Podcast appearances and mentions of thomas ades

Avec Brahim NAÏT-BALK, retrouvez "Homomicro, le Podcast qui se prend aux mots", avec le Cercle des Chroniqueurs: - Nicolas RIVIDI « Le Plus de l'Actu » "#MeeToo gay / garçon" - Valérie BAUD « écrit le Nom » de la ville de Nice "version LGBTQI+" - Jean-François KERVIZIC « Culture et Vous » : -->"Jules et Joe" de Alexis SALATKO --> "Exterminating Angels" de Thomas ADES  - Éric GARNIER « C'est À Voir » 1 DVD "Pornomelancholia" de Manuel ABRAMOVICH chez Epicentre film  - Brahim NAÏT-BALK « La Voix de la Diversité » "La visibilité des personnes homosexuelles, un sujet qui suscite des réflexions profondes" - Nathan HILLAIREAU « Le Son de la Fierté » "Whisky Glace" de Alain Chamfort et Sébastien Tellier Réalisation / Montage : Nathan Hillaireau Soutenez-nous sur PayPal !

Is it a bird, is it a plane? No, it's Tom Service, exploring the musical life of The Big Apple, from its underground scene to John and Yoko's loft and Superman's skies. He roams The City That Never Sleeps, whose origins as the swampy "hilly island" known as Mana-hatta are buried under the modern day powerhouse that acts as both setting and character in the music it inspires. From Bach in the subway to minimalist taxi drivers and King Kong, by way of Varese, Thomas Ades and Bernstein, Tom celebrates this astonishing musical city.

Kevin O'Hare is the director of the Royal Ballet and he probably finds it hard to remember a time when dance wasn't part of his life. He started young, and joined the Royal Ballet School at the age of eleven. He went on to dance with Sadler's Wells and Birmingham Royal Ballet, taking on roles such as Prince Siegfried in Swan Lake, Albrecht in Giselle and Romeo in Kenneth MacMillan's Romeo and Juliet. He retired from the stage in 2000, at the age of 35, but before long he was back in the world of dance – this time behind the scenes. By 2009, he was Administrative Director of the Royal Ballet and oversaw their first tour to Cuba. Three years later he became overall director. He has since worked with a wide range of dancers, choreographers and composers, and helped steer the company through the Covid crisis. Kevin's choices include music by Tchaikovsky, Thomas Ades, Rachmaninov and Anna Clyne.

Tom Service explores musical ecstasy from techno to classical, dissecting 'Ecstasio' by the British composer Thomas Ades and talking to the Dutch composer and DJ Junkie XL

Oh noes, Anna has The Rona! Since she's not feeling well, Krista decided to give you all a look back at what was, at that point, the worst opera they'd seen. Prokofiev snatched that title away from Thomas Ades, but The Exterminating Angel made them want to, to use the word of the day, scromit.

Synopsis On today's date in 1733, the French composer François Couperin, known as “François Couperin the Great,” died in Paris. The building where Couperin lived for the last decade of his life still stands in Paris, and like the building, the high esteem afforded this Baroque composer has stood the test of time. François Couperin is known as “The Great” for two reasons: first, to distinguish him from other talented Couperins, who like the Bach Family, were also well-known musicians, and second, because, well, he was great – a strikingly original composer, admired for his harmonic invention and programmatic wit. Couperin is most famous for his 226 pieces for solo harpsichord, many with descriptive titles indicating they were portraits or caricatures of real people or recognizable types of people. Others have poetically ambiguous or rather baffling titles like “The Mysterious Barricades.” Were these titles private “insider” jokes for himself and his friends? Who knows? Maybe not knowing the secret “program” is even part of the music's appeal. Couperin was admired by fellow composers ranging from Bach to Brahms and Ravel, and some of his harmonically adventurous keyboard pieces have been orchestrated by Richard Strauss in the 20th century and Thomas Ades in the 21st. Music Played in Today's Program Francois Couperin (1688-1733) "Les Baricades misterieuses," from "2nd Livre de Clavecin" (Kenneth Gilbert, hc) Harmonia Mundi 190354/56

