Podcasts about Vestoj

This week we ask, what does Daily Male mean when they say “Make Oxford St Great Again”? How do you get Cancelled Twice

Today's episode is sponsored by BetterHelp.  Let's admit it. Despite the billions of people on earth, the world can be a friggin lonely place. And for the VIP-lonely among us, Jeff and Shaleia charge a mere $8888 for all the answers to life's big love questions. If you're seeking a first-person narrative about what it's like to pay to play in Twin Flames Universe, check out Keely Griffin on ALBC.  For this show, we features Alice Hines – the Emmy-award winning investigative journalist and executive producer of Desperately Seeking Soulmate: Escaping Twin Flames Universe, a new docuseries chronicling the two kooky, creepy founders Jeff – a real Keto Keith Raniere – and his partner Shaleia as they go from run-of-the-mill influencers to building what Vice has called a ‘cult empire'.  Hines dives right into her curiosity around the creepy repercussions of internet culture on IRL relationships and how that led her to explore, report on, and be invited into Jeff and Shaleia's home where she filmed the duo. You can watch that footage in the docuseries.  For now, take a listen for the inside scoop on the culty couple.   NOTES  Alice Hines is a writer, documentary film producer, and news correspondent that speaks truth to power and sheds light on unseen subcultures. She's contributed to The New York Times, Vanity Fair, and New York Magazine, among others. She introduced the term “Chads” – the ideal, buff, white, manly man at the heart of incels' standards of attractiveness. And she won a News Emmy for her work on-camera for a Vice News series. Based on her reporting for Vanity Fair, Alice executive-produced the Amazon Prime docuseries, Desperately Seeking Soulmate. Alice grew up in South Carolina, got her writing creds at Brown University, and even worked as an editor at the sartorial Vestoj, a research vessel with fascinating pieces that explore the bridge between fashion theory and sales – that is, why we wear what we wear.   If you really want to go down the word salad rabbit hole and you're armed with many grains of salt, you can read Jeff and Shaleia's response to Alice's Vanity Fair exposé.    Here's Alice's website, her Instagram, and her Tik Tok.   Also…   Let it be known far and wide, loud and clear that…   The views and opinions expressed on A Little Bit Culty do not necessarily reflect the official policy or position of the podcast. Any content provided by our guests, bloggers, sponsors or authors are of their opinion and are not intended to malign any religion, group, club, organization, business individual, anyone or anything. Nobody's mad at you, just don't be a culty fuckwad.   Other Links: Check out our lovely sponsors Join ‘A Little Bit Culty' on Patreon Get poppin' fresh ALBC Swag Support the pod and smash this link Cult awareness and recovery resources   CREDITS: Executive Producers: Sarah Edmondson & Anthony Ames Production Partner: Citizens of Sound Producer: Will Retherford Co-Creator: Jess Tardy Senior Writer: Holly Zadra Theme Song: “Cultivated” by Jon Bryant co-written with Nygel Asselin  

Ernst van der Hoeven and Kirsten Algera, the creative team behind MacGuffin talk to Jeremy Leslie as their 12th issue, The Log, arrives in shops; Alison Branch, managing director of Park Communications, discusses a new book designed to help clients print sustainably, and we hear an excerpt from a recent shop event featuring Jonathan Simons of Analog Sea Review. Before we meet our guests, Jeremy Leslie gives a quick update on magCulture news, and introduces some exciting new arrivals at the magCulture Shop including The Paper, Pact, Vestoj, Printed Fashion and Backstage Talks. MacGuffin quickly established itself as an indie benchmark with its 2016 launch. The 12 issues to date provide a perfect example of the vitality and innovation that is possible in the indepdendent sector when a strong idea is expertly executed in terms of all the basic aspects of a magazine: story research, commissioning, art direction, design and production. Ernst and Kirsten discuss the magazine's roots, its role as an anti-design magazine, and the new issue, revealing the combination of big idea and detail required to make MacGuffin tick. London printer Park Communications have supported our Podcast for several years. They have just published ‘Sustainable Print Design', a guide to making sure your print project is as environmentally friendly as possible. MD Alison Branch joins us to explain more about the the project, which is available as a free download from their website, or in print from the magCulture Shop. The final segement of the episode is an excerpt from our recent magCulture Meets Analog Sea Review event. Founder Jonathan Simons explains his anti-digital position, reading from the introduction to the latest issue of ASR, and revealing his initial obsession with his iPhone 1. We're grateful to our friends at Park Communications for their support of the magCulture Podcast. Find them online at www.parkcom.co.uk https://www.macguffinmagazine.com Analog Sea Review does not have a website. Audio produced and edited by Sam Williams

