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Adam talks with English author, actor and frontperson of seminal ska band The Selecter, Pauline Black about the early days of Two Tone, her experiences growing up feeling out of place as part of an adoptive family in Essex and how she came to be reunited with her biological mother.Conversation recorded face-to-face in Coventry on 8th May, 2025Thanks to Séamus Murphy-Mitchell for production support and additional conversation editing.Podcast illustration by Helen Green WATCH PAULINE BLACK: A 2-TONE STORY - 2025 (SKY ARTS)PICS AND RELATED LINKS (ON ADAM'S WEBSITE) Hosted on Acast. See acast.com/privacy for more information.
Read The Full Article on my Substack: Bass Culture While most fans know The Specials, Madness, and The Selecter, the ska revival ran far deeper than the iconic headliners. This mix dives into the underground of the 2 Tone era—bands from Canada, the US, and the UK who embraced identical sharp suits, offbeat grooves, and social bite. PLAYLIST The Ammonites - Blue Lagoon The Apollinaires - The Feeling's Gone The Bodysnatchers - Easy Life The Higsons - Conspiracy 7" Version The Swinging Cats - Away The Deltones - Running Around (No More Doggin') The Skadows - Apache Elvis Costello & The Attractions - I Can't Stand Up For Falling Down The Specials - Why? (Dub) Pushkins - I Dig A Hole (Canada 1982) Rude Boys - Someone Else's Car (Canada 1982) The Uptown Rulers- Tell Me Where You're At (Illinois, USA 1982) Heavy Manners - Hometown Ska - (Chicago, USA 1981) SLK - Walk of the Mummy (Michigan, USA 1982) The Coventry Automatics - Rock And Roll Nightmare (John Peel Recordings) The Insteps - Dancing (Cardiff, UK 1982) Paul PK - Jumped the Gun 7" (1982) Felons - Love N' Skank 1981 The Mob - Mobbed (Coventry, 1980) Silent Q - Logical Patterns (Canada 1983) Pushkins - Just Dancing (Canada 1983) The Akrylykz - Spyderman (1980)
"I was never going to be a nice little white girl" she says. Instead, she became an underground star, had hit records with the 2-Tone band The Selector, became a style-icon, an actor, a TV Presenter - and author. Whilst Margaret Thatcher was reshaping Britain and promoting her very own particular vision of what it meant to be British, in the urban jungle of Coventry, a young woman whose image couldn't be more different than Maggie's, was presenting a radically different vision of what it meant to be British Belinda Magnus, born on 23 October 1953 was given away as the baby of a white unmarried mother and an unknown black father. She was adopted by a white family and re-named Pauline Vickers. Growing up in a completely white neighbourhood as the only person of colour, she experienced first-hand the often racist attitudes of the time. She came to the Bureau to talk about all that, how she overcame it, her life as a star of the 2-tone musical scene with her band Selecter, and how, along the way, she became Pauline Black For more on Pauline Image by Dean Chalkley #PaulineBlack #2ToneRevolution #BureauOfLostCulture #SkaPunkHistory #TheSelecter #WomenInMusic #PunkAndPolitics #CulturalResistance #BlackBritishVoices #MusicAsProtest
This week we're joined by author Daniel Rachel, whose book Too Much Too Young: The 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation, which transports us to the late 70s and the explosion of 2 Tone Records, the home of such recording artists as The Specials, The Selecter, Madness, The (English) Beat, The Bodysnatchers, and more. Our conversation goes beyond the music, though, and touches upon the socio-political environment in which 2 Tone existed, and the history and truths that the artists brought to light about social issues, racism, class, and gender struggles. You can buy your copy of Too Much Too Young HERE. Visit Daniel's website HERE. Let us know what you thought of this episode, and if you're a fan of the 2 Tone era! Drop us a line at modernmusicology1@gmail.com or leave a comment on our socials wherever you see this episode posted! #podcast #podcastersofinstagram #podcasting #podcastlife #podcaster #podcasters #podcasts #music #musicnerd #2tone #2tonerecords #ska #funk #england #greatbritain #danielrachel #70smusic #80smusic Find us on Facebook: https://www.facebook.com/ModernMusicology Check us out on Instagram: https://www.instagram.com/modernmusicologypodcast/ Follow us on Twitter: https://twitter.com/ModrnMusicology Subscribe to our YouTube Channel: https://www.youtube.com/channel/UCk-MlcGy5u3fK1j4bVty1Kw Modern Musicology is part of the ESO Podcast Network. https://esonetwork.com/ Find more about us: Rob Levy: https://kdhx.org/shows/show/juxtaposition Stephanie Seymour: www.therearebirds.com R. Alan Siler: www.kozmiccreative.com Anthony Williams: https://watchers4d.podbean.com/
Les années 1980 sont devenues magiques pour beaucoup de gens qui donneraient cher aujourd'hui pour y revenir. Et en y repensant, je dois vous avouer me souvenir qu'on avait l'impression de vivre un grand moment. Tout nous semblait nouveau et moderne en 1980 : on jouait aux Space Invaders, on écoutait des radios libres pour la première fois et on utilisait un enregistreur VHS. Et si, question musique, en 1980, il y avait encore des Chantal Goya pour chanter Bécassine et Julio Iglesias Je n'ai pas changé, le reste, mis bout à bout, était sacrément moderne : The Buggles, Orchestral Manoeuvres, Funkytown, le Manureva d'Alain Chamfort, le Banana Split de Lio ou John and Mary de Robert Palmer, c'est quand même une musique futuriste avec tous ces synthés.Et puis il y a le ska. Je revois encore toute la piste de danse sautant d'un bloc sur One step beyond quinze fois sur la soirée d'un samedi. C'était quelque chose de radicalement nouveau qui correspondait tellement à la jeunesse du début des années 80. Si le genre n'a pas fait long feu, en Angleterre, il a été un véritable phénomène social avec des groupes comme Madness, bien sûr, mais surtout les Specials, Selecter, Bad Manners et The Beat. Complètement méconnu chez nous, The Beat enchaîne trois albums, tous disques d'or, avant de se séparer. Alors qu'est-ce qu'on fait ? se demandent Andy Cox et David Steele, respectivement bassiste et guitariste de The Beat, les auteurs de cette intro que tous les Britanniques connaissent … Moi je vous dis : une paire pareille de musiciens ne devrait pas se séparer, et justement, ils décident de continuer ensemble. Mais que jouer comme musique ? Ils sont plutôt punk, ont connu le succès avec le ska, deux musiques bien passées de mode en 1984, alors ils suivent un peu le mouvement du milieu de cette décennie, avec les Wham!, Madness ou Culture Club qui ont injecté de la soul américaine dans leur musique. Andy et David jouent chacun de plusieurs instruments, ils sont un band à eux seuls mais voilà, il leur faut un chanteur, un frontman. Alors ils passent une annonce dans un magazine musical. Pour vous dire à quel point la scène musicale était intense et lisait les magazines, ils reçoivent 500 cassettes de gars qui veulent être leur chanteur. Quand va-t-on écouter tout ça ?Ben on s'arrête au premier qui nous plaît.Et si le suivant est dix fois meilleur ?Ils vont mettre huit mois à trouver le temps de tout écouter et à choisir le bon. Il se nomme Roland Gift, et a aussi fait du ska, mais comme saxophoniste, dans un groupe de Hull sur la côte est du nord de l'Angleterre, bien connue de ceux qui prennent le ferry pour la Hollande. Ainsi naissent les Fine Young Cannibals, un groupe qui incarne tellement la seconde partie des années 80, une carrière fulgurante, seulement deux albums mais quels albums, synthèse de la pop d'une époque où on vivait pour la musique.
Miriam Iniesta auna dos fechas importantes, San Valentín y el Día muundial de la Radio, en esta alista de canciones de 'amor a la radio'. Nos propone un mix de canciones cuyo protagonista es la radio, entre ellas 'Joy Division', Dolores Vargas, La Terremoto, The Selecter o la canción 'Solo sse vive una vez' de Ázucar Moreno, que nos invitan a 'Apagar el televisor y encender el transistor'.
**Smiffy's A To Z Of Soul Music Replay On www.traxfm.org. This Week Smiffy Featured A 2 Tone/Ska Special With Trax From The Specials, The Beat, Madness, The Selecter, Bad Manners, The Bodysnatchers, The Beat & More. #originalpirates #2Tone #Ska Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**
In this week's episode of the MK3D show Mark Kermode talks about the Oscar wins of 2024, before welcoming his guests, in this Ska Special First on stage was cinematographer Joe Dunton, who talks about shooting the film DANCE CRAZE, which has recently been remastered in 4K by the BFI. DANCE CRAZE showcases the very best of the British Ska phenomenon, with exclusive live performances from THE SPECIALS, MADNESS, THE SELECTER, THE BEAT, BAD MANNERS and THE BODYSNATCHERS – brought to the screen particularly vividly through Dunton's revolutionary camera work.Joining Mark and Joe on stage are musicians Jerry Dammers (The Specials) and Pauline Black (The Selecter), who talk about the ska movement of the 1980s, and how controversial it still was at that time for people of different colours to take to the stage together.This episode of Kermode On Film is the first half of the MK3D show recorded live at the BFI Southbank on 13 March 2023.Thank you for listening!———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.- Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.- Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.- The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.Cover photo by Julie Edwards.This episode was edited by Alex Archbold Jones.© HLA AgencyHosted on Acast. See acast.com/privacy for more information.#MarkKermode #MK3D #KermodeOnFilm #BFI #BFISouthbank #PaulineBlack #TheSelecter #JerryDammers #Ska #JoeDunton #Cinematographer #Madness #TheSpecials Films and TV series mentioned in this episode: Hosted on Acast. See acast.com/privacy for more information.
