Podcasts about steadycam

This week, we talk to DANIEL RACHEL, the author of TOO MUCH TOO YOUNG, THE 2 TONE RECORDS STORY,  about the 1981 2 Tone concert film DANCE CRAZE. We discuss the film's volatile production, how the film's genesis started at a swimming pool in L.A., Jerry Dammers unwavering work ethic, seeing people skanking in the aisles at the movie screening, the short life span of The Selecter and The Body Snatchers, how the film sneaks in concert footage shot in New Jersey vs. the UK, the moment Daniel noticed that 2 Tone had swept the playground, the dimantleing of the scene by the British music press, the skinhead movement and the violence within the scene, the genius of Terry Hall and Pauline Black, the non-Ska bands that continued on the 2 tone label, how the ska bands had the best band logos, the fashion of the scene, seeing a multi-racial band on TV, tribal musical groups moving across the British musical landscape, The Mods, the short time span of pop music movements, stealing lyric sheets from a Virgin Megastore, how original director Joe Massot was kicked off the film and also screwed up his intitial shoot of Led Zeppelin's The Song Remains The Same movie, Garvick Losey's involvment with the film, how Jerry Dammers and Madness were initially wary of making the film, how the soundtrack contains recordings that were not from the movie (or even the same band lineup), the punk vs. ska astecthic,The Specials' tour with The Clash and how the band found their idenity on it, how the inventor of the Steadycam was one of the cmaera opperators for this film, how the bands would fake violence on stage to stop the violence in the audience, Rock Against Racism, The Stranglers, then negative response from the bands when the film was initially releaesd, what it was like figuring out the More Specials LP, Funboy Three & Special AKA, and Chris breaks Daniel by asking his final question.So lip up fatty and get into this week's episode of Revolutions Per Movie!DANIEL RACHEL:https://danielrachel.com/Book tour w/ Daniel Rachel:https://danielrachel.com/events/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Today we speak with Jose Babcock, a Los Angeles based steadycam operator. We discuss the ups and downs of being on the camera crew for Music Videos, Film and Documentary. @the.babcock 

Luisa ha sido asistente de dirección, directora asistente, guionista y directora. Ha trabajado en producciones como Mil Colmillos de HBO, Comando Élite, la Promesa, incluso ganó un India Catalina en 2022 por la dirección del documental Les Otres, que está disponible en RTVC play. Por su parte John, ha trabajado en televisión, producción de documentales, en series y en películas como Los Fierros, Dedicada a mi ex o Pickpockets. Después de todo ese recorrido, Luisa y John, se pusieron a pensar en la necesidad de ayudar y acompañar a que los enamorados del audiovisual y del cine encausen sus ideas, puedan enfrentarse a los clientes, elaboren planes de marketing digital y propongan piezas audiovisuales que puedan financiarse más allá de los incentivos o los fondos, para que busquen en el sector público y en el privado más opciones y canales para contar historias.Si eres una de esas personas que ya están pensando en montar su empresa de cine y audiovisual o ya la tienes y necesitas apoyo, este episodio te va a encantar.No esperemos más, arranquemos a conversar con Luisa y John de Siembra Films. Desde Bogotá Colombia, esto es Gente que hace Cine.Para más info de Siembra Films, Luisa y John, aquí:Luisa Orozco: https://www.imdb.com/name/nm3014629/John Hernández: https://www.imdb.com/name/nm8462202/Siembra Films en Instagram: https://www.instagram.com/siembrafilms/?hl=esEste episodio es posible gracias a: •Nuestra productora Gente que: https://www.instagram.com/gentequeproductora/•El patrocinio de Umaña y asociados Abogados https://umanaasociados.com/•El amor y confianza de nuestros amigos y amigas en Patreon (Nicolás Segura, Marco Antonio Ramírez, Diana Piñeres y Felix Riaño). Apóyanos como ellos desde 1 dólar https://www.patreon.com/gentequehacecine•El apoyo de Mowies, gracias a quienes tenemos nuestra videotienda de renta y compra de películas colombianas. Aquí te dejamos el link: https://www.mowies.com/my-mowies/gentequehacecine•El apoyo de la Escuela Nacional de Cinehttps://enacc.co/

