Podcasts about Figurative

In this introductory episode to their new series on the Parables of Jesus, Tony Arsenal and Jesse Schwamb explore the profound theological significance of Christ's parables. Far from being mere teaching tools to simplify complex ideas, parables serve a dual purpose in God's redemptive plan: revealing spiritual truth to those with "ears to hear" while concealing these same truths from those without spiritual illumination. This episode lays the groundwork for understanding how parables function as divine teaching devices that embody core Reformed doctrines like election and illumination. As the hosts prepare to journey through all the parables in the Gospels, they invite listeners to consider the blessing of being granted spiritual understanding and the privilege of receiving the "secrets of the kingdom" through Christ's distinctive teaching method. Key Takeaways Parables are more than illustrations—they are comparisons that reveal kingdom truths to those with spiritual ears to hear while concealing truth from those without spiritual illumination. Jesus intentionally taught in parables not to simplify his teaching but partly to fulfill Isaiah's prophecy about those who hear but do not understand, confirming the spiritual condition of his hearers. The ability to understand parables is itself evidence of God's sovereign grace and election, as Jesus states in Matthew 13:16: "Blessed are your eyes for they see and your ears for they hear." Parables vary in form and function—some are clearly allegorical while others make a single point, requiring each to be approached on its own terms. Proper interpretation requires context—understanding both the original audience and the question or situation that prompted Jesus to use a particular parable. Parables function like Nathan's confrontation of David—they draw hearers in through narrative before revealing uncomfortable truths about themselves. Studying parables requires spiritual humility—recognizing that our understanding comes not from intellectual capacity but from the Spirit's illumination. Understanding Parables as Revelation, Not Just Illustration The hosts emphasize that parables are fundamentally different from mere illustrations or fables. While modern readers often assume Jesus used parables to simplify complex spiritual truths, the opposite is frequently true. As Tony explains, "A parable fundamentally is a comparison between two things... The word parable comes from the Greek of casting alongside." This distinction is crucial because it changes how we approach interpretation. Rather than breaking down each element as an allegorical component, we should first understand what reality Jesus is comparing the parable to. The parables function as a form of divine revelation—showing us kingdom realities through narrative comparison, but only those with spiritual insight can truly grasp their meaning. This is why Jesus quotes Isaiah and explains that he speaks in parables partly because "seeing they do not see and hearing they do not hear nor do they understand" (Matthew 13:13). The Doctrine of Election Embedded in Parabolic Teaching Perhaps the most profound insight from this episode is how the very form of Jesus' teaching—not just its content—embodies the doctrine of election. Jesse notes that "every parable then implicitly teaches a doctrine of election," because they reveal spiritual truth to some while concealing it from others. This isn't arbitrary but reflects spiritual realities. The hosts connect this to Jesus' words in Matthew 13:16: "Blessed are your eyes for they see and your ears for they hear." This blessing comes not from intellectual capacity or moral superiority but from God's sovereign grace. Tony describes this as "the blessing in our salvation and in our election that we are enabled to hear and perceive and receive the very voice and word of God into our spirit unto our salvation." The parables thus become a "microcosm" of Reformed doctrines like election, regeneration, and illumination. When believers understand Jesus' parables, they're experiencing the practical outworking of these doctrines in real time. Memorable Quotes "The parables are not just to illustrate a point, they're to reveal a spiritual point or spiritual points to those who have ears to hear, to those who've been illuminated by the spirit." - Tony Arsenal "Jesus is giving this message essentially to all who will listen to him... And so this is like, I love the way that he uses that quote in a slightly different way, but still to express the same root cause, which is some of you here because of your depravity will not be able to hear what I'm saying. But for those to whom it has been granted to come in who are ushered into the kingdom, this kingdom language will make sense." - Jesse Schwamb "But blessed are your eyes for they see and your ears for they hear. There's a blessing in our salvation and in our election that we are enabled to hear and perceive and receive the very voice and word of God into our spirit unto our salvation." - Tony Arsenal About the Hosts Tony Arsenal and Jesse Schwamb are the regular hosts of The Reformed Brotherhood podcast, where they explore Reformed theology and its application to Christian living. With a conversational style that balances depth and accessibility, they seek to make complex theological concepts understandable without sacrificing nuance or biblical fidelity. Transcript [00:00:45] Introduction and New Series Announcement [00:00:45] Jesse Schwamb: Welcome to episode 460 of The Reformed Brotherhood. I'm Jesse. [00:00:54] Tony Arsenal: And I'm Tony. And this is the podcast with ears to hear. Hey brother. [00:00:59] Jesse Schwamb: Hey brother. New series Time, new series. Time for the next seven years that, that's probably correct. It's gonna be a long one. New beginnings are so great, aren't they? And it is. [00:01:10] Jesse Schwamb: We've been hopefully this, well, it's definitely gonna live up to all the hype that we've been presenting about this. It's gonna be good. Everybody's gonna love it. And like I said, it's a topic we haven't done before. It's certainly not in this format. [00:01:23] Tony Arsenal: Yeah. Yeah. And you know what, just, um, as a side note, if you are a listener, which you must be, if you're hearing this, uh, this is a great time to introduce someone to the podcast. [00:01:33] Tony Arsenal: True. Uh, one, because this series is gonna be lit as the kids say, and, uh, it's a new series, so you don't have to have any background. You don't have to have any previous knowledge of the show or of who these two weird guys are to jump in and we're gonna. [00:01:53] Tony Arsenal: Talk about the Bible, which is amazing and awesome. And who doesn't love to talk about the Bible. [00:01:58] Jesse Schwamb: Yeah, that's correct. That's what makes these so good. That's how I know, and I could say confidently that this is gonna be all the hype and more. All right, so before we get to affirmations and denials, all the good ProGo, that's part and parcel of our normal episode content. [00:02:12] Jesse Schwamb: Do you want to tell everybody what we're gonna be talking about? [00:02:16] Tony Arsenal: Yeah, I'm excited. [00:02:17] Introducing the Parables Series [00:02:17] Tony Arsenal: So we are gonna work our way through, and this is why I say it's gonna take seven years. We are gonna work our way through all of the parables. Parables, [00:02:25] Jesse Schwamb: the [00:02:25] Tony Arsenal: gospels and just so, um, the Gospel of John doesn't feel left out. [00:02:30] Tony Arsenal: We're gonna talk through some of the I am statements and some of that stuff when we get to John. 'cause John doesn't have a lot of parables. Uh, so we're gonna spend time in the synoptic gospels. We're gonna just walk through the parables one by one. We're taking an episode, sometimes maybe two, sometimes 10, depending on how long the parable is and how deep we get into it. [00:02:47] Tony Arsenal: We're just gonna work our way through. We're gonna take our time. We're gonna enjoy it. So again, this is a great time to start. It's kinda the ground floor on this and you thing. This could really be its own podcast all by itself, right? Uh, so invite a friend, invite some whole bunch of friends. Start a Sunday school class listening to this. [00:03:04] Tony Arsenal: No, don't do that. But people have done that before. But, uh, grab your bibles, get a decent commentary to help prep for the next episode, and, uh, let's, let's do it. I'm super excited. [00:03:14] Jesse Schwamb: When I say para, you say Abel Para, is that how it works? Para? Yeah. I don't know. You can't really divide it. Pairable. If you jam it together, yes. [00:03:24] Jesse Schwamb: You get some of that. You can say, when I say pair, you say Abel p [00:03:27] Tony Arsenal: Abel. [00:03:31] Jesse Schwamb: And you can expect a lot more of that in this series. But before we get into all this good juicy stuff about parables, and by the way, this is like an introductory episode, that doesn't mean that you can just skip it, doesn't mean it's not gonna be good. We gotta set some things up. We wanna talk about parables general generally, but before we have that good general conversation, let's get into our own tradition, which is either affirming with something or denying against something. [00:03:54] Affirmations and Denials [00:03:54] Jesse Schwamb: And so, Tony, what do you got for all of us? [00:03:58] Tony Arsenal: Mine is kind of a, an ecclesial, ecclesiastical denial. Mm-hmm. Um, this is sort of niche, but I feel like our audience may have heard about it. And there's this dust up that I, I noticed online, uh, really just this last week. Um, it's kind of a specific thing. There is a church, uh, I'm not sure where the church is. [00:04:18] Tony Arsenal: It's a PCA church, I believe it's called Mosaic. The pastor of the church, the teaching elder, one of the teaching elders just announced that he was, uh, leaving his ministry to, uh, join the Roman Catholic Church, which, yes, there's its own denial built into that. We are good old Protestant reformed folks, and I personally would, would stick with the original Westminster on the, the Pope being antichrist. [00:04:45] Tony Arsenal: But, um, that's not the denial. The denial is that in this particular church. For some unknown reason. Uh, the pastor who has now since a announced that he was leaving to, uh, to convert to Roman Catholicism, continued to preach the sermon and then administered the Lord's supper, even though he in the eyes, I think of most. [00:05:08] Tony Arsenal: Reformed folk and certainly historically in the eyes of the reformed position was basically apostate, uh, right in front of the congregation's eyes. Now, I don't know that I would necessarily put it that strongly. I think there are plenty of genuine born again Christians who find themselves in, in the Roman Catholic, uh, church. [00:05:27] Tony Arsenal: Uh, but to allow someone who is one resigning the ministry right in front of your eyes. Um, and then resigning to basically leave for another tradition that, that the PCA would not recognize, would not share ecclesiastical, uh, credentials with or accept their ordination or any of those things. Um, to then just allow him to admit, you know, to administer the Lord's Supper, I think is just a drastic miscarriage of, uh, ecclesiastical justice. [00:05:54] Tony Arsenal: I dunno if that's the right word. So I'm just denying this like. It shows that on a couple things like this, this. Church this session, who obviously knew this was coming. Um, this session does either, does not take seriously the differences between Roman Catholic theology and Protestant theology, particularly reformed theology, or they don't take seriously the, the gravity of the Lord's supper and who should and shouldn't be administering it. [00:06:22] Tony Arsenal: They can't take both of those things seriously and have a fully or biblical position on it. So there's a good opportunity for us to think through our ecclesiology, to think through our sacrament and how this applies. It just really doesn't sit well and it's not sitting well with a lot of people online, obviously. [00:06:37] Tony Arsenal: Um, and I'm sure there'll be all sorts of, like letters of concern sent to presbytery and, and all that stuff, and, and it'll all shake out in the wash eventually, but just, it just wasn't good. Just doesn't sit right. [00:06:48] Jesse Schwamb: You know, it strikes me of all the denominations. I'm not saying this pejoratively. I just think it is kind of interesting and funny to me that the Presbyterians love a letter writing campaign. [00:06:56] Jesse Schwamb: Like that's kind of the jam, the love, a good letter writing campaign. [00:07:00] Tony Arsenal: It's true, although it's, it's actually functional in Presbyterianism because That's right. That's how you voice your concern. It's not a, not a, a rage letter into the void. It actually goes somewhere and gets recorded and has to be addressed at presbytery if you have standing. [00:07:17] Tony Arsenal: So there's, there's a good reason to do that, and I'm sure that that will be done. I'm sure there are many. Probably ministers in the PCA who are aware of this, who are either actually considering filing charges or um, or writing such letters of complaints. And there's all sorts of mechanisms in the PCA to, to adjudicate and resolve and to investigate these kinds of things. [00:07:37] Jesse Schwamb: And I'd like to, if you're, if you're a true Presbyterian and, and in this instance, I'm not making light of this instance, but this instance are others, you. Feel compelled by a strong conviction to write such a letter that really you should do it with a quill, an ink. Like that's the ultimate way. I think handwritten with like a nice fountain pen. [00:07:54] Jesse Schwamb: There's not, yeah. I mean, you know what I'm saying? Like that's, that is a weighty letter right there. Like it's cut to Paul being like, I write this postscript in my own hand with these big letters. Yeah, it's like, you know, some original Presbyterian letter writing right there. [00:08:07] Tony Arsenal: And then you gotta seal it with wax with your signe ring. [00:08:10] Tony Arsenal: So, and send it by a carrier, by a messenger series of me messengers. [00:08:14] Jesse Schwamb: Think if you receive any letter in the mail, handwritten to you. Like for real, somebody painstakingly going through in script like spencerian script, you know, if you're using English characters writing up and then sealing that bad boy with wax, you're gonna be like, this is important. [00:08:30] Jesse Schwamb: Yeah, this, even if it's just like, Hey, what's up? Yeah, you're gonna be like, look at this incredible, weighty document I've received. [00:08:36] Tony Arsenal: It's true. It's very true. I love it. Well, that's all I have to say about that to channel a little Forrest Gump there. Uh, Jesse, what are you affirming or denying tonight? [00:08:44] Jesse Schwamb: I'm also going to deny against, so this denial is like classic. [00:08:49] Jesse Schwamb: It's routine, but I got a different spin on it this time, so I'm denying against. The full corruption of sin, how it appears everywhere, how even unbelievers speak of it, almost unwittingly, but very commonly with great acceptance. And the particularity of this denial comes in the form of allergies, which you and I are talking about a lot of times. [00:09:09] Jesse Schwamb: But I was just thinking about this week because I had to do some allergy testing, which is a, a super fun experience. But it just got me think again, like very plainly about what allergies are. And how an allergy occurs when your immune system, like the part of your body responsible for protecting your body that God has made when your immune system mistakes like a non-harmful substance like pollen or a food or some kind of animal dander for a threat, and then reacts by producing these antibodies like primarily the immunoglobulin E. [00:09:36] Jesse Schwamb: So here's what strikes me as so funny about this in a, in a way that we must laugh. Because of our, our parents, our first parents who made