Podcast appearances and mentions of Miranda Priestly

Priya Parker wants us all to stop running from conflict and she says there is actually an art to fighting! The bestselling author of The Art of Gathering is back with her new book The Art of Fighting, a guide to having the hard conversations that can actually bring us closer together. Priya joins Danielle to unpack why avoiding conflict may be making us lonelier, how to figure out which relationships are worth fighting for, and why every fight may be revealing something deeper that we want. Plus, Priya looks at some of pop culture’s most memorable conflicts: from Issa and Molly’s friendship rupture on Insecure and Ross and Rachel’s infamous fight on Friends to the real conflict hiding inside The Devil Wears Prada. If you’ve ever avoided a difficult conversation, struggled to speak up, or wondered whether it’s time to repair a relationship or walk away, this episode will change the way you think about fighting. Priya shares: Why avoiding conflict might actually be making us lonelier How healthy conflict can bring us closer together Why the fights we avoid can reveal what we really want How to figure out what you’re actually fighting about Why conflict can be an unexpected form of intimacy How to know when a relationship is worth fighting for — and when it’s time to walk away What to do when a friendship starts to feel different Why some friendships need to evolve as we change What Insecure gets right about friendship breakups and “the dangerous truth” What the Ross and Rachel fight on Friends teaches us about group dynamics Why Priya thinks we’ve misunderstood the real conflict in The Devil Wears Prada A new way to look at Miranda Priestly’s iconic cerulean sweater speech How to ask better questions during difficult conversations Why you don’t have to resolve every fight in the moment The surprising reason some of our hardest fights can become a doorway to deeper connection Priya’s Book Recommendation: The Soul of Money by Lynne Twist Grab a copy of Priya’s book, The Art of Fighting, here. Follow Priya on Instagram.See omnystudio.com/listener for privacy information.

In this Spotlight Series episode of “Half Hour,” we expand the conversation with Tony Award-winning director and choreographer Jerry Mitchell about his work on The Devil Wears Prada and the process of reimagining a familiar story for the West End stage. Mitchell discusses joining the project, returning to Elton John's early demos, and finding the emotional center of the musical through Andy Sachs' journey. He also breaks down the work behind major stage moments, from transitions and act endings to the fashion-driven visual language of Paris and the Met Ball. The conversation includes his approach to casting Vanessa Williams as Miranda Priestly and the collaboration behind a production that brings together music, choreography, costumes, design, and storytelling. We also speak with Mitchell about the future of The Devil Wears Prada, the development of Coyote Ugly, the national tour of BOOP! The Musical, Broadway Cares/Equity Fights AIDS and Broadway Bares, and his hopes for a future Legally Blonde revival. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this conversation in the Spotify comments: What part of Jerry Mitchell's creative process stood out to you, and who would you like “Half Hour” to feature next? If you enjoy these discussions, follow “Half Hour” and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of “Half Hour,” we take a deeper dive into The Devil Wears Prada, now playing at the Dominion Theatre in London's West End. We break down the musical's plot and concept, how the stage adaptation reshapes the story of Andy Sachs and Miranda Priestly, and what changed from its Chicago tryout to this West End production. We discuss Elton John's score, the lyrics by Shaina Taub and Mark Sonnenblick, Jerry Mitchell's direction and choreography, and the production design by Tim Hatley and Gregg Barnes, along with performances including Vanessa Williams as Miranda, Stevie Doc as Andy, Taila Halford as Emily, and Matt Henry as Nigel.  Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the Spotify comments, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Singer, sitcom star and stage queen Vanessa Williams joins the show. Over tuna tostadas and butternut squash salad, Vanessa tells me about repeatedly having to prove herself across careers – from Miss America and the controversy that forced her resignation, to building success in music, Broadway and television – meanwhile, dealing withjudgement, racism and being underestimated as a performer. We also reminisce about her iconic role as Wilhelmina Slater in ‘Ugly Betty,' her chemistry with costar Michael Urie, and why it stands out as one of her favorite jobs to date. Also, we get into her role as Miranda Priestly in The Devil Wears Prada musical, now on the West End. This episode was recorded at Flute at the Broadwick Soho in London. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Method dressing is once again dominating the red carpet. At the Los Angeles premiere of “Spider-Man: Brand New Day” on July 27, Zendaya arrived in an Ashi Studio fall 2026 gown with a plunging neckline framed by sculptural elements resembling a spider's appendages. Three days later, she and longtime stylist Law Roach continued the narrative at the film's London premiere with a cream Tamara Ralph couture gown traced with metallic, web-like lines. The London look was finished with a diamond-encrusted gold spider brooch by couture jewelry designer Keren Wolf, placed at the base of Zendaya's back. The piece was originally created to form part of a spiderweb headpiece designed by Shani Dvorkin with Wolf, before being reworked as an embellishment for the gown. Tom Holland joined in with an articulated spider brooch by British jeweler Pragnell, worn on the knot of his tie. The appearances were the latest demonstration of the red-carpet strategy Zendaya and Roach have helped turn into an entertainment-marketing event of its own, from “Dune” to “The Odyssey”. Instead of treating each premiere as an isolated fashion moment, they build a visual world across photocalls, press events and carpets, giving fans another reference to identify and circulate with every appearance. During the current “Spider-Man” tour, that has included a vintage Giorgio Armani dress covered in silver cobwebs at the film's Rome premiere on June 23 and a $34.99 vintage Spider-Man T-shirt sourced on eBay for a Paris photocall two days later. The pair have simultaneously been promoting Christopher Nolan's “The Odyssey,” shifting between literal spider references and contemporary interpretations of Greek dress. But as increasingly recognizable references become a fixture of movie promotion, celebrity stylist Micaela Erlanger believes the most successful looks should not resemble costumes. Erlanger, whose clients include Lupita Nyong'o and Meryl Streep, prefers the term “meta dressing”: using colors, silhouettes and more discreet cultural references to connect an actor's wardrobe to a project without overwhelming the person wearing it. “For me, it hasn't always felt like it has to be that literal,” Erlanger said on the Glossy Podcast this week. “I like the idea of referencing a character, or referencing a film, a moment, a dialogue or a period in time, without it having to feel gimmicky or obvious.” Erlanger used that approach while styling Nyong'o, who plays Helen of Troy, for “The Odyssey” press tour. At the film's London premiere on July 6, Nyong'o wore a silver Christian Cowan gown with a relatively restrained silhouette from the front, but deep sculptural cutouts beneath the arms that revealed her figure from the side. Rather than reaching for an overtly Grecian chiffon dress, Erlanger wanted the look to communicate Helen's legendary beauty more indirectly. “She's playing Helen of Troy, the most beautiful woman in the world,” Erlanger said. “You don't need a lot of clothing or a whole lot of look when it's about who the woman wearing the dress is and how she stands on her own.” Erlanger had limited information when she began working on the wardrobe. Nolan is known for keeping his films private, while Nyong'o initially disclosed little beyond the identity of her character. Erlanger instead drew from Homer's poem, Greek mythology and her own interpretation of Helen. For an earlier New York appearance, Nyong'o wore a custom Sally LaPointe look with ostrich feathers. The idea was developed by Erlanger and Nyong'o as a reference to the story that Helen was born after Zeus took the form of a swan. “If you know, you know,” Erlanger said. “Lovers of the book and Greek mythology might be able to pick up on that.” The outfit still worked independently for audiences unfamiliar with the reference, which is central to Erlanger's distinction between meta dressing and simply recreating a film's costume. She applied the same thinking while styling Streep during the press tour for “The Devil Wears Prada 2.” At an April 12 event in Shanghai, Streep wore a cobalt-blue Saint Laurent military-inspired coat dress with oversized sunglasses, subtly recalling both Miranda Priestly and the original film's famous cerulean monologue. In the speech, Priestly describes cerulean military jackets supposedly shown by Yves Saint Laurent before the color filtered down through the fashion system. The collection described in the screenplay never actually existed, making Streep's coat what Erlanger called “a reference within a reference.” “If you were paying attention, you would pick up on these kinds of things,” she said. Social media has made such details increasingly valuable. An obscure reference decoded by fans can become a viral post, generating attention for the actor, stylist, designer and film simultaneously. It has also brought stylists themselves out from behind the scenes. Erlanger said their work now extends far beyond choosing attractive clothes, encompassing public-image management, brand exposure and the strategic positioning of clients. “We are responsible for shaping the public image of some of the biggest names in entertainment,” she said. “There's a whole business to all of it.”