Tim 'T-Spurs'Spurrier, Mod Marty and the Lord Ward take a deep dive into all things Ska Revival / 2Tone and, as always, from the Modernist, Internationalists Perspective. Join the club for 2 hours of Internationalists fun and occasional interest. Plus great music from some of the greats including The Specials, The Beat, The Bodysnatchers, Madness and The Selecter plus many more. It's ruder than rude.For more info and tracklisting, visit: https://thefaceradio.com/punks-in-parkasTune into new broadcasts of The Internationalists Club, the 2nd Monday of every month from 4- 6 PM EST / 9 - 11 PM GMT//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.
**Kev White's White House Show Replay On traxfm.org. This Week Kev Gave Us Boogie, Dance & Pop Classics, (& Tunes You Have Not Heard In Years) From Genesis, Soft Cell, Shalamar, The Beat, School Reunion, The Selecter, Atlantic Starr, Gary Moore, Fashion, Double Exposure, The Stylistics, Roxy Music, Melba Moore, Chic, Stevie Wonder, The Four Tops, Cerrone & More #originalpirates #danceclassics #70smusic #80smusic #party #boogie #disco Catch Kev White's The White House Show Every Thursday From 7PM UK Time The Station: traxfm.org Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**
As a documentary about her life reaches cinemas, musician and activist Pauline Black, the lead singer in 2-tone hit band The Selecter, talks about her career. We hear from the curators of the Waters Rising exhibition at Perth Museum, which features representations of flooding in literature and art over many centuries. And as an unfinished play by award-winning writer Oliver Emanuel comes to Radio 4, and an unstaged play by writer, poet and musician Beldina Odenyo is produced in Glasgow, we discuss posthumously completing a loved one's creative work. Presenter: Kate Molleson Producer: Mark Crossan
Ska Week concludes with author Daniel Rachel and our discussion on his fantastic new book, Too Much Too Young: The 2 Tone Records Story. This essential document tells the story of one of the most revolutionary record labels created to release some of the most revolutionary music ever made. Created by Jerry Dammers in the late 70s, 2 Tone was meant to be a safe place for interracial bands like the Specials and the Selecter to release the hottest ska music happening at the time. Eventually, the label launched other legends like Madness and the English Beat as well, but only lasted a few years. This discussion gets deep on the issues of race and class and how they play a part in the story. The book is as incredible as the movement and music itself. Enjoy! www.akashicbooks.com/catalog/too-much-too-young-the-2-tone-record-story/ www.patreon.com/c/thehustlepod
Musician Pauline Black is best known as the frontwoman of 2-tone band The Selecter, and wrote about her experiences in the band and life in her memoir Black by Design: A 2-Tone Memoir. On reading her book, filmmaker Jane Mingay was inspired to get in touch with Pauline and the result of their collaboration is the new documentary, Pauline Black: A 2-Tone Story, which is showing at the London Film Festival. Jen caught up with Pauline and Jane to chat about Pauline's experiences, the impact of the 2-Tone movement, and why it is so relevant to what's going on at the moment in modern British – and global - politics. Pauline Black: A 2-Tone Story is showing at the London Film Festival on October 12 and 19. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week we dive into 2 excellent gender-bending UK punk bands from Rebellion Festival: Arch Femmesis & Rites Of Hadda, rare Bay Area Punk-Funk from Fungo Mungo, new tracks from Offspring, Zombie Met Girl, Fatal Flaw, Utopia Development Corporation, Buñuel, Precursor, Burning Image, Semi-Famous, & Trench City, and classics from Selecter, Buzzcocks, X, Årabrot, Kominas, Screeching Weasel, The Freeze, Phantom Limbs, L7, Death Wheelers, Criminals, Poison Idea, Millie Manders And The Shutup, The Explosion, Every Face Becomes A Skull, Bad Brains, D.O.A., Wire, & Pearl Harbour! Zombie Met Girl- They Want Us Dead X- The World's A Mess; It's In My Kiss Fatal Flaw- Stop Pushing Me Away Pearl Harbour- Trouble Utopia Development Corporation- No Factories Wire- Strange Arch Femmesis- Androgynista (Edit) Rites Of Hadda- Attempted Murder Bad Brains- Right Brigade D.O.A.- America The Beautiful Buñuel- Drug Burn Every Face Becomes A Skull- Right Words, Right Order Precursor- Where's The Calvary Explosion- Atrocity Offspring- Light It Up Millie Manders And The Shutup- Silent Screams Criminals- Never Been Caught Poison Idea- Taken By Surprise Death Wheelers- Murder Machines- Biker Mortis L7- Shove Burning Image- Fearmonger Phantom Limbs- How Calm You Are Semi-Famous- Clown In The Window Freeze- Warped Confessional Screeching Weasel- Dingbat Buzzcocks- Boredom (Edit) Fungo Mungo- Downtown Oakland Selecter- Street Feeling Årabrot- Hangman's House
This week, we talk to DANIEL RACHEL, the author of TOO MUCH TOO YOUNG, THE 2 TONE RECORDS STORY, about the 1981 2 Tone concert film DANCE CRAZE. We discuss the film's volatile production, how the film's genesis started at a swimming pool in L.A., Jerry Dammers unwavering work ethic, seeing people skanking in the aisles at the movie screening, the short life span of The Selecter and The Body Snatchers, how the film sneaks in concert footage shot in New Jersey vs. the UK, the moment Daniel noticed that 2 Tone had swept the playground, the dimantleing of the scene by the British music press, the skinhead movement and the violence within the scene, the genius of Terry Hall and Pauline Black, the non-Ska bands that continued on the 2 tone label, how the ska bands had the best band logos, the fashion of the scene, seeing a multi-racial band on TV, tribal musical groups moving across the British musical landscape, The Mods, the short time span of pop music movements, stealing lyric sheets from a Virgin Megastore, how original director Joe Massot was kicked off the film and also screwed up his intitial shoot of Led Zeppelin's The Song Remains The Same movie, Garvick Losey's involvment with the film, how Jerry Dammers and Madness were initially wary of making the film, how the soundtrack contains recordings that were not from the movie (or even the same band lineup), the punk vs. ska astecthic,The Specials' tour with The Clash and how the band found their idenity on it, how the inventor of the Steadycam was one of the cmaera opperators for this film, how the bands would fake violence on stage to stop the violence in the audience, Rock Against Racism, The Stranglers, then negative response from the bands when the film was initially releaesd, what it was like figuring out the More Specials LP, Funboy Three & Special AKA, and Chris breaks Daniel by asking his final question.So lip up fatty and get into this week's episode of Revolutions Per Movie!DANIEL RACHEL:https://danielrachel.com/Book tour w/ Daniel Rachel:https://danielrachel.com/events/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.
