Podcasts about anja

Was passiert mit einer Organisation, wenn sich Technologie, Kundenbedürfnisse und Führung gleichzeitig verändern? In der zweiten Küchenfolge sprechen Anja Sengenberger und Lucas Moskau darüber, wie KI nicht nur Softwareentwicklung beschleunigt, sondern zunehmend auch Strukturen, Rollen und Geschäftsmodelle verändert. Bei TIKI trifft diese Entwicklung aktuell auf einen Führungswechsel und immer kürzere Projektzyklen. Statt Teams über Monate bei einem einzelnen Kunden einzusetzen, entstehen flexiblere Modelle: Beratung, Strategie, Prototyping und Entwicklung greifen stärker ineinander. Anja berichtet, warum sie sich für die Organisationsentwicklung bewusst aus dem operativen Tagesgeschäft zurückgezogen hat und TIKI für einige Wochen wie eine interne Beraterin betrachtet hat. Lucas bringt die Perspektive aus Entwicklung und Sales ein und erklärt, warum das eigentliche Bottleneck häufig nicht die Technologie ist, sondern die Frage: Was braucht der Kunde wirklich? Außerdem geht es darum, warum nicht jedes Problem ein Large Language Model braucht, wie sich Product Owner und Entwicklung verändern und weshalb Unternehmen trotz hoher Geschwindigkeit Raum für echten Change schaffen müssen. Eine Folge über KI, Organisation und die Herausforderung, Stabilität und Veränderung gleichzeitig möglich zu machen. www.tiki-institut.com

Reinhardt, Anja www.deutschlandfunk.de, Kultur heute

Reinhardt, Anja www.deutschlandfunk.de, Kultur heute

Reinhardt, Anja www.deutschlandfunk.de, Kultur heute

Reinhardt, Anja www.deutschlandfunk.de, Kultur heute

Reinhardt, Anja www.deutschlandfunk.de, Kultur heute

Reinhardt, Anja www.deutschlandfunk.de, Kultur heute

Reinhardt, Anja www.deutschlandfunk.de, Kultur heute

Nehls, Anja www.deutschlandfunk.de, Deutschland heute

Anja Huwe växte upp i ett välbärgat hem utanför Hamburg. Hon övervägde en karriär som makeupmodell innan hon hörde The Adverts låt "Bored teenagers" och blev punkare. Tillsammans med fyra andra unga kvinnor bildade hon gruppen Xmal Deutschland som debuterade med singeln "Scwarze Welt" 1981. Anja flyttade hemifrån och delade lägenhet på Reeperbahn med flera blivande Einstürzende Neubauten-medlemmar. En av dem, Alexander Hacke (som vid den här tiden var ihop med Christiane F, Tysklands mest kända ex-heroinist), föreslog att Anja och hennes vänner skulle försöka sig på en karriär i London eftersom de lät så brittiska. Skivbolaget 4AD nappade och snart turnerade Xmal Deutschland med Cocteau Twins och fick en stor publik på andra sidan kanalen. Albumen "Fetish" och "Tocsins" hjälpte till att forma den genre som snart blev känd som "goth". 1990 splittrades Xmal Deutschland och Anja Huwe sadlade om till tv-producent på Viva, Tysklands motsvarighet till MTV, där hon gjorde det elektroniska dansmusikprogrammet "Housefrau". Men hon skrev ingen egen musik utan blev i stället bildkonstnär. Först 2024 solodebuterade hon med albumet "Codes" och nu hälsar hon på hemma hos Strage för att prata om tyska punkupplopp och om sina blandade känslor inför att hyllas som gothdrottning. Hosted on Acast. See acast.com/privacy for more information.