a horrible decision and we like them, would make the same decision every day and twice in the Lord's day. And that is that this seems like, of course, such a clear sign of the corruption of sin impounded in our created order because it seems a really distasteful and suboptimal for human beings to have this kind of response to pollen. [00:10:03] Jesse Schwamb: When they were intended to work and care in a garden. So obviously I think we can say, Hey, like the fact that allergies exist and that it's your body making a mistake. [00:10:13] Tony Arsenal: Yeah. [00:10:13] Jesse Schwamb: It's like the ultimate, like cellular level of the ubiquity of sin. And so as I was speaking with my doctor and going through the, the testing, it's just so funny how like we all talk about this. [00:10:25] Jesse Schwamb: It's like, yeah, it's, it's a really over-indexed reaction. It doesn't make any sense. It's not the way the world is supposed to be, but nobody's saying how is the world supposed to be? Do you know what I mean? Like, but we just take it for granted that that kind of inflammation that comes from like your dog or like these particles in the air of plants, just trying to do a plant stew and reproduce and pollinate that, that could cause like really dramatic and debilitating. [00:10:49] Jesse Schwamb: Responses is just exceptional to me, and I think it's exceptional and exceptional to all of us because at some deep level we recognize that, as Paul says, like the earth, the entire world is groaning. It's groaning for that eschatological release and redemption that can only come from Christ. And our runny noses in our hay fever all prove that to some degree. [00:11:09] Jesse Schwamb: So denying against allergies, but denying against as well that ubiquity of corruption and sin in our world. [00:11:15] Tony Arsenal: Yeah, I just have this image in my head of Adam and Eve, you know, they're expelled outta the garden and they, they're working the ground. And then Adam sneezes. Yes. And Eve is like, did your head just explode? [00:11:28] Tony Arsenal: And he's like, I don't know. That would've been a, probably a pretty terrifying experience actually. [00:11:33] Jesse Schwamb: Yeah, that's that's true. So imagine like you and I have talked about this before, because you have young children, adorable. Young children, and we've talked about like the first of everything, like when you're a child, you get sick for the first time, or you get the flu or you vomit for the first time. [00:11:45] Jesse Schwamb: Like you have no idea what's going on in your body, but imagine that. But being an adult. [00:11:49] Tony Arsenal: Yeah, where you can process what's going on, but don't have a framework for it. [00:11:52] Jesse Schwamb: Yes, exactly. So like [00:11:54] Tony Arsenal: that's like, that's like my worst nightmare I think. [00:11:55] Jesse Schwamb: Yeah. It's like, to your point, 'cause there, there are a lot of experiences you have as an adults, even health wise that are still super strange and weird. [00:12:01] Jesse Schwamb: But [00:12:02] Tony Arsenal: yeah, [00:12:02] Jesse Schwamb: you have some rubric for them, but that's kind of exactly what I was thinking. What if this toiling over your labor is partly because it's horrible now because you have itchy, watery eyes or you get hives. Yeah. And before you were like, I could just lay in the grass and be totally fine. And now I can't even walk by ragweed without getting a headache or having some kind of weird fatigue. [00:12:23] Jesse Schwamb: Like I have to believe that that was, that part of this transition was all of these things. Like, now your body's gonna overreact to stuff where I, I, God put us in a place where that wouldn't be the case at all. [00:12:35] Tony Arsenal: Yeah. Sometimes I think about like the first. Time that Adam was like sore or like hurt himself. [00:12:42] Tony Arsenal: True. Like the, just the, just the terror and fear that must have come with it. And sin is serious stuff. Like it's serious effects and sad, sad, sad stuff. But yeah, allergies are the worst. I, uh, I suffered really badly with, uh, seasonal allergies. When I was a a kid I had to do allergy shots and everything and it's makes no sense. [00:13:03] Tony Arsenal: There's no rhyme or reason to it, and your allergies change. So like you could be going your whole life, being able to eat strawberries and then all of a sudden you can't. Right? And it's, and you don't know until it happens. So [00:13:14] Jesse Schwamb: what's up with that? [00:13:15] Tony Arsenal: No good. [00:13:16] Jesse Schwamb: What's up with that? So again, imagine that little experience is a microcosmic example of what happens to Adam and Eve. [00:13:24] Jesse Schwamb: You know, like all these things change. Like you're, you're right. Suddenly your body isn't the same. It's not just because you're growing older, but because guess what? Sins everywhere. And guess what, where sin is, even in the midst of who you are as physically constructed and the environment in which you live, all, all totally change. [00:13:40] Jesse Schwamb: So that, that's enough of my rants on allergies. I know the, I know the loved ones out there hear me. It's also remarkable to me that almost everybody has an allergy of some kind. It's very, it's very rare if you don't have any allergies whatsoever. And probably those times when you think you're sick and you don't have allergies could be that you actually have them. [00:13:57] Jesse Schwamb: So it's just wild. Wild. [00:14:02] Tony Arsenal: Agreed. Agreed. [00:14:03] Theological Discussion on Parables [00:14:03] Tony Arsenal: Well, Jesse, without further ado, I'm not, I, maybe we should have further ado, but let's get into it. Let's talk about some parable stuff. [00:14:13] Jesse Schwamb: Yeah, let's do it again. When I say pair, you say able pair. [00:14:17] Tony Arsenal: Able. [00:14:20] Jesse Schwamb: When I say [00:14:21] Tony Arsenal: para you say bowl. [00:14:24] Jesse Schwamb: That's what I was trying to go with before. [00:14:26] Jesse Schwamb: It's a little bit more, yeah, but you gotta like cross over like we both gotta say like that middle syllable kind of. Otherwise it's, it sounds like I'm just saying bowl. And [00:14:34] Tony Arsenal: yeah, there's no good way to chant that. Yeah, we're work. This is why Jesse and I are not cheerleaders. [00:14:39] Jesse Schwamb: We're, we're work shopping everybody. [00:14:40] Jesse Schwamb: But I agree with you. Enough of us talking about affirmations, the denials in this case, the double double denial. Let's talk about parables. So the beauty of this whole series is there's gonna be so much great stuff to talk about, and I think this is a decent topic for us to cover because. Really, if you think about it, the parables of Jesus have captivated people for the entirety of the scriptures. [00:15:06] Jesse Schwamb: As long, as long as they were recorded and have been read and processed and studied together. And, uh, you know, there's stuff I'm sure that we will just gloss over. We don't need to get into in terms of like, is it pure allegory? Is it always allegory? Is it, there's lots of interpretation here. I think this is gonna be our way of processing together and moving through some of these and speaking them out and trying to learn principally. [00:15:28] Jesse Schwamb: Predominantly what they're teaching us. But I say all that because characters like the prodigal son, like Good Samaritan, Pharisees, and tax collector, those actually have become well known even outside the church. [00:15:40] Tony Arsenal: Yeah. And [00:15:40] Jesse Schwamb: then sometimes inside the church there's over familiarity with all of these, and that leads to its own kind of misunderstanding. [00:15:46] Jesse Schwamb: So, and I think as well. I'm hoping that myself, you and our listeners will be able to hear them in a new way, and maybe if we can try to do this without again, being parabolic, is that we can kind of recreate some of the trauma. In these stories. 'cause Jesus is, is pressing upon very certain things and there's certainly a lot of trauma that his original audiences would've taken away from what he was saying here. [00:16:13] Jesse Schwamb: Yeah. Even just starting with what is a parable and why is Jesus telling them? So I presume that's actually the best place for us to begin is what's the deal with the parables and why is this? Is this Jesus preferred way of teaching about the kingdom of God. [00:16:30] Tony Arsenal: Yeah, and I think, you know, it bears saying too that like not all the parables are alike. [00:16:35] Tony Arsenal: Like true. We can't, this is why I'm excited about this series. You know, it's always good to talk through the bible and, and or to talk through systematic theology, but what really excites me is when we do a series like this, kind of like the Scott's Confession series, like it gives us a reason. To think through a lot of different disciplines and flex like exercise and stretch and flex a lot of different kinds of intellectual muscles. [00:17:00] Tony Arsenal: So there's gonna be some exegetical work we have to do. There's gonna be some hermeneutical work we're gonna have to do, probably have to do some historical work about how the parables have been interpreted in different ways. Yes, and and I think, so, I think it's important to say like, not every parable is exactly the same. [00:17:14] Tony Arsenal: And this is where I think like when you read, sometimes you read books about the, the parables of Christ. Like you, you'll hear one guy say. Well, a parable is not an allegory. Then you'll hear another guy say like, well, parables might have allegorical elements to it. Right. Now if one guy say like, well, a parable has one main point, and you'll have another guy say like, well, no, actually, like parables can have multiple points and multiple shades of meaning. [00:17:37] Tony Arsenal: And I think the answer to why you have this variance in the commentaries is 'cause sometimes the parables are alleg. [00:17:44] Jesse Schwamb: Right. And [00:17:44] Tony Arsenal: sometimes they're not allegorical. Sometimes they have one main point. Sometimes there's multiple points. So I think it's important for us to just acknowledge like we're gonna have to come to each parable, um, on its own and on its own terms. [00:17:57] Tony Arsenal: But there are some general principles that I think we can talk about what parables are. So parables in general are. Figurative stories or figurative accounts that are used to illustrate, I think primarily used to illustrate a single main point. And there may be some subpoints, but they, they're generally intended to, uh, to illustrate something by way of a, of a narrative, a fictional narrative that, uh, helps the reader. [00:18:27] Tony Arsenal: Uh, or the hearer is just, it's also important that these were primarily heard, these are heard parables, so there are even times where the phrasing of the language is important in the parable. Um, they're helping the, the hearer to understand spiritual truth. And this is where I think it's it's key, is that this is not just. [00:18:48] Tony Arsenal: When we're talking about the parables of Christ, right? There's people tell parables, there's all sorts of different teachers that have used parables. Um, I, I do parables on the show from time to time where I'll tell like a little made up story about a, you know, a situation. I'll say like, pretend, you know, let's imagine you have this guy and he's doing this thing that's a form of a parable when I'm using. [00:19:08] Tony Arsenal: I'm not, it's not like a makeup made up story. It's not asaps fables. We're not talking about like talking foxes and hens and stuff, but it's illustrating a point. But the parables of Christ are not just to illustrate a point, they're to reveal a spiritual point or spiritual points to those who have ears to hear, to those who've been illuminated by the spirit. [00:19:29] Tony Arsenal: And I just wanna read this. Uh, this is just God's providence, um, in action. I, um, I've fallen behind on my reading in The Daily Dad, which is a Ryan Holiday book. This was the reading that came up today, even though it's not the correct reading for the day. Uh, it's, it's for September 2nd. We're recording this on September, uh, sixth. [00:19:48] Tony Arsenal: Uh, and the title is, this is How You Teach Them. And the first line says, if the Bible has any indication, Jesus rarely seemed to come out and say what he meant. He preferred instead to employ parables and stories and little anecdotes that make you think. He tells stories of the servants and the talents. [00:20:03] Tony Arsenal: He tells stories of the prodigal son and the Good Samaritan. Turns out it's pretty effective to get a point across and make it stick. What what we're gonna learn. Actually that Jesus tells these stories in parables, in part to teach those who have spiritual ears to hear, but in part to mask the truth That's right. [00:20:24] Tony Arsenal: From those who don't have spiritual ears to hear, oh, online [00:20:26] Jesse Schwamb: holiday. [00:20:27] Tony Arsenal: So it's not as simple as like Jesus, using illustration to help make something complicated, clearer, right? Yes. But also, no. So I'm super excited to kind of get into this stuff and talk through it and to, to really dig into the parables themselves. [00:20:42] Tony Arsenal: It's just gonna be a really good exercise at sort of sitting at the feet of our master in his really, his preferred mode of teaching. Um, you know, other than the sermon on the Mount. There's not a lot of like long form, straightforward, didactic teaching like that most of Christ's teaching as recorded in the gospels, comes in the form of these parables in one way or another. [00:21:03] Tony Arsenal: Right. And that's pretty exciting to me. [00:21:05] Jesse Schwamb: Right. And there's so many more parables I think, than we often understand there to be, or at least then that we see in like the headings are Bible, which of course have been put there by our own construction. So anytime you get that. Nice short, metaphorical narrative is really Jesus speaking in a kind of parable form, and I think you're right on. [00:21:25] Jesse Schwamb: For me, it's always highlighting some kind of aspect of the kingdom of God. And I'd say there is generally a hierarchy. There doesn't have to be like a single point, like you said. There could be other points around that. But if you get into this place where like everything has some kind of allegory representation, then the parable seems to die of the death of like a million paper cuts, right? [00:21:40] Jesse Schwamb: Because you're trying to figure out all the things and if you have to represent something, everything he says with some kind of. Heavy spiritual principle gets kind of weird very quickly. But in each of these, as you said, what's common in my understanding is it's presenting like a series of events involving like a small number of characters. [00:21:57] Jesse Schwamb: It is bite-sized and sometimes those are people or plants or even like inanimate objects. So like the, yeah, like you said, the breadth and scope of how Jesus uses the metaphor is brilliant teaching, and it's even more brilliant when you get to that level, like you're saying, where it's meant both to illuminate. [00:22:13] Jesse Schwamb: To obfuscate. That is like, to me, the parable is a manifestation of election because it's clear that Jesus is using this. Those who have the ears to hear are the ones whom the Holy Spirit has unstopped, has opened the eyes, has illuminated the hearts and the mind to such a degree that can receive these, and that now these words are resonant. [00:22:32] Jesse Schwamb: So like what a blessing that we can understand them, that God has essentially. Use this parabolic teaching in such a way to bring forward his concept of election in the minds and the hearts of those who are his children. And it's kind of a way, this is kind of like the secret Christian handshake. It's the speakeasy of salvation. [00:22:52] Jesse Schwamb: It's, it's coming into the fold because God has invited you in and given you. The knowledge and ability