Dikt: "Om att återvända till Detroit" Första rad: Över den plommonfärgade snön syns tågets blonda rökmoln Uppläsning: Monica Wilderoth Carolyn Forché (f. 1950) är poet, översättare, professor och människorättsaktivist. Just hennes engagemang för mänskliga rättigheter är något som slår igenom i hela hennes författarskap och hon har blivit kallad för Den stora amerikanska samvetsrösten   Forché debuterade som 26 åring med poesisamlingen Gathering the Tribes som hon också vann Yale Series of Younger Poets Competition för samma år. Hon har under de senaste fyra decennierna varit verksam och tongivande inom det som kallas för vittnespoesi, något som märks särskilt i hennes dikter om konflikten i El Salvador. Forchés farmor immigrerade från Slovakien som elvaåring och bodde under stora delar av Forchés uppväxt tillsammans med familjen. I hennes poesi kan man även se tydliga spår av hennes slovakiska arv som löper som en röd tråd genom dikter som t.ex. "Om att återvända till Detroit".  Forché har vunnit flera prestigfulla pris för sin poesi och arbetar idag bl.a. som professor på Georgetown University, Washington. Hon bor i Maryland tillsammans med sin man, fotografen Harry Mattison. VERKTITEL: ur Mot Slutet (Ramús Förlag, 2020) ÖVERSÄTTNING: Lars Gustaf Andersson MUSIK: Sergej Rachmaninov: Romans för cello och piano EXEKUTÖR: Steven Isserlis, cello och Thomas Ades, piano

Theodore Shapiro was born Washington, DC and is a composer who has delivered memorable music for some of the funniest movies of the past 10 years from the upbeat, jazzy sounds of THE DEVIL WEARS PRADA to the jungle-adventure send-up of TROPIC THUNDER and the sentiment of last MARLEY & ME.   He has scored a long list of amazing movies covering the spectrum from his work on the 2003 hit Old School, to the 2019 motion picture 'Bombshell'.  He has created the music for other amazing films such as 'Destroyer' directed by our past guest Karyn Kusama, 'Last Christmas', and 'The Devil Wears Prada'.   And we can't skip mentioning his amazing work on the HBO T.V. show "Game Change" for which he was nominated for an Emmy!     His careful touch has made him a sought-after collaborator for some of Hollywood’s leading directors.   Shapiro is a classically trained composer with a bachelor’s degree from Brown and master’s from Juilliard who, despite commissions for classical works, decided he’d rather be working in film. “   "Ask yourself the question, are you being kind to yourself, and take up that struggle to do it as much as you can." - Teddy Shapiro   Topics we discuss: Asking young people "what are they listening to" Taking the leap to Movies Difficulty of making the decision Turning down a huge Opera opportunity Being better His view that his work isn't good enough Using the next project to get better Being a composer for Comedy Films His aspirations What Creation is to him His process The instillation of confidence and belief His dad The people he collaborates with Early childhood musical influence What support looked like for him Managing Family with Success Impact of having Children   References: Theodore-Shapiro.com Iconoclasm John Adams and Thomas Ades (composers) John Williams Daily Chronicle   Credits: Lead editor + Producer: Ruf Holmes   Music: Main Theme: "Eaze Does It" by Shye Eaze and DJ Rufbeats, a More In Common Podcast Exclusive. Guest theme:  "Light Keys" by DJ Rufbeats created as a More In Common Podcast Exclusive.

Listening to slow music, composing slow music and playing slow music - what happens when our music goes slow? Tom Service asks if going slow means making a chilled out, super-relaxed, concentration-free zone or if slow music is more focused, more intense, more dramatic, more emotionally and intellectually compelling than music that goes fast. This week's witnesses helping him find the answers are composer Thomas Ades and novelist AL Kennedy.