It's SKAUGUST! To kick off our month long celebration of all things ska, we are talking about The English Beat's debut full length from 1980, I Just Can't Stop It. Dylan also recaps seeing The Gaslight Anthem.Join our Patreon to get bonus audio, videos, blog posts, and access to our Discord for only $1 at patreon.com/punklottopodIf you would like to sponsor an episode, head over to patreon.com/punklottopod and sign up for our $10 tier. Make a one time donation and you get and entire episode centered around an album of your choice.New Major Awards EP - majorawards.bandcamp.comMerch Shop - redbubble.com/people/punk-lotto-pod/shopPodcast platforms and social media links at linktr.ee/punklottopodCall our voicemail line: 202-688-PUNKLeave us a review and rating on Apple Podcasts and Spotify.Song clips featured on this episode:The Beat - Mirror in the BathroomThe Beat - Two SwordsThe Beat - Tears of a Clown
In 1979, 2 Tone Records (formed by Coventry, England art student and Specials keyboardist/songwriter Jerry Dammers) exploded into the consciousness of music lovers in Britain, the US, and beyond, as albums by the Specials, the Selecter, Madness, the Beat, and the Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was black and white: a multiracial force of British and Caribbean musicians singing about social issues, racism, class, and gender struggles. It spoke of injustices in society and fought against right-wing extremism. It was exuberant and eclectic: white youths learning to dance to the infectious rhythm of ska and reggae, crossed with punk attitude, to create an original hybrid. This week's Third Lad, Daniel Rachel, has penned the definitive story of the label that, for a brief, bright burning moment, shaped British, American, and world culture. Too Much Too Young: The 2 Tone Records Story is out now from White Rabbit (UK) and Akashic Books (US). Daniel Rachel is a Birmingham-born, best-selling author whose previous works include Isle of Noises: Conversations with Great British Songwriters; Walls Come Tumbling Down: The Music and Politics of Rock Against Racism, 2 Tone, and Red Wedge; Don't Look Back in Anger: The Rise and Fall of Cool Britannia; The Lost Album of the Beatles: What If the Beatles Hadn't Split Up?; One for the Road: The Life & Lyrics of Simon Fowler & Ocean Colour Scene; and Oasis: Knebworth: Two Nights That Will Live Forever. He is also co-author of Ranking Roger's autobiography, I Just Can't Stop It: My Life in the Beat. In 2021, Rachel was a guest curator of the "2 Tone Lives & Legacies" exhibition as part of Coventry Cultural City 2021, and he curated the anniversary edition of the Selecter's debut album, Too Much Pressure. Learn more about your ad choices. Visit megaphone.fm/adchoices
In 1979, 2 Tone Records (formed by Coventry, England art student and Specials keyboardist/songwriter Jerry Dammers) exploded into the consciousness of music lovers in Britain, the US, and beyond, as albums by the Specials, the Selecter, Madness, the Beat, and the Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was black and white: a multiracial force of British and Caribbean musicians singing about social issues, racism, class, and gender struggles. It spoke of injustices in society and fought against right-wing extremism. It was exuberant and eclectic: white youths learning to dance to the infectious rhythm of ska and reggae, crossed with punk attitude, to create an original hybrid. This week's Third Lad, Daniel Rachel, has penned the definitive story of the label that, for a brief, bright burning moment, shaped British, American, and world culture. Too Much Too Young: The 2 Tone Records Story is out now from White Rabbit (UK) and Akashic Books (US). Daniel Rachel is a Birmingham-born, best-selling author whose previous works include Isle of Noises: Conversations with Great British Songwriters; Walls Come Tumbling Down: The Music and Politics of Rock Against Racism, 2 Tone, and Red Wedge; Don't Look Back in Anger: The Rise and Fall of Cool Britannia; The Lost Album of the Beatles: What If the Beatles Hadn't Split Up?; One for the Road: The Life & Lyrics of Simon Fowler & Ocean Colour Scene; and Oasis: Knebworth: Two Nights That Will Live Forever. He is also co-author of Ranking Roger's autobiography, I Just Can't Stop It: My Life in the Beat. In 2021, Rachel was a guest curator of the "2 Tone Lives & Legacies" exhibition as part of Coventry Cultural City 2021, and he curated the anniversary edition of the Selecter's debut album, Too Much Pressure. Learn more about your ad choices. Visit megaphone.fm/adchoices
It's the first of July and Andy celebrates the birthdays of Debbie Harry, Fred Schneider and Willie Dixon - the Uncorked bottle also has a new one from Richard Hawley plus belters from The Stone Roses, The Selecter, The Cure, Neil Young, Roxy Music and The Fall. Sit back and soak it all up!Tune into new broadcasts of Uncorked LIVE, Mondays from 8-10 AM EST / 1 - 3 PM GMTFor more info visit: https://thefaceradio.com/uncorked//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.
Matthew Bannister onSir Howard Bernstein, the Chief Executive of Manchester City Council credited with transforming the city after the IRA bomb of 1996.Joan Brady, the author and former ballet dancer who won the Whitbread Prize for her novel “The Theory of War”.Gene Nora Jessen, the American pilot who was part of a group of women known as the Mercury 13 – who were subjected to tests to see if they were fit to become astronauts.Arthur “Gaps” Hendrickson, the vocalist with the two- tone group The Selecter. His bandmate Pauline Black OBE pays tribute.Interviewee: Paul Horrocks Interviewee: Alexander Masters Interviewee: Marth Ackmann Interviewee: Pauline Black OBEProducer: Gareth Nelson-DaviesArchive used: Sir Howard Bernstein interview, BBC News, North West Tonight, 21/03/2017; News Report, Manchester Bombing, BBC Radio 4, 15/06/1996; Howard Bernstein interview with Harvard Professor Ed Glaeser, Public Transportation in Manchester, City X, YouTube uploaded , 31/01/2018; News report - Commonwealth Games - Manchester, , BBC News, North West Tonight 25/07/2002; Howard Bernstein interview, BBC News, Midlands Today, 26/07/2022; Howard Bernstein interview, BBC News, North West Tonight, 31/03/2017; Joan Brady interview, The Forum, BBC World Service, 09/05/2010; Joan Brady, The Theory of War, The Late Show, BBC Two, 09/11/1993; Joan Brady interview, Woman's Hour, BBC Radio 4, 15/03/2003; Mercury 13 , Official Trailer, Netflix, YouTube uploaded, 09/04/2018; Gene Nora Jessen presentation, Women's Air Races, Aviation Business, and Astronaut Tests: A Pathbreaking Career, Smithsonian National Air and Space Museum YouTube Channel, uploaded 05/06/2019; Pioneer aviator Gene Nora Jessen, Fox * News, Cleveland , YouTube channel, 20/08/2018.
Psychobilly and another great Cherry Red release, which must mean it's Punky! So let's welcome nine songs from Klingonz, WolfWolf, The Selecter, Graham Parker & The Rumour, Steel Pulse, The Ruts, The Beat, The Dogmatics and The Speed Of Sound.Klingonz, Voice of Jeff, Comedy Suburbs, Tony has your Facebook comments, Facebook in lockdown, booing anthems, Reggae, last week, house viewing, Apocalypse Babys live recording, tiling, Scotland v Germany, The Boys, Mona Lisa, Celebratory Traitors, From the Vaults, Tony's International Gig Guide, this week, Alcohol, Euros, Songs in the key of death, sexy window man, Izzatwat, political heads and a reminder of the ways you can listen.Song 1: Klingonz – The KlanksSong 2: WolfWolf – Heavy SickSong 3: The Selecter – Too Much PressureSong 4: Graham Parker & The Rumour – Hey Lord, Don't Ask Me QuestionsSong 5: Steel Pulse – Ku Klux KlanSong 6: The Ruts – Jah WarSong 7: The Beat – Stand Down Margaret (Dub)Song 8: The Dogmatics - SummertimeSong 9: The Speed Of Sound – West Wind
This week Matt and special guest Marty Hood select favourite songs that evoke feelings and memories.We also say our goodbyes to Selecter frontman Arthur "Gaps" Hendrickson and legendary Yé-Yé singer and 60s muse Françoise Hardy.For more info and tracklisting, visit: https://thefaceradio.com/blow-up/Tune into new broadcasts of Blow-Up, Sundays from 8 - 10 AM EST / 1 PM - 3 PM GMT, in association with Brisbane's 4ZZZ.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.
Join DJ Jesse Luscious as he dives into new songs from Cock Sparrer, The Pist, Tim Finish Him, Rat Cage, Kriegshög, The Anti-Queens, Build Them To Break, Mouses, & The Silence Industry, classic 2-tone & ska-punk The Selecter, Rancid, Citizen Fish, & La Plebe, faves from punks, weirdos, & hard rockers Green Jelly, King Zebra, The Damned, UK Subs, Bush Tetras, eX-Girl, Putan Club, L7, Action Pact, Ruts, Parallel States, Ruin, Fang Official, Indignation Meeting, The Bonstones, & Conflict, and the Luscious Listener's Choice! Pist- Jim Martin Action Pact- London Bouncers Cock Sparrer- Rags To Riches U.K. Subs- Emotional Blackmail Ruts- Society Rat Cage- Change For A Fiver Kriegshög- Track 1 ("Void") Conflict- They Said That… Anti-Queens- Apocalypse She L7- Fast And Frightening Ruin- Proof Fang- The Money Will Roll Right In Bonstones- No More Hysteria Damned- Fan Club Build Them To Break- Fever Dream Parallel States- At The Bridge Mouses- Huckleberry Indignation Meeting- PVLR La Plebe- Campesino Citizen Fish- Charity Selecter- Murder Rancid- Up To No Good Putan Club- Galoo Sahara Laleet El Aeed Green Jelly- Carnage Rules Tim Finish Him- Wide-Eyed Lie King Zebra- Hot Cop Ladies Ex-Girl- E-Sa-Ya Bush Tetras- You Taste Like The Tropics Silence Industry- Headlong (General Strike!)