of which to really understand these things. And so most of these little characters seemed realistic and resonant in Jesus' world, and that's why sometimes we do need a little bit of studying and understanding the proper context for all those things. [00:23:12] Jesse Schwamb: I would say as well, like at least one element in those parables is a push. It's in, it's kind of taking it and hyping it up. It's pushing the boundaries of what's plausible, and so you'll find that all of this is made again to illuminate some principle of the kingdom of God. And we should probably go to the thing that you intimated, because when you read that quote from, from Ryan Holiday, I was like, yes, my man. [00:23:34] Jesse Schwamb: Like he's on the right track. Right? There's something about what he's saying that is partially correct, but like you said, a lot of times people mistake the fact that, well, Jesus. Is using this language and these metaphors, these similes, he speaks in parables because they were the best way to get like these uneducated people to understand him. [00:23:57] Jesse Schwamb: Right? But it's actually the exact opposite. And we know this because of perhaps the most famous dialogue and expression and explanation of parables, which comes to us in Matthew 13, 10 through 17, where Jesus explains to his disciples exactly why he uses this mode of teaching. And what he says is. This is why I speak to them of parables because seeing they do not see and hearing, they do not hear they nor do they understand. [00:24:24] Jesse Schwamb: So, so that's perplexing. We should probably camp there for just a second and talk about that. Right, and, and like really unpack like, what is Jesus after here? Then if, like, before we get into like, what do all these things mean, it's almost like saying. We need to understand why they're even set before us and why these in some ways are like a kind of a small stumbling block to others, but then this great stone of appreciation and one to stand on for for others. [00:24:47] Tony Arsenal: Yeah, and I think you know, before we, before we cover that, which I think is a good next spot. A parable is not just an illustration. Like I think that's where a lot of people go a little bit sideways, is they think that this is effectively, like it's a fable. It's like a made up story primarily to like illustrate a point right. [00:25:09] Tony Arsenal: Or an allegory where you know, you're taking individual components and they represent something else. A parable fundamentally is a, is a, a comparison between two things, right? The word parable comes from the Greek of casting alongside, and so the idea is like you're, you're taking. The reality that you're trying to articulate and you're setting up this parable next to it and you're comparing them to it. [00:25:33] Tony Arsenal: And so I like to use the word simile, like that's why Christ says like the kingdom of God is like this. Yes. It's not like I'm gonna explain the kingdom of God to you by using this made up story. Right on. It's I'm gonna compare the kingdom of God to this thing or this story that I'm having, and so we should be. [00:25:49] Tony Arsenal: Rather than trying to like find the principles of the parable, we should be looking at it and going, how does this parable reflect? Or how is this a, um, how is this an explanation? Not in the, like, I, I'm struggling to even explain this here. It's not that the cer, the parable is just illustrating a principle. [00:26:10] Tony Arsenal: It's that the kingdom of God is one thing and the parable reveals that same one thing by way of comparison. Yes. So like. Uh, we'll get into the specifics, obviously, but when the, when the, um, lawyer says, who is my neighbor? Well, it's not just like, well, let's look at the Good Samaritan. And the Good Samaritan represents this, and the Levite represents this, and the priest represents this. [00:26:32] Tony Arsenal: It's a good neighbor, is this thing. It's this story. Compared to whatever you have in your mind of what a good neighbor is. And we're gonna bounce those things up against each other, and that's gonna somehow show us what the, what the reality is. And that's why I think to get back to where we were, that's why I think sometimes the parables actually obscure the truth. [00:26:53] Tony Arsenal: Because if we're not comparing the parable to the reality of something, then we're gonna get the parable wrong. So if we think that, um, the Good Samaritan. Is a parable about social justice and we're, we're looking at it to try to understand how do we treat, you know, the, the poor people in Africa who don't have food or the war torn refugees, you know, coming out of Ukraine. [00:27:19] Tony Arsenal: If we're looking at it primarily as like, I need to learn to be a good neighbor to those who are destitute. Uh, we're not comparing it against what Jesus was comparing it against, right? So, so we have to understand, we have to start in a lot of cases with the question that the parable is a response to, which oftentimes the parable is a response to a question or it's a, it's a principle that's being, um, compare it against if we get that first step wrong, uh, or if we start with our own presuppositions, which is why. [00:27:50] Tony Arsenal: Partially why I think Christ is saying like, the only those who have ears to hear. Like if you don't have a spiritual presupposition, I, I mean that, that might not be the right word, but like if you're not starting from the place of spiritual illumination, not in the weird gnostic sense, but in the, the. [00:28:07] Tony Arsenal: Genuinely Christian illumination of the Holy Spirit and inward testimony of the Holy Spirit. If you're not starting from that perspective, you almost can't get the parables right. So that's why we see like the opponents of Christ in the Bible, the Pharisees, the Sadducees, constantly. They're constantly confused and they're getting it wrong. [00:28:26] Tony Arsenal: And, and even sometimes the disciples, they have to go and ask sometimes too, what is this parable? Wow, that's right. What is, what does this mean? So it's never as simple as, as what's directly on the surface, but it's also not usually as complicated as we would make it be if we were trying to over-interpret the parable, which I think is another risk. [00:28:44] Jesse Schwamb: That's the genius, isn't it? Is that I I like what you're saying. It's that spiritual predisposition that allows us to receive the word and, and when we receive that word, it is a simple word. It's not as if like, we have to elevate ourselves in place of this high learning or education or philosophizing, and that's the beauty of it. [00:29:03] Jesse Schwamb: So it is, again, God's setting apart for himself A, a people a teaching. So. But I think this is, it is a little bit perplexing at first, like that statement from Jesus because it's a bit like somebody coming to you, like your place of work or anywhere else in your family life and asking you explicitly for instruction and, and then you saying something like, listen, I, I'm gonna show you, but you're not gonna be able to see it. [00:29:22] Jesse Schwamb: And you're gonna, I'm gonna tell you, but you're not gonna be able to hear it, and I'm gonna explain it to you, but you're not gonna be able to understand. And you're like, okay. So yeah, what's the point of you talking to me then? So it's clear, like you said that Jesus. Is teaching that the secrets, and that's really, really what these are. [00:29:37] The Secrets of the Kingdom of God [00:29:37] Jesse Schwamb: It's brilliant and beautiful that Jesus would, that the, the son of God and God himself would tell us the secrets of his kingdom. But that again, first of all by saying it's a secret, means it's, it's for somebody to guard and to hold knowledge closely and that it is protected. So he says, teaching like the secrets of the kingdom of God are unknowable through mere human reasoning and intuition. [00:29:56] Jesse Schwamb: Interestingly here though, Jesus is also saying that. He's, it's not like he's saying no one can ever understand the parables, right, or that he intends to hide their truth from all people. [00:30:07] Understanding Parables and God's Sovereign Grace [00:30:07] Jesse Schwamb: Instead, he just explains that in order to highlight God's sovereign grace, God in his mercy has enlightened some to whom it has been given to know the secrets of the kingdom of heaven. [00:30:17] Jesse Schwamb: That's verse 11. So. All of us as his children who have been illuminated can understand the truth of God's kingdom. That is wild and and that is amazing. So that this knowledge goes out and just like we talk about the scripture going out and never returning void, here's a prime example of that very thing that there is a condemnation and not being able to understand. [00:30:37] Jesse Schwamb: That condemnation comes not because you're not intelligent enough, but because as you said, you do not have that predisposition. You do not have that changed heart into the ability to understand these things. [00:30:47] Doctrine of Election and Spiritual Insight [00:30:47] Jesse Schwamb: This is what leads me here to say like every parable then implicitly teaches a doctrine of election. [00:30:53] Jesse Schwamb: Yeah, because all people are outside the kingdom until they enter the Lord's teaching. How do we enter the Lord's teaching by being given ears to hear. How are we understanding that? We have been given ears to hear when these parables speak to us in the spiritual reality as well as in just like you said, like this general kind of like in the way that I presume Ryan Holiday means it. [00:31:12] Jesse Schwamb: The, this is like, he might be exemplifying the fact that these stories. Are a really great form of the ability to communicate complex information or to make you think. [00:31:21] The Power and Purpose of Parables [00:31:21] Jesse Schwamb: So when Jesus says something like The kingdom of God is like a mustard seed, wow, we, you and I will probably spend like two episodes just unpacking that, or we could spend a lot more, that's beautiful that that's how his teaching takes place. [00:31:34] Jesse Schwamb: But of course it's, it's so much. More than that, that those in whom the teaching is effective on a salvation somehow understand it, and their understanding of it becomes first because Christ is implanted within them. Salvation. [00:31:46] Tony Arsenal: Yeah. Yeah. [00:31:48] Parables as More Than Simple Teaching Tools [00:31:48] Tony Arsenal: I think people, and this is what I think like Ryan Holiday's statement reflects, is people think of the parables as a simple teaching tool to break down a complicated subject. [00:32:00] Tony Arsenal: Yes. And so, like if I was trying to explain podcasting to a, like a five-year-old, I would say something like, well, you know. You know how your teacher teaches you during class while a podcast is like if your teacher lived on the internet and you could access your teacher anytime. Like, that might be a weird explanation, but like that's taking a very complicated thing about recording and and RSS feeds and you know, all of these different elements that go into what podcasting is and breaking it down to a simple sub that is not what a parable is. [00:32:30] Tony Arsenal: Right? Right. A parable is not. Just breaking a simple subject down and illustrating it by way of like a, a clever comparison. Um, you know, it's not like someone trying to explain the doctrine of, of the Trinity by using clever analogies or something like that. Even if that were reasonable and impossible. [00:32:50] Tony Arsenal: It's, it's not like that a parable. I like what you're saying about it being kind of like a mini doctrine of election. It's also a mini doctrine of the Bible. Yes. Right. It, it's right on. [00:33:00] The Doctrine of Illumination [00:33:00] Tony Arsenal: It's, it's the doctrine of revelation. In. Preached form in the Ministry of Christ, right? As Christians, we have this text and we affirm that at the same time, uh, what can be known of it and what is necessary for salvation can be known. [00:33:19] Tony Arsenal: By ordinary means like Bart Iman, an avowed atheist who I, I think like all atheists, whether they recognize it or not, hates God. He can read the Bible and understand that what it means is that if you trust Jesus, you'll be saved. You don't need special spiritual insight to understand that that is what the Bible teaches, where the special spiritual. [00:33:42] Tony Arsenal: Insight might not be the right word, but the special spiritual appropriation is that the spirit enables you to receive that unto your salvation. Right? To put your trust in. The reality of that, and we call that doctrine, the doctrine of illumination. And so in, in the sense of parables in Christ's ministry, and this is, this is if you, you know, like what do I always say is just read a little bit more, um, the portion Jesse read it leads way into this prophecy or in this comment, Christ. [00:34:10] Tony Arsenal: Saying he teaches in parable in order to fulfill this prophecy of Isaiah. Basically that like those who are, uh, ate and are apart from God and are resistant to God, these parables there are there in order to confirm that they are. And then it says in verse 16, and this is, this is. [00:34:27] The Blessing of Spiritual Understanding [00:34:27] Tony Arsenal: It always seems like the series that we do ends up with like a theme verse, and this is probably the one verse 16 here, Matthew 1316 says, but blessed are your eyes for they see and your ears for they hear. [00:34:40] Tony Arsenal: And so like there's a blessing. In our salvation and in our election that we are enabled to hear and perceive and re receive the very voice and word of God into our spirit unto our salvation. That is the doctrine of of election. It's also the doctrine of regeneration, the doctrine of sanctification, the doctrine. [00:35:03] Tony Arsenal: I mean, there's all of these different classic reformed doctrines that the parables really are these mic this microcosm of that. Almost like applied in the Ministry of Christ. Right. Which I, I, you know, I've, I've never really thought of it in depth in that way before, but it's absolutely true and it's super exciting to be able to sort of embark on this, uh, on this series journey with, with this group. [00:35:28] Tony Arsenal: I think it's gonna be so good to just dig into these and really, really hear the gospel preached to ourselves through these parables. That's what I'm looking forward to. [00:35:38] Jesse Schwamb: And we're used to being very. Close with the idea that like the message contains the doctrine, the message contains the power. Here we're saying, I think it's both. [00:35:47] Jesse Schwamb: And the mode of that message also contains, the doctrine also contains the power. And I like where you're going with this because I think what we should be reminding ourselves. Is what a blessing it is to have this kind of information conferred to us. [00:36:01] The Role of Parables in Revealing and Concealing Truth [00:36:01] Jesse Schwamb: That again, God has taken, what is the secrets that is his to disclose and his to keep and his to hold, and he's made it available to his children. [00:36:08] Jesse Schwamb: And part of that is for, as you said, like the strengthening of our own faith. It's also for condemnation. So notice that. The hiding of the kingdom through parables is not a consequence of the teaching itself. Again, this goes back to like the mode being as equally important here as the message itself that Christ's teaching is not too difficult to comprehend as an intellectual matter. [00:36:27] Jesse Schwamb: The thing is, like even today, many unbelievers read the gospels and they technically understand what Jesus means in his teaching, especially these parables. The problem is. I would say like moral hardness. It's that lack of spiritual predilection or predisposition. They know what Jesus teaches, but they do not believe. [00:36:47] Jesse Schwamb: And so the challenge before us is as all scripture reading, that we would go before the Holy Spirit and say, holy