Reinhardt, Anja www.deutschlandfunk.de, Kultur heute

Was passiert, wenn aus einem klassischen Softwareprojekt von drei bis sechs Monaten plötzlich sechs Wochen werden? Lucas Moskau und Anja Sengenberger sprechen über die ersten Erfahrungen aus einem laufenden AI-first-Projekt für Zollner Electronics in den USA. Die Ausgangslage ist konkret: operative Prozesse, ein Backlog von rund 1.400 unbearbeiteten E-Mails und ein Softwareprojekt, dessen Nutzen sich unmittelbar wirtschaftlich messen lässt. Dabei geht es nicht nur darum, schneller Code zu erzeugen. Das Team versucht gleichzeitig, eine wiederholbare Methodik für AI-first-Softwareentwicklung zu entwickeln: mit klaren Regeln, automatisierten Qualitätschecks, agentischer Codegenerierung und festen Punkten, an denen Menschen bewusst die Kontrolle übernehmen. Außerdem diskutieren Lucas und Anja, wie sich dadurch die Rollen von Entwicklerinnen und Entwicklern sowie Product Ownern verändern, warum „Don't outsource the thinking“ wichtiger wird und wo pragmatische KI-Lösungen enden und echte Enterprise-Software beginnt. Eine Folge über Geschwindigkeit, Qualität und die Frage, wie Softwareentwicklung aussieht, wenn KI nicht nur unterstützt, sondern Teil der eigentlichen Methodik wird. www.tiki-institut.com

Buchmann, Anja www.deutschlandfunk.de, Corso

Reinhardt, Anja www.deutschlandfunk.de, Kultur heute

Reinhardt, Anja www.deutschlandfunk.de, Kultur heute

Reinhardt, Anja www.deutschlandfunk.de, Kultur heute

Reinhardt, Anja www.deutschlandfunk.de, Kultur heute

Günter Grass prägte mit der "Blechtrommel" die deutsche Erinnerungskultur. Vor 20 Jahren gestand er seine Mitgliedschaft in der Waffen-SS. Dem späten Bekenntnis folgte eine Debatte, die Werk und Biografie des Schriftstellers bis heute verbindet. Reinhardt, Anja www.deutschlandfunk.de, Kalenderblatt

In der ersten Daily Recap Folge haben mich Anja und Michelle mit ihrem Fachwissen unterstützt. Wir sprechen über unsere ersten Eindrücke in Birmingham, die Resultate und die Schweizer Leistungen. Vielen Dank Anja und Michelle und viel Spass beim Reinhören!

Welchen Preis wähle ich für mein Angebot? Diese Frage ist so viel wichtiger, als man denkt – und meine Antwort bringt mich manchmal selbst zum Lachen. Denn mein aktueller Sweetspot sind ganz klar: 29 Euro.Verrückt, aber wahr: Biete ich dieselbe Live-Masterclass für 39 oder 49 Euro an, buchen deutlich weniger Leute. Bei 29 Euro buchen gefühlt alle. Genau das habe ich in den letzten Wochen immer wieder erlebt – und teile heute meine Learnings mit Dir, damit Du sie für Dein eigenes Business nutzen kannst.Am Anfang habe ich in meine Masterclasses viel zu viel reingepackt. Die Leute kamen mit hochrotem Kopf raus: „Toll, Anja – aber ein bisschen viel." Overdeliver klingt schön, ist aber kontraproduktiv, wenn sich niemand alles merken oder direkt umsetzen kann. Deshalb gehe ich im Herbst bewusst den anderen Weg: viele kleine, fokussierte Angebote zu genau einem Thema (z. B. „Wie erstelle ich Designs mit Claude und bearbeite sie in Canva weiter?" oder „Wie werde ich von KI und Google gefunden?"). In kleinen Runden, Stück für Stück, damit Du es am besten direkt in der Masterclass umsetzt.Der Nebeneffekt: weniger Vorbereitungsaufwand für mich, mehr Ergebnis für Dich.Der 29-Euro-Preis funktioniert nicht nur wegen der guten Conversion. Viele sehen mich dort zum ersten Mal, merken „ah, die erklärt das einfach und sympathisch" – und bleiben. Fast alle, die einmal eine Masterclass gebucht haben, kommen später zu weiteren Angeboten, Gruppenprogrammen oder in die 1:1-Arbeit. Kostenlose Sachen sind nett, um jemanden aufs Thema zu stupsen. Aber am Ende wollen die Leute mit Dir arbeiten – sie wollen sehen, wie Du bist und wie Du sprichst. Jedes bezahlte Angebot, bei dem man Dich erlebt, hat genau deshalb einen riesigen Wert (und Du hast trotzdem etwas verdient).Ein Gedanke zu Freebies: Wer ein Freebie runterlädt, ist nicht automatisch die motivierteste Person. Oft laden diese Leute einfach alles runter und setzen nie etwas um. Wer dagegen 3,50 € oder 29 € ausgibt, will das Thema wirklich lösen.Schau Dir Deinen Vorbereitungsaufwand an. Ein Gruppenprogramm, das Du zwei, drei Wochen vorbereitest, kannst Du nicht für 100 Euro verkaufen – das lohnt sich hinten und vorne nicht. Gerade am Anfang gilt: Bau Dir erst eine kleine Community auf, finde heraus, was Deine Leute wirklich brauchen – und dann ist so ein 29-Euro-Angebot vielleicht auch für Dich der perfekte Einstieg.Extra-Tipp: Am Ende einer solchen Masterclass immer zeigen, wie es weitergehen kann – ein Code fürs Gruppenprogramm, die Möglichkeit zur 1:1-Arbeit. Das hält Dich niemand ab, und es macht aus einem kleinen Angebot den Start einer echten Zusammenarbeit.Übrigens: Wenn Leute sich ungern live mit Kamera zeigen, gibt es viele Optionen – Kamera aus, ein anderer Name im Chat, nur mitschreiben. Gerade bei kritischen Themen nimmt das die Hemmschwelle.Geo-Masterclass (September, Termin 17.9. – wenn Du ein lokales Business hast und in Google und den KI-Tools nicht gefunden wirst

