lent us by Opera Holland Park. A vast amount of fun was had. We're putting up podcasts of all four of our guests, this one featuring the world's pre-eminent fount of all Beatles knowledge and wisdom, the great Mark Lewisohn and including his thoughts about Peter Jackson's upcoming Get Back movie, why Brian Epstein is underrated, a pivotal moment in the Beatles story (1961), the treasures you find when leafing through old magazines (as opposed to googling), and the revelation that Mean Mr Mustard was based on a real life character whose wife has numerous grounds for divorce. @marklewisohn https://www.amazon.co.uk/Mark-Lewisohn/e/B00J6BJQYK%3Fref=dbs_a_mng_rwt_scns_share Tune In (paperback)https://www.amazon.co.uk/Beatles-All-These-Years-Tune/dp/1408705753/ref=asc_df_1408705753/?tag=googshopuk-21&linkCode=df0&hvadid=311328387040&hvpos=&hvnetw=g&hvrand=14467137111273568288&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9045943&hvtargid=pla-525100023999&psc=1&th=1&psc=1 Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.
In our sun-baked return to live events on July 17, we had four guests onstage at a spectacular outdoor venue kindly lent us by Opera Holland Park in West London, the first our old pal the shy, retiring, hard-to-prise-a-word-out-of-him broadcaster Gary Crowley. Stories here include the time he was invited round to the Clash HQ for an interview (when still at school), the giddying sensation of meeting Paul McCartney and some unsung heroes of '80s pop. @CrowleyOnAir Radio London …https://www.bbc.co.uk/programmes/p001d7z2 Gary's 'Lost '80s' CD box-sets … …https://www.amazon.co.uk/Gary-Crowleys-Lost-Various-Artists/dp/B07L51CSKHhttps://www.amazon.co.uk/Gary-Crowley-Lost-80s-2/dp/B093XGSJKWSupport Word In Your Ear on Patreon: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Growing up as an Italian boy in London, Michael Volpe listened to everything from Mario Lanza to prog Rock. Despite having very little money, his mum brought him and his brothers up with plenty of Italian food, packed social gatherings, alongside the expected Italian family dramas, much to the shock of his girlfriends. As a teenager he excelled in music and the performing arts, but turned down an opportunity to audition at RADA, feeling that it wasn't the path for him. Going on to take a role at what was then Holland Park Theatre to promote and market the festival of visiting productions, he brought audience numbers up from 15,000 to 25,000 in his first year. He realised that opera was the heart of the work at Holland Park, and the way to create work of real value and impact would be to develop a new festival with an entity of its own. As General Manager of Opera Holland Park, alongside the Producer James Clutton – now Director of Opera & CEO - the pair formed a formidable long-running partnership until Michael recently retired from OHP, joining Iford Arts as Interim Executive Director, where he's inspiring the future of the festival. Michael has just been awarded an OBE for his services to opera, and his journey is beautifully captivated in his book ‘Noisy at the wrong times' one of The Sunday Times' 100 biographies to love. Read more about Iford Arts here Order Michael's book here Read Michael's blog here
Diva alert! In episode four, Holley and Hall tell the story of the recording of one of opera's greatest characters, Emma Calvé. Basking in the glory of having captured the voice of the mighty Enrico Caruso in Milan (as outlined in Series One of The Sound of the Hound), Fred goes on something of a recording spree back in London. But he gets more than he bargained for with Calvé, who proves to be something of a handful.Calvé, who is today seen as one of the greatest opera singers of the Belle Epoque era, had made her name playing the lead role in Carmen when Fred records her (indeed, her interpretation of the role is still widely used today). But Fred and his team discover that the character's feistiness is not confined to the stage when they try to coax Calvé into their Covent Garden studio. Holley and Hall tell the tale of this complex French diva, and play some of her famous – or as Fred would no doubt have it – infamous recordings. Her dissatisfaction with one of her tracks was caught on disc, and we play it here. We are joined in this episode for the first time by our new regular guest Michael Volpe, the founder and former general director of Opera Holland Park. Michael brilliantly dissects Calvé's voice and gives us an insight into her career. He also tells us if, to put it bluntly, she was really any good. Hosted on Acast. See acast.com/privacy for more information.
Ruth was brought up in Ireland by her dancer mother and singer and actor father, to a backdrop of golden era Hollywood musicals with some Beatles thrown in for good measure. After watching her mother teach choreography, she went on to take ballet classes herself soon after she could walk. Studying music at University College in Dublin, she soon discovered she didn't want to perform, and focused on the academic side of her degree. She went for her first interview after graduating for the job of Assistant Chorus Manager at the Royal Opera House, thinking it would be good interview practice. She not only got the job, but stayed for many years in different capacities, before taking on the Company Management role at Scottish Opera and Opera Holland Park, and working closely with Opera Rara. As the Company Manager of the Royal Opera House, Ruth had to not only bring the artists at the house to a screeching halt in the face of the pandemic, but organise and reorganise the company in the wake of the crisis that has been devastating our industry. Ruth chats through the highs and lows of the high-pressure environments she has worked in, and what happens when you get that emergency call from prompt corner…
Nicola began music at school with the standard issue recorder, but soon took it upon herself to put down a deposit on a saxophone, much to the horror of her parents who were left with the bill. She went on to study music at Durham University, from her Bachelor of Arts through to her PhD, before starting out as a Stage Manager working in many of the UK opera companies – from English Touring Opera to Buxton International Festival and Opera Holland Park. She also tackled the joy of British pantomime seasons, and travelled the world on tour with Shakespeare's Globe. Moving on to the Royal Academy of Music as Producer and Opera Company Manager, she negotiated the challenges of producing opera over two years in external venues while the academy was refurbished, and managed a visit from the Royals. Taking on her current role as CEO of British Youth Opera, Nicola was able to use the skills she had learnt along the way to inform her work heading up a company that provides professional opportunities for singers, musicians and technical trainees all of whom are all at the beginning of their operatic careers. Find out more about BYO here and more about taking part in their upcoming season here Read more about OperaUK where Nicola is a founding director here and join and support them here
Chief Executive and Director of Opera at Opera Holland Park in London, James Clutton, chats openly about his 60s musical influences, early school trips to the theatre, and learning his craft from the ground up by producing his own work, before later heading to the West End under the wing of a major commercial producer. A short-term contract turned into a life-long dedication to producing opera at Opera Holland Park, developing it from a small-scale venture to the beating heart of the London operatic scene. James shares his experience of ‘un-producing' the 2020 season, and how he imagines producing opera as we know it might change to adapt to the aftermath of the Covid Crisis. James' down-to-earth attitude gives us a rare insight into the world of the friendliest, most welcoming man in the business. https://operahollandpark.com/
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