Spirit, help me to believe. Help me to understand what to believe. And it so doing, do the work of God, which is to believe in him and to believe in His son Jesus Christ and what he's accomplished. [00:37:02] Jesse Schwamb: So the parables are not like creating. Fresh unbelief and sinners instead, like they're confirming the opposition that's already present and apart from Grace, unregenerate perversely use our Lord's teaching to increase their resistance. That's how it's set up. That's how it works. That's why to be on the inside, as it were, not again, because like we've done the right handshake or met all the right standards, but because of the blood of Christ means that the disciples, the first disciples and all the disciples who will follow after them on the other hand. [00:37:33] The Complexity and Nuances of Parables [00:37:33] Jesse Schwamb: We've been granted these eyes to see, and ears to hear Jesus. And then we've been given the secrets of the kingdom. I mean, that's literally what we've been given. And God's mercy has been extended to the disciples who like many in the crowds, once ignorantly and stubbornly rejected God and us just like them as well in both accounts. [00:37:49] Jesse Schwamb: So this is, I think we need to settle on that. You're right, throughout this series, what a blessing. It's not meant to be a great labor or an effort for the child of God. Instead, it's meant to be a way of exploring these fe. Fantastic truths of who God is and what he's done in such a way that draw us in. [00:38:07] Jesse Schwamb: So that whether we're analyzing again, like the the lost coin or the lost sheep, or. Any number of these amazing parables, you'll notice that they draw us in because they don't give us answers in the explicit sense that we're used to. Like didactically instead. Yeah. They cause us to consider, as you've already said, Tony, like what does it mean to be lost? [00:38:26] Jesse Schwamb: What does it mean that the father comes running for this prodigal son? What does it mean that the older brother has a beef with the whole situation? What does it mean when Jesus says that the kingdom of God is like a mustard seed? How much do we know about mustard seeds? And why would he say that? Again, this is a kind of interesting teaching, but that illumination in the midst of it being, I don't wanna say ambiguous, but open-ended to a degree means that the Holy Spirit must come in and give us that kind of grand knowledge. [00:38:55] Jesse Schwamb: But more than that, believe upon what Jesus is saying. I think that's the critical thing, is somebody will say, well, aren't the teaching simple and therefore easy to understand. In a sense, yes. Like factually yes, but in a much greater sense. Absolutely not. And that's why I think it's so beautiful that he quotes Isaiah there because in that original context, you the, you know, you have God delivering a message through Isaiah. [00:39:17] Jesse Schwamb: Uh. The people are very clear. Like, we just don't believe you're a prophet of God. And like what you're saying is ridiculous, right? And we just don't wanna hear you. This is very different than that. This is, Jesus is giving this message essentially to all who will listen to him, not necessarily hear, but all, all who are hear Him, I guess rather, but not necessarily all who are listening with those spiritual ears. [00:39:33] Jesse Schwamb: And so this is like, I love the way that he, he uses that quote in a slightly different way, but still to express the same root cause, which is some of you here. Because of your depravity will not be able to hear what I'm saying. But for those to whom it has been granted to come in who are ushered into the kingdom, this kingdom language will make sense. [00:39:54] Jesse Schwamb: It's like, I'm going to be speaking to you in code and half of you have the key for all the code because the Holy Spirit is your cipher and half of you don't. And you're gonna, you're gonna listen to the same thing, but you will hear very different things. [00:40:06] Tony Arsenal: Yeah. Yeah. And you know, the other thing I think is, is interesting to ponder on this, um. [00:40:12] The Importance of Context in Interpreting Parables [00:40:12] Tony Arsenal: God always accommodates his revelation to his people. And the parables are, are, are like the. Accommodated accommodation. Yeah. Like God accommodates himself to those he chooses to reveal himself to. And in some ways this is, this is, um, the human ministry of Christ is him accommodating himself to those. [00:40:38] Tony Arsenal: What I mean is in the human ministry of the Son, the parables are a way of the son accommodating himself to those he chooses to reveal himself to. So there, there are instances. Where the parable is said, and it is, uh, it's seems to be more or less understood by everybody. Nobody asks the question about like, what does this mean? [00:40:57] Tony Arsenal: Right? And then there are instances where the parable is said, and even the apostles are, or the disciples are like, what does this parable mean? And then there's some interesting ones where like. Christ's enemies understand the parable and, and can understand that the parable is told against them. About them. [00:41:13] Tony Arsenal: Yeah. So there, there's all these different nuances to why Christ used these parables, how simple they were, how complicated they were. Yes. And again, I think that underscores what I said at the top of the show here. It's like you can't treat every parable exactly the same. And that's where you run into trouble. [00:41:28] Tony Arsenal: Like if you're, if you're coming at them, like they're all just simple allegory. Again, like some of them have allegorical elements. I think it's fair to look at the, the prodigal son or the, the prodigal father, however you want to title that. And remember, the titles are not, generally, the titles are not, um, baked into the text itself. [00:41:46] Tony Arsenal: I think it's fair to come to that and look at and go, okay, well, who's the father in this? Who's the son? You know, what does it mean that the older son is this? Is, is there relevance to the fact that there's a party and that the, you know, the older, older, uh, son is not a part of it? There's, there's some legitimacy to that. [00:42:02] Tony Arsenal: And when we look at Christ's own explanation of some of his parables, he uses those kinds, right? The, the good seed is this, the, the seed that fell on the, the side of the road is this, right? The seed that got choked out by the, the, um, thorns is this, but then there are others where it doesn't make sense to pull it apart, element by element. [00:42:21] Tony Arsenal: Mm-hmm. Um, and, and the other thing is there are some things that we're gonna look at that are, um. We're gonna treat as parables that the text doesn't call a parable. And then there are some that you might even look at that sometimes the text calls a parable that we might not even think of as a normal parable, right? [00:42:38] Tony Arsenal: So there's lots of elements. This is gonna be really fun to just dig stuff in and, and sort of pick it, like pull it apart and look at its component parts and constituent parts. Um, so I really do mean it if you, if you're the kind of person who has never picked up a Bible commentary. This would be a good time to, to start because these can get difficult. [00:42:59] Tony Arsenal: They can get complicated. You want to have a trusted guide, and Jesse and I are gonna do our, our work and our research on this. Um, but you want someone who's more of a trusted guide than us. This is gonna be the one time that I might actually say Calvin's commentaries are not the most helpful. And the reason for that is not because Calvin's not clear on this stuff. [00:43:17] Tony Arsenal: Calvin Calvin's commentaries on the gospel is, is a harmony of the gospels, right? So sometimes it's tricky when you're reading it to try to find like a specific, uh, passage in Matthew because you're, you, everything's interwoven. So something like Matthew Henry, um, or something like, um, Matthew Poole. Uh, might be helpful if you're willing to spend a little bit of money. [00:43:38] Tony Arsenal: The ESV expository commentary that I've referenced before is a good option. Um, but try to find something that's approachable and usable that is reasonable for you to work through the commentary alongside of us, because you are gonna want to spend time reading these on your own, and you're gonna want to, like I said, you're gonna want to have a trust guide with you. [00:43:55] Tony Arsenal: Even just a good study bible, something like. The Reformation Study Bible or something along those lines would help you work your way through these parables, and I think it's valuable to do that. [00:44:06] Jesse Schwamb: Something you just said sparked this idea in me that the power, or one of the powers maybe of good fiction is that it grabs your attention. [00:44:15] The Impact of Parables on Listeners [00:44:15] Jesse Schwamb: It like brings you into the plot maybe even more than just what I said before about it being resonant, that it actually pulls you into the storyline and it makes you think that it's about other people until it's too late. Yeah. And Jesus has a way of doing this that really only maybe the parable can allow. [00:44:30] Jesse Schwamb: So like in other words, by the time you realize. A parable is like metaphorical, or even in a limited case, it's allegorical form you've already identified with one or more of the characters and you're caught in the trap. So what comes to my mind there is like the one Old Testament narrative, virtually identical, informed to those Jesus told is Nathan's parable of the You lamb. [00:44:52] Jesse Schwamb: So that's in like second Samuel 12, and I was just looking this up as you were, as you were speaking. So in this potentially life and death move for the prophet Nathan confronts King David. Over his adultery with, or depending on how you see it, rape of Bathsheba, and then his subsequent murder of her husband Uriah, by sending him to the front lines of battle. [00:45:10] Jesse Schwamb: So he's killed. And so in this parable that Nathan tells Uriah is like the poor man. Bathsheba is like the Yu a and the rich man obviously represents David. If you, you know what I'm talking about, go back and look at second Samuel 12. And so what's interesting is once David is hooked into that story, he cannot deny that his behavior was unjust as that of the rich man in the story who takes this UAM for himself and he, which he openly. [00:45:38] Jesse Schwamb: Then David openly condemns of course, like the amazing climax of this. And as the reader who has. Of course, like omniscient knowledge in the story, you know, the plot of things, right? You're, you're already crying out, like you're throwing something, you know, across the room saying like, how can you not see this about you? [00:45:53] Jesse Schwamb: And of course the climax comes in when Nathan points the finger at David and declares, you are the man. And that's kind of what. The parables due to us. Yes. They're not always like the same in accusatory toward us, but they do call us out. This is where, again, when we talk about like the scripture reading us, the parable is particularly good at that because sometimes we tend to identify, you know, again, with like one of the particular characters whom we probably shouldn't identify with, or like you said, the parable, the sower. [00:46:22] Jesse Schwamb: Isn't the Christian always quick to be like, I am the virtual grounds? Yeah. You still have to ask like, you know, there is not like a Paul washer way of doing this, but there is like a way of saying like, checking yourself before you wreck yourself there. And so when Jesus's parables have lost some of that shock value in today's world, we maybe need to contemporize them a little bit. [00:46:43] Jesse Schwamb: I, and I think we'll talk about that as we go through it. We're not rewriting them for any reason that that would be completely inappropriate. Think about this though. Like the Jew robbed and left for dead. And you know the story of the Grace Samaritan may need to become like the white evangelical man who is helped by like the black Muslim woman after the senior pastor and the worship leader from the local reformed church passed by like that. [00:47:05] Jesse Schwamb: That might be the frame, which we should put it to try to understand it whenever we face a hostile audience that this indirect rhetoric of compelling stories may help at least some people hear God's world more favorably, and I think that's why you get both like a soft. And a sharp edge with these stories. [00:47:20] Jesse Schwamb: But it's the ability to, to kind of come in on the sneak attack. It's to make you feel welcomed in and to identify with somebody. And then sometimes to find that you're identifying entirely with a character whom Jesus is gonna say, listen, don't be this way, or This is what the kingdom of God is, is not like this. [00:47:35] Jesse Schwamb: Or again, to give you shock value, not for the sake of telling like a good tale that somehow has a twist where it's like everybody was actually. All Dead at the end. Another movie, by the way, I have not seen, but I just know that that's like, I'll never see that movie because, can we say it that the spoiler is, is out on that, right? [00:47:54] Tony Arsenal: Are we, what are we talking about? What movie are we talking about? [00:47:56] Jesse Schwamb: Well, I don't, I don't wanna say it. I didn't [00:47:57] Tony Arsenal: even get it from your description. Oh. [00:47:59] Jesse Schwamb: Like that, that movie where like, he was dead the whole time. [00:48:02] Tony Arsenal: Oh, this, that, that, that movie came out like 30 years ago, Jesse. Oh, seriously? [00:48:06] Jesse Schwamb: Okay. All right. [00:48:06] Tony Arsenal: So Six Sense. [00:48:07] Tony Arsenal: Yeah. That movie came out a long time ago. [00:48:10] Jesse Schwamb: So it's not like the parables are the sixth sense, and it's like, let me get you like a really cool twist. Right. Or like hook at the end. I, and I think in part it is to disarm you and to draw you in in such a way that we might honestly consider what's happening there. [00:48:22] Jesse Schwamb: And that's how it reads us. [00:48:24] Tony Arsenal: Yeah. Yeah. And I, I think that's a good point. And, and. It bears saying there are all sorts of parables all throughout the Bible. It's not just Jesus that teaches these, and they do have this similar effect that they, they draw you in. Um, oftentimes you identify it preliminarily, you identify with the wrong person, and it's not until you. [00:48:45] Tony Arsenal: Or you don't identify with anyone when you should. Right. Right. And it's not until the sort of punchline or I think that account with Nathan is so spot on because it's the same kind of thing. David did not have ears to hear. [00:48:58] Jesse Schwamb: Right. Until he had That's good point. Ears [00:49:00] Tony Arsenal: to hear. [00:49:00] Jesse Schwamb: Good point. [00:49:01] Tony Arsenal: And he heard the point of the parable. [00:49:03] Tony Arsenal: He understood the point of the parable and he didn't understand that the parable was about him, right? It's like the ultimate, I don't know why you're clapping David, I'm talking about you moment. Um, I'm just have this picture of Paul washer in like a biblical era robe. Um, so I think that's a enough progam to the series. [00:49:20] Preparing for the Series on Parables [00:49:20] Tony Arsenal: We're super excited we're, we'll cover some of these principles again, because again, different parables have to be interpreted different ways, and some of these principles apply to one and don't to others, and so we'll, we'll tease that out when we get there next week. We're gonna just jump right in. [00:49:34] Tony Arsenal: We're gonna get started with, I think, um, I actually think, you know, in the, the providence of, of the Holy Spirit and the inspiration of the Holy Spirit, and then obviously the providence of God in Christ's ministry, the, the parable that kind of like frames all of the other parables,