Movie of the Year: 2006The Devil Wears Prada (feat. Katie Walsh!)The Devil Wears Prada Podcast Episode: Fashion, Power, and the Best of 2006Welcome to The Devil Wears Prada podcast episode from Movie of the Year: 2006. This week, the Taste Buds enter the gleaming offices of Runway magazine. Furthermore, they bring backup. Film critic Katie Walsh joins Mike, Greg, and Ryan to decide whether David Frankel's fashion-world comedy can survive the 2006 bracket. Along the way, the panel debates feminism in the workplace, the myth of the suffering artist, and the eternal question of Andy's terrible friends. Additionally, the episode features a full Anne Hathaway Career Retrospective bracket. Consequently, this one runs deep on both style and substance.About the FilmThe Devil Wears Prada arrived in the summer of 2006 and promptly stole it. Director David Frankel adapted Lauren Weisberger's bestselling novel about a young journalist grinding through an impossible job. Anne Hathaway stars as Andy Sachs, an aspiring writer who lands a position at Runway magazine. Her boss is Miranda Priestly, the most feared editor in fashion, played by Meryl Streep in an Oscar-nominated performance. Moreover, Emily Blunt and Stanley Tucci deliver career-launching supporting turns. The film earned over $300 million worldwide and near-universal acclaim. Notably, Roger Ebert praised Streep's icy, understated Miranda as the engine of the whole picture. For more background, the Wikipedia entry on The Devil Wears Prada covers its production and legacy in detail. The film now faces its toughest challenge yet: the Movie of the Year 2006 bracket.Guest Panelist: Katie WalshThe Devil Wears Prada 2006 podcast episode welcomes a genuine authority to the panel. Katie Walsh is a Los Angeles-based film critic who reviews weekly releases for the Tribune News Service and the Los Angeles Times. Additionally, she serves as Vice President of the Los Angeles Film Critics Association. Her writing has appeared in GQ, Vanity Fair, Rolling Stone, Vulture, Slate, and The Playlist. She co-hosted the podcast Miami Nice and has guest-hosted Switchblade Sisters. Furthermore, she frequently appears on KCRW's Press Play and has taught film criticism at Chapman University's Dodge College of Film and Media Arts. In practice, that means the Taste Buds must actually defend their takes this week. Someone in the room knows what she is talking about.Feminism and the WorkplaceIs Miranda Priestly a feminist icon or a cautionary tale? The panel digs into how the film frames women, power, and ambition. Miranda runs an empire, yet the film punishes her with a collapsing marriage. Meanwhile, Andy gets scolded by nearly everyone for taking her job seriously. The episode asks whether the movie critiques workplace sexism or accidentally reproduces it. Notably, Katie Walsh brings a critic's perspective to how 2006 audiences read Miranda versus how we read her now. Two decades of think pieces have flipped the film's villain into its hero. Ultimately, the panel debates whether that reversal says more about the movie or about us.Can Art Only Come from Suffering?Andy suffers for a job she claims to hate, all in service of her writing dreams. Consequently, the Taste Buds tackle a bigger question: does great art require misery? The film suggests that paying dues at Runway makes Andy a better journalist. However, it also shows the cost. She loses friends, a boyfriend, and nearly herself. The panel weighs the romantic myth of the starving artist against the reality of creative work. By contrast, some of the best art comes from stability, support, and cerulean-blue sweaters chosen by someone else. Above all, this segment asks what we actually owe our ambitions.Andy's Friends: The Worst People in FashionEvery rewatch of The Devil Wears Prada produces the same realization: Andy's friends are monsters. They mock her job, demand free designer swag, and play keep-away with her work phone. Meanwhile, her boyfriend Nate pouts because she missed his birthday party for her career. Therefore, the panel litigates the great question of the film's second act. Are these people grounding Andy in reality, or are they sabotaging her? Specifically, the group ranks the friends from least to most insufferable. Nevertheless, at least one Taste Bud attempts a defense of Nate. It does not go well.Anne Hathaway Career Retrospective: The BracketSpecial segment time. The Devil Wears Prada podcast crew builds a full bracket to determine Anne Hathaway's most iconic role. The field spans her entire career. The Princess Diaries, Brokeback Mountain, Rachel Getting Married, Les Misérables, The Dark Knight Rises, and Interstellar all enter the arena. Additionally, deep cuts and dark horses make surprise appearances. Seeding arguments get heated. Upsets happen. As a result, friendships within the panel are tested. Does Andy Sachs herself take the crown, or does an Oscar-winning turn steal it? You will have to listen to find out. Check Anne Hathaway's full filmography on IMDb and play along at home.Why The Devil Wears Prada Still MattersTwenty years later, The Devil Wears Prada refuses to fade. The film remains a Rosetta Stone for conversations about work, ambition, and the price of excellence. Miranda's cerulean monologue is still the definitive speech about how culture actually functions. Moreover, the movie launched Emily Blunt, redefined Anne Hathaway, and gave Meryl Streep one of her signature roles. A 2026 sequel proved the appetite never left. In addition, the film's questions have only grown sharper in the era of hustle culture and quiet quitting. Is Miranda a monster or simply held to a different standard? Ultimately, that debate keeps the film alive, and it makes for a fierce competitor in the Movie of the Year 2006 tournament.Related Episodes from Movie of the Year: 2006Catch up on the season so far, from the 2006 season introduction to the music that defined the year:Movie of the Year 2006: Intro Part 1The 2006 Bracket Reveal: Meet the Sweet 16Tristram Shandy: A Cock and Bull StoryThe 2006 Mixtape, Part IAll Movie of the Year episodesFAQ: The Devil Wears Prada Podcast and FilmWhat is this episode of The Devil Wears Prada podcast about?The Taste Buds and critic Katie Walsh debate whether The Devil Wears Prada deserves to advance in the Movie of the Year 2006 bracket. Topics include workplace feminism, art and suffering, Andy's awful friends, and a full Anne Hathaway career bracket.What is The Devil Wears Prada about?Aspiring journalist Andy Sachs takes a job assisting Miranda Priestly, the tyrannical editor of Runway magazine. Consequently, Andy must decide how much of herself she will trade for success.Who directed The Devil Wears Prada?David Frankel directed the film. He later directed Marley & Me and worked extensively on Sex and the City. Aline Brosh McKenna wrote the screenplay from Lauren Weisberger's novel.Who stars in The Devil Wears Prada?Meryl Streep, Anne Hathaway, Emily Blunt, and Stanley Tucci lead the cast. Streep earned an Academy Award nomination for playing Miranda Priestly.More Questions About The Devil Wears PradaIs Miranda Priestly based on Anna Wintour?Widely, yes. Author Lauren Weisberger worked as an assistant to Vogue editor Anna Wintour, and Miranda is broadly understood as her fictional counterpart. However, Streep has said she modeled the performance on powerful men she knew rather than on Wintour.Who is the guest on this episode?Film critic Katie Walsh joins the panel. She reviews films for the Tribune News Service and the Los Angeles Times and serves as Vice President of the Los Angeles Film Critics Association.What is the Anne Hathaway Career Retrospective?It is a bracket-style special segment. The panel seeds Anne Hathaway's most famous roles against each other and votes round by round until one iconic performance remains.Why does The Devil Wears Prada still matter?The film remains the defining movie about ambition, mentorship, and toxic workplaces. Moreover, its cultural conversation keeps evolving, as the 2026 sequel proved.