Napovedi pristojnih glede prometno obremenjenega konca tedna se uresničujejo. Zastoji so na raznih delih avtocestnega omrežja in tudi na nekaterih državnih cestah. V skladu z napovedmi vremenoslovcev je nočni prehod hladne fronte ponekod poskrbel za manjšo osvežitev, a že v začetku prihodnjega tedna je pričakovati vnovično zvišanje temperatur. Kljub nekaterim nalivom pa dežja ni bilo dovolj, da bi omilil sušo. Ta naj bi trajala še več dni. Po vsej Evropi se vrstijo opozorila, da bi ekstremna suša lahko močno ogrozila pridelavo hrane. Drugi poudarki oddaje: - Španija opolnoči uvedla začasen mejni nadzor nad potniki iz Italije in se tako odzvala na enako italijansko potezo. - Slovenski goriški in tržaški skavti ter skavtinje z vélikim zborom zaznamujejo 50. obletnico združitve v skupno organizacijo. - Nogometašice Mure končale evropsko sezono.

Today we discuss Trouble on Cloud City, the penultimate book of the Young Jedi Knights series. Lando is planning to open up a new theme park on Cloud City, and invites Jacen, Jaina, Tenel Ka, Zekk, and Lowie to test it out. Anja comes too, but she's struggling with her growing friendship with the twins and her hatred of Han Solo. She's also getting low on spice, and only Czethros can supply her with more.

Buchmann, Anja www.deutschlandfunk.de, Corso

Buchmann, Anja www.deutschlandfunk.de, Corso

Buchmann, Anja www.deutschlandfunk.de, Corso

Buchmann, Anja www.deutschlandfunk.de, Corso

Fischer, Anja www.deutschlandfunkkultur.de, Studio 9

Drees, Jan www.deutschlandfunk.de, Büchermarkt

All the way from Cape Town, South Africa, a chat with Magic Castle Junior Member, Anja Steyn, about (among other things) incorporating her love of horror films and Halloween into her magic. And then the next chapter from "Twisting the Aces." Anja Steyn Interview starts at 02:10:00"I Love That" starts at 00:25:57Chapter Fourteen of "Twisting the Aces" starts at 00:42:40 LINKSThe Eli Marks Mystery Series: http://www.elimarksmysteries.com/Get yourself a Free Eli Marks Short Story: https://dl.bookfunnel.com/jj1r1yaavjListen to an Eli Marks Audio Short Story: https://BookHip.com/LZBPPMDAnja Steyn on YouTube: https://youtu.be/U-JAPfth3jwill-advised by Bill Nighy: https://www.ill-advisedbybillnighy.com/Ben Rhodes: All We Say: https://www.penguinrandomhouse.com/books/717294/all-we-say-by-ben-rhodes/Check out Albert's Bridge Books: https://www.albertsbridgebooks.com/