Daniel Rachel's new book Too Much Too Young, the 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation (Akashic, 2024) presents the definitive history of 2 Tone Records. In 1979, 2 Tone Records exploded into the consciousness of music lovers in Britain, the US, and beyond, as albums by the Specials, the Selecter, Madness, the English Beat, and the Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was Black and white: a multiracial force of British and Caribbean musicians singing about social issues, racism, class, and gender struggles. It spoke of injustices in society and fought against rightwing extremism. It was exuberant and eclectic: white youths learning to dance to the infectious rhythm of ska and reggae, crossed with a punk attitude, to create an original hybrid. The idea of 2 Tone was born in Coventry, England, and masterminded by a middle-class art student, Jerry Dammers, who envisioned an English Motown. Dammers signed a slew of successful artists, and a number of successive hits propelled 2 Tone onto Top of the Pops and into the hearts and minds of a generation. However, infighting among the bands and the pressures of running a label caused 2 Tone to bow to the inevitable weight of expectation and recrimination. Over the following years, Dammers built the label back up again, entering a new phase full of fresh signings and a beautiful end-piece finale in the activist hit song “(Free) Nelson Mandela.” Told in three parts, Too Much Too Young is the definitive story of a label that for a brief, bright burning moment shaped British, American, and world culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Daniel Rachel's new book Too Much Too Young, the 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation (Akashic, 2024) presents the definitive history of 2 Tone Records. In 1979, 2 Tone Records exploded into the consciousness of music lovers in Britain, the US, and beyond, as albums by the Specials, the Selecter, Madness, the English Beat, and the Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was Black and white: a multiracial force of British and Caribbean musicians singing about social issues, racism, class, and gender struggles. It spoke of injustices in society and fought against rightwing extremism. It was exuberant and eclectic: white youths learning to dance to the infectious rhythm of ska and reggae, crossed with a punk attitude, to create an original hybrid. The idea of 2 Tone was born in Coventry, England, and masterminded by a middle-class art student, Jerry Dammers, who envisioned an English Motown. Dammers signed a slew of successful artists, and a number of successive hits propelled 2 Tone onto Top of the Pops and into the hearts and minds of a generation. However, infighting among the bands and the pressures of running a label caused 2 Tone to bow to the inevitable weight of expectation and recrimination. Over the following years, Dammers built the label back up again, entering a new phase full of fresh signings and a beautiful end-piece finale in the activist hit song “(Free) Nelson Mandela.” Told in three parts, Too Much Too Young is the definitive story of a label that for a brief, bright burning moment shaped British, American, and world culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Daniel Rachel's new book Too Much Too Young, the 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation (Akashic, 2024) presents the definitive history of 2 Tone Records. In 1979, 2 Tone Records exploded into the consciousness of music lovers in Britain, the US, and beyond, as albums by the Specials, the Selecter, Madness, the English Beat, and the Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was Black and white: a multiracial force of British and Caribbean musicians singing about social issues, racism, class, and gender struggles. It spoke of injustices in society and fought against rightwing extremism. It was exuberant and eclectic: white youths learning to dance to the infectious rhythm of ska and reggae, crossed with a punk attitude, to create an original hybrid. The idea of 2 Tone was born in Coventry, England, and masterminded by a middle-class art student, Jerry Dammers, who envisioned an English Motown. Dammers signed a slew of successful artists, and a number of successive hits propelled 2 Tone onto Top of the Pops and into the hearts and minds of a generation. However, infighting among the bands and the pressures of running a label caused 2 Tone to bow to the inevitable weight of expectation and recrimination. Over the following years, Dammers built the label back up again, entering a new phase full of fresh signings and a beautiful end-piece finale in the activist hit song “(Free) Nelson Mandela.” Told in three parts, Too Much Too Young is the definitive story of a label that for a brief, bright burning moment shaped British, American, and world culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Daniel Rachel's new book Too Much Too Young, the 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation (Akashic, 2024) presents the definitive history of 2 Tone Records. In 1979, 2 Tone Records exploded into the consciousness of music lovers in Britain, the US, and beyond, as albums by the Specials, the Selecter, Madness, the English Beat, and the Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was Black and white: a multiracial force of British and Caribbean musicians singing about social issues, racism, class, and gender struggles. It spoke of injustices in society and fought against rightwing extremism. It was exuberant and eclectic: white youths learning to dance to the infectious rhythm of ska and reggae, crossed with a punk attitude, to create an original hybrid. The idea of 2 Tone was born in Coventry, England, and masterminded by a middle-class art student, Jerry Dammers, who envisioned an English Motown. Dammers signed a slew of successful artists, and a number of successive hits propelled 2 Tone onto Top of the Pops and into the hearts and minds of a generation. However, infighting among the bands and the pressures of running a label caused 2 Tone to bow to the inevitable weight of expectation and recrimination. Over the following years, Dammers built the label back up again, entering a new phase full of fresh signings and a beautiful end-piece finale in the activist hit song “(Free) Nelson Mandela.” Told in three parts, Too Much Too Young is the definitive story of a label that for a brief, bright burning moment shaped British, American, and world culture. Learn more about your ad choices. Visit megaphone.fm/adchoices
Daniel Rachel's new book Too Much Too Young, the 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation (Akashic, 2024) presents the definitive history of 2 Tone Records. In 1979, 2 Tone Records exploded into the consciousness of music lovers in Britain, the US, and beyond, as albums by the Specials, the Selecter, Madness, the English Beat, and the Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was Black and white: a multiracial force of British and Caribbean musicians singing about social issues, racism, class, and gender struggles. It spoke of injustices in society and fought against rightwing extremism. It was exuberant and eclectic: white youths learning to dance to the infectious rhythm of ska and reggae, crossed with a punk attitude, to create an original hybrid. The idea of 2 Tone was born in Coventry, England, and masterminded by a middle-class art student, Jerry Dammers, who envisioned an English Motown. Dammers signed a slew of successful artists, and a number of successive hits propelled 2 Tone onto Top of the Pops and into the hearts and minds of a generation. However, infighting among the bands and the pressures of running a label caused 2 Tone to bow to the inevitable weight of expectation and recrimination. Over the following years, Dammers built the label back up again, entering a new phase full of fresh signings and a beautiful end-piece finale in the activist hit song “(Free) Nelson Mandela.” Told in three parts, Too Much Too Young is the definitive story of a label that for a brief, bright burning moment shaped British, American, and world culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
Daniel Rachel's new book Too Much Too Young, the 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation (Akashic, 2024) presents the definitive history of 2 Tone Records. In 1979, 2 Tone Records exploded into the consciousness of music lovers in Britain, the US, and beyond, as albums by the Specials, the Selecter, Madness, the English Beat, and the Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was Black and white: a multiracial force of British and Caribbean musicians singing about social issues, racism, class, and gender struggles. It spoke of injustices in society and fought against rightwing extremism. It was exuberant and eclectic: white youths learning to dance to the infectious rhythm of ska and reggae, crossed with a punk attitude, to create an original hybrid. The idea of 2 Tone was born in Coventry, England, and masterminded by a middle-class art student, Jerry Dammers, who envisioned an English Motown. Dammers signed a slew of successful artists, and a number of successive hits propelled 2 Tone onto Top of the Pops and into the hearts and minds of a generation. However, infighting among the bands and the pressures of running a label caused 2 Tone to bow to the inevitable weight of expectation and recrimination. Over the following years, Dammers built the label back up again, entering a new phase full of fresh signings and a beautiful end-piece finale in the activist hit song “(Free) Nelson Mandela.” Told in three parts, Too Much Too Young is the definitive story of a label that for a brief, bright burning moment shaped British, American, and world culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
Host Junor Francis and producer Eric Kohler talk with four members of Riverside, CA's veteran group, The Skeletones - Jonas Cabrera, Paul Hampton, Kip Wirtzfeld and Woody Diaz. We also preview their upcoming performances at No Values Festival on June 8, 2024 at Pomona Fairplex and on June 9, 2024 at The Glass House, where they will support The Selecter. Visit www.theskeletones.com. This exclusive intro jingle is written, performed and recorded by Jesse Wagner of The Aggrolites. Drums courtesy of Scott Abels.