Fashion-Blogger Fröhlich und Stilikone-Schwind begrüßen euch zu diesem Detektiv-Fall im Modebusiness. Andreas hat Mut zur Stofflichkeit und setzt ein modisches Statement mit schwarzen, spitzen Schuhen, einer Skihose aus den 50er-Jahren und einem langen Ledermantel. Kai präsentiert die mutige Ästhetik eines Mannes, der morgens erfolgreich einen Kleiderschrank geöffnet hat. Wie schön, dass wir hier Audio machen! Bei „Die drei ??? und Schüsse aus dem Dunkel“ (ohne nnnnnnnnnn!) müssen Justus, Peter und Bob einen Diebstahl aufklären, denn die Modeentwürfe einer neuen Kollektion sind futschikato. Und obwohl es einen Anschlag auf „eine hübsche Blonde im Stretchkleid mit reichlich hohen Hackenschuhen“ gibt und die drei Jungs als Models zu Porno-Musik tanzen müssen, hat das Hörspiel die Dynamik einer Gebirgsbildung. Statt Glamour pur: Schlummer nur. Selbst die großartige Cornelia Meinhardt ändert daran nichts. Mit ihrem einzigartigen egozentrischen Spiel bekommt Rocky Beach allerdings seine eigene Miranda Priestly. Welches sehr seltene Kult-Hörspiel hat Andreas auf Vinyl? Wieso haben Yoga und Zyklusüberwachung ein Trauma verursacht? Und wer oder was ist Roland S-770? …Es ist nicht der siebenhundertsiebzigste Roland Schröder im Telefonbuch von Herford-West. „Heilige Kontaktlinse!“ Die Fragen werden in diesem Bobcast beantwortet. Versprochen. Nicht so allerdings die Auflösung dieses Falls. Und wer den vollständig versteht, ist ein ganz, ganz, ganz, ganz, ganz merkwürdiger Mensch! Gast in dieser Podcast-Folge: Jan-Friedrich Conrad Ihr habt Fragen, Wünsche oder Anregungen? Dann schickt einfach eine E-Mail an: bobcast@dreifragezeichen.de Hier gibt es alle Infos und Termine zur Bobcast LIVE Tour: https://www.dreifragezeichen.de/bobcastlive „Haschimitenfürst – Der Bobcast“ ist ein Podcast von EUROPA, a division of Sony Music Entertainment Germany GmbH Idee: Andreas Fröhlich/ Regie & Konzeption: Ralf Podszus/ Moderation: Kai Schwind und Andreas Fröhlich/ Titelmusik: Jan-Friedrich Conrad/ Redaktion: Lara Grillmayer / Produktion: Carina Schwarz/ Management & Koordination: Nina Schulze Pellengahr/ Redaktion Sony: Maike Müller/ Covermotiv: Aiga Rasch (Illustrationen), Tom Presting (Gestaltung), Christian Hartman, Haakon Dueland (Fotos)/ Eine Produktion von Podever Vielen Dank an unsere Werbepartner dieser Folge. Zu den Angeboten kommst du hier: https://linktr.ee/Bobcast

In this episode, Deborah and Cathy ask a very specific question about a perplexing phenomenon they've experienced. Why do we hear so many complaints (very often from other women) that the wrost boss they ever had was, in fact, a woman? Deborah and Cathy break down the Hollywood caricatures of women bosses - think Miranda Priestly or Selina Meyer - and contrast those with reality. What's at play here and how do we stop the negative stereotyping from women and men? Deborah and Cathy discuss the role of bias, including confirmation bias and an expectation for women to "play nice," and consider whether these expectations and biases creat unfair standards for wmen bosses. As alwys, they discuss solutions to make the workplace fairer for everyone, including by giving our bosses a fair shot. 

The wonderful Vanessa Williams wows us as Miranda Priestly in The Devil Wears Prada The Musical, on now at London's Dominion Theatre.The fantastic Florentenes have the Top of the Tower rocking with tunes from their latest EP, Breaking News.And CEO of McLaren, Zak Top gets us excited of this weekend's F1 at Silverstone.Catch TFI Unplugged on Channel 4 at 11:05pm on Friday nights and on the Virgin Radio UK YouTube channel! Hosted on Acast. See acast.com/privacy for more information.

Join us on the patreon to hear the full , almost 2 hour (!) episode. https://www.patreon.com/c/RememberShuffleThe Shuffle bois are joined by resident fashion correspondent Colette Shade author of “Y2K: How the 2000s Became Everything (Essays on a future that never was.”) to review a masterpiece of 2000s cinema, The Devil Wears Prada. This is a film that simultaneously attempts to be a scathing satire of the fashion industry, a character study of an anti-hero in a deeply flawed industry, and a paint-by-numbers rom com about a woman trying to have it all. After describing its characters, plot, and style, the crew digs down into some of the film's themes, including its schizophrenic relationship to the fashion industry, its view of aestheticism and culture, and how Miranda Priestly functions as a Michael Mann protagonist. They close out by briefly discussing the 2026 fan-service sequel, The Devil Wears Prada 2, which attempts to criticize capitalism and consultants without using the word capitalism. Follow Colette on bluesky , Twitter (@MsShade) and check her website out here: https://www.coletteshade.com/. Her tour dates are as:Give Remember Shuffle a follow on Twitter⁠⁠⁠⁠⁠ and on Instagram⁠⁠⁠⁠ ⁠@RememberShufflePod⁠⁠⁠⁠⁠ to interact with the show between episodes. It also makes it easier to book guests. 

MIRANDA PRIESTLY IS BACK... BUT DOES THE SEQUEL LIVE UP TO THE ORIGINAL?! With Meryl Streep returning as Miranda Priestly, Anne Hathaway back as Andy Sachs, and Emily Blunt reprising Emily Charlton, Greg Alba, John Humphrey & Tara Erickson react to The Devil Wears Prada 2 — the long-awaited sequel that brings audiences back inside the glamorous and ruthless world of Runway Magazine. Blending sharp comedy, fashion industry satire, modern journalism, and emotional character reunions, this The Devil Wears Prada 2 reaction explores one of the year's most anticipated comedy sequels. The Devil Wears Prada 2 Reaction (Full Length Watch Along):   / thereelrejects   Limited Time Offer – You Need Fiber. Yes you! Boost your fiber with Huel today using my exclusive offer of 15% OFF online with my code REJECTS at https://www.huel.com/REJECTS. New Customers Only. Thank you to Huel for partnering and supporting our show! In this The Devil Wears Prada 2 reaction, movie reaction, and review, Greg, John & Tara revisit the iconic world of Miranda Priestly, played by Meryl Streep (The Devil Wears Prada, The Iron Lady), as she navigates the rapidly evolving fashion and media landscape alongside Andy Sachs, played by Anne Hathaway (Interstellar, Les Misérables), Emily Charlton, played by Emily Blunt (Oppenheimer, A Quiet Place), and Nigel, played by Stanley Tucci (Conclave, The Hunger Games). The sequel also features Lucy Liu (Kill Bill Vol. 1, Charlie's Angels), B.J. Novak (The Office, Vengeance), Simone Ashley (Bridgerton, Sex Education), and Justin Theroux (The Leftovers, Beetlejuice Beetlejuice), as old rivalries, unexpected alliances, and the future of fashion journalism collide. Featuring unforgettable callbacks to the original film, Miranda's commanding return to Runway, Andy's unexpected homecoming, Emily's rise in the fashion world, Nigel's heartfelt journey, dazzling couture showcases, celebrity cameos, and a story centered on preserving creativity in an era dominated by algorithms and digital media, The Devil Wears Prada 2 delivers a stylish and surprisingly emotional continuation of the beloved classic. Inspired by the world created by Lauren Weisberger and produced by Disney, the sequel revisits one of cinema's most iconic fashion franchises while exploring how both the industry—and its legendary characters—have changed over the past two decades. Follow Greg Alba:  Instagram: https://www.instagram.com/thegregalba/ Twitter:  https://x.com/thegregalba Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Learn more about your ad choices. Visit megaphone.fm/adchoices

“Everybody wants to be us.” Join Ian & Liam for our 337th episode as we slip into designer shoes, grab the garment bags, and survive another impossible day at Runway magazine with The Devil Wears Prada (2006). Megs isn't with us this week — Miranda Priestly spotted her wearing cerulean before she'd learned why it was cerulean and immediately reassigned her to the Paris office. Kev? He's still trying to fetch the unpublished Harry Potter manuscript, a flight to Miami, and a steak for Miranda... all before lunch. This week we discuss: Meryl Streep's iconic performance — restrained, terrifying, and endlessly quotable. Is Miranda Priestly one of the greatest screen bosses ever created? Anne Hathaway's Andy Sachs — idealistic, ambitious, and increasingly compromised. Is her transformation inspiring, tragic, or somewhere in between? Emily Blunt steals every scene — razor-sharp timing, impeccable delivery, and why Emily Charlton remains one of the film's most beloved characters. Stanley Tucci's Nigel — warmth, wit, and heartbreak. Does he quietly become the emotional centre of the film? Ian breaks down the screenplay — how the film effortlessly balances workplace comedy, character drama, and biting satire. Liam explores the film's central question — is success worth sacrificing the people and principles that got you there? The fashion world — superficial excess, genuine artistry, or something much more complicated than the film's critics often admit? The "cerulean sweater" speech — one of the great monologues of modern cinema. Does it completely redefine how we understand Miranda? The "show vs tell" balance — how the film uses costume, performance, and visual storytelling to chart Andy's evolution without ever needing to announce it. The ending — personal victory, professional failure, or exactly the compromise Andy needed to make? And finally, whether The Devil Wears Prada is the Best Film Ever — or simply one of the smartest and most rewatchable comedies of the 21st century. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are very thankful to the following Patreon backers for their generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Duane Smith (Duane Smith!) Andy Dickson Aashrey Chris Pedersen Randal Silva Nate The Great Rev Bruce Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Youth Hosteling with Chris Eubank Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