Buchmann, Anja www.deutschlandfunk.de, Corso

In this guest episode, Nimesh is joined by Anja Žibert for a powerful and activating conversation about energy, intuition, spiritual awakening, self-trust and remembering the fire within you.Anja shares her journey from HR and headhunting into energy activation and purpose work, and how a past life regression in 2017 opened a deeper spiritual path that changed the way she saw herself, life and consciousness.Together, Nimesh and Anja explore the current energetic shifts, the movement from head to heart, and why so many people are being asked to stop shrinking, set clearer boundaries and trust what their body and soul are showing them.They also talk about sacred medicine journeys, discernment, integration, nature, heart-focused breathing, community, career as a mirror for spiritual growth, and why we are not here to do this journey alone.This episode is for anyone who feels they are awakening, expanding, navigating change, or being called to step into more of who they truly are.Also available to watch on YouTube.If this episode resonates, please like, comment, and follow the podcast.In This Episode✨ Anja's journey from HR into energy activation and purpose mentoring✨ Why spiritual awakening can bring both expansion and collapse✨ Trusting your body, intuition and energetic discernment✨ Nature, heart-focused breathing and staying present during change✨ Boundaries, community and stepping into your inner fireWhat You'll Take Away✨ You are here for a reason, even if you cannot see the full picture yet✨ Your body can help you discern what is true and aligned✨ Awakening is not only light; it asks you to embrace all parts of yourself✨ Boundaries are part of stepping into your power✨ Community and connection are essential for the next phase of growthGuest BioAnja Žibert is an energy activator and purpose mentor from Slovenia. With a background in HR and headhunting, she now supports empaths and highly sensitive people to ignite their inner fire, set boundaries, trust their energy and step into conscious leadership.Connect with Anja ŽibertLinkedIn: https://www.linkedin.com/in/anjazibert/YouTube: https://www.youtube.com/@freespirithcBeautiful Badass Souls: https://www.skool.com/beautifulbadasssoulsHigh5 Free Spirit Soul Activations: https://app.hiro.fm/channel/high5-freespirit-soul-activationsFree Spirit Career Empowerment: https://free-spirit-career-empowerment.netlify.appRebels Rising: https://www.rebelsrising.netContinue Your Journey With Nimesh✨ Spiritual Journey MembershipJoin a safe and supportive spiritual community with monthly teachings, guided meditations, energy updates and space to grow alongside others on the path.https://nimesh-radia.com/spiritual-membership/✨ Join the Free Full Moon WebinarJoin Nimesh and Stacey on Tuesday 28 July at 9pm UK / 4pm EST for a 90-minute Full Moon gathering with an energy update, conscious conversation, guided meditation and space to reconnect with yourself.https://us02web.zoom.us/meeting/register/qQt4vXK5TFC93lfmxtHzSQ✨ Book a Free Discovery Call with NimeshIf this episode speaks to where you are right now, you can book a free discovery call to explore spiritual mentorship, Akashic Records or deeper support.https://calendly.com/spiritualjourney/30minConnect with Nimesh RadiaEmail: nims@nimesh-radia.comWebsite: https://nimesh-radia.comPodcast: https://nimesh-radia.com/podcast/Discovery Call: https://calendly.com/spiritualjourney/30minAkashic Record Reading: https://calendly.com/spiritualjourney/akashic-record-readingInstagram: https://www.instagram.com/nimesh_radia/Facebook: https://www.facebook.com/nimesh.radiaLinkedIn: https://www.linkedin.com/in/nimesh-radiaReflectionWhere in your life are you still shrinking, and what would change if you trusted your inner fire?This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