Nos fuimos hasta su casa a las afueras de Bogotá, para respirar aire puro y poder hablar jugando a que no estamos en pandemia. Por su cámara, su lente o su steadycam han pasado series como Narcos y Distrito Salvaje, largometrajes como Loving Pablo, Lavaperros y Los Fierros. En esta charla hablaremos de cómo se enamoró de la cámara, del oficio y de hacer “horas de vuelo” en set, gracias a las cuales Andrés agradece el haber participado en casi todos los formatos audiovisuales, desde el documental (con el ya legendario Rostros y Rastros de UVTV), hasta series y películas más importantes en los últimos tiempos en Colombia y otros países.Puedes conocer mucho más de Guti aquí:https://www.imdb.com/name/nm3061108/?ref_=nm_mv_closehttps://vimeo.com/andresgutidp@guticortes_dpGente que hace cine es posible gracias a:El amor y confianza de: Nuestros amigos y amigas en https://www.patreon.com/gentequehacecine (Nicole Fernández, Diana Piñeres, Juan Pablo Rozo, Felix Riaño y Diana Páez).El patrocinio de: Audio Post y locución DANMURA https://www.danmura.com/ & Productora, rental y video 360 LUZALMA FILMS https://luzalma.com/El apoyo de https://www.mowies.com/ gracias a quienes tenemos nuestra Video tienda de renta y compra de películas colombianas.Encuéntranos en: https://gentequehacecine.com/

#056 Gustavo Triviño - Steadycam Y Dirección by Gustavo Pomeranec

Wie arbeitet es sich eigentlich bei 37 Grad im Schatten bei einer über 2 Stunden langen Sendung, die Open Air stattfindet? Didi und Sebastian verraten Details zu umwickelten Kameras, was eine Steadycam wiegt und kostet, warum es keinen Teleprompter im Fernsehgarten gibt und wieso Sebastian trotz der Hitze keine Klimaanlage in seinem Studio hat. Und ansonsten gilt: immer kühlen Kopf bewahren! Viel Spaß beim Zuhören wünschen Sebastian und Didi!

Domanda interessante da parte di Enrico:Ciao Alex, stavo guardando l'intervista a Allan Alcorn e ho notato che quando la videocamera gira intorno al soggetto, proprio all'inizio del video, cambia moltissimo l'esposizione (se è il termine giusto). Quando è in controluce diventa molto più scura e quando invece la luce è alle spalle schiarisce molto. La mia domanda è: nei film come fanno ad evitare ciò? Ovviamente è un effetto normale, ma dei cambi di esposizione del genere non si vedono nelle produzioni hollywoodiane. Non penso che possano tenere dei valori fissi nella videocamera, altrimenti verrebbe "bruciato" oppure scurissimo. Sono le videocamere professionali che hanno sistemi che evitano questo effetto (HDR o simili) oppure è una cosa che si fa in post produzione? Grazie mille.E la risposta non tarda a venire.L’intervista ad Allan Alcorn:https://www.youtube.com/watch?v=J0fIQvN_nCU&feature=youtu.beÈ molto probabile che oggi abbiamo parlato di un prodotto qui:https://t.me/technopillzriothttp://www.alexraccuglia.netSostenete Runtime Radio: https://www.spreaker.com/show/3147620

Domanda interessante da parte di Enrico:Ciao Alex, stavo guardando l'intervista a Allan Alcorn e ho notato che quando la videocamera gira intorno al soggetto, proprio all'inizio del video, cambia moltissimo l'esposizione (se è il termine giusto). Quando è in controluce diventa molto più scura e quando invece la luce è alle spalle schiarisce molto. La mia domanda è: nei film come fanno ad evitare ciò? Ovviamente è un effetto normale, ma dei cambi di esposizione del genere non si vedono nelle produzioni hollywoodiane. Non penso che possano tenere dei valori fissi nella videocamera, altrimenti verrebbe "bruciato" oppure scurissimo. Sono le videocamere professionali che hanno sistemi che evitano questo effetto (HDR o simili) oppure è una cosa che si fa in post produzione? Grazie mille.E la risposta non tarda a venire.L’intervista ad Allan Alcorn:https://www.youtube.com/watch?v=J0fIQvN_nCU&feature=youtu.beÈ molto probabile che oggi abbiamo parlato di un prodotto qui:https://t.me/technopillzriothttp://www.alexraccuglia.netSostenete Runtime Radio: https://www.spreaker.com/show/3147620