Elana Levin from Graphic Policy Radio returns to the show for a deep dive into the second wave of Ska music, a brief but influential era when black and white UK musicians fused Jamaican dance music of the sixties into punk and new wave music of the seventies to create a sound that would further revolutionize American popular music in the nineties. The modern ska genre gets made fun of a lot (mozzarella sticks, anyone?) but Elana will have you know that ska music is not a joke. In an 18-month period, 2 Tone Records, an indie label founded by the keyboardist from The Specials, Jerry Dammers, took over the UK pop charts with major distribution support from Chrysalis Records. In the wake of the election of Margaret Thatcher and the rise of white nationalists taking advantage of national economic malaise, a musical rebuke of these trends came from bands in the town of Coventry, offering alternative visions of racial harmony and anti-fascist songs you could dance to. The 1981 concert documentary Dance Craze, recently restored, captures the 2 Tone bands performing in their prime. We discuss the evolution of ska, pay tribute to some of the top groups of the Second Wave Ska era including The Selecter, Madness, Bad Manners and The Specials and bid farewell to their lead singer the late great Terry Hall, whose passing last year inspired this episode. Become a patron of the podcast to access to exclusive episodes every month. Over 30% of Junk Filter episodes are exclusively available to patrons. To support this show directly for only $5.00 a month (U.S.) please subscribe at https://www.patreon.com/junkfilter Follow Elana Levin on Twitter and check out their podcasts Graphic Policy Radio and Deep Space Dive! Elana's “2nd Wave Ska” Spotify playlist BBC Arena segment from 1980 on 2 Tone Records and the new ska scene coming out of Coventry. Madness-inspired Colgate advert from the UK, 1982 Re-release trailer for Dance Craze (Joe Massot, 1981) The Selecter - On My Radio, from BBC's Top of the Pops, 1979 The Beat - Stand Down Margaret, from ITV's O.T.T., 1982 The Specials music videos Gangsters (1979) Ghost Town (1981) Free Nelson Mandela (1984)
Episode 170: In Conversation With Will Crewdson (Scant Regard, Adam Ant, et al) Brian and Sarah recently had the honor and pleasure of meeting the great Will Crewdson in person at an Adam Ant concert. During that encounter, the three agreed to set up a time to meet and talk some more. This episode is the result! Will Crewdson is a talented, prolific, and extremely busy guitarist who has lent his formidable skills to a number of well-known acts, including Adam Ant, Flesh For Lulu, The Selecter, Gaye Bykers on Acid, and Sigue Sigue Sputnik, to name just a few. He was also a founding member of the indie band Rachel Stamp, and he currently works with ex-Rachel Stamp band member Shaheena Dax under the name She Made Me Do It (SHEMMDI for short), and as a solo artist under the name Scant Regard. Brian and Sarah had a fun and enlightening conversation with Will about a number of topics, such as his musical background, performing and touring with Adam Ant, his solo project Scant Regard, and a cool story about working with someone that Brian (perhaps surprisingly) was super-excited about! Additionally, Will shares an exclusive tour update—an upcoming solo date on the East Coast! Don't miss this episode—and then head directly over to Bandcamp to check out the Scant Regard and SHEMMDI material! Websites and Bandcamp: https://www.scantregard.com/home https://www.shemmdi.com/home https://scantregard.bandcamp.com/ http://shemademedoit.bandcamp.com/ Other links for Will: https://www.facebook.com/scantregardpage https://instagram.com/scantregard https://open.spotify.com/artist/2Cfi2ZMSKwb6O4exmTwK1e https://tidal.com/browse/artist/9795417 https://www.tiktok.com/@willcrewdson https://www.x.com/scantregard https://www.youtube.com/c/ScantRegard Read more at http://www.permanentrecordpodcast.com/ Visit us at https://www.facebook.com/permrecordpodcast Follow us at https://twitter.com/permrecordpod Check out some pictures at https://www.instagram.com/permanentrecordpodcast/ So this BlueSky thing looks shiny and new: https://bsky.app/profile/permrecordpod.bsky.social Oh! Here's another one of these things - Threads: https://www.threads.net/@permanentrecordpodcast Leave a voicemail for Brian & Sarah at (724) 490-8324 or https://www.speakpipe.com/PermRecordPod - we're ready to believe you!
It's all things British this week as Sammy and Matt gear up for a trip to the UK. There's tracks from the 60s and travelling through the decades from The Pretty Things, The Who, The Clash, The Jam and Corduroy.Inspired by recently supporting Brisbane band Cool Brittania, there's also britpop from Blur, Pulp and The Fratellis plus some classic Jam and a couple of 2tone favourites from The Beat & Selecter.For more info and tracklisting, visit: https://thefaceradio.com/blow-up/Tune into new broadcasts of Blow-Up, Sunday from 8 - 10 AM EST / 1 PM - 3 PM GMT, in association with Brisbane's 4ZZZ.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.
Madness March is BACK and this time CP/SC is going to determine the greatest Two Tone Records single of all time! In Round 1 Part 1, Robby Radiation, Celynval Golding and Joey Dammers pit the first 16 singles in head to head battle to lead into Round 2. They also ask the immortal question... does it have to be Ska to win?Tune in all March long to see how the tournament progresses! The bracket is at www.challonge.com/madnessmarch2024Hosts: Celine, Rob and JoeyEngineer: JoeyEditor: CutmanSkassociate Producer: Chris Reeves of Ska Punk InternationalNEW MERCH: www.checkeredpast.ca/merchPatreon: www.patreon.com/checkeredpast
Inspired by the opening of the ‘From the Caribbean to Coventry' exhibition in London, Matt & Sammy bring you 2 hours of 2tone and original 60s ska. DJ and former Coventry resident John Mullaney joins us with some fantastic stories and great musical choices from the likes of The Specials, The Selecter, The Beat and Madness.We've also got some records with unexpected links to the 2tone story and the brand new song from local band The Sunny Coast Rude Boys.Plus there's a special ska themed Catalan Connection from Fidel in Barcelona.This show was first broadcast on the 4th of February, 2024For more info and tracklisting, visit: https://thefaceradio.com/blow-up/Tune into new broadcasts of Blow-Up, Sunday from 8 - 10 AM EST / 1 PM - 3 PM GMT, in association with Brisbane's 4ZZZ.Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.
Con la llegada de la democracia en 1983, en Argentina surgieron centenares de grupos y artistas con ganas de hacerse escuchar (o ver). Fue una década rica, no solo por la música, otros medios de expresión como el teatro, la danza, diseño, también crearon otra forma de expresión. Con la gran crisis financiera del 89 y el cambio de década, toda esa efervescencia se diluyo. Aquí podréis escuchar un brevísimo resumen de lo que fueron aquellos años. Virus - Sin Disfraz: Grupo formado en la ciudad de La Plata por los hermanos Moura. Fueron los precursores de la “modernización” del Rock en Argentina, luego llegaron todos los demás. Grabaron 6 discos hasta la muerte del cantante Federico Moura. El grupo continuo adelante un par de años más, hasta la disolución. Actualmente realizan conciertos por Latinoamérica rememorando sus grandes éxitos. Miguel Mateos/Zas - Perdiendo El Control: Debutaron como teloneros de Queen en 1981. Y el éxito masivo llego en 1985 con “Rocas Vivas”, un álbum en vivo grabado durante sus presentaciones en el Luna Park. Fueron de los pioneros en actuar en todo el continente. Charly García - Buscando un símbolo de paz: Luego de liderar varios grupos, en 1982 comienza su carrera como solista. Durante la década publica sus mejores discos y es protagonista de varios escándalos. Junto a Luis Alberto Spinetta y Litto Nebbia conforman la santísima trinidad del Rock Argentino. Enanitos Verdes - La muralla verde: Originales de la provincia de Mendoza, publican su primer disco en 1984 con un sonido de Rock Clásico. En 1986 cambian de compañía discográfica, publican su segundo álbum “Contrareloj” (Producido por A. Calamaro), con un sonido más cercano al Pop logrando sonar en todas las radios latinoamericanas. Fabiana Cantilo - Detectives: Comenzó en 1980 en el grupo de Rock teatral, Las Bay Biscuits. En 1982 se une a Los Twist. Su primer disco solista llega en 1985, producido por Charly García, del cual varios singles llegan a sonar en las radios. Además, desde 1983, forma parte del grupo de Charly García como corista. Man Ray - Extraño Ser: Duo formado en 1987 por Hilda Lizarazu y Tito Losavio, en 1988 publican su álbum debut, producido por A. Calamaro. No logra gran