Playlist: Bonnie “Prince” Billy / Bryce Dessner / Eighth Blackbird - Beast for TheeHankur Tomasson, Iceland Symphony Orchestra - Piano Concerto No. 2TorQ Percussion Quartet - Connect the DotsBeverley Johnston - The Spirit and the DustChristopher Tyler Nickel - Suite for Two Oboes & Two English HornsThomas Ades, Boston Symphony Orchestra - Concerto for Piano & OrchestraMichael Gordon, The Crossing - Anonymous Man Pt. 1 'A Tale'James Oliverio, Atlanta Symphony Orchestra - Double Timpani Concerto 'Dynasty'Meredith Monk, Bang on a Can All-Stars - Acts from Under & Above: Double Fiesta

Brugðið er á fóninn nokkrum nýlegum hljóðritunum af píanómúsík úr ýmsum áttum. Silvestrov, Debussy, Rameu og Thomas Ades eru á meðal höfunda. Þá er minnst þeirra Jon Christensen og Lyle Mays sem höfðu áhrif á þróun djasstónlistarinnar, hvor á sinn hátt. Hátalarinn var fluga á vegg á hljóðprufu Möggu Stínu í Eldborg sl laugardag og velti í framhaldinu fyrir sér tónleikunum um kvöldið. Allt þetta og meira í Hátalara dagsins.

Brugðið er á fóninn nokkrum nýlegum hljóðritunum af píanómúsík úr ýmsum áttum. Silvestrov, Debussy, Rameu og Thomas Ades eru á meðal höfunda. Þá er minnst þeirra Jon Christensen og Lyle Mays sem höfðu áhrif á þróun djasstónlistarinnar, hvor á sinn hátt. Hátalarinn var fluga á vegg á hljóðprufu Möggu Stínu í Eldborg sl laugardag og velti í framhaldinu fyrir sér tónleikunum um kvöldið. Allt þetta og meira í Hátalara dagsins.

Episode 7 of CMC's fortnightly podcast features an interview with New Music Dublin Festival Director John Harris about the 2020 festival, the link between social situations and new music, building audiences, achieving gender balance in programming, and the importance of placing international work alongside Irish work when programming the festival. Complete show notes: www.cmc.ie/features/amplify-7 Show Notes John Harris New Music Dublin Diatribe Records Red Note Ensemble Traverse Theatre Ann Cleare Úna Monaghan New Music Dublin 2018 cancelled New Music Dublin Defrosted Juliet Fraser Music Barry O'Halpin - Hox, from A Way A Lone A Last, Lina Andonovska, Matthew Jacobson - 00:01 Gerald Barry - Viola Concerto, Lawrence Power, Britten Sinfonia, conductor Thomas Ades - 07:34, 09:58 Nick Roth - Bátá, from A Way A Lone A Last, Lina Andonovska, Matthew Jacobson - 13:14 Kevin O'Connell - Aves de Paso III, from new music::new Ireland 3, Elizabeth Hilliard (voice), Paul Roe (clarinet), David Bremner (piano) - 16:41 Judith Ring - A Breath of Fresh Air, from A Way A Lone A Last, Lina Andonovska - 20:33 Kevin Volans -Gol Na mBan San Ár for Uilleann Pipes and Orchestra, David Power, RTÉ National Symphony Orchestra - 25:05 Úna Monaghan - Reálta - 29:24 Siobhán Cleary - Leda and the Swan, from new music::new Ireland 3, Therese Fahy - 37:19 Benjamin Dwyer - five disjecta (after Beckett), from What is the Word (for release by Diatribe Records), Benjamin Dwyer - 39:33

The personality of this conversation - the world-famous pianist Kirill Gerstein - performed the composition "In Seven Days" by the British composer and conductor Thomas Ades at the closing concert of the Gaida Contemporary Music Festival. The Russian-born American pianist is highly regarded for his outstanding piano artistry. In the year 2001, the musician's career reached other heights with his first prize at the famous Rubinstein Piano Competition. Other notable achievements include the Laureate in Gilmore Artist Award in 2010, the prestigious ECHO Klassik Prize. In the interview, K. Gerstein talks about his daily life as a pianist, his relationship with composer T. Ades and the composition "In Seven Days" performed at the concert.