In Female Art and Agency in Yugoslavia, 1971–2001 (Bloomsbury, 2024), Anja Foerschner offers a compelling exploration of the women artists, curators, scholars, and activists who shaped the cultural landscape of Yugoslavia and its successor states. Drawing on both original research and existing scholarship, she traces the emergence of the New Art Practice of the late 1960s and 1970s, highlighting the pivotal role of Belgrade's Student Cultural Centre, where women were instrumental in forging a progressive artistic and curatorial vision. Through insightful examinations of performance art, video art, and the development of feminist thought in Yugoslavia, Foerschner reveals how the region carved out a distinctive place within the international postwar avant-garde. Situating Yugoslav feminism in dialogue with Western and neighbouring contexts, she sheds new light on the complex intersections of art, politics, and social change. By exploring artistic responses to the breakup of Yugoslavia in the 1990s, and the enduring political dimensions of cultural production, this book invites readers to reconsider the legacies of activist art and their resonance in our present time. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Female Art and Agency in Yugoslavia, 1971–2001 (Bloomsbury, 2024), Anja Foerschner offers a compelling exploration of the women artists, curators, scholars, and activists who shaped the cultural landscape of Yugoslavia and its successor states. Drawing on both original research and existing scholarship, she traces the emergence of the New Art Practice of the late 1960s and 1970s, highlighting the pivotal role of Belgrade's Student Cultural Centre, where women were instrumental in forging a progressive artistic and curatorial vision. Through insightful examinations of performance art, video art, and the development of feminist thought in Yugoslavia, Foerschner reveals how the region carved out a distinctive place within the international postwar avant-garde. Situating Yugoslav feminism in dialogue with Western and neighbouring contexts, she sheds new light on the complex intersections of art, politics, and social change. By exploring artistic responses to the breakup of Yugoslavia in the 1990s, and the enduring political dimensions of cultural production, this book invites readers to reconsider the legacies of activist art and their resonance in our present time. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In Female Art and Agency in Yugoslavia, 1971–2001 (Bloomsbury, 2024), Anja Foerschner offers a compelling exploration of the women artists, curators, scholars, and activists who shaped the cultural landscape of Yugoslavia and its successor states. Drawing on both original research and existing scholarship, she traces the emergence of the New Art Practice of the late 1960s and 1970s, highlighting the pivotal role of Belgrade's Student Cultural Centre, where women were instrumental in forging a progressive artistic and curatorial vision. Through insightful examinations of performance art, video art, and the development of feminist thought in Yugoslavia, Foerschner reveals how the region carved out a distinctive place within the international postwar avant-garde. Situating Yugoslav feminism in dialogue with Western and neighbouring contexts, she sheds new light on the complex intersections of art, politics, and social change. By exploring artistic responses to the breakup of Yugoslavia in the 1990s, and the enduring political dimensions of cultural production, this book invites readers to reconsider the legacies of activist art and their resonance in our present time. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In Female Art and Agency in Yugoslavia, 1971–2001 (Bloomsbury, 2024), Anja Foerschner offers a compelling exploration of the women artists, curators, scholars, and activists who shaped the cultural landscape of Yugoslavia and its successor states. Drawing on both original research and existing scholarship, she traces the emergence of the New Art Practice of the late 1960s and 1970s, highlighting the pivotal role of Belgrade's Student Cultural Centre, where women were instrumental in forging a progressive artistic and curatorial vision. Through insightful examinations of performance art, video art, and the development of feminist thought in Yugoslavia, Foerschner reveals how the region carved out a distinctive place within the international postwar avant-garde. Situating Yugoslav feminism in dialogue with Western and neighbouring contexts, she sheds new light on the complex intersections of art, politics, and social change. By exploring artistic responses to the breakup of Yugoslavia in the 1990s, and the enduring political dimensions of cultural production, this book invites readers to reconsider the legacies of activist art and their resonance in our present time. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In Female Art and Agency in Yugoslavia, 1971–2001 (Bloomsbury, 2024), Anja Foerschner offers a compelling exploration of the women artists, curators, scholars, and activists who shaped the cultural landscape of Yugoslavia and its successor states. Drawing on both original research and existing scholarship, she traces the emergence of the New Art Practice of the late 1960s and 1970s, highlighting the pivotal role of Belgrade's Student Cultural Centre, where women were instrumental in forging a progressive artistic and curatorial vision. Through insightful examinations of performance art, video art, and the development of feminist thought in Yugoslavia, Foerschner reveals how the region carved out a distinctive place within the international postwar avant-garde. Situating Yugoslav feminism in dialogue with Western and neighbouring contexts, she sheds new light on the complex intersections of art, politics, and social change. By exploring artistic responses to the breakup of Yugoslavia in the 1990s, and the enduring political dimensions of cultural production, this book invites readers to reconsider the legacies of activist art and their resonance in our present time. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In Female Art and Agency in Yugoslavia, 1971–2001 (Bloomsbury, 2024), Anja Foerschner offers a compelling exploration of the women artists, curators, scholars, and activists who shaped the cultural landscape of Yugoslavia and its successor states. Drawing on both original research and existing scholarship, she traces the emergence of the New Art Practice of the late 1960s and 1970s, highlighting the pivotal role of Belgrade's Student Cultural Centre, where women were instrumental in forging a progressive artistic and curatorial vision. Through insightful examinations of performance art, video art, and the development of feminist thought in Yugoslavia, Foerschner reveals how the region carved out a distinctive place within the international postwar avant-garde. Situating Yugoslav feminism in dialogue with Western and neighbouring contexts, she sheds new light on the complex intersections of art, politics, and social change. By exploring artistic responses to the breakup of Yugoslavia in the 1990s, and the enduring political dimensions of cultural production, this book invites readers to reconsider the legacies of activist art and their resonance in our present time. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Female Art and Agency in Yugoslavia, 1971–2001 (Bloomsbury, 2024), Anja Foerschner offers a compelling exploration of the women artists, curators, scholars, and activists who shaped the cultural landscape of Yugoslavia and its successor states. Drawing on both original research and existing scholarship, she traces the emergence of the New Art Practice of the late 1960s and 1970s, highlighting the pivotal role of Belgrade's Student Cultural Centre, where women were instrumental in forging a progressive artistic and curatorial vision. Through insightful examinations of performance art, video art, and the development of feminist thought in Yugoslavia, Foerschner reveals how the region carved out a distinctive place within the international postwar avant-garde. Situating Yugoslav feminism in dialogue with Western and neighbouring contexts, she sheds new light on the complex intersections of art, politics, and social change. By exploring artistic responses to the breakup of Yugoslavia in the 1990s, and the enduring political dimensions of cultural production, this book invites readers to reconsider the legacies of activist art and their resonance in our present time. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Nehls, Anja www.deutschlandfunk.de, Deutschland heute