Hi. How are you? This is Guilherme with a brand new episode of the Inglês Diário podcast. Hope you are all doing great today. We are already in late June, and I have to say, it's getting quite cold here in Sorocaba! Perfect weather for a hot cup of coffee while we practice some English.Today, we are going to use one of our new formats: the Pop Culture Scene! I love using movies to learn vocabulary because it creates an instant visual memory. I'm sure most of you have seen the movie The Devil Wears Prada—or in Portuguese, O Diabo Veste Prada. It's an absolute classic.If you remember the story, the main character, Andy, gets a job as an assistant to Miranda Priestly. And Miranda is basically the worst boss in the world. She is rude, she calls Andy at all hours of the night, and she wants impossible things—like getting the new Harry Potter book for her daughters before it is even published! But Andy, our main character, really wants to be a journalist, and she knows this job is a great opportunity. So, she decides to put up with Miranda's terrible behavior. Again: she decides to put up with Miranda's terrible behavior.To put up with something. Put, P-U-T, up, with.When you put up with something, you tolerate a difficult, annoying, or unpleasant situation without complaining. You don't like it, but you accept it. If you live next to a busy street or avenue, you put up with the traffic noise. If you have an old computer that crashes all the time, but you can't buy a new one, you just put up with it. In the movie, Andy puts up with Miranda's ridiculous demands because she hopes it will help her career.But as the story progresses, things get more and more toxic. Fast forward to the end of the movie: they are at a big fashion week in Paris and Miranda does something terrible: she betrays her most loyal colleague just to save her own job. When Andy sees this situation , she realizes she doesn't want to become a band, ruthless person like Miranda. That is her absolute limit. She finally draws the line.To draw the line. Imagine you have a piece of chalk (or “giz"), and you draw a straight line on the ground. You look at the situation and say, "You can come this far, but you cannot cross this line." To draw the line means to set a strict boundary or limit. It means you define exactly what is acceptable and what is absolutely unacceptable. Andy could put up with working late, but she drew the line at hurting other people. She threw her cell phone into a fountain in Paris, turned her back, and walked away.So, my question for you today is: Have you ever had a boss like Miranda Priestly? Maybe not as crazy, but maybe a little bit? What kind of crazy things did you have to put up with at your job? And at what point did you finally draw the line?Leave a comment. See you next time, bye!

Friends of the Stay F. Homekins Pod!Hello! It is JUNE and therefore TIME for our conversation podcast episode, that is free for all to hear, discussing IT ALL. Like we do. In this episode, PFT reminisces about Miranda Priestly, Janie tries to understand municipal politics and TOGETHER they uncover an ancient but important blog. So buckle in, my dearies, sit back, relax and get to PODDIN' with Janie & Paul (an alt title perhaps, in our PARALLEL LIVES??) Huggles,JHT & PFT Comment below, SUBSCRIBE for bonus bits This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit weekendwater.substack.com/subscribe

David Chang, Chris Ying, and The Ringer's Sean Fennessey sit down over steak and spaghetti to discuss some of the most emotionally loaded beef in film history: the "overcooked" steak in 'Raging Bull,' a life-changing meal in 'Moonstruck,' class warfare on a plate in 'Snowpiercer,' Miranda Priestly's steak order in 'The Devil Wears Prada,' and more. With Vrbo, what you book is what you get. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Molly and Emese sit down with the iconic costume designer Molly Rogers—the creative force behind some of the most unforgettable wardrobes in television and film history. Rogers takes us inside her journey from working alongside Patricia Field in New York to helping define the looks of unforgettable characters like Carrie Bradshaw, Andy Sachs, and Miranda Priestly. She shares the real story behind Carrie's famous tutu, reveals the first piece she sourced for The Devil Wears Prada 2, and explains why great costume design is about much more than fashion—it's about storytelling. She also shares why bad taste can be important, how her personal style has evolved over the years, and what it truly means to build a character's world through clothing. And of course, we make her choose. Carrie's tutu or Andy's Chanel boots? A Sony Music Entertainment production.  Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us at @sonypodcasts  To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Mentioned in the Episode:  Molly Rogers x Macy's Nili Lotan White T-Shirt Tibi Elbow Cut-Out Sweatshirt Learn more about your ad choices. Visit podcastchoices.com/adchoices

How We Seeez It! Episode 339, The Devil Wears Prada (2006) “I'm just one stomach flu away from my goal weight.” - Emily Charlton Director David Frankel's stylish and endlessly rewatchable(?) look into ambition, identity, and the compromises we make along the way. With Meryl Streep's iconic Miranda Priestly, Anne Hathaway's Andy Sachs, Stanley Tucci's scene-stealing Nigel, and Emily Blunt's unforgettable Emily, The Devil Wears Prada still has plenty to talk about 20 years later. Join us as we discuss the film's lasting appeal, Andy's choices, the great Nate debate, Miranda's power, and whether the ending wraps things up a little too neatly. Do Steve and Noah see eye to eye, or are they walking different runways? And of course, don't forget about the cocktails for this episode. Apparently, high fashion pairs well with caffeine. As always, mix a drink, have a listen, and let us know what you think. If there is something you watched that we might enjoy, or a can't-miss series we should check out, send it our way. Also, please rate and review the show on all your favorite podcast apps. Drinks for the episode: "The Glamazon" 1⅓ oz beef-fat-washed Green Chartreuse ¾ oz fresh espresso ½ oz Amontillado sherry ½ oz port reduction syrup ¼ oz dry curaçao Tiny pinch of salt   “Boss juice” 2.5 oz Grind Double espresso liquor  1.5 oz Grey Goose Vodka  2 oz Oat Milk   Show links: https://hwsi.podbean.com/e/how-we-seeez-it-devil-wears-prada-2006/ HWSI LinkTree HWSI Facebook Link HWSI Instagram Link HWSI Youtube link !! You can also email the Podcast at the.HWSI.podcast@gmail.com

Miranda Priestly and the gang are back for another super entertaining film about the fashion industry. We had Sami Matarante on for the first one and she was the first one we asked to be on this episode. She is the best and we had the best time. Enjoy!

ABOUT THE EPISODE --In Episode 270 of Reel Therapy, Daniel and Donavon are joined by UCA Professor of Film, Dr. Bruce Hutchinson, to discuss the 2006 classic, "The Devil Wears Prada". Does it hold up twenty years later? What's the deal with Nate's character? Should Andy have kept her job? Does the script hold up two decades later? We break it all down with the professor before we see the sequel and let us know in the comments below what you thought of the film and what are your thoughts on the "The Devil Wears Prada 2".TABLE OF CONTENTS --00:00:00 - About the Episode00:00:32 - Greetings from Dr. Bruce Hutchinson00:01:01 - The Devil Wears Prada01:56:33 - Before We GoABOUT THE MOVIE --"The Devil Wears Prada" follows Andy Sachs, an aspiring journalist who lands a coveted job as assistant to Miranda Priestly, the powerful and demanding editor-in-chief of a leading fashion magazine. Thrust into the fast-paced world of high fashion, Andy must navigate impossible expectations, office politics, and the growing tension between her career ambitions and personal life. Blending sharp humor, memorable performances, and insightful commentary on work-life balance and ambition, the film has become a modern classic about success, sacrifice, and finding your own path.Before We Go: Additional Reading --"Spinstack" App: https://spinstackios.app"Wuthering Heights" - Directed by Emerald Fennell: https://www.imdb.com/title/tt32897959/"Widow's Bay" on Apple TV: https://www.imdb.com/title/tt33332385/"Scriptnotes: A Book About Screenwriting and Things That Are Interesting to Screenwriters" - Written by John August and Craig Mazin: https://a.co/d/02TyU3FmArt House Cinema: https://www.arthouse-cinema.netFIND US --To learn more about Bruce and follow his work, find him on:Instagram: @bdhutchX: @bdhutchAnd for more movie breakdowns checkout:LINK: https://www.thehutchfiles.com/For everything Reel Therapy and 241 Studios, check out our website:LINK: https://www.241studios.com/Follow us on:Instagram: @reeltherapy_podcastFacebook:   / reeltherapypod  TikTok: @reeltherapy_podcast