https://designdisciplin.com/rtd-intro:: Related Books, Links, Resources*+ Bowers  (2012). The Logic of Annotated Portfolios: Communicating the Value of ‘Research through Design'. In Proc. DIS: https://dl.acm.org/doi/abs/10.1145/2317956.2317968+ Change by Design by Tim Brown: https://geni.us/change-by-design+ Conversation with Virgil Abloh on Vestoj: http://vestoj.com/does-your-jacket-have-three-armholes/+ Design Issues Journal: https://direct.mit.edu/desi+ Design Studies Journal: https://www.journals.elsevier.com/design-studies+ Desmet, Overbeeke, & Tax (2001). Designing Products with Added Emotional Value: Development and Appllcation of an Approach for Research through Design. The Design Journal https://www.tandfonline.com/doi/abs/10.2752/146069201789378496+ DiSalvo, Forlizzi, & Gemperle (2004). Discovering and Extracting Knowledge in the Design Project. In Proc. DRS: https://dl.designresearchsociety.org/cgi/viewcontent.cgi?article=2169&context=drs-conference-papers+ Drone Chi: https://www.baytas.net/research/dronechi/+ Hauser, Oogjes, Wakkary, & Verbeek (2018). An Annotated Portfolio on Doing Postphenomenology through Research Products. In Proc. DIS: https://dl.acm.org/doi/abs/10.1145/3196709.3196745+ La Delfa et al. (2020). Designing Drone Chi: Unpacking the Thinking and Making of Somaesthetic Human-Drone Interaction. In Proc. DIS: https://dl.acm.org/doi/abs/10.1145/3357236.3395589+ La Delfa et al. (2020). Drone Chi: Somaesthetic Human-Drone Interaction. In Proc. CHI: https://dl.acm.org/doi/abs/10.1145/3313831.3376786+ Lesko (1997). Industrial Design at Carnegie Institute of Technology, 1934–1967. In Journal of Design History: https://academic.oup.com/jdh/article-abstract/10/3/269/337126+ Odom et al. (2016). From Research Prototype to Research Product. In Proc. CHI: https://dl.acm.org/doi/10.1145/2858036.2858447+ Odom et al. (2018). Attending to slowness and temporality with olly and slow game. In Proc. CHI: https://doi.org/10.1145/3173574.3173651+ Odom et al. (2019). Unpacking the Thinking and Making Behind a Slow Technology Research Product with Slow Game. In Proc. C&C: https://doi.org/10.1145/3325480.3326567+ RTD | Research through Design Conference: https://www.researchthroughdesign.org/+ Slow Game by Will Odom: http://willodom.com/portfolio/portfolio/slow-game/+ Sprint by Jake Knapp: https://geni.us/sprint-dd+ The Double Diamond by the Design Council: https://www.designcouncil.org.uk/our-work/news-opinion/double-diamond-universally-accepted-depiction-design-process/+ The Lean Startup* by Eric Ries: https://geni.us/lean-startup-dd:: Connect with Design Disciplin+ Website: http://designdisciplin.com​+ Podcast: http://podcast.designdisciplin.com​+ Instagram: http://instagram.com/designdisciplin/​+ Twitter: http://twitter.com/designdisciplin/​+ YouTube: http://youtube.com/designdisciplin+ Bookstore: http://designdisciplin.com​/bookstore:: Episode Bookmarks00:00 Intro02:00 Who is this for and what to expect05:18 Origin: What is RtD and why does it exist?12:13 Purpose: What is RtD good for?15:15 Example: Xerox (1980s)17:52 Example: Slow Game (2018)20:29 Example: Drone Chi (2020)22:27 Recap and Closing*: May contain affiliate links – at no extra cost to you, we earn a commission if you purchase from these links.