Anja Stensig er åndelig mentor og forfatter.Vi taler om at følge livets strøm, om dyb depression, om Gud og om at bede.Du kan se mere til Anja på https://shop.anjasteensig.dk/Det spirituelle hjørne er en uafhængig podcast. Du kan støtte podcasten her: https://10er.com/detspirituellehjorne og med et engangsbeløb her: https://www.annasophiapetri.dk/podcastTak til dig der støtter! ❤️❤️Annasophia Petri Holm ©️ 2026 Hosted on Acast. See acast.com/privacy for more information.

Böttcher, Anja www.deutschlandfunkkultur.de, Lesart

Punkte, Spiegel und unendliche Räume: Die Werke der Künstlerin Kusama sind mehr als perfekte Fotomotive. Für Yilmaz Dziewior, Direktor des Museum Ludwig in Köln, ist ihre Ausstellung ein umfassendes Erlebnis, auch wegen ihrer historischen Arbeiten. Reinhardt, Anja www.deutschlandfunk.de, Kultur heute

Böttcher, Anja www.deutschlandfunkkultur.de, Lesart

Anja Nsoromma prihaja iz Naklega na Gorenjskem, njena ljubezen do Afrike pa traja že 15 let. Pravi, da je Gana njen dom, tako podeželske Butre kot tudi velemesto Akra. Po izobrazbi je diplomirana rusistka in polonistka, v Sloveniji je bila pivovarka, v Gani pa na mednarodni šoli poučuje angleščino. Pripoveduje, da je okolje naravnost zdravilno za njen deloholizem, da se znajo Ganci ustaviti, ko so utrujeni. Razlaga tudi, kakšni so ganski pogrebi in zakaj imajo nekateri pokojniki krste v obliki steklenice kokakole, ribe ali kakavovega zrna.

Kinder aus armen Familien sind dreimal häufiger von Adipositas betroffen als Gleichaltrige aus Familien mit mittleren oder hohen Einkommen. Auch bei Erwachsenen zeigt sich dieser Zusammenhang. Übergewicht kostet jährlich Milliarden. Was kann helfen? Nehls, Anja www.deutschlandfunk.de, Hintergrund

Nehls, Anja www.deutschlandfunk.de, Deutschland heute

Today we discuss Return to Ord Mantell, the next book in the Young Jedi Knights saga. Han returns to Ord Mantell with his children. While there, they learn about Anobis, a planet that has had a civil war going on for decades. The twins also make a new friend name Anja, though she blames Han for her father's death. Together, with the help of the other young Jedi and their new friend, they try to help the war torn world. But there's more going on than any of them know about on Anobis.