Tom meets American pianist Stephen Kovacevich, who candidly discusses stage fright as well as the dark side of Chopin; he appraises the music of composer Howard Skempton with Esther Cavett, co-author and editor of a new book about him; and talks to conductor and composer Thomas Ades (pictured) about his new piano concerto, and his first foray into film music (the score for Colette, starring Keira Knightley). Plus,Tom visits London's only remaining Elizabethan church to catch a rehearsal of the Grandmothers Project, a community choral work by Esmeralda Conde Ruiz. Photo credit: Brian Voce

Matthew Sweet takes his cue from the newly released 'Stan and Ollie', scored by Rolfe Kent, for a look at music for films featuring notable "double acts", not least from the new Laurel and Hardy inspired film itself. Featured films include 'The Odd Couple', 'Gunfight At OK Corral', 'Butch Cassidy and the Sundance Kid', 'Gentlemen Prefer Blondes', 'Mr and Mrs Smith', 'To Have And Have Not', 'Cleopatra', 'Guess Who's Coming To Dinner', '21 Jump Street', 'Men In Black', 'Silver Streak', 'Night At The Museum', 'Abbott and Costello Meet Frankenstein', 'The Intelligence Men', 'Coraline', 'Shaun Of The Dead' and the Classic Score of the week is Laurel and Hardy's 'Way Out West'. There's also a chance to hear part of the new score by Thomas Ades for the new bio-pic about French author, Collette.

Space. A place few men or women have gone before ... but plenty of composers have. The universe has inspired musicians for hundreds of years and consequently we all know what space music sounds like. Or do we? From Holst and David Bowie to John Williams via Ligeti, Thomas Ades and the Beastie Boys, Tom Service dons his spacesuit on a mission to explore why cosmic-inspired music sounds the way it does, and discovers how space science is just as inspired by music as musicians are by space. En route to the stars, space scientist Lucie Green is on hand to tell Tom the reality of sound in space, while mathematician Elaine Chew helps him uncover the music of the spheres.

This centuries-spanning concert takes its title from the violin concerto by English composer Thomas Ades, but it may just as well refer to the unexpected paths that link 20th-century French composer Francis Poulenc back to his medieval countryman Guillaume Machaut, and onward to Thomas Nee Commission recipient Tina Tallon's premiere work for orchestra & electronics. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33161]

Dvi Thomas Ades operos. Apie dvi britų kompozitoriaus Thomas Ades operas – „Powder Her Face” („Nupudruok jos veidą”, 1995) ir „The Tempest” („Audra”, 2005).Laidos vedėjai Šarūnas Nakas ir Mindaugas Urbaitis.

Dvi Thomas Ades operos. Apie dvi britų kompozitoriaus Thomas Ades operas – „Powder Her Face” („Nupudruok jos veidą”, 1995) ir „The Tempest” („Audra”, 2005).Laidos vedėjai Šarūnas Nakas ir Mindaugas Urbaitis.

Best known for her performances in the 1978 film Grease and in the 1990s TV series The West Wing, the Emmy and Tony-winning actor Stockard Channing talks about her new role in Alexi Kate Campbell's Apologia at the Trafalgar Studios in London. Channing plays a famous art historian who has written a memoir which does not mention her two sons. The action takes place at a birthday party to which the sons - and their girlfriends - are invited. An installation in an old Roman fort near Hexham recreates the sound of 500 cavalry horses, and the Royal British Legion are commemorating the centenary of the Battle Of Passchendaele with immersive online videos. The poet and historian Katrina Porteous reviews both 360-degree representations of war.Matisse in the Studio is a new exhibition at the Royal Academy which focuses on the artist's personal collection of treasured objects, and how they were both subject matter and inspiration for his paintings, sculptures, drawings, prints and cut-outs. Ann Dumas, the exhibition's curator, explains the relevance and importance of the 35 objects that are on display alongside 65 of Matisse's works.For Front Row's Queer Icons series, composer Thomas Adès explores the character of Countess Geschwitz in Alban Berg's opera Lulu, the first explicitly gay character in opera.Presenter: Samira Ahmed Producer: Rachel Simpson.