On this episode we speak with Anja Aronowsky Cronberg, the founder and editor of Vestoj magazine, a publication that aims to bridge fashion and theory, and a bible for all fashion fanatics with an intellectual bent. Anja is one of the most formidable brains in the fashion media and it was a pleasure to speak with her about her journey to Vestoj, her view of fashion criticism and its place and how she's shifting her attitude from being a critic to an informed observer.Support the show

What do we mean by “disenfranchised grief.” It's when your experience of grief is different than the general cultural attitudes about “justified” pain regarding death and loss or “acceptable” mourning practices. Being out of “the norm” in your grief experience often tend to exacerbate the pain as people can feel very alone.In this conversation, Candace Opper talks about her experience losing a childhood acquaintance to suicide and how this event stayed with her for decades. About Candace OpperSuicide Prevention, Mental Health, Keynote Speaker, Depression, resilience, burnout, grief, psychological safety, training, strategyCandace Jane Opper is a writer, a mother, and a visual artist. She is the author of Certain and Impossible Events, an investigative memoir about the lasting impact of adolescent suicide, selected by Cheryl Strayed for the Kore Press Memoir Award. Her writing has appeared in Guernica, Longreads, Narratively, Literary Hub, Brevity, Creative Nonfiction, Bright Wall/Dark Room, and Vestoj, among others. She holds an MFA in creative writing from Portland State University and is the recipient of a Creative Nonfiction Fellowship. She grew up in the woods of Southern Connecticut and now lives in Pittsburgh with her husband and son.

En este episodio la escritora Vanessa Rosales analiza la idea de lo narco más allá de las asociaciones inevitables y sombrías que se han tejido alrededor del mundo del narcotráfico y del crimen, para pensar en cómo lo narco se ha convertido en un código estético y de estilo. Basándose en su ensayo para la publicación crítica VESTOJ, explica cómo lo narco permite desglosar temas sobre dinámicas de clase social en Colombia; la profunda incomodidad que genera en el país la movilidad social que no esté emparentada a las jerarquías o al linaje; las concepciones de trabajo y dinero desde el catolicismo que pueden leerse en sus códigos; y las formas en que por ejemplo difiere la figura del gangster italo-americano versus el narco colombiano o latino. También incluye pinceladas de los tipos de lecturas sobre ideales e imaginarios de feminidad que permite esta estética y que pueden hacerse desde la perspectiva feminista.

Born and raised in New Jersey, Gary Lippman received a law degree from Northwestern University and has worked with New York's Innocence Project. Lippman's play Paradox Lost ran off Broadway for a month in 2001 and his writing has been published in The New York Times, The Paris Review, VICE, Fodors, and more. Having lived in Illinois, Florida, California, and France, Lippman can now be found in what used to be called "Fun City" with his imaginary French bulldog, his very real Hungarian wife, and a whenever-he's-inclined-to-visit adult son. Laura Albert has won international acclaim for her fiction. Writing as JT LeRoy, she is the author of the best-selling novels Sarah and The Heart Is Deceitful Above All Things, and the novella Harold's End. She is the subject of Jeff Feuerzeig's feature documentary Author: The JT LeRoy Story and Lynn Hershman Leeson's film The Ballad of JT LeRoy. She has written for The New York Times, The Forward, The London Times, Spin, Man About Town, Vogue, Film Comment, Interview, L'Équipe Sport&Style, Filmmaker, I-D, and others – more recently, the cover article for Man About Town and her reflections on fashion for VESTOJ. A writer for the HBO series "Deadwood," she also wrote the original script for Gus Van Sant's Elephant and was the film's Associate Producer. She has written the short films Radiance for Drew Lightfoot and ContentMode, and Dreams of Levitation and Warfare of Pageantry for Sharif Hamza and Nowness. www.LauraAlbert.org