Send us Fan MailOn this episode -- #119 of the Triple FFF, we're slipping into the world of prestige fashion,  passive aggressively cruel bosses and serious life lessons as we discuss The Devil Wears Prada and its long-awaited sequel The Devil Wears Prada 2. Directed by David Frankel, the original 2006 film stars Anne Hathaway, Meryl Streep, Emily Blunt, Stanley Tucci and Adrian Grenier, while the 2026 sequel reunites much of the original cast with the addition of Justin Theroux, Kenneth Branagh, Lady Gaga and that heart-stopping toe-curling King of the Manhood Jungle, Patrick Brammall. My two guests this week are no strangers to dressing well. Back again are David Johnson DMD and my kid sis and fashion icon.   Okay before we hit the runway, the synopses:  The Devil Wears PradaA recent journalism graduate, Andy Sachs, is hired as an assistant to powerful fashion editor Miranda Priestly. She struggles to meet the demands of the job while adjusting to the fast-paced world of high fashion. As her career accelerates, her personal relationships begin to deteriorate. The Devil Wears Prada 2Years after leaving the fashion industry, Andy Sachs has moved into a new phase of her career. Miranda Priestly is facing changes in the media and fashion landscape that threaten her position. Their paths cross again as both navigate shifting professional and personal priorities. Are these films comedy classics or are they just more in a long line of confused and manipulative chick flicks?  Find out!Watch the video podcast on Youtube:https://youtu.be/ZSPxIa0Ez9I

Who is the hottest Disney prince? Was Jasmine secretly into Jafar? What's the WORST Toy Story movie? Are Mary Poppins and Peter Pan related? Who is the gay member of Simba's family? What Pixar character has the best body tea? AND What Disney character inspired Miranda Priestly? Cody, Andrew & Ren break down their all-time fav Disney movies including Aladdin, The Lion King, The Incredibles, Wall-E, Ratatouille AND MORE!Check out our spring sponsors!!LMNT: Get a free LMNT Sample Pack with any order at DrinkLMNT.com/tactful - And remember to try Lemonade Iced Tea now through August 31st!Quince: Refresh your everyday with luxury! Head to Quince.com/pettiness for free shipping on your order and 365-day returns!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Artificial intelligence is the undisputed main character of 2026, showing up everywhere from the wedding industry to perfume creation. But even while AI's place in society remains contentious — in the buzzy “The Devil Wears Prada 2,” AI is a bigger antagonist than Miranda Priestly — beauty brands and retailers are rushing to adopt AI into their platforms. That includes two of beauty's major players, Sephora and Ulta.  In March, Sephora announced an integration of its app within ChatGPT, while Ulta Beauty announced its own artificial intelligence integration via a partnership with Google Gemini just a month later.  On this week's episode of the Glossy Beauty Podcast, hosts Lexy Lebsack and Sara Spruch-Feiner are joined by senior beauty reporter Emily Jensen to discuss Sephora's and Ulta's recent investments into AI, and how agentic shopping is poised to evolve in the beauty industry. How exactly AI will shape the consumer pipeline and influencer beauty shopping in the months and years to come remains to be seen. But with Amazon (and its proprietary AI capabilities) on Sephora's and Ulta's heels as a major beauty retailer, the beauty retailers are diving right in rather than risking getting left behind.  

In the final episode in this series of conversations around Devil Wears Prada, Julia speaks with Maryam after they watch the second film together. Unlike the earlier conversations in the series, this episode shifts away from Miranda Priestly herself and towards Andy — and what her character reveals about confidence, ambition, self-worth and the stories women continue to tell themselves as they lead. Maryam reflects on Andy as someone who is no longer an intern, no longer inexperienced, and yet still behaves as though she must constantly prove she deserves to be in the room. The conversation explores how many women carry old narratives about themselves long after they have developed the capability, instincts and judgement to lead confidently. Together, Julia and Maryam discuss the trap many women find themselves caught in: the fear of remaining too uncertain and over-accommodating, while also fearing becoming hard, untouchable or emotionally distant in order to succeed. The conversation also revisits many of the tensions explored across the wider Devil Wears Prada mini-expedition. Does excellence inevitably create pressure? Can ambitious women avoid becoming emotionally extractive leaders? What happens when stress simply gets passed down organisations? And how do women lead without reproducing the same cultures that exhausted them? A central theme in the episode is the emotional complexity of leading. Julia and Maryam reflect on loyalty, validation, psychological safety, female friendships, and the importance of recognising the quieter people who often hold organisations together behind the scenes. Returning once again to Miranda Priestly, the episode asks whether the real challenge for women is not choosing between Andy and Miranda, but refusing both models altogether. This final conversation brings the mini-series full circle. What began as a discussion about Miranda Priestly becomes something much larger: a reflection on ambition, identity, authority, burnout, confidence and the possibility of finding another approach to leading. About the Guest Maryam Pasha is a Storytelling strategist, producer and curator. She is co-founder of XEQUALS Studio, a creative studio dedicated to telling stories that can create a just, sustainable and joyful future. Projects include TEDxLondon, the Climate Curious Podcast and THE HERDS London. As a storyteller and coach she has worked with hundreds of speakers, including philanthropists, Nobel-prize-winning academics, business leaders, technical experts, activists and students. She has helped organisations to raise over a $1.5 billion to fight climate change, worked on talks that have been viewed over 25 million times and supported activists who've successfully changed the law in England to protect girls from child marriage. Earlier this year she joined the Palestine Comedy Club as an Exec Producer, is on the board on Climate Spring and a visiting Fellow at Oxford University.

Welcome to Play, Pause, Rewind! The world's greatest media podcast, maybe. This week we discuss The Devil Wears Prada 2, the sequel to the 2006 film. As with the original film, this sequel stars Meryl Streep, Anne Hathaway, Stanley Tucci, and Emily Blunt. A legacy sequel taking place twenty years after the original, this film follows journalist Andy Sachs as she finds herself back at Runway in a new role to once again deal with the personality of industry titan Miranda Priestly as well as monumental shifts in the fashion space.Social Information:Podcast Info: https://linktr.ee/PlayPauseRewind Dylan's Info: https://linktr.ee/DDayMovies Niles' Info: https://www.instagram.com/nilesgotnostylez/Topics and Timecodes:Intro: 0:14The Devil Wears Prada 2:1:40The Devil Wears Prada 2 (spoilers): 11:49Other Stuff: 1:12:13Outros: 1:33:06

In this episode, we sit down with Arianna Davis Santana, Executive Editor of Digital at the TODAY Show, to explore what it really means to build a career at the center of modern media, and what ambition looks like once you're inside it.Arianna's career spans some of the most influential names in media: from Oprah Daily (formerly O, The Oprah Magazine) to the TODAY Show, where she now leads digital strategy and editorial direction while also appearing on-air to break down what's trending online.Before that, she helped launch OprahMag.com, the fastest-growing site launch in Hearst Magazines' history, and later helped lead its evolution into Oprah Daily.  She has also shaped editorial storytelling at Refinery29, where she wrote deeply reported features and personal essays centered on culture, identity, and the lived experiences of women.Across every chapter of her career, Arianna has been inside the rooms where modern media is shaped - interviewing icons like Oprah Winfrey, Hillary Clinton, Mariah Carey, John Legend, Will Smith, and more, while also building digital platforms that define what millions of people read, watch, and share.But this conversation goes far beyond titles.We talk about:-The evolution of ambition in modern media-What success actually feels like once you achieve what you thought you wanted-Why leadership sometimes requires a little “Miranda Priestly energy”-How authenticity, kindness, and authority can coexist in powerful women-And how AI, digital culture, and storytelling are reshaping the future of mediaArianna also opens up about the deeper lessons she's learned along the way, including how career setbacks, reinvention, and visibility all shape who you become when no one is watching.At its core, this episode is about rewriting success, redefining ambition, and learning how to lead without losing yourself in the process.  Connect with Arianna:Website: https://www.ariannadavis.com/Instagram: https://www.instagram.com/ariannagabLinkedIn: https://www.linkedin.com/in/ariannadavis/What Would Frida Do?: https://www.hachettebookgroup.com/titles/arianna-davis/what-would-frida-do/9781541646322/?lens=seal-pressTikTok: https://www.tiktok.com/@ariannagdavisConnect with The Women On Top:Follow The Women On Top Podcast on Apple, Spotify, or anywhere you get your podcasts.  Subscribe for more empowering conversations and stories!Website: https://thewomenontop.com/YouTube: https://www.youtube.com/@thewomenontop Instagram: https://www.instagram.com/thewomenontoppodcast/LinkedIn: https://www.linkedin.com/in/valerie-lynn/