Za Frekvenco X je res pestra sezona. Sledili smo prebojem v medicini, fiziki ter kemiji, spoznavali jedrsko fuzijo, premlevali sonaravno upravljanje planeta in iskali rešitve proti vse odpornejšim superbakterijam. S posadko Artemis smo potovali okoli Lune, se spominjali katastrofe v Černobilu in ter skozi prizmo znanosti zasledovali zdrav življenjski slog s pomočjo prehrane, dihanja in zdravega staranja. V štirih julijskih sredah vam postrežemo z utrinki letošnjih oddaj. Prvi kolaž je pripravila Maja Ratej, ki ga napoveduje s ključnimi besedami, kot so tehnološki velikani, dopamin, dihanje in hujšanje. V tokratni pregled smo vključili naslednje oddaje:  Frekvenca na pub kvizu: Kako steklenici izbiti dno? (12. 11. 2025) Sunita Williams: Vesolje te spremeni (15. 1. 2026) Parmy Olson: Umetna inteligenca je skrenila s poti (25. 2. 2026) Svetovno priznana psihiatrinja o odvisnosti od družabnih omrežij (8. 4. 2026) Sodobni slog življenja nam je nadel nekakšen dihalni steznik (4. 2. 2026) Maščobne celice imajo spomin, nikar se ne lotevajte jo-jo hujšanja (1. 4. 2026) Nenavadne zgodbe iz zgodovine znanosti na Slovenskem (31. 12. 2025)          

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ANJA'S LONGING, 33min., Taiwan Directed by Elen Ji “If I could live my whole life on my own will, what would it be like?” Anja, a 22-year-old biracial film school undergraduate, imagines her ideal life from birth to death. The perfection of her fantasy starkly contrasts with the incompleteness of her reality, highlighting Anja's deep longing and the story of her life. Get to know the filmmaker: 1. What motivated you to make this film? When I worked as a teaching assistant during my postgraduate studies in the Department of Motion Picture, I encountered a 5-minute doc by college student Anja about her original family. The film was short, but I was deeply touched by the unspoken emotions inside. I wanted to do a film about her, but didn't yet know in what form. Later, I attended a course called "Documentary Production", which required finishing a short doc in one semester. I thought to myself, instead of recording something ongoing, what about recording someone's inner world? Anja came to my mind. I wanted to record Anja's longing. So I developed an idea to shoot Anja's fantasy about her ideal life and invited Anja to play herself in this world. 2. From the idea to the finished product, how long did it take for you to make this film? It takes about nine months. In the first three months, the crew developed the idea, shot the film, and made the rough cut. Then I put the materials aside and turn to prepare my graduation project. It was two years after my graduation that I came back to the materials and re-edited the film. It took another half year to finish the whole work. 3. How would you describe your film in two words!? Authentic & creative. 4. What was the biggest obstacle you faced in completing this film? Since it was the first time I told a story about another person in a non-fiction way, I needed to tackle the subject more carefully. I tried my best to present Anja's inner world and real life. Meanwhile, I bore in mind that I needed to avoid any possibility of exploiting someone's pain. So, regarding what to tell, how to tell, and where to draw the line are challenges for me. 5. What were your initial reactions when watching the audience talking about your film in the feedback video? The audience feedback is very sincere and insightful, extremely precious to me and the crew members. I was both impressed by their high levels of appreciation and deeply touched by their capacity for empathy. I appreciate that a lot! 6. When did you realize that you wanted to make films? When I was a child, like 5 or 6 years old, my favorite game with my pals was making up stories and acting them out. Now looking back, that "childhood pretend play" is the seed, and it naturally turns into making films. 7. What film have you seen the most in your life? The classic films by world master directors, such as Ingmar Bergman, Andrei Tarkovsky, Krzysztof Kieslowski, David Lean, Ozu Yasujiro, and Abbas Kiarostami. Recently, I've become a fanatic about Martin Scorsese's "Taxi Driver". 8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career? More physical screenings and more audience interaction. 9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site? As always, it is handy and efficient. However, as the platform expands and thus includes more festivals, you need to make a more careful selection. 10. What is your favorite meal? A daily meal cooked by my mum. She emphasizes the original flavor of the ingredients and knows how to make a nutrition-balanced one. Oh, I missed her cooking since we live in different cities right now. 11. What is next for you? A new film? At the moment, I'm working on my first feature-length script, a story about four women's friendship and their entangled destiny. Hope everything goes well, and it will be made into a film in the near future. —— Subsc