#3 Masquerade Artists Zoe Bedeaux and Rhea Storr, writer Margaret Busby and Get Up, Stand Up Now curator Zak Ové explore the concept of masquerade in Black diasporic creativity, reflecting upon the history of Trinidad carnival documented in Horace Ové’s 1973 documentary, King Carnival. Music by Gaika. Excerpts from A Protest, A Celebration, A Mixed Message by Rhea Storr. Zoe Bedeaux Multi-disciplinary artist Zoe Bedeaux studied art and design at Harrow School of Art before working as a styling assistant to famous punk designer Judy Blame. Her work encompasses style curation, art direction, writing, photography, print-making, poetry, audio readings and cultural commentary. She has been featured as model, muse and contributing editor in publications and various online platforms such as Nowness, Another, SHOWstudio, The Face, i-D, Self-Service, 032C, Vogue and Vestoj. Rhea Storr Rhea Storr’s practice is concerned with producing images which refute stereotypes of Black identity. Working on 16mm film, but also making peripheral drawings, photographs and scores, she questions how a body performs and how other bodies react to it. Of Bahamian and English heritage, her interests centre around the inherent tensions in being between two cultures where oversimplified statements about racial identity have no meaning. Carnival is often the subject of her work, and her approach affirms Caribbean culture while subverting traditional power structures.  Margaret Busby OBE, Hon. FRSL was born in Ghana and educated in the UK. Graduating from London University, she became Britain’s youngest and first Black woman publisher when she co-founded Allison & Busby in 1967, where she was editorial director for 20 years. Subsequently pursuing a career as editor, broadcaster and critic, she has contributed to many publications, written drama for radio and the stage, served as a judge for prestigious literary competitions, and campaigned for diversity in publishing since the 1980s. She compiled the ground-breaking international anthology Daughters of Africa (1992), and 2019’s follow-up, New Daughters of Africa (Myriad).  Zak Ové Zak Ové shared his father’s passion for film and photography as he assisted him on film sets from a young age and eventually studied film at St. Martins School of Art. Influenced by Trinidad’s steel pan, Zak became an accomplished percussionist; music and art remained the backbone of his work when he moved to New York, as a music video director, shooting classic videos of that time. Extending his work into advertising, Zak directed a range of campaigns and worked with Lee Scratch Perry, whose freedom of creativity left its mark on Zak. Ultimately disillusioned with the commercial world, Zak returned to Trinidad to document Carnival and its old-time masquerade, which subsequently inspired him to create sculptural artworks. Producers: Chris Elcombe, Eleanor Scott and Joby Waldman The series was produced by Reduced Listening and Somerset House GET UP, STAND UP NOW GENERATIONS OF BLACK CREATIVE PIONEERS 12 Jun – 15 Sep 2019 A major new exhibition celebrating the past 50 years of Black creativity in Britain and beyond. Beginning with the radical Black filmmaker Horace Ové and his dynamic circle of Windrush generation creative peers and extending to today’s brilliant young Black talent globally, a group of around 100 interdisciplinary artists will showcase work together for the first time, exploring Black experience and influence, from the post-war era to the present day. https://www.somersethouse.org.uk/whats-on/get-up-stand-up-now

Bienvenue dans le podcast qui s’intéresse au sens de l’Habit. Que révèle le Style ? Comment le vêtement change l’Histoire ? Se fait miroir de notre époque ? Influence nos rapports sociaux ?  Comment mettre du sens dans nos dressings pour les rendre durables ? Peut-on s’offrir le luxe d’être soi dans un monde où l’on possède trop de tout ? Je suis Victoire Satto, cofondatrice de Thegoodgoods et je reçois dans cet épisode Alden Wicker, une green-blogueuse new-yorkaise très renommée. Elle est la fondatrice d'Ecocult où elle écrit sur la Mode écoresponsable et le slowliving depuis 2013, elle est aussi journaliste freelance et fondatrice d'Ethical Writers, un collectif de créatifs engagés pour la transparence et la durabilité dans des domaines variés.  Dans cet épisode nous allons parler : De camp scout hippies pour enfants aux États-Unis Du magazine de mode idéal Et des nouvelles identités des new-yorkaises Cet épisode a été enregistré en anglais et conservé dans sa version originale, doublée en français aujourd’hui par Emilie Satt de Madame Monsieur que je remercie infiniment. RETROUVEZ ALDEN WICKER :  Sur Ecocult : https://ecocult.com Son compte Instagram : https://www.instagram.com/ecocult/ Le comité Ethical Writers : http://www.ethicalwriters.co/ Le journal Vestoj dont nous avons parlé : http://vestoj.com/ RETROUVEZ-NOUS :  ° Sur Facebook : @thegoodgoods.fr ° Sur Instagram : @thegoodgoods.fr ° Sur Twitter : @victoiresatto ° Sur www.thegoodgoods.fr  - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -  Avant de partir... Si vous appréciez le podcast, ce qui nous aide le plus pour le porter aux oreilles d'un maximum de personnes, c'est que vous preniez quelques secondes pour laisser une note étoilée sur Apple Podcast ou sur Itunes. N'hésitez pas également à :