In the third episode in this series of conversations around The Devil Wears Prada, Julia speaks with Öznur about the relationship between excellence, fear, creativity, and psychological safety — and whether the kind of environment created by Miranda Priestly still has a place today.Reflecting on her early years working in London design agencies, Öznur describes environments where relentless pressure, perfectionism, and long hours were normalised in the pursuit of excellence. Like Miranda, many of the figures leading these spaces were deeply committed to producing exceptional work. But the conversation asks an important question: does commitment to excellence inevitably require harshness?Öznur speaks candidly about the impact of fear-based environments — how they create stress, mistrust, and competition within teams, while slowly eroding creativity and confidence. Rather than bringing out the best in people, she argues, these cultures often prevent talented individuals from contributing fully.A central theme in the episode is the importance of psychological safety. Öznur reflects on the kind of environments she has consciously tried to build throughout her own career — spaces where people feel trusted, supported, and able to speak up, including the quietest voices in the room.The conversation also explores the tension between empathy and standards. Julia and Öznur discuss the challenge of balancing care for people with clarity around performance and expectations — and why avoiding difficult conversations does not necessarily help teams thrive.Returning to Miranda Priestly, the episode reflects on how differently her behaviour might be viewed today. Was she simply a product of her time? Or have expectations around work, wellbeing, and leading fundamentally changed over the last twenty years?Together, Julia and Öznur explore a more sustainable vision of excellence — one built not on fear and control, but on trust, clarity, stability, and collective creativity.About the GuestÖznur is a design and research leader with 20 years of experience in the field, working in complex industries like healthcare, life sciences and technology.A champion of cross-disciplinary collaboration and psychological safety, she leads her teams and her organisations towards delivering better services to their users. She is also a trained horticulturist and a garden designer, and enjoys bringing gardening metaphors to her work as much as possible.Öznur is currently heading up design at Isomorphic Labs, and she previously held similar roles at Genomics England, DeepMind and Google.

A movie from 2006 looks like it could have come out last year. The cars are the same. The computers are the same. The fashion, the cinematography, the music -- all of it effectively unchanged. Chris and Daniel use The Devil Wears Prada as a lens to ask a question that goes well beyond film: has Western pop culture simply... stopped moving? The conversation covers the film's craft -- Meryl Streep's uncommonly restrained performance, why the movie works better than it has any right to, and why Daniel reads Miranda Priestly not as a villain but as a Whiplash-style manifestation of what the main character actually wants. But the real thesis is bigger: the iPhone, social media, the collapse of risk-taking across studios and streaming, and why neither audiences nor executives are really to blame -- the incentive structure is. Chris and Daniel also get into the sin-eater problem, why indie film has lost its live-wire energy, and what it actually takes to stop doom-scrolling and just make the thing. Links and References What The Devil Wears Prada and Your iPhone Have in Common: Nothing Has Changed in Twenty Years > The Devil Wears Prada (2006, dir. David Frankel) The Devil Wears Prada 2 (2026, dir. David Frankel) Justin Denton, The Curse of the Sin Eater Five Easy Pieces (1970) The Last Detail (1973) Whiplash (2014) Everything Everywhere All at Once (2022) Swiss Army Man (2016) Sinners (2025) Suits (TV series) The Office (TV series) Frasier (TV series) The Big Picture podcast > This episode is sponsored by: Center Grid Virtual Studio Kitbash 3D (Use promocode "CGGarage" for 10% off)  

Oh, snap! It's time to hit that runway. The Devil Wears Prada 2 is now in theaters, so we're taking a look back at Disney Channel's very own Miranda Priestly and Raven Baxter's first day working for her in the episode Dues and Dont's. Plus, updates on Princess Diaries 3, Camp Rock 3, and Miley Cyrus's Hollywood Walk of Fame ceremony speakers. ----- Follow The Time Mousechine: ⁠⁠⁠⁠Instagram⁠⁠⁠⁠ ⁠⁠⁠⁠Twitter⁠⁠⁠⁠ ⁠⁠⁠⁠TikTok⁠⁠⁠⁠ ⁠⁠⁠⁠Patreon⁠⁠⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week on Drink the Movies, we're stepping back into the high-stakes halls of Runway to discuss the fashion-forward legacy of The Devil Wears Prada and its stylish new sequel. We'll break down Miranda Priestly's legendary influence and how the cutthroat industry has evolved for Andy and Emily in the long-awaited follow-up. To honor the specific shade that defines a million lumpy sweaters, we're serving up a chic and vibrant Cerulean Blue cocktail. Put on your Chanel boots and join us as we raise a glass to the most iconic boss in cinema history! ⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.drinkthemovies.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠*Please Drink Responsibly*

Gird your loins! Karen Peterson (@KarenMPeterson) and Derek Miranda (@DerekMiranda85) are sitting down to talk THE DEVIL WEARS PRADA 2. As always, featured reviews are done in two parts, a NON-SPOILER review with letter grade and brief discussion, followed by a more in depth SPOILER review. PLOT SUMMARY: Andy Sachs reunites with Miranda Priestly as they navigate their careers amid the decline of traditional magazine publishing. Directed by: David Frankel Written by: Aline Brosh McKenna and Lauren Weisberger Starring: Anne Hathaway, Meryl Streep, Stanley Tucci, Emily Blunt, Kenneth Branagh, Justin Theroux, Lucy Liu, B.J. Novack, Simone Ashley *Image courtesy of Twentieth Century Studios @TheWatchAndTalk (Twitter/Instagram) Letterboxd.com/TheWatchandTalk Facebook.com/TheWatchAndTalk www.TheWatchAndTalk.com TheWatchAndTalk@gmail.com   Support the show! www.Patreon.com/TheWatchAndTalk

Have you seen it? Did we need to see it? Miranda Priestly is back but should she have told the town car to 'Go!' instead of making a soft return?Also in this episode, details of my beauty column in Superdrug. Read my beauty column here: https://www.superdrug.com/emma-guns-mayAd info: Paid partnership with Superdrug.Hey! Why not share your thoughts and insights to make your listening experience even better. Complete this listener survey to tell me what you want to hear: http://bit.ly/theemmagunsshow-survey Hosted on Acast. See acast.com/privacy for more information.

Meryl Streep is back as Miranda Priestly in The Devil Wears Prada 2, and what better way to pay tribute to the best to ever do it than with a Top 5 devoted exclusively to her? Adam and Josh attempt to narrow down five decades of legendary work into a handful of essential scenes, ranging from Streep’s emotional precision in Sophie's Choice and Kramer vs. Kramer to her charming looseness in Adaptation. Plus, the long-awaited return of Massacre Theatre. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:03:16) Top 5 Streep Scenes – Pt. 1 (00:03:17-00:32:19) Filmspotting Family (00:32:20-00:37:48) Top 5 Streep Scenes – Pt. 2 (00:37:49-01:25:21) Next Week / Notes (01:25:22-01:38:17) Massacre Theatre (01:38:17-01:41:20) Credits / New Releases (01:41:21-01:44:05) Links: -Chicago Critics Film Festival https://www.chicagocriticsfilmfestival.com/ -Filmspotting Fest https://www.filmspotting.net/filmspotting-fest -Filmspotting Madness https://www.filmspotting.net/madness/ Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -Filmspotting Shop for T-shirts and more.https://www.filmspotting.net/shop⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: https://youtube.com/filmspotting -Adam/Filmspotting: Letterboxd | Instagram | Facebook | Bluesky -Josh/LarsenOnFilm: Letterboxd | Instagram | Facebook | BlueskySee omnystudio.com/listener for privacy information.

The Devil Wears Prada has become iconic. Anne Hathaway's cerulean sweater. Meryl Streep's silver hair and clipped “that's all” dismissal. The pop songs, the score, the fashion world excess. Just hearing the title instantly conjures images from the film for millions of people. And while it's common knowledge that Streep's Miranda Priestly was inspired by Vogue editor Anna Wintour, fewer people realize the story began as a novel: a lightly fictionalized account written by Wintour's former assistant, Lauren Weisberger. Now, with a movie sequel hitting theaters, Arnie looks back at Weisberger's original 2003 novel and its follow-ups, Revenge Wears Prada and When Life Gives You Lululemons. Join him as he dives into the world of chick lit and reveals just how dramatic a makeover the original book received on its way to becoming a Hollywood phenomenon.

Adam and Josh discuss how The Devil Wears Prada 2 softens Miranda Priestly’s edges and why, despite mealy‑mouthed social commentary, the legacy sequel mostly works as comfort viewing. Along the way, they make the case that Meryl Streep is still the movie’s true luxury item. Plus: is it time for a Fitspotting spinoff? Links -Andy’s Best Dress -Chanel's Haute Couture Spring 2020 CollectionSee omnystudio.com/listener for privacy information.