repercusión, y solo consiguen actuar en algunos pubs y clubes. Con el cambio de década la suerte cambiara. G.I.T. - La Calle es Su Lugar: Trio de músicos (Guyot, Iturri, Toth) que forman parte del grupo de Charly García. En 1984 editan su disco debut, muy influenciado por la New Wave (The Police, XTC). Logrando un gran éxito que aumentaría con la publicación del segundo, un año más tarde. Pasan el resto de la década girando por toda Latinoamérica con gran éxito. Soda Stereo - Persiana Americana: Su primer disco sale en 1983 y el éxito masivo llegará con su segundo álbum en 1985. Luego conquistaran Latinoamérica convirtiéndose en el grupo más importante de Rock en español. Yorio - En todas partes te veo: Durante los 70s María Rosa Yorio fue parte de varios grupos y proyectos. Durante los primeros años de los 80s lanza varios discos como solista, de sonido Folk y Rock. Pero en 1986 sorprende con un disco de sonido más Pop y actual. Raúl Porchetto - Bailando en las veredas: Músico pionero del Rock nacional. Publica varios discos durante los 70s y principios de los 80s. En 1986 publica “Noche y Día” con un sonido más “ochentero”. Los Abuelos de la Nada - Costumbres Argentinas (Live) Segunda formación de los abuelos, la primera fue a finales de los 60s pero solo publican un par de singles. En 1982 Miguel Abuelo regresa con su grupo con una formación distinta y con influencias del Reggae y la New Wave. Luego de varios discos se convierten en uno de los grupos más populares del país, hasta el fallecimiento de Miguel Abuelo en 1988. Fito Páez - Bailando Hasta Que Se Vaya La Noche: Formó parte de la llamada “Trova Rosarina” a comienzos de los 80s. En 1983 se edita su álbum debut “Del 63”. Tras el asesinato de su abuela y su tía durante un robo su sonido se vuelve más crudo y roquero. Sumo - La Rubia Tarada: Luca Prodan deja Inglaterra para alejarse de la heroína y en Argentina forma un grupo influenciado por todo lo que Luca escuchaba en el Reino Unido (Joy Division, The Clash, The Cure, etc). Luego de 3 discos de gran éxito, Luca Prodan muere en 1988. Sobrecarga - Viajando Hacia El Este: Grupo de Dark Wave, Post Punk de la ciudad de Trenque Lauquen. Publicaron 2 discos, el primero logró gran repercusión en ciertas radios del país. El segundo, publicado en 1987, el sonido se volvió más oscuro y la discográfica dejo de promocionarlos. Al año se separan. Don Cornelio y La Zona - Ella Vendrá: Grupo de Dark Wave formado en 1984. En 1987 se edita su álbum debut, logrando gran éxito y difusión en las radios. Al año siguiente publican su segundo disco con un sonido más agresivo y roquero, convirtiéndose en un álbum de culto. Patricio Rey y sus Redonditos de Ricota - La Bestia Pop: Formación de La Plata que luego de años de actuar en distintas salas logran publicar por su cuenta su álbum debut en 1985, Poco a poco, tras la salida de un nuevo disco, su popularidad va creciendo hasta llegar a convertirse en uno de las grupos más importantes e influyentes de la historia de la música de Argentina, así como también uno de los más convocantes en términos de audiencia. Los Twist - Jugando Hulla Hulla: Durante los primeros años de los 80s surgió un movimiento denominado “Música Divertida”, en referencia al sonido fresco y desenfadado de grupos como Virus, por ejemplo. Los Twist se convirtieron en una de las bandas más icónicas del movimiento. En 1983 Charly García los convocó para producirles su primer álbum, llamado “La Dicha en Movimiento”, el cual se convirtió a los pocos meses en un gran éxito, llegando a vender más de 120.000 copias. Viuda e Hijas de Roque Enroll - Hawaian II: Grupo de cuatro chicas que con solo 3 discos se convirtieron en una de las bandas más exitosas de la década y más representativas de la denominada “Música Divertida”. Los Fabulosos Cadillacs - Yo Quiero Morirme Acá: Formados en 1984 tenían como influencias más fuertes a las bandas del revival del ska en Inglaterra, tales como Madness, The Specials, The Selecter o English Beat, y de ellos copiaban la imagen. Su debut llegó en el 86 con “Bares y Fondas” de sonido y estética puramente Ska. A partir del segundo álbum ampliaron los sonidos al Reggae y el Dub y a partir del tercero ya se comienzan a notar las influencias latinas. Este es un pequeño resumen de cada uno de los artistas que suenan en este podcast. Quien quiera más información os recomiendo que busquéis en Wikipedia :)
Con la llegada de la democracia en 1983, en Argentina surgieron centenares de grupos y artistas con ganas de hacerse escuchar (o ver). Fue una década rica, no solo por la música, otros medios de expresión como el teatro, la danza, diseño, también crearon otra forma de expresión. Con la gran crisis financiera del 89 y el cambio de década, toda esa efervescencia se diluyo. Aquí podréis escuchar un brevísimo resumen de lo que fueron aquellos años. Virus - Sin Disfraz: Grupo formado en la ciudad de La Plata por los hermanos Moura. Fueron los precursores de la “modernización” del Rock en Argentina, luego llegaron todos los demás. Grabaron 6 discos hasta la muerte del cantante Federico Moura. El grupo continuo adelante un par de años más, hasta la disolución. Actualmente realizan conciertos por Latinoamérica rememorando sus grandes éxitos. Miguel Mateos/Zas - Perdiendo El Control: Debutaron como teloneros de Queen en 1981. Y el éxito masivo llego en 1985 con “Rocas Vivas”, un álbum en vivo grabado durante sus presentaciones en el Luna Park. Fueron de los pioneros en actuar en todo el continente. Charly García - Buscando un símbolo de paz: Luego de liderar varios grupos, en 1982 comienza su carrera como solista. Durante la década publica sus mejores discos y es protagonista de varios escándalos. Junto a Luis Alberto Spinetta y Litto Nebbia conforman la santísima trinidad del Rock Argentino. Enanitos Verdes - La muralla verde: Originales de la provincia de Mendoza, publican su primer disco en 1984 con un sonido de Rock Clásico. En 1986 cambian de compañía discográfica, publican su segundo álbum “Contrareloj” (Producido por A. Calamaro), con un sonido más cercano al Pop logrando sonar en todas las radios latinoamericanas. Fabiana Cantilo - Detectives: Comenzó en 1980 en el grupo de Rock teatral, Las Bay Biscuits. En 1982 se une a Los Twist. Su primer disco solista llega en 1985, producido por Charly García, del cual varios singles llegan a sonar en las radios. Además, desde 1983, forma parte del grupo de Charly García como corista. Man Ray - Extraño Ser: Duo formado en 1987 por Hilda Lizarazu y Tito Losavio, en 1988 publican su álbum debut, producido por A. Calamaro. No logra gran repercusión, y solo consiguen actuar en algunos pubs y clubes. Con el cambio de década la suerte cambiara. G.I.T. - La Calle es Su Lugar: Trio de músicos (Guyot, Iturri, Toth) que forman parte del grupo de Charly García. En 1984 editan su disco debut, muy influenciado por la New Wave (The Police, XTC). Logrando un gran éxito que aumentaría con la publicación del segundo, un año más tarde. Pasan el resto de la década girando por toda Latinoamérica con gran éxito. Soda Stereo - Persiana Americana: Su primer disco sale en 1983 y el éxito masivo llegará con su segundo álbum en 1985. Luego conquistaran Latinoamérica convirtiéndose en el grupo más importante de Rock en español. Yorio - En todas partes te veo: Durante los 70s María Rosa Yorio fue parte de varios grupos y proyectos. Durante los primeros años de los 80s lanza varios discos como solista, de sonido Folk y Rock. Pero en 1986 sorprende con un disco de sonido más Pop y actual. Raúl Porchetto - Bailando en las veredas: Músico pionero del Rock nacional. Publica varios discos durante los 70s y principios de los 80s. En 1986 publica “Noche y Día” con un sonido más “ochentero”. Los Abuelos de la Nada - Costumbres Argentinas (Live) Segunda formación de los abuelos, la primera fue a finales de los 60s pero solo publican un par de singles. En 1982 Miguel Abuelo regresa con su grupo con una formación distinta y con influencias del Reggae y la New Wave. Luego de varios discos se convierten en uno de los grupos más populares del país, hasta el fallecimiento de Miguel Abuelo en 1988. Fito Páez - Bailando Hasta Que Se Vaya La Noche: Formó parte de la llamada “Trova Rosarina” a comienzos de los 80s. En 1983 se edita su álbum debut “Del 63”. Tras el asesinato de su abuela y su tía durante un robo su sonido se vuelve más crudo y roquero. Sumo - La Rubia Tarada: Luca Prodan deja Inglaterra para alejarse de la heroína y en Argentina forma un grupo influenciado por todo lo que Luca escuchaba en el Reino Unido (Joy Division, The Clash, The Cure, etc). Luego de 3 discos de gran éxito, Luca Prodan muere en 1988. Sobrecarga - Viajando Hacia El Este: Grupo de Dark Wave, Post Punk de la ciudad de Trenque