Creator of one-off outfits for a host of hip-hop stars, street legends and athletes, Dapper Dan built up a cult following from his original Harlem shop on 125th Street in the Eighties and early Nineties. In the new episode of the Gucci Podcast, Vestoj Editor-in-Chief and publisher Anja Aronowsky Cronberg interviews the designer about his ongoing collaboration with the House, from the reopening of his Atelier in Harlem to the special Gucci–Dapper Dan collection, now available on gucci.com More on: stories.gucci.com/DapperDanCollection Discover the collection at: capsule.gucci.com/DapperDan Read more about the Atelier at: stories.gucci.com/DapperDanAtelier

Creator of one-off outfits for a host of hip-hop stars, street legends and athletes, Dapper Dan built up a cult following from his original Harlem shop on 125th Street in the Eighties and early Nineties. In the new episode of the Gucci Podcast, Vestoj Editor-in-Chief and publisher Anja Aronowsky Cronberg interviews the designer about his ongoing collaboration with the House, from the reopening of his Atelier in Harlem to the special Gucci–Dapper Dan collection, now available on gucci.com More on: stories.gucci.com/DapperDanCollection Discover the collection at: capsule.gucci.com/DapperDan Read more about the Atelier at: stories.gucci.com/DapperDanAtelier

Host Jeremy Leslie talks to Anja Aronowsky Cronberg about the Vestoj story Beggars and Choosers, by Johannes Lenhard. It looks at the complex relationship between homelessness, masculinity and how people dress. Presented by WeTransfer Studios. See acast.com/privacy for privacy and opt-out information.

I podcasten Modestof sætter modeforsker Ane Lynge-Jorlén sammen med forskellige gæster spot på den del af modens kultur, som sjældent løftes frem i mediedækningen. Dagens afsnit af Modestof er det andet ud af tre indslag, der undersøger modejournalistik i de danske aviser.I de tre indslag vil Ane spørge sine gæster, om journalistikken har formået at løsrive sig fra damebladenes reklamejargon og opskriftformat. Dagens gæst er Sarah Skarum, modeskribent på Berlingske, og Ane vil i deres snak sætte fokus på anmeldelsen af modeshows. Sarah Skarum har arbejdet hos Berlingske siden 2008, og har læst Statskundskab på Københavns Universitet og journalistik på RUC.Sarah SkarumAne Lynge-Jorlén er modeforsker og er ph.d. i modevidenskab fra University of Arts London. Hun har undervist i modehistorie og -teori på Parsons Paris og London College of Fashion og har været redaktør af modetidsskriftet Vestoj. Efter 8 år i udlandet bor Ane nu i Danmark, hvor hun arbejder som kurator med fokus på eksperimental samtidsmode. I 2016 udkommer hendes bog Niche Fashion Magazines på det engelske forlag I.B. Tauris.

I vores helt nye podcast Modestof sætter modeforsker Ane Lynge-Jorlén sammen med forskellige gæster spot på den del af modens kultur, som sjældent løftes frem i mediedækningen. Gæsten i dette første afsnit er designer Bettina Bakdal, som både har drevet sit eget tøjmærke, været chefdesigner hos Inwear og undervist på Designskolen Kolding. Bettina er desuden medlem af Statens Kunstfonds Projektstøtteudvalg for Kunsthåndværk og Design.Ane Lynge-Jorlén er modeforsker og er ph.d. i modevidenskab fra University of Arts London. Hun har undervist i modehistorie og -teori på Parsons Paris og London College of Fashion og har været redaktør på modetidsskriftet Vestoj. Efter 8 år i udlandet bor Ane nu i Danmark, hvor hun arbejder som kurator med fokus på eksperimental samtidsmode. I 2016 udkommer hendes bog Niche Fashion Magazines på det engelske forlag I.B. Tauris.

This week we're speaking with Anja Aronowsky Cronberg, editor of Vestoj, a fashion magazine unlike any other. The latest issue is dedicated to 'masculinities', and she speaks about the fascinating history of beards, her dislike for fashion shoots, and her fondness for a pre-historic David Shrigley.