Genesis 1 and 3

Merriam-Webster's Word of the Day for August 10, 2025 is: hidebound • HYDE-bound • adjective Someone or something described as hidebound is inflexible and unwilling to accept new or different ideas. // Although somewhat stuffy and strict, the professor did not so completely adhere to hidebound academic tradition that he wouldn't teach class outside on an especially lovely day. See the entry > Examples: “He was exciting then, different from all the physicists I worked with in the way that he was so broadly educated and interested, not hidebound and literal, as my colleagues were.” — Joe Mungo Reed, Terrestrial History: A Novel, 2025 Did you know? Hidebound has its origins in agriculture. The adjective, which appeared in English in the early 17th century, originally described cattle whose skin, due to illness or poor feeding, clung to the skeleton and could not be pinched, loosened, or worked with the fingers (the adjective followed an earlier noun form referring to this condition). Hidebound was applied to humans too, to describe people afflicted with tight skin. Figurative use quickly followed, first with a meaning of “stingy” or “miserly.” That sense has since fallen out of use, but a second figurative usage, describing people who are rigid or unyielding in their actions or beliefs, lives on in our language today.

Hear award-winning columnist Dejan Kovacevic's Daily Shots of Steelers, Penguins and Pirates -- three separate podcasts -- every weekday morning on the DK Pittsburgh Sports podcasting network, available on all platforms: https://linktr.ee/dkpghsports

Revelation Dates: March, 1832 Revelation Places: Hiram, Ohio Section 77 - Historical Background: As Joseph Smith resumed revising the Bible, he came to the book of Revelation. Rather than translating or revising the revelation of John, Joseph was only allowed to inquire specific questions from the revelation. Recap: Some of the symbols used by John are explained: Sea of glass: The sanctified Earth The four beasts: Figurative expressions of happiness in heaven by all creatures created by God in their paradisical glory. Are the beasts individuals or classes: They are Individual beasts, in their glory and enjoyment. The eyes and wings of beasts: The remarkable powers in the next life of light, knowledge and capacity to move throughout the heavens. 24 Elders: Faithful ministers during John's time, who are now in paradise. Sealed book: A history of God's work during earth's 7,000 year history. 7 seals: Each seal contains a 1,000 year history of each period. 4 angels: Powerful angels sent by God to each quarter of the earth. Angel from the east: An angel to preside over the 4 angels over the earth. Timing: All to be accomplished by the end of the 6th seal (around 2000 AD) 144,000: Virtuous high priests under the direction of the 4 angels to preach the gospel throughout the nations without threat of death. Trumpet sounding: Happens when the seventh seal is opened, ushering in the return of Christ and the beginning of the millennium. Timing of Revelation, chapter 9: After opening the 7th seal, just prior to Christ's coming. Little book: John's mission to gather the tribes of Israel. 2 Witnesses: 2 prophets, who will hold off Gog and Magog from destroying Jerusalem just prior to the return of Christ the Messiah. Section 78 - Historical Background: Having already received the Law of Consecration in February, 1831, the saints had yet to properly establish storehouses for the poor. This was especially needed now that many new converts were pouring into the kingdom, many of whom were poor. Joseph was troubled over this and received this revelation. Recap: There must be organized storehouses among the saints for the poor. The Lord had referred to this need many times in prior revelations. Newel K Whitney, Joseph Smith and Sidney Rigdon are to covenant with each other to form a council in order to establish these affairs. Section 79 - Historical Background: This revelation was given at the Johnson home in Hiram, Ohio. Jared Carter had been a successful missionary who was again called and sent back on another mission, promising him many converts. Recap: Jared Carter is called on another mission, again to the eastern states. The comforter will inspire him and guide him to gather many converts. Section 80 - Historical Background: Revelation was given at the Johnson home at the request of Stephen Burnett. Recap: Stephen Burnett is called on a mission, and is to go with Eden Smith as a companion. Their mission destination is to go anywhere they desire, for they cannot go amiss.

In this episode, comedian Greg Fitzsimmons joins Adam in the studio! Adam kicks things off by explaining why profiling is often misunderstood and why it still matters. He then shares a strange Uber ride story from the road and how he got shortchanged by a club. Adam and Greg discuss the highs and lows of selling merch at live shows, and Adam offers a simple but effective travel life-hack. The guys react to a viral story about a woman claiming her boyfriend gave her a sinus infection by farting in her face, which naturally leads to a nostalgic conversation about the kinds of sandwiches their moms made growing up. Adam reflects on his extremely frugal upbringing and shares his take on the etiquette of picking up the tab when you invite someone to dinner.Rudy Pavich fills in for Mayhem on the news as he joins Adam and Greg to break down newly leaked lab results involving Olympic boxer Imane Khelif, sparking debate over her biological sex and eligibility to compete in women's boxing. The conversation then shifts to the alarming rise in youth violence across New York City, where NYPD Commissioner Jessica Tisch and Mayor Eric Adams report a 136% spike in gun-related arrests among minors since 2018 — a trend they attribute to the controversial “Raise the Age” law. Get it on.FOR MORE WITH GREG FITZSIMMONS: INSTAGRAM: @gregfitzsimmonsTWITTER: @gregfitzshowWEBSITE: www.gregfitzsimmons.comFOR MORE WITH RUDY PAVICH:INSTAGRAM: @rudy_pavichWEBSITE: www.rudypavichcomedy.comThank you for supporting our sponsors:BetOnlinehomes.comForThePeople.com/ADAMPluto.tvSELECTQUOTE.COM/CAROLLASHOPIFY.COM/carollaSIMPLISAFE.COM/ADAMLIVE SHOWS: June 11 - Palm Springs, CAJune 13 - Salt Lake City, UT (2 shows)June 14 - Salt Lake City, UT (2 shows)June 19 - Las Vegas, NV (2 shows)https://www.youtube.com/@TheAdamCarollaShow1https://rumble.com/c/TheAdamCarollaShowSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Recorded live at Comics Sans Frontières, Houston For our milestone 900th episode, we headed to Houston and sat down with the brilliant Robert Pruitt, live at the Cats Conference: Comics Sans Frontières—a gathering of artists, thinkers, and cultural workers reshaping the future of comics, narrative, and speculative visual worlds. Live at a bar after the second conference day. So, this is never going to make it to the radio. Cuss-y MacCusserson shows up and healthy arguments occur. Pruitt, known for his richly layered drawings and deep engagement with Black cultural production, walks us through the politics of representation, the influence of comics and sci-fi on his work, and the shifting cultural landscape of the Gulf Coast. We talk materials, mythology, the beauty of inconsistency, and what it means to make work that traffics in both critique and care. Let's take a moment to reflect on what it means to reach 900 episodes of Bad at Sports—and what's next for us in the ever-evolving, ever-weird world of contemporary art discourse. Nah. Let's do it later this week at EXPO Chicago. Mentioned in this episode: Robert Pruitt – Artist Website The Drawing Center Comics Sans Frontières Conference The Studio Museum in Harlem Project Row Houses EXPO Chicago 2025 Bad at Sports: The Center of Discourse (link coming soon!)

A caller wants to know how to repair their relationship with their mind and body after a breakup. Lina's take? Don't let your drive to be considerate and ethical override your humanity. Feel it, be messy, take your space. The filth will be there to hold you along the way

This week the British Fine Artist Frances Featherstone. Frances says her art is guided by an appreciation for storytelling. Narrative serves at the heart of her work with which she seeks to fill her paintings with ideas and conceptual depth. Her creative explorations revolve around the interplay between figures and interior spaces offering viewers a window into intimate emotions that are entangled with the spaces we occupy. Frances employs aerial perspectives to craft patterns seen from above that compress and flatten the spatial dimensions. These pieces venture beyond the constraints of conventional perception and seek to challenge our normal sense of space. One of two children—she has a brother Walter, Frances was born in 1976 in Roade, England, to parents Jane Gill, a teacher —formerly a silversmith and jeweler—and Michael Featherstone a furniture designer. Art runs throughout her family and Frances was always encouraged and supported in her talent which naturally led a formal art education. She achieved an Art Foundation Distinction and First Class Degree in Fine Art and Visual Culture from the University of the West of England, Bristol. before changing direction for her Post Grad in Interactive Multimedia at Bath Spa University, graduating in 2000. She worked as a Designer in the BBC's Interactive Factual and Learning Department for six years. In 2006 she got married and started a family, at which point she returned to painting, firstly by taking commissions for portraits. Her work took off and she was quickly gaining recognition. In 2019 Frances was shortlisted for ‘Artist of the Year' by ‘Artists and Illustrators Magazine'. In 2021 she won the ‘The Chair's Purchase Prize' at the ING Discerning Eye exhibition at The Mall Galleries in London. And in 2024 was awarded a Certificate of Commendation for ‘an exceptional work selected for the Royal Institute of Oil Painters' annual exhibition. She has also won Sky Arts Portrait of the Week twice for her paintings of Booker Prize winner Bernardine Evaristo and the singer Dannii Minogue.  Frances is represented by the Fairfax Gallery in Tunbridge Wells and Arcadia Contemporary Gallery in New York. She lives near Groombridge in East Sussex with her husband Munir Hassan and children Sam and Layla.  Frances' links: https://www.francesfeatherstone.co.uk/Instagram: @francesfeatherstone  Some favorite female artists:Paula RegoJenny SavilleFrida KahloJoan MitchellRachel Whiteread  Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramThe AART Podcast on YouTube has bonus content not included on the podcast.Email: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

This week the British Fine Artist Frances Featherstone. Frances says her art is guided by an appreciation for storytelling. Narrative serves at the heart of her work with which she seeks to fill her paintings with ideas and conceptual depth. Her creative explorations revolve around the interplay between figures and interior spaces offering viewers a window into intimate emotions that are entangled with the spaces we occupy. Frances employs aerial perspectives to craft patterns seen from above that compress and flatten the spatial dimensions. These pieces venture beyond the constraints of conventional perception and seek to challenge our normal sense of space. One of two children—she has a brother Walter, Frances was born in 1976 in Roade, England, to parents Jane Gill, a teacher —formerly a silversmith and jeweler—and Michael Featherstone a furniture designer. Art runs throughout her family and Frances was always encouraged and supported in her talent which naturally led a formal art education. She achieved an Art Foundation Distinction and First Class Degree in Fine Art and Visual Culture from the University of the West of England, Bristol. before changing direction for her Post Grad in Interactive Multimedia at Bath Spa University, graduating in 2000. She worked as a Designer in the BBC's Interactive Factual and Learning Department for six years. In 2006 she got married and started a family, at which point she returned to painting, firstly by taking commissions for portraits. Her work took off and she was quickly gaining recognition. In 2019 Frances was shortlisted for ‘Artist of the Year' by ‘Artists and Illustrators Magazine'. In 2021 she won the ‘The Chair's Purchase Prize' at the ING Discerning Eye exhibition at The Mall Galleries in London. And in 2024 was awarded a Certificate of Commendation for ‘an exceptional work selected for the Royal Institute of Oil Painters' annual exhibition. She has also won Sky Arts Portrait of the Week twice for her paintings of Booker Prize winner Bernardine Evaristo and the singer Dannii Minogue.  Frances is represented by the Fairfax Gallery in Tunbridge Wells and Arcadia Contemporary Gallery in New York. She lives near Groombridge in East Sussex with her husband Munir Hassan and children Sam and Layla. Frances' links:https://www.francesfeatherstone.co.uk/Instagram: @francesfeatherstone Some favorite female artists:Paula RegoJenny SavilleFrida KahloJoan MitchellRachel Whiteread Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramThe AART Podcast on YouTube has bonus content not included on the podcast. Email: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.

——- Your Daily Portion Sabbath School Lesson with LD “The Anomaly” HarrisL. David Harris- Download companion book that goes with the quarterly: https://yourdailyportion.com@LDisMyCoachThe Backbone of LeadershipBecome a supporter of this podcast: https://www.spreaker.com/podcast/your-daily-portion-with-l-david-harris--2912188/support.

Merriam-Webster's Word of the Day for February 11, 2025 is: ruminate • ROO-muh-nayt • verb To ruminate is to think carefully and deeply about something. // We ruminated over the implications of our decision. See the entry > Examples: “Most of the songs bear the name of a store you'd see in every mall in the United States before they became sad ghost towns, air conditioning and smooth jazz blasting in the emptied, echoing caverns of capitalism. ... The trio uses nostalgia as a tool of examination, ruminating on the not-too-distant past in order to process the funny and sometimes heartbreaking process of getting older together.” — Dash Lewis, Pitchfork, 8 July 2024 Did you know? When you ruminate, you chew something over, either literally or figuratively. Literal rumination may seem a little gross to humans, but to cows, chewing your cud (partially digested food brought up from the stomach for another chew) is just a natural part of life. Figurative ruminating is much more palatable to humans; that kind of deep, meditative thought is often deemed quite a worthy activity. The verb ruminate has described metaphorical chewing over since the early 1500s and actual chewing since later that same century. Our English word comes from and shares the meanings of the Latin verb ruminari (“to chew the cud” or “muse upon”), which in turn comes from rumen, the Latin name for the first stomach compartment of ruminant animals (that is, creatures like cows that chew their cud).

From the basics all the way to the most advanced, this episode will teach you the various meanings and uses of the English word “shit”.Timestamps:0:00 Intro1:20 Shit as a noun4:24 Shit as a verb7:11 Figurative shit12:11 WARNING13:48 Exclamations22:08 Poor quality27:07 Possessions or things34:01 Holy shit36:40 The shit38:29 No shit42:41 Bullshit46:29 Deep shit51:30 Tough shit55:34 Jack shit57:57 Hot shit1:01:07 Dip shit1:03:13 Should I be teaching you this shit?1:06:30 Dog shit1:09:35 Chicken shit1:12:20 Horse shit1:14:32 Ape shit1:18:03 Bat shit1:20:59 Don't give me that shit1:22:49 Cut the shit1:25:06 Talking shit1:28:23 Full of shit1:29:56 Shit happens1:32:10 Get your shit together1:34:19 Shit out of luck1:37:38 Give a shit1:39:00 Shit hits the fan1:42:09 For shit1:43:45 Scared shitless1:45:09 Shit or get off the pot1:48:10 Shit show1:49:52 Shit-faced1:51:19 Take shit (from someone)1:52:44 Give (someone) shit1:53:58 And shit1:56:51 ConclusionIf you love this podcast and want to show some support, click here

I read from figurative to figured bass.     The word of the episode is "figured bass". https://en.wikipedia.org/wiki/Figured_bass     Use my special link https://zen.ai/thedictionary to save 30% off your first month of any Zencastr paid plan.    Create your podcast today! #madeonzencastr     Theme music from Jonah Kraut https://jonahkraut.bandcamp.com/     Merchandising! https://www.teepublic.com/user/spejampar     "The Dictionary - Letter A" on YouTube   "The Dictionary - Letter B" on YouTube   "The Dictionary - Letter C" on YouTube   "The Dictionary - Letter D" on YouTube   "The Dictionary - Letter E" on YouTube   "The Dictionary - Letter F" on YouTube     Featured in a Top 10 Dictionary Podcasts list! https://blog.feedspot.com/dictionary_podcasts/     Backwards Talking on YouTube: https://www.youtube.com/playlist?list=PLmIujMwEDbgZUexyR90jaTEEVmAYcCzuq     https://linktr.ee/spejampar dictionarypod@gmail.com https://www.facebook.com/thedictionarypod/ https://www.threads.net/@dictionarypod https://twitter.com/dictionarypod https://www.instagram.com/dictionarypod/ https://www.patreon.com/spejampar https://www.tiktok.com/@spejampar 917-727-5757

Welcome to 2025! It's already been a crazy year, and we're just getting started. In this episode, I discuss the literal and figurative fires that are currently threatening Los Angeles. What must be done to turn things around in this city (and the rest of California)? Follow California Liberty Project on X Follow California Liberty Project on Instagram

Figurative ceramics embody collective memories, dreams and traditions in this latest exhibition.