In the original “The Devil Wears Prada,” a hapless Andrea Sachs stumbles into the office of Miranda Priestly, the exacting editor of Runway magazine and a titan of the fashion world. The film, released in 2006, was adapted from a novel by the former Vogue staffer Lauren Weisberger, and it spun the glamour of the industry into a crowd-pleasing confection for the big screen. Two decades later, the atmosphere of its sequel is darker. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss the reality-inflected elements of the new film, which finds Priestly and her team chasing clicks and catering to the whims of billionaires who might solve Runway's financial woes. The question of billionaire influence was also present at this year's Met Gala. The event's lead sponsors were the Amazon founder Jeff Bezos and his wife, Lauren Sánchez Bezos, who reportedly donated ten million dollars to become honorary co-chairs. Attendees paid a hundred thousand dollars just to get in the door. Why, the hosts ask, does the gala still matter to the average fashion enthusiast? “It's the one time where, divorced from utility and other reasons, it's O.K. to just look at fashion,” Cunningham says. “I tend to defend our opportunities to just look at things that provoke pleasure.” Read, watch, and listen with the critics:The 2026 Met Gala“The Devil Wears Prada” (2006)“The Devil Wears Prada 2” (2026)“Guys Are Wearing Slutty Little Reading Glasses Now” (GQ)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn about your ad choices: dovetail.prx.org/ad-choices

This week, Julia Turner and Dana Stevens are joined by Slate's own Rebecca Onion to discuss The Devil Wears Prada 2, BEEF season 2, and the NYT's best living songwriters package with Slate's music critic Carl Wilson. Twenty years on, we return to the world of The Devil Wears Prada. In the sequel, Andy, Anne Hathaway's character, must save Runway Magazine from the forces of capital, who are selling the Vogue-analogue for parts, as Meryl Streep's Miranda Priestly struggles to hang on to her own power. The movie has a lot to say about the state of journalism and media with plot lines seemingly ripped from the gossip pages, but does it all come together in the edit? We discuss. Then, the second season of A24's anthology series BEEF stars Oscar Isaac and Carey Mulligan as a volatile millennial couple who enter into a feud with a younger couple, played by Cailee Spaeny and Charles Melton. Set at a rich Californian golf resort and its environs, the show satirizes class and generational resentments as the characters scramble to claim the scraps of their betters at the expense of everyone else. The characters are mostly unlikeable, and the premise might be a little less original than the first season, but given BEEF's stacked cast and pedigree, does the show sizzle? Finally we're joined by Carl Wilson, Slate's music critic and author of the newsletter “Crritic!” to discuss the New York Times package: The 30 Greatest Living Songwriters. Carl submitted a ballot for the list, and the polished version isn't too far from his submission. He gets into his picks and discusses what the list is saying about the field of songwriting and the idea of a songwriter as it's been expanded to include non-traditional instrumentation and digital composition. But like all lists it has sparked debate about the inclusions (Carole King, Stevie Wonder) the exclusions (Randy Newman, Liz Phair, David Byrne) and whether Taylor Swift's inclusion was solely to get an interview. Together with Carl, we try and make sense of the list and talk about our favorites. As promised, here is Carl's full ballot (The asterisks indicate people who Carl voted for but who have since died):Willie NelsonSmokey Robinson Bobby Braddock *Brian WilsonBob DylanCarole KingRandy NewmanDolly PartonStevie Wonder*Sly StoneThe Flatlanders (Butch Hancock/Jimmie Dale Gilmore/*Joe Ely)Tom Waits & Kathleen BrennanNile RodgersDavid ByrneMark EitzelChuck D & the Bomb SquadJimmy Jam & Terry LewisStephin MerrittLiz PhairJohn Darnielle (The Mountain Goats)Missy Elliott & TimbalandThe Love Junkies (Hillary Lindsey/Lori McKenna/Liz Rose)Outkast (Big Boi/Andre 3000)Josh Osborne/Brandy Clark/Shane McAnallyPhoebe BridgersEndorsements: Julia: The SNL sketch featuring Teana Taylor, Grandpa At The Wedding.Rebecca: The new Lord Of The Flies adaptation on Netflix. Dana: The article in Vogue: Meryl Streep and Anna Wintour on Power, Fashion, and Acting the Part by Chloe Malle.Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

This week, Julia Turner and Dana Stevens are joined by Slate's own Rebecca Onion to discuss The Devil Wears Prada 2, BEEF season 2, and the NYT's best living songwriters package with Slate's music critic Carl Wilson. Twenty years on, we return to the world of The Devil Wears Prada. In the sequel, Andy, Anne Hathaway's character, must save Runway Magazine from the forces of capital, who are selling the Vogue-analogue for parts, as Meryl Streep's Miranda Priestly struggles to hang on to her own power. The movie has a lot to say about the state of journalism and media with plot lines seemingly ripped from the gossip pages, but does it all come together in the edit? We discuss. Then, the second season of A24's anthology series BEEF stars Oscar Isaac and Carey Mulligan as a volatile millennial couple who enter into a feud with a younger couple, played by Cailee Spaeny and Charles Melton. Set at a rich Californian golf resort and its environs, the show satirizes class and generational resentments as the characters scramble to claim the scraps of their betters at the expense of everyone else. The characters are mostly unlikeable, and the premise might be a little less original than the first season, but given BEEF's stacked cast and pedigree, does the show sizzle? Finally we're joined by Carl Wilson, Slate's music critic and author of the newsletter “Crritic!” to discuss the New York Times package: The 30 Greatest Living Songwriters. Carl submitted a ballot for the list, and the polished version isn't too far from his submission. He gets into his picks and discusses what the list is saying about the field of songwriting and the idea of a songwriter as it's been expanded to include non-traditional instrumentation and digital composition. But like all lists it has sparked debate about the inclusions (Carole King, Stevie Wonder) the exclusions (Randy Newman, Liz Phair, David Byrne) and whether Taylor Swift's inclusion was solely to get an interview. Together with Carl, we try and make sense of the list and talk about our favorites. As promised, here is Carl's full ballot (The asterisks indicate people who Carl voted for but who have since died):Willie NelsonSmokey Robinson Bobby Braddock *Brian WilsonBob DylanCarole KingRandy NewmanDolly PartonStevie Wonder*Sly StoneThe Flatlanders (Butch Hancock/Jimmie Dale Gilmore/*Joe Ely)Tom Waits & Kathleen BrennanNile RodgersDavid ByrneMark EitzelChuck D & the Bomb SquadJimmy Jam & Terry LewisStephin MerrittLiz PhairJohn Darnielle (The Mountain Goats)Missy Elliott & TimbalandThe Love Junkies (Hillary Lindsey/Lori McKenna/Liz Rose)Outkast (Big Boi/Andre 3000)Josh Osborne/Brandy Clark/Shane McAnallyPhoebe BridgersEndorsements: Julia: The SNL sketch featuring Teana Taylor, Grandpa At The Wedding.Rebecca: The new Lord Of The Flies adaptation on Netflix. Dana: The article in Vogue: Meryl Streep and Anna Wintour on Power, Fashion, and Acting the Part by Chloe Malle.Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

Jackie is back from a weekend of circus acts, self-care, and Miranda Priestly and recounts a surprising trip to a psychic, reviews the Devil Wears Prada 2, and plans an upcoming Mother's Day argument with Andrew.Thanks for supporting my sponsors:Article: Get $50 off your first purchase of $100 or more at www.article.com/discount/bibleRevolve: Use code BITCH to get 15% off your first order at www.Revolve.com/BITCH SKIMS: Shop Everyday Cotton, and all of my favorite bras and underwear at www.skims.com/bible #skimspartnerBetterHelp: Sign up and get 10% off at www.BetterHelp.com/BITCHBIBLESee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“I think the first time I watched it, I kept expecting Meryl Streep to be the Devil!” - SteveOn this week's episode, the gang welcomes back Chelsea Jupin to chat about the totally enjoyable, perfect-to-watch-on-an-airplane sensation, The Devil Wears Prada!   Just on the heels of the sequel releasing, we look back at the film that paved the way for the next act of Meryl's career, features one of the best Stanley Tucci performances of all time, gave the Mentalist something to do, introduced a larger audience to the coffee house vibes of KT Tunstall, and even tried to pull the old Hollywood “isn't Anne Hathaway a dog?” trick—fooling absolutely no one, by the way. PLUS: Miranda Priestley gifts Bane a stylish new breathing apparatus! The Devil Wears Prada stars Anne Hathaway, Stanley Tucci, Emily Blunt, Simon Baker, Adrien Grenier, Tracie Toms, Rich Sommer, Daniel Sunjata, David Marshall Grant, Tibor Feldman, James Naughton, Gisele Bündchen, Stephanie Szostak, John Rothman, and Meryl Streep as Miranda Priestly; directed by David Frankel.This episode is sponsored by Rocket Money! Let Rocket Money help you reach your financial goals faster. Join at RocketMoney dot com slash WHM! That's RocketMoney dot com slash WHM. Come hang out in Vegas with us this summer as we do a three-night stand at ST:LV to celebrate 60 years of Star Trek and 10 years of The Nexus! We'll be at the convention Thursday, Friday and Saturday night doing three Nexus shows on Wrath of Kahn, Generations, and First Contact! Best part is, you don't need to have a convention pass to attend, each show is ticketed separately. Click through to snag your tix now!Be sure to visit the WHM Merch shop over on Dashery and check out all the latest show-related designs you can slap on t-shirts, hats, coffee mugs, stickers, whatever! Make your friends jealous by flaunting some WHM merch today! Original cover art by Felipe Sobreiro.