Tom Service talks to the composer and conductor Thomas Adès and composer Gerald Barry about the 'explosive' music of Beethoven. Adès is embarking on a three-year concert project combining Gerald Barry's music with Beethoven's great works - and the two musicians chat with Tom about how the two composer's 'volcanic' music can shed light on each other. Tom celebrates the Beatles' seminal album Sgt Pepper's Lonely Hearts Club Band 50 years after its release. He looks at classical music's influence on the Beatles, and how, in turn, other music has been inspired. He talks to composer Nigel Osborne, who has orchestrated the album for a performance in Liverpool, and composer Kerry Andrew on its inspiration. Plus he hears from Erich Gruenberg - one of the original musicians on the album, and archive from Paul McCartney himself. A new opera by composer Guto Puw - Y Twr (The Tower) - is a rare occurence, an opera sung solely in the Welsh language. Tom talks to Guto about writing the piece and discusses the wider use of Welsh in music with Deborah Keyser director of Tŷ Cerdd - Music Centre Wales. And Tom talks to musician and writer Damon Krukowski and composer Sarah Angliss about Damon's new book, The New Analog, and how digital technology has affected what we hear.

Thomas Ades, hailed as Britain's greatest composer since Benjamin Britten, on the premiere of The Exterminating Angel, his opera which is based on Louis Bunuel's 1962 surrealist film and features live sheep on the Royal Opera House stage. What if a deer did porn? Is it legal to marry a stuffed owl exhibit? Why is it so difficult to find a baby called Gary? American poet Patricia Lockwood ponders all of these in Motherland Fatherland Homelandsexuals, her new collection which also features the autobiographical poem Rape Joke, a viral hit on the internet. The poetry collection is published to coincide with her memoir Priestdaddy, which details growing up in a religious household with an ordained Catholic Priest as a father.The quirky superhero film Guardians of the Galaxy was the surprise hit of 2014. Cinema-goers loved the rag-tag group of lesser-known Marvel Comics characters, their bickering humour and the awesome mix tape that provided the soundtrack. Samira Ahmed talks to writer and director James Gunn about bringing the gang back together for Guardians of the Galaxy Volume 2 and creating another awesome mix tape of retro tunes to accompany their latest space adventure.Presenter: Samira Ahmed Producer: Jack Soper.

On this podcast an overview of melodies for the piano, how they work, what they are, and what makes them beautiful. You'll hear melodies from Bach to Thomas Ades.

Ze zien er jong en hip uit, de mannen van het Danish String Quartet. Met vlot gesneden pakken en baarden en alles. Fijn dat de muziek op hun nieuwe cd ook zo klinkt: hip en vlot gesneden. Maar ook gracieus, elegant en meer van dat soort chique termen zijn ruim van toepassing.

Phil Hale was born in 1963 and raised in Kenya and Massachusetts. He was apprenticed to painter Rick Berry when he was sixteen, and moved to London when he was twenty-one. His early career is strongly associated with the books he illustrated for Stephen King. In the 90s he produced work for Warner Bros, Playboy, DC, Sony, Penguin and others. By 1999 he had transitioned to portraiture, and commissions included Muttiah Muralitharan for Lords Cricket Grounds (MCC), Thomas Ades of the National Portrait Gallery, and Tony Blair's official portrait for the Houses of Westminster. His fine art has been show throughout Europe and the US at numerous galleries and institutions. His most recent show was Life Wants to Live at the Jonathan Levine Gallery in NYC. Published collections of his work included Mockingbirds / Relaxeder, Urge Ourselves Under, Record Separator, Empire, and Black Crack.  www.artistdecoded.com www.instagram.com/artistdecoded www.twitter.com/yoshinostudios

Choreographers Wayne McGregor and Alex Whitley talk to Sean Rafferty about their new work set to music by Thomas Ades opening at Sadlers Wells on 30 October.

Playwright Jez Butterworth; composer Thomas Ades; Paper art; Aerosmith; Nobel prize-winning author Orhan Pamuk; actor John Goodman and American author Thomas Wolfe.

Elgar, the Beatles and Dizzee Rascal have all had a starring role in London’s Olympic Games, with some astonishing scenes that told the world the story of Britain’s contribution to popular culture. But can British music continue to punch above its weight? In this special edition of the Arts Podcast, FT pop critic Ludovic Hunter-Tilney is joined in the studio by Laura Battle, an FT classical music critic, Peter Aspden, the newspaper's culture columnist, and Paul Morely, radio and TV presenter and music critic. With music by The Beatles, Thomas Ades, Roy Harper and Amy Winehouse. Produced by Griselda Murray Brown and John Sunyer See acast.com/privacy for privacy and opt-out information.