- SKOR North's Judd Zulgad talks with Tom about LAVA hand soap and his childhood pop called Rondo. The crew chats about those DNA sample businesses that will tell you your family history in exchange for a tube of spit and why that could cause problems in the future. Judd recaps the Wild's loss last night at home to the Winnipeg Jets.- KSTP's Chris Egert shares some news while finishing his lunch. A Fleet Farm employee in Carver was stabbed on the job by a 31-year old man, sounds like the victim will be fine after recovering. Up down is slowly opening back up as some businesses are set to open doors, a fire in the metro, and you can get discounted tickets for the 2025 Minnesota State Fair!- Kristyn Burtt shares some of the big streaming deals you can capitalize on Friday as part of Black Friday deals! She shares how MSNBC has dropped below 1 million viewers in the latest ratings release, and talks with Tom about his old radio days in the '90s and 2000s. Plus some other top headlines from the entertainment world!Stream the show LIVE on the Tom Barnard Show app M-F from 8-9:30AM or get the show on-demand on Apple Podcasts, Spotify or wherever you get your podcasts! Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

- SKOR North's Judd Zulgad talks with Tom about LAVA hand soap and his childhood pop called Rondo. The crew chats about those DNA sample businesses that will tell you your family history in exchange for a tube of spit and why that could cause problems in the future. Judd recaps the Wild's loss last night at home to the Winnipeg Jets. - KSTP's Chris Egert shares some news while finishing his lunch. A Fleet Farm employee in Carver was stabbed on the job by a 31-year old man, sounds like the victim will be fine after recovering. Up down is slowly opening back up as some businesses are set to open doors, a fire in the metro, and you can get discounted tickets for the 2025 Minnesota State Fair! - Kristyn Burtt shares some of the big streaming deals you can capitalize on Friday as part of Black Friday deals! She shares how MSNBC has dropped below 1 million viewers in the latest ratings release, and talks with Tom about his old radio days in the '90s and 2000s. Plus some other top headlines from the entertainment world! Stream the show LIVE on the Tom Barnard Show app M-F from 8-9:30AM or get the show on-demand on Apple Podcasts, Spotify or wherever you get your podcasts! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Happy fall, friends! Sip on some cider or your favorite pumpkin flavored drink while we review Google updates, classroom ideas, and news stories for the month of October.

Want to be heard on our show? Call the SHORT SHIFT CHIRP LINE at ‪(860) 506-5444‬ This episode is brought to you by BetterHelp. Give online therapy a try today; www.betterhelp.com/THPN Download the DraftKings Sportsbook app and use code 'THPN' Use promo code 'SHORTSHIFTPOD' for $20 off your next purchase on SeatGeek.com

Order your exclusive da Vinci BoldBrush paintbrush set!https://brushoffer.com/collections/boldbrushLearn the magic of marketing  with us here at BoldBrush!https://www.boldbrushshow.com/Get over 50% off your first year on your artist website with FASO:https://www.FASO.com/podcast/---On today's episode we sat down with Heather Arenas, a figurative oil painter who loves telling stories through her work. She discusses her journey from medical school to becoming a full-time artist, emphasizing the importance of practice, community, and finding one's unique voice. Heather also shares insights on her creative process, artistic influences, and maintaining relationships with galleries and collectors. She also advises aspiring artists to put themselves on the canvas and persist through the highs and lows of an art career. Finally, Heather shares exciting news about her artwork being included in the lunar time capsule and her online workshop!Heather's FASO site:https://www.heatherarenas.com/Heather's Instagram:https://www.instagram.com/heatherarenasHeather's Workshop:https://heatherarenasworkshops.carrd.co/Heather's Kaleido Page:https://www.kaleido.art/HArenas

Merriam-Webster's Word of the Day for September 2, 2024 is: incandescent • in-kun-DESS-unt • adjective Incandescent has literal and figurative meanings. Its literal meanings relate to heat and light; it describes something that is white or glowing because of great heat, and also something (like a light bulb) that produces bright light when heated. In figurative use, incandescent relates to several kinds of brilliance. Something or someone described as incandescent can be very impressive, successful, or intelligent, or simply happy and lively. In British English, incandescent can also describe someone or something feeling or showing great anger. // The invention of the incandescent bulb in the 19th century ushered in the age of electric lighting. // However much we were inclined to dislike her, it was hard not to be charmed by her incandescent smile and wit. See the entry > Examples: “Chang was 31 years old in 1998 when she debuted with Hunger. The reviews were raves, the praise, incandescent. The New York Times profiled her two years after publication as if to observe just how extraordinary the collection and the reviews had been. The critics said often that Chang was writing about lost homelands but you will see that these are stories mostly about the new homeland, not lost at all. These are mostly stories about America, about people who gave up everything to move here only to learn they would need to give up even more.” — Alexander Chee, foreword to Hunger (25th Anniversary Edition) by Lan Samantha Chang, 2023 Did you know? Incandescent first came to light in the English language toward the end of the 1700s, at a time when scientific experiments involving heat and light were being conducted on an increasingly frequent basis. An object that glowed at a high temperature (such as a piece of coal) was deemed incandescent. By the mid-1800s, the incandescent lamp—aka the lightbulb—had been invented; it contains a filament which gives off light when heated by an electric current. Figurative uses of incandescent soon followed, and today someone with a brilliant way with words may be said to have an “incandescent wit,” while someone positively beaming with joy may possess an “incandescent smile.”

Time to break stuff. In this one, Ian and Liv talk about the last two days of Woodstock '99. The chaos continues, there's more violence, more rage, and a LOT more arson. Figurative shit explodes, and there's still not enough water. Also, Liv condones destruction of personal property. Ian fantasizes about participating in riot control. Here's the links to the Saturday night performances that Ian and Liv watched: https://www.youtube.com/watch?v=_7ffjitpLlA https://www.youtube.com/watch?v=7YGfoIdgpFE

Episode 92: Year B – 21st Sunday of Ordinary Time In this episode, we continue our study of Jesus' Bread of Life Discourse in John 6. The portion of the discourse that makes up the Gospel reading for this upcoming 21st Sunday of Ordinary Time, Year B, is verses 60-69. Like in last week's episode, […]

Episode 92: Year B – 21st Sunday of Ordinary Time In this episode, we continue our study of Jesus' Bread of Life Discourse in John 6. The portion of the discourse that makes up the Gospel reading for this upcoming 21st Sunday of Ordinary Time, Year B, is verses 60-69. Like in last week's episode, the question is whether Jesus intended his teaching to eat his flesh and drink his blood to be taken literally or figuratively. We argue for a literal interpretation. Readings: Click Here Looking for Sunday Catholic Word Merchandise? Look no further! Click Here …

A conversation with John Kunemund of Alexander Gray Associates about the gallery's recent exhibit Conjuring Tenderness: Paintings from 1987 which featured the work of the late artist Hugh Steers. Known for his evocative and deeply personal works, Steers' paintings capture moments of vulnerability and intimacy, often set against the backdrop of the AIDS crisis of the 1980s. In the conversation, we explore the context of Steers' work, his unique artistic vision, and his work's continued ability to resonate with contemporary audiences.https://www.alexandergray.com/exhibitions/hugh-steers4https://www.alexandergray.com/artists/hugh-steers

La plus ancienne œuvre d'art figurative connue au monde est effectivement une peinture rupestre représentant un cochon sauvage, découverte sur l'île de Sulawesi en Indonésie. Cette peinture a été datée d'environ 45 500 ans, bien que certaines estimations mentionnent qu'elle pourrait avoir jusqu'à 51 000 ans.La peinture représente un cochon verruqueux de Sulawesi (Sus celebensis), une espèce encore présente sur l'île aujourd'hui. La fresque montre l'animal avec des caractéristiques détaillées, notamment des poils faciaux et des verrues faciales distinctives, indiquant un niveau élevé de compétence artistique de la part des créateurs. Elle mesure environ 136 cm de long et 54 cm de haut.Cette découverte a été faite dans la grotte de Leang Tedongnge, située dans une vallée isolée entourée de falaises de calcaire abruptes. Les conditions d'accès difficiles et l'isolement géographique ont probablement contribué à la préservation de cette peinture pendant des dizaines de milliers d'années.Les archéologues ont utilisé la datation par uranium-thorium pour déterminer l'âge de la peinture. Cette méthode mesure les couches minérales qui se sont formées sur la peinture, fournissant une estimation de l'âge minimum de l'œuvre.Cette découverte est particulièrement significative car elle repousse les limites chronologiques de l'art figuratif humain, démontrant que les premiers humains anatomiquement modernes en Asie du Sud-Est possédaient déjà des capacités artistiques avancées. Elle contribue également à notre compréhension de l'évolution de l'art et de la culture humaine, indiquant que les comportements symboliques et artistiques étaient déjà développés à une époque très ancienne, indépendamment des régions géographiques.En résumé, la peinture rupestre de Sulawesi, représentant un cochon verruqueux et datée d'environ 45 500 à 51 000 ans, est actuellement la plus ancienne œuvre d'art figurative connue au monde. Cette découverte offre un aperçu précieux sur les capacités artistiques et symboliques des premiers humains dans cette région. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

This week the figurative painter Lisa Golightly whose work revolves around memory and how snapshots shape and influence change. Lisa was born in Eugene, OR in 1974—one of two children; she has an older brother— to parents Frank, an accountant, and Patty, a teacher. Her father was also an amateur painter and sculptor who guided Lisa's introduction to art. She was also a keen rider and enjoyed showing hunter-jumper.  Lisa's early academic interest was photography and she graduated from the University of Arizona with a Bachelor in Fine Arts leaning towards a career in photography. It was after she married her husband, John, that she turned her attention back to art and progressed to becoming a professional artist. Lisa works exclusively in her studio and shows her work at several galleries, including Billis Williams Los Angeles, CA., George Billis Gallery, NYC/CT, Maya Froedman Gallery Jackson Hole, WY, Julie Nester Gallery, Park City, UT and the Patricia Rovzar Gallery in Seattle, WA. She lives in Portland, OR with her family and two dogs.Lisa on Instagram: @lisagolightlyarthttps://www.instagram.com/lisagolightlyart Lisa's website: https://www.lisagolightlyart.com/Lisa's playlist:Pixies-Hey Pixies-U Mass Pixies- Monkey Gone to Heaven The Stone Roses- Don't Stop Arcade Fire- Neighborhood (tunnels) Arcade Fire- Wake UP The Verve- Velvet Morning The Temper Trap- Summer's Almost Gone M83- Midnight City Blur- The Universal Radiohead- Thinking About You Radiohead-Let Down Lisa's favorite female artists:Kathryn LynchLynette Yiadom-BoakyeCayce ZavagliaErin LawlorLois DoddBoo SavilleKaye DonachieRose Wylie Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

This week the figurative painter Lisa Golightly whose work revolves around memory and how snapshots shape and influence change. Lisa was born in Eugene, OR in 1974—one of two children; she has an older brother— to parents Frank, an accountant, and Patty, a teacher. Her father was also an amateur painter and sculptor who guided Lisa's introduction to art. She was also a keen rider and enjoyed showing hunter-jumper.  Lisa's early academic interest was photography and she graduated from the University of Arizona with a Bachelor in Fine Arts leaning towards a career in photography. It was after she married her husband, John, that she turned her attention back to art and progressed to becoming a professional artist. Lisa works exclusively in her studio and shows her work at several galleries, including Billis Williams Los Angeles, CA., George Billis Gallery, NYC/CT, Maya Froedman Gallery Jackson Hole, WY, Julie Nester Gallery, Park City, UT and the Patricia Rovzar Gallery in Seattle, WA. She lives in Portland, OR with her family and two dogs.Lisa on Instagram: @lisagolightlyarthttps://www.instagram.com/lisagolightlyart Lisa's website: https://www.lisagolightlyart.com/Lisa's playlist:Pixies-Hey Pixies-U Mass Pixies- Monkey Gone to Heaven The Stone Roses- Don't Stop Arcade Fire- Neighborhood (tunnels) Arcade Fire- Wake UP The Verve- Velvet Morning The Temper Trap- Summer's Almost Gone M83- Midnight City Blur- The Universal Radiohead- Thinking About You Radiohead-Let Down Lisa's favorite female artists:Kathryn LynchLynette Yiadom-BoakyeCayce ZavagliaErin LawlorLois DoddBoo SavilleKaye DonachieRose Wylie Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.