Lauquen. Publicaron 2 discos, el primero logró gran repercusión en ciertas radios del país. El segundo, publicado en 1987, el sonido se volvió más oscuro y la discográfica dejo de promocionarlos. Al año se separan. Don Cornelio y La Zona - Ella Vendrá: Grupo de Dark Wave formado en 1984. En 1987 se edita su álbum debut, logrando gran éxito y difusión en las radios. Al año siguiente publican su segundo disco con un sonido más agresivo y roquero, convirtiéndose en un álbum de culto. Patricio Rey y sus Redonditos de Ricota - La Bestia Pop: Formación de La Plata que luego de años de actuar en distintas salas logran publicar por su cuenta su álbum debut en 1985, Poco a poco, tras la salida de un nuevo disco, su popularidad va creciendo hasta llegar a convertirse en uno de las grupos más importantes e influyentes de la historia de la música de Argentina, así como también uno de los más convocantes en términos de audiencia. Los Twist - Jugando Hulla Hulla: Durante los primeros años de los 80s surgió un movimiento denominado “Música Divertida”, en referencia al sonido fresco y desenfadado de grupos como Virus, por ejemplo. Los Twist se convirtieron en una de las bandas más icónicas del movimiento. En 1983 Charly García los convocó para producirles su primer álbum, llamado “La Dicha en Movimiento”, el cual se convirtió a los pocos meses en un gran éxito, llegando a vender más de 120.000 copias. Viuda e Hijas de Roque Enroll - Hawaian II: Grupo de cuatro chicas que con solo 3 discos se convirtieron en una de las bandas más exitosas de la década y más representativas de la denominada “Música Divertida”. Los Fabulosos Cadillacs - Yo Quiero Morirme Acá: Formados en 1984 tenían como influencias más fuertes a las bandas del revival del ska en Inglaterra, tales como Madness, The Specials, The Selecter o English Beat, y de ellos copiaban la imagen. Su debut llegó en el 86 con “Bares y Fondas” de sonido y estética puramente Ska. A partir del segundo álbum ampliaron los sonidos al Reggae y el Dub y a partir del tercero ya se comienzan a notar las influencias latinas. Este es un pequeño resumen de cada uno de los artistas que suenan en este podcast. Quien quiera más información os recomiendo que busquéis en Wikipedia :)
Daniel Rachel's book Too Much Too Young: The 2 Tone Records Story is a new history of the iconic record label. He's joined by Pauline Black, lead singer of The Selecter, to discuss the cultural impact of the Ska music it released. Actor Martin Shaw remembers the late, great theatre impresario Bill Kenwright, whose productions included Willy Russell's Blood Brothers and Andrew Lloyd-Webber's Joseph and the Amazing Technicolor Dreamcoat, who has died at the age of 78. The game of squash and a family overcoming grief are at the heart of Chetna Maroo's debut novel, Western Lane, which has been shortlisted for the 2023 Booker Prize. She talks to Samira about creating the story which centres on a spirited 11-year-old protagonist, Gopi. In Lyonesse, Kristin Scott Thomas plays Elaine, a star who gave up her career and retreated to a remote house on a Cornish cliff. 30 years later she decides she must return and tell her story. Kate, played by Lily James, is a young film executive, juggling work, a toddler and a peripatetic director husband. She comes to help Elaine – and is transformed. But who will control her story, who will get to tell it? Playwright Penelope Skinner tells Samira Ahmed about her new drama of female solidarity and male power. Presenter: Samira Ahmed Producer: Paula McGrath
This week kicks off the month of SKAUGUST! To start with we are venturing back to the year 1980 and talking about one of the progenitors of 2-tone ska, The Selecter and their debut full length Too Much Pressure. Join our Patreon to get bonus audio, videos, blog posts, and access to our Discord for only $1 at patreon.com/punklottopodPodcast platforms and social media links at linktr.ee/punklottopodCall our voicemail line: 202-688-PUNKLeave us a review and rating on Apple Podcasts and Spotify.Song clips featured on this episode:The Selecter - Three Minute HeroThe Selecter - Missing WordsThe Selecter - Too Much Pressure
The first CD Sadie Dupuis saved up her own money to purchase was "Let's Face It" by The Mighty Mighty Bosstones. The first concert she begged her mom to take her to was No Doubt. And on a recent NPR segment, Sadie talked about the huge influence The Selecter's Pauline Black had on her. Pauline, through example, taught her that music could be a political toolThese days Sadie plays in the indie-rock band Speedy Ortiz, and she also releases music under the moniker Sad13. But she hasn't forgotten about her love for ska. In fact, she makes a plea to JER for a Sadie Dupuis / Skatune Network collaboration. (Hopefully, you're listening JER!) We also get into a lot more, like how Sadie's parents worked at record labels in the 70s. Her mom worked at the UK ska/reggae label Rock Steady Records. We talk about how The Specials' "Ghost Town" is a perfect song, we discuss the ska leanings of 100 gecs. And she talks about sending an AIM message to I Voted For Kodos. We also talk about booking MySpace tours, Sinéad O'Connor, and her love for Weezer. (Her favorite non-album track is "Blast Off!!"). We also talk about a ska band Sadie played in when she was a kid called "Walker Exists." They had no bass player! (She also mentions the ska band that Kevin Bacon's kid used to play in.) We talk about her songwriting process, fostering dogs, and get into the 2 Tone ska influences on the Brit-pop genre. But most importantly, she tells us her AOL and AIM screen names from back in the day. They both are ska-related. Be sure and check out Speedy Ortiz's new album Rabbit Rabbit, which releases on Sept 1! Support the show
This week we explore Ska-Jazz. Specifically, we talk to Fred Reiter (aka Rocksteady Freddie), the band leader of the New York Ska-Jazz Ensemble. And we aim to understand the difference between the jazz-influenced traditional ska sound and ska-jazz. Fred gives us a simple explanation and a more complex technical explanation. But Fred also talks about his entire personal history in music: He studied jazz in high school--clarinet, flute and saxophone. He played the sax in a variety of bands including the N.Y. Citizens, The Scofflaws and The Toasters. New York Ska-Jazz Ensemble started as a recording project, but he soon realized there was a demand for it on the live circuit. The band continues to play. To this day they have played in 37 different countries. Fred also tells us what it was like to be a part of the legendary Skavoovie tour in 1993 (The Special Beat, The Selecter, The Skatalites, The Toasters), what it was like to share the stage with Coolie Ranx, how the German band The Busters helped get the New York Ska-Jazz Ensemble to Europe, and what it was like to back ska legend Laurel Aitken in the 90s. Plus we discuss various elements of jazz, and why the elitism of the genre he experienced in New York may have influenced him to play in ska bands. Support the show
I Don't Wanna Hear It Podcast229 – Deep Dives For Dummies: Third Wave Ska (Part 2)After a prolonged absence, we have returned to pick up what we put down.Check out more of our stuff at I Don't Wanna Hear It and join the Patreon, jabroni. I mean, if you want. Don't be weird about it. Oh, and we publish books now at WND Press because we want to be bankrupted by a dying medium.We now have a Big Cartel where you can buy shirts, pins, mugs, and coffee.Also, you should listen to our 2021 Christmas special: A Black Metal Christmas Carol, our 2022 Halloween special: Ghoulie Ghoulie Ghoul, Where Are You?, our 2022 Christmas Special: How the Stench Stole Christmas, as well as Mikey's true crime podcast, Wasteland and Shane's psychology podcast, Why We Do What We Do.Aaannnddd... our good buddy and frequent third host Matt Moment is in a great hardcore band called Contact. Check 'em out! You can preorder their upcoming record, Before and Through and Beyond All Time right here from Patient Zero Records.Episode Playlists:First Wave Ska (great public playlist)Best of 2-Tone Ska (another great public playlist)Third Wave SkaSka Snobs: Traditional Ska From Third Wave ArtistsYes, We Know the Name Is A ProblemEpisode Links:SPINEMidnightSome of our old bands are on Spotify:Absent FriendsWe're Not DeadYears From NowMusical Attribution:Licensed through NEOSounds. License information available upon request.“5 O'Clock Shadow,” “America On the Move,” “Baby You Miss Me,” “Big Fat Gypsy,” “Bubble Up,” “C'est Chaud,” “East River Blues,” “The Gold Rush,” “Gypsy Fiddle Jazz,” “Here Comes That Jazz,” “I Wish I Could Charleston,” “I Told You,” “It Feels Like Love To Me,” “Little Tramp,” “Mornington Crescent,” “No Takeaways.”