**Pauta principal começa em 8:30min | Post completo com todos os links citados em: SANTAMAEDOISOALTO.COM.BR

20 years after the death of American director Stanley Kubrick, the Design Museum London opens 'Stanley Kubrick: The Exhibition'. 2001: A space Odyssey, Full Metal Jacket, A Clockwork Orange, The Shinning… Adrienne Groen, co-curator of the show, talks to us about what the 'Kubrick method', from his obsession with details to the use of new technologies, as well as drawing on famous painters and designers to create his sets.   www.culturealt.com Instagram @maiamorgen

Il Gatto Volante™ deve stabilizzare delle riprese video e allora chiede al Gì come cavolo funzionano questi algoritmi e, soprattutto, perché quello di iMovie non va un cazzo di gniente quando deve usarlo lui!Ad ogni modo mi trovate qui:https://t.me/technopillzriothttps://twitter.com/alxgihttp://www.alexraccuglia.netSostenete Runtime Radio: http://runtimeradio.it/ancheio/Caffe Riot: https://www.spreaker.com/show/3147620

Il Gatto Volante™ deve stabilizzare delle riprese video e allora chiede al Gì come cavolo funzionano questi algoritmi e, soprattutto, perché quello di iMovie non va un cazzo di gniente quando deve usarlo lui!Ad ogni modo mi trovate qui:https://t.me/technopillzriothttps://twitter.com/alxgihttp://www.alexraccuglia.netSostenete Runtime Radio: http://runtimeradio.it/ancheio/Caffe Riot: https://www.spreaker.com/show/3147620

AlexGì prova per voi uno stabilizzatore di immagine pseudo-DJI per iPhone e vi spiega perché ha realizzato parte del suo ultimo video proprio con uno smartphone e non con la sola fidata Canon…Ah, se volete vedere quanto costa lo stabilizzatore andate qui: https://amzn.to/2HYDHIWAh, rendiamo grazie a Jumper: http://jumper.itAd ogni modo mi trovate qui:https://t.me/technopillzriothttps://twitter.com/alxgihttp://www.alexraccuglia.netSe volete sostenere l'Alex Raccuglia SENZA SPENDERE UN SOLDO ma regalando un 5 per mille, fate i vostri acquisti su Amazon partendo da questo link: http://bit.ly/RakkuAmazonSostenete Runtime Radio:http://runtimeradio.it/ancheio/

AlexGì prova per voi uno stabilizzatore di immagine pseudo-DJI per iPhone e vi spiega perché ha realizzato parte del suo ultimo video proprio con uno smartphone e non con la sola fidata Canon…Ah, se volete vedere quanto costa lo stabilizzatore andate qui: https://amzn.to/2HYDHIWAh, rendiamo grazie a Jumper: http://jumper.itAd ogni modo mi trovate qui:https://t.me/technopillzriothttps://twitter.com/alxgihttp://www.alexraccuglia.netSe volete sostenere l'Alex Raccuglia SENZA SPENDERE UN SOLDO ma regalando un 5 per mille, fate i vostri acquisti su Amazon partendo da questo link: http://bit.ly/RakkuAmazonSostenete Runtime Radio:http://runtimeradio.it/ancheio/