Welcome to The On Preaching Podcast, the podcast dedicated to helping you to preach faithfully, clearly, and better.  The sermon preparation is a twofold process of getting the text right and getting the truth across.  In terms of biblical exegesis (getting the text across), I commend to you the inductive Bible study process:  Observation: What does the text say?  Interpretation: What does the text mean? Application: How does the text apply? Correlation: How does the text relate? In this episode, H.B. focuses on doing observations. The tools you need for this part of your word work are a Bible, something to take on, and the illumination of the Holy Spirit.  What should you look for in observations?  Key words. Key places.  Key people.  Vital statistics.  Figurative language.  Literary genre.  Diagnostic questions.  Circles of context.  Cross-references.  Passage structure.  Rhetorical functions.  What's not stated.  Dominating theme.  Authorial intent.  Gospel focus.  Practical implications.  Sanctified brainstorming.  For contact, information, or resources, visit hbcharlesjr.com. You can also sign up for the Cutting It Straight weekly newsletter at hbcharlesjr.com.   

Revelation 8 (LSB)Andrew and Edwin discuss why God would use such cataclysmic descriptions in apocalyptic literature if He didn't mean the readers to expect them to occur literally, exactly as described.Read the written devo that goes along with this episode by clicking here.    Let us know what you are learning or any questions you have. Email us at TextTalk@ChristiansMeetHere.org.    Join the Facebook community and join the conversation by clicking here. We'd love to meet you. Be a guest among the Christians who meet on Livingston Avenue. Click here to find out more. Michael Eldridge sang all four parts of our theme song. Find more from him by clicking here.   Thanks for talking about the text with us today.________________________________________________If the hyperlinks do not work, copy the following addresses and paste them into the URL bar of your web browser: Daily Written Devo: https://readthebiblemakedisciples.wordpress.com/?p=16433The Christians Who Meet on Livingston Avenue: http://www.christiansmeethere.org/Facebook Page: https://www.facebook.com/TalkAboutTheTextFacebook Group: https://www.facebook.com/groups/texttalkMichael Eldridge: https://acapeldridge.com/ 

The House is waiting in the wings to vote on the FAA reauthorization. Republicans remain angry over Biden pausing some weapons deliveries to Israel. And a former House member is re-indicted. David Higgins has your CQ Morning Briefing for Friday, May 10, 2024.

Revelation 4 (ESV)Andrew and Edwin expose the dishonest claim made by many Premillennialists as they claim to take Revelation as literally as possible, but then turn around and provide figurative explanations. Additionally, they discuss the hard work we have to pursue in studying all Scripture including Revelation.Read the written devo that goes along with this episode by clicking here.    Let us know what you are learning or any questions you have. Email us at TextTalk@ChristiansMeetHere.org.    Join the Facebook community and join the conversation by clicking here. We'd love to meet you. Be a guest among the Christians who meet on Livingston Avenue. Click here to find out more. Michael Eldridge sang all four parts of our theme song. Find more from him by clicking here.   Thanks for talking about the text with us today.________________________________________________If the hyperlinks do not work, copy the following addresses and paste them into the URL bar of your web browser: Daily Written Devo: https://readthebiblemakedisciples.wordpress.com/?p=16109The Christians Who Meet on Livingston Avenue: http://www.christiansmeethere.org/Facebook Page: https://www.facebook.com/TalkAboutTheTextFacebook Group: https://www.facebook.com/groups/texttalkMichael Eldridge: https://acapeldridge.com/ 

‘Nothing is ever just black or white'. LA based artist Devin Wesley, takes time from creating work for the Lakers to chat with us about, working as a painter, what his art has meant for mental health awareness and the legacy he is leaving for future artists. Support this amazing creative on Instagram @Devinwesleyy and DevinWesleyart.com

There has never been a book more popular than the Bible,And perhaps few things are more controversial than the first chapter of the first book of the Bible -- Genesis.How should we interpret it? Literal? Figurative? Deep moral lessons?Join me for today's Daily Word and Prayer to learn how I believe it MUST be interpretedScripture Used in Today's MessageGenesis 1:1Exodus 20:8-11Matthew 19:4Hebrews 11:3Have you read my book, "Takin' it to Their Turf"?If not, you may request a copy on my website, www.åTomthePreacher.comWe send a copy to anyone who donates to our ministry, but if you can't do so, simply request a copy by sending us an email.Who do you know that needs to hear today's message? Go ahead and forward this to them, along with a prayer that God will use it in their life.To find Tom on Instagram, Facebook, TiKTok, and elsewhere, go to linktr.ee/tomthepreacher To support Tom Short Campus Ministries, click herehttps://www.tomthepreacher.com/support************ Do you want to have all your sins forgiven and know God personally? *********Check out my video "The Bridge Diagram" at https://www.youtube.com/watch?v=m0Kjwrlind8&t=1sCheck out my website, www.TomthePreacher.com, to learn more about my ministry and sign up for my daily email. And make sure to request a copy of my book, Takin' it to Their Turf, when you visit my website.Check out my videos on this channel to learn how to answer tough questions challenging our faith.

As teens, we often find ourselves navigating a complex web of expectations from our peers, teachers, and even our parents. Sometimes, it can feel like we're putting on a mask just to fit in or avoid judgment. But what does it mean to be truly authentic in a world where conformity seems to be the norm? Let's start by talking about literal masks. With the ongoing pandemic, many of us have had to wear face masks to protect ourselves and others. While they serve an important purpose, they can also feel like a barrier, hiding our expressions and muffling our voices. But just because our faces are covered doesn't mean we can't still be seen and heard. Figurative masks, on the other hand, are a bit trickier to navigate. These are the masks we put on to hide our insecurities, our fears, or even our true identities. Maybe you feel pressured to act a certain way to fit in with a particular group, or perhaps you're afraid to speak up for fear of being judged. But here's the thing: wearing a figurative mask might help us blend in temporarily, but it also prevents us from fully embracing who we are. And when we hide behind these masks, we not only betray ourselves but also miss out on the opportunity to connect with others authentically. So, how can we start to shed these masks and show up as our true selves? It all starts with self-awareness and self-acceptance. Take some time to reflect on your values, passions, and goals. What makes you unique? What brings you joy? Embrace those aspects of yourself, even if they don't fit the mold of what society expects. Next, surround yourself with people who accept you for who you are, masks and all. Whether it's friends, family, or mentors, having a support system can make all the difference in feeling confident enough to let your true self shine. And finally, remember that it's okay to be vulnerable. Opening up about your struggles and insecurities can be scary, but it's also incredibly freeing. When we allow ourselves to be seen in our entirety, flaws and all, we give others permission to do the same. So, to all the teens out there struggling to find their place in the world, know that you are not alone. You are worthy of love and belonging just as you are, masks and all. Keep shining your light brightly, because the world needs your unique brilliance now more than ever.  

Most of the Bible was written to be understood literally, describing historical events that actually happened. There are some parts of the Bible, though, that were written in figurative language; they are poetic or didactic in nature, describing an indescribable God using the limited words we have, and using allegory to teach us about ultimate reality in Him...

This is part 3 of the Read the Bible For Yourself. Today is the first of two episodes on how to understand and apply the Bible. One of the greatest problems facing Bible readers today is the lifted verse. It's so common to see a verse or even half a verse posted on social media or on a sign somewhere. When most people read a random verse, they impose their own modern context and background information on it. As a result, it's easy to accidentally give a scripture new meaning that the original author never intended. How can we overcome this problem? Context. Today you'll learn about the 5 major contexts that are important to keep in mind when reading the Bible. Listen to this episode on Spotify or Apple Podcasts https://www.youtube.com/watch?v=n2UQeDoPKHA —— Links —— See other episodes in Read the Bible For Yourself Other classes are available here, including How We Got the Bible, which explores the manuscript transmission and translation of the Bibe Get the transcript of this episode Support Restitutio by donating here Join our Restitutio Facebook Group and follow Sean Finnegan on Twitter @RestitutioSF Leave a voice message via SpeakPipe with questions or comments and we may play them out on the air Intro music: Good Vibes by MBB Attribution-ShareAlike 3.0 Unported (CC BY-SA 3.0) Free Download / Stream: Music promoted by Audio Library. Who is Sean Finnegan?  Read his bio here —— Notes —— Exegesis: a careful explanation of a text synonyms: explanation, exposition, elucidation to exegete a text is to understand it correctly so that you can explain it Hunger for Scripture Ask God to give you a desire to read the Bible Two Questions What did it mean to the original audience then? What does it mean to you today? Context, Context, Context Immediate context Canonical context Historical context Geographical context Cultural context Immediate Context Philippians 4:13  I can do all things through him who strengthens me. Putting this verse in context:Philippians 4:10-1410   I rejoiced in the Lord greatly that now at length you have revived your concern for me. You were indeed concerned for me, but you had no opportunity. 11 Not that I am speaking of being in need, for I have learned in whatever situation I am to be content. 12 I know how to be brought low, and I know how to abound. In any and every circumstance, I have learned the secret of facing plenty and hunger, abundance and need. 13 I can do all things through him who strengthens me. 14 Yet it was kind of you to share my trouble. Canonical Context Leviticus 11:4, 74 But among those that chew the cud or have divided hoofs, you shall not eat the following: the camel, for even though it chews the cud, it does not have divided hoofs; it is unclean for you. …7 The pig, for even though it has divided hoofs and is cleft-footed, it does not chew the cud; it is unclean for you. To whom were these statements originally made? Leviticus 11:1-21 The LORD spoke to Moses and Aaron, saying to them, 2 “Speak to the Israelites: “From among all the land animals, these are the creatures that you may eat. Historical Context Jeremiah 29:11For surely I know the plans I have for you, says the LORD, plans for your welfare and not for harm, to give you a future with hope. What were the historical circumstances in which this statement was originally made? Jeremiah 29:1These are the words of the letter that the prophet Jeremiah sent from Jerusalem to the remaining elders among the exiles and to the priests, the prophets, and all the people whom Nebuchadnezzar had taken into exile from Jerusalem to Babylon. Geographical Context John 2:13The Passover of the Jews was near, and Jesus went up to Jerusalem. Does this mean Jesus was south of Jerusalem? Actually, here “up” refers to elevation, since Jerusalem is on a hill. People go up to Jerusalem regardless of the direction from which they approach. Cultural Context Abraham and Sarah (nomadic) Solomon (palace life in the United Kingdom of Israel) Daniel (palace life in Babylon) Jesus (Galilee and Judea under Roman occupation) Paul (major Greco-Roman cities) Chronological Snobbery Originally coined by C. S. Lewis, this refers to the judgmental attitude that looks at people in ancient history as unsophisticated, primitive, and inferior. Ancient people were not dumb. They were no smarter or dumber than we are. Some of their technology was rather sophisticated. Literal vs. Figurative Didymus the Blind (ad 313-398): “Abraham entered then into Egypt allegorically by adapting himself as one of the perfect to the imperfect in order to do good to them instead of holding on to virtue as a privilege, as has been said above, but in showing her to all as his sister, in humility, so that by contemplating her they might come to love her. But observe how it is said that the officials saw her. There are in fact in the ranks of the allegorically viewed Egyptians some men who are purer, who have a great capacity for perceiving virtue. And they not only perceived her, but they introduced her to their superior, that is, to the reason that governs them, and they praised her” (On Genesis 228).[1] Sadly, Didymus overlayed the historical narrative of scripture with lessons about treasuring wisdom that were obviously not present in the text. Figurative sections of scripture like Isaiah 55:12 and Revelation 12:4 are fairly obvious. Generally, it's good to interpret the historical, legal, and epistolary portions as literal unless there's a good reason not to. Review: “Exegesis” is the process by which one studies, understands, and explains what a text means. The two questions you must ask when studying the Bible are: (1) "What did this mean to the original audience?" and (2) "What does this mean to me today?" Most errors in exegesis are the result of failing to read the immediate context. Getting a grip on the context of the original writing greatly improves exegesis, including immediate context, canonical context, historical context, geographical context, cultural context, and technological context. While reading historical narratives, law, biographies, and epistles, you should privilege literal interpretation over figurative, recognizing that exceptions can happen. If you don't understand something, just keep going. Figuring out the big picture can help immensely to understand the minutiae. [1]Sheridan, Mark and Thomas C. Oden, eds., Genesis 12–50 Ancient Christian Commentary on Scripture 2. ICCS/Accordance electronic edition, version 2.8. InterVarsity Press: 2002, Downers Grove.

In this conversation, multi-hyphenate Elliot Aronow discusses his work in helping men advance spiritually, creatively, and sartorially. He highlights the problem of stereotyping men's work and the importance of breaking free from societal expectations. Elliot shares his personal journey, from his early interest in fashion to his career in media and music. He emphasizes the significance of taking initiative and making things happen, as well as the role of personal style in self-expression. Elliot also discusses the challenges he faced in his 30s and the importance of community and creative pursuits in personal growth. The conversation explores various themes related to masculinity and community-building. It touches on the subcultures of people with Staten Island roots, the need to widen the spectrum of masculine expression, and the misconceptions about men's work. The discussion also highlights the lack of empathy for men and the failure to speak to men on the progressive side. It explores the importance of creating an alternative to right-wing masculinity and motivating men without shame. The conversation emphasizes the value of male community, rediscovering unstructured time, and the need for intergenerational male relationships. It concludes with a discussion on the importance of taking the lead in building male community and the need for a constructive clubhouse. Takeaways Stereotyping men's work is a significant problem that limits personal growth and self-discovery. Taking initiative and making things happen is crucial for personal and professional success. Personal style and fashion can be powerful tools for self-expression and building confidence. Navigating the dark night of the ego and facing personal challenges can lead to profound personal growth. Talk therapy alone may not be sufficient for personal transformation; creative pursuits and action are essential for manifesting change. Building a supportive community and having strong leadership are key factors in personal development. There are different subcultures of people with Staten Island roots, such as the Jiu-Jitsu community and colonic hydrotherapists. Men's work needs to widen its spectrum of expression to be more accessible and appealing to a broader audience. Misconceptions about men's work include the association with hating women or wilderness retreats, which can deter people from engaging in self-development. There is a lack of empathy for men, especially post-MeToo, which can lead to men feeling misunderstood and isolated. The progressive side has failed to speak to men effectively, leading some to seek validation and acceptance from right-wing ideologies. Creating an alternative to right-wing masculinity involves promoting a positive and inclusive definition of masculinity that does not demonize men. Motivating men without shame involves allowing them to be themselves and providing spaces for open and honest conversations. Building male community is essential for men's well-being and can be achieved through regular interactions and shared activities. Rediscovering unstructured time and engaging in vigorous nerditude can foster creativity, connection, and personal growth. Intergenerational male relationships are valuable for learning from different perspectives and experiences. Taking the lead in building male community requires individuals to step up and create spaces for connection and support. There is a need for a constructive clubhouse or salon-type event for men to gather, share ideas, and build relationships. Authenticity and unfocused writing can create a genuine and relatable connection with readers.