Fred Armisen loves ska. He's brought it up on multiple Tonight Show appearances. Portlandia famously did the Bart Ska-mpson skit (with guest Matt Groening), and he performed a ska song in one Saturday Night Live sketch (with Bill Hader and Katy Perry). So, we brought Fred on the podcast and discussed all things ska. He had a lot to say on the topic. We talked about his love for 2 Tone ska bands (The Specials, The Selecter, Madness, English Beat, Bad Manners, The Bodysnatchers). But we also talked about the US ska bands he got to know in the 80s and 90s while he played drums in Chicago punk band Trenchmouth. We talked about Fishbone, Skankin' Pickle, Gangster Fun, Slapstick, Let's Go Bowling and more. We also talk about ska in Latin America, which he learned about during his multiple trips to Santiago, Chile, while filming Los Espookys. We talk about the larger movement of punk/New Wave bands that dabbled with ska XTC, The Clash, The Members, Joe Jackson) or stemmed from ska bands (Fun Boy Three, Fine Young Cannibals, General Public) and we talk lovingly about Chicago's famous indie venue, Fireside Bowl. I also tell Fred about a rumor I heard that Cap'n' Jazz were the first band to play Fireside and he votes on whether it was true or not! We also talk about how dumb band fights can get, the influencing role that Alan Myers (Devo), David Barbarossa (Bow Wow Wow), Topper Headon (The Clash) and Clem Burke (Blondie) had on his drumming style, and he takes a moment to mourn the loss of Specials lead singer Terry Hall, which hit him hard.Plus, we decide the perfect number of bands to have on a bill. Listen and find out! Support the show
You may have noticed a distinct lack of social media stuff and episodes being put out in the last few months. I got quite sick during almost the whole of March and into May after working hard professionally as well as on the High Frequency EP and the shows to support its release. I'd like to thank Ant and Corky for coming on the last episode to talk about the history of our band and the recording of our new EP ‘Some Songs You May Have Heard… But Not Like This!' which I hope you've listened to and enjoyed. I'd also like to thank the handful of listeners who checked in on me while I was away, I really appreciate it. I'm OK now and looking forward to getting back to work on the podcast. On this episode I cover the news from the last four months which concerns The Sisters of Mercy, The Mad Caddies, Moby, U.K. Subs, Yellowcard, Peter Murphy of Bauhaus, Danzig, Weezer, BGH, Blink-182, Less Than Jake, The Cure, Amyl And The Sniffers, Bad Cop/Bad Cop, Circle Jerks, Public Image Limited, vinyl sales, The Misfits, Devo, Doom Generator, Descendents, Adolescents, Dead Kennedys, Lektron, Flogging Molly, X, Siouxie Sioux, Crass, Alice Cooper, Social Distortion, Laura Jane Grace, The Rock n Roll Hall Of Fame, The Distillers, Sum 41, Rancid, The Hives, Dropkick Murphys, Stiff Little Fingers and Steve Jones, The Toy Dolls, Foo Fighters, Bowling For Soup, Lagwagon. Single reviews include Bone Church by Slipknot, Over by Chvrches, 'Til The Anarchy's Restored by Flogging Molly, Raid by Doom Generator, Set Fazers, If I Could and L.O.V.E. (Smile Please) by Skindred, I'm Going To Get Free and The Feminine Divine by Dexys, HORROR SHOW and PARTY ON MY DEATHBED by Hot Milk, Shine and Reasons by Smile Wide, Lost EP by Pet Shop Boys, First In, Last Out by Death Of Guitar Pop, Bogus Operandi by The Hives, Emotion Sickness and Carnavoyeur by Queens Of The Stone Age, Obvious Sucker by Lucky Hit, Let The Sun Come In by The Pretenders, Video Games and Wicked Game by Tenacious D, Beyond by Corey Taylor, United Strike Back by Gogol Bordello and Friends, and Halo by Pendulum and Bullet For My Valentine. Album reviews include This Is Why by Paramore, Grade 2 by Grade 2, Broken Britain Pt.2 EP by The Meffs, One In A Thousand by Obey Robots, From Nothing To A Little Bit More by The Lathums, UK GRIM by Sleaford Mods, Memento Mori by Depeche Mode, The Cup Of Pestilence by Frenzal Rhomb, 72 Seasons by Metallica, Finally!!! by Swampstomper, Headstone Horrors by Headstone Horrors, Darkadelic by The Damned, Red October by Daniel Son, Okemah Rising by Dropkick Murphys, Human Algebra by The Selecter, But Here We are by Foo Fighter,s and Tomorrow Never Comes by Rancid. Merch: https://my-store-cfdac5.creator-spring.com Contact Twitter: @BannedBiogs Facebook: @BannedBiographies Instagram: @bannedbiographies E-mail: bannedbiographies@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Alongside Chris this time is musical pioneer and stye icon, Pauline Black of the 2-Tone legends The Selecter. The Coventry ska band not only influenced many UK post-punk bands, but would also later help shape Trip-hop and the American punk scene in the 1990s. There's much to enjoy in this warm and open conversation, including why a chance meeting at a folk club set Pauline on her musical path, how Jimi Hendrix and Angela Davis helped her find her style and why a Bob Marley gig proved to be so critical to future of The Selecter.
You may have noticed a distinct lack of social media stuff and episodes being put out in the last few months. I got quite sick during almost the whole of March and into May after working hard professionally as well as on the High Frequency EP and the shows to support its release. I'd like to thank Ant and Corky for coming on the last episode to talk about the history of our band and the recording of our new EP ‘Some Songs You May Have Heard… But Not Like This!' which I hope you've listened to and enjoyed. I'd also like to thank the handful of listeners who checked in on me while I was away, I really appreciate it. I'm OK now and looking forward to getting back to work on the podcast. On this episode I cover the news from the last four months which concerns The Sisters of Mercy, The Mad Caddies, Moby, U.K. Subs, Yellowcard, Peter Murphy of Bauhaus, Danzig, Weezer, BGH, Blink-182, Less Than Jake, The Cure, Amyl And The Sniffers, Bad Cop/Bad Cop, Circle Jerks, Public Image Limited, vinyl sales, The Misfits, Devo, Doom Generator, Descendents, Adolescents, Dead Kennedys, Lektron, Flogging Molly, X, Siouxie Sioux, Crass, Alice Cooper, Social Distortion, Laura Jane Grace, The Rock n Roll Hall Of Fame, The Distillers, Sum 41, Rancid, The Hives, Dropkick Murphys, Stiff Little Fingers and Steve Jones, The Toy Dolls, Foo Fighters, Bowling For Soup, Lagwagon. Single reviews include Bone Church by Slipknot, Over by Chvrches, 'Til The Anarchy's Restored by Flogging Molly, Raid by Doom Generator, Set Fazers, If I Could and L.O.V.E. (Smile Please) by Skindred, I'm Going To Get Free and The Feminine Divine by Dexys, HORROR SHOW and PARTY ON MY DEATHBED by Hot Milk, Shine and Reasons by Smile Wide, Lost EP by Pet Shop Boys, First In, Last Out by Death Of Guitar Pop, Bogus Operandi by The Hives, Emotion Sickness and Carnavoyeur by Queens Of The Stone Age, Obvious Sucker by Lucky Hit, Let The Sun Come In by The Pretenders, Video Games and Wicked Game by Tenacious D, Beyond by Corey Taylor, United Strike Back by Gogol Bordello and Friends, and Halo by Pendulum and Bullet For My Valentine. Album reviews include This Is Why by Paramore, Grade 2 by Grade 2, Broken Britain Pt.2 EP by The Meffs, One In A Thousand by Obey Robots, From Nothing To A Little Bit More by The Lathums, UK GRIM by Sleaford Mods, Memento Mori by Depeche Mode, The Cup Of Pestilence by Frenzal Rhomb, 72 Seasons by Metallica, Finally!!! by Swampstomper, Headstone Horrors by Headstone Horrors, Darkadelic by The Damned, Red October by Daniel Son, Okemah Rising by Dropkick Murphys, Human Algebra by The Selecter, But Here We are by Foo Fighter,s and Tomorrow Never Comes by Rancid. Merch: https://my-store-cfdac5.creator-spring.com Contact Twitter: @BannedBiogs Facebook: @BannedBiographies Instagram: @bannedbiographies E-mail: bannedbiographies@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Only a handful of bands made up the 2 Tone era of ska in late 70s England. Today, we bring on Rhoda Dakar, the singer of The Bodysnatchers, an all-female ska band that released 2 singles on the 2 Tone record label before breaking up. The band also recorded a few Peel Sessions and were featured on Dance Craze. Though short-lived, The Bodysnatchers were an important band and are still loved by many to this day. Rhoda also sang on the Specials' song "I Can't Stand It" (A really cool duet with Terry Hall), and was part of Jerry Dammers' Special AKA project. Their In The Studio record took 2 years to record. Rhoda tells us about "I Can't Stand It" and what it was like to work on In The Studio. (It was no fun!) We also talk about Rhoda's pre-Bodysnatchers years of being a punk kid and seeing Iggy Pop and Lou Reed, becoming friends with The Sex Pistols' Paul Cook and Steve Jones, and how she tried (and failed) to sneak into a Roxy Music concert in 1973. She tells us what it was like to work with The Interrupters on their most recent record, how she finally got to perform at the Brixton Academy Theater and the role that The Pogues' Shane MacGowan had in her joining The Bodysnatchers. She talks about writing "Ruder than You" with scenester Gaz Mayall (son of British blues legend John Mayall), playing on the Seaside Tour with The Specials and the Go Go's, and we talk about the legacy of her song The Boiler. Support the show
Our man in France is back with another of his two hour live offerings featuring tunes from amongst others from Loleatta Holloway, The Temptations, Leroy Hutson, John Holt and Mary Love. There's a new one from The Selecter along with a remix of a new track from Robb Scott and Leee John. The three Northern Soul Stonkers are from the label Cameo-Parkway and we also learn about the idiocy of walking football and inappropriate songs to be played at a wedding!Tune into new broadcasts of Groovy Soul, LIVE, Sunday 12 - 2 PM EST / 5 - 7 PM GMT.https://thefaceradio.com/archives/groovy-soulFor more info and tracklisting, visit :https://thefaceradio.com/groovy-soul//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.
It's the 1981 documentary that captured the energy and excitement of the ska scene during the height of the 2 Tone movement in Britain. Featuring electrifying live performances by bands like The Specials, Madness, and The Selecter, it remains a cult classic, one that played a key role in kickstarting the third wave in the US. Recently remastered, remixed and rereleased by the British Film Institute, we are finally given the chance to see it restored to it's original glory… it's DANCE CRAZE and the latest episode of the Hornpod Film Club! Our special guest is Marc Wasserman, he's the author of Ska Boom: An American Ska & Reggae Oral History; host of Ska Boom podcast and bassist for Rude Boy George & Bigger Thomas
Dance Craze recently got re-issued in the UK. So we figured it was time to give it another watch. Adam had never seen Dance Craze. I've not only seen it several times, but I interviewed several people involved with its creation.We got together and watched the film and said all of our thoughts! Hear what we had to say.If you want to watch the film along with us, here's the link. Start it when we say! https://www.youtube.com/watch?v=HT77dnsFkikSupport the show
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