Nos liens: Site TechCraft: www.techcraft.fr Live Youtube: http://live.techcraft.fr Flux rss: http://techcraft.podcloud.fr/rss E-Mail: podcast@techcraft.fr Twitter : @TechCraftPDC Facebook: https://www.facebook.com/TechCraftPDC Slack: http://soulcityteam.slack.com Podradio: http://podradio.fr/podcast/110 PodCloud : https://podcloud.fr/podcast/techcraft iTunes: https://itunes.apple.com/fr/podcast/gamecraft/id796213889 Chaîne Youtube: https://www.youtube.com/techcraftpdc Chaîne Periscope: http://www.periscope.tv/techcraftpdcIntroduction J’ai testé un SteadyCam à 55€ https://t.co/8HznG7KgKf News High-tech Seven: La Mission E Quenton: Netflix off line Ekitchi: Internet s’en va au Canada Binzen: Werz, comme zephyr mais pas pareil Kaldin: Quand Youtube se prend pour Twitch Quenont: GoPro, ses employés bientôt GoToChômage Kaldin: Zone-Téléchargement, zone sans vie La CT du Prof Phil Phil_Goud: Son proce, sa ram, sa mère, sa galère. Le dossier de la semaine Seven: Une carte graphique sur un PC portable : c’est possible ! https://www.youtube.com/watch?v=pT16mDtKNY8Conclusion Site TechCraft: www.techcraft.fr E-Mail: podcast@techcraft.fr Slack: soulcityteam.slack.com Twitter : @TechCraftPDC Facebook : http://www.facebook.com/TechCraftpdc

https://portalzine.de/services/podcast-5aes/folge/057/ ÜBER DIE FOLGE -------------------------------------- Folge 057 - 20.03.2014: PrioVR, Facebook Messenger, Halfbike, Journey to Jah, LUUV Steadycam LINKS -------------------------------------- * Halfbike Video- https://vimeo.com/88857587 * PrioVR Motion Capture Lösung- https://www.kickstarter.com/projects/yeitechnology/priovr-suit-up-game-on * GDC 2014 - Game Developer Conference- http://www.gdconf.com/ * Facebook Messenger für Android Beta- https://groups.google.com/forum/#!forum/messenger-for-android-beta-testers * Kolelinia Halfbike- https://www.kickstarter.com/projects/774841427/halfbike * Journey to Jah- https://vimeo.com/85936385 * LUUV Steadycam- http://www.indiegogo.com/projects/luuv-the-first-plug-play-camera-stabilizer-for-gopro-and-smartphones#deranker SOCIAL MEDIA -------------------------------------- ♡ Blog: https://portalzine.de/news ♡ Facebook: https://www.facebook.com/portalZINE ♡ Instagram: https://www.instagram.com/pztv/ ♡ Twitter: https://twitter.com/portalzine PORTALZINE® NMN - Development meets Creativity -------------------------------------- Alexander Gräf Stettiner Str. Nord 20 49624 Löningen Deutschland https://portalzine.de #podcast #tech #geek #woche #portalzine #pztv

Mikel Navarro nos explica una t

Vapour Space, Acid Jesus, Alter Ego, Tomas Jirku, Gosub, Dan Bell, dB, Hrdvsion, Farben, Gui Boratto, Hug, Mathew Jonson, Steadycam, il.ek.tro, The Architect, Lusine ICL, Lump, Jeff Samuel, Fancy Robots and more....

Vapour Space, Acid Jesus, Alter Ego, Tomas Jirku, Gosub, Dan Bell, dB, Hrdvsion, Farben, Gui Boratto, Hug, Mathew Jonson, Steadycam, il.ek.tro, The Architect, Lusine ICL, Lump, Jeff Samuel, Fancy Robots and more....

Click To Play Here's a technical episode!!! In this video, the steadycam is built. The instructions to build it are from this great website: http://www.steadycam.orgIf you want to build one yourself, please be VERY CAREFUL, look for professional assistance. I am not a professional, so I had to ask for help to my good friend Joe, who knows about this stuff.Although the Steadycam is supposed to cost $14 dollars. In our case, it was $16.54. And that doesn't include the spray black paint, and the tennis racquet grip. Still, it's a very cheap steadycam. We already used it, and it's wonderful!!!Next Week Episode 07: ?????Oh my God.... I have no episode for next week!!!!!!There are a few images of things we had to prepare (props). That might be interesting for next weeks episode.New to this website? Do you want to see all the videos? Please click on the blue word "VIDEO" where it says: LABELS: VIDEO. (Two lines down).

Click To Play On this occasion, the boys receive the guns for the production. These guns are NOT REAL GUNS. They DO NOT FIRE BULLETS.One of the objectives of making SAT, is making fake guns look like real guns. So, we decided to buy BB guns, which look like real guns, but aren't.Next Week Episode 06: The $14 Steadycam