Jana Büttner is a figurative sculptor who focuses on sculpting from life from her studios in Salzburg and Florence. Jana was born in Salzburg, Austria in 1997 and has what she describes as three half siblings. Her mother Petra, an art teacher is from Prague and her father Uwe is from Dortmund. She grew up in an artistic and musical family, learning violin and piano, and visiting museums and galleries around Europe. From 2008-2012 Jana studied at he Musisches Gymnasium Salzburg where she was exposed to music, dancing, literature and fine art. After graduating she decided to spend a year in New Zealand which helped her clarify her career goals. When she was 19 she was accepted at the prestigious Florence Academy of Art where she spent three years studying under multiple instructors including the founder of the sculpting program Robert Boden. Jana has won numerous awards and shown in exhibitions and permanent collections around Europe and the US, including “Face 2021,“ Society of Portrait Sculptors, La Galleria Pall Mall London, the Espaco Exhibitionista Gallery, Lisbon Portugal, and the Figurativas in Barcelona. She says her goal is it to provoke emotions and encourage empathy in the viewer. The viewer should be engaged by the work, so they can identify themselves within it.Jana's website: https://www.janabuettner.com/Instagram @janabuettner.art Jana's favorite women artists:Colleen Barry Hannah SuttonMirjam JahnHannah BrictsonKäthe Kollwitz (d) Camille Claudel (d) Playlist Cerca De Ti - Hermanos GutiérrezMariella - Khruangbin, Leon BridgesJungle - Jimi HendrixShine On You Crazy Diamond, Pts 1-5 - Pink FloydHost: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/show/wisp/support.

Jana Büttner is a figurative sculptor who focuses on sculpting from life from her studios in Salzburg and Florence. Jana was born in Salzburg, Austria in 1997 and has what she describes as three half siblings. Her mother Petra, an art teacher is from Prague and her father Uwe is from Dortmund. She grew up in an artistic and musical family, learning violin and piano, and visiting museums and galleries around Europe. From 2008-2012 Jana studied at he Musisches Gymnasium Salzburg where she was exposed to music, dancing, literature and fine art. After graduating she decided to spend a year in New Zealand which helped her clarify her career goals. When she was 19 she was accepted at the prestigious Florence Academy of Art where she spent three years studying under multiple instructors including the founder of the sculpting program Robert Boden. Jana has won numerous awards and shown in exhibitions and permanent collections around Europe and the US, including “Face 2021,“ Society of Portrait Sculptors, La Galleria Pall Mall London, the Espaco Exhibitionista Gallery, Lisbon Portugal, and the Figurativas in Barcelona. She says her goal is it to provoke emotions and encourage empathy in the viewer. The viewer should be engaged by the work, so they can identify themselves within it.Jana's website: https://www.janabuettner.com/Instagram @janabuettner.art Jana's favorite women artists:Colleen Barry Hannah SuttonMirjam JahnHannah BrictsonKäthe Kollwitz (d) Camille Claudel (d) Playlist Cerca De Ti - Hermanos GutiérrezMariella - Khruangbin, Leon BridgesJungle - Jimi HendrixShine On You Crazy Diamond, Pts 1-5 - Pink FloydHost: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.com

This week, Collin, Tessa, and Josh talk about Jonah! We'll cut to the chase in the description ... it isn't a historical story. But what does it mean? 21 January 2024

Luke de Wolf joins me for a multi-episode conversation exploring the excellent book "Maps of Meaning" by Jordan Peterson. In this episode, we discuss the realm of the unknown and femininity, the impact of cultural memories, the story of Enuma Elish, and the balance between order and chaos. Luke de Wolf is the co-host of the Freedom Footprint Show. // GUEST // Twitter: https://twitter.com/northmythlukePodcast: https://www.youtube.com/@FreedomFootprint/ Book: https://www.jordanbpeterson.com/maps-of-meaning/// SPONSORS // In Wolf's Clothing: https://wolfnyc.com/NetSuite: https://netsuite.com/whatismoneyiCoin Hardware Wallet (use discount code BITCOIN23): https://www.icointechnology.com/Mind Lab Pro: https://mindlabpro.com/breedloveCrowdHealth: https://www.joincrowdhealth.com/breedloveBitcoin Apparel (use discount code BREEDLOVE): https://thebitcoinclothingcompany.com/Feel Free Tonics (use discount code BREEDLOVE): https://botanictonics.comCarnivore Bar (use discount code BREEDLOVE): https://carnivorebar.com/// OUTLINE // 00:00:00 - Coming up 00:00:31 - Intro 00:02:04 - Helping Lightning Startups with In Wolf's Clothing 00:02:51 - Introducing Luke de Wolf 00:03:05 - Mythology and Praxeology 00:04:54 - The Territory of Unknown and Uncontrolled 00:06:50 - The Precosmogonic Chaos 00:10:08 - The Realm of Unknown and Femininity 00:13:28 - The Beginning of Wisdom 00:16:23 - Individual Action and Cultural Memory 00:21:00 - Memories, Meta Stories and Action 00:25:42 - The Embodiment of Culture and the State 00:27:54 - Run Your Business from Anywhere with NetSuite 00:28:59 - Secure Your Bitcoin Stash with the iCoin Hardware Wallet 00:30:09 - The Known, the Unknown, and the Knower 00:35:34 - The Significance of Heroes and Entrepreneurs 00:38:35 - The Figurative vs. Literal Meaning of the Stories 00:43:47 - Enhance Your Brain Power with Mind Lab Pro 00:44:54 - Take Control of Your Healthcare with CrowdHealth 00:46:01 - The Election of Metaphors 00:49:15 - The Story of Enuma Elish 00:56:08 - Cultural Degradation of the West 00:57:25 - Marduk: the Hero of Enuma Elish 01:04:17 - Building Order Out of Chaos 01:10:22 - Balancing Order and Chaos 01:13:03 - Imitation of a Hero// PODCAST // Podcast Website: https://whatismoneypodcast.com/Apple Podcast: https://podcasts.apple.com/us/podcast/the-what-is-money-show/id1541404400Spotify: https://open.spotify.com/show/25LPvm8EewBGyfQQ1abIsE?RSS Feed: https://feeds.simplecast.com/MLdpYXYI// SUPPORT THIS CHANNEL // Bitcoin: 3D1gfxKZKMtfWaD1bkwiR6JsDzu6e9bZQ7 Sats via Strike: https://strike.me/breedlove22Sats via Tippin.me: https://tippin.me/@Breedlove22Dollars via Paypal: https://www.paypal.com/paypalme/RBreedlove// WRITTEN WORK // Medium: https://breedlove22.medium.com/Substack: https://breedlove22.substack.com/// SOCIAL // Twitter: https://twitter.com/Breedlove22WiM? Twitter: https://twitter.com/WhatisMoneyShowRumble: https://rumble.com/c/BreedloveInstagram: https://www.instagram.com/breedlove_22/TikTok: https://www.tiktok.com/@breedlove22LinkedIn: https://www.linkedin.com/in/breedlove22/All My Current Work: https://vida.page/breedlove22

Following her father's passing 10 years ago, Deanna Clayton's artwork took an unexpected turn when she found herself modeling clay into a figurative vessel rather than a decorative one. The translation of the clay form into glass symbolized glass' inherent life-affirming qualities. Soft, flowing edges at the bases of these sculptures add to the sense of impermanence; electroplated copper helps to ground the figures, enhancing their presence. Clayton states: “The inspiration for this new body of work is a true love of the life inherent in glass itself. To create a face in glass is a self-evident evocation of the material's life quality. Creating abstracted forms in glass that become believable as life is what is truly inspiring. This is what continues my quest to experiment and explore glass and its capabilities as an art form.” Clayton started working with glass 35 years ago as a student in Bucks County, Pennsylvania. She began as most glass artists do, by being introduced to a blow pipe and a furnace of molten glass. Her work prior to finding glass was primarily drawing and printmaking, with an emphasis on representing the human form. She earned her associates in fine arts degree at Bucks County Community College. Wanting to continue her education in glass, Clayton chose Kent State University in Kent, Ohio, where the program taught by Henry Halem had produced some of the most successful glass artists working at the time. After two years, she moved to Champaign-Urbana, Illinois, where she graduated from the University of Illinois with a bachelor of fine arts degree in art history in 2002. While attending the University of Illinois, Clayton started her own glass studio with her husband, Keith Clayton. After 10 years in Illinois, in 1995 the couple discovered beautiful Door County, Wisconsin, where they moved with their three children. The studio was known for its pate de verre technique and electroplated copper vessels – a successful source of inspiration to her for over 20 years. Today, D.C. Studios LLC is designed to educate others in the ancient and rewarding process of pate de verre. Clayton has taught classes at the Corning Museum of Glass, New York; The Cleveland Institute of Art; and Duncan McClellan Glass Project, St. Petersburg, Florida. Her work can be seen in public and private collections around the world. This year's exhibitions included a solo exhibition, Surging Forward, at Duncan McClellan Gallery, St. Petersburg, Florida; Glass Coast Weekend, Habatat Fine Art, Sarasota, Florida; and Art Palm Beach, Mattsen Fine Art, Palm Beach, Florida. Artist awards include the 2019 Collectors Choice, 47th Annual International Glass Invitational, Habatat Galleries, Royal Oak, Michigan; SAC Award, Professional Dimensions Group, Milwaukee, Wisconsin; and Most Unique Interpretation of a Vessel, Habatat Galleries, Boca Raton, Florida. Says Clayton: “I love the versatility and freshness of glass as an artistic medium. The potential for expression in contemporary glass is limitless.”  

Join Devin and James, for another hilarious episode of Crying In My Car! This week, we're exploring the wild world of Alibaba's new live-streaming platform, where teaching meets QVC, and the results? Well, they're in the millions! Yes, you heard right, our educator comrades in China are blending savvy selling tactics with teaching and pocketing millions in live sales! We can't help but wonder if this could be the side hustle we never knew we needed. Who remembers the English teaching craze to Chinese students? Devin dishes on his less-than-stellar experience with it, involving an unconventional platform and an unexpected wrestling match during qualification. Figurative wrestling. In our Teachers in the News segment, Devin dives into some jaw-dropping stories, like the teachers from Clark County who found themselves behind bars after demanding a much-needed pay raise. Then there's the perplexing case of a Chicago teacher shot in the leg at a White Sox game—with the game continuing nonetheless! And let's not forget the daring rescue of a teacher from a closet (who knew teachers had closets?) post-robbery! We also delve into the financial plight of an Idaho teacher who, after laying out her expenses, is left with a measly $25 a month. The struggle is real, and we're stretching every dollar till the next paycheck! Devin spots some common oddities in schools, from unreliable internet to relics of the past posing as school facilities. Every school has its quirks, and Devin is here to spill the tea on the bizarre similarities he's unearthed. James is dropping some wisdom with his top ten reasons on how parenting and teaching are eerily similar. Brace yourselves; the revelations are both amusing and astonishing! Buckle Up! -- Grab your tickets for the Bored Teachers Comedy Tour here: https://www.boredteachers.com/comedy-tour Listen to this podcast: https://bit.ly/ListenCIMC  Follow Devin at http://DevinComedy.com https://tiktok.com/@devincomedy http://twitter.com/devinsiebold http://instagram.com/devinsiebold Follow James at http://JamesYon.com https://tiktok.com/@jamesyoncomedy http://instagram.com/jamesyoncomedian A Bored Teachers Podcast https://boredteachers.com https://facebook.com/boredteachers https://tiktok.com/@bored_teachers http://instagram.com/bored_teachers http://twitter.com/bored_teachers _________________________________________________________ Crying In My Car Podcast with Devin Siebold: Presented By Bored Teachers

My adventures at a haunted hotel, new tattoos, prison and rich gated neighborhoods being the same and my amazing parenting advice. ENJOY I LOVE YOUUUUU.

Merriam-Webster's Word of the Day for April 29, 2023 is: expedite • EK-spuh-dyte • verb To expedite something is to speed up its process or progress. Expedite can also mean “to carry out promptly.” // To expedite the processing of your request, please include your account number on all documents. See the entry > Examples: “Builders have been accused of using cheap materials and skirting building codes to expedite projects and fatten profits—erecting structures that could not survive quakes.” — Nimet Kirac, The New York Times, 17 Feb. 2023 Did you know? Need someone to do something in a hurry? You can tell that person to step on it—or you can tell them expedite it. Figurative feet are involved in both cases, though less obviously in the second choice. Expedite comes from the Latin verb expedire, meaning “to free from entanglement” or “to release (a person) especially from a confined position.” The feet come in at that word's root: it traces back to Latin ped- or pes, meaning “foot.” Expedient and expedition also stepped into English by way of expedire.