What Andy Sachs discovers when she boldly sneaks into Miranda Priestly's office will knock your socks off...and maybe theirs too. Putting the spread in full spread and folds in centerfold, this is a high fashion, high stakes, high smut finale. Get wet and wild with us in our free, private FB group—The Fanny Pack—OR—if you're extra horny and want more ridiculous content, join our Patreon.

“Living for the STREEP” Series: We are here to celebrate the career of Mary Louise Streep….now known to most as Meryl Streep who has become widely known by critics, film-lovers, and audiences as likely our GREATEST LIVING ACTRESS.  Ever since her earlier breakout roles in the late 1970's in films such as The Deer Hunter, and Kramer Vs. Kramer, she has carved out a filmography filled with brilliant performances in memorable films spanning a variety of genres including biopics, thrillers, family dramas, AND comedies.  During this time, she has also earned a STAGGERING TWENTY-ONE Oscar nominations including THREE wins.  Over the next several months, I will be revisiting one notable Streep film each month – each highlighting a different type of performance – culminating with the May 1 release of the long-awaited sequel featuring one of her more ICONIC roles as Miranda Priestly, The Devil Wears Prada 2.The Wait is Finally Over.  It has been almost twenty years since the original The Devil Wears Prada hit theaters, featuring one of Streep's most celebrated performances which she also received an Oscar nomination for.  She's back as Miranda Priestly, once again leading the fashion magazine "Runway" though times have changed the magazine (like all print media) is now struggling....making matters worse, a new scandale has erupted online further putting Miranda's future (and the magazine's future) more at risk.  Fortunately whom else should return to the magazine but Andy Sacks (Anne Hathaway) to maybe save the day?  Infact several of the key players from that first film are ALSO back including Emily Blunt, Stanley Tucci, and Tracie Thoms....along with some new additions to the cast including Kenneth Branaugh, Justin Theroux, BJ Novak, and Luciy Liu!  Let's see if this highly anticipated legacy sequel lives up to the hype.....   Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

The Devil Wears Prada vs. the Met Gala… One is “sold out,” the other is a “sell-out”Streaks, leaderboards, & “Max Badges”... New rule for Disney employees? Use AI #PromptPressureThe world's most popular drug of all-time is now GLP-1… And Eli Lilly is winning the race.Plus, Venmo is up for sale… who should buy it?$PYPL $DIS $LLYNEWSLETTER:https://tboypod.com/newsletter OUR 2ND SHOW:Want more business storytelling from us? Check our weekly deepdive show, The Best Idea Yet: The untold origin story of the products you're obsessed with. Listen for free to The Best Idea Yet: https://wondery.com/links/the-best-idea-yet/NEW LISTENERSFill out our 2 minute survey: https://qualtricsxm88y5r986q.qualtrics.com/jfe/form/SV_dp1FDYiJgt6lHy6GET ON THE POD: Submit a shoutout or fact: https://tboypod.com/shoutouts SOCIALS:Instagram: https://www.instagram.com/tboypod TikTok: https://www.tiktok.com/@tboypodYouTube: https://www.youtube.com/@tboypod Linkedin (Nick): https://www.linkedin.com/in/nicolas-martell/Linkedin (Jack): https://www.linkedin.com/in/jack-crivici-kramer/Anything else: https://tboypod.com/ About Us: The daily pop-biz news show making today's top stories your business. Formerly known as Robinhood Snacks, The Best One Yet is hosted by Jack Crivici-Kramer & Nick Martell. Hosted on Acast. See acast.com/privacy for more information.

Episode 313: The Devil Wears Prada 2 In this episode, we return to the world of high fashion, ambition, and impossible standards as we break down The Devil Wears Prada 2. We explore how the sequel builds on the original's themes of identity, power, and personal sacrifice—while asking whether success still comes at the same cost in a changed cultural landscape. From evolving workplace dynamics to the legacy of Miranda Priestly's influence, we dig into what this continuation gets right, where it reinvents itself, and whether it earns its place alongside the original. Is this a natural evolution… or a bold redefinition?

As The Devil Wears Prada 2 hits theaters this weekend, Rapid Response explores the enduring business lessons inside the now 20-year-old original. Host Bob Safian is joined by two insiders who built their careers in the world the film depicts: Janice Min, CEO of The Ankler, and Sarah Ball, editor-in-chief of WSJ Magazine. Together they track how publishing, fashion and power have all shifted over the past two decades — and dig into what the original got right about ambition, success, and the bosses who shape us. Plus, shocking personal stories from the magazine industry, and why Miranda Priestly's management style wouldn't survive a week in 2026.Visit the Rapid Response website here: https://www.rapidresponseshow.com/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"You almost said all of the vowels." Zas gives Jeremy a chance to discuss something no one else cares about, Dameshek has a real issue with something he saw on an airplane, Jason Bourne battles Brock Lesnar, and the crew searches for the greatest Romantic Comedy of All-Time. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Devil Wears Prada 2 reunites Anne Hathaway, Meryl Streep, Emily Blunt and Stanley Tucci 20 years after the beloved original film. The sequel finds Andy as a mid-career reporter who gets an unexpected opportunity to lead the features department at Runway and working for Miranda Priestly, the worst boss she ever had. But does the sequel capture the magic of the original film?Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopcultureSee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

As The Devil Wears Prada 2 hits theaters this weekend, Rapid Response explores the enduring business lessons inside the now 20-year-old original. Host Bob Safian is joined by two insiders who built their careers in the world the film depicts: Janice Min, CEO of The Ankler, and Sarah Ball, editor-in-chief of WSJ Magazine. Together they track how publishing, fashion and power have all shifted over the past two decades — and dig into what the original got right about ambition, success, and the bosses who shape us. Plus, shocking personal stories from the magazine industry, and why Miranda Priestly's management style wouldn't survive a week in 2026.Visit the Rapid Response website here: https://www.rapidresponseshow.com/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

‘Open Book with Jenna' host Jenna Bush Hager sits down with the iconic cast of The Devil Wears Prada , Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci, for an extended conversation about their highly anticipated sequel, The Devil Wears Prada 2. The cast reflects on the film's lasting legacy, why now felt like the right time to return, and how the story evolves in a world shaped by technology, media changes and shifting power dynamics. They also share what it was like reuniting after two decades, revisiting their beloved characters, and filming once again in New York City. Plus, Meryl Streep opens up about the influence behind Miranda Priestly, including her connection to Anna Wintour, while the group discusses fan-favorite lines, behind-the-scenes moments, and the enduring impact of a film that continues to resonate with audiences. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Paul and Amy step into the fashion closet with The Devil Wears Prada, revisiting the sharp, stylish comedy that evolved into a definitive story about the cost of ambition. They trace the film's origins from Lauren Weisberger's real-life experience, unpack the casting what-ifs, and celebrate Meryl Streep's iconic, ice-cold turn as Miranda Priestly, from the “cerulean” monologue to the power plays that define the film. Along the way, they explore Andy's uneasy rise, the shifting dynamics with Emily and Nigel, and why the movie's unsentimental ending still cuts deep 20 years later. You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/ https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Episodic Art by Kim Troxall: https://www.unspooledart.com/ Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Anna Wintour graces the cover of Vogue's May issue alongside her theatrical double: Meryl Streep in the role of Miranda Priestly, from “The Devil Wears Prada,” whose much-anticipated sequel comes out on May 1st. Wintour and David Remnick spoke last fall on the day that a sea change took place at Vogue: it was announced that Chloe Malle would take over the editorial direction of the American edition of the publication. They discussed her storied career; her decision to wear Prada to the premiére of “The Devil Wears Prada”; and how Remnick might up his fashion game: “Forgive me, David, but how boring would it be if everybody was just wearing a dark suit and a white shirt all the time?” This segment originally aired on September 5, 2025.   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.